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Really good Twitter thread originally about Elon Musk and Twitter, but also applies to Netflix and a lot of other corporations.
Full thread. Text transcription under cut.
John Bull @garius
One of the things I occasionally get paid to do by companies/execs is to tell them why everything seemed to SUDDENLY go wrong, and subs/readers dropped like a stone. So, with everything going on at Twitter rn, time for a thread about the Trust Thermocline /1
So: what's a thermocline?
Well large bodies of water are made of layers of differing temperatures. Like a layer cake. The top bit is where all the the waves happen and has a gradually decreasing temperature. Then SUDDENLY there's a point where it gets super-cold.
That suddenly is important. There's reasons for it (Science!) but it's just a good metaphor. Indeed you may also be interested in the "Thermocline of Truth" which a project management term for how things on a RAG board all suddenly go from amber to red.
But I digress. The Trust Thermocline is something that, over (many) years of digital, I have seen both digital and regular content publishers hit time and time again. Despite warnings (at least when I've worked there). And it has a similar effect. You have lots of users then suddenly... nope. And this does effect print publications as much as trendy digital media companies. They'll be flying along making loads of money, with lots of users/readers, rolling out new products that get bought. Or events. Or Sub-brands.
And then SUDDENLY those people just abandon them. Often it's not even to "new" competitor products, but stuff they thought were already not a threat. Nor is there lots of obvious dissatisfaction reported from sales and marketing (other than general grumbling). Nor is it a general drift away, it's just a sudden big slide. So why does this happen? As I explain to these people and places, it's because they breached the Trust Thermocline.
I ask them if they'd been increasing prices. Changed service offerings. Modified the product.
The answer is normally: "yes, but not much. And everyone still paid" Then I ask if they did that the year before. Did they increase prices last year? Change the offering? Modify the product?
Again: "yes, but not much."
The answer is normally: "yes, but not much. And everyone still paid." "And the year before?"
"Yes but not much. And everyone still paid."
Well, you get the idea. And here is where the Trust Thermocline kicks in. Because too many people see service use as always following an arc. They think that as long as usage is ticking up, they can do what they like to cost and product.
And (critically) that they can just react when the curve flattens But with a lot of CONTENT products (inc social media) that's not actually how it works. Because it doesn't account for sunk-cost lock-in.
Users and readers will stick to what they know, and use, well beyond the point where they START to lose trust in it. And you won't see that. But they'll only MOVE when they hit the Trust Thermocline. The point where their lack of trust in the product to meet their needs, and the emotional investment they'd made in it, have finally been outweighed by the physical and emotional effort required to abandon it. At this point, I normally get asked something like:
"So if we undo the last few changes and drop the price, we get them back?"
And then I have to break the news that nope: that's not how it works.
Because you're past the Thermocline now. You can't make them trust you again.
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DIGITAL MARKETING INSTITUTE IN BTM
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Hi Bunny! Could I request a croissant with a side of mocha coffee & champagne + Fernando please? 🙏🏻
bakery menu
want to suggest your own order? look at the menu for more information! i love getting requests in! please if you can reblog and comment! this bunny feeds off praise! as for this one, thank you lovely anon! i hope you love this! enjoy!
croissant ("i wonder if your father knows what happens during the off hours. if he knows you're here with me.") + mocha coffee (breeding kink) + champagne (sugar daddy au) served by fernando alonso (formula one)!
cw: smut/pwp, daddy issues, age gap (20s/40s), daddy kink, sugar daddy au, breeding kink, pregnancy, bimbo!reader, missionary, fingering
you'd go to visit 'friends' in spain during the off season of formula one, and you'd always come home with some kind of bruise. mostly on your face or knees, your father knew how clumsy you were, and didn't really bother him too much. his poor, simply daughter got another bump and bruise.
you were just happy that fernando's cum didn't stain the front of your shorts.
madrid was beautiful even in january. it wasn't particularly warm, but it wasn't freezing like your father's home across the atlantic. but that just gave you more of a chance to be closer to your lover, fernando alonso.
the much older formula one driver that was working with your father's marketing firm on a new collaboration. it meant you saw a fair bit of fernando when you were 'helping' your father around the office. (your father thought that since you couldn't get into post-secondary that some working experience would bridge the gap!). but, you were doing less organization of paper work and more having the formula one driver fuck you over top of the photocopier. (he even got a photocopy of your pretty tiddies out of it).
the world was such a big place, and you were just a simple girl.
but, you never did have to worry. not with fernando by your side, letting the older man keep you like a perfect little pet. and that meant spending your time in spain, letting the driver just make you feel like the most perfect princess in the world.
the house that fernando lived in was beautiful and gave you plenty of room to explore. you'd be by the pool or snuggled up in front of the large flat screen television.
you were a pretty live in toy that frenando enjoyed nothing more than to fuck the living daylights out of him. currently you were in the bedroom on your back with your sugar daddy crowding your space, with his fingers buried inside of you.
he said softly, "i wonder if your father knows what happens during the off hours. if he knows you're here with me." he knew it riled you up when he mentioned your asshole of a father.
you squirmed and said, "nando! c'mon! no fair?" your back arched a little when he rubbed against the perfect spot. your pretty pains dug into the covers as he continued to finger you.
he shook his head, "no, no. you are just too cute under my thumb. your father gave you your job to keep you busy, but i think that you work harder on your knees then in the office."
you whined, "i'm a good employee."
he leaned in and kissed you on the cheek, leaving a wet mark on your skin, "sure, beautiful. you're the employee of the month." he chuckled as he slipped a third finger in, which made your core throb.
you squirmed a little more and reached for your lover. he went in for a searing kiss which made you moan loudly. you felt your heart batter in your chest as he continued to sink his digits into your pussy. the wet sounds made him hot all over.
"you're so pretty like this." he said as his cock twitched in his boxers as he continued to pleasure you. he licked his lips, "such a dumb little thing, you think you get by because you look so cute. but, just know, you're all mine."
you squeaked and nodded, "yes, daddy."
he took his fingers out of you then slapped your pussy which made you almost cum right there. he got himself out of his underwear soon after and got between your legs. his cock was impressive in size and made your skin burn as you watched him get comfortable between your plush thighs.
you looked up at him and said, "please, daddy. i need you." then kept your eyes on him as he shifted your hips up to meet his cock. he sank into your pretty pussy with relative ease, the entire process made the hair stand up on the back of your neck.
"my pretty princess." he purred, "so beautiful. so good under me, you are so painfully sweet. and stupid." he said as he placed both hands on either side of your body and started to move up against you. he felt the thump of pleasure in his head with every hard thrust.
"i'm not dumb, daddy."
he chuckled and grabbed you by the face to look at him, as he moved against you. he grinned at you, "not when i'm done with you, princess."
fernando was a rough lover, he was the kind of daddy dom who kept you on a tight leash. he had to, you had a habit of getting into trouble. maybe next time he'd get you a collar to yank on when he fucked you.
when he bred you.
that was what this all boiled down to. fernando had to make sure that his special little princess didn't stray too far. it was hard to do that when a plump little baby in your belly. maybe it'll smarten you up to be a mother. your father would be happy that his dumb little daughter married rich.
you whined as he continued to move against you.
fernando felt the sweat drip down his back as he continued to rut into you. the painfully sweet thing that he managed to trap, to keep under his thumb while he reamed your sweet cunt. he could feel his heartbeat in the back of his throat as he moved against you.
"you're so perfect.' he said.
"thank you daddy." you whimpered as you felt hot all over.
he loved it, he loved the control he had over you. the sweet little girl that he found, the place to leave his seed. let it spit into the back of your womb. it all belonged to him.
you whimpered, "please daddy." most sugar daddy's would pay to keep a baby quiet, but not fernando. he'd pay for you to raise his little baby properly. be a good mother and wife. it was a roundabout way of making sure you'd marry him.
he was a possessive old bastard like that, make sure he nabbed himself a pretty young thing he can empty his balls in and watch care for his brats. it was quite a charmed idea.
and you had no idea what was going on. only that it felt good when fernando fucked your cunt with heavy thrusts that made your mind swim.
"so precious.' he said, "and all mine."
you felt the moan get stuck in your throat as you arched your back. you clung to the soft covers of your shared bed and clenched around his dick.
"fuck, pretty girl. my princess." he groaned as he continued his heavy thrusts. your cunt felt like a dream around his cock as he buried it to this hilt, made sure that every inch was snug inside of you. he continued to move you up and down the bed as he fucked you.
with one last heavy thrust, he finished inside of you. you gasped heavily as you felt his cock throb inside of you. he gave it a few more thrusts of his hips before he stopped and relaxed. his shoulders were curved over top of you and panted heavily.
you looked up at him, still feeling a little blissed out. you said softly, "thank you, daddy."
he looked down at you and took in the sight of you. he smiled briefly at you and said, "that's a good girl. remember to take all of it."
-
your new years was in spain then became spring in spain, then summer in spain. now you were expecting a baby girl in october and you had a nice ring on your finger.
you spent most of your time around the house, mostly tending to things around it. you rubbed your lower back and soon felt the arms of your husband around your middle.
fernando came closer to kiss you on the cheek, he cupped your swollen middle and said, "how is my beautiful princess?" he melted against you, love the feeling of his child in your womb. he sighed contently as he said, "the most perfect woman." <3
#bunny writes#the bakery#fernando alonso x you#fernando alonso x reader#fernando alonso imagine#fernando alonso#fernando alonso fanfic#fernando alonso smut#fa14#fa14 x reader#fa14 imagine#fa14 smut#formula 1 smut#formula one smut#formula one imagine#formula one fanfiction#formula 1 fanfic#formula 1#formula one#f1 smut#f1 rpf#f1 fic#f1 fanfic#f1 x reader#f1 imagine#f1
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Guilty Pleasures
18+ 3.3k homelander x plus size f!reader. workplace harassment, stalking, voyeurism, masturbation, lite humiliation kink, sublander flavored. nebulously takes place post s1. part 1/4. AO3 link. | Chapter Directory
Homelander is on top of the world. He can say or do whatever the fuck he wants, and the sycophants around him will bend over backwards to make his word law, with few notable exceptions.
He never expected you to be one of them. When you put him in his place after a workplace incident, he becomes fixated on the promise of a firm hand alongside a soft body.
It’s Thursday, which means Homelander is currently bored to tears less than ten minutes into Vought’s weekly digital marketing meeting. These monotonous discussions of percentages and trending graphics gradually begin to feel like a drill pushing slowly into each of his ears, but they’re a necessary evil if he wants to have input when it comes to his image.
He taps his fingers impatiently on the armrest of his chair. The tapping pauses, however, at the appearance of a new presenter.
You.
You’re a far cry from the dime a dozen jackass in a suit that had been presenting before you. He’s sure he hasn’t seen you before, which means you’re new. His gaze drifts from your round face to the sensible cut of your blouse, the garment buttoned nearly to your throat. Anything less would be considered lewd given the size of your breasts. He wets his lips absently, adjusting himself to sit a little straighter.
He’s completely lost track of what you’re talking about in favor of watching the way your hips sway each time you walk from one end of the board to the other, tactfully engaging each observer. You have a resonant voice, commanding attention without sounding harsh. With a rack like that, you must have to fight to have a word you say heard by anyone with even a passing interest in a good pair of tits.
Not that the cheap fabric of your bra is doing them any favors. Silk would be better. He’s always liked the shine of it. Softer, too. It wouldn’t scrape against your shirt the way he can hear that cotton blend you’re wearing is doing.
Curious, he focuses his vision to peer through your blouse. Your undergarments are plain and sensible. Boring. Still, it elicits a distinct pang between his legs. His mouth waters slightly. Even from where he is, he can smell you, fresh and clean, slightly sweet smelling–like vanilla. Your clothes may be pedestrian but at least your perfume is nice.
Letting his gaze slide lower, he admires how the curves of your body flow into one another. He can tell just by looking at you how soft you would feel against him, under him. How good you would feel to grip and hold in place, sink into and lose himself in. Your voice has a soothing quality to it that lets him easily imagine you’re breathlessly singing his praises instead of rattling off bullet points in a presentation.
Fuck, he’s getting hard, his cock throbbing lightly against the cup of his suit. It’s the only thing that allows him to fantasize as freely as he does. The best part of it is that he’s fairly certain he can sense something warm and wet throbbing between your thick thighs.
He suspects he’s not the only one fantasizing.
The room is quiet for a second too long, and Homelander abruptly tunes back in to realize you’re staring directly at him, expectancy in your gaze. He pulls a blank, realizing he hasn’t processed anything you’ve said. “Say again?”
There’s a flicker of irritation in your eyes before you tightly school your expression back into polite professionalism. His lips slowly split into a devious smile that he consciously fine-tunes to be more neutral. How close you came to some sort of heated response was kind of… cute. It makes him want to give your proverbial pigtails another tug just to see what else he can evoke.
The thought of pulling your hair is good. The thought of you pulling his hair is better, though.
“I asked if you have any feedback for our campaign leading up to the premiere,” you say, though Homelander finds himself more interested in the flash of your tongue he gets as you run it along your teeth afterwards. Your temperature is up a notch, too. You must not be used to such direct attention from someone like him.
“Nope,” he says glibly, turning on one of his patented knock-out smiles. “Looks good to me.” At that, he pointedly looks you up and down, meeting your gaze with a quick wink.
Judging by the slight tic at the corner of your mouth, you aren’t charmed by his response. Still, he waits in preemptive satisfaction for you to appease him by returning his smile.
You don’t.
Instead, you say nothing more than a terse “Wonderful,” the singular word barely passing for civil, let alone professional. You move on, and Homelander finds himself taken aback. You don’t meet his eye for the remainder of the presentation, and while that gives him plenty of opportunity to ogle you, it bothers him.
Towards the end of your time, he clears his throat. Everyone looks at him.
Everyone but you.
“Thanks so much for your time,” you say to the committee, smiling, finishing your piece with a small incline of your head. You go sit, and there’s a slightly awkward pause before the next presenter takes center stage.
Homelander sits in stunned silence. The idea that you, some fresh faced nobody, think you’re in any position to blow him off is laughable at best. Who cares if he didn’t pay attention to your little presentation? That’s not his job. You’re lucky he’s even here, lucky that someone like him would think to give you time out of his day.
By the time the meeting concludes, you haven’t spared him so much as a glance. Indignation builds hotly in his chest. He’s had more than enough of being snubbed lately. He’s not going to tolerate it from the likes of you.
You should be on your hands and knees begging for his attention.
He watches a handful of your peers congratulate you on your first presentation, though plenty of others cast him wary glances and decide not to approach you. They know better. They know who’s really in charge around here. Naturally, they all skitter away like roaches when he strides towards you.
“Not bad for your first presentation,” he tells you, his smile toned down into a thin, lopsided smirk.
You look around yourself, no doubt taking note of how the other little insects around you have scattered. Maybe now you’ll realize your mistake.
“Thank you, sir,” you say, your body angled slightly away from him, as if you’re ready to bolt at any second.
“Got a lot on my mind, though, so I don’t think I absorbed as much as I could have,” he says, laying on that boyish charm a little thicker than usual. “Would really appreciate it if you could stick around and run that by me one more time.”
Your gaze flickers away from him–he wishes you would stop doing that–to the others who’re filtering out of the room, slowly leaving the two of you behind. “As I said during the presentation, all the documents will be available online,” you say, finally looking back at him. You actually have the audacity to look annoyed that he’s talking to you.
“I don’t have a computer,” he replies, his own voice beginning to flatten.
“I’m sure someone in IT can help you with that,” you say, undeterred by his attempts to corner you.
His smile tightens minutely. “Do you have some kind of problem with me?”
Your heart jumps. He finds satisfaction in that, at least.
“No, sir,” you say sharply, a barely discernible hitch in your voice. “What I have are deadlines. If you’ll excuse me, I’d like to meet them.” With that, you manage to squeeze by him. Despite the steady confident tap of your shoes against the floor, your heart races rabbit-like in his ears.
He contemplates you as you go, momentarily stupefied by your flagrant disregard for him. You weren’t entirely unaffected by his presence, though. If you’d had less of an avenue for escape, would you have been so flippant? He continues to focus on the beat of your heart as your steps carry you further from him. It doesn’t slow. You’re still full of adrenaline, the scent of it lingering alongside your perfume. He inhales a slow, deep breath, the leather of his gloves creaking as he curls and uncurls his fist.
Homelander finds himself wondering what your agenda is, what makes you so desperate to break from the norm and catch his attention. It’s clear to him that’s what you want. Why else would you be so stubborn where anyone else would yield? He scoffs to himself.
God, it’s so obvious in hindsight.
He has no doubt that your brazen attitude would shatter if he pressed in closer, if you felt the heat of his breath on your lips. He could part your soft thighs and paint the face of God on the ceiling above you with his tongue inside you. You couldn’t dismiss him so easily then, could you?
You’re so determined to be noticed that it’s almost pathetic. He shouldn’t reward this kind of behavior, and yet he feels strangely inclined to commend it. What you’ve done is brave in a way. Insolence and sycophants he can’t abide, but a touch of bravery? Well… That can be rewarded.
Your heart thunders in your ears as you make a beeline for your office. You can feel a terrible burn crawling up your chest and into your cheeks, the reality of what just happened finally allowed to sink in. You had spent all morning preparing yourself for presenting your work in front of not only your new peers at Vought, but in front of the world’s most prolific superhero. You were solid, you were ready.
Until you felt the gravity of his gaze on you. The weight of it made you stutter where you shouldn’t have, lose your train of thought mid-sentence. Every time you dared to look at him, he was looking at you like he was going to swallow you whole. Never have you felt more acutely aware of yourself than you did beneath his stare, feeling the way he was picking you apart as keenly as you would feel his hands undressing you.
It left you as furious as you are flustered.
That arrogant bastard!
You close the door behind you with a rough breath, closing your eyes. You can’t even sit, you have to pace your office instead, shaking your hands out as you walk. You know you weren’t imagining it. He confirmed as much for you when it took a solid eight seconds of silence for him to tear his gaze up from your chest, smiling as wickedly as any devil and caught elbow-deep in the cookie jar.
You couldn’t look him in the eye after that. It was humiliating to be reduced so thoroughly and obviously in front of your peers. Worst of all, he seemed damn pleased by it.
Though that isn’t the only reason your heart is still racing. You’re not quite ready to address that yet. You’re fairly certain if you’d been forced to speak to him any more than you had, you would have said something that would cause you to lose your job. You just need space to breathe, to collect yourself, to–
There’s a brisk knock at your door. Great. What now?
“Just a m–” You’re stopped dead in your tracks by a familiar flash of red, white and blue as Homelander lets himself into your office, closing the door securely behind him.
“Howdy,” he greets. He looks cartoonishly wide and brightly colored against the neutral colors of your office, even more larger than life than he’d seemed in the conference room. He has a smile that looks like it belongs in the mouth of a shark about to take a bite of you. It sets you off kilter completely–not that you’d been much on it to begin with.
You gawk a moment before managing to close your mouth. “Homelander,” you say, your voice curt in your own ears. You have no idea how to address him, still frazzled from not only the presentation, but your interaction that followed it. You should ask him what he needs.
“What’re you doing here?” That came out ruder than you meant it to. Not that he doesn’t deserve it. Still, you’re trying to keep this job.
“Are you always this pleasant?” He asks, cocking his head slightly as he comes to a stop in front of you, his arms held behind his back beneath his swaying cape. “Or did I catch you on a bad day?”
Is he serious?
“Your conduct today was inappropriate,” you say flatly, settling your hands on your hips.
Homelander scoffs lightly. “Oh, relax. You gonna ‘#Metoo’ me over a wink? Christ, you’re done up tighter than that blouse of yours,” he says, his gaze dipping. A chill rolls up your spine as you watch his tongue roll along his teeth. He’s like an animal anticipating a meal.
Your jaw drops, cold shock settling in your gut alongside that blistering heat. Of all the things you had prepared yourself for before coming to Vought, Homelander being a misogynistic sex-pest hadn’t been on your list.
Well. Not the sex-pest part, anyways.
You point to your office door. “Get out.”
He blinks, zero comprehension in those deceptively charming baby blues. His smile turns incredulous. “I’m starting to think you don’t understand what’s happening here,” he says, his tone taking on a precarious edge. He lets out a breathy, mirthless laugh. “You know, most people in your position would be begging for my attention.”
There it is.
You suck a noise through your teeth, nodding slowly. "Oh, I understand exactly what’s happening here,” you say, shifting your weight like you’re winding up for a pitch. “I know you think you're special because you're famous, or a supe, or both. I know you think I should be grateful that you’d even look at someone like me, but you’re not special, and I’m not grateful. The reality of the matter is I can get dick whenever I want it–good dick–and I can get it without being humiliated at my job.”
The silence in the room is deafening. Homelander looks stupefied, but you decide that you’re not done.
“You're not blessing me by making entitled passes and crude remarks while I'm trying to work. You’re being a nuisance,” you say, your heart beating in your throat. “So please, would you kindly leave?” You ask, voice firm despite the friendlier nature of your phrasing.
Finally, Homelander is the one left gawking. He looks like a fish with the way his mouth keeps opening and closing, but it’s the dismissive, aborted little scoffs he makes in between that really sell his wounded bewilderment. You can see tension lurking just beneath the surface, an anger that skulks in the creak of his leather gloves.
Fear begins to creep up the back of your throat, burning like bile, but you hold steady as he seems to be deciding what he’s going to do with you. The longer the quiet stretches on, your focus entirely on the subtle spasms in his expression, the more sweat begins to prickle at the back of your neck. You refuse to fill the space, you refuse to back down.
For all his power, he’s still just a man.
Eventually, he swallows. “Okie-dokie,” he says, his tone unlike anything you expected. He sounds confused–a little dazed, even. He walks to the door, and after one hesitant look back at you, he leaves.
The door closes with a soft click that still makes you flinch, the sound of it loud in the silence of the room. You blink several times, the abruptness of his departure making the whole encounter feel like some sort of fever dream.
What the fuck just happened?
You’re not special.
The impact of those words struck Homelander’s ears like a loud, painful ringing that follows him as he walks out of your office. He feels off balance, each step leaning slightly to the right.
It’s a ludicrous statement. Objectively wrong. Who in the fucking world could be more special than him? He’s a literal god, and you’re no one. A faceless, nameless cog in Vought’s mechanism that hoists him to the top of it all. That’s your job. To elevate him. Worship him.
Instead you spoke to him as if he were nothing. He could have cut you down where you stood for that. He could have put your head through your office window, snapped your neck, held your skull and burned your eyes out of–
He shakes his head sharply, swaying. He all but stumbles into the bathroom, surprising one of the worker drones washing their hands. “Get out,” Homelander says gruffly.
“Uh, sir–”
“Get the fuck out!” He snaps, startling the man so badly he immediately rushes off, fumbling with the door on his way out. Homelander slams it shut and lets out a ragged breath, digging the heels of his palms into his eyes, then his temples as he paces the bathroom. His reflection taunts him from his peripheral vision.
He hasn’t been able to look himself in the eye since he snapped his Doppelganger’s neck while he knelt before him.
That’s what he wants from you, isn’t it? Mindless desperate praise and worship. Why, then, does the thought od it make his stomach churn so violently he can taste the burn of bile? He tugs compulsively at his suit collar, the press of it against his skin uncharacteristically hot and itchy.
“I can get dick whenever I want it–good dick.”
He shamefully palms himself through his suit, confusingly hard amidst a swirling turbulence of contradicting thoughts and feelings. He could be good for you, too, if you’d fucking let him. He knows he could make you crumble, take apart that carefully constructed demeanor of professionalism and make you see him for what he is. He can prove himself to you. He will prove that you’re wrong about him, and then you’ll show him the love respect he deserves.
Hurriedly, he unzips his pants. His eyelashes flutter as he shoves his hand into them, roughly grabbing hold of his cock. He braces his forearm against the bathroom door and lets his head drop forward, watching his crimson glove pump the leaking head of his dick. His mind bounces between scenarios. He imagines himself in your place, fully on display for you to ogle. He imagines you’re watching him even now, staring him down with that unaffected look of indifference, of irritation, of disgust.
He bites back a whine, gritting his teeth. He wants so badly to imagine his face buried in your soft tits while he fucks the plush space between your thighs, but he knows you won’t let him. Not right away. You’d make him earn it, wouldn’t you? You’d make him watch you please yourself before he ever got so much as a taste.
The glassiness in his eyes begins to sizzle, the moisture burning away as crimson light flares up in them. Would you laugh if you could see him now, or would you scold him for touching himself without your permission?
Homelander comes hard, tipping his head back with a loud moan as he paints the bathroom door with ribbon after ribbon of come. He barely manages not to blow a hole through the ceiling, the light of his eyes flaring and softening in time with each euphoric wave of release. He pants through it, head falling forward and thunking lightly against the door, resting there while he catches his breath.
“Fuck,” he exhales eventually, sighing. He wipes his hand on the wall and then carefully tucks himself back into his pants, his mind swirling hazily on the best high he’s had since…
Clearing his throat, he puts himself back together before leaving the bathroom. Clearly, the thing that he’s been missing is a challenge.
Luckily for him, you’ve kindly volunteered yourself.
( chapter two )
#part two of this fic is mostly finished. i'll probably post it next week!#homelander x reader#homelander#homelander x you#my writing#homelander fanfiction#plus size reader#i've had this in my wips since early december and i just really wanted to get something posted
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AI is a WMD
I'm in TARTU, ESTONIA! AI, copyright and creative workers' labor rights (TOMORROW, May 10, 8AM: Science Fiction Research Association talk, Institute of Foreign Languages and Cultures building, Lossi 3, lobby). A talk for hackers on seizing the means of computation (TOMORROW, May 10, 3PM, University of Tartu Delta Centre, Narva 18, room 1037).
Fun fact: "The Tragedy Of the Commons" is a hoax created by the white nationalist Garrett Hardin to justify stealing land from colonized people and moving it from collective ownership, "rescuing" it from the inevitable tragedy by putting it in the hands of a private owner, who will care for it properly, thanks to "rational self-interest":
https://pluralistic.net/2023/05/04/analytical-democratic-theory/#epistocratic-delusions
Get that? If control over a key resource is diffused among the people who rely on it, then (Garrett claims) those people will all behave like selfish assholes, overusing and undermaintaining the commons. It's only when we let someone own that commons and charge rent for its use that (Hardin says) we will get sound management.
By that logic, Google should be the internet's most competent and reliable manager. After all, the company used its access to the capital markets to buy control over the internet, spending billions every year to make sure that you never try a search-engine other than its own, thus guaranteeing it a 90% market share:
https://pluralistic.net/2024/02/21/im-feeling-unlucky/#not-up-to-the-task
Google seems to think it's got the problem of deciding what we see on the internet licked. Otherwise, why would the company flush $80b down the toilet with a giant stock-buyback, and then do multiple waves of mass layoffs, from last year's 12,000 person bloodbath to this year's deep cuts to the company's "core teams"?
https://qz.com/google-is-laying-off-hundreds-as-it-moves-core-jobs-abr-1851449528
And yet, Google is overrun with scams and spam, which find their way to the very top of the first page of its search results:
https://pluralistic.net/2023/02/24/passive-income/#swiss-cheese-security
The entire internet is shaped by Google's decisions about what shows up on that first page of listings. When Google decided to prioritize shopping site results over informative discussions and other possible matches, the entire internet shifted its focus to producing affiliate-link-strewn "reviews" that would show up on Google's front door:
https://pluralistic.net/2024/04/24/naming-names/#prabhakar-raghavan
This was catnip to the kind of sociopath who a) owns a hedge-fund and b) hates journalists for being pain-in-the-ass, stick-in-the-mud sticklers for "truth" and "facts" and other impediments to the care and maintenance of a functional reality-distortion field. These dickheads started buying up beloved news sites and converting them to spam-farms, filled with garbage "reviews" and other Google-pleasing, affiliate-fee-generating nonsense.
(These news-sites were vulnerable to acquisition in large part thanks to Google, whose dominance of ad-tech lets it cream 51 cents off every ad dollar and whose mobile OS monopoly lets it steal 30 cents off every in-app subscriber dollar):
https://www.eff.org/deeplinks/2023/04/saving-news-big-tech
Now, the spam on these sites didn't write itself. Much to the chagrin of the tech/finance bros who bought up Sports Illustrated and other venerable news sites, they still needed to pay actual human writers to produce plausible word-salads. This was a waste of money that could be better spent on reverse-engineering Google's ranking algorithm and getting pride-of-place on search results pages:
https://housefresh.com/david-vs-digital-goliaths/
That's where AI comes in. Spicy autocomplete absolutely can't replace journalists. The planet-destroying, next-word-guessing programs from Openai and its competitors are incorrigible liars that require so much "supervision" that they cost more than they save in a newsroom:
https://pluralistic.net/2024/04/29/what-part-of-no/#dont-you-understand
But while a chatbot can't produce truthful and informative articles, it can produce bullshit – at unimaginable scale. Chatbots are the workers that hedge-fund wreckers dream of: tireless, uncomplaining, compliant and obedient producers of nonsense on demand.
That's why the capital class is so insatiably horny for chatbots. Chatbots aren't going to write Hollywood movies, but studio bosses hyperventilated at the prospect of a "writer" that would accept your brilliant idea and diligently turned it into a movie. You prompt an LLM in exactly the same way a studio exec gives writers notes. The difference is that the LLM won't roll its eyes and make sarcastic remarks about your brainwaves like "ET, but starring a dog, with a love plot in the second act and a big car-chase at the end":
https://pluralistic.net/2023/10/01/how-the-writers-guild-sunk-ais-ship/
Similarly, chatbots are a dream come true for a hedge fundie who ends up running a beloved news site, only to have to fight with their own writers to get the profitable nonsense produced at a scale and velocity that will guarantee a high Google ranking and millions in "passive income" from affiliate links.
One of the premier profitable nonsense companies is Advon, which helped usher in an era in which sites from Forbes to Money to USA Today create semi-secret "review" sites that are stuffed full of badly researched top-ten lists for products from air purifiers to cat beds:
https://housefresh.com/how-google-decimated-housefresh/
Advon swears that it only uses living humans to produce nonsense, and not AI. This isn't just wildly implausible, it's also belied by easily uncovered evidence, like its own employees' Linkedin profiles, which boast of using AI to create "content":
https://housefresh.com/wp-content/uploads/2024/05/Advon-AI-LinkedIn.jpg
It's not true. Advon uses AI to produce its nonsense, at scale. In an excellent, deeply reported piece for Futurism, Maggie Harrison Dupré brings proof that Advon replaced its miserable human nonsense-writers with tireless chatbots:
https://futurism.com/advon-ai-content
Dupré describes how Advon's ability to create botshit at scale contributed to the enshittification of clients from Yoga Journal to the LA Times, "Us Weekly" to the Miami Herald.
All of this is very timely, because this is the week that Google finally bestirred itself to commence downranking publishers who engage in "site reputation abuse" – creating these SEO-stuffed fake reviews with the help of third parties like Advon:
https://pluralistic.net/2024/05/03/keyword-swarming/#site-reputation-abuse
(Google's policy only forbids site reputation abuse with the help of third parties; if these publishers take their nonsense production in-house, Google may allow them to continue to dominate its search listings):
https://developers.google.com/search/blog/2024/03/core-update-spam-policies#site-reputation
There's a reason so many people believed Hardin's racist "Tragedy of the Commons" hoax. We have an intuitive understanding that commons are fragile. All it takes is one monster to start shitting in the well where the rest of us get our drinking water and we're all poisoned.
The financial markets love these monsters. Mark Zuckerberg's key insight was that he could make billions by assembling vast dossiers of compromising, sensitive personal information on half the world's population without their consent, but only if he kept his costs down by failing to safeguard that data and the systems for exploiting it. He's like a guy who figures out that if he accumulates enough oily rags, he can extract so much low-grade oil from them that he can grow rich, but only if he doesn't waste money on fire-suppression:
https://locusmag.com/2018/07/cory-doctorow-zucks-empire-of-oily-rags/
Now Zuckerberg and the wealthy, powerful monsters who seized control over our commons are getting a comeuppance. The weak countermeasures they created to maintain the minimum levels of quality to keep their platforms as viable, going concerns are being overwhelmed by AI. This was a totally foreseeable outcome: the history of the internet is a story of bad actors who upended the assumptions built into our security systems by automating their attacks, transforming an assault that wouldn't be economically viable into a global, high-speed crime wave:
https://pluralistic.net/2022/04/24/automation-is-magic/
But it is possible for a community to maintain a commons. This is something Hardin could have discovered by studying actual commons, instead of inventing imaginary histories in which commons turned tragic. As it happens, someone else did exactly that: Nobel Laureate Elinor Ostrom:
https://www.onthecommons.org/magazine/elinor-ostroms-8-principles-managing-commmons/
Ostrom described how commons can be wisely managed, over very long timescales, by communities that self-governed. Part of her work concerns how users of a commons must have the ability to exclude bad actors from their shared resources.
When that breaks down, commons can fail – because there's always someone who thinks it's fine to shit in the well rather than walk 100 yards to the outhouse.
Enshittification is the process by which control over the internet moved from self-governance by members of the commons to acts of wanton destruction committed by despicable, greedy assholes who shit in the well over and over again.
It's not just the spammers who take advantage of Google's lazy incompetence, either. Take "copyleft trolls," who post images using outdated Creative Commons licenses that allow them to terminate the CC license if a user makes minor errors in attributing the images they use:
https://pluralistic.net/2022/01/24/a-bug-in-early-creative-commons-licenses-has-enabled-a-new-breed-of-superpredator/
The first copyleft trolls were individuals, but these days, the racket is dominated by a company called Pixsy, which pretends to be a "rights protection" agency that helps photographers track down copyright infringers. In reality, the company is committed to helping copyleft trolls entrap innocent Creative Commons users into paying hundreds or even thousands of dollars to use images that are licensed for free use. Just as Advon upends the economics of spam and deception through automation, Pixsy has figured out how to send legal threats at scale, robolawyering demand letters that aren't signed by lawyers; the company refuses to say whether any lawyer ever reviews these threats:
https://pluralistic.net/2022/02/13/an-open-letter-to-pixsy-ceo-kain-jones-who-keeps-sending-me-legal-threats/
This is shitting in the well, at scale. It's an online WMD, designed to wipe out the commons. Creative Commons has allowed millions of creators to produce a commons with billions of works in it, and Pixsy exploits a minor error in the early versions of CC licenses to indiscriminately manufacture legal land-mines, wantonly blowing off innocent commons-users' legs and laughing all the way to the bank:
https://pluralistic.net/2023/04/02/commafuckers-versus-the-commons/
We can have an online commons, but only if it's run by and for its users. Google has shown us that any "benevolent dictator" who amasses power in the name of defending the open internet will eventually grow too big to care, and will allow our commons to be demolished by well-shitters:
https://pluralistic.net/2024/04/04/teach-me-how-to-shruggie/#kagi
If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/05/09/shitting-in-the-well/#advon
Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg
CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en
--
Catherine Poh Huay Tan (modified) https://www.flickr.com/photos/68166820@N08/49729911222/
Laia Balagueró (modified) https://www.flickr.com/photos/lbalaguero/6551235503/
CC BY 2.0 https://creativecommons.org/licenses/by/2.0/
#pluralistic#pixsy#wmds#automation#ai#botshit#force multipliers#weapons of mass destruction#commons#shitting in the drinking water#ostrom#elinor ostrom#sports illustrated#slop#advon#google#monopoly#site reputation abuse#enshittification#Maggie Harrison Dupré#futurism
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Tutorial: How-To Create Striking Gradient Shapes & Waves for Adobe Illustrator for iPad
In this tutorial, we will explore step-by-step instructions and tips to create striking gradient waves and shapes that can enhance any project, from digital illustration to web design and marketing materials.
Starting off you'll want to open Adobe Illustrator on your iPad, and select 'custom size'.
Create a canvas that measures at 3000 x 3000 points.
Set the colour mode as 'RGB'.
Select the 'Pencil' tool, and then select 'Paint Brush'.
Select 'Calligraphic' brushes, and scroll down until you find the 15 pt. 'Round' brush and select it.
Select the 'Fill' option and set the colour value to none.
Select the 'Stroke' option and set the colour value to a colour of your choosing.
Select the 'Smoothness' option and set it to the maximum value (10).
Draw a wavy line.
Select the 'Stroke' tool and choose a new colour.
Draw another wavy line over the top of the previous.
Select the 'Stroke' tool and choose another new colour.
Draw another wavy line over the top of the previous two.
Select the 'Selection' tool.
Select all of the shapes.
Select the 'Repeat' tool.
Within the 'Repeat' tool, select the 'Blend' option.
Tip: If you have a keyboard connected to your iPad, you can use the keyboard shortcut 'Command+Alt+B' when objects are selected to blend them.
Now our gradient wave shape has been created!
Once the shapes have been blended, you can manipulate the spacing of each shape with the three dots in the middle, each one represents each of the lines.
Move each point around until you feel comfortable with their spacing.
We may want to make some alterations to our shape such as changing the rotation, shape, size, order of lines. Here’s how we can do that.
Select the 'Selection' tool.
Drag and select the shape.
Select the 'Object' tool.
Select the 'Release' option.
Now the objects are unblended they can be altered or manipulated to our liking.
To put our gradient wave back in place, first select the 'Repeat' tool.
Then select the 'Blend' option.
Congratulations on completing the tutorial on creating striking gradient waves and shapes in Adobe Illustrator for iPad! You've taken significant steps in enhancing your design skills, learning how to apply gradients effectively, and bringing your digital artwork to life with vibrant colours and dynamic forms.
Keep Practicing - As with any creative skill, practice is key to mastery. Continue experimenting with different gradient combinations, wave patterns, and shapes. Find new ways to enhance your designs.
The more you practice, the more confident and proficient you will become.
If you're interested in supporting me, or checking out some free eBooks, Wallpapers, and more. Please consider checking out my Ko-Fi page: https://ko-fi.com/spikeeager
#freebies#guides#guide#how to#howto#how-to#how-to's#how-tos#art guide#art#design#illustration#art help#art tip#art advice#art tutorial#drawing tips#graphic design#creative#unique#marketing#tips#artwork#art process#digital painting#drawing#illustrators on tumblr#illustrator#illustrative art
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DC & MARVEL are awful at publishing their own amazing stories...
Read some western comics for the first time in a while this year. I wanted to start reading more in general anyway so I added comics and manga to the list. HOOOOOOOOO GGGAAAD DAYUM some of this stuff is good! I wanted to start with DC's Absolute & Marvel's New Ultimate. I've read mostly DC but have never fully gotten into a series or mini series before. These new books were meant to be jumping on points for newcomers so I wanted to give it a try.
And I gotta say... these need more attention... By their own publishers, I mean.
Even though I only really started in the last 3 months of the year, I get peoples frustrations with these being monthly releases and the fact that a lot these you HAVE to buy individually and not part of a magazine or some other form of collective release. At least until a volume release. On top of that these are NOT easy to find, not where I live, and not online either. You need a subscription service for the digital releases and you need to find a comic book shop to even buy it physical. These aren't cheap either! If I wanted to buy, say, a manga volume's worth of issues to try and catch up, its almost 5x that of a cheap physical manga volume. And the only place you're going to be getting a volume of some of these is at a book store, not a comic shop, just because there's way more bookstores generally. By the time those volumes have released there's no gaurantee the series that you like is even still running, because they havn't made it easy to even find these to read and it might've been cancelled due to low sales. So that leaves me with a problem... I either cave in and get a subscribtion or I pirate it. I'm poor af, of course I'm going to pirate it. MOST people will. Except they won't because barely anybody knows these comics even exist. There's little to NO marketing around any of these comics. Seriously, why aren't these in a magazine?! Why aren't these easily veiwable digitally? I don't want a subscription service just to look at a few books. I'm DONE with subscription services. Even if it's just a website where you pay to read online per series, or even throwing these into webtoon behind a paywall, it'll be infinitly better. At least that way people actually get to see the amazing work they're putting out there. And... yeah, the monthly wait on these is agonising. If the wait cannot be shortened then a weekly magazine is needed DESPERATELY, because there is NOTHING in the way of audience interaction for newcomers except a very limited fandom which might be gone in a few months just cause the series could be up and cancelled at the snap of their fingers. Their websites suck... Like, straight up, they suck. Nothing unique or stylised about them, not even a bit of background music or some flare, it's trailers for games, movies, and TV. Theres not even viewer guides for comics, bits of info on the world, or even those silly "who is the strongest/fastest/richest,etc" graphics like in old magazines. there's no fun. It's painful because the stuff thats out there is genuinly good. A lotta bad, certainly, but the recent stuff is thoroughly engaging. Another thing, the issue 1 crisis. If you don't know what this is, it's publishers resetting issues back to number 1 to bump up the price. It's disgusting. Especially when it makes it a NIGHTMARE to try and find the series you're looking for... and its same name as 8 other series only seperated by a date. THESE NEED TITLES! I was reading Ultimate Black Panther and Black Panther recently... Or rather, NEW Ultimate Black Panther: T'Challa vs. The Moon Knight, and Black Panther[2023]: A King Without A Crown. The naming alone causes frustrations when trying to navigate and find a story you might actually like. King Without A Crown is a title I just made up for the 2023 release. Its a great story, the art is some of the best I've seen in any comic. And the premise is very enganging, about T'Challa having been exiled from Wakanada, returned to watch over it as a secret protector and trying to reconnect with the people in places he believed he'd overlooked. To try and deepen his understanding as a king, and as protector of his country. It's Cyberpunk Crime Thriller Sci-Fi with a mix of central African mysticism. It even comes with an official map.
It got cancelled. Only lasted 10 issues... New Ultimate X-Men / Secret Society X Men is a shojo horror mystery set in japan inspired by major works of J-Horror... and it's FREAKIN' X-MEN Nobody talkin' about it. New Ultimate Spider-Man is about Peter, married to MJ, Father of 2, becoming Spider-Man after receiving word from the future that he was supposed be a hero and that it was taken from him, and Uncle Ben is alive in this... Nobody talkin' about it. New Ultimate Black Panther is kinda slow but it's about 2 warlords trying to infiltrate and take over wakanda who are posing as this world's versions of Konshu & Ra and leads to a greater conspiricy about Vibranium itself. Nobody talkin' about it. I LOVE the absolute series. I'm a DC fan, but these Marvel works also need more love, like... guys. Not to mention Spider-Man and Ult X-Men is fanfic and fanart GOLD! LIKE GET ON THIS SH!T NOW! There are other big issues i've got with western comics but I wanted to talk about it's accessibility. I love comics and manga a lot, it was what got me to start reading in the first place, and I want these cool stories to continue in a way that is like, actually enjoyable. I wanna talk about these with people, but there's no point if nobody is out there to enjoy it with. In the meantime, if you like these stories but can't afford them, make fanwork of it. Fiction, prose, poetry, art, music, silly comments, anything. Same goes for Manga and Indie works that you like. Don't let a company's incompetence stifle your ability to enjoy art that has ACTUAL passion behind it.
#DC#Marvel#new ultimate marvel#dc absolute universe#absolute superman#absolute batman#absolute wonder woman#black panther#wakanda forever#dc comics#batman#wonder woman#superman#x men#x men comics#western comics#comics#marvel ultimate#ultimate marvel#spiderman#fanart#fanfiction#fanwork#publishing#reading
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Pluto, the Internet, a Night in the Woods.
I was going to repost thoughts I shared from watching a Night In the Woods video essay, but I have decided to expand on it and re-write it completely.
" During one of Rosa's sleepy reminiscences about her youth, she says, 'Back then there were places that brought us all together, the church and the union.' Both the union and the church were hubs for community building and shared values. You could trust that your fellows in these places would think about the world similarly to you, and if you think about how unions suffered near extinction when manufacturing moved out and the industries that these unions had formed in died, that on top of how with each generation we become more and more agnostic, thereby losing that common gathering place in the church. it kind of explains why young people are so atomized and miserable these days. The only common place that we can gather and delude ourselves in is the internet. "
- Flundering Chipper (minutes 30:44 to 31:27)
1971, Intel released the first microprocessor, and home computers entered the market in 1977, raising in popularity and accessibility through the 80s and 90s. Today, technology is known to have developed exponentially since then.
The video essayist, Flunderingchipper, spoke about the younger generation's lack of religious faith and physical spaces to commune, and it made the cogs turn in my head. GenZ, the Sagittarius Pluto generation (1995-2008), is considered both digitally fluent and dependent due to being the first generation to fully grow up with computers and abundant internet access. GenZ also marks a significant difference between the generations after and before them.
The timeline for micro computer and personal computer usage begins at the bookend of the late Summer sign of Virgo (1959-1971) and the beginning of the Autumn signs with Libra (1971-1983), planting the seeds for the transformation of social and worldly connectedness we see today with Pluto now in Aquarius (2023-2044). Computers and further advancements like smartphones cemented themselves in the US and the world through Pluto's transits in Scorpio (1983-1995) and Sagittarius, the generation of Sag. Pluto is gaining the reputation of being extremely different from older generations and being connected online and less so in person. That is, not to mention the Capricorn (2008-2023) and Aquarius generations. On the internet, the general impression American GenZ seems to be that they are absurd, politically minded, and socially aware, gregarious, zealous, and unwilling to participate in corporate and political struggles of older generations. At least, from what I understand.
Computers came in the autumn of Pluto's treck through the zodiac. A time when previous generations harvested their gifts and their young have less material gains in turn. It started with the Libra Pluto generation, but the Scorpio Pluto generation was likely the first to notice it. Millennials.
All this to say, Pluto, the planet of ordeals, transformations, and death, showed us a time when the internet grew in influence, taking the place of community with friends and colleagues. Less people go outside to have fun. More people turn to gaming, social media, art, and sharing their interests with each other. There are fewer free spaces to commune. The Church loses its grip as people grapple with religious dogma and share in their struggles with it. People learn more about the world and connect with others from further distances. The average person can share themselves with the world and create communities and gain influence on a wider scale, changing the culture around public figures. Mall walkways are emptier, and stores shut down and become desolate. Small shops and average people are threatened by growing corporate power. But that begins to bleed into Capricorn Pluto.
As an older GenZ person reflecting on life as we move forward, I just find this morbidly fascinating. We must endure Pluto's travel through winter.
#astrology#astroblr#astro community#astrology community#astrology blog#pluto#libra#scorpio#sagittarius#capricorn#aquarius#night in the woods#admin post#admin rambles
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The hating game ~ Chris Sturniolo
Chris Sturniolo x Reader
In which you are working in LA and have to work alongside the Sturniolo Triplets. Nick and Matt seem happy to have you there, but Chris on the other hand, isn’t happy to have you there at all.
The two of you form a tense relationship built on disdain and dislike, often arguing and making remarks at one another. But when the two of you are alone, you realise there is more to the tension.
**slight angst, cussing, tension!, enemies?**
You had never imagined yourself living in LA, much less the lavish lifestyles and influencer heavy population. Perhaps it wasn’t a crowd you particularly slotted into, but you didn’t mind. You had gotten yourself into a position where you could afford a studio apartment in Los Angeles, albeit not extravagant, LA was the place of endless opportunities. With an impressive, top-level degree in media and marketing at the age of twenty-one, your skillset was much needed across the city, and it wasn’t difficult to find work.
That’s how you ended up where you were today. A management team had come across your work and contacted you. After all, your pay-grade was a stark contrast to others living in LA, you didn’t require an eye-watering amount of money, plus your hours where flexible.
It had come from the Sturniolo Triplets management team. Three guys from Boston, catapulted into fame quickly, now balancing content creation alongside brand deals, tours and interviews. So that’s where you came in. You were a helping hand when it came to preparing the triplets for interviews or any public appearance where they didn’t control what was put out into the digital world. You helped with their communication, topic avoidance, and how to approach media outlets that for some reason gained sick pleasure from warping the words of celebrities and painting them in a bad light. You were there to make sure that didn’t happen.
Nick and Matt were grateful for the help and agreed with the management team that your work was beneficent, though the same couldn’t be said for Chris Sturniolo. He wasn’t on board with having another new face on the team, much less being told what to do.
*Flashback to first meeting*
“You know, we can actually handle this shit on our own. What’s the point in bringing more people in for this? We’ve been coping fine.” Chris complained, earning an eye roll from Nick who was stood beside him.
“Our schedules have been crazy lately, Chris, and we have a fuck ton of other things coming up. We need all the help we can get if we want to do this right.” Nick quipped, earning an earnest nod from Matt who fiddled with the car keys looped onto his jeans.
“I agree.” Matt mumbled back lowly, and gestured towards Nick, allying with him.
Chris rolled his eyes, tightening his jaw for a moment as he bit back another remark.
You stood there, awaiting a moment of silence before you parted your lips to speak.
“I’m not here to infringe on anything you guys do, just to be an extra hand when it comes to the work you do outside of your content creation. LA media is pretty unforgiving.” You noted, your fingers pushing back a few loose strands of hair from beside your cheek.
Chris finally turned to look at you, his expression was cold and unwavering, eyes locked onto you as he responded.
“Are you suggesting that we’re gonna do something wrong?” He pressed, earning a whack on the arm from Nick. “What, Nick? She’s pretty much implying that if we don’t have her around, we’re gonna fuck up and get roasted by LA media.” Chris bitterly added and you furrowed your brows slightly.
Talk about making a mountain out of a molehill, you thought to yourself. This guy is defensive.
“That isn’t what I said,” you defended. “But your management team reached out to me, so I’m here. You don’t have to want me around, but until your management decide that they don’t need me to help you guys anymore, you’ll be seeing me every Monday and Thursday.” You responded in a desperate bid to keep the conversation professional.
“And we’re glad to have you.” Nick chimed in and shot Chris a warning look, enough for Chris to purse his lips and remain silent, but his eyes betrayed him as he looked at you with disdain.
Matt offered a small smile and a nod, though the air remained heavy.
*Present day*
Since then, it had been almost two months. You wished you could say that the tension between you and Chris had eased, but in fact, it was the opposite. It had worsened. Whenever the two of you were alone, the tension could be cut with a knife until Chris would decide to make a snide remark about your being-there. You held your own though, eight weeks in and any essence of professionalism you carried went out of the window when you were around Chris, often biting back until it left the two of you locked in a death stare.
On the flip side, growing closer with Nick and Matt had been nothing short of a privilege, and working with genuinely, authentic nice guys was a perk to your job. With the frequency in which you saw them, for hours at a time at least twice a week, you had formed a light-hearted and banterous bond with the two less bitter brothers.
Standing in the kitchen that belonged to the Sturniolo triplets, you looked over at Nick as he spoke. “Okay so in this interview, I can still be my funny and charming self, but politely avoid any questions regarding…” Nick spoke, listing on from the prior conversation you had with him.
“Exactly. You’re gonna smash this interview, hands down. I know you’ve got it covered.” You said, earning an award-winning smile from Nick. “I’ll talk to Matt when he gets back from the store, if he needs anything. Hey, you might not even need me around much longer.” You smirked at Nick, who gasped and placed his hand to his chest.
“Wouldn’t that be a treat?” Another voice rang through the kitchen as Chris entered, wearing grey sweats that hung loosely on his hips and a black t shirt. Your eyes flickered over him before a soft huff escaped your lips and you rolled your eyes.
“It’s really great when you greet us with your warm presence, Chris.” You muttered as he swung the fridge door open to grab a soda.
“Alright I’m heading upstairs to go over whatever else I need for tomorrow. Don’t be a dick, Chris,” Nick said as he headed out of the kitchen, leaving you and Chris alone.
Chris turned to face you, leaning against the kitchen counter opposite you, his fingers wrapped around a can of soda and his eyes now on you. You looked at him, folding your arms across your chest as you raised your eyebrows.
“What?” Chris asked flatly as he took a sip of his drink.
“You have an interview coming up next week. If you want to stop being stubborn and actually talk about it, we can.” You responded.
Chris looked at you, his eyes didn’t waver, they stayed glued to your face as if he was trying to read your expression. You weren’t the type of person to get nervous beneath the stare of somebody else, but for some reason it was different with Chris. When he looked at you like that, his jaw clenched and eyes low, you felt the familiar knot forming in your stomach that you tried to ignore. Your skin felt like it was warming up and you had to distract yourself from the moment almost instantly, tearing your gaze away from his and looking to another area of the kitchen where Chris wasn’t stood, looking as good as he did.
“I already told you that I don’t need help with this shit. I’m startin’ to wonder if you’re gonna understand that.” Chris spoke lowly, and you could feel his eyes burning into your skin as you pushed some hair away from your neck, exposing the skin.
“You’ve made it pretty clear. But I don’t get paid to stand here and argue with you. It’s been two months, Chris, and it’s tiring.” You complained.
“Well having you around here up my ass trying to tell me how to speak in interviews and shit, is also pretty tiring.” He snapped and you scoffed as you turned your attention back to him.
“I might’ve been gone by now if you weren’t acting like an asshole all of the time.” You retorted, your voice sharp and you could have sworn you saw a ghost of a smirk on Chris’ lips, but you continued anyway. “And if you act in an interview the way you’re acting around me right now, you could fuck up quite a few good things you have going.” You told him, though regretted the way you worded it. But, your point still stood strong.
Chris traced his tongue across his lower lip as he set down his drink, standing up straight from the counter and taking a few steps towards you.
“You’re not gonna talk to me like I’m a fuckin’ idiot, are you?” His voice was more gravelly now, his expression daring as he watched you with close inspection.
As his proximity to you got closer, you could feel your skin heating up and your heart rate quicken, though you fought to keep your expression neutral as you looked up at him.
“I won’t, if you don’t act like one.” You quipped, but your voice wasn’t as steady if you would have liked, it was breathy and unsure.
“You keep runnin’ your mouth like that and you’re gonna regret it.” Chris warned, and with his words, took another few steps closer in your direction until you were closer than the two of you ever had been. He settled both hands on the counter either side of you, his head slightly dipped as he looked at you, awaiting your response.
Your eyes traversed across his bare arms outstretched either side of you as his hands gripped the edge of the kitchen counter, before you looked up at him, your lips slightly parted as you tried to think of a response. With Chris being this close to you, close enough for you to smell his cologne, you weren’t sure if your brain was even capable of forming a coherent sentence. His eyes glanced down at your parted lips for a moment, before landing back on your eyes, silently urging you to respond. After a few moments, you gathered yourself just enough to speak.
“If you think I’m scared of your threat, you might want to think again.” You breathed out, and this time, the sly smirk that tugged on the corner of Chris’ mouth was much more evident.
He lifted one hand, pushing some of your hair out of the way of his quest, before he placed his hand on the side of your neck, his thumb tracing lightly across your throat. Your breathing hitched and you could feel goosebumps forming on your arms, the kitchen had suddenly jumped from cold to hot, much like your own temperature. With one of your hands, you wrapped it around Chris’ wrist that was still on the kitchen counter beside you. “Chris,” you warned.
So many lines were being crossed at this point, your brain could hardly catch up with what was happening, but your heart hammering in your chest was enough to tell you that it shouldn’t have been happening. But, by God, you wanted it to be.
Chris lowered his head, and you could feel his soft, slightly damp hair graze across your forehead, as his lips stayed barely an inch away from yours.
“See where that fuckin’ attitude gets you.” He whispered, and you could feel his breath against your lips, emitting a quiet breath from you.
Before you could say anything else, the sound of the front door opening was a rude awakening for the both of you, shaking the moment into reality. Chris stepped away from you and back to the other side of the kitchen, while you stood breathless and wordless.
“Hey,” Matt chimed as he walked into the kitchen, placing a few groceries down onto the counter, looking over at you and then over at Chris.
“Hey,” you responded and mustered a small smile. “Ready to talk about your upcoming interview? Me and Chris just got done talking.” You said. Chris rubbed the side of his jaw with his hand as he looked at his brother, starting to make his way out of the kitchen.
As he approached the doorway to head upstairs to his room, you caught another glimpse of a smirk on his lips.
#chris sturniolo#sturniolo triplets#sturniolo x reader#fanfic#matt sturniolo#nick sturniolo#chris sturniolo fic#imagine#chris x reader#christopher sturniolo#chris sturniolo angst#enemies to lovers
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LIVEBLOG: Dofus Novel 4, The Thirsty Beheader
I apologize for my absence. Translating this novel has burned me out from the fandom in a pretty major way, and I also got into a different fandom in the meantime and am, like, three 4k word chapters deep into a longfic for said new fandom. Besides that, I had a depressive episode and went insane for a while. Basically, I've been a bit busy.
At the same time I release this post, I have uploaded the new, updated versions of both translations (since this liveblog is mostly a reason for me to reread and fix stuff) to MEGA and VK, so I recommend you download the new versions!
I will mostly be copying the text directly, to bypass tumblr's image restriction, but some screenshots will be provided. For example:
If pride is a sin, then the typesetting and cleaning I went through with this book will have me go to hell after I die. (I don't think I'm a master, but I did a pretty good job, ok?)
A cart had just entered the District of the Lost Steps. It stopped in front of the store, as two Srams* got out.
I love the internal consistency of the street being named here. Thank you, author of this book, for caring.
“Are you sure about this,” asked the little guy, “Is this really the right place?” “Yeah,” replied the tall one, “There aren't thirty-six Shushu* houses in the neighborhood.”
LMAO this is something Kerubim is actually known for, huh?
At the time that this book takes place in, joris can't read very well. Cute...
Also, hehe... I am pretty proud of the way this part of the book was cleaned + the font + the layers and colors and opacity I applied to the text, to make it fit in with the paper.
^^^ This is me btw, during this entire post. ^^^
The entirety of the epilogue and prologue are typed on top of cleaned backgrounds sourced from the scan. The rest of the book is typed in front of a digital background. This artistic choice was made because....... You can't set different pages to be different colors in word. You have to overlay some image or a textbox, if you want a page to be a different color.
Anyway — I had a lot of fun searching for the fonts from this book! (and far less fun searching for appropriate fonts for the Russian translation since none of the fonts this book uses have cyrilic versions...)
The fonts this book uses are: Dimbo, Chelsea Market, and Aleo. Google them for all your Dofus Aux Tresors de Kerubim related needs.
The fonts I chose to use in the russian translation are: Brydan Write, Correction Brush, Curinn, and Itim. I just had to make do with what I had, ok?
“My Papycha said it's urgent!” exclaimed Joris, “He could be in danger. Maybe he's being attacked by the Thirsty!” Even Pupuce looked worried. Simone reread the message, thinking out loud: “The Huffing Bow Wow tavern is in the Pandawa district... There's plenty of bamboo milk there. Maybe the neighborhood is overrun by the Thirsters?” “And soon, the whole city will be under attack!” concluded Joris.
Nobody knows how to escalate a situation better than a 7yo with anxiety. God bless <3
The Ecaflip goes full "war machine" mode: he cuts and slices through the living dead for the entire night, and when the golden disk of the sun finally rises over the horizon, the scenery is carpeted with the Thirsty. The region is saved. Kerubim becomes a legend. To thank him, the local lord offers him the... “Hey... Joris? Are you listening?” asked Simone. She began shaking the boy, who, abruptly snapping out of his reverie, mumbled: “Huh? What?”
Joris is so normal. So sane.
“Bye-bye,” added Bowiknif. But Luis slammed the door in their faces, roaring: “You're not going anywhere!” “Oh yeah?” hissed Bakstab, “Is that so?” “Would you like us to chop up your friends with a Brakmarian steel sword of Chouque?” questioned the other, “Or with Samuel J. Axe?” Luis muttered what sounded like a string of expletives, before reluctantly opening the door to the two robbers, who bolted out without further ado.
I'm LITERALLY fucking insane about this.
“I'm sorry,” said Luis, “I tried to hold them back, but...” “We know, we saw everything,” the girl cut him off, “You did your best, Luis.”
Actually deranging. Also explains why Luis did fuckall about Sipho, Harebourg, and Ush — there's just not much he can actually do.
She spotted a Dragoturkey standing near a trough. In two strides, she reached the animal, untied it, and climbed onto its back like an experienced Dragogirl*. “Let’s go!” she said to the boy.
This once again raises a some questions about Simone's past — when did she learn how to ride dragoturkeys? Is it the same reason why she knows how to fight, at least a little?
Then again, maybe she's just being an Osamodas here.
I love, love, love the Simone&Joris content in this book. Their bond is so important to me... She's the aunt who stepped up.
This art is so nice...
They had run like mad through half the city, arrived at the wrong address, turned back just as a thunderstorm broke out, wandered around in the rain in the Pandawa district, and FINALLY arrived at the Huffing Bow Wow Tavern, a large, long building with a thatched roof.
They're so fucking stupid. I love them.
“Ah, there you are!” called out Kerubim, “I almost thought you’d make me wait some more!”
I wish english also had the phrase "I almost thought you'd be late" as a cunty response when someone's an hour or three late to an event. I don't think the english translation I made conveys the sheer frustration.
Kerubim raised an eyebrow — a perfect copy of the circumflex accent:
I struggled with this part a lot in russian sjfkgdfg. It made me nerd out a little bit too.
I didn't have a lot of comments here, but eh. It was nice to finally get this over with dfjgkdsfg.
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From Myspace to Spotify: The Journey of Indie Sleaze Music in the Digital Age 🌐
Hey there, indie dreamer! 🎸 Ready for a nostalgic trip through the evolution of indie sleaze music? From the early days of Myspace to the modern streaming era on Spotify, indie sleaze has undergone a wild transformation. Let's dive into how this raw, rebellious genre has adapted and thrived in the digital age, and why it’s still resonating with listeners today.
1. The Myspace Era: Indie Sleaze’s First Digital Playground
Back in the early 2000s, Myspace was the epicenter of indie music discovery. It was the place where bands could upload their tracks, connect with fans, and build a following without needing a major label. Indie sleaze artists were quick to embrace this new digital frontier, using Myspace as their stage and connecting with a global audience in ways that had never been possible before.
DIY Spirit: Myspace was a haven for the DIY ethos that indie sleaze embraced. Bands like The Strokes, Yeah Yeah Yeahs, and Arctic Monkeys used the platform to share their music directly with fans, bypassing traditional media and labels. Their raw, unpolished sound fit perfectly with the unfiltered vibe of Myspace.
Visual Aesthetic: Bands and fans alike used Myspace’s customizable profiles to express their indie sleaze style. With an abundance of glittery backgrounds, band posters, and those iconic “Top 8” friend lists, the platform was a digital reflection of the era’s grungy, glamorous aesthetic.
2. From Downloads to Streams: The Shift to Digital Platforms
As the digital music landscape evolved, so did indie sleaze. The rise of platforms like iTunes and, later, streaming services like Spotify changed the way music was consumed and shared. This transition brought new opportunities and challenges for indie sleaze artists.
Digital Downloads: Platforms like iTunes allowed fans to buy and download individual tracks, making it easier for indie sleaze bands to reach new audiences. Artists could release singles and EPs without needing a full album, and fans could curate their own playlists of their favorite tracks.
Streaming Services: Enter Spotify, Apple Music, and other streaming platforms. The shift from downloads to streaming changed everything. Indie sleaze bands had to adapt to a world where music was less about owning tracks and more about playlist placement and algorithmic recommendations.
3. The Rise of Playlists and Algorithmic Discovery
One of the biggest changes in the music industry over the past decade has been the rise of playlists and algorithmic discovery. For indie sleaze artists, this new way of reaching listeners has both benefits and challenges.
Playlist Power: Playlists like Spotify’s “Discover Weekly” and “Release Radar” have become crucial for indie artists. Getting featured on a popular playlist can lead to a surge in streams and new fans. Indie sleaze tracks with their catchy hooks and raw energy often find a perfect home on these curated lists.
Algorithmic Challenges: While algorithms help discover new music, they also mean that artists need to navigate an ever-changing digital landscape. Standing out in a crowded field requires savvy marketing, consistent releases, and a strong online presence. Indie sleaze bands are learning to leverage social media and streaming data to connect with listeners and build their brand.
4. The Influence of Social Media: TikTok and Beyond
The rise of social media platforms like TikTok has brought a whole new dimension to music discovery. For indie sleaze, TikTok’s short-form video format and viral trends have become a new way to connect with fans and introduce their music to a wider audience.
Viral Hits: TikTok has the power to turn obscure indie tracks into viral sensations. Songs that capture the spirit of indie sleaze—whether through their raw lyrics, catchy beats, or nostalgic vibes—are finding new life on the platform. Creators use these tracks in videos, dance challenges, and memes, leading to a resurgence of interest in the genre.
Fan Engagement: Social media allows artists to interact directly with their fans, building a community around their music. Indie sleaze bands are using platforms like Instagram and Twitter to share behind-the-scenes content, engage with fans, and keep their audience updated on new releases.
5. The Revival of Indie Sleaze: A New Generation Embraces the Sound
Despite the changes in how music is consumed, indie sleaze is experiencing a revival. A new generation is discovering and embracing the genre, inspired by the nostalgia of the early 2000s and the raw, unfiltered energy that indie sleaze represents.
Nostalgic Resurgence: The early 2000s sound is making a comeback, with both new and old artists embracing the grunge pop aesthetic. The rise of vintage-inspired fashion and music is bringing indie sleaze back into the spotlight, with playlists and radio stations dedicated to the genre.
Cultural Impact: Indie sleaze’s influence is seen in modern fashion, film, and art. The grungy, carefree style of the early 2000s is being reinterpreted for today’s audience, blending nostalgia with contemporary creativity.
Final Thoughts, Babe: The Journey Continues
From the DIY spirit of Myspace to the streaming era of Spotify and the viral world of TikTok, indie sleaze has navigated a complex and ever-changing digital landscape. Despite the challenges, the genre remains as vibrant and relevant as ever, resonating with both old fans and a new generation discovering its raw, rebellious charm.
So next time you’re curating your playlist or scrolling through social media, remember the journey indie sleaze has taken to get here. Whether you’re rediscovering the classics or finding new favorites, the spirit of indie sleaze lives on—gritty, glamorous, and forever cool. 🎶✨
#2014 grunge#2014 nostalgia#2014 tumblr#2014 revival#2014 aesthetic#indie music#indie sleaze#bring back 2014#soft grunge#2014core
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Oh, right, the Patreon texture pack! Since so many people over the years have asked and asked how I do my textures, I started working on a "just to my liking" texture brush pack, and while doing so, I made a bunch of ready-made textures for immediate use as a reward all their own. So here they are, at least, here's their previews! I already went in and did the work of mixing and blending the texture brushes with color pops, light and shadows, and blend modes to make these as Done as Possible… which means they're good to put right on, or behind, any illustration or art project you want to use them on! For placing them on top, try a variety of blend modes at varying opacities to see what best marries your artwork (I'm often fond of Lighten, overlay, luminosity, divide and hard mix... though hard mix usually needs a very low opacity unless you're going for a VERY specific look!). Use gradient maps, color adjustments or curve adjustments to change the colors of these and just have fun! These are the exact sort of textures I paint on top of and behind my pieces to add the textures to them, but they're just ready to go as-is here! As I said on Patreon, sadly the (market, I guess?) for ready made textures, digital scrap paper, digital assets, etc. has been absolutely run over by nasty A\\I bullshit, but you can snag these knowing they're 100% artist made to use in your projects. The brushes I made them with will be available next (if the brush pack is fully ready by then, I'm still working out a few to my own liking and for ease of use) so you can make your own as you desire. You can snag them over at the✨ Solivaga Patreon ✨
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2022, the year Venus finally secured the Converse and a Pepsi sponsorship. Arguably, this is the least liked year of Venus for a majority of Constellations for numerous reasons. Trying to replicate the success of Summer Luv!, the girls would release their 8th mini album, VENUS HIGH! with the title track Hi-Tops, along with a collaboration with the brand Converse.
Commercially, the song peaked at number ten on the Gaon Digital Chart and topped the Billboard K-pop Hot 100, their first number-one song on the chart. Following the release of Venus High!, Venus promoted the song with live performances on several South Korean music television programs and amassed six music show trophies. They also held a concert by Converse, which sold out in seven minutes.
VENUS' collection with Converse. Each girl got to desgin their own shoe. The collection sold out in 15 minutes.
Venus would come back with their fourth full album, their last project with beloved creative director LEXA. Love, Venus would feature the title track, "So Sweet," along with eleven other tracks.
"So Sweet" won eight first-place music program awards in South Korea, including a triple crown (three awards) on Inkigayo. It also won a Melon Weekly Popularity Award.
"So Sweet" debuted at number one on South Korea's Circle Digital Chart. It remained atop the chart for thirteen weeks, becoming the longest-running number-one song in its history. The song debuted number one on the Billboard Vietnam Hot 100 chart issue. It topped the chart for three consecutive weeks. In Japan, the song peaked at number 12 on the Billboard Japan Hot 100 and number 13 on the Oricon Combined Singles Chart.
The music video would feature heavy Pepsi product placement but is still beloved by fans as it's the last video directed by LEXA. Lexa would make a lengthy Instagram post announcing their departure from Angelico and Venus' creative director, leaving fans and the girls concerned in what direction they would go in next.
LEXA'S DEPARTURE LETTER: it only feels right to share my favorite moments with my favorite girls, though there are plenty more. if i could post 100 images on this post i would lol. as of today, i have officially stepped down as the creative director of venus. these five girls are so special, talented, and overall wonderful visionaries i wish had more freedom over their careers. i do not wish to get sued so i won't say much, but i hope you all can use critical thinking skills as to why i've decided to leave angelico. i wish yoonah, bliss, chloe, sena, and jiah nothing but so much love and well wishes for the best. I'll always have so much love for my five favorite stars in the sky 🌟 until next time, venus! ❤️
The girls would take a short break, something unheard of in their career, to regroup and find a new creative director. In comes Adrian Reyes. Adrian would take over as not only their creative director but producer and marketing manager, ushering Venus into their most controversial era.
??? would be the ninth mini album by Venus with the title track GOTCHA. The ??? era would be defined by the marketing used to prepare for the era. Posters were posted around the world about the "missing sister of Venus" with four girls on the poster. Billboards asking, "Have you seen our moon?" would be put up around LA, Seoul, Busan, Tokyo, Shanghai, and various other cities featuring the four members Sena, Baebi, Jiah, and Bliss, but no Chloe. This led fans to believe she wasn't going to be included in the comeback until a thirty concept film, "Why Venus Has No Moons: ???" It was posted to their YouTube channel.
Venus was finally getting lore, and fans were...very mixed about it!
Stills from "Why Venus Has No Moons: ???" directed by Adrian Reyes.
The album would come, and the title track, GOTCHA, would cause a mass debate on Twitter on whether the song was good or not. The debate still goes on to this day. "GOTCHA" won 10 first-place music program awards, including a triple crown on M Countdown.
In South Korea, the song debuted at number 17 on the Gaon Digital Chart for the issue dated and peaked at number 5 in its second week. It also debuted at number 1 both on the component Download Chart and on the component BGM Chart. In the United States, the song debuted at number 5 on the Billboard World Digital Song Sales chart. It also debuted at number 37 on the Billboard Global 200 and 29 on the Billboard Global Excl. US during the same week.
Venus would win Artist of the Year and Best Female Group at the 2022 MAMA Awards.
#╰ * venus : discography ⧽ burn it to the ground .#idol oc#kpop oc#fictional idol community#kpop addition#idol au#bts addition#kpop au#fake kpop oc#oc kpop group
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Hiveworks x InkBlot Partnership & Interview with CEO Jay Brown
June 2023
Hiveworks is proud to announce our partnership with InkBlot! InkBlot is a new queer-run and artist-made social platform for creators and their audiences, with similar vibes to DeviantArt or Pixiv.
We are so excited to help an emerging platform by providing advertising support, working together to help the webcomic community grow with one of the things we do best.
We asked InkBlot CEO Jay Brown to talk with us more about InkBlot, its origins and its future.
. 🦋🐝.
How did the idea for InkBlot originate?
InkBlot started on a call with some friends of mine. I was upset and talking about how social media at that time (and unfortunately still even now) had been suppressing creators. Instagram was my biggest source for my other company selling my designs and merch. It still is, but the reach is minimal and nothing compared to how it was 4 years ago. Then, on top of that, DeviantArt hadn't been listening to its user base about an update they were rolling out. As a person that doesn't like to talk about it but be about it, I set to work making wireframes and getting ideas for InkBlot, building the prototype at my kitchen counter.
We're seeing a cultural shift in how people interact with social media. How would you describe InkBlot's place in the future digital landscape?
InkBlot is certainly a social space for creators and lovers of the arts, and I think I like to really emphasize that it is a community space. It is first and foremost a space that will cater to a specific community and the supporters of that community. It is NOT Twitter. We will never be like Twitter, nor do we want to. There are estimated to be about 16 million people around the world that take part in the creative arts. This doesn’t include music, writing, animation, or comics (source? Trust me– jk Global Art Market). So with that being said, InkBlot exists for a large group of people, mainly artists, but also slowly expanding into other areas like music, voice acting, writing. That’s why we refer to users as creatives/creators, and I quite frankly don’t think it matters if we cater to a niche. This niche is huge and life is one big canvas. In this day and age, the internet is very hostile to creators, especially ones that cannot keep up with the algorithms that consume and churn ‘content’ at paces faster than creatives can make them. InkBlot is here to slow things down, have people enjoy the process and connect with others that do the same.
What is missing from artists' online experience that InkBlot aims to fulfill?
Community. The creative community has been shattered into so many different parts of the internet. We have taken residence in places that weren't made for us and still don’t even think of us. We are stronger together, and InkBlot is here to make a permanent home that is built by and owned by the community.
From an adult artist perspective, InkBlot's content guidelines are pretty clear and generous compared to other content hosting sites. What motivated this decision?
There is really nothing more important than keeping every part of the community. This includes the NSFW/adult spaces. The content guidelines are shaped to still allow for the freedom of the arts. You cannot say you are a space for the community, yet completely cut out a part of it. So many spaces have forced out the NSFW community and with it has also scorched the LGBTQIA+ community. There is something deeper here about this, but I won't write an essay. In short, it is important to keep all parts of the community regardless if it's SFW or NSFW.
Hiveworks is also a queer-run, artist-made organization, with a focus on webcomics. What is your perspective on the value of queer spaces online, particularly for creatives?
It is super important. In a world where queer folks are constantly ‘up for debate’ and our existence is a ‘political ticket’, we need to have a space online for ourselves. It is so very important to have a safe space in a world that constantly tries to erase us. Spaces like Hiveworks and InkBlot give people hope. It gives people a chance to connect with other queer creators and find that they aren’t alone. Making media that is queer is more important than ever right now. Even if it is just one person, it can save someone.
Speaking of comics, do you have a favorite comic (print or digital) or a recently read recommendation?
I am a big fan of Novae by KaiJu, Lies Within by Lacey & Golden Shrike by doeprince
For people who want to see InkBlot grow, what is the best way for them to support you?
The biggest thing is getting the word out about InkBlot and USING IT! Use it, even if it’s just once or twice a week. We need to know what people want to see, how it differs from what people use now, or if we should make it similar to those other tools. Of course, we are user-funded so supporting us through our Kofi or on-site premium works, too! Lastly, give us patience! Rome wasn’t built in a day.
PS: Bee on the lookout! InkBlot users will notice that Hiveworks creators on the site have a little bee badge to help make identifying your fave creators easier!
Badge artist: Ray Armstrong
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Champaign Tastes on a Bottled Water Budget (because let’s face it, even beer isn’t cheap anymore) Thrift Tips
People are over living in white boxes. We now want richness and texture and colors and interest. Traditional design styles with lots of molding and detail and antiques are very in. People are making a living selling antiques online. Décor bloggers aspire to being able to bring back a container from European flea markets. People want to make their homes look like you have generational wealth. But how do you have a home full of beautiful old things when you’ve got no money? Thrifting.
1. Always always check the art. Remember if you love the art but hate the frame you can always put it in a new frame, or makeover the current one. And vice versa, if you love the frame but hate what’s in it then it’s the simplest thing in the world to swap it out for something else, another piece of thrifted art, a print from Etsy or one of the many other places artists sell digital copies of their work, a color photocopy from a library book. And frames are very easy to make over, sometimes just changing the matting or painting a frame a different color or adding a little rub n buff makes a world of difference.
2. Rub n Buff or similar waxes are your friend for getting a gorgeous, antiqued look. The thrift stores are full of pieces that have great shape but they’re too modern looking for what you’re trying to achieve. But rub gold on the high points or a dark wax into the crevasses and suddenly they look completely different. I’ve got a ceramic parrot that looked very 80s when I got my hands on it but when I covered it with gold (leaving the original dark colors in the crevasses) he immediately looked like an antique. Just spray-painting something gold doesn’t have the same effect, using a wax creates depth.
3. Darken it up. Most old things are darker than new things. Darker furniture, fabrics, accessories, add depth and richness. If something is already dark, then when you thrift it then great. If it’s not then that’s what dye, paint, and stain are for.
4. Old souvenir pieces. I’ve got a load of old pieces that people have bought back from Greece and Rome, from Egypt, from China. They make my home look like it belongs to someone who has been on a Grand Tour. A lot of them are copies of ancient pieces which means they look timeless. They’re cheap tchotchkes that people have bought at gift shops but mix them in with old books and candle holders and natural pieces like chunks or crystal or large seashells, and they look classy and interesting.
5. Old books. Do you have any idea how many old books get thrown out by thrift stores? Like genuine antiques that get sent to landfill? Most thrift stores don’t want to deal with old books because they smell and harbor dust mites and are out of date and often look tatty. You may even be able to get a bunch for free if you sweet talk the volunteers. If you’re worried about dust mites, then pop them in the freezer for a few days. I know there are those who look down on people who use books just as décor, but if you using it as décor saves it from a landfill or a junk journaler and preserves it for a future generation then isn’t that a good thing?
6. Glass display items. Putting things behind glass makes them look lux and precious even if it’s some cheap trinket or even a bunch of dried leaves or other completely free natural items. Look for domes, plain clear vases you can turn upside down and glue a knob on top, display boxes holding ugly stuff that you can rip the ugly stuff out and re-purpose.
7. Antique reproductions. There’s been many points in history since humans started to mass manufacture stuff, that we have looked to the past a re-created what our forbears made by hand. There’s so much that ends up in thrift stores that looks old even if it’s no more than a few decades old. Cleverly mixing this stuff in to your décor can help you achieve the look of a home furnished with antiques at a fraction of the price.
8. Search ‘Old’ ‘Antique’ and ‘Vintage’ on FB Marketplace. Don’t get more specific than that, just literally type those terms into the search bar, set a distance you’re willing to travel, and scroll. People are always selling stuff that they don’t quite know what the heck it is, but they know it’s old. Yeah you’re gonna see a lot of trash but it’s worth it to find the treasures.
9. Candle holders and candles. I’m actually pretty meh about candles, I get why other people like them but scented candles mess with my allergies and I don’t get any joy out of candlelight – but if you feel the opposite to me, I do understand and encourage that. Candles are wonderful décor objects if you’re going to light them or not. Always check the section where your thrift store keeps candles, there’s often some really good ones. And candle holders come in so many different forms that you will always find beautiful and interesting ones. A figural brass candle holder will make my heart go pitty-pat. You don’t just have to use them for candles either, I have a gorgeously detailed pewter candle holder that I use as a display stand for a large mother-of-pearl shell, and my pair of huge Victorian cherubs currently have clear quartz crystals sticking out of them.
10. Actual antiques. I have hundreds of antiques big and small. I just tried to remember how many of them had been bought at actual antique stores and I think the total is 5. Real genuine antiques turn up in thrift stores All The Time. Sometimes the thrift store realizes what they’ve got and will price it up, more than you’d usually pay at the thrift but still way less than it’s really worth. Sometimes they don’t know/don’t care, they just want to turn over stock so they price it at whatever will get it out the door. You CAN furnish your home with antiques entirely from thrift stores. It just takes time and patience.
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