#Tom Wegner

[genevieveetguy]

That's a story, Kitty. I'm looking for facts.

The Wonder, Sebastián Lelio (2022)

[wausaupilot]

Kronenwetter Plan Commission delays decision on mining permit

Milestone Materials is proposing a nonmetallic mining operation in Kronenwetter. Details:

Damakant Jayshi The Kronenwetter Plan Commission voted Monday to postpone a decision on a mining company’s request for a conditional use permit, opting to revisit the matter in January after additional discussions. Site map (Courtesy: Milestone Materials proposal document) The commission also directed staff to arrange a joint meeting with the Redevelopment Authority of the Kronenwetter Village…

[mokkung]

（短評）映画『聖なる証』

（引用元）

『聖なる証』（2022年、英国、原題：The Wonder）

4ヶ月もの間絶食で生き続ける少女の真相を究明するために、観察者として1人の看護師が少女のもとに派遣される❤️‍🩹

信仰心に対して科学的思考や合理性で向き合うことで生じる歪み、信仰が抑圧となりうる欺瞞性を描いた挑戦的な映画‼️

フィクションであることをメタ的に利用した表現も👌

冒頭から映画の撮影セットと現実世界からのナレーションで始まり、驚かされます😧

そのままシームレスに映画の世界に入り込む演出は映画全体の＂フィクション＂や＂嘘＂がもたらす意味を内包する構造にもなっており、独特で非常に面白いです‼️

信仰が作りごとと表裏一体だという意味にもとれる💨

映像が豊かで、土地の空気感すら感じるような印象を持ちましたが、それもそのはず、撮影監督は『パワー・オブ・ザ・ドッグ』と同じアリ・ウェグナーという人でした🎥

主演のフローレンス・ピュー、力強さと危うさを兼ねた主人公を見事に演じていたと思います‼️

思ってたより、かなり見応えある映画💨

〜〜〜〜〜〜〜〜〜〜〜〜〜〜〜〜〜〜〜〜

印象的だったのは、筒型聴診器が登場したことです‼️

1800年代半ばの物語なので、まだ現在の形の聴診器ではなく、ラッパみたいな形なんですよ🎺🩺

これが映画に登場するのを初めて観たので、医師としては興味深かったです🤔

こういう美術もキッチリしてると嬉しいですよね🌟

[psychologeek]

(ID: Druze and Israeli flags connected, and a writing in Hebrew says "our heart's with Majdal Shams". Above that, a white on black writing "we all pray for the fast healing of the wounded. Our condolences to the families of the murdered./END ID origin: Tom Wegner, FB)

A direct hit in Majdal Shams - a Druze town in the Golan, the northern part of Israel.

Within an hour, over 100 rockets were launched at Israel from Lebanon, by the terrorist organisation Hezbollah.

One of them landed in a soccer field, causing over 30 casualties, at least 10 murdered - mostly children.

(I have many things to say, about that and the connection to everything that's happening in Syria and Jabel al Druze.

But this post isn't about it. It's about sadness, and loss, and prayers for the wounded.)

[ouatnextgen]

Right Where You Left Me Moodboards

These are my versions of the moodboards for the OUAT fanfiction I'm co-writing with @hannahhook7744! Her version is here (https://www.tumblr.com/hannahhook7744/743787303227604992?source=share)

Name: Prince Kiran Adil Hassan Mani Woodcock of Linos

Cursed Name: Corwin Tucker

Other names: 'Ran, Cor, Princey, K, Doctor Himbo, The Bumbling, Kir (nicknames)

Age: Twenty

Face Claim: Karan Brar (young)

          Rahul Kohli (old)

Species: Human

Father: King Raj Woodcock of Linos (deceased)

Mother: Queen Reshmi Woodcock of Linos

Sibling(s): Prince Amir Woodcock of Linos

      Prince Shahzad Woodcock of Linos

Other Family: Penelope Devlin (Fiancée)

Occupation: Crown Prince (EF), medical intern (Storybrooke)

Home: The Kingdom of Linos, The Kingdom of Strife, Storybrooke

Favorite Color: Dark Blue

Song: Who I Am- The Score

Powers: None

Weapons: Sword

Name: Penelope Guinevere Devlin

Cursed Name: Paisley Spinner

Other names: Pen (primary nickname)

            Penny, P, Pais, ‘Ley (other nicknames)

Lazy (by her mother)

Age: Nineteen

Face Claim: Dakota Blue Richards (young)

          Daisy Ridley (old)

Species: Human

Father: Lord Ferdinand Fitzroy

Mother: Gwenllian Devlin

Sibling(s): None

Other Family: Kiran Woodcock (Fiancée)

Occupation: Spinner (EF), seamstress (Storybrooke)

Home: The Kingdom of Linos, The Kingdom of Strife, Storybrooke

Favorite Color: Light Blue

Song: Everything I Wanted- Billie Eilish

Powers: None

Weapons: Slingshot

Name: Rowena Elladora Jones

Cursed Name: None

Other names: Ro, 'Wen, Winnie, R.J, Little  Jones, R, Kid Pirate (nicknames)

             The Forsaken Child, The Princess Who Never Smiled, The Queen of Strife, The Mother of Monsters, The Queen of Monsters, The Chaotic Sorceress, The Queen of Clumsiness, The Wild Sorceress, The Forbidden Child, Queen of the Outcasts, Queen of the Rejects, The Pirate Queen (titles)

Age: Nineteen

Face Claim: Hailee Steinfeld

Species: Human

Father: King Adam Blithe of Rally

Mother: Queen Pandora Blithe of Rally

Sibling(s): Killian Jones (adoptive)

Other Family: Tempest Banks and Warren Scarlet (Fiancées)

Occupation:Princess (EF, Formerly), Queen (Strife), Pirate/Fugitive (EF, Formerly) Writer (Storybrooke), Mail Sorter (Storybrooke)

Home: The Kingdom of Rally (formerly), The Kingdom of Strife, Storybrooke

Favorite Color: Teal

Song: Try- Pink

Powers: Magic

Weapons: Cutlass

Name: Warren Artemis Scarlet

Cursed Name: None

Other names: Scout, Tree Climber, Scout Scarlet, Cuddlebug, Tree Hugger (nicknames)

  The Animal Whisperer, The Woodland Bard, The Tree Hugger, King Scout, The King of Monsters, The Father of Monsters, The Hard Worker, Animal Boy, The Jack of All Trades, Tree Boy, Scouter, The Honest Worker, The Unlucky Boy (titles)

Age: Twenty-One

Face Claim: Lou Wegner (young)

           Lucas Till (old)

Species: Human

Father: Alaric Scarlet

Mother: Lamia Scarlet

Sibling(s): William ‘Will’ Scarlet 

      Penelope Scarlet (deceased)

Other Family: Tempest Banks and Rowena Jones (Fiancées)

Occupation: Thief (EF, Formerly), Handyman (EF, Formerly), Farmhand (EF, Formerly), King-to-be/second in command (Strife), Pet Shelter Worker (Storybrooke), Musician (all).

Home: Sherwood (formerly), The Kingdom of Strife, Storybrooke

Favorite Color: Green

Song: I Tried to Be Perfect- Sum 41

Powers: Animal Magic

Weapons: Daggers

Name: Sylvester Boris Lucas

Cursed Name: Boris Lucas

Other names: Silver (primary nickname)

                         S, Wolfie, Fangsie, Fang, Silv, Moondust, Starboy, Bongo Boy, and Spaceboy (other nicknames)

Age: Twenty-One

Face Claim: Tom Taylor (young)

Jake Abel (old)

Species: Werewolf/ Vampire hybrid

Father: The Big Bad Wolf

Mother: Anita Lucas

Sibling(s): Graham Humbert (adoptive)

                    Red Lucas

Other Family: Granny Lucas (maternal grandmother)

Occupation: Defense Guard (EF), Waiter (Storybrooke)

Home: Misthaven (formerly), The Kingdom of Strife, Storybrooke

Favorite Color: Spacey Colors

Song: Running With the Wolves- Aurora

Powers: Wolf transformation, super strength, super hearing, super smell 

Weapons: None

Name: Tempest Atlantica Banks

Cursed Name: None

Other names: Undine, Treasure, Siren (nicknames)

Age: Twenty

Face Claim: Bethany Levy

Species: Siren

Father: Tidal Banks

Mother: Nereida Banks

Sibling(s): None

Other Family: Nerissa Banks (maternal aunt)

Myrddin Banks (uncle-in-law)

                          Melusine Banks (cousin)

Occupation: Siren Vigilante (EF, formerly), Queen (Strife), Cannery Employee (Storybrooke), Singer (all)

Home: Atlantica (formerly), The Kingdom of Strife, Storybrooke

Favorite Color: Bronze

Song: Drunken Sailor- Aeseaes

Powers: Mermaid transformation, hypnotic singing voice

Weapons: Harpoon, abalone dagger

[decorworks]

Mid-century modern design "embraced a more human aesthetic"

More than 70 years after its birth, the popularity of mid-century modern design and architecture shows no signs of abating. This overview by Penny Sparke kicks off our series about the movement. Mid-century modern design is hard to pin down. As soon as you think you have grasped it, it re-invents itself. Unlike the late 19th- and early 20th-century architecture and design movements – arts and crafts, art nouveau, art deco, and Bauhaus – which are all linked to specific time periods, places, and visual styles, the definition of what constitutes mid-century modern is in constant flux. Also, while all the earlier movements have been revived from the 1970s onwards, they have tended to come and go. Mid-century modern's rebirth, however, has been in place since the 1990s and, three decades later, is still going strong.

Mid-century modern design, like the Eames House, is still popular. Photo by Leslie Schwartz and Joshua White, courtesy of Eames OfficeAntique shops and auction houses are full of boomerang-shaped coffee tables with spindly metal legs and lightly decorated ceramic and glass items – the prices of which continue to soar – while popular home magazines across the globe show us easy-to-live-in interiors filled with elegant Danish chairs, sculptural room dividers, patterned textiles, modern paintings, and sprawling houseplants. Mid-century modern design usually associated with the home If we can say anything definite about mid-century modern design, it's that it is usually associated with the home rather than the workplace, and that it manifests itself as architecture, furniture, textiles, and as decorative ceramic, glass, and metal items. While they can all be looked at in isolation, they are better understood as ensembles. Moving beyond the austere modernism of the 1920s and 1930s, mid-century modern design embraced a more human aesthetic while remaining aggressively forward-looking. The adulation of the machine was replaced by an affection for the organic forms of the natural world.

'High' mid-century modern design in Scandinavia included Josef Frank's print designs, seen here on a curtain. Photo courtesy of Svenskt TennAlways optimistic, the style emerged to offset the austerity of the post-war years and symbolised the importance of economic and cultural reconstruction. By the late 1950s, many countries in the developed world had developed their own versions of it. While its roots were in Europe and the USA, as a popular domestic style it quickly spread further afield. Many questions remain, however. When did it start and finish? Where did it originate? What does it look like? Who are its designer heroes? Scandinavian mid-century modernism "reached its full potential" post-war In many ways, the Scandinavian countries can be seen as the home of what we might call "high" mid-century modern design, as opposed to its later, more popular manifestations. There were early signs – in the form of Iittala's lightly engraved glassware of the 1920s, designed by Simon Gate and Edward Hald, and the work of the Swedish-based architect-designer, Josef Frank, described as bringing in a new "sanity in design" – that Scandinavia wanted to humanise the stark, tubular steel designs emerging from Germany.

Hans J Wegner's Wishbone chairs are among many Scandinavian design icons. Photo by Tom RossScandinavian mid-century modern design reached its full potential in the post-war years. In the form of sleek items of Danish furniture designed by the likes of Hans J Wegner and architect-designer, Arne Jacobsen; elegant ceramics and glass pieces, designed in Sweden by Gustavsberg's Wilhelm Kåge and Orrefors' Vicke Lindstrand; airy textiles created by Sweden's Astrid Sampe; and the dramatic forms of Finnish designer Tapio Wirkkala's glass sculptures, the concept of Scandinavian Modern was celebrated worldwide. Many of the designs have become iconic: Wegner's Wishbone bentwood-and-rope chair of 1949, for instance, still graces many a fashionable dining area, while, with its three slim steel legs, Jacobsen's moulded plywood Ant chair looks as modern today as it did back in 1952 when it was first produced. Italian designers rejected the past While Scandinavian mid-century modern design was about everyday family life and democracy, Italy's version was all about high style. The furniture, lighting, and decorative items created by Gio Ponti, Franco Albini, Marco Zanuso, Gino Sarfatti, Piero Fornasetti and others inhabited chic interior spaces.

Gio Ponti's Superleggera chair (top back) represented optimism. Photo by Luc BoeglyNone of them represented the optimism that was in the air at that time more than Ponti's little Superleggera chair, produced by Cassina in 1957. Its light, tapering legs and woven cane seat rejected the weight of the past and looked enthusiastically to the future. The mid-century modern lifestyle dominated in the US Across the Atlantic, American designers Charles and Ray Eames, Finland-born Eero Saarinen, George Nelson, and Harry Bertoia also embraced the new, unencumbered lifestyle. On the West Coast, the Eameses created a home for themselves – Case Study House 8 – which epitomised a new life that was lived as much outside as inside, and which was as comfortable as it was modern.

Harry Bertoia's Diamond chair "was as much about sculpture as it was about sitting". Photo courtesy of KnollTheir leather and moulded rosewood lounge chair and ottoman, originally designed for filmmaker Billy Wilder, epitomised that attractive combination. However, Bertoia's gridded metal chair, with its leather cushion, of 1950-1, was as much about sculpture as it was about sitting. Britain's Contemporary Style attracted manufacturers and retailers Great Britain quickly followed. Lucienne and Robin Day, Ernest Race, and John and Sylvia Reid were among the protagonists of what the British called the Contemporary Style. Manufacturers, such as Ercol, and retailers, such as Heals, joined their ranks, while the producers of decorative glass and ceramics items employed designers to create new, exciting wares for them. With its lightly decorated surfaces depicting abstract organic forms inspired by the natural world, Jessie Tait's Primavera dinner service for Midwinter, for example, evoked a new world miles away from the traditional dinnerware that filled so many people's cupboards. The revival of mid-century modern design While the mid-century modern design movement owes its origins and meanings to the pioneering designers working in Scandinavia, Italy, the USA and the UK in the 1940s and 1950s, from the perspective of the early 21st century the term embraces a much wider, ever-evolving, range of designs.

Robin Day's Forum seating design represents Britain's Contemporary Style. Photo courtesy of Case FurnitureIn today's vintage furniture stores, pieces by Jacobsen and Eames sit alongside Italian plastic chairs by Vico Magistretti and Joe Colombo from the 1960s and chunky German ceramics from the 1970s. While different in style, for today's consumers, the designs from the 1960s and 1970s embrace the same spirit of modernity and optimism as the earlier pieces. That spirit died, arguably, when, from the 1970s onwards, the cycle of retro styles – from arts and crafts to art nouveau to art deco to Bauhaus – came into being and optimism was replaced by nostalgia for past models of modernity. By the 1990s, it was mid-century modern's turn to be revived. Seemingly, however, it managed to buck the trend of ever-changing fashionable retro styles as, in the mid-2020s, the power of that historical design movement remains as strong as ever. The optimism of its early protagonists still speaks to many people who seek to remain upbeat in the face of countless contemporary challenges – from the climate crisis to economic inequality, to migration, to the threat of global war. There are no signs as yet that that power is beginning to fade. Top illustration is by Jack Bedford.

Illustration by Jack BedfordMid-century modern This article is part of Dezeen's mid-century modern design series, which looks at the enduring presence of mid-century modern design, profiles its most iconic architects and designers, and explores how the style is developing in the 21st century. This series was created in partnership with Made – a UK furniture retailer that aims to bring aspirational design at affordable prices, with a goal to make every home as original as the people inside it. Elevate the everyday with collections that are made to last, available to shop now at made.com. Read the full article

[gemtvusa]

Garfield 2024 Trailer, Release Date, Cast

This article discusses the forthcoming animated feature. For information on the 2004 live-action adaptation, please refer to "Garfield: The Movie." The Garfield Movie - Director: Mark Dindal - Screenplay: David Reynolds - Based on: "Garfield" by Jim Davis - Producers: John Cohen, Steven P. Wegner, Andrew Kosove, Broderick Johnson, Tom Jacomb, Namit Malhotra - Voice Cast: Chris Pratt, Samuel L. Jackson, Nicholas Hoult, Cecily Strong, Hannah Waddingham, Brett Goldstein, Bowen Yang, Ving Rhames - Production Companies: Columbia Pictures, Alcon Entertainment, DNEG Animation, Amuse Entertainment, Paws, Inc. - Distributor: Sony Pictures Releasing - Release Date: May 24, 2024 - Country: United States - Language: English The Garfield Movie is the anticipated American computer-animated comedy set to premiere on May 24, 2024. This film springs from the iconic "Garfield" comics by Jim Davis and marks the first animated venture by Alcon Entertainment, with animation provided by DNEG Animation, and is distributed by Sony Pictures Releasing. Under the direction of Mark Dindal and a script penned by David Reynolds, the film boasts the vocal talents of Chris Pratt as the eponymous Garfield, with Samuel L. Jackson, Nicholas Hoult, Cecily Strong, Hannah Waddingham, Brett Goldstein, Bowen Yang, and Ving Rhames in supporting roles. The idea of reviving Garfield in animated form began taking shape in May 2016 with a team of producers and writers. Dindal was named as director in November 2018, with production kicking off the following month. Despite Viacom acquiring Garfield rights in August 2019, Dindal confirmed the project was still underway as of December 2020. Sony Pictures secured distribution rights outside China in November 2021, with Pratt being cast as Garfield and animation by DNEG. The full cast came on board throughout 2022, with the official title being announced in September 2023. Voice Cast Overview: - Chris Pratt as Garfield, the iconic lasagna-loving, Monday-hating orange tabby. - Samuel L. Jackson as Vic, Garfield's father. Production Notes: - Initial Announcement: Alcon Entertainment declared their plans for a CG animated Garfield film on May 24, 2016, with a creative team including John Cohen and Steven P. Wegner producing and script development by Mark Torgove and Paul A. Kaplan. - Director's Confirmation: Mark Dindal was confirmed as the director on November 12, 2018, with pre-production starting shortly thereafter. - Viacom's Acquisition: Viacom's rights acquisition in August 2019 caused some uncertainty, but production continued unabated. - Casting Updates: Chris Pratt's casting was announced on November 1, 2021, and by May 2022, Samuel L. Jackson was confirmed to join. Additional cast members, including Ving Rhames and Nicholas Hoult, were revealed by August 2022, with Brett Goldstein and Bowen Yang confirmed in November 2022. Release Plans: - Theatrical Premiere: Scheduled for May 24, 2024, after an initial February 16, 2024 date was revised. - Streaming Deals: Sony's agreements with Netflix and Disney include streaming rights for their 2022-2026 film slate, with "The Garfield Movie" set for Netflix's "pay 1 window" and Disney's "pay 2 window," ensuring post-theatrical and home media availability on these platforms.

Garfield Official Trailer (2024)

https://www.youtube.com/watch?v=MXWvmPGjVXI

Read the full article

[korrektheiten]

Dushan Wegner: »Toms täglicher Wahnsinn http://dlvr.it/SlVGqZ «

[kindlelovers]

🟢🟢Cannabis Wars: The Incredible True Story of the Medical Cannabis Underground🟢🟢 by ✍Tom Wegner

⭐⭐⭐⭐⭐ #Marijuana Early into his 40s, Tom Wegner received the one piece of #news everybody #fears; his father was #diagnosed with #cancer. Just like that, Wegner’s life course evaporated: One day he was living the life of a #hotshot #political campaigner, and the next he became the only caregiver for a #terminal cancer #patient. The attempts to alleviate his father’s constant pain were Wegner’s first steps into the #absurd, wonderful, mind-boggling world of #medical #cannabis. Cannabis Wars chronicles not only Wegner’s experiences with the medicinal herb, but the #story of an entire movement that spurred out to fight for patients’ rights while facing bloody red tapes and stone-faced #bureaucracy.

Available on #Amazon #Kindle

[hairofthedogcast]

The Dogcast - 94 - Pop Goes The Dogcast!

It's a Dogcast Birthday Party!  And you're invited!  Join us as we celebrate the 5th anniversary of a certain podcast about beer and video games (and video games and beer) by drinking some great Florida brews and slowly being consumed by Funko Pops.  

 Also:  Josh has no idea what a Shania Twain looks like. Thank you all for your support--we wouldn't be celebrating 5 years without you!

Times: 5:25 - News 46:00 - What We're Playing 1:09:40 - TOPIC: THE DOGCAST'S BIRTHDAY MEMORIES! Contact Us!

Twitter: @HOTDogcast Facebook: https://www.facebook.com/hairofthedogcast Email us: hairofthedogcast@gmail.com Instagram: hairofthedogcast

To see how you can support The Dogcast and access a bunch of cool, exclusive perks, visit our Patreon page: https://www.patreon.com/hairofthedogcast

We'd appreciate your support!

Hair of the Dogcast is also a proud part of the Greenlit Podcast Network. Learn more about us and all of Greenlit's shows at: https://www.greenlitpodcasts.com.

Check out this episode!

[tom--schilling]

                          TOM SCHILLING & THE JAZZ KIDS - VILNIUS.

„Diese Platte ist eine sehr, sehr zarte Pflanze. Die hat sehr lange gebraucht. Die zehn Stücke, die es auf die Platte geschafft haben, sind über einen Zeitraum von elf Jahren entstanden. Es hat bei mir länger gedauert als bei anderen, aber ich musste ja nicht nur die Instrumente erst erlernen, sondern zudem auch meine Rolle und vor allem meine Stimme erst finden.“

[awardseason]

2022 BAFTA Awards — Winners

Best Film “Belfast” “Don’t Look Up” “Dune” “Licorice Pizza” “The Power of the Dog” — WINNER

Outstanding British Film “After Love” “Ali & Ava” “Belfast” — WINNER “Boiling Point” “Cyrano” “Everybody’s Talking About Jamie” “House of Gucci” “Last Night in Soho” “No Time to Die” “Passing”

Director “After Love” – Aleem Khan “Drive My Car” – Ryûsuke Hamaguchi “Happening” – Audrey Diwan “Licorice Pizza” – Paul Thomas Anderson “The Power of the Dog” – Jane Campion — WINNER “Titane” – Julia Ducournau

Leading Actress Lady Gaga – “House of Gucci” Alana Haim – “Licorice Pizza” Emilia Jones – “CODA” Renate Reinsve – “The Worst Person in the World” Joanna Scanlan – “After Love” — WINNER Tessa Thompson – “Passing”

Leading Actor Adeel Akhtar – “Ali & Ava” Mahershala Ali – “Swan Song” Benedict Cumberbatch – “The Power of the Dog” Leonardo DiCaprio – “Don’t Look Up” Stephen Graham – “Boiling Point” Will Smith – “King Richard” — WINNER

Supporting Actress Caitríona Balfe – “Belfast” Jessie Buckley – “The Lost Daughter” Ariana DeBose – “West Side Story” — WINNER Ann Dowd – “Mass” Aunjanue Ellis – “King Richard” Ruth Negga – “Passing”

Supporting Actor Mike Faist – “West Side Story” Ciarán Hinds – “Belfast” Troy Kotsur – “CODA” — WINNER Woody Norman – “C’mon C’mon” Jesse Plemons – “The Power of the Dog” Kodi Smit-McPhee – “The Power of the Dog”

Outstanding Debut by a British Writer, Director or Producer “After Love” – Aleem Khan (Writer/Director) “Boiling Point” – James Cummings (Writer), Hester Ruoff (Producer) [also written by Philip Barantini and Produced by Bart Ruspoli] “The Harder They Fall” – Jeymes Samuel (Writer/director) [also written by Boaz Yakin] — WINNER “Keyboard Fantasies” – Posy Dixon (Writer/Director), Liv Proctor (Producer) “Passing” – Rebecca Hall (Writer/Director)

Film Not in the English Language “Drive My Car” – Ryûsuke Hamaguchi, Teruhisa Yamamoto — WINNER “The Hand of God” – Paolo Sorrentino, Lorenzo Mieli “Parallel Mothers” – Pedro Almodóvar, Agustín Almodóvar “Petite Maman” – Céline Sciamma, Bénédicte Couvreur “The Worst Person in the World” – Joachim Trier, Thomas Robsahm

Documentary “Becoming Cousteau” – Liz Garbus, Dan Cogan “Cow” – Andrea Arnold, Kat Mansoor “Flee” – Jonas Poher Rasmussen. Monica Hellström “The Rescue” – Elizabeth Chai Vasarhelyi, Jimmy Chin, John Battsek, P. J. Van Sandwijk “Summer of Soul (or, When the Revolution Could Not Be Televised)” – Ahmir — WINNER “Questlove” Thompson, David Dinerstein, Robert Fyvolent, Joseph Patel

Animated Film “Encanto” – Jared Bush, Byron Howard, Yvett Merino, Clarke Spencer — WINNER “Flee” – Jonas Poher Rasmussen. Monica Hellström “Luca” – Enrico Casarosa, Andrea Warren “The Mitchells Vs the Machines” – Mike Rianda, Phil Lord, Christopher Miller

Original Screenplay “Being the Ricardos” – Aaron Sorkin “Belfast” – Kenneth Branagh “Don’t Look Up” – Adam Mckay “King Richard” – Zach Baylin “Licorice Pizza” – Paul Thomas Anderson — WINNER

Adapted Screenplay “CODA” – Siân Heder — WINNER “Drive My Car” – Ryûsuke Hamaguchi “Dune” – Denis Villeneuve “The Lost Daughter” – Maggie Gyllenhaal “The Power of the Dog” – Jane Campion

Original Score “Being the Ricardos” – Daniel Pemberton “Don’t Look Up” – Nicholas Britell “Dune” – Hans Zimmer — WINNER “The French Dispatch” – Alexandre Desplat “The Power of the Dog” – Jonny Greenwood

Casting “Boiling Point” – Carolyn Mcleod “Dune” – Francine Maisler “The Hand of God” – Massimo Appolloni, Annamaria Sambucco “King Richard” – Rich Delia, Avy Kaufman “West Side Story” – Cindy Tolan — WINNER

Cinematography “Dune” – Greig Fraser — WINNER “Nightmare Alley” – Dan Laustsen “No Time to Die” – Linus Sandgren “The Power of the Dog” – Ari Wegner “The Tragedy of Macbeth” – Bruno Delbonnel

Editing “Belfast” – Úna Ní Dhonghaíle “Dune” – Joe Walker “Licorice Pizza” – Andy Jurgensen “No Time to Die” – Tom Cross, Elliot Graham — WINNER “Summer of Soul (or, When the Revolution Could Not Be Televised)” – Joshua L. Pearson

Production Design “Cyrano” – Sarah Greenwood, Katie Spencer “Dune” – Patrice Vermette, Zsuzsanna Sipos — WINNER “The French Dispatch” – Adam Stockhausen, Rena Deangelo “Nightmare Alley” – Tamara Deverell, Shane Vieau “West Side Story” – Adam Stockhausen, Rena Deangelo

Costume Design “Cruella” – Jenny Beavan — WINNER “Cyrano” – Massimo Cantini Parrini “Dune” – Robert Morgan, Jacqueline West “The French Dispatch” – Milena Canonero “Nightmare Alley” – Luis Sequeira

Make Up & Hair “Cruella” – Nadia Stacey, Naomi Donne “Cyrano” – Alessandro Bertolazzi, Siân Miller “Dune” – Love Larson, Donald Mowat “The Eyes of Tammy Faye” – Linda Dowds, Stephanie Ingram, Justin Raleigh — WINNER “House of Gucci” – Frederic Aspiras, Jane Carboni, Giuliano Mariana, Sarah Nicole Tanno

Sound “Dune” – Mac Ruth, Mark Mangini, Doug Hemphill, Theo Green, Ron Bartlett — WINNER “Last Night in Soho” – Colin Nicolson, Julian Slater, Tim Cavagin, Dan Morgan “No Time to Die” – James Harrison, Simon Hayes, Paul Massey, Oliver Tarney, Mark Taylor “A Quiet Place Part II” – Erik Aadahl, Michael Barosky, Brandon Proctor, Ethan Van Der Ryn “West Side Story” – Brian Chumney, Tod Maitland, Andy Nelson, Gary Rydstrom

Special Visual Effects “Dune” – Brian Connor, Paul Lambert, Tristan Myles, Gerd Nefzer — WINNER “Free Guy” – Swen Gillberg, Brian Grill, Nikos Kalaitzidis, Daniel Sudick “Ghostbusters: Afterlife” – Aharon Bourland, Sheena Duggal, Pier Lefebvre, Alessandro Ongaro “The Matrix Resurrections” – Tom Debenham, Hew J Evans, Dan Glass, J. D. Schwaim “No Time to Die” – Mark Bokowski, Chris Corbould, Joel Green, Charlie Noble

British Short Animation “Affairs of the Art” – Joanna Quinn, Les Mills “Do Not Feed the Pigeons” – Jordi Morera — WINNER “Night of the Living Dread” – Ida Melum, Danielle Goff, Laura Jayne Tunbridge, Hannah Kelso

British Short Film “The Black Cop” – Cherish Oteka — WINNER “Femme” – Sam H. Freeman, Ng Choon Ping, Sam Ritzenberg, Hayley Williams “The Palace” – Jo Prichard “Stuffed” – Theo Rhys, Joss Holden-rea “Three Meetings of the Extraordinary Committee” – Michael Woodward, Max Barron, Daniel Wheldon

EE Rising Star Award (Voted for by the Public) Ariana Debose Harris Dickinson Lashana Lynch — WINNER Millicent Simmonds Kodi Smit-McPhee

[increasinglygeeky]

MY HOLLYWOOD LIVE ACTION ATTACK ON TITAN FANCAST

Alex Storm as Eren Yeager

Jeffrey Dean Morgan as Grisha Yeager

Holly Marie Combs as Carla Yeager

Kitty Chicha Amatayakul as Mikasa Ackerman

Sonoya Mizuno as Mikasa’s Mother

Tom Felton as Mikasa’s Father

Otto Farrant as Armin Arlert

Robert Englund as Armin’s Grandfather

Archie Renaux as Connie Springer

Cierra Ramirez as Sasha Braus

Julian Haig as Jean Kirshstein

Dane DeHaan as Levi Ackerman

Lizzy Caplan as Hange Zoe

Chris Evans as Erwin Smith

Shane Harper as Marco Bodt

Alexander Ludwig as Reiner Braun

Gus Birney as Annie Leonhart

Kathryn Newton as Historia “Christa Lenz” Reiss

Kawani Prenter as Ymir

Théodore Pellerin as Bertolt Hoover

Matthias Schoenarts as Erwin’s Father

Patrick Stewart as Commander Dot Pyxis

Elizabeth Debicki as Rico Brzenska

Emily Browning as Petra Raal

Misha Collins as Eld Guinn

Timothy Odmundson as Oluo Bozado

Ian Bohen as Gunther Schultz

Virginia Gardner as Isabel Magnolia

Leo Howard as Furlan Church

Johnny Depp as Kenny Ackerman

Rose McGowan as Kuchel Ackerman

William Zabka as Hannes

Jk Simmons as Keith Shadis

Joel Kinnaman as Mike Zacharias

Kristen Stewart as Nanaba

Camren Bicondova as Hitch Dreyse

Jason Mantzoukas as Gelgar

Peter Scanavino as Henning

Nathalie Emmanuel as Lynne

Andrew Garfield as Moblit Berner

John Boyega as Onyankopon

Mackenzie Davis as Yelena

Charlie Hunnam as Zeke Yeager

Harriet Cains as Pieck Finger

Tamlyn Tomita as Kiyomi Azumabito

Lou Wegner as Colt Grice

Flynn Curry as Falco Grice

Douglas Booth as Porco Galliard

Louis Partridge as Marcel Galliard

Peyton Elizabeth Lee as Gabi Braun

Hudson Yang as Udo

Miya Cech as Zofia

Matthew Gray Gubler as Uri Reiss

John Goodman as Rod Reiss

Alexxis Lemire as Frieda Reiss

Iain Armitage as Dirk Reiss

Zackary Arthur as Urklyn Reiss

Reagan Revord as Florian Reiss

Kitty Peterkin as Abel Reiss

Michelle Pfeiffer as Rod’s Wife

Will Poulter as Floch Forster

Isabella Gomez as Kaya

Skeet Ulrich as Eren Kruger

BD Wong as Tom Ksaver

Elizabeth Moss as Dina Fritz

Jeff Bridges as The Fake King Fritz

Brad Pitt as Willy Tybur

Helena Bonham Carter as Lara Tybur

Jason Beghe as Kitz Woermann

Jashaun St. John as Mina Carolina

Chuku Modu as Milieus Zeremski

Diego Tinoco as Nack Tierce

Ted Levine as Darius Zackly

Grant Show as Pastor Nick

Rudy Pankow as Thomas Wagner

Jacob Anderson as Marlowe Freudenberg

William Moseley as Daz

Kit Young as Samuel

Melissa Fumero as Nifa

Ramy Youssef as Rashad

Alia Shawkat as Lauda

Tony Thornburg as Keiji

Nico Mirallegro as Abel

Liza Soberano as Black-Haired Soldier

Brandon Flynn as Lima

Cillian Murphy as Dirk

Fo Porter as Marlene

Alan Ritchson as Klaus

Manish Dayal as Darius Baer-Varbrun

Neels Visser as Dita Ness

Barry Sloane as 11th Commander

Austin Bitikofer as Claude Duvalier

Jodie Comer as Traute Caven

Charlie Cox as Duran

Devon Sawa as Nile Dok

Drew Tanner as Franz Kafka

Abigail Cowen as Hannah Diamant

Till Lindemann ad Djel Sannes

Tim Curry as Wald

Veronica Ngo as Ilse Langnar

Kathy Bates as Jean’s Mother

Rob Raco as Flagon

Madelyn Cline as Carly Stratmann

Harish Patel as Annie’s Adopted Father

Dedee Pfeiffer as Karina Braun

Hector Elizondo as Reiner’s Father

Jessica Rothe as Louise

Oliver Platt as Reeves

Jason Genao as Lou

Javier Bardem as Magath

Lucas Till as Niccolo

Brad William Henke as Lobov

David Cross as Griez

Aryan Simhadri as Ramzi

Ritvik Sahore as Halil

Martin Sensmeier as Sumra

Alfred Molina as Koslow

Sonam Kapoor as Connie’s Mother

Nasser Hussain as Connie’s Father

Namit Shah as Martin Springer

Swayam Bhatia as Sunny Springer

Robert Patrick as Elliot Gurnberg Stratmann

Mia Talerico as Maria Fritz

Jophielle Love as Sina Fritz

Alyvia Alyn Lind as Rose Fritz

Jorge Enrique Abello as Artur Braus

Angie Cepeda as Lisa Braus

Lilian Bowden as Gabi’s Mother

Trent Garrett as Gabi’s Father

Sharon Stone as Grice Mother

Craig Fairbass as Muller

Lily Tomlin as Zeke's Grandma

Kevin Kline as Zeke's Grandpa

Ian Mckellen as 145th King Karl Fritz

Michael Fassbender as Karl Fritz

Amanda Seyfried as Adult Ymir Fritz

Brec Bassinger as Ymir Fritz

[psychologeek]

Declaration by "The Syrian Flag Brigade" ( source )

حزب اللواء السوري

Full undercut (Arabic, and then Hebrew - translate by Tom Wegner)

حزب اللواء السوري حزب الله الإرهابي يرتكب {جريمة حرب} بحق أهلنا بمجدل شمس ... بيان للرأي العام:  إن الجريمة المروعة التي ارتكبها حزب الله الإرهابي بحق أهلنا في مجدل شمس تدل بشكل واضح وصريح على إصرار حزب الله ممارسة الضغط على أبناء الطائفة الدرزية وادخالهم في الحرب الدائرة في الشرق الأوسط. فرضت ايران ومعها حزب الله خلال الأشهر الماضية حصاراً عسكرياً على محافظة السويداء، وسيطرت على كافة المطارات والقطع العسكرية المحيطة بالمحافظة وبدأت الضغط عبر كافة الصعد وبمختلف الاتجاهات على أبناء المحافظة الرافضين للوجود الإيراني في الجنوب السوري. ولعبت ايران ومعها حزب الله سابقاً دوراً رئيسياً بنشر المخدرات ودعم تنظيم داعش في بادية السويداء لتهديد محافظة السويداء. إن الجريمة الإرهابية التي ارتكبها حزب الله اليوم سوف تساهم في توسيع دائرة الحرب، ويضع السويداء تحت دائرة الخطر نتيجة محاولات ايران والنظام السوري اقتحام السويداء والسيطرة على المحافظة من الداخل. التصعيد في الشرق الأوسط يزداد خطورة، وحزب الله شريك لكافة التنظيمات الإرهابية في الشرق الأوسط بنشر فكر الإرهاب والتطرف واستهداف أبناء الطائفة الدرزية وجميع السوريين الرافضين لوجوده. اننا نعتبر ما جرى اليوم هو اعلان حرب واضحة وعلنية من قبل حزب الله الإرهابي وايران على أبناء الطائفة الدرزية وممارسة إجرامية هدفها الضغط عليهم لإدخالهم في الحرب الدائرة في الشرق الأوسط. الرحمة لروح شهداء مجدل شمس والشفاء العاجل للجرحى المكتب السياسي / 28/ 7 / 2024

"הכרזת מלחמה של חיזבאללה ואיראן על כל הדרוזים" - מילים דרמטיות ונחרצות בהודעת "בריגדת הדגל הסורי", אחת המיליציות הדרוזיות החמושות בסוריה: "חיזבאללה הטרוריסטי ביצע {פשע מלחמה} נגד בני עמנו במג'דל שמס... הצהרה לציבור: ➖➖➖➖➖➖➖➖➖➖➖➖➖➖ הפשע המזוויע שביצע חיזבאללה הטרוריסטי נגד בני עמנו במג'דל שמס מצביע באו��ן ברור וחד משמעי על התעקשותו של חיזבאללה להפעיל לחץ על בני העדה הדרוזית ולהכניסם למלחמה המשתוללת במזרח התיכו��. במהלך החודשים האחרונים, איראן יחד עם חיזבאללה הטילו מצור צבאי על מחוז סווידא, השתלטו על כל שדות התעופה והיחידות הצבאיות המקיפות את המחוז והחלו להפעיל לחץ בכל הדרכים והכיוונים על תושבי המחוז המתנגדים לנוכחות האיראנית בדרום סוריה. בעבר, איראן וחיזבאללה מילאו תפקיד מרכזי בהפצת סמים ותמיכה בארגון דאע"ש במדבר סווידא כדי לאיים על המחוז. הפשע הטרוריסטי שביצע חיזבאללה היום יתרום להרחבת המלחמה ומעמיד את סווידא בסכנה עקב ניסיונות איראן ומשטר סוריה לפלוש לסווידא ולשלוט במחוז מבפנים. ההסלמה במזרח התיכון הופכת למסוכנת יותר, וחיזבאללה הוא שותף לכל ארגוני הטרור במזרח התיכון בהפצת אידיאולוגיית הטרור והקיצוניות, תוך שהוא מכוון נגד בני העדה הדרוזית וכל הסורים המתנגדים לנוכחותו. אנו רואים במה שקרה היום הצהרת מלחמה ברורה וגלויה מצד חיזבאללה הטרוריסטי ואיראן נגד בני העדה הדרוזית, מעשה פלילי שמטרתו ללחוץ עליהם להיכנס למלחמה המשתוללת במזרח התיכון. רחמים על נשמות השהידים של מג'דל שמס והחלמה מהירה לפצועים. הלשכה המדינית / 28/7/2024"

(ID: Druze and Israeli flags connected, and a writing in Hebrew says "our heart's with Majdal Shams". Above that, a white on black writing "we all pray for the fast healing of the wounded. Our condolences to the families of the murdered./END ID origin: Tom Wegner, FB)

A direct hit in Majdal Shams - a Druze town in the Golan, the northern part of Israel.

Within an hour, over 100 rockets were launched at Israel from Lebanon, by the terrorist organisation Hezbollah.

One of them landed in a soccer field, causing over 30 casualties, at least 10 murdered - mostly children.

(I have many things to say, about that and the connection to everything that's happening in Syria and Jabel al Druze.

But this post isn't about it. It's about sadness, and loss, and prayers for the wounded.)

[maxwell-grant]

What, in your opinion, are the best and worst "modern" attempts to create new Pulp Heroes?

I’ve gone on a bit on the ones I think are the best modern attempts, the successes that should be studied to anyone who wants to write a pulp hero. Hellboy is easily the most successful of them by a large margin. Alan Moore’s done some incredible work with pulp heroes on Tom Strong and Night Raven. Venture Bros is one of my top 3 tv series and it did a lot of incredible things with pulp-based characters. Matt Wegner’s Grendel is a great example of a modern day Fantomas. Netflix’s 2021 Lupin series I’d also strongly recommend. There’s others I could mention, or other examples of media that people call pulp, but off the top of my head, based on original or modern characters only, those are the ones I’d mention. Dan Schkade’s Lavender Jack is the one I think provides the strongest baseline, in how it created an instantly timeless, appealing character and world built from the past but very clearly minded to the future, which I think is not just far more interesting than just retreading past tropes, but it’s also much more in keeping with the spirit of the pulp heroes in their inception. These characters were never supposed to be stuck in “retro” trappings. 

In that regard I don’t actually have much bad to say about “modern” attempts to create new pulp heroes, because by and large I think creating new pulp heroes is a good thing that should be done more often, and it’s largely the modern stories with the “old” pulp heroes that I find frustrating. “Bad” modern pulp heroes are usually just ones who soulless imitate the old ones or just have nothing to do with them besides superficial designs, and those ones largely don’t succeed in the slightest. 

For some of the “modern” pulp heroes I don’t like: While it’s a good comic made by people with an excellent industry record, I’m not a fan of Matt Fraction’s Adventureman. Every flashback sequence in it focusing on the “old” Adventureman is a pulp pastiche written by someone who's either never read a pulp story or is intentionally overplaying it for comedy. Fraction’s made it clear that his appreciation for pulps is ironic at best and it’s clear in the comic that the “pulp” side of it is just kitschy visuals he applied as a hook a story that’s got nothing to do with them. It’s quippy, obnoxious, every character talks the same, and the most genuinely appealing part of it to me (protagonist is a deaf single mom) hasn’t factored into anything, since the protagonist got “cured” of her disability and separated from her kid.

Brubaker’s Incognito was pretty lackluster past the middle, in fact it lost steam partially because it shied away from it’s central conceit and started going deeper and deeper into it’s pulp inspirations, which just made for shoddy storytelling, going from a sleek crime story into forgettable nonsense. It’s a perfect example of why the best modern “pulp heroes” or pulp stories are the ones who stop trying to be like the ones of the past, but instead look into their successes and potential as the basis to tell cool new stories.

But I acknowledge that both of these are good comics with great things about them, and there are a lot of “pulp” inspired comics or novels out there who are considerably worse. There’s any number of dumb, boring, derivative “new” pulp stories to pick from, but nobody cares about them, so why should I?

It’s hard to really narrow down a true “worst” modern pulp hero partially because the worst of the “new” pulp heroes tend to be largely forgotten, and people already tend to have different definitions as to what a pulp hero even is so there’s gonna be much more contention than there is for superheroes. 

If you want true awfulness though, the one “modern” pulp or pulp-inspired character I think is absolutely terrible and the worst of the lot, the one that I personally hate the most, I’m sadly going to have to point you to a Brazilian character by the name of Doutrinador (translated officially as The Awakener but that’s not what his name actually means, and I’m not using it. I’m not dignifying this character with a proper translation or whatever “cool” name they gave him overseas).

You know how people talk about the Punisher attracting the worst kind of fan and how the character’s sort of been tainted by that association? How he’s painted as a patched-together homunculi of just the absolute worst and most violent reactionary fantasies, and even though that’s not the reality of most Punisher comics, it’s still so strongly associated with his image that Marvel has to walk on eggshells when dealing with the character? 

Doutrinador is like The Punisher, except played with absolutely zero self-awareness, written intentionally to capitulate to all the trogolodytes who dream of being in a situation where they get to shoot people with impunity. Doutrinador is not just Diet Punisher, he is school-shooter-fantasy Diet Punisher. Frankly I wish I could not consider him a pulp hero, but there’s too many ways his concept intersects with them that I would be hypocritical not to.

Summary of the character: Miguel is a federal agent of the "D.A.E." ( "Special Armed Division"), and a highly trained expert with weapons. After his daughter gets hit by a stray bullet and dies, unable to receive medical assistance due to the hospital's poor infrastructure, he begins a personal journey of vengeance, and assumes the identity of a masked vigilante. The "Awakener" decides to do justice with his own hands exterminating politicians and businessmen of corrupt construction firms. His biggest goal is to fight a gang of politicians and bandits who took the lead in Brazilian politics, and began to govern the country thinking only of their own interests.

On paper this just sounds like a generic superhero backstory, with the most promising part of it being the fact that he’s purposefully targeting corruption, as it was corruption (underfunded public hospitals) that led to the death of his daughter. The execution on the film itself is already terrible, to start off. It’s badly acted, poorly paced, the fight scenes are brisk and shoddily edited, and the writing is poor at best when it isn’t insulting.

Where as in the film, the character targets fictional, cartoonishly one-dimensional evil politicians, the original comics had the character actively killing or torturing real politicians, like ex-president Dilma Roussef and senator Renan Calheiros. In the comics, the character was said to be a 50-to-70 year old man, whose backstory stated he had been active during the military dictatorship period of Brazil. And in case you don’t know what that is, please just look it up. Better yet, look up the death tolls of people who were tortured and killed during it, to say nothing of the Native genocides, or the fact that our current president was a well-known torturer during this period. I have friends with family members who were tortured during this period or outright killed, and there’s a lot of people active in Brazilian politics nowadays who either deny the dictatorship happened, or actively want to bring it back, with a shocking amount of public support behind it.

The comics never condemn any of this, they just state that this is part of the character’s background. I cannot stress enough how this is possibly the absolute worst backstory they could have possibly given this character short of him being an outright Nazi, and they changed it for the film with good reason. 

The movie does an incredibly poor job at making him sympathetic even before he becomes the Doutrinador. He openly disdains his job as an officer when it doesn’t provide him the action he seeks, even when his daughter greatly looks up to him. He’s a divorced cop who begrudingly shares custody of his daughter with his ex, and when he’s with her, we see him being negligent, even ignoring her dietary restrictions (which isn’t nearly as minor of a problem as you might think it is, those can and will kill people if not paid proper attention to, it’s actual child abuse to ignore them). His daughter dies when, contrary to the insistence of her mother, he takes her to a soccer game and she gets shot. And the minute his daughter dies, one melodramatic sequence later, he’s immediately getting to work torturing and murdering a governor. 

Brutish, crass, misogynistic and cruel, he frequently abuses his authority when dealing with his one partner, and although the movie is painted by it’s fans as “morally dubious”, all of it’s attempts to question the protagonist’s morality are perfunctory at best, merely set-ups to be dismissed when he inevitably does something cool and gory that we’re supposed to cheer. The movie is not at all ambiguous about it’s worship of the titular character and the morality he embodies, it’s just not well-written or thoughtful enough to explore it in any meaningful or interesting way.

(And aparently this is what the current comics of the character are about. “The Red Virus”. Oh, fun fact, you look up at the character’s current publishers, and the first thing you’ll see is that they are boasting about publishing Chuck Dixon’s Alt Hero. Fun.)

If this is all starting to sound like Doutrinador is a political comic, it’s not. Even if I somehow agreed with the politics that it’s very clearly endorsing, even if it’s not gutsy enough to say them outloud, I would not like this comic, because it’s not a political comic. It’s very clear that the creator wants it to be, but to call it a political comic implies that the comic has any point to make, that it has anything resembling a discussion of political views, that any brains thought about what sort of relevance or power this character could have had. But there’s none here, this is just murder porn. If Doutrinador was an American character, by now he’d be gunning down Asian businesses to stop Covid zombies and bashing AOC’s face against a window after she would cackle about secretly infecting college campuses with them. It’s not a political comic, it’s politics as set dressing to play out violent revenge fantasies.

Doutrinador also pisses me off personally because this is a character so rotten, his very existence poisons the well of everything he’s related to. The argument that pulp heroes and superheroes are fascist power fantasies at core, that they are just jackbooted thugs in colorful suits with no room for humanity or kindness, an argument I vehemently reject and will argue in length against, only has a leg to stand on because of characters like Doutrinador. Because of people that support this character, who find themselves vicariously enjoying in him all the stuff they also wanted Batman and The Shadow and Punisher and Rorschach to do. Because of the argument that he’s just like them, except he says the quiet parts out loud. 

It’s not any more “right” of an argument than arguing Homelander or Plutonian or any of a billion evil Supermen out there, whether played intentionally or not, are just like the real deal except they say the quiet parts out loud, but there’s a kernel of truth in those characters, something they do that picks at the real underpinnings of the real deal, that makes them uncomfortable, that makes you look at the originals a little differently. I’d argue Doutrinador could very well be one of most extensive and painstaking teardown of the Dark Avenger archetype ever made in that everything he does seems to be an argument as to why those characters suck, except for one, he’s not, there’s been countless better ones that were far better written, and two, that’s giving too much credit to this piece of shit character.

So yeah, that’s part of why I’d argue Doutrinador is the worst. The worst in terms of quality, because the film and comics are genuinely terrible, and the worst in general, because nothing about this character is salvageable. I cannot separate him from the other pulp heroes he loosely takes after, even if he’s ultimately a superhero, even touted as the star of “Brazil’s First Superhero Film”.

And I hate everything about that so goddamn much.

[julochka365]

5/5.2019 - and now the hallway is a living room