#To the point of integrating her body parts

[p0orbaby]

Why Do I Give You the Worst of Me (1)

summary: love and bad decisions collide as you struggle to balance a tour and a relationship that’s spiraling out of control

warnings: 18+ adult themes throughout

a/n: another series i’m hoping i don’t regret committing myself to… not sure how many parts it’ll be, i don’t plan anything

word count: 3.1k

-

You wake up face-first on a sofa that smells like cigarettes, spilled beer, and faintly, vomit. Not yours, you think. The synthetic fabric is scratchy against your cheek, and when you open your eyes, it takes a moment to realise it’s morning—sunlight cutting through the cracked blinds, striping the floor with dusty light. The sofa is mustard yellow, ugly in a deliberate, trying-too-hard-to-be-retro way. It doesn’t belong to you. Nothing in this flat belongs to you.

There’s a girl in the kitchen, humming softly to herself as she pours cereal into a bowl. You don’t know her name, but you know she wears Chanel No. 5 because it’s all you could smell last night when she leaned too close, whispering something you didn’t quite catch. Her hair’s a mess now—like spun gold caught in a tangle of barbed wire—but her makeup is still pristine. She’s the kind who sets her eyeliner with setting spray before going out, even if it’s just to the pub. You admire the commitment, if not the execution.

Your head throbs—a deep, insistent ache behind your eyes that reminds you of last night in bits and pieces: the gig (decent, though the sound guy fucked up your monitor levels), the afterparty (loud, sweaty, a haze of bodies and smoke), the lines of coke on a chipped coffee table, the bartender who kept giving you free shots because he recognised you from that NME interview last month. At some point, someone tried to fight you, though you’re not sure why. You vaguely remember smashing a bottle of tequila against a wall and laughing as glass shards rained down like confetti.

You roll onto your back and stare at the ceiling, which is peeling in a way that suggests years of neglect, a building held together more by stubbornness than actual structural integrity. There’s a stain in the corner that looks suspiciously like mould, but you don’t care enough to investigate. The flat isn’t yours, after all. You were invited here by someone whose name escapes you now—a bassist from another band, or maybe it was their girlfriend? They’re gone this morning, anyway, leaving behind only the detritus of a night well-lived: empty bottles, crushed cigarette packets, a single black stiletto abandoned near the door like a fairy-tale gone wrong.

You light a cigarette, despite the pounding in your head and the fact that you’re pretty sure it’s technically illegal to smoke indoors here. The girl in the kitchen glances at you but doesn’t say anything. You’re not sure if she’s annoyed or indifferent; you don’t care. The smoke curls lazily toward the ceiling, and for a moment, you let yourself enjoy the quiet. Mornings like this are rare—where everything is still and soft, where the chaos of your life is temporarily held at bay by the thin walls of someone else’s flat.

Your bass is propped up against the armchair, scratched and battered in a way that tells a story if you care to look closely enough. It’s a Fender Precision, black with a white pickguard, the same model Sid Vicious used to play—not that you’d ever admit that’s why you bought it. The neck has a gouge near the third fret from when you threw it at a sound tech who deserved it (and missed). The strap is leather, worn smooth where it rests on your shoulder, and the bridge still has flecks of blood from the time you played so hard your fingers split open mid-song. You keep meaning to clean it, but you never do.

You check your phone, which is cracked and sticky with something you don’t want to identify. No new messages, except for a text from your drummer that reads: “u alive?” You don’t bother replying.

-

You’ve been in the band for five years now, though it feels longer. It started as a joke—a group of friends fucking around in someone’s garage, trying to see who could play the loudest, the fastest, the most obnoxious. Somewhere along the way, it became serious. There was a DIY EP, recorded in one manic weekend on borrowed gear, and a string of gigs in dingy pubs where the audiences were more interested in drinking than listening. Then came the break—a slot supporting a bigger band, one of those industry darlings who’d already started to hate themselves for selling out. The kind of band that wears matching outfits ironically, even though everyone knows it’s not ironic at all.

Now, you play sold-out shows to crowds who scream your lyrics back at you, though most of them probably couldn’t name your second album. Your face has been on the cover of Kerrang! twice, though you didn’t bother reading the articles. You hate interviews, but you do them anyway because your manager insists. You’re better at the photoshoots—smirking at the camera in a way that suggests you don’t care (you do).

The band is your life, though you wouldn’t call it that. Calling it your life makes it sound like you have some sort of plan, and you don’t. You’re just here, playing gigs and writing songs and doing whatever it takes to keep the wheels from falling off.

Your bandmates are a mixed bag of personalities, each one a walking caricature in their own way. There’s Matt, the drummer, who swears he’s been abducted by aliens and won’t shut up about it. Alex, the lead guitarist, is constantly high and insists on bringing his cat on tour, which you find deeply annoying. And then there’s Holly, the singer, who somehow manages to be both the most chaotic and the most responsible member of the group. She’s the one who organises rehearsals, books the studio time, and keeps you all from self-destructing entirely. You love her for it, even if you’d never say it out loud.

The girl in the kitchen finishes her cereal, rinses the bowl, and leaves without saying goodbye. You watch her go, not because you care but because there’s nothing else to do. When the door slams shut, the flat feels even smaller, like the walls are pressing in on you. You stub out your cigarette, grab your bass, and leave too.

-

Outside, London is already alive, though you wouldn’t call it awake. The streets are sticky from last night—spilled pints and kebab wrappers crushed into the pavement, cigarette butts floating in puddles of something that smells suspiciously like piss. The air has that distinct urban flavour: exhaust fumes mingling with fryer grease and the faint tang of wet concrete. You pull your leather jacket tighter around you, not because it’s cold (it is), but because it completes the look.

The jacket is vintage—or at least you tell people it is. In reality, you bought it at a high-street shop three years ago, and it’s held up surprisingly well, considering the abuse it’s endured. The lining is torn, the cuffs are frayed, and there’s a mysterious stain on the back you can’t quite place. But it’s yours, and it feels like armour. The boots, on the other hand, are real vintage: a pair of Dr Martens from the ‘90s you found in a thrift shop in Brighton. They’re scuffed to hell, and the left one squeaks when you walk, but you refuse to replace them because they’re authentic.

You head toward the Tube station, your bass slung over one shoulder like a soldier carrying a rifle. People stare, but only briefly. In London, no one has the energy to care for long. The morning commuters are a mix of suits and students, their faces blank, their eyes glazed over as they clutch takeaway coffees in one hand and their phones in the other. You feel out of place but also weirdly superior, like you’ve cracked some code they haven’t even realised exists yet.

You hop on the Northern line, ignoring the signs that politely request passengers to “refrain from eating or drinking.” You’re not eating or drinking, but you do pull out a cigarette, which is arguably worse. It’s a roll-up, so you convince yourself it doesn’t count. An old woman glares at you, clutching her handbag like she thinks you’re about to mug her. You offer her a crooked smile, which she does not return, and you put the cigarette back in your pocket because she reminds you of your nan.

The train screeches into motion, and you pull out your phone. The lock screen is a photo of your bass, which says a lot about you. There are a few notifications—mostly spam emails and an unread message from Holly: Rehearsal at 2. Don’t be late, dickhead.

You glance at the time. 11:47 a.m. Plenty of time.

-

The rehearsal space is in Camden, a dingy basement that smells of mildew and unwashed socks. The walls are lined with egg cartons painted black in a half-hearted attempt at soundproofing, and the floor is sticky for reasons you’d rather not think about. The room has seen better days—probably in the ‘80s, when it was still a nightclub and not a haven for struggling musicians. There’s a single fluorescent bulb overhead that flickers ominously, and a space heater in the corner that’s never worked.

Holly is already there when you arrive, tuning her guitar with the precision of someone who takes this far more seriously than you do. She’s wearing a denim jacket covered in patches for bands you’ve never heard of, her hair tied back in a messy ponytail. She looks up as you walk in, her expression equal parts exasperation and relief.

“Christ, you smell like an ashtray,” she says, wrinkling her nose.

“It’s called branding,” you reply, dropping your bass onto the floor with a thud.

Matt and Alex show up ten minutes later, looking even worse than you do. Matt has the kind of face that always looks slightly hungover, even when he’s not, and Alex is wearing the same shirt he wore yesterday, now with an impressive new stain across the front.

The rehearsal starts late, as it always does, and quickly descends into chaos. Matt insists on playing a drum solo during every song, despite the fact that no one asked for it. Alex keeps stopping mid-riff to check his phone, claiming he’s “waiting for an important call,” though everyone knows it’s just his dealer. Holly shouts at both of them until her voice cracks, then turns her frustration on you for being “completely fucking useless.” You take it in stride, plucking random notes on your bass and pretending to care.

-

At some point, Holly storms out, leaving the three of you to your own devices. Matt immediately pulls out a joint, which Alex lights with a lighter shaped like a naked woman. You lean back against the wall, your bass resting against your thigh, and watch as they argue over which fast-food place to hit up after rehearsal.

“McDonald’s is closer,” Alex says, taking a drag.

“But KFC’s got the gravy,” Matt counters, waving his arms for emphasis.

“It’s not even real gravy,” Alex snaps.

“None of it’s real,” you interject, flicking ash onto the floor. “We’re all just cogs in the capitalist machine.”

They stare at you for a moment, then go back to arguing.

-

By the time rehearsal ends, it’s dark outside. You pack up your gear, ignoring Holly’s death glare as she reminds you for the millionth time that you need to take this more seriously. You nod, mumble something about “artistic integrity,” and leave before she can yell at you again.

Back on the street, the air is crisp, the kind of cold that bites at your skin and makes you wish you’d brought a scarf. You light another cigarette, even though you’ve already smoked half a pack today, and head toward the pub.

The pub is your sanctuary, a place where time slows down and the only thing that matters is the next round. It’s a dive, the kind of place where the carpet sticks to your shoes and the jukebox is permanently stuck on a rotation of The Clash and The Smiths. You know the bartender by name, though you’re not sure if he knows yours.

You order a pint and settle into a corner booth, your bass case propped up beside you. The first sip is like a warm hug, washing away the stress of the day. You’re halfway through your second pint when you see her.

-

You don’t notice her at first. Not properly. She’s part of the blur—the dim bar lights catching on glasses, the low hum of half-drunken conversation, the vague sense that you’ve been here before even if you haven’t. She’s leaning against the counter, waiting for her drink, and it’s not until the bartender—a man whose name might be Pete but who you’re pretty sure is just “Oi, mate” to everyone who comes in—hands her a gin and tonic that you actually see her.

And it’s a gin and tonic. Not a lager, not a rum and coke, not something ironic like a snakebite or one of those craft beers with names like Hops and Robbers. It’s a G&T, clean and crisp, with a slice of lime balanced on the rim like it’s posing for a stock photo. The glass is crystal clear, and so are her nails—short, practical, painted the sort of soft pink that suggests she doesn’t chew them during stressful moments (unlike you). She takes the drink with both hands, like she’s steadying herself, and there’s something about that—the deliberateness of it—that hooks you.

You tell yourself you’re just looking because she’s there. Because it’s either her or the guy at the next table who’s been droning on about Bitcoin for twenty minutes straight. But it’s more than that. There’s a stillness to her, an odd kind of clarity that doesn’t fit in a place like this, like she’s wandered in from a parallel universe.

She turns slightly, and you catch her profile: sharp nose, strong jawline, cheekbones that could cut glass but probably wouldn’t because she seems far too polite. Her hair is blonde—not platinum, not peroxide, but the kind of natural gold that makes you think of expensive shampoo and childhood summers. It’s tied back loosely, wisps framing her face in a way that seems accidental but probably isn’t.

She’s not wearing makeup. Or maybe she is, but it’s the invisible kind—the kind that takes forty-five minutes to apply but looks like you’ve just rolled out of bed looking flawless. Her jumper is navy, oversized enough to suggest she might have nicked it from someone else’s wardrobe, paired with jeans that sit perfectly at her hips without being skinny. On her feet are white trainers—clean, like freshly ironed bedsheets—Adidas, the classic three stripes in black, laces tied neatly, no fraying ends.

You’re staring. You know you are. But she hasn’t noticed, so it doesn’t count.

The bartender mutters something to her, and she laughs. Not the loud, performative laugh you hear from most people in bars, but something softer, like it’s meant for her and her alone. The sound is so out of place in this dingy pub that it feels almost sacrilegious, like someone’s brought a cathedral choir to sing in a nightclub.

You tell yourself to look away. You don’t.

Instead, you light a cigarette, even though the pub is strictly non-smoking. You do it for the aesthetic, the same way you do most things. There’s a half-empty pint in front of you—lager, flat and warm, probably with someone else’s fingerprints on the glass—but you take a sip anyway, because what else are you going to do?

She turns then, her gaze sweeping the room, and you’re caught like a deer in headlights. For a second, you think she’s looking at you, but she’s not. She’s looking past you, at the dartboard on the wall behind your head. Her expression is curious, like she’s trying to figure out why anyone would bother playing darts in a place like this.

Then her eyes meet yours, and the world tilts.

It’s not love at first sight, not really. Love at first sight is for Disney films and Hallmark cards and people who shop at Waitrose without looking at the prices. This is something else. Recognition, maybe. Like you’ve seen her before in a dream or a half-remembered story someone told you once. Like you’ve spent your whole life waiting for this moment without knowing it.

She holds your gaze for a second longer than is polite. Then she looks away, back at her gin and tonic, and you realise you’ve been holding your breath.

-

You don’t approach her right away. That would be too obvious, too predictable. Instead, you wait, watching her out of the corner of your eye while pretending to scroll through your phone. It’s a shitty phone, cracked and outdated, but you’ve never bothered upgrading because you secretly enjoy the low expectations it sets. No one looks at you and expects success when your phone screen is held together with Sellotape.

She moves to a table in the corner, near the radiator, and sits down alone. No book, no laptop, no visible excuse to be here other than the gin and tonic in her hand. She sips it slowly, methodically, like she’s savouring it. Like she’s savouring this.

You wonder what her story is.

Is she waiting for someone? A friend, a boyfriend, a clandestine meeting with a lover? Or is she just one of those people who can sit alone in public without feeling like a target? You’ve never understood that kind of confidence—the kind that lets you exist without an audience, without a role to play.

You take another sip of your pint, then decide, fuck it.

You stand, grab your bass (because leaving it behind would feel like abandoning a child), and make your way across the room. Your boots squeak against the sticky floor, and you curse them under your breath. She looks up as you approach, her expression unreadable.

“Mind if I join you?” you ask, gesturing vaguely at the empty chair across from her.

She hesitates, just for a moment, then nods.

“Sure.”

Her voice is soft, but not shy. Measured. Like she’s weighing every word before she says it.

You sit, placing your bass case carefully against the table leg. For a moment, neither of you speaks. You’re not sure what to say, and she seems content to let the silence stretch. It’s not uncomfortable, exactly, but it’s not easy, either.

Finally, she breaks it.

“You’re in a band,” she says, nodding toward the bass. It’s not a question.

You smile. “Yeah. What gave it away?”

She raises an eyebrow, and you realise it’s a stupid question.

“What’s the band called?”

You tell her, and she nods, like she’s vaguely heard of it but couldn’t name a single song.

“I’m Alessia,” she says, holding out her hand. Her grip is firm, her skin warm.

“Nice to meet you,” you reply, and for the first time in a long time, you actually mean it.

[serpentface]

Omg, is there any more about Odonii battlefield performance?

Faiza giving a full battlefield performance, which includes grimacing, sinister looks, letting out terrifying war cries, and banging on her shield with her dagger's pommel. She's wearing a full set of armor, which is functional but highly decorative. A squire will be present somewhere nearby to carry the rest of her weaponry.

As mentioned in the other post, Odonii generally do not actually Participate in fighting. Their perpetual armament and training to correctly Use this armament has predominantly symbolic functions, with their bodies as vessels for state and military empowerment and integrity.

Their normal role on the battlefield is:

a) Spiritual protection for their associated warriors and intimidation of enemies.

Their role is partially to be the ‘guardian lion’ figure in human form, their presence and performance in of itself is considered metaphysically protective. This guardian lion nature is played up and reinforced with their dress and behavior- they wear lion skins over their armor, paint their faces red to obscure human features, perform war cries tailored to sound inhuman (not like lions, just a very shrill and frightening sound). They perform ‘frenzied’ movements that intend to evoke an enraged animal- pacing, banging on their shields, biting their weapons/shields, baring teeth, exaggerated glances that emphasize the whites of their eyes, etc. This can be a disturbing sight- reassuring to their allies who know a frightening spiritual guardian figure is on their side, and demoralizing to an enemy (the latter especially in conjunction with common beliefs that Odonii are witches/shapeshifters)

b) A motivating factor to get the men to fight more bravely.

This is partly out of religious belief (you will probably be a little bolder if you feel reassurance that God is very much present and on your side, via Its priestesses), partly out of esteem for the order (you are highly motivated to perform for their recognition and protect them from harm). In a way, their role on the battlefield is the Least masculinized aspect of their performance- they are in part there to remind men of their mothers, wives, and daughters, who they are supposed to be the protectors of and whose benefit they are ultimately (at least deemed to be) fighting for.

In some cases, this is taken to a (cultural relative) extreme wherein they will expose their breasts towards their own men as a part of battlefield performance, in the form of a supplicatory gesture (bearing the breasts and thumping on the chest with a fist). (The Odomache’s nude body should never be publicly seen under any circumstances, limited and controlled exposure by Odonii Can be appropriate). Breasts are not sexualized in this cultural sphere, but are not treated as neutral body parts either, instead having values of motherly nurturing and feminine vulnerability projected onto them. Odonii showing tits will be a DISTINCT reminder of the ‘vulnerable female’ elements that the men should be protecting, and can be highly motivating (especially in the context of a figure who is otherwise behaviorally ‘masculinized’, it’s jarring and can have useful emotional impact).

c) General spiritual leadership (in connection to a & b).

Weapons dances are an aspect of military training and the kagnoma odo dance is always performed prior to conventional battles, Odonii lead these dances. This has multifacted functions- it is believed to spiritually bless the troops, it is a means of practicing with weaponry/limbering up, it is a psychological rallying point and good for morale, and it may intimidate your enemy who can see it happening from a distance (by displaying readiness/eagerness to battle, good discipline, unity, and physical might). Odonii also perform personalized blessings of soldiers, weapons, and armor.

c) Filling gaps in the command structure or acting as commanders

Odonii are involved in strategic meetings, and ones who receive battlefield roles are very well studied in military tactics. As a matter of technicality, their commands to the body of Imperial Wardi troops do not override those of generals or other ranking soldiers (though they will often be deferred to regardless), but they can fill in gaps in the command structure in case of death of high ranking soldiers or if lines become scattered and communication breaks down.

Additionally, there are two elite warrior orders presided over by the Odonii priesthood (the rest answer directly to the Usoma's court appointed general), with senior Odonii as their commanders and the Odomache as their general. (This is one of many political tension points between the priesthood and monarchy, given that the Odonii have managed to get themselves about 200 high skill, firearm'ed warriors that are separate from the normal military structure, only as loyal to the Usoma as their current general is, and Very beloved among the public so you can't just like, outright kill or disarm this very obvious threat.)

d) A strategic flexing of eastern seaway honorable combat norms

Conventions of honorable warfare have broad commonalities across the eastern seaway peoples, one of which is that noncombatants (by default- women, girls, prepubsecent boys, unarmed elderly men) are not legitimate targets in the normal process of open war (but are fair game in contexts like sieges when a foe has refused to surrender on behalf of their population). Odonii being armed throws a wrinkle into this - they are still effectively ‘noncombatants’ by virtue of being women, but if they actually Engage in fighting they do present a threat that could be justifiably neutralized.

If they do not actually Use their arms they are not legitimate targets, and an enemy concerned with honorable combat will have to work around their presence (or risk social/retaliatory consequences if he does not). They are thus effectively human shields- at the very least introducing an additional layer of difficulties for an opponent to navigate, and sometimes actively putting their bodies between their men and their opponents.

e) as a factor of D, potential mediator figures.

When in conventional battles, Odonii on losing sides are usually expected to allow themselves to be captured without resistance. They stand a very high chance of being taken alive and remaining unharmed due to a combination of factors- baseline honorable warfare practices (which are ABSOLUTELY not always followed, but at least Influence behavior), fears of material consequences in retribution for harming the priestess, fears of spiritual consequences for harming a potentially powerful witch, knowledge that releasing an Odonii unscathed may give the captors a better negotiating position down the line, or knowledge that an Odonii is a very valuable hostage and can make for a good bargaining chip.

Because of this element, captured Odonii are expected to perform mediation roles, negotiate the release of hostages, carry messages from their captors, or bravely tolerate hostage conditions (ideally while gaining intelligence on their captors)

---

Odonii very, very rarely actually participate in combat (and are in fact not Supposed To in the vast majority of circumstances).

They are, however, fairly well equipped for it. Their perpetual armament is symbolic in nature, but its intended function of empowering their bodies and the state by proxy additionally requires them to know how to Use It. They are trained and regularly drill and engage in mock battles in each of their key weapons/defensive combinations (sword, sword and shield, spear, spear and shield, longgun, handgun) and are expected to be adept at their use. Odonii who attend battlefields, while not being directly engaged, are still in very high-stress and dangerous environments and will have to learn to stay calm and collected under duress. All this doesn't mean every Odonii would be a skilled warrior in an actual combat situation (given that most will have no experience fighting someone who is actually trying to Kill Them), but it does mean they have enough technical skill and mental fortitude to stand a decent chance.

The only times where they are SUPPOSED to actively engage is when a battle is deemed as an existential struggle and is being lost (in practice, the main context for this is a siege), or losing against a foe deemed so thoroughly depraved that they won’t even slightly follow wartime conventions. The idea in these situations is that they are most likely already doomed, and that they should die protecting their people in battle.

Wardi history is filled with stories of Odonii fighting and dying in desperate conflicts (particularly against Imperial Bur), but this is at least Partly historical revisionism (there WERE some women in proto-Odonii roles involved in these conflicts, but these retellings project the modern Odonii order onto its multiple progenitor practices).

Odonii are frequently present on battlefields, but there are only two major instances of modern era Odonii participating in battle as full combatants, both involving conflict with Finnerich

---

The fully modern incarnation of the order can be defined as starting in the late period of Burri occupation, in which multiple Wardi city-states and kingdoms allied against a common foe, and the separate progenitors of the Odonii tradition began to coelesce into a single practice. These alliances were mostly dropped after Burri withdrawal, and the immediate post-withdrawal period was a chaotic scrambling to politically stabilize and assert old territorial claims- thus most Wardi states resumed hostile or indifferent relations with one another. (The one exception is that Wardin and Ephennos remained allied, which shortly would become a Big Deal). Forms of early Odonii now existed throughout most of these states, just not united under a single banner.

The city of Godsmouth was blockaded and besieged by Finnerich during this period (taking advantage of its historical rival’s weakness in the political chaos of de-occupation and hoping to capture or at least maim the city), and some of these early Odonii were involved in this conflict and are known to have engaged.

Godsmouth was a rival to its neighboring states more than anything else- there was little reason for others to send aid in the conflict, and it was left to fend for itself. It was and is a heavily fortified city, and thus the siege lasted for months, with the strategy turning to starving the population out rather than the risky maneuver of throwing troops at well-defended gates to force entry. The Finn forces never managed to breach the inner walls, but were very successful at starving the city's population, raiding its farmlands and villages, and destroying its ports and capturing or burning its ships, all with minimal casualties on their side.

The strategy of the siege finally turned to a risky push to breach and capture the city (due to Finnerich’s own dwindling resources and logistical difficulties in restocking due to storms at sea, and news that an allied Wardin and Ephennos had, in an unprecedented move, been persuaded to send reinforcements (in return for Godsmouth's sworn fealty and absorption into their alliance)), and Finn forces succeeded in breaking through the outer walls. This developed into a very dramatic standoff in which the remaining warriors and/or civilians of Godsmouth attempted to fend off the attack long enough for reinforcements to arrive (which would take days by sea).

Odonii are very famously known to have fully engaged in this stretch of the conflict on the front lines, as it represented an existential threat to the city-state (it’s a fortified settlement, if it was captured, reinforcements would not matter). Some of the recountings are distinctly fanciful (describing Odonii and noblemen leading Siege Of Helms Deep style khaitback charges into masses of enemies, or SWEARING that one of them actually did turn into a lion and ripped apart a hundred Finns before she succumbed to her wounds). An At Least Partially True Story With Exaggerated Elements of the final days of the siege describes the Odonii priestess Hibrides Odiboe rallying a group of elderly men into battle by baring her breasts and scratching deep, bleeding wounds into her chest, declaring herself as 'your mothers, your wives, your daughters, and look how I bleed while you hide behind your walls and wait to die.' While accounts have fantastical elements, it is factual that Odonii priestesses fought and died defending the city's inner walls, notably filling command positions left vacant by slain or starved leaders and rallying citizens to the front lines.

The end of the siege was ultimately a pyrrhic victory for Godsmouth- the city was never actually taken but its population was starved and riddled with disease, its farmlands were burned, and its ports were destroyed. Finnerich forces retreated before reinforcements arrived after failing to break through the inner walls in time, but had succeeded in most objectives of severely wounding their historical enemy. It has been a source of collective trauma in Godsmouth since that point (it is now out of living memory, but vivid stories remain of seeing the dead eaten by dogs and the starving eating the dogs that ate the dead, watching family members succumb to disease and starvation, all while hearing the sounds of fighting draw closer and closer with no reason to believe that any help would ever come), but ultimately recontextualized as a victory, a turning point in the arc of modern history. (The Wardin-Ephennos-Godsmouth alliance, which formed in full as a result of this conflict, would become the triple state that conquered the rest of the region and formed Imperial Wardin).

The direct participation of Odonii in this conflict is heavily played up in the narrative as the order in its purest form as sovereignty incarnate, the priestesses bravely fighting for (what would turn out to be) the beginnings of the Imperial Wardi state. The 11 Odonii who died fighting in the siege have been bestowed sainthood and are memorialized in a series of guardian lion statue-shrines overlooking Godsmouth’s ports (in which their ashes and bones are stored).

---

The other instance of modern era Odonii engaging in conflict is significantly less romantic, occurring in the context of the Extremely failed second invasion of Finnerich.

During and after the rout that resulted in the Odomache's capture and killing, it became exceptionally clear to the Imperial Wardi forces that They Were Fucked. The conflict veered with REMARKABLE speed from being an attempt end the state's civil war between the Imperial Wardi-loyalist provincial puppet government and its rebelling northwest population, to a desperate struggle for Wardi forces to get out of Finnerich Alive. At this point it was assumed (fairly accurately) that any defeated party would be summarily executed, so most Odonii present ended up directly engaging in battle. Two are known to have died leading soldiers in a bid to retrieve the Odomache's body, others fought and/or died while defending the retreat.

A few Finn Odonii (women appointed as a local sect of the priesthood after the initial takeover) remained in the capital after the Wardi forces fucked off overseas, and were executed along with the rest of the installed loyalist government and priests (though it's unlikely that they were involved in any fighting, as the provincial government surrendered after the withdrawal).

Odonii veterans of the invading force have not fared well in the aftermath. Most of those who survived the ambush in which the Odomache was captured have ended up committing honorable suicide due to breaking vows in abandoning their leader in retreat, failing to retrieve her body, and/or being assaulted in capture. More have committed (ostensibly ritual, probably emotionally driven) suicide in the years that followed, with the knowledge that their leader's death and defilement and this severing of God's spirit has brought doom upon their land in the form of an unbroken drought and famine, and that they failed to prevent this. The priestess who was captured alive to witness the Odomache's death and released unharmed to report it was the first.

All this has opened some vacancies in the order's leadership, and given things a very somber tone. It is currently in debate as to whether the ones who died on Finn soil (particularly those who died attempting to retrieve their leader's body) should be canonized as saints or if it's a little too soon for all that.

[hajihiko]

My own narrative of the SDR2 class being haunted by Junko in various ways

[dekusleftsock]

I think about this sometimes but I personally love that Horikoshi took the Yandere trope, split it in two, and gave one half to Izuku and Himiko.

Like it’s so fascinating how you can just SEE how purposeful Himiko was as a character in hindsight standing next to him.

Himiko is a really interesting subversion of her trope for two reasons:

She hurts people because she loves them, not for isolation or destruction of the competition (gore/blood is love to her, not necessarily a means to love someone)

She’s not possessive. Like at all.

I’ve seen that hc a few times and it always bothers me. Ochako is for sure a possessive character (we saw that with Hatsume around Izuku way back at the sports festival arc), but Himiko? Really?

You mean the girl who had a crush on a boy AND the girl who also had a crush on the same boy? Her?

You mean the girl who doesn’t hurt people who love who she loves, rather actively encouraging it in the first place? That one? Really?

Like it’s such an integral part to her subversion too. It’s what makes her such a weird and fascinating character. Possessiveness is supposed to be whats ugly about love itself, yet her love remains ugly without it. She is ugly because the fundamental ways in which she sees and feels about the world are considered “wrong”, “dangerous”, and “deviant”.

But Izuku… ohhhh Izuku…

He holds this trait like a badge melted to his skin. My man cannot escape these allegations. It’s to the point where it’s honestly a fundamental to his narrative. Izuku does not act nor feel the same without it.

Izuku holds a cutesy nickname that literally every other childhood friend of Katsuki’s has long left behind, saying his real name instead (this is honestly why I’m also uninterested in a scene where Izuku calls him “Katsuki” instead of “Kacchan”, Katsuki doesn’t represent the same things the name Izuku does, imo at least), izuku “give him back to me” midoriya, holds his dead body to his chest on a cover, freaked out on someone either hurting/offending Kacchan.. 3 times(?), keeping big boy ofa secrets…. The list goes on.

So it’s this main reason that I think their characters are just so. Fucking. Intertwined. I’m glad this has become a more common interpretation because there’s just so much that aligns between them.

Both of them call their “special people” with -chan endings, both by their first names, both deemed deviants/irrelevant by society. It’s no wonder Ochako fell in love with Izuku, just like she did toga, they’re fucking freaks. They’re interesting. They’re weird. They’re overly friendly and socially inept and a little beaten down by the world yet have too much passion to stay on the ground. They’re envious of the ones they love (Ochako of her freedom to be a normal girl, Katsuki for his raw power and harnessed skill), and I guess I just wanted to make this post because I adore how it’s all done.

I LOVE how the yandere trope is used as societal commentary here. Not necessarily as a way to make the main love interest jealous and feel she must protect the main character, nor for some kinky reason surrounding her character, but because the trope is built off of real, ugly feelings that can and do happen. That love can and is considered truly beautiful in all its forms, especially those of queer people.

So I especially love it because it isn’t just limited to Himiko, but Izuku as well. He may never hurt the ones he loves, but he would hurt for them.

A perfect narrative foil on queer and deviant forms of love. Big fan Horikoshi.

[thefudge]

Advice for writing smut???

gonna do bullet-points of things i tend to live by when it comes to smut (this is just my opinion):

don't switch styles: the way you write the smut has to be consistent with the way you write the rest of the story, so if your story is more comedic or romcom-y in nature, the way you write the smut should have those stylings. i personally find it very jarring when authors decide to break the format for the smut, almost like the story has to stop for the sex intermission; if you're writing a horror story, the smut must be informed and influenced by that genre, and if you are breaking genre for the smut portion, tell us why you're suddenly switching gears (it has to be an aesthetic choice you're making on purpose). likewise, if your style in that story is more lyrical, the smut has to be somewhat lyrical too, or if your story is more cormac mccarthy-esque-cut-and-dry, the smut can't suddenly involve an effluvia of purple, sappy prose. integrating the smut in the story and treating it like any other part of the story is key to me. too often i've seen ppl switch to this anonymous pornified style when they get to the smut

which brings me to specificity. i'll talk about het sex, since that's what i tend to write most: not all men are going to be fingering or eating pussy the same way, not all dicks are big and they shouldn't be, not all women immediately get excited by fingering, not everyone moans the same way or makes the same sounds. you're writing about particular characters so it has to be particular to them. i know this is very old advice, but i think it bears repeating

there isn't an exact formula or sequence you have to follow, there aren't precise steps, you don't have to go "well, first he has to kiss down her neck, then reach the boob area, then play with the nipples, then put the nipple in his mouth, then slowly go down on her, then prepare her for entering her etc. etc. etc." this can get boring and repetitive and you start thinking of your characters as these mechanical dolls who have to fuck for your audience. and that can be a vibe too, if you do it on purpose. but sometimes you can get stuck in a porn routine (and ofc, having only the guy show initiative can also get boring)

in order to break that, insert some character moments. what are the characters thinking during this? sometimes they might be thinking of something completely unrelated on the surface, but which has a thematic relevance that can make the scene hotter. likewise, maybe they're doing smth that seems unsexy on the surface, but which, within the context of the story might be really hot. sex doesn't just involve, well, sex, but so much weirdness and humanity and creativity. two bodies (usually) are trying to do this really awkward thing together and they might have a lot of baggage and history to inform it. there's a lot you can do with that.

don't make it glossy and clean, where everyone smells of strawberry shampoo and there is never anything out of sync. the most boring smut tends to be the kind where no one makes any mistakes and everything is super efficient. i imagine it feels like using an industrial pump to milk various farm animals.

and you know what? you can make that hot too. you CAN write a kind of robotic efficient smut and make it really interesting based on the context. let's say you're writing a 1984 AU fic where ppl are forced into intimacy only to procreate and their sex drive is diminished. you can play with that premise and lean into the dehumanizing industrialization of sex, but you have to mean it, aka your narratorial voice must be conscious of these factors.

if you're writing dubcon, make the dubious part present, make sure you draw out the ambivalence and ambiguity. if you're writing noncon, the character whose consent is being violated has to be transformed by this in some way. it can be forced pleasure, for instance, but not only. it has to be a journey for them too, some kind of spiritual pit, or a form of access to terrible knowledge. i know this is a personal thing, but noncon doesn't work for me if the character being noncon'd is just sort of *there*, suffering passively. i think that sort of dead passivity can be done very well too, but the narratorial voice has to persuade me.

that being said, don't be afraid of fear in consensual sex. terror and vulnerability are a part of consensual sex too, imo, and again, depending on the story and the characters, there's a lot you can explore there

i personally find it really hot when the narratorial voice starts discussing some of the ideas that the story wants to convey during the smut. so like, you can characterize person A and outline their worldview and their plans while they're ramming person B, and the thinking & fucking are thus entwined. idk, i dig that

speaking of which, smut can convey world-building details and social/philosophical ideas, not just emotions and character beats

not all smut has to end with mutual orgasm or even one-sided orgasm, it depends what you want to do or where you want to go. again, you don't have to follow a sequence. plus, it's fun (and hot) to write about frustration and failure too.

if you want to mix up the descriptions, resort to the story & characters. you'll find it's easier to describe someone fondling a boob in a new or at least interesting way if you're thinking about that particular character in that particular story, and not just Man X from planet porn (sorry to be snarky, but mainstream erotica is soooo guilty of this)

screaming & really intense reactions are cool but they have to match the characters and the situations

sometimes, it's hotter if an effect is mild or negated, if the usual outcome doesn't happen; mix up the order of events, toy with the usual reactions. it's not about being original, it's about finding out what works for your characters. writing about sex is, in a way, a performance of it, an attempt to go through the sexual motions, to find out what works and doesn't, to engage with the erotics of text (roland barthes entered the chat)

if you are bored by your own smut, that's a problem. i know we all talk about how hard we find writing smut, and IT IS hard, and sometimes it's not enjoyable, because writing itself is often not enjoyable, but even when it's painful and annoying, it gives you that little intellectual kick like "huh, i'm creating this and making these people do this, and ohh look, i can maybe put this unnamable thing into words". but if you become bored, that's a sign you have to look at the language & characters and figure out what's not working for you

last thing i'll underline: pay attention to your narratorial voice. in this ordeal, you are the seducer. not the characters. you have to seduce us with words and context. your voice matters the most. you can persuade us of anything. but you have to be confident in your weirdness and particularity. this is your bedroom (so to speak), so invite us in.

[tacticaldiary]

Reader joining 141 for a mission and Simon is not having it and is pissed at price for calling them and all of the other guys are confused about why ghost is so upset till they find out reader is his wife after the mission

Maybe reader got hurt and ghost goes off on price

The Price Of A Secret

Pairing: Simon 'Ghost' Riley x Reader

Genre: Hurt/Comfort

"People get injured on the job, Ghost." Gaz tries to defuse the situation. "She's alive-"

"This is different." He grits out.

"And why's that?"

"Because that's my wife!" He hisses, slamming his fist onto the table. It strikes them harder than if he were to have yelled it at them.

A/N: It's 2:45am and I have no energy to proofread caution advised-

Masterlist

The moment the picture of the intelligence officer joining them flashes on the screen, Ghost puts his foot down.

"She's not coming."

Everyone in the room pauses, Price staring at Ghost mid sentence. It's the usual 141, and then it's her. Sitting there with a mildly frustrated look, refusing to look at him because she should have known he'd try to pull some shit like this.

"Why not?" Price folds his arm, narrowing his eyes. "Is there an issue, Lieutenant?"

She was supposed to work from the inside, drawing out data and cracking through defences that they then passed on to people like the 141. An integral part of the process of running the whole task force, but not once was she involved in hands-on field work.

It's not that she's incompetent. No, not at all. Ghost would have his head bit off if he even remotely implied that because it simply isn't true. She got the top scores in almost every part of her training exercises, and yet she chose the intelligence part of the military to serve in. His wife was as competent as they got.

His wife.

"This is a covert operation, the fewer people the better." That's what he goes with. Not because his heart picks up at the thought of her being anywhere near what they deal with every day.

"I won't have the range I need to retrieve the data from their servers if I'm not close to them." She speaks up, and their eyes meet from across the room.

His determined, hers resolute.

Sometimes he really hated that she was so fucking stubborn. It had been the same stubbornness that cracked down the iron grip he'd had on the walls in his mind and around his heart, but if that stubbornness was what got her killed Simon would give up this joy in a heartbeat.

He'd do it for her if it meant she kept on living.

"This isn't up for discussion, Ghost." Price states, "She's part of this operation on my authority."

"Price-"

"End of discussion. You settle whatever you have going on outside this room." And fuck, he can't refute a direct order like that, can he?

Ghost sees her release a long exhale, and he knows he won't share such a relief until this damn operation was over and done with.

                                  · · ─────── ·𖥸· ─────── · ·

Her body is so limp it scares the ever-loving shit out of him.

Ghost grips her so tight it's as if he himself is the only thing tethering her soul to her body, boots thumping hard against the muddy ground as they retreat back to their extraction point, data successfully retrieved.

Successfully, not smoothly.

The plan was simple. They'd flank the building while she camped out near the edge of the woods, retrieving the intel they needed. A couple of fuckers slipped out of the building and went straight for her.

Ghost's stomach turns when he remembers how he found the scene. She wasn't answering through her comms, but he knew he wasn't able to leave his position until the building was secure.

Waiting felt like an eternity, he could feel Soap send troubled glances in his direction at the way Ghost was unusually silent and more brutal than.

When the building was finally secure, they'd gone to reunite with her position and found three men dead, bloody seeping into the ground in a crimson mess. The last one standing hovered over her unconscious form, over his wife with a knife raised ready to slit her thought.

The only thought Ghost had as he ripped the man away with his hands was that he was going to take the one good thing in his life away, and he would not let that happen. Not her. Not like this.

"Bleeding wound to the head, unconscious but still breathing!" Gaz called out while Ghost shoved the man's own knife into his throat. Tossing the gurgling body aside like a ragdoll, he's immediately by her side, assessing before carefully lifting her up in his arms.

It's the most emotion Ghost has ever expressed in front of the others, but he couldn't give a fuck about the looks or the questions right now. Her heartbeat against him settled him the slightest bit with the reassurance that she was alive.

Angry does not begin to describe what itches under Ghost's skin as they scramble into their exfil airship.

"Medic!" He barks the second they lift off. Setting her down, he brushes the bloody strands of her hair away from her face.

Despite the urge to stay by her side, the medic gingerly requests for him to take a step back so he could work. Ghost obliges but his eyes never leave her face.

He's painfully aware of his wedding ring pressing against his chest, strung onto a chain long enough to be tucked under his uniform. A matching one to her own.

Nobody speaks.

Perhaps they recognise the anger washing off of Ghost in waves, because if they'd just bloody listened to him, she wouldn't be laying there with a head wound.

The atmosphere is heavy and sombre. Even Soap keeps his mouth shut, too confused by the outward, uncharacteristic way Ghost was acting to make fun of it.

It's only when the medic announces she's stable that the suffocating knot in Ghost's chest loosens. There's audible relief from everyone in the place.

"Bloody hell." Price breathes, and something in Ghost snaps.

"I told you to dismiss her from the op." He says coldly, turning to the man.

"We got what we needed, son." He sighs, deep and tired, and part of Ghost understands that this was their life. But he's too worked up to care.

"At a fucking cost."

"People get injured on the job, Ghost." Gaz tries to defuse the situation. "She's alive, that's all that matters. Nothing permanent, yeah?" He glances at the medic, who confirms with a nod before slipping away.

"This is different." Ghost grits out.

"Why's that?"

"Because that's my wife!" He hisses, slamming his fist onto the metallic walls. It strikes them harder than if he were to have yelled it at them.

How long had it taken for Ghost-...no, for Simon to let someone crack open his defences until he was coaxed out and allowed himself to love again? Four years they've been married, and four years he's kept it a secret.

It's not that he doesn't trust his team. He trusts them with his life, would lay his own down for Johnny, Gaz, and Price any day.

But this? This was bigger than him, she was the most precious thing that had ever happened to him, and the safest way to preserve that was the keep it on a need-to-know basis.

She'd agreed with him, of course. In that soft, patient way she always has with him. She'd seen the paranoia in him, recognised that he needed this one thing for himself, and she'd been more than happy to oblige.

What was outside validation about her relationship worth when she got to crawl into his arms at the end of the day? Be granted the pleasure that comes with being loved by someone as protective, intelligent, and sharp as Simon Riley? She adores all of him, even the jagged pieces that cut into her from time to time, because he's always there to take care of her afterwards.

"She's my wife." He repeats quieter, sitting back down. Exhaustion lines the slope of his shoulder's dark circles well present under his mask.

"You're married." Soap is the first to speak, incredulously. "You? Ghost? You're married?" His eyes flicker down to Ghost's left hand, and then to Gaz and Price who look equally as surprised. "I mean, congratulations?" He trails off, knowing it's not really the situation to celebrate.

"Thanks." A tired, small voice has everyone's attention back onto the figure on the bed. Ghost is on his feet in moments, by her bedside. "It'll be five years in...what, a month?" She cracks an eye open, giving Simon a tired, smile.

"Two months." He corrects with a mutter, and Johnny looks like he might just collapse. "Sitrep?"

"We're not on the field anymore." She groans, pushing herself to sit up. Ghost's hands fly to her immediately, helping her sit up. At his blank, insistent stare, she relents with a deep sigh. "My head's killing me but other than that just a few scrapes and bruises." Her hand travels down to grab his at her shoulder, squeezing briefly.

"I'm alright." Her voice turns into something soft and reassuring, and it's only then that a quiet, shuddering breath comes out of Simon's lungs. "I think I'll sit to working from the inside though." She jokes weakly. "Leave the dirtier work to you brutes."

It lightens the mood as intended, eliciting a snort from Gaz. "Yes, ma'am."

He'd make sure she got checked out properly when they landed, but for now he takes his place sitting beside her. The others fall into a hushed conversation after a while, but he makes no move to join them.

A warm hand intertwines with his, hidden beneath the bulk of their combined gear.

"I'm alright, Simon." She mumbles, just loud enough for him to hear.

Simon squeezes her hand in response. "Fucking hell, love." He breathes.

And it's enough to convey everything he's thinking. Humming, she tips her head against his shoulder and lets her eyes slip shut. The warmth of his body, even through the tang of copper is enough of a familiar comfort to drain the tension from her body.

She's fast asleep against his shoulder a minute later, and the devil himself couldn't make Simon move lest he wake her now.

He wasn't a publicly affectionate person by any means...but he trusted his team enough for this right now.

Letting his own head press against the metal wall behind them, his eyes shift to meet Price's. A softer, knowing look from the Captain is all he needs to hook his chin over her head and turn his attention outside the small window.

And if he counts her breathing while she sleeps for his own peace of mind? Well, that's no one's business but his.

Reblog, Like and Comment!

(10/09/2023)

[stylesloveclub]

sunshine (part 2)

In which Harry's a little bit nicer, and y/n is very excited to possibly, hopefully, maybe be kissed.

sunshine (part 1)

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Y/n’s apartment is filled with a bunch of people she doesn’t know. Maddie has a bunch of people over – not really a party, but a fairly large gathering. A few of her school friends, a couple of her co-workers…. nobody that y/n is really close with, though. 

That’s why she locked herself in her room, away from the music and the stuffy, smoke-filled air. She said her polite hello and everything, of course! But… she just wasn’t in the mood to hang out with Maddie’s friends. They weren’t really y/n’s type of people, and the smell of weed is giving her a terrible headache. 

She bunches up her hair in her fists as she stares at the math problem in front of her. She had been able to do integrals just fine with Harry, but when you add trig into the equation? She’s thoroughly fucked. Not even The Organic Chemistry Tutor could help her work through this problem. 

A knock on her door makes her jump. “Come in,” she says politely, though her brows are still furrowed grumpily as she stares at the calculus in front of her. 

“S’this room taken?” a deep voice murmurs. 

She whips her head around, heart fluttering excitedly in her chest. “Harry,” she says softly. “What are you doing here?”

“Maddie invited Blake,” he says, sitting down on her bed. “And Blake invited me.” 

Oh. She should’ve known. 

She rolls away from her desk and faces Harry, who’s making himself more than comfortable on her bed, laying down with his head on her pillow. “Smells like shit out there,” he grunts. 

“Yeah,” she shrugs. She’s accepted that her apartment will always reek of weed, no matter how hard she tries to get rid of the smell. “Did you smoke anything with them?” she asks. 

“No, not in the mood.” Honestly, the only reason he decided to come over with Blake was because he knew that he’d be able to go chill in y/n’s room. Hanging out in Maddie’s smelly apartment was the last thing he wanted to do on a Thursday night, but… he knew y/n would be there, sitting quietly in her room like the good girl she is. “Did you?”

“No.” She fiddles with her fingers. “I– I don’t smoke.”

He snorts. “You don’t smoke but you live with Maddie?” Maddie cannot survive two seconds without her vape. “That doesn’t make sense.” 

“The smell of it gives me a headache,” she tries to explain. 

“Your apartment literally always smells like weed,” he deadpans. 

She blinks. “Yeah…” she trails off quietly. “If I close my door though the smell isn’t that bad.”

Harry rolls his eyes. “What are you working on?” he asks, pointing to the textbook sitting on her desk.

“Um– math.” His lips quirk up, while she pouts. “S’not making sense again.”

“Lemme see,” he says, sitting up. She looks at him for a second, not moving, but when he nods towards her ipad again she scrambles to pick it up and sit next to him on the bed. 

“So, what were you going to try and do?” he asks, grabbing her pen. She’s hyper aware of how their thighs are touching, how she can practically feel the heat radiating off his body.

“Um… I feel like I need to use one of the trig rules here but I can’t think of any that would do anything here.” 

“Okay you’re right… the issue is that none of your sins or cosins fit any of the rules. But you can break cos^3x down into cos^2x times cosx, right?” 

“Okay…” she looks up at him like a lost puppy, still not fully getting it. 

“Do you have any trig identities with cos^2x?”

“Um…” she shuffles through her notes, “ cos^2x equals 1 minus sin^2x?”

He nods his head, “yeah. So now that everything is in terms of sin, you can do a u-sub.”

“Oh,” she blinks quietly, staring down at the paper. “Why’s it so easy when you explain it?” 

He shrugs, leaning back down onto her bed, “y’just need a lot of practice.”

The bottom of his shirt rises up as he puts his hands behind his head, revealing a pair of black ferns that point towards a yummy v-line. Y/n tries her best not to look, but she’s reminded of the night where she showed up to his apartment to pick up Maddie… how he’d been shirtless, his abdomen so chiseled and firm. The swallows on his collarbones, the butterfly that seemed to jump with every breath. She finds herself getting a bit short of breath as she thinks about all of the things hidden beneath his shirt currently.

That’s the thing about being a touch-deprived, romantic girl like y/n. The littlest things get her going. 

He was nice to her once, helped her with her math homework and comforted her when she cried, and now her heart flutters like crazy when she sees him. Just the smallest rise of Harry’s shirt has her spiraling. 

She can’t help but notice the way his biceps bulge subtly as he puts his hands behind his head, and finds herself overwhelmed with the fact that this boy – an attractive boy – was just laying in her bed casually.

She knows it’s no big deal for Harry, he’s probably just in here because the living room stinks and he needs to clear his head. But for her, it’s a lot. She never has boys in her room, has never had a romantic interaction with a boy. Hasn’t even been kissed. It’s always just very friendly – getting notes from a guy in her class, joking around with some of Maddie’s friends. She’s never had a boy talk to her any more than that. 

Harry, though… Harry comes into her room and talks to her even when there’s a whole party going on outside. He kept her company when she was stranded at his apartment, he took her home and took care of her when she was drunk and emotional. It probably meant nothing to him, but the way he grabbed her ankle and told her to lie down when he was helping her into bed was one of the most tender things she’s ever experienced. He put his hand on her waist, and held her arm while she stumbled, he’d guided her through the door with his hand on the small of her waist. 

And when he saw her crying at the library, he came over and talked to her. Comforted her and let her rant about her classes. He’d let her into his room and helped her with her homework, murmured soft praises to her when she got a question right, his arm brushing against hers, or his chest rubbing against her shoulder. 

The stupidest little things, that are probably so insignificant for him, have been on her mind for days.

“Hey,” Harry says, snapping her out of her daydreams. She tears her eyes away from his ferns embarrassedly, hoping he didn’t notice. “What are you thinkin’ about?”

She averts her eyes, looking down at her bedsheet. “Um, nothing.”

He quirks his brows. “Nothing?”

“Mhm,” she nods her head innocently.

‘Really?” he asks again, his lip twitching with the slightest hint of amusement, sitting up on his elbows now. He raises himself up so that they’re face to face. He’s not an idiot.

She bites her lip nervously, and her heart stops when Harry’s eyes flicker down to watch. He stares at her with a strange look in his eye… a glimmer in them that she’s only ever read about in books. His eyebrows furrow as though he’s deep in thought, eyes still glued to her lips. 

She wonders if she’s hallucinating when he leans in. 

She thought she was being silly for starting to feel things for him – that she was just being classic y/n, crushing on a guy even though she knows she’s too shy to ever make a move. Now, with how close he is, she can see every freckle on his tan skin, every lash that frames his bright green eyes. She breathes with a tight chest, swallowing thickly as her eyes flicker between his, wide and curious. His eyes still haven’t left her lips.

Her heart stutters as his large hand makes its way to her thigh, his palm warm and smooth, gently grazing her skin. He unconsciously inches closer and closer, incapable of pulling his eyes away from her mouth. 

He wets his bottom lip with his tongue, a force of habit, and finally looks her in the eye. His irises have turned a dark green, pupils dilated, and his breathing has deepened. She has no idea what’s going on in his head, but he looks serious. Deep in thought. His hand still rests on her thigh, the contact sending sparks of electricity all over her body, especially when his fingers gently start to trail upwards. 

Her eyes flutter shut as she tries to take deep, calm breaths, but he’s gotten so close that she can feel the puff of his breathing against her lips, inhaling his every exhale. It makes her lightheaded. He’s so close… so, so close…

A loud pounding on the door makes y/n jump away from him. 

Her eyes are blown out when she jerks them open, her heart pounding harshly with anticipation that’s been left unsatisfied. “Who is it?” she calls out with a shaky voice. 

Harry hasn’t moved an inch. He sits there and stares at her, hand still on her thigh. 

“Is Harry in there?” Maddie yells. “Blake is ready to go.”

He brings a hand up and tugs on her bottom lip with his thumb, then watches it bounce back into place, hypnotizing himself with the sight. Y/n, unable to get any words out, sits there and watches him as he stares at her lips.

“Hellooo?” Maddie obnoxiously yells again.

Harry’s nose flares and he shuts his eyes, frustratedly pulling himself away from y/n. She says nothing, still in a daze, watching as he leaves her bed. He stands and runs a hair through his messy curls, before heading towards the door and opening it. Maddie stands in front of the door with her fist raised, ready to knock on the door again. 

“Calm down,” he says, eyeing her coldly. Maddie rolls her eyes and walks away to tell Blake that she found Harry.

He turns around for a moment and glances at y/n. “See ya,” he says. 

She blinks, her hand coming up to touch her lips, searching for some confirmation that this was real and she hadn’t imagined it. ��Bye,” she nearly whispers, breathless. 

The door shuts with a click and she finds herself alone with her thoughts. Her math homework sits abandoned on her bed, and will probably remain untouched for the rest of the night.

˙· .° ｡  ˚ ｡  ° . · ˚ ˙ · . ° ｡ ˚ ｡  ° . · ˙ · .° ｡ ˚ ｡ °.  · ˙ ‧̍̊  

Finally, y/n has Harry all to herself.

She’d been dancing around him all night, constantly catching his eye from across the room in a game of cat and mouse. He watched her from the corner of the room he was stationed in with his dark eyes, a teasing smirk on his face. He knew what she was doing – trying to distract him. It was working. 

He watched her as she mingled and talked, watched as she sipped on her drink, watched as she weaved her way through the passes of people in her apartment, pushing past the hot bodies and sweaty skin until she disappeared in her room. 

He followed her in, less than a minute later.

She hears him walk into the room, the sound of him turning the lock and his heavy footsteps approaching her. A shiver runs down her spine when his hands grab her shoulders from behind, goosebumps rising on her arms almost instantaneously. His firm front pushes against her back, toned stomach pressed against the curve of spine. 

His fingers are warm and gentle on her shoulders, comforting yet teasing at the same time. He doesn’t hold her firmly – his featherlight touch more tantalizing than any other form of contact. These light, delicate brushes of his skin keep her on her toes, never knowing what to expect next. She holds her breath as his fingers travel from her shoulders, down the length of her arms. 

Suddenly, she feels his lips against her ear. She can’t help the soft, aroused breath that leaves her as his lips skim the shell of her ear. He chuckles, low and taunting, and she can feel the deep reverberations of his chest against her back.

“I’ve been waiting f’this,” he murmurs softly. His warm breath tickles her ear, sending waves of pleasure straight down to her core, and his hands have migrated from her arms to her hips now. He grips them, fingers digging into the soft flesh there, and pulls her back, grinding her into his front. She swallows a whimper down, eyes fluttering shut. A hard bulge presses against her ass, and she can’t resist the urge to press back on it, wriggle her hips even though Harry’s holding her still. “You’ve been teasing me…” he presses a kiss right underneath her earlobe. “Playing all innocent when I know you’re actually filthy.” Another kiss, and another kiss, trailing his lips down the curve of her neck.

She lets out a pathetic, shaky whimper, and it makes him chuckle tauntingly. “Your head is just filled with dirty thoughts, isn’t it?” Her knees go weak as he wraps a hand around her throat, tilting her head to the side so that he can look at her. “Bet you’re just dying for me to fuck you.” 

Her eyes are wide and round, and her entire body turns into jelly. The only reason she’s standing right now is because Harry’s holding her up. She can’t get any words out, pathetically wrapped around his finger. She looks up at him with a pleading gaze, begging him to do something… anything…

The sound of her 8 AM alarm yanks her straight out of dreamland.

Her eyes are bleary as she frantically looks around her bed, gathering her bearings. She has to triple check that Harry isn’t anywhere in her room – looking at every corner and patting around her sheets as well – before she can confirm that it was all a dream. 

Oh gosh. This is like the third time this week! 

She doesn’t mean to be having these dreams. It's a rather embarrassing situation for her and she honest to god would much rather just read a couple of steamy romance books about fictional vampires to get the horniness out of her system, instead of having repeated wet dreams about a very real Harry. 

They make her feel icky because, like– isn’t it a bit disrespectful to be having such dirty thoughts about someone who’s just been helping her with her math homework and potentially also kissing her had they not been interrupted? Like what are the boundaries there? You can’t really ask someone for consent to having wet dreams about them… but it’s not like she was consenting to those dreams either! She can’t control what her subconscious mind decides to stir up for her nightly dream! 

She tries to logic it out – how would she feel if Harry was having wet dreams about her? Well… actually the thought of it makes her a little bit excited, cos that would mean he likes her, right? Ugh, no, she’s getting distracted!

It’s all very typical horny virgin behavior. Ever since her almost kiss with Harry, her mind has been in shambles. Her first issue is trying to wrap her head around the entire thing – had Harry actually wanted to kiss her? She hadn’t made that up, right? 

She’s replayed the night a hundred times in her head. Remembers exactly how his hand felt on her thigh, how he’d stared at her lips, how their eyes had fluttered shut, how their noses brushed… all the things she’s read about in her books! All the ingredients for a first kiss! 

How tragic that it’d been interrupted. She thinks that’s why her brain has been overly active this past week – her subconscious has been trying to fulfill the insatisfaction she felt when she jumped away from Harry, just seconds before their lips touched. It feels like she’s been edged over and over again and been denied an orgasm five times – but the orgasm is her first kiss and she’s being edged by Maddie, who stole that kiss away by knocking on her door! 

She flops around in her bed frustratedly, smushing her face into her pillow with a sad groan. What if Harry doesn’t wanna kiss her the next time he sees her? What if this was a one time opportunity? She doesn’t want to sound desperate… but she really wanted to kiss Harry! She’d be really sad if it was just a whim of the moment kinda thing. 

But also… if it wasn’t just a one time thing… if he did actually want to kiss her… well how was she gonna end up in the situation to be kissed by him again? 

She’s thinking about this way too hard, way too early in the morning. And she’s uncomfortably wet from her dream.

She needs to get herself sorted out. 

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The chair in front of y/n screeches loudly as it’s pulled from under the table she’s sitting at. She jumps at the sound of it, having been too engrossed in her book to be aware of what’s going on around her. When she looks up, she finds Harry standing at her tiny table in the campus coffee shop.

“Can I sit here?” he asks, his jaw tight. He’s wearing a gray Kendrick Lamar hoodie with the words DAMN. written in bold font across the front, his curly hair messily hidden underneath. All the other tables in the shop were taken (it tends to get pretty busy at noonish when everyone needs somewhere to sit and study), and Harry needs somewhere to sit before his next lecture.

She nods, eyes wide like a baby sheep. It’s quite jarring to just randomly see the guy you’ve been having sexy dreams about – especially for someone like y/n who apparently can’t be normal about having a crush or having an almost first kiss. She hopes she’s acting normal enough to not raise any suspicion. 

Trying to not get distracted by his green eyes and pretty pink lips, y/n looks down at the table, but finds herself instead staring at Harry’s hands. He has nice hands, she thinks to herself. The cross tattoo on his left hand compliments his tan skin nicely, and he has these thick knuckles that she just wants to run her fingers over. In one of his hands he holds a coffee cup, and even though she and him both got a medium sized coffee, his drink looks smaller, dwarfed in his massive hands. His thumb is fingering the lid of his drink mindlessly, and she remembers how that same thumb had touched her lips just over a week ago… how he’d tugged on her bottom lip and hypnotized himself with the sight of it bouncing back into place. And while she’s on that train of thought, she can’t help but remember how his hands portrayed such a significant role in her dream last night. Hadn’t she imagined them being wrapped around her throat–?

Harry clears his throat. Y/n glows with heat. She has absolutely no capability of being normal around him. “Sorry, what?” She hadn’t heard a word he’d said in the past minute, too caught up in her own thoughts. 

He smirks. Is she always this distracted? “Just asked how it’s going.”

“Oh! Oh, yeah– good, I’m good,” she closes the book, folding the corner of the page she’s on as a bookmark. “How about you?”

He shrugs. “Just got out of class. Needed a coffee.”

“What’d you get?”

“Just a black coffee.”

She can’t stop herself from wrinkling her nose, “Ew.” 

 He quirks a brow, “Well what’d you get?” “Vanilla latte with oat milk.” Yeah. She would be an oat milk girl.

Considering their recent frequency in seeing each other and his newfound… fondness towards her, he doesn’t find it difficult to start picking and prodding at her, getting to know her. He realizes Blake was right – she wasn’t a super duper shy girl, she probably had just been scared of him. Once he started talking to her and smiling every once in a while, it seems like she loosened up. What used to be painfully awkward conversations have now become free flowing and casual.

He picks up the book she was reading and reads the cover. “Book Lovers by Emily Henry. Awfully fitting for you.”

She furrows her brow, already offended. She hates it when people make fun of her books – especially boys who make fun of her for reading romance. “What’s that supposed to mean?”

“You’re a book lover, aren’t you? Can never find you without your nose in a book.” 

She relaxes. “Oh… yeah,” a soft chuckle escapes her. “Yeah, I guess I’m a book lover.”

“You think I’d like this one?” he asks, flipping through the first few pages. 

“Um… maybe.” She can’t imagine Harry being a huge fan of her soft romance books. “Are you a reader?”

“God, no,” he puts the book down. “Not smart enough for that.”

Her jaw drops. “You are totally smart, Harry! Way smarter than me!” she exclaims.

“M’just good at math,” he shrugs, “You’re little miss smartie, with your color coded notes. Reading your books for fun.” 

She grows shy. Part of her thought that Harry thought she was stupid – not the over-emotional-girl-who-cries-too-much kind of stupid, but rather the kind of stupid that makes you wonder how she even got into this school because she’s doing so bad in math. 

It was a massive hit to her girlboss mentality when she had to ask Harry for help, and even though Harry never actually made her feel dumb when answering her questions… she just had this mean voice in the back of her head that constantly nagged her, convincing her that Harry thought she was a stupid girl who should just give up and drop out. And ignoring that voice is really hard, so…  it was just nice to hear that he didn’t think she was a stupid little baby. It made that mean voice in her head shut up. 

“Um… by the way. My next calc midterm is next Friday. I was wondering if, um…” she tucks her hair behind her ear nervously. 

He fills in the rest for her. “Do you want to revise together this weekend?” 

“If it’s not too much trouble,” she says bashfully. “Your tutoring is super helpful.” 

“You can come over on Saturday,” he sips on his coffee. “No trouble.”

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“Is this right?” Y/n shows her work to Harry, and he nods. They’re both on his bed, except Harry’s lying down with his head on a pillow, scrolling through tiktok, while y/n’s hunched over her ipad. She’s been doing practice problems for the past three hours, asking Harry for help every once in a while. That's how it’s been most of the night – her study session is mostly just him checking her work to make sure she’s not doing anything funky and giving her hints if she’s stuck. 

She’s studied a lot in the past two weeks and luckily doesn’t need Harry to be guiding her through every problem, which makes her really happy. And she’s only gotten a couple of the practice problems wrong! Some of them were particularly tricky and had her stumped, but that’s why she has Harry. He helped her out of roadblocks and kept her motivated. Without him here, she probably would’ve given up after the first question that she didn’t know how to solve.

“You should take a break,” he says.

She’d refused to take any breaks since she got here – determined to finish the practice test that her professor had posted while she had Harry next to her to help. Now that she finished all the problems, she locks her ipad and puts it on Harry’s bedside table. She leans back on one of Harry’s pillows and copies Harry, holding her phone above her face. Except instead of scrolling through tiktok, she opens up her kindle app and starts reading.

He sees the tiny font on her screen from the corner of his eye. “Reading?” he asks.

“Mhm,” she shuffles around on his bed, getting comfortable. 

He thinks it’s kind of cute that she’s always reading. “Is it the same one as last time? Book Lovers?”

“No, I finished that one yesterday! This is by the same author though. S’called Beach Read.”

“What’s it about?” he turns off his own phone and sits up, turning to look down at y/n. Her hair is splayed across his pillows, and her eyes glimmer softly in his bedroom lighting.

She feels a little shy describing one of her favorite books to Harry – she’s often been ridiculed by her friends for being so lovey dovey and reading her silly romance books. But he seemed genuine when he asked. “Um– there are these two writers. The girl writes romance and the guy writes like these serious fiction books. And they’re kinda rivals.” 

He hums. “Let me read a little bit,” he looks down at the screen of her phone. “I tightened my thighs around the sides of his body–” he reads aloud, before she yanks her phone out of his sight.

“No!” she yelps, turning her phone off and practically throwing it across the room. “You are not allowed to read it!” 

He laughs, a fully amused belly laugh, and the sound is beautiful but she doesn’t allow herself to revel in it due to her embarrassment. “What are you reading?” he giggles.

“Oh my gosh,” she hides her face in her hands. 

“Didn’t expect you to be reading such dirty stories,” he teases, “I thought you were a good girl.”

“It’s not all dirty!” she defends herself. “It’s– it’s sweet! It’s a love story… it’s romantic.” Her voice gets quiet near the end. 

Harry’s laughter bubbles down and he’s left with a smirk on his face, while y/n lays in front of him, an embarrassed pout on her face. “M’only teasing,” he says as he reaches a hand out to rest on her thigh, not wanting her to look so sad. “Read whatever you want. Seems like a cute book, maybe I should pick it up, hm?” 

Her mind goes a little blank when his hand meets her thigh, his palm warming her skin once more – just like that night he’d almost kissed her. “Y-yeah, you might like it,” she clears her throat. “S’one of my favorites.”

That same look glazes over Harry’s eyes – that dark look, as if he’s deep in thought. 

She swallows thickly. Could this be it? Her second chance at a kiss with Harry?

She pushes herself up on her elbows, more alert. Her palms feel sweaty and she finds her fingers nervously toying with his comforter. A million thoughts are racing in her head as she searches Harry’s eyes, flickering back and forth, trying to see what he might be thinking of. He’s so hard to read. She feels like she’s drowning in his eyes. 

Almost as if he can read her thoughts, he leans forwards. She hopes she doesn’t look like an over-eager puppy, but her eyes light up and practically beg him to come closer, to just kiss her! He smiles to himself a bit, and obliges. 

With y/n laying on his bed, propped up by her elbows, and Harry already having been sat up on the bed, he doesn’t need to move that much closer for their faces to be aligned. He’s leaning over her, one hand holding him up, while the other hand comes up to her cheek.

She gasps when his large palm comes up to cup her face, his palm on her jaw and fingers sliding into her hair. He inches closer and closer, his eyes fluttering shut when his nose brushes against hers ever so lightly. She can feel the puff of his breathing against her lips, breathing in each of his exhales as she tries to stay calm. She forces her eyes shut, her entire body alive with butterflies.

He wets his bottom lip with his tongue, a force of habit, and nudges his nose against hers. She tilts her head to the side. He teases her for a second, gives her the chance to pull away by just grazing their lips together teasingly, and feels her sharp intake of breath at the contact. He can’t help but smirk against her lips.

With her eyes closed, she’s hyper aware of how it feels. The way his curls brush against her face… the warmth of his palm as he tilts her head upwards… the wetness of his lips as he finally… connects them… in a kiss. 

This was it. Her first kiss. 

There’s not one thought in her head, a stark contrast to how she’d spent countless sleepless nights overthinking the mechanics of kissing someone. She’d always worried that she’d mess it up, that she’d freeze and wouldn’t know what to do. 

But falling into the gentle caress of Harry’s lips is easy. Her nerves spill, her muscles relax, and she just lets herself melt against Harry’s lips. He suckles on her bottom lip gently, folds their lips together, pulls away with soft clicks just to reattach a second later. She sighs dreamily into his mouth and lets herself fall back into the bed, her head against his pillow. He doesn’t let their lips disconnect, following her down and climbing on top of her so that one of his legs is stationed between her thighs. 

She wonders if all kisses are this magnificent, or if it’s just Harry. Is it normal to feel your heart stuttering in your chest, or feel electricity flowing through your veins at just the touch of someone’s lips? Would she always lean her face into the palm of his hand, and let herself relax in the bliss of feeling his lips against hers?

It’s wonderful – a head-spinning, heart-fluttering, electrifying kiss. 

Harry’s hand that isn’t holding himself up comes down to rest on her thigh, goosebumps rising under his touch. His kisses start to grow more pressured, inhaling sharply and breathing heavily against her, tongue licking at the seam of her lips eagerly. His nose bends against her face as he tilts his head to the side, eyebrows furrowed in concentration as he tastes the sweet chapstick on her lips. Her skin is warm and soft and plushy underneath his touch, and her lips are addictive. 

He uses his grip on her thigh to hike her leg up, fitting his hips between hers and sliding his hand up and down her leg tantalizingly. He can feel her losing her breath, so he forces himself off of her lips and starts kissing down her neck. He skims his lips down, presses wet, hot kisses on her throat, his every breath making her core clench. 

She squeezes her eyes shut, eyes rolling into the back of her head, and takes heavy breaths, chest rising and falling shakily. Her hands come up to grab onto him – just hold onto him in any way – and the first thing her hands land on are his biceps. His firm, toned biceps, that are flexing as he hovers above her. In an effort to feel more grounded, she squeezes her fingers, but it just ends up making her even more lightheaded because god he’s so strong and muscular and he’s kissing her right now! 

She’s overwhelmed and her head is spinning and it feels like she’s in a dream, an amazing dream that feels so good and that she never wants to end – she can smell his aftershave and his shampoo and his overall yummy boy smell, and her lips are tingling with the aftermath of his kiss. She’d always imagined what it would be like to have her neck kissed and sucked on by a boy and now that it’s happening it’s better than she could’ve ever imagined, and she’s so sensitive, and it’s just different to have a real person touching you and kissing you all over, especially someone that she’s majorly attracted to and–

Harry presses his hips into her center and, wow, if it isn't the most arousing thing she’s ever experienced. Excitement and anticipation fill her veins… but then a trickle of doubt starts to filter in. She’d only just had her first kiss, was she ready to go any further than that? 

‘H-Harry,” she says, but it’s more of a moan because his fingers squeeze her hips and he’s kissing right underneath her earlobe right now and it’s sending shivers down all over her body. “M-maybe we should stop.”

“Hm?” He pulls away from where he was buried in her neck, his eyes blown out and lips slicked with a mix of their spit. 

“I-I’m not ready to have sex with you, if that’s what you want.”

“That’s okay,” he says, licking his lips. “I could just eat you out.”

And, god, if that doesn’t make her whimper. “I– no, I um…” she stammers over herself.

He smiles. “What is it?” he murmurs, an amused lilt to his voice.

“I… I haven’t done any of… that.” She swallows, looking at him nervously. Her heart, which had once been racing with excitement, now pounds with apprehension. This is the first time she’s been in this position and she’s feeling so vulnerable. 

It’s extremely scary and nerve-wracking and Harry’s silence is not doing anything to help her feel better.

“You’re a virgin?” he asks after a beat.

She nods. She feels insecure under his gaze, and even though she’s fully clothed, she feels totally exposed.

He laughs. “Are you really?” he asks again.

Her eyes flash with hurt. She just shared something extremely intimate with him, shared her very first kiss with him… and he was laughing at her?

She feels her heart drop, and her cheeks flame with insecurity. 

“Um–" she swallows around the lump developing in her throat. "I should go,” she says, barely over a whisper. She puts her hands on his chest and pushes him away, sliding out from underneath him and climbing out of his bed. Grabbing her ipad, she shoves it into her backpack, along with her notes that were scattered along his desk and her phone lying at the foot of his bed. Her cheeks burn hot and her heart is aching in her chest.

“What?” He doesn’t challenge her when she pushes him away, but he stares at her with his eyebrows furrowed, confused at the sudden mood shift. “What happened?”

She doesn’t answer. Her throat is hurting, the painful lump a tell-tale sign of the tears getting ready to fall.

“Y/n?” he asks again, getting off his bed and walking towards her. All amusement has left his face, brows furrowed in a concerned manner. She shrugs him off when he approaches her.

“Don’t.” She feels embarrassed, her mind only filled with insecurity. He was making fun of her for being a virgin, teasing her. As if she wasn’t already embarrassed enough about it herself.

She’d planned on calling Maddie to come pick her up when she was ready to go, but it doesn’t matter anymore. She leaves his room hastily, before any of the tears can fall, and nearly runs out of his apartment. 

She’ll walk home. 

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OMG!!! HOPE U GUYS LIKED ITTTTTT HEHEHEHE :-) part 3 is up on my patreon already and will come to tumblr next saturday (augsut 5) pleeeeaaaase lmk what u think and give her a rb and a comment i LOVE U GUYS SO SO MUCH!!!!

sunshine (part 3) - in which y/n just wants to get this whole virginity thing out of the way, and Harry needs to grovel a bit before she forgives him.

sunshine masterlist

[souliebird]

[[and then I met you || ch. 20]]

Series: Daredevil || Pairing: Matt Murdock x Fem!Reader || Rating: Explicit

Summary:

A one-night stand years ago gave you a daughter and you are now able to put a name to her father – Matthew Murdock. Everything is about to change again as you navigate trying to integrate your life with that of the handsome and charming blind lawyer’s and Matt realizes he needs to not only protect his new family from Hell's Kitchen, but from the world.

chapter masterlist

Words: 4.3k

ao3 link

Pain radiates through your body as you begin to regain consciousness. There are two points that are throbbing and parts of you want to slip back down into the darkness until the aches are gone, but the rest of your body doesn’t like that plan. 

Slowly, the switches in your mind are flipped to ‘on’ and you become more aware of what is happening around you. There are two people talking near you - a man and a woman whose words you cannot yet process, but the deeper voice sounds so very familiar and comforting. It takes a few moments or hours - you cannot tell - for you to give a name to who is speaking, but when you finally figure it out, your mouth speaks his name.

“Matt…?”

Your name is said, then something is touching your face. Your instinct tells you to pull away, so you try to, but there is a gentle pressure keeping you in place.

“Hey, hey, hey, it’s okay. It’s okay. It’s just me, sweetheart. It’s just me.”

Forcing your eyes open takes a few tries and you have to blink multiple times to get anything into focus. Slowly, Matt’s face forms in your vision, looking so, so haggard. His hair is fluffed up like he’s been messing with it and he’s got a frown that is so out of place on him. He should be smiling or laughing. That is how you always picture him in your mind - warm and happy. 

You realize it is his hand that is cupped along your jaw and press into it, letting your eyes close again. His thumb begins to rub along your cheek and you want to melt into it and allow yourself to drift back into the nothingness where there is no pain. Matt, however, has other ideas.

“I need you to stay awake. Can you do that for me?”

You do not want to do that, but since he is asking, your eyes open again. Your brain feels like sludge, but it is your knees that are screaming at you to not move. 

You are startled into being more aware of your surroundings when a feminine voice speaks from above you.

“Matt, you need to move if you want me to do anything.” 

He seems to hesitate, his face screwing up into something clearly unhappy before he finally pulls away from you. He doesn’t go far, though, stepping only a foot away. Only once your vision isn’t filled with a handsome-exhausted lawyer do you process that you are laying on your couch.  You have no idea what is going on, why you are in pain, or how you got to this position, but part of you feels at ease because Matt is there with you. 

You trust he won't let things go badly for you.

A beautiful, but tired, woman steps into your view, a pen light ready in her hand. She has an air of authority about her that has you not questioning why she is in your living room. 

“My name is Claire, I’m a nurse,” she tells you and you introduce yourself. “You passed out. I'm going to check your eyes and ask you a few questions to make sure you don't have a concussion.”

“Okay.” You don't remember passing out, but it would explain a few things. Your anxiety-people-pleasing mind pushes your confusion down and wanting the examination to be easier for Claire, ask, “Do you want me to sit up?”

“Do you feel like you can?” She counters and you don’t really know the answer, so you try. Your head throbs as you do and your knees are not happy about bending, but you get yourself into sitting. More pieces are added to the puzzle of what is going on, but none of them make any sense. 

You couldn’t tell before, but Matt is wearing a dark red jumpsuit that reminds you of Captain America’s armor. There had been a news segment where they had brought out a replica to talk about the design and the function and all you can think is Matt somehow got his own copy and customized it. For whatever reason. You certainly don’t know all of his hobbies - it could be a cosplay thing for all you know - or some kink - or both. 

You are in no position to judge.

The other puzzle piece is Karen’s boyfriend, sitting at your kitchen table looking at his phone, with your daughter in his lap. She is splayed against him in her bright pink jammies and her sleep headband, and you can only guess how deep into dreamland she is. But why is she out here, being held by a near-stranger, and not in her bed? 

You don’t get to ask that question - Claire is back in front of you with her penlight, shining it directly into your eyes.  As she does, she fires questions at you.

What is your name? Birthday?

Where are you and who is the current president?

What is twenty divided by four?

You pass the concussion test and are rewarded with two of the biggest ibuprofens you have ever seen. You take them, chasing them down with water from your sticker-decorated water bottle, as Claire tells you what is what.

“You have a decent sized cut on your forehead. It needed three stitches - and those will dissolve on their own, so you don’t need to worry about that. I’ll give you some of these higher milligram pills for the headache you’ll have, but a good night’s rest will have you up on your feet again. Do you need instructions on how to clean the cut?”

You take in the information at face value, still unsure why you are being examined and cared for in your living room as opposed to a hospital. Everyone else seems so sure of what is happening and completely fine with it, so you simply shake your head.

“Um, no, I know how to take care of it.”

“Perfect,” she turns away and begins to pack up a backpack on the coffee table you did not even notice. “If you start getting nauseous, head to the ER. Now,” she turns to stare down Matt, “If my delicate hands are no longer needed, I’m going back to bed so I am well rested for the job I actually get paid for.”

“Thank you, Claire. I appreciate it,” he says in a soft voice, but there is a layer of gravel in it you aren’t used to. 

The nurse finishes her packing, then looks to you with a small smile, “it is nice to finally meet you, I’m sorry it was like this. Late night calls have gone down since he told me about you.”

“Nice to meet you?” You say to her as she leaves your apartment, completely unsure of who you just met and what her connection to Matt is.

As you continue you try to comprehend what is going on, Matt moves towards you. He cups your jaw with both hands, smoothing his thumbs over your cheeks, “what were you thinking?”

You frown at not only the rougher tone he is using, but the question, “Matt, I don’t know what is going on. I don’t…” 

You trail off and finally mentally address what you have been ignoring.

Your hand creeps up to your face and you feel the edges of the band aid covering up the cut on your forehead. How did you even manage to do that? Claire said you passed out - but how? And why? And why are Matt and Frank here?

Did Minnie call them like she did with Foggy when you were sick?

You don’t know those answers, so you switch to things you can figure out. You search your mind, trying to recall what you were doing before you apparently passed out. You remember cleaning the bathroom, then Minnie coming in and throwing up. 

As those memories surface, the rest rush you - you took Mouse to the bodega and on the way home, some man attacked you. You remember struggling and fighting then…then there is nothing. 

The fear you felt then tickles back into your throat and you can feel tears starting to form. 

“We were attacked,” you breathe out and almost instantly, Matt is pulling you to him, wrapping his arms around you and cradling you as the reality of what happened hits you. You cling back, burying your face into the rough material covering his shoulder, and try to not break down. 

You’d been slapped a few times - but no one has ever tried to physically hurt you to that extent before. You had never felt so helpless - so useless - before. You hadn’t been able to protect your daughter. 

Hands had been around your throat and in your hair and you had flopped around like a fish. 

He could have killed you. 

He could have killed Minnie. 

Matt gently rocks you as you process what happened to you. You try to not cry, but you can’t stop it when some tears do start to fall.

“Why were you out so late?” he asks into your hair and the guilt pools in your belly. You were so stupid to go out.

“Minnie was sick,” you mumble against Matt’s shoulder. “Her stomach was upset, and we didn’t have Pedialyte. We had to go get some.” 

You can feel him frowning into your hair and it just makes you feel that much worse about everything.

“It couldn’t have waited until morning?”

“No.”

It’s not you that responds - it's the man across the room you completely forgot about. You lift up your head to look at Frank, confused why he is speaking up for you. Matt partially turns, pulling you along, and angles his head towards the other man.

“No?” He questions, not sounding pleased at all that someone else is chiming in.

“No,” Frank repeats firmly. “That’s bein’ a parent, Red. Your kid needs something in the middle of the night, you go out and get it. That’s how it is - there ain’t no waiting until morning when they are sick. That’s how they get dehydrated. She didn’t do anything different than any other mother in the city.”

Matt’s lip twitches and you have the feeling he is trying to not scowl or snap. You can tell he is just worried and upset over what happened, but you’d never seen him like this before.

But Frank is right - there was no scenario in which you did not go to get Minnie what she needed when she was sick. 

You look to your baby, and you need her in your arms. You pull away from Matt, wiping at your eyes as you do, and make your way to your small dining room. You feel more than see Matt follow you - practically becoming your shadow until you are in front of Frank. Once you stop walking, he is against you again, his chest to your back and his hand on your hip.

Your daughter is dead weight as she is passed to you and you cradle her to your chest, giving her hair a kiss before asking, “Is she okay?”

“She’s okay,” Frank assures, and you feel like he is speaking to both you and Matt. “Probably going to have some nightmares and be clingy, but you’ve got one brave and smart little girl.” You smile a bit at the praise, because you like to think the same thing about Mouse - brave and smart - your perfect little angel. 

“Gave her some of that Pedialyte,” he adds, “and she drank it all, so hoping whatever made her sick will be gone.”

“Thank you,” you mumble. You feel like he is a father and that is why Minnie seems comfortable with him, but he has an air about him that makes you not want to ask.

You rock your daughter in your arms, feeling so grateful that she doesn’t have a scratch on her. You have no idea what you would have done if she had been hurt in any way.

You can feel yourself starting to calm - your tears are slowing as you accept and process things and part of you just wants to curl up in bed with your family and sleep for twelve hours. 

Unfortunately, that is not in the cards for you. 

Out of the corner of your eye, you see Matt’s head jerk towards the main door, and you can’t help but tense up. His vibe since you have woken up has been on edge and you're surprised he hasn’t snapped or something, yet. He pulls away from you to stalk towards the hallway and you hold Minnie just a bit closer to you, unsure what he could have heard.

He swings the door open and there is a woman with thick jet black hair and bored looking expression. She pushes past Matt without care and enters into your apartment. 

“Don’t ever ask me to do that again.”

“What happened?” Matt asks.

“Well, he’s not dead, but he won’t be waking up anytime soon. I even got you a report number, so you can follow up,” the woman says, and you realize they are talking about the man who attacked you. That makes your heart start beating a little harder and your mouth feel dry.

“Did they say where they were taking him?” 

You tune out of the conversation and instead focus on holding Minnie. You press your lips to her hair and avert your eyes away from Matt and the woman. You look briefly to Frank, who is back on his phone, then let your eyes wander elsewhere. Minnie’s sippy cup is sitting on the dining table, so you decide you can at least clean that up. 

As you move around the table, something else catches your attention. 

There’s a large black bullet proof vest sitting on one of the dining chairs, with a distinctive looking skull spray painted on it. 

You’ve seen that skull before - it’s a common thing to see spray painted on a wall or post box around Manhattan. It’s a symbol everyone in the city knows just as well as Spider-man’s emblem or Captain America’s shield - it’s the Punisher’s logo. 

The Punisher - whose real name is Frank Castle, who, if you recall correctly, looks strikingly similar to the man sitting at your dining table. 

For some reason you do not understand, you do not panic. You simply stare at the vest, all the connections flying around in your brain, and mentally go ‘Well, that makes sense.’

The Punisher is here because he was with Matt.

Matt’s dark red jumpsuit isn’t a cosplay or a kink thing - it’s armor. 

It’s armor because he is Daredevil - the protector of Hell’s Kitchen. 

Matt is Daredevil.

Daredevil is Minnie’s Dad.

That’s why he sometimes has bruises and cuts you don’t ask about. That’s why his knuckles are scarred. 

That’s why he is in your apartment tonight - Daredevil stops people from being mugged. 

You were being mugged and he came and rescued you. He called his Superhero Doctor to come make sure you were okay so you wouldn’t have to go to the hospital and explain how a blind man stopped the attack. 

“You okay?”

You look to Frank, and you expect to see blood and guns and mayhem, but all you see is the man who brought you soup. You see Matt’s friend and Karen’s boyfriend - who are two of the kindest people you have ever met in your life. They have treated you better than anyone ever has in your life. They care about you. 

You flash back to your very first encounter with Frank and you recall how you were scared of him, but Minnie wasn’t. Minnie - who is unsure about everyone new. You trusted her instincts even before you knew about her gifts - you’d once heard you can tell a person’s intentions by how toddlers and dogs react to them, and you’ve always found it to be true. 

So, you decide to trust Minnie as well as your initial reaction - it may possibly be because of a concussion but you would actually like to sit and think about what you just learned rather than react blindly. 

“I’m okay,” you say slowly, sticking with how you feel in that exact moment, and not how your night is going. “I think I’m going to go lay her down.” You hesitate, then decide you still need to be a good host, since this is your apartment, ask, “Would you like anything to drink?”

“No, thank you, ma’am,” he says, his lips turning up into a small smile. “Think it’s time for me to head out - leave you and Red to have a talk.”

Your cheeks heat up and you know he knows you have figured out who he is. You hold Minnie even tighter and look down to your feet, your anxiety over being perceived starting to spike.

But you know better than to be rude and Frank has always been kind to you and Mouse.

“Thank you, Frank. I appreciate everything you’ve done for us.”

You do not flee, but you do walk a little faster than normal to carry Minnie to bed. You oh so carefully place her down and tuck her in, making sure Pig is right there with her. Scooby must be out in the living room, and you’ll need to grab him when you finally are able to lay down. 

You stare down at your daughter, who is sleeping so peacefully, and let everything wash over you again. You cover your mouth to try to repress a sob, but you know it doesn’t matter - Matt will still hear it. 

Everything is changing so much and so fast and you don’t know how to deal with it. 

First, you finally find Minnie’s father, then you find out he has super senses and your daughter inherited them, and now you learn he is a superhero.

You don’t know how to even begin to process this development. There is no guide for this and you aren’t even sure how you even feel. 

You can’t be angry at Matt - you don’t know how he got into crime fighting, but you know how passionate he is about being a lawyer and helping people. You know he loves Hell’s Kitchen deeply and you can’t imagine having to hear every little crime that goes on. 

You don’t know much about Daredevil. You know he sticks to Hell’s Kitchen and he’s made the area safer. He stops muggings and break-ins, and he’s cleared out various gangs. You know the community likes him for the most part - there is actually a mural of him in an alleyway near the diner. 

But what does it mean for you and Minnie? 

How does Matt being Daredevil work with him being a father? If you look back over the last few weeks, you haven’t really noticed anything off. 

But what if he gets into a fight he can’t handle? 

Or some bad guy learns who he is and comes after Minnie to get to him? You know that happens to politicians and cops and such, so it would be no different for a vigilante. 

What secrets will you need to keep?

Do you need to learn more than basic first aid - like how to stitch someone up?

How will you explain this to Minnie?

Does he know Spider-man? Captain America?

Does he kill?

There are so many questions ping-ponging around in your mind you don’t notice when Matt enters the bedroom. 

He comes up behind you and says your name in a soft voice before wrapping his arms around your waist. He holds you to his chest, chin dropping over your shoulder, and to your surprise, you find yourself leaning into his hold. 

“I didn’t want you to find out this way,” he tells you and you close your eyes at his words, letting his voice wash over you and corral your thoughts into something quiet. “I had a plan to tell you - to explain everything. I swore to myself I wasn’t going to hide anything from you.”

You believe him. 

You wish you would have known sooner, but you also understand why he didn’t tell you. It’s not just something you tell someone, and Matt has proven that his intentions have always been good. 

“Am I going to get another binder?” you ask, sniffling a little as you do to stop more tears from coming.

“If you want one, I’ll make you one,” he instantly replies, “just please don’t take Minnie away. I beg of you.”

You can hear the fear and pain in his voice, and you know exactly how he feels. You remember how scared you were that he would take Minnie away. 

You turn in his arms - looping yours around his middle and resting your forehead on his shoulder. 

“I wouldn’t do that. Not unless she is put into danger.” 

“I would never.”

Again, you believe him. 

His arms tighten around you until you're snuggly pressed into him and you can feel armor and buckles pressing against you. You squeeze him back, needing the comfort and needing something to ground you. 

You need to feel safe. 

Matt makes you feel safe. He made you feel safe before you knew what he did in the night and now it’s just amplified.

“Did you stop him?” You ask in a whisper. “The man who attacked us?”

“I did,” he responds. “I’ll stop anyone who dares to try to hurt my family.”

You shakily nod against him, then ask the question you fear, “Did…did she see?”

He doesn’t respond right away, but when he does, the guilt is palpable, “No. Frank made sure she didn’t see anything.” 

That eases your anxiety a fraction. You will need to talk with Minnie about what happened, and you already fear that conversation. She has never seen anything so violent before and you are surprised she isn’t already having bad dreams. You have no idea how she’s going to react in the morning.

You have no idea how you will react in the morning. 

You press your face into the crook of Matt’s neck, where there’s some type of rough black fabric. He begins to rub his hand up and down your back - you don’t think it will be soothing, but you don’t want him to stop. 

You want him to stay and hold you.

You want him to keep you safe. 

So, you tell him. 

“Stay the night,” you mumble against him, and he nods into your hair. 

Neither of you move to pull away - you stay holding each other in front of your daughter and you wonder if he needs the comfort as much as you do. 

It feels like time crawls by and your knees, which you must have banged up in the attack, start to make it known that you need to stop standing. Matt must sense something, as he nuzzles into your hair and whispers, “We can talk more in the morning. Let's get you to bed.”

You hum in agreement, then slowly bring your arms around to Matt’s front so you can place your hands on his chest, “I need to change. I’ll grab you some sweatpants and a shirt.”

“Thank you, sweetheart.” 

It still takes you a minute to finally step away and when you do, his hands drop from you. As you go to dig for clean sleep clothes, Matt begins to undress. You try to not turn to look - you are curious about how the suit is put together and how he gets in and out. You didn’t see any zippers or other clasps, but you suppose he wouldn’t want those out in the open if he’s fighting someone. 

You find two sets of sweats, one large enough for Matt. You hesitate to start changing, but then remind yourself that not only is he blind, but you’ve slept together, so you have no reason to be shy. So, you strip and pull on your new pajamas. 

Matt is still working on his boots when you turn back around, so you set his clothes on the bed. You remember then you are missing a member of the sleep squad.

“Do you know where Scooby is?” 

To his credit, Matt doesn’t look confused. You wait patiently as he uses his abilities, then smile when he tells you the toy is under the coffee table. You go to fetch him, and finally drop Minnie’s sippy cup in the sink, and when you return, Matt has finished changing. 

You hold out Scooby to him with a small smile, “Do you want to tuck him in?”

Matt’s solemn face lights up and he takes the dog. You watch, with a strange lightness coming over your heart, as he places Scooby beside Pig. He places the tenderest of kisses to your daughter’s temple, and you can see him move his lips, but are unsure what he actually says. 

You let him have his moment before taking his hand and tugging him towards your bed. He won’t be sleeping on the couch tonight and both of you know it. You lay down first, then he does, stretching out on his back.

“Come here,” he breathes, and you obey. You roll so you can curl into his side, resting your head on his shoulder and a hand on his chest. His arm wraps around you and you feel Safe.

Your body and mind feel so heavy as you close your eyes, and you hope you can sleep as peacefully as Minnie. 

The two of you lay in silence and when you finally succumb to your exhaustion, as the darkness takes you, you once again hear Matt’s soft voice.

“I love you.”

-

AN: Its not mentioned bc Reader missed it but it is very important to me that everyone know Jess brought Matt his gloves as well.

Also new header :3C

-

tags:

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@petrovafire39 @ghostindeath 

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@ladyoflynx @hobiebrowns-wife @sarcasm-n-insomnia @lillycore

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@starry-night-20 @rebeccapineapple @writtenbyred @cherrypie5 @capswife @silvercharacterchaos @resting-confused-face

[lovemomhatepolice]

lando norris nswf alphabet (part 1) (minors DNI!)

navigation taglist requests

A = Aftercare (what they’re like after sex) No matter how rough and long you have sex, Lando behaves like a typical Lando afterwards. Of course he giggles under his breath, as if it was his first time. And he freaking blushes!!! He then loves to cuddle up to you even more (as he stresses - you need to appreciate the contact of naked body to naked body) and you lie together for a long time before you go to prepare a bath together or a quick shower (depending on your mood) while you wash each other. Oh, how he loves to wash your hair….

B = Body part (their favorite body part of theirs and also their partner’s) Lando loves his abs in himself. Well, I beg to differ, superbly muscled, gym-trained…. Yes, Lando is definitely proud of it, and especially when he sees that you like it too. That works on him the most. He also likes her eyes, I think for many reasons, but I beg - who wouldn't love those bright beautiful eyes? Exactly!!!

What does Lando love about you? I think it will also be the eyes. The boy loves to look into them and could do it for hours. They are such a damn mystery to him, and yet he knows them so well. He loves to look into them when you are happy and they sparkle or when you squint them with laughter. But he definitely loves to look into them when you close them from the euphoria that grips your body during your sex. A better view Lando has never seen before, I promise.

C = Cum (anything to do with cum, basically) Lando loves to see you in his cum. I know how it may sound, but there is no better sight for him than your lips around his cock or your shapely breasts that are all in his seed.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs) Without hiding it, Lando has fantasized more than once and more than twice about being completely dominated by you. The very fact that he adores you on top during sex says a lot. He loves it when you take control, and all he has to do is hold your hips to support you as you bounce. Even so, this doesn't happen too often and mostly Lando takes control, but in his head for a very long time exactly such thoughts have been forming….

E = Experience (how experienced are they? do they know what they’re doing?) I wouldn't say that Lando is some very experienced. He had a few sexual experiences with other women before you, but nothing binding (except his previous girlfriend), so I think he only started to discover the depths of sex with you. But you can't deny that he is vague or can't do something. God, I swear, Lando is the fulfillment of your every need.

F = Favorite position (this goes without saying) Nothing fancy, let's not kid ourselves - despite the fact that you are young, you do not overdo it. Lando's and your favorite positions? Oh, definitely cowgirl. Norris loves to see your breasts bouncing right in front of his face. When you let out a quiet moan as he fills you to the brim. When he can look at your face constantly and sneak kisses that aren't very precise. And his other beloved position is total wall sex. No matter where - whether in the shower or in the kitchen or even in the hallway. Lando loves to do this, especially since at this point you are completely dependent on him and he hugs you with his whole body.

G = Goofy (are they more serious in the moment? are they humorous? etc.) Well, I beg you - you know Lando. The giggles in your bedroom (and not just your bedroom) are an integral part of sex. As I mentioned - the boy also blushes all the time. So no, serious sex with him is not an option. Even if you have a damn intense and romantic moment, Norris will always pull out some funny line and say it. Unless he is angry, oh, then his laughter you won't hear for a damn thing, but how long does it last? A maximum of two hours and it passes. Lando can't get mad.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.) I don't think this is one of the thoughts that occupies his head in any particular way, but I think he has a neat. He shaves there out of habit, but it's not always a 100 percent shave, so I think you've seen a light stubble more than once. And as for you, I think he doesn't have too many requirements either. As long as it was neat and hygienic, yes it gives you free rein. After all, it's not his body (well, kinda like that…), the decision is yours.

I = Intimacy (how are they during the moment? the romantic aspect) Well, all right, but despite his giggles and funny tics, you will hear from his mouth lots and lots of comments about yourself. How good you are to him, how great he feels, how much he loves you…. Lando is a romantic - he may not show it too often in a serious way, but all of his still small youthful acts (even though he is already 25) are infused with love. If you tell him once that you want to make love by candlelight in a bathtub full of foam - voila! The next day, or maybe even the same day, your wish comes true.

J = Jack off (masturbation headcanon) Well, Lando does not shy away from masturbation. Rather, he doesn't practice it often because you are constantly next to each other and his level of sexual gratification is in the right place, but if you happen to be away, why not? But it should be acknowledged that he has never masturbated to any videos or photos or anything not related to you since your relationship began.

K = Kink (one or more of their kinks) Dom/Sub sex - As I mentioned before, Lando often has thoughts in his head that you should totally dominate him. But I don't mean some kind of BDSM (although…) or degradation. Simple domination over him, though, here. Since you are 50/50 in life…. Well, and maybe a little voyeurism - he wouldn't mind if you entered the room, if he was just masturbating. Or the other way around. He himself also would not forgive such a view.

L = Location (favorite places to do the do) Couch or shower. I don't know why, Lando just has it that way. He loves sex on the couch probably because then you're mostly upstairs and he can spread out on your damn comfy couch. And the shower? That's the realm of greater intimacy for him. He really enjoys taking a bath with you, even when it's just a simple bath - without sexual overtones.

M = Motivation (what turns them on, gets them going) You. Simply you. Lando still has a boner with you, which is of course damn funny for you, but well, don't kid yourself, we both know that you also get your panties wet at the sight of him. Whether morning or evening, whether in sweatpants or a elegant dress. It doesn't matter to him. You are so damn beautiful and exciting to him that such silly things as clothing go away. You could even be in a straitjacket and he would continue to appear extremely clingy next to you.

A/N: part two is already here! english is my second language i will be very pleased if you leave something behind - orders are open, and I am very close to 200 followers! maybe I can get in by the end of the week?

please do not copy and translate my works! in case of any issues related to this - I invite you to discuss privately :)

[ckret2]

So last night, after reading the newest chapter and then writing my fanfic² until too late, I had a lot of dreams about Bill. Most of them were him being disturbingly tormented because my dreams are always on some joker shit at some point.

But I do remember a funny part with Goldie! Most of this part was basically the beach episode, but bill was more integrated into the teen friend group. All the teens were dressed up in Bill paraphernalia.

There were cops there, and it felt a little more 70s in vibe, where like, the Bill-Satanism thing was widespread around all the teens and there was a big satanic panic around it. Which was actually valid because it was more of a real cult.

Most of my dreams are a bunch of sort of separate dreams with a thread connecting them, and the thread in this one was that Bill was being hunted down by... authorities. And for some reason regular human cops were part of it.

So the cops come up to the group of teens, Bill among them, and they've been tipped off that the REAL Bill (currently goldie) is hiding among the bill-decorated teens.

So the cops go through all the teens, doing some (facist-y) body checks. Bill is very nervous by the time they get to him. It's this gruff lady officer, and she's checking him over, getting more and more suspicious.

Then someone makes some comment about "that's not Bill cipher, that's a woman".

And bill snags this chance for a distraction.

"And why shouldn't Bill Cipher be a woman?! I believe she is! Is it because Bill Cipher is powerful? A God? I believe God is a woman!"

He stands on a picnic table at some point. This is still on the beach. (He actually climbs a tree, dream logic whatever) He's raised his voice and he's speaking from the chest like this is gospel.

"Why shouldn't God be a woman?! Why shouldn't she be gay, or transexual? God is power! God is a woman!" People on the beach are clapping.

The female cop is in tears, a sad smile. She helps Bill down from the table and, with a teary but powerful voice, she comes out as a lesbian. She thanks Bill for his bravery. Everyone on the beach is clapping.

The and Bill share an embrace. Bill pets her hair "shh...I got you. You're so brave..."

They shake hands. "You're alright! We're gonna let you of the hook. Take care!"

Bill is the mouthpiece of feminism.

Yeah this is the exact kind of bullshit Bill would do and get away with.

Also, here 🔴 your dodgeball for predicting in a dream that while hanging out with the teens Bill nearly gets found out by the cops and says something that sounds like he's about to stupidly blow his cover but he swings it around to getting out of trouble completely by exploiting the fact that Gravity Falls has the gayest police force in the nation

[p0orbaby]

Hidden in Plain Sight

summary: a secret relationship? who’d have thunk it? not your teammates

warnings: suggestive themes

a/n: i started this months ago, i hate it, enjoy

word count: 2.4k

-

Alessia is a good girl.

You’re not.

Alessia wouldn’t hurt a fly.

You’d punch someone in the face if provoked.

On paper it never should have worked. You with your hot head and her with her kindness and smiles. It was a contrast of temperaments that, to most observers, would have appeared incompatible. And it was. To a degree.

“The coast is clear” you assess. “You go first and I’ll hang back so it doesn’t look like we’ve left together”

The two of you have honed the art of sneaking around. Having mastered the delicate balance of staying close without arousing any unwanted attention. It has become an integral part of your daily routine.

Bringing your head back into the storage cupboard you had meticulously scouted, you find Alessia pulling her t-shirt over her head. In turn hiding the blooming bruises on her collar bones you had gifted her only minutes ago.

She looks in your direction, your silhouette barely discernible in the dim light of the weak bulb. Nevertheless, even in this low light, she can sense your intense gaze sweeping over her body. It makes her skin tingle even now.

“Remember not to be too loud when you get back,” she cautions, her voice hushed, laden with the weight of your secrets.

You let out a soft chuckle and nod. “You worry too much,” you tease. “I know the drill”

“But last time-“

You cut her off with a tender kiss, your lips silencing her. And when she hums against you, you can’t help but smirk. “Last time was a mistake. It won’t happen again, I promise” you whisper between kisses. Your hands gently squeeze her waist reassuringly as you hold her close.

Last time was, unfortunate. And in hindsight, staying back to ‘catch up’ in the showers after training was a terrible idea. Especially when it was glaringly obvious that the two of you were both conspicuously absent from lunch. You had managed to explain it away, albeit with raised eyebrows, knowing looks, and indiscreet whispers behind your backs.

The showers had served as a potent warning, a moment of realisation that you couldn't afford to be as reckless as before. This had prompted your shift in tactics, opting for more clandestine meetings in storage cupboards and carefully timed returns to your respective rooms.

"See you tomorrow in training," she whispers, and you can't resist pulling her in for another lingering kiss before she gracefully slips out of the shadows and makes her way back to her room.

-

“And where have you been?”

A pointed question was asked from across the room as soon as the door clicked shut. You groan internally and roll your eyes in the dark before answering.

“Just getting food” you lie. “I couldn’t sleep so I thought I’d go and get something to eat”

Before you knew it, the room was instantly flooded with a harsh, unrelenting white light. It forced you to squint your eyes, trying to adjust to the sudden, glaring beacon that illuminated every nook and cranny of the space.

“Do you mind?” You ask, your hand coming up to shield your eyes.

“You’re a terrible liar, you know that right?”

“I’d love to know what you’re talking about, Greenwood. But I don’t”

Alex was clearly not going to let this go. And if the look on her face told you anything, it was that she was having a very hard time believing you.

You sighed, trying to maintain your composure and stick to the cover story. “I was just feeling restless, so I decided to grab a snack. Promise.” You said, a little harsher than intended. The tension and prying getting to you.

She didn’t buy it for a second, her eyes narrowing. “At,” she looks at the time on her phone, “half past midnight? Couldn’t you have just had the snacks I know you keep in your bag?”

Your heart raced as you struggled to come up with an excuse. “Well, I didn’t want to wake you up with my rummaging around. Thought I’d be considerate”

She still didn’t seem convinced. “Considerate? You’ve never been this considerate before”

You snort at her brutal honesty and shrug. “I just thought it’d be a good idea tonight, you know, change things up a bit”

Alex kept her eyes firmly on you, making you squirm under her penetrating gaze. “So, nothing else?”

“Like what?” You ask knowing full well what she was alluding to. Your heart skipped a beat, and you forced a chuckle to mask your anxiety. “You watch too many spy movies. It was just food, no biggie”

She finally leaned back, seemingly satisfied with your explanation. “Alright, alright, just hurry up and get to sleep will you? We have to be up soon”

You let out a silent breath of relief, grateful that she had finally let it go. “We have to be up in seven hours, you mean?”

“Whatever. I’m cranky if I don’t get my self allocated eight”

-

Downtime was always hard.

You didn’t want to spend too much time together and make things more obvious than they needed to be. So you chose to distance yourselves when you could. Sitting at different tables when you ate. Splitting up into different groups when you were on rest.

However, this time you had chosen the wrong group to settle down with.

“Russo came back late last night, you know?”

The group of girls all went silent at Tooney’s gossip.

The mention of Alessia’s late return sent a wave of discomfort through you. Your eyes fell on each person, trying to gauge their reactions. You couldn’t afford any slip-ups or suspicious behavior. Ella had unknowingly opened a door to your world of secrets, so you needed to handle this situation delicately.

Millie leaned in closer, eager to hear more. “Late, huh? Wonder what she was up to,” she commented.

You quickly tried to change the topic, “People have their own reasons for being up late sometimes. It’s not that exciting, surely”

Rach, however, wasn’t ready to drop it “like what?” she asked, her curiosity piqued as she nudged Esme and smirked.

Your heart raced, and you glanced at the girl in question. Eating her breakfast a few tables away and none the wiser to how she was the center of this conversation. You cringed at the position you were in. You couldn’t reveal anything without risking your own secret. “I don’t know,” you replied, feigning your indifference with a practiced grimace. “Maybe she was just out for a walk or something”

“In the middle of the night?” Ella chimed in again.

You swallowed hard, feeling the weight of the secret becoming almost unbearable. You needed to change the subject quickly and divert the conversation away from yours and Alessia’s late-night activities. “You know,” you said between bites of food, “I’ve been thinking about suggesting a movie night for all of us sometime. Morgan over here hasn’t even seen The Devil Wears Prada”

You use your fork to point at her, earning a chuckle from the group. The idea of a movie night seemed to be well-received, and they started discussing their favorite films and the logistics of organizing such an event.

Relieved, you let out a breath you didn’t know you were holding in.

-

“They’re onto us” you whisper as Alessia marks you on the field. “Alex and Tooney both caught us getting in. It’s only a matter of time before they connect the dots”

Her only response was to block you from rolling past her to catch a through ball. You let it trickle out of play to gain some time.

“Maybe we should lay low for a while” you suggest.

The idea of distancing yourselves further from each other doesn’t sit well with either of you, but it might be a necessary sacrifice to protect your secret and avoid further suspicion.

You both jog back to your positions, your breath slightly elevated from the quick exchange. Alessia’s voice is low, and she contemplates, “Laying low for a while does sound like the safest option. Hempo saw the marks you left. I had to tell her the barbell slipped in conditioning the other day”

“Shit, I’m sorry”

“No it’s fine” she promises, placing a hand in front of you again to keep you back from the ball once more. “I like that you did that”

You weren’t a very bashful person. though your trademark stormy face now blushed uncharacteristically pink at her words.

“Liked that who did what?”

A voice from behind you made you both jump apart. Turning on your heels to find Mary looking between the two of you.

Caught off guard, she stammered “I, that uh, that Y/N finally decided to adopt a dog”

Your eyes bulged at Alessia's excuse whilst Mary’s narrowed as she eyed you suspiciously.

“But you hate dogs”

“No I don’t” you scoff. “Why would you say that?”

Her features twist with confusion. “Because you always complain about pet hair and how they smell”

“Well, I changed my mind” you stated matter of factly.

Alessia chimed in, trying to reinforce the ruse, “It’s true. Y/N had a change of heart after spending time with a friend’s puppy last weekend”

Mary smirked teasingly, “Well, miracles do happen. Maybe having a furry friend will teach you to care about someone other than yourself for a change”

“That’s just rude”

She chuckled back, “I call it like I see it. Anyway, enough with the dog tales. We’re here to train, not discuss pets. Let’s get back into focus mode, shall we? The least amount of goals I have to save the better”

You waited a beat, letting Mary retreat back between the posts before turning to a guilty looking Alessia.

“A dog? Seriously? Now I have to make inquiries at the local shelter just to make sure people don’t think I’m adopting a furball as a cover for getting in your pants”

“I’m sorry. I panicked!”

“This isn’t working” you concluded, running a stressed hand over your face. “We need a better plan, or different roommates. Do you think it’s too late to swap?”

-

It was dark the next time you saw Alessia.

Lie.

It was dark the next time you spoke to Alessia.

And by spoke you meant you had your tongues down each other's throats.

You were both terrible at keeping your word. You’d agreed, only hours ago, that you’d let the dust settle a little before you made any more sudden movements.

But here you were, Alessia perched on the edge of a conference room table, while you stood between her long legs pulling noises from her as you kissed and sucked at her mouth.

The room was bathed in a soft glow, neither of you deeming it appropriate to meet in the shadows or the dark when you were deep in the belly of the building. The world around you fading away as you succumbed to each other, enough so that the creak of a door evaded the two of you altogether.

“I knew it!” The shrill voice from behind you both made you pull apart from each other. Breathless and on your way to a state of undress. “I told you!”

Caught with your tongues down each other’s throats, and, surprise, the teammates walked in on the clandestine conference room rendezvous. You’re looking breathless, on the brink of undress, and Mary, Alex, and Tooney are grinning like they just uncovered the juiciest gossip of the season.

Which they probably did.

You and Alessia exchange a look, a non-verbal conversation that screams, ‘Well, this just got awkward’.

Mary, the chief investigator of the squad, steps forward, wearing a smirk. “Alright, spill it. How long hm? How long have you been sneaking around?” She demands, as if interrogating prime suspects.

“No! Get out, all of you!” You insist, using as much of you body as you could to cover the blondes dignity.

Alex chuckles, thoroughly enjoying the dramatic turn of her probable evening plans. “Oh, come on, we’re all teammates here. It’s nothing we haven’t, almost, all seen before”

Letting out a groan, you let your head drop to Alessia’s shoulder in defeat. You wanted to floor to swallow you up.

“You didn’t answer her question” Tooney prompts as the three of them wait for details they’re definitely not entitled to.

You turn and square your shoulders, ready to take whatever teasing comes your way. “Long enough to stop pretending that we’re not into each other” you snap.

Alex leans in, her eyes dancing with mischief. “Let’s not kid ourselves. We all knew this was bound to happen”

Tooney adds, “Yeah, the black sheep and the golden girl, what a pair”

You roll your eyes, knowing you can’t escape the judgment.

Mary, though, takes a more serious tone, her eyes narrowing. “Alright, cut the crap. Why’d you drag Alessia into this mess? She’s the only innocent one left on the team, and you, well, you’re the resident wild card”

You scoff, “No one dragged her into anything. She’s not as innocent as you think”

Alessia interjects, he head popping up from behind you. “Guys, stop. I chose this. I made the first move. So back off, yeah?”

The room goes silent momentarily. No one, including yourself, expected Alessia to stand up for you like that. She wasn’t shy, you knew that more than anyone, but she also was never one to dive head first into conflict.

If you were being honest, it was turning you on a little.

Mary smirks, “Well, I’ll be damned. The angel actually has backbone”

You shoot them an exasperated look. “Out! Now!”

In a wave of laughs and whistles, the three of them finally stumble out of the room. The door clicks shut, leaving you and Alessia in a moment of awkward silence.

Alessia breaks into a giggle, “Well, that went well”

You shake your head with a smile, “If by well you mean I’m never going to live this down, then yes, it went exceptionally well”

She wraps her arms around you, “They’ll get over it. Eventually”

You chuckle, your hands coming up to brush hair out of her face, “Yeah, when the next scandal rolls around”

Feeling your tenstion, Alessia leans in, pressing her lips against yours in a calming, distracting kiss. Smiling into it when she feels you melt into her.

Just as you run your tongue over her bottom lip, there’s a sudden knock on the door. Mary’s voice calls out through the wood, “Enough with the love fest, you two. Weve got training tomorrow and we need you both fighting fit”

You share a slightly frustrated glance with Alessia, the interruption breaking the spell once agai. “Alright, alright,” you call back, trying to regain composure. “We’re coming!”

Well, you would be if they left you alone.

[derinthescarletpescatarian]

hey! I'm pretty new to your stories: currently reading curse words and loving it! (I started the first book with the mindset that I wouldn't be caught enough to miss some real life stuff because of reading... guess what, I missed some real life stuff reading.)

but now I have a question: the books have a pretty intricate plot with a lot of good payoffs for small things. which is very cool from a reader's point of view, but from the writer's one— can you maybe share some stuff about your process? especially in the early stages, how do you go from the initial spark of an idea and what this is about to a fully formed plot? would be cool if you're willing to share

anyway have a great day I'm off to start the third book hehe!

One thing to know about me is that I have just the worst possible imagination. Absolute pisspoor garbage imagination, nothing going on up there. When I want to plot, my process is simple:

Find a problem, then solve it.

Curse Words was born of several disparate story ideas coming together, but mostly I wanted to play with the magic system -- I wanted to write a story where spells were metaphysical parasites that possessed mages, and each mage could only cast their unique spell. The whole thing came about when reading The Princess Bride, specifically the chapter where Buttercup dreams of being a perfect baby and the doctor looking her over and regretfully informing her parents that she was born with mo heart -- I was possessed with this powerful impression of a slightly wacky doctor peering over the top of his rose tinted glasses to inform a pair of parents that their baby had a curse trapped in her heart. From there, it's find the problem, solve the problem.

I wanted to separate Kayden from his family and put him in an unfamiliar environment for the story so that he and the audience would be on a pretty similar level re: world information; isolated magic and a magic school is the easy way to do that. Okay, so why is this school isolated? Why is the curse thing not common knowledge? Why do the public fear curses and have such limited access to magic that it's not a part of Kayden's day-to-day, if it's so useful? Solve the problem; look at the economy. The unique nature of spells makes them difficult to scale up, and the unpredictable nature makes them inferior to technological solutions to problems in most large-scale issues. What does this say about how the Industrial Revolution would've affected the usefulness, and therefore the public perception, of magic? The logical conclusion is the Purity Revolution.

This school is gathering and teaching all these students; why? I wanted a clear division between witches like Kayden and a privileged elite that formed most of the school body; why are they different, how are the elite kids here, why are witches accepted and integrated into the student body? Solve the problem; look at the economy, the politics. Where are these rich kids getting their magic? Why pull in witches? One question answers the other. Why didn't Kayden and Kylie know that curses were spells in advance? Seems something that should be common knowledge. Look at the politics; tie that in. Logical conclusion: magic trap. We have this magic lake with a monster in it that we introduced super early for dramatic purposes and haven't explained yet. What can we do with that? Let's invent empowered water. Let's look at what that means for the creation of potions worldwide. Let's tie in the management of unmanageable spells. Let's elaborate on the structure our magic trap.

Now we have a channel of power. Curses parasitise witches; some are blessings, some are more trouble than they're worth. The school collects curses, domesticates them, makes them more useful, locks away or renders harmless that which it cannot make use of. More curses are collected over time, the school grows and grows and Refujeyo becomes stronger and stronger as they control more of the world's magic supply, but every system has a capacity. What's the effect of this infinite growth? Here we have a clear and unavoidable economic metaphor, so obvious that not centreing the story on this concept would basically be dishonest. Who's managing this collection, what does it say about the power of the school within mage society? How would such a school relate to the rest of Refujeyo; how would Refujeyo, collecting power like this, relate to and be viewed by other magical traditions, and by nonmagical society? Run through the reasoning, solve the problem.

Why would the school only approach Kayden as a teenager, after his curse caused problems? Surely the school would want to collect as many curses as if could as early as possible. There has to be a reason why they waited. This is a good one because it flows directly from the complex political relationships between Refujeyo and commonfolk politics that have to exist, AND ties neatly into critical character motivations that have to exist for book 1's main twist to function (notably, Malas Aksoy's actions). Sort this out for book 1 and accidentally create a critical political point for the rest of the entire series.

I started writing book 1 with the idea of the court case and subsequent twist about Kayden's curse being the big mystery, but Kayden still needs something to actually do at school. We have this mage who we threw in to rescue Kayden and Kylie from the lake, and had Max hero worship her for flavour; she seems to be becoming central to a lot of interactions for some reason. A lot of dramatic stuff is therefore automatically happening in her presence, but why is this incredibly accomplished and intelligent mage fucking up so much? We've established her as careful and thorough. We need a reason for all these accidents beyond random chance. Someone's sabotaging her -- why? Let's look at our established characters and figure out who has means and motive, and who the most fun red herrings would be.

How could a place like Refujeyo, such a complex and time-consuming project that would have to involve the cooperation of so very many mages, even get built? How would it survive long enough to be powerful? When and where did this happen? We've already established the Purity Revolution; maybe there was something more coordinated than just random undirected economic forces. We've established some incredibly powerful mage families and the old system of apprenticeship and inheritance; we know that the most powerful family in Refujeyo used to have a prophecy and owned a very powerful place that helps prophecies specifically. They could coordinate something, given enough motivation and the help of enough other powerful mages. What kind of motivation? Let's go back to the Purity Revolution. If tech develops alongside magic without central oversight of some kind, what could magic enhance? What problems could be foreseen that would make this kind of investment worth it? How does Refujeyo save the world?

Tie this into our power channel. Refujeyo's attempt to save the world endangers the world due to infinite growth and power being passively collected by those who benefit from the dangerous status quo. It fits our economy metaphor, because they're essentially the same thing, just putting in magic instead of money as a means of power.

Find a problem, then solve it.

The important thing with this method is to keep your solutions cohesive. If you come up with a new different reason for every thing, your plot will look scattered and disorganised. We don't want to look like we're just pulling the story out of our arse. I mean, we are pulling the story out of our arse, that's what writing fiction is, but it's a big part of our job to help our audience suspend their disbelief on that. Whenever possible, you should look for answers that solve multiple things and weave disparate parts of the story together; this is especially true when they relate to the core plot or central theme of your story.

Also, leave gaps for reader inference. You don't have to answer every single question, you just need to make sure that some plausible answer exists for every single question. Sometimes this involves saying less, not more, and letting the audience figure it out.

[nebbyy]

Hi! Could you please do a part two to the lester/apollo x reader fic you posted?

Apollo x reader - Eternal Bonds

A/N: thank you so much for your request, anon! Sorry if this took a bit more than the time I usually take to write my fics, but as I said the past weeks have been really tiring for me🥹 

Anyway, I hope you like this fic, I personally like it better than the first part, but as always let me know your thoughts on it<3

Aaaand as always, painting is "Springtime" by Pierre Auguste Cot for anyone interested!

Summary: Having regained his immortality and prestige, all that remained for Apollo was to stabilise something in his life was one thing: you. It might sound easy, but he honestly would disagree.

Warning: it is implied that Athena has a great admiration for reader, but they’re not their child. This reconnects with my own personal thoughts on how Athena’s cabin should work, so the goddess’ relationship with reader in this fic should be seen as the same as hers and Odysseus’ (if you want further explanations on what their dynamic was let me know:))) Also I must say, I haven’t read any of the trials of Apollo books in ages so I took it as an occasion to interpret Apollo’s return to Olympus how I see it more fit to this little scenario of mine.

And lastly, not a warning but this fic starts just a bit before the end of the first part, if anyone was wondering:)

Word count: 3813 (longest fic yet omgg)

Apollo stood there, standing on the elevator that would take him home. How strange, he had dreamed of this moment for months, eager to return to his home and be welcomed as a glorious hero, with restored dignity, free of the mortal shell in which he had been confined all this time. He had imagined himself proud, tall and triumphant as he entered the gates of Olympus.

Yet as he stood on his way home, he could not prevent the continuous movement of his foot against the elevator floor. There was no trace in him of the security typical of a hero, in him at that time reigned only the same anxiety and nervousness that had characterized his mortal form. First it was Apollo inside Lester’s body, now Apollo had his body back, but Lester was inside of him. That Lester had become an integral part of him? Or maybe it didn’t add up, maybe it was always there, unable to make its voice heard under the omnipresent spirit of Apollo.

Okay, maybe he was rambling, but he couldn’t help it when he felt like his nerves were about to make him explode!

The point was, he wasn’t just going home, he was going to convince his father, the king of the gods, the exact same person who kicked him out of Olympus, to make the love of his life immortal so that he could stay by his side for eternity. It was not a situation in which one could easily remain connected to reality.

Finally, the elevator slowed down its run, until it stopped completely and opened its doors with a characteristic "ding".

Slowly, one step at a time, Apollo stepped out of the elevator and advanced to the throne room, walking up the path that would take him directly there. His performance had an air of regal composure, but it was nothing more than a method of masking his tense nerves. He walked until he reached the first areas inhabited by the Olympians and some other immortal creature.

"Apollo? I didn’t know you were already back. We thought it would take you millennia to make it up to Zeus!!" He hadn’t heard it in a while, but there was no way he could ever forget the sound of Nike’s voice. The winged goddess came to meet him flying curiously, also attracting the attention of the entities that had not paid attention to the scene so far.

Some approached, recognizing the face of the beloved god, while others ran to announce his return to the major gods. First came Hestia, who with that loving family attitude, embraced him gently. "Oh Apollo, you were so good! I never doubted you could do it." 

"I can’t say that with as much confidence, but I must congratulate you, Apollo, you have exceeded all my expectations." It was the authoritarian voice of Athena who spoke, who wore a smile on her face, a more unique than rare event. Apollo was so surprised by this unusual compliment from her that he hardly paid any attention to her questioning his chances of success.

For a moment he felt his eyes almost come out of his skull when a large hand was planted on his shoulder to pat him. " Well done, little brother, aren’t you as soft as you look, eh?" Massaging his shoulder, Apollo smiled faintly at the mountain that was his half-brother. "Thanks, Ares, it means a lot I guess..."

He was about to receive the coup de grâce, if it were not for Aphrodite, unconscious of her intervention, she had put herself right in the middle, affectionately placing one hand on Apollo’s shoulder while the other not very secretly found place in that of Ares, to the delight of Hephaestus who observed snorting away from the scene, but thumbs up at the sun god to express his joy.

He didn’t know how long this lasted, or exactly how many gods surrounded him at that point, but when Nike was about to hold a banquet in his honor he couldn’t control his reaction: "No wait!" His tone sounded so panicked that he caught everyone unawares. For a moment the gods almost had the sensation of speaking a mortal, so much his voice had squeaked in the air. Realizing that he had drawn even more attention to you, as if it were even possible in that situation, he gently shrugged his shoulders, to mitigate the gaze of the Olympians his nerves more tense than ever.

"Um I-" he made a false cough to try to regain his posture before starting to speak again, illuminating his companions with a dazzling smile, "sorry, mortal’s pollen, am I right? Anyway, much as I would be... ecstatic to attend a banquet, I’m afraid I must first have a discussion with Zeus about some... matters of utmost urgency! If you’ll excuse me, now.”

With little pomp, he made his way through the crowd stunned at his unusual behavior. "Poor thing, the Earth has changed him." Someone shook their head resigned, someone else did not even notice his abrupt exit, simply saying goodbye and congratulating him as he got smaller and smaller in the distance. The attention to him lasted just before each god went for their merry way. After all, when you have a whole eternity to live, there are few things left for you for a long time.

Everyone resumed doing what they were doing before Apollo’s return, all except Athena. It was in her nature to predict the rival’s moves- or rather, the moves of anyone around her. She may not have been born with the ability to see the future, but her intellect allowed her to come to conclusions almost as apt as an oracle. Silent as night, he followed the solar god, whose aura seemed to be clouded by some heavy burden.

The closer he got to the heavy bronze doors of the throne room, the lighter his head felt, as if his brain had gone numb. He was mathematically certain that he had NEVER felt so nervous in his entire existence. Not even his many figures in human form could compare to how he was feeling at the time. But it’s not like he could back out now, not after all the way he’s come, not after promising you not to leave your side. Not now, that had arrived in front of the doors.

He didn’t even have to knock, or announce his own name. No use, Zeus was waiting for him. Apollo took a breath, pumping his chest to emulate some sense of confidence before making his way into the vast hall. Out of the corner of his eye, he looked around and looked at the empty thrones, each with small inlays reminiscent of its owner. He passed by his own throne, and a sense of longing pervaded him to the thought that in no time he would have sat there again. Maybe you could convince Zeus to put a similar throne for you next to his own..

No, stay focused, Apollo, first of all he had to convince Zeus to make them immortal in the first place.

Without even realizing it, he was so taken by his own thoughts, he had reached the end of the room, finding himself a few feet from the king of Olympus. Now he could not afford to show himself weak, fearful. Come on, it had to come easy for him, he was also the god of the theater after all! As if a thread pulled him from above, he felt himself erect tall and proud, his chest out, his muscular back straight; a slight halo of light surrounded him, reconferendogli a little of that shine that has always distinguished him from the rest of the gods. He smiled at his father before bowing down gracefully. "It’s good to see you again, Father."

“Apollo, I see it took you no time to get used to your old life once more. I trust you have learned your lesson.”

“Indeed, father. And I came here to thank you for it all. It was… better than I expected.” Zeus lifted a brow suspiciously, eyeing his son as if trying to make out what’s in his mind just by his appearance. “Mmh I hardly believe that you only came here to thank me for your punishment.” Okay, even if he had second thoughts, it was DEFINITELY too late to back out. Yet despite the seriousness of the situation, Apollo no longer felt the same anxiety that had accompanied him throughout the climb to Olympus. He felt powerful, confident in his words, in his actions, but above all confident in you. He knew that if ever there was a mortal worthy of immortality, it was most certainly you. He looked up at his father, this time his smile had become less dazzling, almost a little nervous.

“Heh, you’re not wrong, father. I came here to make a request.”

“Depends. What is it that you desire?”

“How do you make a demigod immortal?”

Total silence fell in the room. The expression of Zeus was intelligible, and not being able to read the true emotions of Apollo, moreover in such a silent environment did not help to calm his nervousness. Zeus slowly blinked, covering his icy eyes for a moment before opening them again as he breathed in just as slowly. " Few mortals have earned the gift of immortality throughout history. He must deserve that honor with out-of-the-ordinary feats," he paused, as if to reflect, then resumed speaking, in a neutral but glacial and authoritative tone, "this is not impossible, but I count on one bare hand how many times a mortal has been added to the abode of the immortals over the millennia."

"I am aware of this, Father, and that is precisely why I believe that the person I speak of is the most deserving of this honor." Zeus did not answer. Not immediately, at least. He seemed confused and intrigued at the same time, as if he had not expected such a response. " My son, what do you mean by that?" Apollo could not avoid the smile that spread on his face having an opportunity to talk about your countless qualities, which in his eyes were endless. It was one of his favorite activities even when he was mortal, actually.

"You see father, they are a demigod of qualities worthy only of an immortal god. They are strong and wise, although they are still at a young age. They fear nothing but the limits imposed by Olympus, which they have served since the day they set foot inside Camp Half-Blood."He took a little dramatic pause, perhaps expecting to be interrupted by the divine father, but he gave no sign of wanting to intervene in words; he preferred to remain silent, peering at his son while he justified his reasons for satisfying his will.

"And they are beautiful, Father. They shine with a beauty far beyond that of an ordinary mortal. Even on the battlefield, soiled with blood and filth of all kinds, their beauty always resembled that of Aphrodite and Eros and all the gods of all the Pantheons of this world who possess the gift of supreme beauty." To this the father could not suppress a snort of derision, not trusting the words of the son in fact of beauty, "If I remember well such words were spoken by you also for Hyacinth, and before him Daphne, and before her still such a long series of river nymphs and mortal beings that I lost count."

Apollo lowered his head in resignation, sighing gently before looking up to speak again, "I realize this, Father, but I mention their beauty only because it would be a crime against all that is right to omit. However, it remains only one of the many qualities that characterize them, which none of my past lovers can say. But that is not the greatest reason why I consider them worthy of immortality."

"Speak openly then, you know I don’t like to wait." The blond-haired god nodded and took another step towards the king of the gods, his eyes even brighter than before, inflamed by his longing desire to obtain what he most desired in his entire existence. You, at his side. Forever.

"You see, they have done a great service to the goddess of wisdom and the manual arts. They have done the will of Athena and have done such glorious deeds that they have increased her honor. I myself was able to attend only some of their quests, but I assure you that they were so great as to justify the support and blessing of a goddess so hardly affable." To these words, Zeus seemed completely incredulous. In Olympus it was well known that Athena was the beloved daughter of the king of the gods, who always kept her close to him and always made all her will an uncompromising law. It seemed impossible to him that any mortal had been able to win the favor of the goddess, and he strongly doubted the veracity of Apollo’s claim.

The young god opened his mouth to answer, but was interrupted by a voice echoing from behind him, "As much as the idea of supporting Apollo’s petty whims, this time I must agree with him." Athena had followed Apollo to the throne room, suspicious of his strange behavior. He had to be honest, Apollo literally had no idea what to say at that moment; he did not expect to get to that point with his interview and certainly did not expect Athena’s support in his intent. But this was a real blessing, for she herself could bear witness to your worth.

She only gave him a scowling look, like a silent admonition to avoid yelling at him, pick up your mouth from the ground and be a god, genius! But his silver eyes were enough to relay the message, and after a moment Apollo had returned to his usual divine bearing. She blinked slowly before turning her eyes again to Zeus.

"Y/N Y/L is a demigod of undeniable quality, which also left me pleasantly surprised. It is true, they have diligently served Olympus and have especially served me, and I have let them fight in my name precisely because their wit deserved such honor. If only it were possible, I would claim them as my own child, for only twice in my existence have I met two mortal men of equal virtue, and those mortals were the king of Ithaca and your son Hercules, to whom you rightly granted immortality.

You know that I do not speak in vain when I express my opinion, and that is why I consider them worthy to also obtain the gift of immortality, especially when to these incredibly successful quests are added the love of a god and the admiration of another." 

Now Zeus observed the two with two comically wide eyes, mostly due to the unexpected intervention of Athena. Even Apollo could not hide his amazement from that sudden help, but he certainly did not complain at all. Three beats passed, then Zeus cleared his voice and I speak in a more serene tone than before, though still authoritarian, "Very well, if you yourself, Athena, consider this mortal worthy of so many honors I want to believe you. Your lover will be granted immortality, Apollo. This will happen at sundown, when you bring your chariot back here to Olympus. Lead them with you, and they can live forever here with you."

"Yes!!" Apollo threw a fist in the air for joy, a small habit he had taken in his stay on earth, but soon after he realized that perhaps it was not quite the right place to give free rein to his happiness, judging by the unimpressed face of Zeus, "Um, I apologize. I thank you father, for this wonderful gift. I assure you that you will not regret it!" He slowly stepped back as he spoke to him with the biggest smile on his face, extending his arms and bending his knees in a farewell bow. Zeus, for the first time in what seemed like centuries, smiled at Apollo and nodded slightly.

"Enjoy this concession of mine, my son, and may it remain in your mind as your reward for having demonstrated your qualities, even without the intervention of your divinity."

"I’ll never forget it. They’ll never let me!" With some other ceremonious thanksgiving, which they had little given the haste and irrepressible joy of the sun god, Apollo rushed down to Olympus, hastening as much as possible to reach his beloved in the place where they had met. He looked at a clock to see how much time he had left. 7 P.M., he still had some time left. He ran like a madman, until he saw the entrance of the familiar Campo approaching. He ignored everyone around him, his perplexed children, his disappointed fangirls, his friends not too surprised to see him running like a bullet through the field, with the biggest smile they’d ever seen on him. Only Meg had a vague feeling about what exactly happened, but even if she did, she didn’t say anything and just looked at him smiling before going back to her things.

Apollo entered the forest next to the Camp and continued to run. Lucky he was back in his cool form, if he was still Lester would have collapsed out of breath for half an hour. And then finally, he finally arrived at your rendezvous point. She found you there, gently lying on moss, slumbering from the weariness of the activities at the Camp and from the worries you had freed yourself of the previous day, in that exact same place, when you had finally found your beloved. Apollo was quivering, thinking how you would react to the awakening, among the golden blankets of his heavenly palace. What would you have said seeing your body invigorated and illuminated by immortality. What would you have felt seeing that his declarations of eternal love were not fallacious, but promises that he had dedicated himself body and soul to keep.

He gently picked you up, taking care not to wake you. He invoked his golden chariot and rode with you to your new home. He kept you close, as much as he was physically allowed by the confined space. The journey did not last long, being facilitated by the godly transport; once arrived right in front of the golden gates of the Apollonian abode, he took you back in his bridal style, leading you to his- your bed. You were stretched out just as he saw your skin begin to shimmer gently, its color gradually became richer and filled with eternally vital sap. He stood by your side, filling your neck and shoulders with kisses as he crouched behind you, eagerly awaiting your rebirth as a deity.

In the morning you woke up with a strong light that dazzled you. You thought it was Apollo, who since he had returned to his true form had regained all the lustre of his nature. But no, it wasn’t him; it was you, whose skin emanated a faint light that bounced against the various gold inlays that were in the bedroom. Yeah, you didn’t remember falling asleep in a bed, the last thing you remembered was lying in the forest moss while you waited for Apollo. Wait a minute, this isn’t even a room in Camp Half-Blood! 

You did it to snap up to the alert, but then you stopped when you felt the familiar touch of Apollo caressing your shoulder, sliding towards the back of your neck and passing through your hair, which had been twice as long as the day before. Normally you would have yawned, but it didn’t seem physically possible to experience any fatigue in the state you were in. You felt... almighty. You finally turned your attention away from your body and turned it towards Apollo, who was already looking at you with a loveless look.

"Good morning, beautiful." You smiled though still confused by the situation you were in. Tempting your luck, you took a sigh and then you spoke, your melodic, honey-sweet voice even though you just woke up, "'Chicken, where are we?"

"We are in Olympus my dear. I promised you that I would not forget you, that I would love you forever. And I meant every single word I said, which is why I had a little conversation with Zeus earlier, and well... let’s just say with a little help I was able to convince him to give you immortality." He said it with the biggest and most satisfied smile I’d ever seen on him, and meanwhile he hugged you and held you and caressed you all over his body, as if to confirm himself that all this was true.

You were utterly speechless, incredulous at what this god had just done in the name of love for you, but at the same time you felt a warm feeling pervading you from within, filling you with joy and happiness, as if that of him had infected you like a disease. You held your hands to his face and laughed in disbelief and said, "You’re the biggest crazy idiot I’ve ever met, Lester!" 

He laughed with you, feeling pervaded by this joy that moved him from within, almost pushing him to tears by the power of these feelings. Holding you tighter, she stroked your silky soft hair as she chuckled happily, "I guess you’ll have to get used to the gold and clouds here." " Still better than a bunk bed to share in five."

Laughing together, you held each other so long as you had time, before he had to take off and lead the sun across the sky. Before he got on the golden chariot, he touched your face with his bronze hands and kissed you gently. " I still can’t believe I’m gonna be able to kiss these lips forever, Y/N." You smiled at him before you grabbed him by the shoulder to push him towards you, and kissed him again. " Then hurry up and leave, so you’ll be back soon and I’ll have a chance to convince you that everything is real." Winking at him, he laughed loudly and heartily, a more melodic sound than any lyre or flute.

"Then I shall not be long in returning to your arms, my lord" And so he departed towards the horizon, and you smiled as you watched him disappear into the sky, thinking with satisfaction of the world that will look up to him with longing and admiration, knowing that he will never again stop for anyone but you, once his daily duties are over. 

[cdlum]

I just wanted to say I think your art style is awesome! I was wondering if you had any tutorials on how you draw anatomy in your style (hips and legs especially)? Sorry if there's already one posted and I just didn't see it 🥲. Happy New Year :>

thanks for the kind words. i tend to draw people pretty stylized and then some so a good bit of artistic licence gets used. these tips are just what i use so feel free to take them with a grain of salt. with anatomy in particular you can kind of talk in circles because human/animal bodies are that complex so ill just zone in on the points you specified. here's a little image with a bunch of pointers:

the above image condenses a lot of the points I'd make, but basically the key parts are to start with the bare essentials and build up that complexity. using a line of action is a good way to get a quick, rough start. you draw a line out in the general direction of the pose and do your best to adhere to it to give the pose a sense of flow.

you can also draw smaller, thumbnail versions that throw a lot of caution to the wind but capture the basic energy of what you're going for. even having a tiny little stick figure version of your idea can make for a good guideline of where to take it forward.

when it comes to actual limbs, you wanna consider how they integrate and work together, kind of like how chains do. you can see on some of the parts of pear i've drawn out these wireframes to kind of portray how the mass of her legs works in a three dimensional space. for aspects like the waist/hips, i use that X technique i highlight above a lot, particularly for the lower torso. a lot of the times, even when drawing a character totally naked, imagining them wearing things like skintight underwear can help a lot to guide you in the right direction.

its also a good idea to consider things like gravity and weight to a degree. humans are essentially big meat sacks and gravity is always pulling down on that, but theres all kinds of aspects that effect that, such as character build or clothing. pear technically isn't naked in this, but i've tried to imagine her as such and take that into account.

if you are drawing digitally, don't be afraid to take advantage of the convenience you get with that workflow. you can retry and iterate on things a lot faster that pen and paper, and do things that aren't really feasible at all when it comes to editing and modifying your existing work. things like resizing certain bodyparts, instantly flipping the canvas, or using selection tools to completely adjust the positions of parts of your drawing. to give you an example heres a timelapse with all the little edits i made just to this demo drawing:

you don't have to use these techniques linearly, either. sometimes ill have a really solid idea for a piece in my head, and go back to basics with certain elements if they’re not coming out right or i just want to brush them up a bit more. some of the tutorial-y parts i added in i didn't actually use during the drawing but often do use so they're there just for demonstration. not every drawing i do starts as building blocks or a really basic version, often ill just start with a face and build it out from there.

i always encourage liberally using references (this can include yourself) and trying out stuff like life drawing or looking at things like existing photographs of real people/places/things if you can, the more you use learning material the better you'll draw up a mental inventory in your head that you can rely on more and more. some of these tips are things i've learned from other artists over the years (the chin one especially i remember seeing a tutorial about lol), so this is a lot of knowledge i've amassed from other sources over time myself. there are plenty of times ill use all sorts of reference material and its all in service of arriving at the final destination as smoothly as possible. learn by doing, as they say. hope this helps!

[alavestineneas]

i can feel the soil falling over my head; no people are here, just the void in my chest

pairing: Feyd-Rautha Harkonnen x fem!reader summary: Harkonnen men rarely wed; they just take what they capture—men and women—and turn them into slaves. Some, if particularly sweet, are reserved for fucking. There are no special songs for that; there isn't a specific word in their native tongue for wife, either. warnings: mentions of death, violence, implied/referenced child abuse, religious symbolism, daddy and sister issues, bald men chapter 1 - chapter 2 word count: 6,5K

author's note: hi beautiful people! this chapter may be classified as a prologue (yes, I am aware of its size, sorry, lol), but it is still integral to the story. we love evil people, especially evil bald people, in this house, so have fun and don't forget to wash your hands before reading! also, if you see things that are not canon, just know that me and the books are two parallel lines and we do not cross. feel free to point out grammar mistakes, though - english is not my first. love you!

Kaitain, 10176 AG

The violent streaks of light fight with the heavy cloth of drapes to find their way into the small, stifling chambers. The time was slowly crawling towards noon in the heavy summer heat, and the woman lying on the heavily decorated sheets was battling to get a breath in. Whether because of the annoying star, or the poisoning waiting, the patterns of sweat stained her tired face with esculent ornaments. Her lips, formed into a thin line, gleamed with small spots of dried crimson.

''Where is the messenger?'' The woman's voice was barely above a whisper, her eyes glued to the dancing light filtering through the window. ''The girl is strong; I can't hold her for much longer.''

The black figure on the chair in the corner slightly shifted at words. She was veiled, despite the heat—like a black hole, she seemed to suck the little air left. ''Forbearance,'' her raspy voice cuts through the room. ''The child makes you impatient. Control yourself.''

''I've waited, and waited long enough,'' the woman snapped, her frustration evident in her trembling hands. ''A few more minutes and all that is left of her will be a corpse.''

''Be quiet, Echidna. The child will live. If not, she was never meant to be part of our world in the first place.''

The woman clenched her jaw in a wave of pain and nodded. The girl ought to see the light of this planet today. Deep in her thoughts, she almost missed the rushed steps behind the door.

One of the Emperor's guards burst into the room, his eyes almost frantic. ''Lady Anirul has graced the Imperium with a daughter.''

Echidna smiled in relief, but her expression quickly changed as a beast-like cry pierced the air. The child was coming, with little care for the damage it caused to her aching womb. She tore the tissue down to the individual cells, gnawing her way with fists and elbows, moving the bones aside with brute force. Soon, her own cries were answered by much louder ones, as the head of the girl showed itself, covered in a thick layer of almost black blood. Just for a moment, the woman wished it would not steal another breath from the room, but she sharply composed herself. With a final push, the child left her body forever, leaving it a raw wound.

The small creature shrieked when the black figure approached, and slender, wrinkled arms took it from the warmth of rufous-red liquid. Echidna watched as the figure carried the girl away, resting her hurting body against the soaked pillows. She fulfilled her duty; she granted Bene   Gesserit the daughter they wanted. She is bleeding under a beautiful sun; she is holding the ghost of her child in her arms—the real one was never hers anyway. Echidna knows the Emperor will not come. From now on, it is just her and her never-passing pain. Thus, Kaitain, home to the Corrino dynasty, was warmed by the light of a new sun—Princess Irulan, an heiress to the Imperium—and chilled by the shadow of her sister, born a few minutes later.

-

The calmness of the gardens was disturbed only by the soft strokes of brushes against a thick canvas. YN sighed, her eyes still fixed on the tree nearby, its young branches swaying with the wind. Her body ached from stillness, the tension in her neck from holding her head slightly bowed spreading down to her small back. They posed for a portrait of what seemed like an eternity to a child, and was almost it to an adult who dared to inquire; the painter, while satisfied with the draft, looked at the group of young girls almost in fear—no normal child of that age would be unmoving for three hours. And yet, they were.

YN felt one of her sisters shift even through the thick fabric of her silver dress. Small Chalice turned, her cheeks red from the heat or tiredness, her lips forming a pout—the child was tired, sleepingly rubbing her eyes. YN thought for a moment, debating if the punishment would be worth it, or if her sisters could wait just a little bit more until the man with colours would end the session for today. She noticed how Irulan's face was starting to droop, her eyes fluttering closed and opening just a second later. Their youngest, Wensicia, was already asleep in Irulan's arms; her golden hair spread across her and YN's laps as a beautiful cover, shining under the faint sun.

''I am tired, Master Chen. We should end the painting for today,'' YN finally spoke; her voice was almost a whisper. She did not know whether it was not to awaken her sister or out of fear of the Emperor's anger; it did not matter. The man nodded and left, taking his canvases with him, leaving only a few drafts behind. Then, the sisters were left alone in the garden.

''Thank you,'' Irulan said softly, placing her head on YN's shoulder.

YN only nodded. Her eyes found the paper not so far away, her gaze studying the strokes of the pencil with interest. Wensicia, a beautiful girl of two, was smiling brightly, holding an olive branch in her chubby hands, her small feet peeking under the hem of her white dress. Small Chalice was at the opposite end of her, her curly hair surrounding her head like a halo as she leaned forward, holding a small dove inside her palms. Then, sitting at the bench, surrounded by lush greenery and bushes, they. Irulan and the Other.

YN was placed just a step away from her older sister, her head turned away from the gaze of the viewer. The delicate folds of her silver dress carefully cascaded down, creating an air of mist around them. Her hands were empty; she did not know if the artist hadn't decided with each object to grace her with, or left them hollow intently. She looked like a shadow—a ghost, maybe; her eyes were escaping the viewer as if hiding a secret.

Irulan was different. She was a sun-kissed creature, her head facing straight ahead. Her eyes, as if inviting for a challenge, were made from duty, steel. With a burning star on her regal forehead, crowning the streaks of golden hair, Irulan was water and air, dulcet and ever-bending; her figure held the place and her pose was distinct and commanding.

YN looked at the girl beside her, who was now quiet nearby. Irualn was wise, the wisest of the sisters; her eyes were all-seeing, her heart all-knowing. She was created in the shape of a mother since they could walk, and the small ones bathed in her light, drinking her till the last drop —like flowers following the warm embrace of the sun. The only one who could not enjoy the love was her, the Other. The other sister, the other half. For they have been too close in age, too similar to let each other pretend the burden was not a heavy one to bear.

When Irulan was natural in her all-caring shape, YN had to claw her way to the only role left—the father. An unbent tree, a silent soldier—she was not born to fit as one, but wishing for a different order of things was almost blasphemy. That's how it always was with them—out of two, one was the protector, the other - the protected. "Husband," Irulan humorously called her often. She smiled, and, for a moment, the wave of resentment in YN's soul calmed. She never called her wife in return: Irulan was too whole to be one, too proud to be moulded into. She stood alone, on a higher pedestal than all of them, closest to the Emperor, whom the Other was to call father, and closest to the Truth. No, Irulan was God.

God does not know how to love someone who is not his servant, because there is no one who would refuse to serve him; it is the only way. God guides, despite all one's protests. God gives, and God takes. God demands; Irulan demands—silent obedience without a need to explain or answer. That, she takes from their father. So, the Other takes a blade into her hand without compassion for her dead wishes and learns to wield it in God's name. She is the one little ones turn to when the world is too wicked for their fragile souls when the creatures under their beds lose all of their human form and turn violent. She takes their sins and bears the punishments, for they are not deserving of such cruelty. YN thinks not of her own guilt—what difference would one scourage make to one who counts in centuries? And when the sun shone, and God smiled, the Other almost forgot of the bruises she carried.

-

The first time he saw her, it was not supposed to happen at all. Feyd-Rautha just closed the door to Maester's chambers with such force that it shook against lean walls; the grumble echoed in the long corridors of Giedi Prime's fortness. The ache in his body was muted, but still present; the torn flesh inside his heart howled and clawed, slicing the ribcage in half. He would've screamed, or perhaps beat his hands bloody against the concrete until the dull pain turned into something as sharp as his knife's blade. Maybe he would've drowned himself in a small water bowl by his nightstand and done anything to escape the shame and humiliation that consumed him from within. But instead, Feyd-Rautha stood still, his jaw clenched tight and his breathing shallow. One day, it will pass. One day, he will see the world choke on its own spit.

That's when he noticed a small, shadow-like figure at the end of the hallway staring at him. A girl, not older than him, was in a dress so foreign to him that it hurt his eyes. The daughter of the Emperor, he guessed. One of many—only then would the golden stitching on her sleeve would make sense.

''What are you doing here?'' he barked, caring little for the common courtesy. Of course, she was a guest almost as prized as her father, but she was in his territory and dared to look at him for long enough without averting her eyes. Long enough to notice the bruising on his pale skin and a swelness surrounding his lips. Long enough to hear him cry.

''I was walking with my mother, but then I turned into the wrong hall,'' she shrugged. ''Will you be kind enough to show me the way out? Or should I find it myself?"

Feyd-Rautha ignored her question. What a weird creature she was—with cascades of hair and eyes that seemed to see too much. ''It is dangerous to walk these halls without guard, Princess.'' It is dangerous to be here, alone with him and the weapon strapped to his hip, but he did not add it.

''There is no use of guards if the one who wishes to kill you is their master.'' The girl took a step forward, pointing to the weapon at his side. "I am not afraid."

Feyd-Rautha laughed. It came out more as howling than human sounds, the abrupt nature of it ringing with high notes, tip-toeing down to hysterical; it sounded creaky, like his throat was not made for such sounds; yet here he was, laughing. ''Come,'' he gestured to her, his hand moving quickly, like ordering a slave around. ''I will show you why you should be.''

So, they walked. Inside the grandiose chambers and small rooms, filled with ancient artefacts or the newest technology Harkonnens came up with; inside the green lavish garden inside the dim castle and the training grounds, Feyd-Rautha showed every place that was built to display the greatness of his house and bestone fear inside both guests and people inhibiting it. He wanted to see the horror in the girl's eyes, to make her eyes water and her frame flee. Instead, he listened to her steady breathing just a step behind him, her curious questioning satisfying another need he did not know his heart possessed: reverence.

He was the youngest member of the ruling line, the smallest stone in the castle of power his uncle had built. His title meant nothing within these walls; he was too small in comparison to the Baron and his authority. Feyd-Rautha was feared, despite only being nine; he was the shadow in the corner that grew longer as the sun set, the whispered name that sent shivers down spines. But here, in the hallway he led the girl into, he turned out to be something else.

''Stunning,'' the girl whispered beside him.

Weapons. The walls, from the floor to the high ceilings, were covered in ritual and fighting blades. The pride of house Harkonnen, the tree of their dynasty, black, silver, golden, and steel knives, swords, and daggers gleamed in the dim light. Feyd-Rautha smiled, revealing a row of sharp teeth. "Welcome to our burial ground."

They stopped near every one, his voice briefly covering the story of each blade and his owner; barons that came before him; fighters and rules that defined their legacy. Some still have blood on them—the highest honour; some look almost virgin. The small signs underneath them tell the names of people who wielded these weapons, their stories forever immortalised in the cold metal. ''Each Harkonnen ruler is crafted a blade of his own, the one he is to honour in battle.''

The girl nodded, her fingers tracing the shape of the last blade carefully. Her palms danced around the sharp edge, taking in the ancient symbols she had no chance of knowing. ''Will you have to kill Baron Vladimir in order to have one, like he did with his father before?''

Feyd-Rautha paused. Of course, he has thought about it before. The idea he repeated like a mantra in his head for all of his short life, the belief that spread burning flames down his spine. The words left his mouth for the first time but felt almost natural against his cracked lips. ''I dream of the day I have the chance to.''

The pair of foreign eyes that stared back at him held a glint of intrigue that quickly changed with a flash of acknowledgement. Feyd-Rautha held the gaze; not a single thing about it was hard. Still, he was the first to turn away; the burning sensation of being  seen  made him want to tear his flesh apart. ''Let me escort you to your rooms, Princess. The walls grow colder as the evening approaches.''

-

The weather on the planet leaves too few guards out of their breath, Irulan notes. The striking sun burns through the rounded windows of man-built walls, the frankly depressing landscape of huge boxes constructed with little intent for anything else but utilitarianism. She must not fear, while those lands will also be under her power with time, but the dreadful atmosphere of the lonely planet makes her skin break out in hives.

She believes the people here are more terrifying. White, hairless creatures with eyes as dark as the sun above them speak with just nods and courseys, paying little to no attention to the world around them, save for the concrete floors.  ''Tell them to set themselves on fire, and they will,''  Irulan recalls Baron Vladimir telling her father over the banquet. She believed it to be a simple boast at first, but now, after a few days in the strange world, the words make greater sense.

Perhaps, the harsh weather made people here hardened. Perhaps, such cruelty is necessary for survival. What terrorised her more was her sister—the one who now silently reads nearby, her long dress carelessly spread on the floor. Irulan would never allow her dress to wrinkle before the concluding dinner, but she is not Irulan. Despite them being demisisters, they shared fewer similarities than one could guess. Two lambs, as many in court would call them—the white and black ones. They knew one another better than anything else; where one went, the other followed. Where Irulan failed, her sister succeeded. What was allowed for her sister, was fobility towards Irulan. No one was embedded in their small circle; no one could get close enough to understand the bond they shared—together, they were whole.

Yet as they grew older, the bond seemed to thin. The path to the mind of her sister was more often closed to her now, her thoughts veiled by the silence rooted deep into her veins. Irulan knows they are just growing up, trying to find their path in the unknown. But she is scared; what would be of her without her sister? What use would the river have without fish to fill it?

''I shall go,'' her sister says, closing the book. ''The dinner starts soon, and I wanted to return the book before it.''

''Is it the one Na-Baron recommended?'' Irulan voices. Truth be told, she would never touch anything that Baron or his family possessed, even more recommended, but her sister seemed to enjoy the ancient text.

''It is. Rather interesting are the traditions of these people. Did you know their slaves have no tongues?''

Irulan feels sick to her stomach; the thought of having slaves brings the small bits of her recent meal to her very present tongue. ''Can I come with you?'' she asks, instead of answering. Irulan does not want to leave the faint safety of her rooms, but even more, she does not want to be left alone. She feels vulnerable—she is not of power here, despite being the embodiment of it in all of the other corners of the Imperium.

''You know I walk without guards.''

Irulan knows. While she is not able as much as bathe without the presence of someone with fighting knowledge, the rules do not seem to apply to her younger sister; she can move freely, as she wishes. Was it because she carried a thin blade with her and knew how to use it, or because of the lack of care from their father? Irulan was not sure. What she was sure of, was that no woman of twelve should leave her sister alone in the halls of Harkonnens' fort.

''It is just to the reading room and back, is it not?''

''Yes,'' her sister nods.  ''I'll take you,''  it means.

So, they walk. Fortunately, the guards usually waiting outside are nowhere to be found, and they manage to slip away unnoticed. Irulan holds the hand of her sister tightly, with each noise from the outside digging her nails deeper into her soft palm. Her sister says nothing; she steps calmly into the labyrinth of corridors, navigating them without much evident trouble. Soon, they find themselves in front of a huge black door, incarnated with words Irulan hold no knowledge of.

Inside, the chamber is massive; it forms a beautiful, round circle with ceilings so high that the air in it is always chilly. Rows of books and manuscripts fill the shelves out of oxidant, contrasting starkly with the white wall. The black circle table of cold stone is filled with replicas and ancient artefacts, each emitting a soft glow.

Who knew the small, desert planet held such treasures inside? Irulan forgets about her sister entirely—the texts call to her, golden lettering shining under the light. Irulan follows the names on the covers: legends, myths, histories, and art overviews. Some even contained gardening and soil research; Baron likely held those for a good laugh.

Irulan travels deeper and deeper until the voice of her sister addressing the only library keeper almost disappears, consumed by tall bookcases. The section she finds herself in is solely dedicated to martial arts; where, if not here, would the hundreds of books on such a topic be stored? Some of them are used; the spines are slightly older; others look brand new.

Irulan is brought to her senses only when she notices a black figure moving in the corner of her vision. She puts the book back and Listens. Just like the Sisters taught her, her inner ear picks up the faint voice of her sister, and the moving of two sandaled feet—the slave handling the books. She feels something else, too. A presence familiar enough to recognise but not enough to name.

''We have to go,'' she says, grabbing her sister by the shoulder and pressing. ''We will be late,'' she explains to the slave. Not that it would question the whims of the princess.

''Why?'' her sister turns to her, confused. ''I was looking at some other books. Weren't you also?''

''Please,'' Irulan whispers. ''We spent enough time here as it is.''

Just as her sister was about to answer, the atmosphere shifted. The air, sitting in its calmness, heavied. The silent before slave turned on its feet, its eyes burning holes in Irulan's body. It lurches towards them, opening its obsidian mouth to show the blackened void inside—indeed, it possesses no tongue.

Irulan freezes. The void seems to suck her in, the sharp mouth growing wider as its owner approaches her body. The fear paralyses her, planting her otherwise quick feet deep into the ground. Now, her training as Bene Gesserit should awaken—she should oppose, or at the very least dodge, the attack. But the black mouth continues to draw her in, clouding her thoughts with terror.

The body beside her shifts; her sister is quick. With one strong thrust, she pushes Irulan aside. '' Hide ,'' the voice within her head commands, and Irulan has no force to object to the technique. She crawls under the heavy stone, frantically looking for something—anything—to protect herself with.

Despite the long skirts, her sister moves like Adam's wine; she bends and turns, and strikes the man far taller than her, but he seems determined on the idea of killing her. Her sister grunts under the heavy hits; one sits in her abdomen, and another lands on her knees. The slave's nails leave a trace on her skin, rough enough to pierce the young dermis.

Eventually, her sister grows tired; the slave pushes her to the ground, pressing his slender body on top and closing its white, almost translucent hands on her throat. Irulan clasps the found sharp cutting instrument to her chest, desperately trying to calm the wave of fear forming there.  ''I must not fear. Fear is a mind killer,''  she whispers again and again.

She watches as her sister's hand slips under her clothes and emerges an illicit, slender blade—it shines under the light just as lettering did on the books a minute ago. To Irulan, it feels like a year's hundred. ''No!'' she wants to shout as her sister raises the steel and preys it into the eye of the slave, but the words are unable to leave her throat. Like a waterfall, crimson covers her sister's face, staining her light grey dress in hot circles.

The slave falls on his back, his hands leaving their place on her sister's neck.

''Enough, please! Sister, stop!'' Irulan cries, crawling out of her hiding spot but daring not to get closer.

Her sister doesn't hear; she lurches towards the man in a slick puddle and takes his life quickly, cutting his throat in one swift motion. The blood from his arteria leaves the body in pulsations; they spatter everywhere, some drops going as far as touching the shelves.

The silence settles in the chamber once again; only the sound of weakly flowing blood disturbs the stillness. Her sister does not shed a tear; she meticulously cleans the blade with the slave's white cloth and slips it back into the folds of her gown.

''What have you done?'' Irulan whispers. Her hands tremble; the sight before her crawls into the deepest corners of her mind and tears everything there down. How can one kill so easily? How can one be so cold and calculating, as if it were nothing more than a daily chore? How could that one be her sister, the one she shared a life with?

''I protected.'' Her sister's voice is hoarse, but firm. There is no remorse in her tone, only weariness. ''What have you  done?'' She turns to face her. Her hair, carefully braided by servants for dinner, is undone; the wet strands of it grip her face like a vice, framing the unseeing eyes.

Like that, she looks like a woman mad. Irulan backs into the safety of the doors, feeling her fear turn into something much greater. ''Do not come near me,'' she commands. Just as the heavy doors close behind her, she sets off running.

-

YN waits until the footsteps of her sister are no longer heard, and only then does she come out of the reading room. She pays the body on the ground little attention; no one would bet an eye on the death of a useless creature like that. It did not intend to kill; rather, someone made it do it. Who, in their right mind, would try to harm the heir of the Emperor? How would they know that Irulan would follow her there?

Irulan. The one who watched as the Other almost gave her life for hers, the one who had the nerve to be repulsed by the blood on her hands—the blood she spilt protecting her. What do you do when you are not allowed to be angry at God? Why does God shame one for the will she herself inflicted on one to bestone? YN would ask the sun, but it hid behind the walls of the fort. She would ask, but no one would answer.

So, she does what she is meant to do—finds her way into the large dining hall, where everyone, of course, is starting to gather. The Emperor would be dissatisfied to find her not there on time; she has no time to fix her appearance. In light of the slight possibility of shaming their House with her muddled hairstyle or suffering yet another punishment for being even late, she chooses the first option.

The guards let her in without saying a word. YNr watches as the shield slides open, revealing a full hall. Rows and rows of tables, filled with foods one would imagine never would have made their way to the Giedi Prime, and laughter not so usual for a harsh realm.

''Princess...'' the servant starts, announcing her arrival, but she shushes him with a slight wave of her palm. She does not notice the crimson liquid staining it.

The Other makes her way to her seat calmly, careless of the way people around her stumble and twist their faces in shock. The only eyes that watch her without fear at the Emperor's table are those of Lady Echidna. Her face betrays no emotion at all—hidden by her veiled black cloth, it only slightly moves when the YN passes her seat.

She holds the angry gaze of the Emperor calmly. He will demand an answer, of course if Irulan has not whispered the truth into his aged ears already. Her sister probably would do no such thing; in that, she would admit to disobeying the orders bestowed upon her. YN is puzzled at the attention directed towards her humble figure—the first thing a Bene Gessarite in training learns is not to be repulsed by the anatomy of her body. Why be grossed out by the liquid coursing through her veins—the liquid she carries all her life? Why be scared of death, when it is always at your doorstep? In the sway of her thoughts, the Other also seems not to perceive the pair of icy blue eyes glued to her figure as she finds her seat and takes her place.

-

"The boy follows you around like a dog." The mother's tone stands not in judgment but rather simply states the truth.

Lady Echidna is not veiled now; her heavy hair is still tightly braided out of her face. Just a small black ribbon highlights her status as one of the Emperor's senior concubines, a position most would bear with honour. To her, it was yet another stain on her earthly body—the body she could not call her to possess. The black sun of Giedi Prime is finally long behind them; nothing but a few light orbs floating around illuminate the chamber, yet her intense gaze seems to pierce right through the girl that sits across her.

"I know, mother. His steps are heavy; his thoughts are even heavier; they follow me much more often."

The woman's fingers stop working on an intricate needlework for a moment, before continuing as it was. "You are to call me Sister, girl," she speaks, her voice low.

YN drags her teeth across her tongue, feeling the anger flow through the veins in her body. She wishes to be far away from this small chamber, to run and never face the woman's eyes again. "The girl has a name, Sister. Or do you fear to voice it?"

Lady Echidna places the cloth on the table beside her gracefully, as if paying no attention to the words spoken. But YN can sense can feel the resentment that burns inside her mother's stomach, spreading its molecules to her throat. "A name holds meaning; for a person to have a name, one must first be of character and substance. You are none."

YN bit the soft flesh inside her mouth; it tasted bitter. It was better if her mother shouted, if she hit her if she did anything to prove YN is still here in her eyes, that she was not just a void the woman spoke her riddles into. Maybe then the pain inside her would have a meaning, would have a reason better than just childish hurt. "Did I not have a beating heart when I left your womb, Sister? Did you not hear it loud and clear? What kind of proof is needed more of me?"

"My daughter died that day, screaming. You took her place. So do not bother me with your foolish talks anymore, for we both know they just waste the air we breathe. Am I heard?"

She was. The tears dried on YN's face before having the chance to spill, and she turned to her studies. Once more, a feeling of ever-lasting cold surrounded her shoulders. The never-leaving vision in her mind appeared once again—her mother's quick steps as she walked away in another corridor of Giedi Prime's fort, her head straight ahead as YN pleaded not to leave her alone, her legs glued to the command spoken. It was a blessing that the boy found her earlier than his uncle.

-

Time has passed since the first time YN's eyes saw the black sun of the foreign planet so far from hers. The Other trained, restlessly, in the tongues of ancient warriors and the most prominent whisperers, slowly earning the right to bear Knowledge in her crown-empty head. She had much yet to learn, but the prospect did not frighten her; with every passing day, she felt power building in her hands and soul. Patience, the greatest virtue of all. She was alone now, without her half of a sister; alone, in her solitude, the heavy bearings seemed not as heavy—she had no one to enlighten about her battles. Still, God was on her mind; YN felt her presence near, her watchful eyes guiding her. Like the tight, dampened cloth on her bruised knuckles, her sister was stuck to her open wound of a soul.

Irulan has grown. Her complexion changed; she no longer looked like a bright-faced girl who left her sister alone in Harkonnen's library; the plump cheeks were gone, and so was fear. At the Other stared a sole statue of power she bloomed into. Silver collars, light blue waves of fabric—the cut is, as always, straight. The Other eyed her up and down, taking in each detail of the painting-like sight. Irulan did the same—a slight disgust at the Other's simple tunic and pants, creased from the sparring. Irulan did not need to be broken in order to be a Sister in the Bene Gesserit; they wanted her Corrino first, and a servant second. The Other, however, held no such value—a child carried not by the lawful wife, a second, a spare. So, there would be no bone in her body left untouched by the lessons, no string in her soul unharmed by the knowledge. They crushed her cartilage in grey sand and forced her to swallow the bitter truths of their ways. Yet, God remains undisturbed—stoic. Eternal.

''Will you not eat again?'' Irulan musses, putting another piece of dish in her mouth.

The Other would take it as a cruel joke from anyone else, but not from God. She shakes her head instead. ''I am forbidden.''

Irulan hums. It was not the first time YN would be disciplined this way; the cycle of punishment and forgiveness was all too familiar to her. The room is silent; there is no one but the two of them. She could offer to eat, and no one would know she did, but Irulan won't offer. The Other does not expect her to; pity is not something a sister can possess.

''How are your lessons going? A fresh knowledge, perhaps?''

YN nods. If she opens her mouth now, her voice will betray her. She could cry all she wanted in the presence of a sister, but it is not appropriate for a thirteen-year-old to behave this way in front of God. The Other is reminded of that with an absence of bruises on Irulan's skin; her hands were never cut by the sharp blades, and her mouth was never starved. ''Why was I summoned from training?'' She asked, directing her eyes to the figure in front of her.

''I am here as a messenger from the Emperor.''

YN's eyes narrowed. ''And what does our dear Emperor desire to tell me now?'' She wishes not to hear anything he has to say; the Other is perfectly content here, amongst her Sisters. Here, she is of cost.

''Recently, Baron Vladimir turned to our House for guidance. He and na-Baron Feyd-Rautha Harkonnen felt misled by the House Artreidis, and their promise of a bride that did not come. Our father has graciously offered to negotiate the conflict and pay the needed price for the Baron's cooperation.''

''Of course, he did. With all of our might, we are still afraid of the savages that made Arrakis their home. With what advice, may I ask, did the Emperor provide the Baron?''

Irulan's lips turn into a straight line, with the small wrinkle on her forehead appearing. Something that she carried with her through childhood. Something that still reminded of home. ''With the proposal of a woman of our House to na-Baron Feyd-Rautha.''

''A gift? Irulan, I am so sorry.''

Sure, the bridge between them was long forgotten, growing with tall grass and wildflowers, but the weight of their shared history still lingered in the air. Irulan was still her sister, no matter how many times the Other tried to tell herself otherwise. And no woman sane would consider giving her sister to the inhumane brutes that were Harkonnens—the people even Bene Gessarit wished to observe from afar; the people so ruthless mothers told stories about them to their small offspring in an attempt to instil fear and obedience.

Irulan does not answer. She hides her gaze, her eyes following the wooden panels of the quarters.

''What is it, sister?  Speak .''

''The offer Emperor found the most fitting would be of your hand, not mine.''

The Other exhales. As if a heavy stone were put on her chest, she fights to bring much-needed oxygen to her bloodstream. She almost feels the erythrocytes scatter from her face into her neck, hidden by the cloth, and gather there in an attempt to regrow their might. Her throat twists and closes, its muscles compressing until not even an ounce of air can get in. All of her organs, from heart to stomach, made their presence known; one by one, they tensed and burned, forcing the otherwise relaxed hands to grip them.

It was supposed to be Irulan. The first one to marry is the oldest sister; the title high enough to satisfy the ambitious Harkonnes would be hers, no less. Yet, here she stands, not even looking at the one taking her place as she sentences her to an ultimate death. No matter how much power the Corrino name held, on Giedi Prime, she would consider herself fortunate enough if she were to meet her end quickly.

''Why, Irulan? Have I not been a loyal servant to you all those years? Have I not followed every order without question? ''

Irulan is unmoved in her position. ''We can not risk the Harkonnen blood getting on the throne, you know it.''

''You mean we can not risk you? We are not eight anymore, dear Irulan; you can speak truthfully now. Do you really think the Emperor will treasure you more if you say nothing now? We are no sons, Irulan; we are sisters, you and I. Please, spare me this fate.''

''Yes,'' the girl lifts her eyes, taking a step closer. ''We are no sons; you knew that one day we would marry for the peace of the Imperium. Why do you shout now?''

''Married, yes, but not murdered for the sake of the fucking old man who could not hold his promise. They are monsters, Irulan, spilling innocent blood for the fun of it. I beg of you, sister, show me the mercy I know you are capable of.''

''You are worried about blood? What could one more splash of blood mean to you? You have been no sister for a long time; I order you, as an heir of the Emperor and as the messenger of his will here, to comply. Do not make it harder than it has to be.''

The Other smiled—she would not grant the pleasure of tears. ''Very well, then. Someone needs to go first. I'll go; I'll be first, at least here. Tell the Emperor that I will comply with any of his wishes, whether it be to throw me to the sharks or to feed me to the sandworms. As a confirmation of my undying loyalty, you may show him this:''

She slaps her. She slaps her not like a warrior, not like the trained assassin she was raised to be; she slaps her like a sister, bitterly, harshly. For the first time in her short life, YN raises a hand on something she deems holy—the God's shocked face brings a sense of satisfaction to the Other's veins, even if the same blood courses through them. She turns on her heels and walks away, leaving the forsaken room behind. Leaving God behind.

[that-student-that-has-homework]

Gentle Reciprocity

Al-Haitham x Reader

cw: allusions to neurodivergent overstimulation

“Hello there darling,” he sees the amused twinkle in your eyes and already knows he’s in for a treat, “would you like some assistance?”

With how it was phrased it could be pointed at either him or his assailant. However he was well aware that adage was for him and not the persistent presence that plagued his side.

“While I’d rather not trouble you,” his amusement pulled at the corner of his lips, “seeing as you’re already here…”

“I might as well?” You chuckled.

His entertainment only increased at the confusion clearly written upon the foreign young lady’s face. She was likely trying to piece together what your interaction meant. Though she probably had an inkling and would now have to confirm it.

“Uh, do you two know each other?” She pulled away from him slightly.

“We do,” you nodded, humming in confirmation, “rather well, wouldn’t you say?”

“Yes,” he nodded, removing his arm from the lady’s grasp, “intimately well.”

You could see her working to process what was going on based off of your layered conversation with your beloved. Meanwhile you were relieved of half of the load of groceries you’d been carrying prior to approaching the two.

“He’s my husband, sweetheart,” you decided not to toy with her any further, “his lack of interest isn’t anything personal,” you tried to console her, “part of the reason I married him is his integrity.”

She looked so confused, staring between the two of you and then to your hands. Her brow furrowed and her lips pursed as her tongue translated her confusion, “but he’s not wearing a ring.”

At which point you turn to his hand, a little smile gracing your lips, and shoot him a glance filled with mirth at the state of his finger. He appreciates your grace towards him. After all, he was wearing his ring, under his glove.

“You can see my wife’s ring though, can’t you?” He raised an eyebrow at his stunned pursuer. 

“That confirms that she’s married,” she argued, “it says nothing about you.”

“What woman would risk the tranquility of her marriage to help a fully grown man ward off unwanted attention?” He argued back.

“One that isn’t happy in her marriage and wants the man she’s helping out.”

“You know habibi, that is a plausible argument,” you turned to him intrigued.

He was about to rebut when you took the words out of his mouth, “but in that case. He wouldn’t cooperate with me, because he knows I’m married to someone else.”

“Unless you were having an affair!”

“In which case that would mean that I am still involved with a woman and uninterested in you,” Al-Haitham caught her on her argument, “you’re doing a horrible job of seducing me with these accusations, which is what I assume is your goal.”

“Accusations?” Ooh. She had gotten so carried away by the argument she’d gone into the rhetorical realm.

“You accused both of us of infidelity,”  your husband gestured between you and himself.

“What? No! I just-urgh,” she fumbled over her words, “sorry.”

“Apologize to my wife as well.”

Your husband’s assailant gave him a very unimpressed stare, before letting out a huff that caused her whole body to deflate. She turned to you, looking defeated, “sorry.”

“Apology accepted,” you nodded, your lips gently curving upwards, “take care and have a nice rest of your day.”

Again looking between the two of you, she nodded meekly and trudged away in complete and utter defeat. You hoped you hadn’t completely broken her spirit. After all, she was under the impression that the man she was approaching was available.

You weren’t able to worry long as something moved in your peripheral vision, pulling your attention towards it. Turns out Al-Haitham was turning his sound-canceling ear pieces back on. Ah. Understandable.

You lightly hooked your pinky in his before sliding it out, a quiet invitation. Glancing up at him you were met with his own tired gaze. You probably shouldn’t have entertained her arguments for too long, your love seemed to have had just about enough today. 

“Let’s go home,” you spoke nodding your head in the direction back to your shared abode.

You were treated to a little nod, your husband slipping his hand into your free one and hurrying down the street. Over time you’d gotten good at keeping up with his long strides, and he had gotten good at maintaining a pace that didn’t require you to sprint. You still had to hurry this time around though.

There was a kind of relief that came with arriving at your shared abode. You took care of locking the door, and then headed to the kitchen to put the groceries away while he headed into your room. You’d just about finished putting things away and were wondering what you could make for dinner when you sensed you weren’t alone in the kitchen anymore.

Without turning around fully, you began placating your husband, “don’t worry about food and just-”

You were cut off by Al-Haitham’s sudden embrace, his head coming to rest on your shoulder, his nose poking at your neck. Relaxing into him, you placed a hand above the ones that sat atop one another on your abdomen, languidly stroking at his skin. Seems he’d taken his gloves off.

Given he had sought you out, it seemed he was okay with you touching him in his current state. You reached your other hand up to tenderly trace his scalp. You stood there quietly, him taking deep, calming breaths, and you playing with his hair. After a bit, your husband’s weight, for lack of a better term, weighed down on you, and you could feel the fatigue in your legs.

“Can we take a seat, love?” You hummed, taking care to keep your voice quiet and light.

“I’d prefer we lay down,” his rich timbre reverberated through your bones.

“Laying down it is then,” you agreed.

You were gingerly pulled by the hand towards your room, and towards your shared bed. You smiled at the thought. You’d originally started off in separate rooms with separate beds, but look at you now. Al-Haitham allowed you a moment to close the door, careful to make too much noise, before pulling you to your bed. Within a moment he was curled into you, his head tucked into your shoulder and his arms around your middle.

It was a little more difficult to play with his hair from this position, so you absentmindedly began  playing with the wedding band that sat proudly on his finger. When you came back to your senses you paused. He was already overwhelmed and trying to ground himself, you didn’t need to introduce any unwanted stimuli.

“You can keep playing with our ring,” he mumbled, “I don’t mind,” he tightened his hold on you, “and I know it helps you stay calm.”

“Thanks,” you resumed your previous fiddling, “love you.”

“Love you too.”

You couldn’t help the way your features curled into a deep appreciation. You loved hearing those words from him, but in your current state it was redundant.

After all, he was allowing you to be near him in his volatile state, and it was an honor you cherished.

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What was your favorite part? Also please let me know if I got the neurodivergent thing right. I can't claim to be neurodivergent (no matter how relatable some memes are)