#Tom Jeffery

[sunsburns]

“fuck that old man”

yes. fuck that old man.

[spockvarietyhour]

Parallels and Divergences "Before and After" & "Year of Hell Pt. 1"

[cinemabuffoon]

If I'm not supposed to have crushes on middle aged men then why are they so hot? Explain that political party of your choosing

[salembehindbars]

When I say I like older men and dilfs, I mean, I am only into older men who aren’t into younger girls. I need an older man who doesn’t want me because the second he does, it will disgust me that he is an older man who is into younger women

(I dont know if that makes sense but that is how I feel)

[supermarvelgirl15]

Does this mean The Watcher and Loki have like poker Saturdays or something because I think it does

[everdeenxmellark]

“you can’t wake up if you don’t fall asleep”

- asteroid city

[pegsmothman]

Oh boy i sure do love CW's Supernatural!

[aubiewabie33]

(full credit to the person who made this on tik tok)

this is so real

[braxlrose]

me after this perfect man,

died on Grey's Anatomy:

[maadilin]

january in hunger games

the first month of 2024 has gone by..let's see how hunger games stars have been doing.

Jennifer Lawrence: mothered at the golden globes, with her "if i don't win, i'm leaving" when announced, and her support for emma stone after she won <3333. Josh revealed she texted him after FNAF, showing support for him. Their movies were #1 on Netflix and #1 on Peacock at the time. She reunited with Lenny Kravitz at the Golden Globes, where 6 THG stars were present. It's like a mini-reunion!

Josh Hutcherson: where to begin.. His newest film, The Beekeeper was released January 12th, 2024 and has made $107 million worldwide. Also, we got a WIRED interview and puppy interview, him FINALLY back on The Tonight Show (Josh and Jimmy are such a good duo), him revealing Jen's sweet text to him, and of course...THE WHISTLE EDIT CONTINUES! (he's so sweet, he's just accepted that he's a meme). He also announced FNAF 2 is happening.

Woody Harrelson: Filming on a new film with Jamie Lee Curtis called Ella McCay. Nominated at the Golden Globes

Elizabeth Banks: Her new film, Migration, (released in December 2023), has made over $200M. Reunited with Sam Clafin at the Golden Globes, in which she presented a category.

Sam Claflin: Announces he would be open to a return to Hunger Games, expressing interest to play Finnick's dad in a potential Finnick prequel. (Finnick playing his own dad, love it) He also praised the new Hunger Games film, with Tom and Rachel's performances especially. He also reunited with Elizabeth Banks at the Golden Globes. Also, was nominated for a Golden Globe.

Jeffery Wright: Nominated at the Golden Globes for his AWESOME performance in American Fiction.

Julianne Moore: Nominated at the Golden Globes for her performance in May December.

Jena Malone: HAS 3 UPCOMING FILMS YESSS (LOVE U JENA)

Hunter Schafer: Presented a category for the Golden Globes, in yet another euphoric outfit. love u queen

Rachel Zegler: Mother called for a ceasefire in Gaza, as she should. Free Palestine. Continued to mother.

Tom Blyth: had birthday. yayyyyyyy.

In other news, WE'RE GETTING A HUNGER GAMES ILLUSTRATED EDITION WOOT WOOT

[bentovertheviolets]

the things i would do to just be held by an older man right now while i cry

[thekimdelacreme]

Saw Asteroid City yesterday - really good.

[st4rfckerz]

i think my frontal lobe developed when i saw jeffery dean morgan for the first time

[icantthinkofaname6575]

how would y’all describe this genre of person ( idk if genre is the right word. also I appreciate any answers)

[floorman3]

Asteroid City Review- A Film With A Singular Vision That Is Perfectly In Sync With Wes Anderson's Sensibilities

Wes Anderson is what would be considered an auteur director. A director who has a singular vision of what he or she is doing from film to film with no studio interference. That is why he’s such a great director who turns out interesting films, whether they’re good or bad, each time out. Asteroid City is his latest film, and it definitely has his flair added in. It may be the one of best films of…

[moorheadthanyoucanhandle]

CRATER LOVE HATH NO MAN

Opening in theaters today:

Asteroid City--In Golden Age of Television black and white, a stentorian TV host (Bryan Cranston) tells us that we're about to see a documentary about the writing and staging of a new play. The drama in question is titled Asteroid City, and it's set in a tiny desert community near the impact crater from an ancient meteorite. It's the Cold War mid-'50s in this, Wes Anderson's latest; mushroom clouds blossom in the distance from the occasional nuclear bomb test.

Soon we shift to color, and to a stylized milieu that looks like Midcentury travel-poster art of the southwest. A large roster of characters assembles in Asteroid City, many of them for the convention of the Junior Stargazers, an organization of youthful science prodigies and inventors.

At the center of this ensemble, insofar as it has a center, is a bereaved young photographer (Jason Schwartzman) who hasn't yet broken the news to his kids that their mother has passed on; he's one cabin over from a movie star (Scarlett Johansson) with whom he bonds, as do his son and her daughter. Along with these familial tensions, the gathering sees military intrigues, scientific experiments, quarantine and even alien close encounters.

I really wish I liked this movie better than I did. Anderson is a one-of-a-kind comedic artist, and his 1998 Rushmore is one of my favorite films of the last thirty years. His debut feature Bottle Rocket is a gem as well. Most of his subsequent films have been brilliant but uneven; the best of them, like The Life Aquatic With Steve Zissou and Moonrise Kingdom and The Grand Budapest Hotel, have been flawed near-masterpieces, dazzlingly imagined and acted but marred by heavy-handed touches of sour violence and labored narrative conceits.

All of this is regrettably at work in Asteroid City. It has a beautiful look, the title setting is beguiling, there are patches of funny dialogue (by Anderson and Roman Coppola) and strong visual gags. The cast is without peer for current Hollywood prestige, glamour and chops. The star power is almost too abundant to name; check the poster above for the listing. It's the sort of bunch that only Woody Allen used to be able to command. But all of this, alas, falls short of overcoming Anderson's misguided habits.

Most ruinous is the frame story, about the play. It looks great, but it distances us from the main story while adding no perspective on it that I could see, is of minimal amusement in itself, and diffuses the later part of the picture into hazy anticlimax. But even within the Asteroid City story, Anderson strikes a curiously flat tone. Deadpan is a wonderful comic technique, unless everybody's deadpan, and then it just becomes monotonous.

A couple of the actors, like Liev Schreiber, Tilda Swinton, Hope Davis and Steve Carrell, manage to escape the Jack Webb Sound-Alike Contest and texture their performances a bit. And Tom Hanks, as Schwartzman's dour father-in-law, somehow finds a tone that's fully in keeping with the movie's style but also seems entirely naturalistic. Hanks seems to be indestructible.