#Time for a Ficlet

[corkinavoid]

DPxDC Alt Rock to the Rescue

[Inspired by this art]

"...Alright, I might have an idea," John Constantine, who was seemingly busy texting someone for the past ten - or twenty, no one really counted - minutes, puts his phone away and snaps his head up.

The room falls silent. Superman blinks in surprise, Diana frowns slightly, and Batman's mouth is pressed into a thin, stubborn line. Flash recovers first.

"You have an idea?" He huffs a short, disbelieving laugh, "No offense, but I'm not sure a magic trick can help us against, you know, an alien fleet." He gestures to one of the screens on the wall, where said fleet is approaching Earth on live.

The rest of the Leaguers present don't exactly agree with him, at least not verbally, but the mood in the room shifts from tense, anxious alarm to an almost palpable annoyance. To be honest, no one was even sure why or how John Constantine of all people ended up in the meeting. It's not like JLD could actually help with an ongoing, massive invasion that was about to happen in less than three- Correction, less than two and a half hours. Besides, it's John Constantine. The man that never shows up unless outright bullied into submission.

The magician winces briefly and starts rummaging through his pockets under the weight of everyone's attention.

"I said I might," he amends gruffly, getting a cigarette out of one of his pockets and sticking it in his mouth but not lighting it. Seems like it wasn't what he was looking for, though, because after that, the man keeps going through the various places on his coat, patting himself down. "I know someone who can deal with it. Granted, I already owe him a great deal, but he won't say no," he pauses and grimaces, "At least I hope he won't."

"I do not think it would be wise to call upon gods in our situation," Diana tries carefully, but John pays her little mind.

"Or demons," Green Arrow adds, crossing his arms on his chest, "I'm not selling my soul to get rid of some rocket ships or whatever they are."

Now, that makes the magician bark a laugh. Or, maybe it's the piece of lime green paper - a sticky note, actually - that he finally finds in the depths of his pockets.

"Oh, your soul's gonna stay where it is."

"Constantine-" Batman starts, but John cuts him off instantly.

"Mine will stay wherever it is as well," he reassures the man, "It's not that kind of entity." And with that, he promptly sets the green note on fire - green fire - and uses it as a lighter for his cigarette.

The next moment after the note is reduced to ash, there's a shift in the air in front of him, and, before any of the heroes have a split second to react, there are two people floating in the middle of the room, backs pressed to each other.

Two teenagers, to be exact. A girl and a boy, both of them so pale that their skin looks gray, and both dressed in grunge, like they just came from a rock concert. Yet, that's where the 'normal' parts of their looks end - the boy's hair is so white it looks blinding, and moves in the air slowly, undeterred by gravity, and the girl's hair is neon blue, her ponytail flickering up like a flaming torch.

The boy nearly topples over as the girl leans her back on him harder and kicks her feet up slightly. The movement is awkward, like both of them were taken by surprise by the sudden relocation, and maybe the guess about the rock concert was not so far from reality; there are drumsticks in the boy's hands, and the girl is holding an electric guitar in her hands.

"The fuck?.." The boy asks no one in particular, as the girl makes an annoyed groan and straightens up, still floating in the air. Her guitar makes an aborted sound. Meanwhile, the boy's eyes land on Constantine, and his whole face scrunches in disgust, "John, for the love of Ancients, I was in the middle of something."

The girl takes a look around while her friend is busy expressing his annoyance and elbows him in the side, "Oi, look, it's the whole Comic Con in the flesh here."

Green Arrow sputters. Flash makes a wordless but very offended sound. The floating boy looks around, taking stock of faces in the room, and the disgust on his face morphs into exasperation.

He turns back to Constantine, "Really? I thought I told you I want no part in your furry parade."

"Alien invasion," the magician decidedly doesn't address any of that, instead pointing his finger to the screen behind him. "Thought you ought to know," he adds, a bit of sarcasm bleeding into his tone.

"Ooh, is it my turn to be your world saving buddy, Phantom?" The girl perks up, turning around and draping herself over the boy's shoulders with a giddy laugh. Her guitar shifts to hang in the air on her side all by itself.

The boy - Phantom - rolls his eyes. Bright green, glowing eyes that definitely don't belong to a human being.

"If I had a nickel every time I had to save the world, I'd probably be able to buy myself my own guitar," he grumbles and looks back to Constantine. "Do I, like, have to? Right now? You know, I don't get paid for this bullshit, and the studio we rented for rehearsal has an hourly rate, so if we can postpone this for about an hour and a half, that'd be real nice."

"The fleet is only two hours away from Earth," Batman supplies suddenly, and, when both floating kids turn to look at him, adds, "I can pay for your next rehearsal. Or a few of them." Evidently, Phantom's comment about nickels struck a nerve. Or, maybe, the man just likes throwing money at any teenager he encounters. Who knows.

The boy blinks, taken aback by the proposition. But the girl grins, sharp and wicked, and shoves her drummer - if the drumsticks are to tell - in the side again.

"Hey, free studio. Better than the last time."

That snaps Phantom out of his stupor, and he groans, "Don't remind me." With a weary sigh, he runs a hand through his hair and leans back in the air, almost like reclining on it. "Okay, fine, sure. Do you want them, like, away from Earth- um, this is Earth, right?" He turns to Superman, surprisingly, looking for confirmation, and the man nods, thrown off guard. The boy nods back and continues, "Or you want them blasted into oblivion, or what?"

"Whatever suits your mood, kid," John waves his hand at the screen as if making a welcoming gesture, "But all the aliens gotta go."

Unexpectedly, that makes the girl's grin even wider, and she reaches for her guitar, floating around Phantom and looking him in the face. The look she gives him speaks of mischief, and the boy seems to understand what she's implying before she as much as opens her mouth.

"Ember, no," he pounts a drumstick at her.

"Ember, yes," she wiggles her eyebrows, "Come on, your wail is boring as fuck as it is, why not spice it up?"

"I'm not wailing," Phantom scrunches his nose, "My throat will hurt for weeks."

Ember runs her fingers over the strings of her guitar, and it makes a comparatively quiet, vibrating sound. A few cords shoot out of the bottom of her instrument, like ones used to plug an electric guitar to an amp. She raises her eyebrows, still looking at Phantom, a silent conversation between them.

Then, the boy huffs and rolls his eyes, twirling a drumstick in his fingers.

"Fine."

The cords fly at him like snakes, aiming at his neck. None of the Leaguers watching the encounter get to say even a word as the metal pins insert themselves into the boy's neck, acting like some twisted kind of collar. Phantom doesn't even flinch.

Ember's guitar, on the other hand, reacts to the connection quite violently: it makes a high-pitched sound all on its own and then changes color from black and blue to white and green, with lightning bolts instead of flames for design. The girl's ponytail flares up higher as she softly murmurs in delight.

Then, she turns to the people around them and smirks, "Which way is the evil alien fleet?"

Flash wordlessly points his finger to the right and up. The girl nods in satisfaction, turning in the air so her guitar is facing that way.

"You might want to cover your ears," Phantom advises, a sly smile on his face and a glimmer of anticipation to his eyes. John Constantine follows that direction immediately, and, taking his move as the best course of action, the other heroes follow as well. Except Batman, who only narrows his eyes and looks at both teens in the air apprehensively. Phantom shrugs, "Or don't, I don't hold any responsibility for your shattered eardrums."

"Pick up where we left off, then," Ember tells him, and the boy blinks:

"Wait, I thought you'd just-"

[For some wholesome experience, put your headphones in and listen to 'KULT' by Jisaiah, grandson, and Steve Aoki]

But the girl has already started a tune, nodding her head to the rhythm of it and slowly picking up the pace. Phantom huffs, but doesn't protest any further, floating up as much as the cords allow him and spinning a drumstick in his hand.

"Maybe I should join a cult

At least they'll tell me it's not my fault

That the world's a fucking circus

That my life feels fucking worthless," he spits the words out with a sneer, slowly rotating in the air until he is hanging upside down. His eyes are closed, and his voice becomes more and more staticky with every new sound. The volume of Ember's guitar gets up, higher and higher, until the walls and the floor of the room around them start to vibrate.

Then, Ember's voice joins Phantom's, and the boy brings his drumsticks down on thin air, mimicking the moves. Only, even with the actual drums not there, the air around him ripples like they are, and they all can hear the beat.

"Maybe I should join a cult

At least they'll tell me it's not my fault

When it all comes crashing down

We'll see who's laughing," both kids pause, just for a beat, and Ember uses that split second to spin the volume knob to the max before strumming her guitar in one wide, sharp move.

"NOW!"

The sound wave is not only palpable, it's visible. A wave of toxic green ripples through the air, knocking everyone present - sans the two kids in the air - to the ground, and goes beyond. The screens on the walls flicker and turn off, sending sparks in the air, and the comms give off loud, screeching noises, and-

The following silence feels almost deafening.

Batman, unsurprisingly, is the first one to stand back on his feet and see a few of the screens come back online.

Just in time to see that same green wave of... sound? energy? power?.. decimate the entire fleet like a wet cloth over a chalkboard. One moment, the spaceships were there, and the next they are gone, wiped out of existence.

Ember laughs, leaning back and almost doing a backflip in the air.

"That was nice, dipshit!" She shoves Phantom in the shoulder, and the boy snorts, plucking the cords out of his skin and grinning.

"Yeah," he agrees with a smile, not even looking at the screens around, "Maybe we should try rehearsing in space next time. Sing to the stars and all that crap."

"Sing to the stars?" Ember raises her eyebrows mockingly as the rest of the heroes scramble to their feet, bemoaning their ringing ears. "Na-ah," she clicks her tongue and turns to Batman, "You still up for paying for our studio?"

The man just grunts in a semblance of affirmation.

"Sweet," the girl grins and offers Phantom a hand for a high five, which he returns instantly. "Cheers to the world being saved once again!"

The boy just rolls his eyes and turns to Constantine, "Next time, be a dear and text me before summoning, or I'm going to sell your soul to Morpheus, and who knows what he'll do with you."

John Constantine grimaces. "I did," he offers grudgingly.

But both unearthly teenagers are already gone without a trace.

[Edit: I want everyone to know there's ART now!!!]

[steddieme]

eddie: stevie, would you still love me if i was a worm?

steve, without looking up from his magazine: i hate worms

eddie: but would you love ME if i was a worm?

steve: i'd keep you in a little jar, put you on my nightstand and cry myself to sleep because you'd be right there but i'd never get to hear your voice or hold you again. and i could do nothing about it.

eddie, tearing up: joke cancelled, i want cuddles

[catgrandpa]

Gotham has always been weird, so when the groundskeeper at the cemetery noticed the Wayne kid’s plot was disturbed, he just chalked it up to more of the same ol’. Alright, so ‘disturbed’ may be a tad too light of a word, but what’s an empty grave in the grand scheme of Gotham? God knows in a city like this one, they could use all the burial room they could get. He figured he’d just jot it down on the website and hope nobody noticed for a while.

Too bad he didn’t account for the 13 year old boy in Bristol who periodically checks the cemetery’s website when he’s feeling particularly lonely.

Plot Removed.

Tim Drake stared at the two words under the heading for Jason Todd’s plot number. Removed? What do they mean ‘removed’? They can’t just remove a plot? That’s a person down there! That’s Robin down there! You can’t Remove Robin!

Calm down. Deep breaths. Assess the situation.

Robin has been dead for 5 months and 14 days. There is no reason for a grave to be removed that early, especially one of a member of such an affluential family. Chances are likely it’s a simple clerical issue. He can call first thing in the morning and make them aware of the mistake. He can have it all fixed in 5 hours.

Just a phone call.

In 5 hours.

…

Tim hates talking on the phone almost as much as he hates waiting.

Well it won’t be the first time he’s snuck out to head to Gotham proper at 1am. It can’t even really be considered sneaking out if there’s no one home to catch you.

Buses stop running at 2, so he layers a couple sweaters under his coat and grabs his best running sneakers so he can comfortably make the trek back.

Just a quick trip to settle his nerves. Maybe get a few shots in if he spots Batman, but really he just wants to see with his own two eyes that things are okay and Jason can rest.

It’s 1:37 by the time he gets to the headstone reading ‘Here Lies Jason Todd’ and the gaping, muddy pit in front of it.

This- This doesn’t make any sense. This is not removal. This is destruction. Desecration. Somebody did this. Somebody-

Assess the situation.

A hole in the ground, approximately 1.5 feet in diameter.

Mud and grass flung outward but with little force.

Large chunks of earth turned over and shoved away.

No signs of tool marks or clean lines of entry into the dirt.

Dragging claw marks.

Staggering, shuffled pairs of foot prints in the mud.

A trail of dirt.

Something… Something large clawed its way out of the ground here. Something large and bipedal and- and humanoid.

Tim refuses to jump to any conclusions he can see all the facts laid in front of him. He’s going to cautiously follow the trail and simply hope to any god listening that he isn’t the world’s first line of defense against the zombie apocalypse.

He’s been walking for 23 minutes and there’s good news and undecided news. Good news: he’s closing in on the target and the trail isn’t taking him out of the way so his trip home won’t be prolonged. Undecided news: The potential Zombie Robin is heading directly for Wayne Manor.

As zombie apocalypse news, this is very bad. From Tim’s collected observational evidence, his not-so-professional opinion is that Batman, faced with a horror movie level zombie of his dead son, would not respond well, and would likely not fight back.

In Batman and Robin news? Tim’s unsure. If Jason is simply back? What could that mean for them? Batman can have his Robin. He wouldn’t have to continue nearly killing others and himself every night in his grief. Jason could-

No. Stop. Do not jump to conclusions.

Hope only brings heartbreak.

What would Batman do? Get close and see if the target is a threat.

Target is male. Mid-teens. Dark hair. Pale skin. Leaning against surfaces as he walks. Appears injured and disoriented.

Minimal risk assessed. Approaching and attempting contact.

Target identity confirmed: Jason Todd.

“J-Jason?” It comes out as a croaked whisper. Jason shows no sign of acknowledgment.

Tim clears his throat, steps right in front of his path, and tries again.

“Jason. Jason, stop I want to help you.” Still nothing.

“Please, Jason. I can help, I promise I can help!”

Why isn’t this working?! Why can’t he just do something right for once?! He wants this to work, he wants to help Bruce, he wants to fix Batman, he wants to not be alone, he wants-

“Robin!”

Robin jerks to a stop.

Tim reached out his hand.

“Robin. Robin please, I’m sorry you’re going through this, it’s really scary, I’m really scared. But I just want to help you. Help you find Batman. Help you get home.”

Jason just stares at him. Of course he does. Of course it’s not going to work. Why did he even bother hoping he could help?

Hope only brings heartbreak.

His sight blurs as his eyes fill with tears and he starts to lower his outstretched hand.

His arm is slowed as a cold hand weakly grasps his own.

“Don’t… scared… Bat… help… Dad… help.”

A relieved sob tears out from Tim’s chest and he gathers himself together. He yanks his extra sweater off and gently pulls it over Jason’s cold shoulders. Jason lets Tim drag his arm over his shoulders to try and carry some of his weight.

“Okay, Robin. Yeah. Your dad will help us.”

Batman will solve everything once Tim gets Robin home.

[hairmetal666]

"I'm going to marry you one day, Steve Harrington," he declares to all and sundry (Steve and Robin) in Family Video.

Steve laughs, ducks his head, hair a bountiful cascade that doesn't move an inch. He's blushing but it's not, like, a reaction to the sentiment of marriage. Steve knows Eddie is just like that, flirtatious and over-the-top and incapable of not speaking his thoughts as soon as they enter his head.

Robin roles her eyes, goes back to flipping through her magazine, something about cinema, and Eddie swipes his just rented movies off the counter.

"You think I'm joking," he twists so he's facing them, walking backwards to the door. "But I swear it, oh, beloved purveyor of movies and deleter of late fees."

"Yeah, yeah." Steve's face is pinker than before and Eddie recognizes and immediately forces himself to forget how cute it is. "But get out of here before I change my mind."

And Eddie, he loves to push his luck and also has very little filter between his brain and his mouth, so he says, "aw, don't be that way, Stevie, you love me."

Robin looks up, then, mouth a pursed twist as she tries not to laugh. "Gross, Eddie." She throws a Sour Patch at him. "Keep all that mushy stuff to when you two are alone."

It's his turn to blush, fierce and raging, and Steve whirls, squeaking, to whack Robin with a Twizzler.

Eddie points at her. "Rude, Buckley. You know I love you too."

"Again, gross." She sticks out her tongue, tinged blue from the Sour Patch.

"We really need to work on your ability to accept affection," Steve tells her.

She scowls, kicks him, makes Eddie laugh.

"I think that's my cue to leave, children." He says. He, quite literally, bows out of the store, just missing the barrage of candy thrown his way.

---

Three Months Later

Eddie stumbles into the Harrington house, kicking his boots off by the door. Steve's in the kitchen, fussing around the stove. His hair's askew and he's--

"Harrington, are you wearing an apron?" He ignores the kick in his chest at the sight. "You'll make a sweet little housewife one day."

"Shut-up," Steve says without any heat. "Try this."

He brandishes a spoon filled with red sauce in Eddie's direction, and Eddie--heart always on his sleeve--eagerly leans in to taste. He closes his eyes, savors, and it's good, truly. Perfect fresh acidity with just a burst of sweetness.

"It's amazing, baby," he says without thinking. He opens his eyes right in time to see Steve turning back to the sauce, blush high on his cheekbones.

"Thanks. You're making me nervous though, hovering." Steve hip checks him. "Go sit somewhere."

And Eddie does, jumps onto the island--the Harrington's are the kind of people who have an island--and chatters to Steve about his day, about his new campaign, about the new song he's trying to learn.

All the while, he's watching Steve cook, in his apron, with such care and thoughtfulness, with true command. Maybe it's the domesticity of the scene, maybe his raging crush, but he has this flash of the two of them in the future. In their kitchen, Steve cooking dinner, and Eddie's arms are wrapped around his waist, he's pressing kisses to his temple, complimenting all his hard work and--

Steve feeds him a bite of the finished pasta, and it's so good that he groans, full-throated, unembarrassed, and says--he says, "I'm going to marry you one day, Steve Harrington."

He laughs, face pink, batting Eddie's shoulder. "Go sit down, man. It's time to eat."

---

Two Months After That

Eddie's working on a new campaign when the storm rolls in, wind rocking the trailer, thunder and lightning crackling in the sky. The power doesn't go out, but only just barely, the flickers making his heart pound for reasons that have nothing to do with weather.

There's a knock on the trailer door, and he opens it to find Steve Harrington standing on the porch, hair plastered to his head, clothes soaked. Robin's bike is propped against one of the awning supports. Familiar panic snaps to life in his gut.

"God, Steve, are you okay? Did something happen? That's Robin's bike, where's the Beamer? Is it--is it Vecna? Is--" He's blabbering can't stop, so he shoves his palm against his lips.

"It's not--not Upside Down stuff." He runs a hand through his soggy hair. "Can I come in, man? I--I want to tell you something."

This snaps Eddie out of his panic, and he's moving aside, saying, "Oh my god, get in here, you're soaked. Let me get towels. Do you want a change of clothes, I can--"

Steve catches him by the elbow and he full stops at the look in those big hazel eyes, fearful and sad and he doesn't know what, but his anxiety amps back up.

"I was with Robin and we were--we were talking, you know? And I told her that I like somebody, like really like them, but it was unexpected and--and--it's a guy. He's a guy but I still like girls? Robin said--she said that I'm probably bisexual. That I like guys and girls and--and everyone, I think."

It sends shockwaves through him, and he hopes it doesn't show, doesn't think it shows, but he's having trouble processing. Steve is bi and he likes someone and--Eddie stuffs down the jealousy that claws at him, knows it's more important that he's here for his friend.

"Thank you for telling me, sweetheart." He reaches out, slow in case Steve doesn't want to be hugged, but he launches himself into Eddie's arms.

Eddie holds him tight, heedless of his wet clothes, can feel his shoulders shake, and it tears Eddie's heart in two. All he can do is hold Steve and offer comfort, jealousy be damned.

"You're so brave, honey," he says once the tears taper off.

Steve gives a wet chuckle, face still buried against Eddie's neck. "I don't know about that. I think I got snot in your hair."

"It'll wash out." He laughs. "Is now the time to welcome you to the family? Apparently, we're growing exponentially."

"Does the welcome include a cake or something? I could really use cake."

And God, Steve, is so fucking cute, so sweet, so--everything Eddie has always wanted, and he--it's an accident, or at least, thoughtless--he presses a kiss to Steve's temple. More than one.

Steve pulls back fast, and Eddie lets go immediately. "Sorry, sorry. I--that was stupid. You like someone already, and I--"

His words are cut off as Steve kisses him. Steve kisses him? His brain can't process, but he kisses back. Can't not, not with Steve. Like, he doesn't know anything, head empty, but his body is with the program.

They break apart, he's breathing hard. Steve is beautifully flushed, mouth red and swollen. "You like someone," is what Eddie says.

Steve laughs. "I like you, Munson. Fucking crazy about you."

He smiles, so big it hurts, so big it grows into a delight laugh. "I'm going to marry you one day, Steve Harrington," he says.

---

Six Years Later

They're in bed, Saturday morning, rain pattering softly on the window.

Steve places slow kisses against his naked tummy, makes him tremble, shiver with overstimulation.

"Baby," he whines. "Sweetheart."

Steve smiles up at him, something cold pressing against his ribs, then into his hand.

It's a ring, black metal, shiny and iridescent as he turns it in the light. "What--Steve?"

With one last kiss to his hip bone, Steve sits up, slips the ring onto Eddie's finger. "I'm going to marry you one day, Eddie Munson."

[stevebabey]

you're the only one for me, baby

1.7k, steddie, one of them getting so drunk that they don't recognise the other and telling them back off i've already got a boyfriend, it's all sweetness <3 likely a modern!au and actually just goobers in love

Eddie doesn't really drink. He's not against partying but he's much more attuned to smoking a little weed to take the edge off, sometimes a spliff if he wants to mix a little business and pleasure.

Eddie doesn't really drink—so when he does, it goes about as well as expected.

From zero to a hundred.

Steve had lost track of him after directing his stumbling feet towards the bathroom to take a leak. But apparently, as he's now found out, this bathroom has two doors.

What the fuck kind of bathroom has two doors, like some weird thoroughfare?

Regardless, it took all of five minutes with no noises coming from the inside before Steve had loudly announced he was coming in, no matter what, getting quite worried for his boyfriend.

He trusted Eddie to not be too sloshed to handle a piss, even if he was on the wilder side tonight, but still leaned up against the door to chase off anyone else looking to knock—because Eddie hilariously gets pee-shy.

The door had opened easily, apparently unlocked, and Steve had stepped into the empty bathroom. The other door across the room, the one he hadn't noticed until now, was wide open to the party.

So, now he's on the hunt for Eddie.

Which is a task that feels a little bit like herding cats because drunk Eddie isn't something Steve has a lot of experience with. But what he does know, is this: it's the opposite of high Eddie.

Stoned, Eddie likes to find the comfiest place he can (usually Steve's lap, or so he proclaims) and sink into it, like melting wax. Then, given he has access to adequate snacks, he doesn't move for quite some time.

Drunken Eddie cannot even fathom the concept of sitting still.

Either way, looking where there's food is a good as a place to start as any.

Steve ambles out the strange two-doored bathroom and flips his head back and forth, trying to remember the direction of the kitchen. He hasn't been here before—one of Eddie's band connections—and Steve's still had a couple beers himself.

He shakes his head and takes a left, relieved when it leads to the stairs. Okay, he sort of knows where he's going now. They had only come upstairs to find the quieter bathroom for Eddie.

As Steve reaches the bottom of the stairs, a faint stir of irritation flashes through him. Eddie just left him behind? That wasn't that nice, even if he was incredibly drunk.

He can hear the din of people chattering just above the music and he follows it, leading him into the half-full kitchen, people dotted around. There's a few pizza boxes scattered around and Steve eyes each of them specifically, looking for the tell-tale wipe of Eddie's greasy fingers. No dice.

Steve wrinkles his nose, spinning around and double checking before he moves on.

If not by the food, then... where?

Steve takes a few steps forward into the living room, his heart beginning to sink and shrivel all at once. There was a miserable feeling attached to looking for his partners at a party, a wallowing and awful memory tied to the feeling.

Steve pushes a hand across his chest roughly, as if trying to shove the feeling away.

Eddie wasn't... her. Eddie wouldn't do that.

But the moment he's thought it, it's stuck in his head. Steve's feet begin to speed up, checking a little more carelessly as he starts to stick his head in different rooms, his hazel eyes jumping around. Not Eddie, not Eddie, not Eddie—so many people and none of them are Eddie.

Until—there. Steve spots a very familiar looking behind as it leans over the back of the couch, the owner of said-behind talking to someone sitting on the couch.

He blinks, just to be sure, but the details come into better focus. There's chains on his belt loops and when he shakes his head, Steve can see the curls he loves to bury his hands into.

Eddie.

Steve's relief pulls him forward, his feet almost stumbling, his mouth pulling into a relieved smile. He puts a hand out, fingers spread, across the leather-clad back.

"Eds," Steve says, relief colouring his voice.

Eddie swings up abruptly, pushing himself off the couch. When he turns, a bit of liquid sloshes out of the beer bottle he's holding.

"Heyyy," The words come out a bit slurred and when he finally stands straight, he doesn't look right at Steve. "Handsssss off the merchandise, buddy."

Steve chuckles, reaching out and plucking the bottle from his boyfriend's grasp. Eddie gawps, an adorable little hiccup interrupting his shocked expression.

"Hey," He says loudly, reaching forward for it fruitlessly as Steve pulls it out reach. "That's mine." Eddie whines.

"You've had more than enough, I think." Steve says. He steals just one gulp of it before he turns at puts it on a nearby table. When he turns back, Eddie is frowning at him, brows pulled together tightly and bottom lip jutting out.

"Listen—" Eddie leans forward, jabbing a finger into Steve's chest. "I dunnowhoyouthinkyouare," The words come out in a one big jumble and Steve frowns.

What? Something sour claws into Steve's chest at the frosty greeting.

"Eddie," Steve says, his hazel eyes wide and worried as his gaze darts between Eddie's squinted face and swaying form.

Steve reaches out to put a hand on his waist, aiming to steady him, but Eddie sees it coming and widens his eyes comically. He swerves back to avoid it, his boots tilting dangerously on the wooden floors. If he was still holding his beer, Steve bets half of it would be on the floor by now.

"Wo-oah," Eddie exaggerates, waving a hand out and batting Steve's outstretched arm away. The rottenness in Steve's chest blooms, rancid and freezing. He sucks in a sharp breath.

"Ed—"

"I—" Eddie says, holding up his hand and waggling one finger at Steve, like he's a naughty schoolboy. His words still have that drunken slur to them.

"—already have a boyfriend, thank you very much. He's much too pretty to be throwing it away for the likes of you, you weasel of a man..." His ludicrous and nonsensical insult trails off under his breath as Eddie's attention is drawn away by a shout across the room.

As he watches Eddie drape himself back over the couch, the sourness between Steve's ribs shifts, transforming into something infinitely sweeter. He lets out a dazed laugh, a wild smile spreading on his face before he can smother it beneath his hand.

I'm dating a lunatic, Steve thinks happily.

He reaches out and steals Eddie's beer once more, taking another large swig before giving it another go.

This time, he sidles up beside Eddie who's engaged back in conversation with one of the guys on the couch, and just waits. It only takes a minute before the dude on the couch seems to realise who Steve's waiting for and he nudges Eddie, gesturing behind him.

Eddie, still bent over the back of the couch, twists only his head to look. This time, the recognition is immediate.

He springs up, pushing the couch forward an inch in his excitement and leaps forward, his hands clawing into Steve's shoulder with a fierce delight.

"Steeeeve," Eddie croons, crowding in close. His hands start moving, fingers searching like curious spiders, fingertips dancing along the sensitive skin of Steve's neck til he's squirming back, laughter betraying him.

"Stop it." He laughs. Steve arrests Eddie's wrists in his hand and Eddie cackles, using the pause to surge forward, kissing him square on the mouth.

Eddie tastes like the beer he's been drinking and Steve barely gets a moment to enjoy it before Eddie's pulling back, leaning forward so they're forehead to forehead.

"I was looking for you." Eddie says, his doe eyes wide. His pupils grow larger the longer he stares at Steve.

Steve grins. "Uh huh. Looking for me between the couch cushions, were you?"

Eddie rears back, his head flipping as he stares back at the couch and then back at Steve. "Nuh uh. I came out the bathroom and you were goooone."

That explains it. Eddie must have left out the other door — and then thought Steve had left him behind and gone hunting for him. Something else settles in Steve's chest, relieved.

"And—" Eddie hiccups. "—and some guy tried to- to freakin' flirt with me. Can you believeee?"

Steve's grin widens by a mile. "Is that so? What you'd tell him?"

"No, of course!" Eddie says, head pulled back as if he's appalled Steve would think otherwise. He shakes his hands out of Steve's grip and drops them, fumbling for a moment to get his fingers into Steve's belt loops.

When he does, he yanks Steve forward a tad too forcefully, their bodies colliding in a way that's more sore than sexy. Eddie continues on as if he doesn't notice. "Even if he was particularly tasty," He murmurs, his lips tracing the column of Steve's throat.

"I let him know, baby." Eddie all but purrs.

And perhaps if the competition Eddie was beating off was literally anyone other than himself, Steve would be right there with him.

Instead, he can't contain his snort of laughter. Eddie was perfect; he was a possessive and drunken dog, barking up the wrong damn tree. Steve loves him.

"You're laughing," Eddie states plainly, even as his doe eyes manage to grow even more round. Steve can't help it, it just makes him laugh more.

"Treason." Eddie declares. Then using the belt loops to keep Steve captive, he leans in and blows a raspberry on his neck.

Steve lets out an unattractive squawk, his laughter melting into Eddie's as he pushes his boyfriend's face away — to which Eddie simply lets himself go limp, his face cradled and held up solely by Steve's hands.

"Christ," Steve says between his laughs, shifting his hand to hold him more tenderly. Eddie smiles dopely, then puckers his lips and closes his eyes.

Steve rolls his eyes, entirely too endeared. "Alright, c'mere," He gives in, leaning and kissing Eddie, short and sweet. When he pulls back, Eddie's eyes are open, starry and gazing up at him. He gives a dreamy sounding sigh. Steve's heart fizzles, like it's full of pop-rocks.

"Ready to go?"

"As long as it's with you, baby." Eddie says, sounding every bit like he means it.

[lucabyte]

siffrin starts the game with oddly empty pockets for a rogue who has a habit of stashing away every little trinket that isn't nailed down

and a hardy pocketwatch is an indispensable tool for oceanic navigation

[cloakedsparrow]

‘Bruce is Tim’s Biological Parent’ AU Idea #4

The fact that Bruce was Tim’s biological father was something of an open secret in the Drake household. Both Jack and Janet knew it. They both passed away before Tim ever met Bruce, but Janet’s parents had known as well. However, they never openly acknowledged it. Jack alluded to it the most often (usually when he feeling pissy about something or other) but but even then, he never outright said it.

Tim caught on early enough to subtly make comments here and there that Janet could confirm or deny (or ask what he was talking about). She confirmed while also making it clear that it was a family secret without ever explicitly stating that Jack wasn’t Tim’s father.

Once he started spending time at Wayne Manor, Tim figured out that Bruce was his biological father (based mainly on some comments Jack made when he heard his parents arguing about whether to let him continue to do so). Since he was used to it being a shared but unspoken secret, and since Bruce was supposed to be the world’s greatest detective, Tim figured Bruce knew, too. He made similar comments alluding to it early on and Bruce, not in the state of mind to truly pay attention to Tim, just didn’t catch on to ask questions or realize what the boy was saying. Tim took his responses as confirmation that Bruce was aware of the situation and it would just be more of the same (don’t ever say it aloud) at Wayne Manor.

So Tim never said anything.

Until Damian came along. Because Damian obviously wouldn’t know and his whole ‘trying to murder Tim’ issue was rooted in the belief that he was the only blood son who needed to eliminate the interloper. Therefore, Tim figured that telling Damian would be the first step to them coming together as a family (and him no longer having to watch that the little jerk wasn’t trying another attempt against his life).

“I think we need to tell Damian the family secret.”

“He already knows.”

“He does? Since when?”

“Talia told him I’m Batman from the beginning.”

“No, I know that. I meant the other family secret.”

“Which one?”

“The one we don’t talk about.”

“Hng?”

“Look, I know it’s gonna be weird ‘cause of the whole thing where we never talk about it, but he needs to know.”

“Needs to know what? What are you talking about?”

Which is how Tim realized that Bruce had no clue the whole time and how Bruce learned that he had two biological sons.

One of which he let live with an asshole and then a hired actor before he legally adopted him because he hadn’t figured out that the boy was already his. The other of which his ex managed to hide from him for ten years.

Dick and (later) Jason will never let him live it down.

Alfred will be so disappointed to learn they could have kept Tim like he'd wanted, after Jack woke from his coma.

[riality-check]

The eagerly awaited part 2 of the DILF!Steve concert saga is here!! Part 1, in case you missed it.

"You're not going."

"Come on! I haven't thrown up in an hour!"

"The drive to the venue is an hour and a half."

"Steve-"

"And if you throw up in my car-"

"Oh my God-"

"I'll kill you."

Steve doesn't need to see Dustin's eye roll in order to feel the full force of it through the phone.

"I'll just kill you. You'll have a headstone within the week that says Here Lies Dustin Henderson: Rightfully Murdered for Puking in Steve Harrington's Car," he continues as he packs Capri-Suns into the cooler for the car ride.

He doesn't remember ever being that thirsty as a kid, but if Anna wants strawberry kiwi, Anna gets strawberry kiwi. It helps that it's Steve's favorite flavor, too.

"I'd need a big ass headstone to fit all of that," Dustin snaps.

"Your big-ass ego would demand no less, shithead," Steve shoots back.

"Swear jar, Daddy!" Anna calls from her room, across the house because while she doesn't listen to Steve when he's right in front of her, she can hear him break the swear jar rule from halfway across the world.

He zips up the cooler, fishes a quarter out of his pocket, and throws it into the half-full soup can next to the stove.

(A quarter doesn't mean much, but Anna doesn't know that. The day Steve teaches that kid about inflation is the day his pockets become permanently empty.)

"Did she just swear jar you?" Dustin asks from over the phone.

"You baited me into it."

"I did no such thing."

Steve rolls his eyes. "You're not coming, though, are you?"

Dustin sighs, and, for all his teasing, Steve does genuinely feel bad. "I still feel like if I breathe wrong, I'll hurl, so, no. I don't think I'll manage the car ride, nevermind the actual show."

"Sorry dude."

"Don't be. Some dickhead will live stream the whole thing on Instagram, anyway. I'll live vicariously through them."

Steve snorts and picks up the cooler. He got Anna dressed beforehand, so it's just a matter of getting her to stop playing with whatever toy she dug up - Play-Doh has been the fixation of the week - in her room so they can go.

"Besides," Dustin continues, and Steve hates where this is going. "Anna loved the show, and you've got a reason-"

"Nope," Steve says, knocking on Anna's door. "Don't finish that sentence."

"All I'm saying-"

"I know what you're gong to say, which means you know my answer. I don't date."

Anna opens her door. From the little Steve can see inside, there are at least three containers of Play-Doh open and strewn across the floor. He thinks her Barbies are involved in it somehow.

"Time to go," Steve says, and he thinks, Please don't let there be Play-Doh in the Barbie hair.

"Five more minutes," Anna tries.

"Nope. Clean up and roll out."

"Hi, Anna," Dustin says through the phone.

"Uncle Dusty!" Anna shrieks, and she starts jumping up and down. "Are you comin', too?"

Dustin sighs, and Steve can't tell if it's at the nickname or if he's still cursing the universe. "No, but you and your dad have a great time, okay?"

"Can you, can you tell Daddy I should get five more minutes?"

Steve raises his eyebrows at her. Anna, to her credit, ignores him wonderfully.

"If you clean up," Dustin says, because he's actually Steve's favorite person right now, "you get to do more headbanging at the concert."

Anna gasps like Steve didn't already tell her that earlier today, and she gets to work on putting her toys away. Steve helps, of course, and he finds that there is, in fact, Play-Doh in two of her Barbies' hair.

Fun. They're going to turn into Buzzcut Barbies when Anna goes to sleep because he can already tell that they are the furthest thing from salvageable.

But that doesn't matter right now. What matters is getting Anna in the car, deploying the first two of many strawberry kiwi Capri Suns from the cooler, and making the drive to the venue, which Steve does with minimal road rage and accompanied by the Disney radio station.

Success by all metrics, really.

Dinner might as well be now, so Steve shells out a truly disgusting amount of money for overpriced chicken nuggets and fries at the venue. Anna will only eat half her portion but say she's hungry later, but that's what the snacks and water Steve smuggled in via his jacket are for.

They get to their seats, dinner finished up, just as the lights go down for the first opener. Steve looks to his left, half-expecting Eddie and his friends to be there before remembering that they won't be.

He tries not to feel too disappointed. He fails miserably.

The seat next to him, however, isn't empty. There's a note taped to the back of it, one addressed to Steve and Miss Anna, so Steve feels alright taking and opening it.

At the top, there's a messily scrawled phone number. Underneath, it says:

Here's my number. Probably a bad idea to call with all the noise. Texting works, though you should do that after the show. I'll be a little busy until then.

-Eddie

Steve puts the note in his pocket, puts Anna's ear defenders on, puts his own earplugs in, and looks at the stage, where-

Hang on.

He squints at the stage, where four guys have started playing a song that, frankly, sounds too much like literally all the music Steve listened to yesterday for him to care about all that much. The drummer is pretty small, with wild, curly hair. The bassist looks familiar. The lead singer, who is very talented but not to Steve's personal taste, also looks familiar. And the guitarist-

No way. No way in hell.

It's a total coincidence. Lots of guys have long, curly hair and heavy jewelry and big eyes and are wearing formal wear, for some reason, and catch Steve's eye, and-

"Thank you for such a great welcome!" the guitarist says, and his smile totally isn't doing anything to Steve, thanks very much.

Anna stops moving, where she's standing next to Steve, and climbs up into his lap to get a better look at the stage. She looks out, then back at Steve, then out, then back at Steve, making a face as confused as Steve feels.

Some days, he thinks he ended up with a clone, not a kid.

"I'll get off the mic in a second. I only do the talking because Jeff," the guitarist points at the lead singer, who ducks his head, "is really shy."

Jeff. That name is definitely relevant, but Steve is a permanent resident of denial.

"We fought about what song we were going to include next in our set list, so much so that we didn't decide until yesterday and had to consult a tiebreaker."

Okay, maybe Steve is a less permanent resident of denial than he thought.

"So, thank you to Miss Anna, who did great at headbanging for her first time-"

Anna whips around so fast, her forehead nearly collides with Steve's jaw.

"And to Steve, who's a big fan of American Psycho."

At the song name, the crowd loses their minds, and if Anna wasn't sitting right in front of him, Steve would join them.

Because what the fuck is happening right now?

His question isn't answered. In fact, about five more questions pop up in its stead when, during the bridge of the song, Jeff puts on a clear rain jacket and picks up a prop axe.

Please, God, don't let this traumatize my kid, Steve thinks.

Anna, thankfully, doesn't get scared. When Jeff brings the axe down, again and again, Steve's weirdo daughter fucking smiles. And giggles. It's kind of cute, actually.

When the song ends, she turns back to Steve.

"That's Eddie onstage," Steve says, and saying it, somehow, makes it real.

"I thought so!" Anna says, and she turns back to watch the show. Steve puts an arm around her waist so she doesn't fall off his lap when she bangs her head to the music.

The rest of the songs, in Steve's opinion, are better than the opening song. They're more melodic, which Steve can definitely get behind, and each of them has a gimmick onstage, all based off of various horror movies. It's ridiculous, but also really, really cool.

And Eddie, onstage, because it is the same guy who flirted with him and was so sweet to Anna yesterday, is really, really hot.

Steve has never had a thing for guitarists before. He's never had a thing for musicians before. Hell, until a year ago, he didn't realize he had a thing for men.

Eddie is. Uh. Yeah. Really doing it for him.

Steve doesn't know whether it's his enthusiasm, or the way he moves, or seeing his hair tied up, or the fucking dress pants and suspenders, or just his hands, but he does know he has to get himself in check because this is an all ages show and he's here with his daughter.

He already knows he can't add these songs to his grading playlist, not when they're accompanied by visuals of Eddie playing his guitar.

Sweet Jesus.

"Alright, that's our set!" Eddie says. "Thanks, y'all, for sticking around for us, and let's give it up for the next act!"

The crowd, including Anna and Steve, cheer as they exit and the lights go up.

Steve fishes his phone out of his pocket, fully intending to add Eddie's number to his contacts, and is greeted by not one, not two, but sixteen missed calls from Dustin Henderson.

Naturally, Steve calls him back. "Who died?"

"What the fuck?" Dustin yells, and Steve just puts the phone on speaker to save the rest of his hearing. "Did Eddie fucking Munson just personally thank you from the stage?"

"Swear jar, Uncle Dusty!" Anna says.

"Sorry," Dustin says. "But Steve. Answers. Now."

"How do you even-"

"Instagram live. Is Eddie the guy you were telling me about yesterday?"

Steve takes his phone off speaker. Prior experience tells him that this conversation has a less than zero chance of staying PG, nevermind PG-13.

"Yeah," Steve says. "He is."

"The one who flirted with you, and you forgot to ask for his number."

"Well, I have it now."

"What?" Dustin shrieks, and Steve is incredibly thankful that he didn't take his earplugs out.

"He left me his number on the seat."

"Text him."

"I was going to, until I saw that you called me sixteen times."

"Jesus Christ, Eddie Munson was flirting with you."

Steve rolls his eyes and hands a pack of gummy bears to Anna when she taps his arm. "He could have just been nice. I don't even know if he's into guys."

"Have you looked at him?"

"Wow, Dustybuns, I didn't know you were homophobic."

"I think it's the complete opposite of homophobic to try to get you laid."

"Hanging up!" Steve shouts because a part of him will never see Dustin as any older than thirteen, and no thirteen year old should ever say that.

"Text-"

Steve hangs up the call. "Can I have a gummy bear?"

"No," Anna says, mouth full, in her seat, legs swinging.

"I bought them."

She shrugs. "You gave them to me. Mine now."

Steve stares. She stares right back.

He sighs and opens a new pack of gummy bears.

With his mouth full of sweet Haribo corpses, Steve takes out the note and adds Eddie to his contacts. Before he can overthink it, he sends him a message:

I guess I don't have to ask you what you do for a living. Just so we're even on that front, I'm a teacher, and Anna's full time job is preschool.

He tucks his phone back into his pocket and focuses on making this a good experience for Anna, who somehow wormed her way into a conversation with the intimidating-looking couple sitting next to her.

Because it's totally not like a literal rockstar is going to text him back. Right?

Part 3!!

[starry-bi-sky]

Danielle and Danyal's meeting... very, very quickly goes very sour from, basically, the moment Danny steps into his room and finds Ellie sitting on his bed (strike one) and reading the comic books Tucker introduced him to (strike two). By the time she's looked up to address him, Danny has the door locked, and a hand hovering near the knife hidden under his shirt.

She gets her third strike when Danny, in a voice that could make the mountains tremble, demands to know how she got into his room, and she lies (with uncertainty of her decision growing in her chest) that Jazz let her in. Danny's hand shifts closer to his weapon, and he turns towards her fully, and says that Jazz would never let someone he didn’t know into his room, and who was she.

(Vlad Masters had underprepared Danielle for her meeting with Danny -- not out of any completely direct malicious intent, but he failed to mention just how... 'touchy' Daniel could be -- he failed to mention the scars littering up his arms, unhidden by the hoodie tee he meets Ellie in. He failed to mention that along with those scars, that Danny was visibly lean, capable of doing very real damage without the use of his powers.)

(He tells Ellie that he’s adopted, and that he is observant and clever, but ungrateful and has a bad attitude.)

Her final strike occurs when Ellie, trying to keep her facade of cheeriness, tells him that she’s his third cousin once removed. Immediately, Danny has his dagger pulled out, and Ellie finds herself with the cold metal of a blade pressing against her throat.

Danyal 'A.G' Fenton hasn’t killed since he arrived in Amity Park. At first it was because mother told him to keep a low profile, and killing would do the opposite of that. But, he's been slowly learning from his sister and friends over the years the value of human life. So it's become a combination of keeping his head down, and also that life has value to it.

But. That doesn’t mean he can’t kill, nor is he opposed to doing it if the situation calls for it. It just means that he doesn't do it. And ‘Danielle’ is an unknown in his room, claiming to be family to him, and appearing uncannily similar to him and his family. Either someone hired her and she was trying to pass herself off as a relative to him because that someone realized Danny was the biggest threat, or, his false death has been compromised, his mother was unable to tell him, and the league was aware he was alive.

No matter how he looks at it, this Danielle was a threat to him, his sister, his friends, to Damian, and to the Drs. Fenton. Danyal Fenton doesn't kill, but he has no problems doing so.

(Ellie, pinned under Danny’s knee and the blade to her neck, is too terrified to think of phasing out of his hold. Not that it would help, he would just chase after her.)

“You have broken into my home, dared to lie to my face, and when I demanded to know the truth, you dared lie to me again." Danny's scowl could cower even Skulker, his glacier blue eyes burning. "Your continual breath has been a favor from me, that I have graciously allowed, from the moment you entered my room, dahkil."

"So I will ask one more time," he hisses, "who. are. you."

Danielle, only a few months old, unprepared for the ice storm that is "Daniel" Fenton, and his clone in only flesh and blood, and not memories, immediately breaks. And tells him that she was his clone, that Vlad sent her to come capture him, and to please not kill her.

Danny's face twists with anger, Ellie thinks he's going to kill her anyways. Instead, he withdraws his knife and gets off her, stringing out curses in Arabic as he sheathes his weapon back into its hiding place faster than Ellie can blink.

He switches to English as she is collecting her bearings (and contemplating fleeing), and Danny paces the room like a tiger in a cage. "--of course that wretched, arrogant, peacocking little ingrate would do something so infuriating. I should have driven my sword into the shrivel of his heart when I had the chance--"

Ellie, for a moment, thinks of leaving while he is distracted. And starts to slowly creep away. But Danny notices instantly, and whirls on her. His too-bright eyes bore into her head: "Where do you think you're going."

"...I'm leaving."

And Danny scoffs at her, "Why? So you can fly back to Masters and tell him that you failed to capture me, and that I know that he cloned me?" He says, and Ellie remains silent -- that's exactly what she was going to do. "He will destroy you within seconds."

Of course, Ellie rears back in offense, and she finds the footing to glare at him. "He would not! He's my dad, he loves me!"

Danny gets in her face, glowering back with an equal intensity. "He does not." He snaps, "Vlad Masters has not a soul in his body nor a heart in his chest. He would sooner cut off the hand that helps him stand, than to take it along with him."

"If you're really made of my blood, then I will teach you only this: we bow not our heads nor our hearts to anyone." Danny's too-blue eyes narrow, and his voice dips into a hiss, "Especially not to a conniving snake like Masters. Your heart: cut it off, or cut it out. He will sooner leave you to bleed."

Then, he unlocks the door and drags her out before she has much time to act. And as he drags her down the hall he shoots Sam and Tucker a text, and they meet up at Nasty Burger. Ellie is a spitfire, but Danny has her too intimidated to leave.

"This is Danielle," he tells them bluntly as he corners her into the booth, "she's my clone. Masters created her."

Ellie is with them for a week, and somehow throughout that time, Danny manages to actually get her to like him throughout that time. He's callous, blunt, and full of sharp edges that you can cut yourself on. But when he's not spitting venom, he's fretting.

When he drags her back to the house after being with Sam and Tucker, he pulls her to Jazz's room and opens the door to tell her the same thing. "This is Danielle." He says upon abruptly opening the door, interrupting Jazz's studying as he pulls Ellie inside. "She is my clone, Masters created her. She needs clothes."

Then he turns and leaves, shutting the door behind him. Ellie, in that moment, thinks that now's her chance to flee. But Jazz then squeals, and she is trapped in new arms, shaken around by Jazz Fenton, excited for a sister.

(Ellie finds herself complaining to Jazz that night, shoved into old pajamas. She's in utter disbelief that Jazz could care about a jerk like Danny.)

("He's rough around the edges, but Danny does care." Jazz tells her, combing through her hair with her fingers. "We've been working on it ever since he joined the family, but Danny warms up slowly. He's usually less stoney; I think your arrival spooked him.")

("Spooked him?" Ellie repeats, she doesn't believe it at all. "He has a funny way of showing it, he threatened to kill me!" And she turns around just in time to see Jazz's press her lips into a line.)

("He's... very protective. He'll deny if you ask him, but he worries a lot." Jazz's fingers find her hair again. "What I do know for certain though, is that he wouldn't have kept you here if he wasn't worried about you at least a little bit.")

(Ellie doubts it.)

But Ellie is indeed there for a week, and the day after her initially rocky introduction with Danny, he is a little bit kinder to her. Still kinda a bitch, but he's less harsh to her, if... almost uncomfortable around her. Flighty, kinda.

Whenever she gets mouthy at him though, he looks oddly smug about it and, infuriatingly enough, praises her attitude. He is very, very annoying. And still kinda terrifying. But hearing him shout insults via puns at someone during a ghost fight that happens that week lessens the intimidating factor,,, a little bit.

Things go about,,,, relatively,,,, similar to canon. In the sense that it ends with Ellie defecting from Vlad because she finds out that Danny was right and that Vlad didn't actually care about her. (And that Jazz had been right too; Danny, in his weird, mean way, had been worried about her as well)

Danny looks out of his depth as she talks about how he was right, and he cuts her off with a vaguely uncomfortable clearing of his throat. And gives her the most awkward, but genuine apology he can muster.

"I should've used more tact when telling you about Masters, and I... apologize for threatening you when we met. I was..." he makes a face like he's sucked on a particularly sour lemon, "worried. First about my family, and then later about you."

(Ellie will be damned: Jazz was right)

Before Ellie leaves, Danny puts a hand on her shoulder and tells her: "I wasn't kidding about what I said to you when we first met: you are of my blood, and as such, you do not bow your head nor your heart to anyone."

Ellie looks at him, thinks about the last week, and smiles like she's caught him in a trap. "What about Sam and Tucker then? And Jazz?"

Danny smiles, it's awkward and tilted, like his face isn't used to the gesture. "We bow not our hearts, but that doesn't mean we can't share."

[natalievoncatte]

“What if we don’t go back yet?”

It was a peculiar question that Lena asked, but a compelling one. She was currently lying with Kara, or rather *on* Kara, after the Kryptonian caught her once again. Kara had slipped under as she fell and cushioned the fall with her invulnerable body, and they currently lay in the wreckage of a sailboat along the docks, the ruined and smashed vessel bobbing gently in the ocean.

“What do you mean?”

“Alex and the crew can get the guy,” said Lena.

She was referring to the second-rate wannabe villain that had tossed Lena off the roof as a ploy to distract Supergirl and cover his escape. It had worked, of course, with Kara abandoning her manhunt to catch Lena. As she always did. That was apparently why he kidnapped her in the first place instead of, who knows, maybe robbing banks in a town without a superhero.

It didn’t seem to matter much now. Kara was warm and had wrapped them both up in her cape, and Lena’s head lay pillowed on her shoulder. Kara curled around her, breathing gently into the crown of her head.

“Why wouldn’t we go back?”

“I’m tired,” Lena murmured, giving the words more truth than she meant to. She was tired, so tired. She could sleep for a thousand years here, lying with Kara.

This always went the same way. Kara would bear her to safety like a knight in shining armor and set her down and then she’d step back.

The contact would end.

It’s not like they never touched- they hugged and kissed each other on the cheek even, and Lena secretly treasured that, but it wasn’t enough. It was different when Kara rescued her.

If physical touch was Kara’s love language, the way she held Lena after a rescue was a kind of Freudian slip. These embraces were more, just more in a profound, indescribable way.

She was always so tender, after. She would sweep the hair from Lena’s eyes and just touch her for the sake of it, running the pad of her thumb along Lena’s jawline or hugging her extra tight, extra close, fearful and yet utterly fearless.

Much as she was holding Lena now.

“I know,” Kara whispered.

She did know. If there was anyone truly in tune with her needs, it was Kara. Kara cared, so fully, so deeply, so recklessly that Lena could barely understand it, and scarcely believe it.

“I want to stay here with you.”

Kara tensed slightly, throat bobbing as she swallows and her breath caught.

“What I want more than anything is just time to be us,” Lena said, very softly. “You and me. No company, no DEO, no adventures, no crises. I could just lay with you here forever.”

Kara was quiet, gently working her fingers through Lena’s hair.

“I’ve thought about things like that.”

“What sort of things?”

She was quiet for too long a beat, then said, “just us being us, alone. No game night, no movie night, no brunch, no Noonan’s, just this. Just you and me and… and relaxing.”

“Cuddling, you mean.”

Kara shifted herself, gave Lena a little squeeze.

“I don’t want to go either. I don’t want to let go of you.”

Lena opened her eyes and looked at Kara, at her golden hair fanned out around her head and her questioning blue eyes.

“So don’t.”

Gently, carefully, Lena freed an arm and rested a palm against Kara’s cheek. Her skin was always so warm, so lusciously soft. Kara was watching her intently, eyes searching.

“I think it’s customary, after the brave her saves the girl, that the hero gets a kiss.”

Kara tensed, clearly nervous. It was the most adorable thing Lena had ever seen.

She kissed her.

Kara was stone still at first, barely responding, then something seemed to awaken in her and she kissed Lena back, intensely. Lena was a little shocked at the sudden way Kara almost seemed to lunge into her, how her hands suddenly moved and she took Lena by the hips.

It was amazing. Her heart fluttered and her head was swinging and she felt a cold shock-

“Kara! The boat is sinking!”

With the most annoyed sigh, Kara stood and lifted Lena into a bridal carry. Water was gurgling up around them.

“Alex is going to kill me,” said Kara.

“Alex can wait,” said Lena. “Take me home.”

[setmeatopthepyre]

Third Act [ now also on Ao3]

They've just evacuated the last of the factory workers when Incident Command calls for total evacuation. Structural integrity can no longer be guaranteed, everybody out. Eddie, who has their patient's other arm draped over his shoulders as they help the man limp to the nearest ambulance, grins at Buck. "Now that's what I call perfect timing."

"Yeah," Buck agrees, maybe a beat too slow, distracted by the number on the turnouts that just darted past them. The name under the 217 started with the wrong letter, the person's shoulders too narrow, height not quite right. Not that he's looking. Not that he's been looking. Not that it would matter if he was. With the enormity of the factory and the spread of the fire they have on their hands, the chances of running into a particular individual are small. Besides, if he's here, he's more than likely at the other end of the staging area, with the helicopters that are being refueled and awaiting instruction. Not that Buck's been looking. Or paying attention to any of that. At all.

They've just handed over their patient to the paramedics when their radios crackle to life once more, this time to confirm that all first responders who had entered the building are safe and accounted for.

"Thank God."

Buck turns to find Bobby has come up behind them, has clapped a hand on Eddie's shoulder, a relieved smile lighting up his face under his helmet. And. Yeah. Buck smiles with him, feels terrible for a moment for being so preoccupied when he should just be damn grateful for how their day - night, now - has panned out. Despite the enormous structure, despite how fast the fire spread, despite the upgrade from a three to a four alarm fire when it became incredibly clear the building was not up to code, despite the flammable materials housed in the far end of the structure, (despite the whir of helicopter blades overhead reminding Buck of him, despite the way he had to force himself not to stop and listen when a headcount for the 217 went out over the radio) they got everyone out alive. Some of the factory workers were in critical condition, others would be touch-and-go for a while, but they got them out alive and that was all any of them could ask for.

Perhaps it was too big an ask.

There had been a few moments in Buck's life in which he'd wondered if the universe had it out for him, was just waiting for him to be happy, let down his guard a little, so that it could pull the rug out from under him and send him sprawling. Choking on breadsticks on Valentine's Day. Choking on blood at his own welcome back party. Choking on his own nickname in his own loft as. As he walked out the door.

It feels like he's choking again. Buck watches the faces around him fall when dispatch tells them they were wrong, that there's still two people inside, on the top floor. When the IC responds that there's nothing to be done, the lower floors are ready to cave in, it's too unsafe. When a familiar voice crackles over the radio, saying there's a chance, if they land a helicopter on the roof, get the last two people out from there. That he'll do it.

"Absolutely not, firefighter pilot Kinard. That roof is ready to go any minute now, and you want to land a bird on it? That's a suicide mission. Stand down, that's an order."

There's a static crackle, as if someone, as if he, is weighing his options before he speaks. Buck doesn't breathe. Doesn't think he could if he wanted to.

"If there's any chance they can be saved, I have to try."

And Bobby meets his eyes, still tries, "Buck-", but they both know there's no version of this moment in which Buck doesn't grimace apologetically, doesn't turn, doesn't run faster than he's ever ran before.

He's gone, long strides, lungs burning, everyone and everything he passes a blur. He bumps into someone, yells "Sorry!", he thinks, isn't actually sure that's what he does, eyes set on the rotor blades looming dark against the orange cast of the fire in the distance. It's hard to tell if they're moving, what with how the light shifts in the dark, what with how his vision has become narrowed to that single point, and the dull roar in his ears could be his own blood pounding, could be the commotion that comes with a scene like this, could the be panic rising like bile in his throat.

For one insane moment, he thinks he can hear the sweeping crescendo of an orchestra, thinks, hysterically, like sprinting through an airport in the third act of a romcom. Thinks, I should tell Tommy. Realizes what he's hearing is that dull roar shifting into the high whine of rotor blades gaining momentum and thinks, Oh, god, Tommy. And then, in a blink, he's fighting the dust in his eyes and being buffeted by wind and his hands find purchase on the titanium hull and he's hauling himself inside.

With the wind gone, it's like he's suspended in stillness for a moment. Stillness, not silence, because helicopters are loud and the sound is everywhere, like a physical sensation. Or maybe that's just how it feels to be in close proximity with Tommy again. Tommy, who is staring straight ahead, punching buttons, flipping a switch, and Buck isn't sure Tommy's even aware of his presence until Tommy's reaching back, headset in hand, not looking at him at all, gaze still firmly on the dashboard.

Even when Buck has the headset on, the roar of the engine finally dropping away, Tommy doesn't acknowledge him immediately. The set of his shoulders is stiff, determined, defensive. He lets out a sigh. "What are you doing here, Buck?"

Buck carefully ignores the name, ignores the way Tommy still can't look at him. Squares his shoulders, even if Tommy can't see it. "I'm going with you."

There is a moment in which Tommy doesn't respond, simply finishes the last of his pre-flight checks. When he speaks, his voice is carefully deadpan. "You know we're probably going to die out there."

Buck can't help it, shoots back before he can think about it. "Figured this way I can prove I want you to be my last."

It works. Finally, Tommy turns. Meets his eyes. Breathes out. "Evan."

And Buck knows it's a ridiculous moment to smile, but it's like a weight falls away from him and he can feel his chest expand in a way it hasn't been able to since "See you around, Buck."

"Like you said," he amends. "If there's a chance at all, I have to try."

Buck doesn't think he's imagining the spark of hope in Tommy's eyes, the twitch of a smile, before Tommy turns back to his controls and the ground falls away beneath them.

[hello-sweetheart]

Dustin and Eddie who become actual brothers when Wayne and Claudia marry.

Steve being high low key jealous cuz he always considered Dustin like a pseudo brother but now he has an actual brother and they share similar interests, they get along, they squabble sure but in the end of the day it’s all love and belonging

And Steve is like a stray cat outside in the rain looking in at the cozy family gathered at the dinner table

He’s so happy that Dustin is happy, but their time together is limited now that his family has grown. and when they do have time he hears all about how Eddie is so cool, how his mom has never been happier, how she loves Eddie, how Wayne doesn’t mind his science rambles, how Eddie is such a great DM—

Of course he gets invited, he’s Dustin’s friend he still is he’s still here but that doesn’t mean he feels like he’s part of their family, their home.

Steve’s just the friend at the dinner table, the polite boy who offers help wash the dishes, who leaves at the end of the night with left overs. The guest.

And Eddie? Eddie who mistrusts this boy, who fits the mold of jock so perfectly that he’s baffled when he finds that there’s more to him… he takes an interest in this regular Saturday dinner guest of theirs…

[3minsover]

Steddie who keep missing each other. Who aren't in love at the same time. It's neither of their faults; they're just not quite in touch, in tune with each other.

Sure, Eddie had a stupid huge embarrassing crush on Steve throughout junior year, senior year and senior year 2.0. Sure, it was made so much worse when in Steve's first and only senior year, Eddie found himself sat in math class diagonally behind the fallen king. He'd watch the way his hair moved when he ran his hands through it in frustration. He'd see the shift of muscle under his shirt when he bent down to pick up a dropped pencil. And every time Steve would smile, flutter his lashes and pinch his eyebrows, say; "I'm sorry sir, I just don't know", Eddie would find himself shifting in his seat, nipping at the skin on the side of his finger, knee bouncing under the desk. They didn't really talk beyond 'hey's in the corridor, beyond 'did you do the homework?'s - to which Eddie would without fail stutter out an 'Uh- so, no. I meant to- Just, uh. No.' and Steve would without fail flash a soft smile, bump his shoulder into Eddie's and whisper 'Me neither.'

It got easier, after Steve graduated. Eddie still saw him around, still recognised his car in the lot when he was giving Robin Buckley from band a ride to school. But it wasn't so immediate, wasn't so raw. And after a while, the butterflies would fade. He'd be able to meet Steve's eye across the Family Video counter without feeling his mouth go dusty and his heart leap into his throat.

Steve hadn't realised his feelings for Eddie were anything more than friendly, until he graduated high school. Without the daily glances across the classroom, the moments he'd always take to make conversation, it felt emptier. It gave him time to think about the way his chest would tighten at Eddie's shy smile whenever they talked. Steve hadn't realised he might be allowed to feel something softer than 'dudely bro-ship'.

That is, until it fades so the only time Steve sees him is when he drops Robin off at school, or when he comes in to family video to rent Halloween again. Steve's heart prickles at the sight of him, but after a while, Eddie's visits drop off.

Steve tries to keep himself busy, grateful for some time without inter-dimensional battles or Russian agents trying to kill him. Thoughts of Eddie drift to the back of his mind, for almost six months. And then in the spring of '86, Steve finds himself thrown against the splintered wall of a nondescript boathouse on the outskirts of town. And it's Eddie Munson from Math that has a shaking, jagged bottle held up to his throat. It absolutely doesn't awaken things in him that he never knew he could want, absolutely not.

But regardless, he's staring half-terrified into the dark, watery brown eyes of Eddie Munson from Math, and all he wants is to reach out and smooth a palm over his cheek. He wants to curl his hand around those trembling fingers and tell him it's all gonna be okay. Of course, it isn't. Steve doesn't get much of a chance to talk to Eddie over the next week, what with some vampire soul-sucker guy terrorizing the town, and Max getting possessed and the whole thing going entirely to shit. But he finds himself drawn inexplicably into Eddie's space, splits off with Eddie and has the girls pair up and then Eddie calls him 'big boy'. And his entire world stops spinning for a moment. For just a second, it's just the two of them, and Eddie's face is so close to his, his smile so wild and beautiful.

The whole world stops, before it rockets back into thrilling, terrifying motion.

In the fear and the panic of the final Vecna showdown, Steve has to thrust his feelings back down deep. He can't let shit like a crush get in the way when the lives of the people he loves most are at stake.

It all happens so fast, and before he knows it, Max is in a coma, Eddie's been torn up to within an inch of his life, there's no certainty that Vecna's even gone, and he doesn't know what to do.

For days, Steve sits by Eddie's bedside when he can - when he's not with Max - only sleeps when he does. He silently begs for Eddie to be alright, feels guilty for every thought he has that isn't about Max. He begins to resent how desperately he pines for the moments when Eddie's awake, and after a week, once it's clear that Eddie's going to recover, Steve doesn't visit him anymore.

With all the feelings that are getting jumbled amongst the multitude of all the other horrible nasty fragile things that are writhing around inside, Steve forces himself to shove any thoughts of Eddie down, to get over him. And before he realises, it's been weeks. He's still worried for Eddie, of course he is. The guy almost died in Henderson's arms. But now the world's not actively ending, now he has a moment to breathe, he wonders whether the sparking, shimmering thing that had his mouth going dusty and his heart leaping into his throat was the same thing that had him saying all that shit to Nancy in the upside down.

He can't trust that it's not just a trauma response.

After Eddie recovers, slowly and with more help than he'd ever admit he needed, he sees Steve again. But he's distant. Friendly, but impersonal. An acquaintance. Things are as they were before. It hurts, but he knows all too well that any of the flirtation, the playful teasing and longing looks can only be chalked up to the fear of the end of the world.

It's a couple months before Steve tells Eddie he's going to college out of state. He's leaving in a week. And everything that had been laying dormant for so long comes bubbling up to the surface.

"Shit, I wish you'd given me a little more notice, Harrington," Eddie says, trying desperately to keep the heartbreak out of his voice.

"I'm sorry man, I just. It all happened pretty fast and like if I didn't do it now, it wasn't gonna happen, yknow?" Steve shrugs awkwardly, runs a hand through his hair.

If I didn't do it now, it wasn't gonna happen.

"It's gonna be a damn sight harder to like you this much when you're that far away," Eddie's mouth says before his mind can catch up.

"I like you too, man, but hey, I'll be home for Christmas. You can catch me up on everything I miss, huh?" Steve bumps Eddie's shoulder, just as he used to when they were leaning against the lockers back at school.

"No, Steve. I- You're, I mean. I like you. In a- Like I have, I totally have feelings for you, dude," Eddie forces out, watching his sneaker as he kicks at the ground.

"Eddie..." Steve says softly, and it just breaks Eddie's heart even more. Because that's a let-him-down-gently 'Eddie'.

"No, no it's- Don't sweat it man, just sorta had to tell you before you- Anyway. Have fun at college. I'll- I'll be here when you come home."

"Eddie, wait. I'm sorry. I just..." Steve begins, looks so pained, reaches to take hold of Eddie's shoulder. He avoids it, ducks out the way. And then Eddie leaves, before Steve can try to do something awful like making him feel better or tell him it's okay.

Eddie doesn't see Steve again before he goes to college. Hears from Henderson over the next few months how he's getting on, all the babes he's dating, the assignments he's trying to actually do before the deadline, and Eddie forces himself to smile, crack a joke, whatever.

Slowly, he extricates himself from conversations about Steve. Doesn't want to hear it, but can't tell anyone why. So he finds excuses; he has to take a leak, just remembered he promised Wayne he'd pick up groceries, got band practice, whatever he can come up with. He doesn't even hear Steve's name, tries desperately not to think about him (and fails), until December.

Until the evening of December 24th, when there's knock at the trailer door. With Wayne already asleep, Eddie drags himself from the couch to pull the front door open.

Eddie's met with a coat-wrapped, scarf-muffled, bobble-hatted Steve Harrington standing on his doorstep. He’s rocking back and forth on his toes, arms crossed tight around his chest, hands tucked under his arms. His cheeks are pink, the tip of his nose pinker still, nibbled by the cold. He’s just as beautiful as the last time Eddie saw him, and it jerks his heart into frantic motion against his ribs.

He’d thought he was over Steve, that seeing him again would be just like what it is; welcoming home an old friend. Except all Eddie wants to do is take hold of Steve’s frostbitten cheeks, pull his face towards him and kiss him like it’ll erase all the months of pining that had gone before.

Of course, he doesn’t. Instead, he just balks, says "Steve? What are you-?"

"I had to see you. I’m sorry if this is like inappropriate or if you don’t wanna see me- Dustin said you seemed like, mad at me or something. And honestly I can’t blame you, really. I shouldn’t have- it’s not that I didn’t, that I wasn’t. What I’m trying to say, Eddie, is that I know it’s too late. I know I missed my shot. But I haven’t stopped thinking about you for the last four months."

"Steve-"

"I know I have no right to do this to you. But it was killing me, man. Because I think I might have- I think I might be-"

"Me too," Eddie interrupts. His mind’s whirring and tumbling, trying to gather up the pieces of Steve’s fragmented confession. Steve’s jaw hangs open just a little, paused halfway through a word. "I thought it’d gone away. Thought I’d gotten over Steve Harrington," Eddie continues with a sardonic little shimmy of his hands, "but uh, seems you’re a little harder to shake than I thought."

"D'you, d'you want to shake me? Off, I mean," Steve asks, dipping his chin and looking up through thick lashes, a shy, self-conscious suggestion of a smile pulling at the corners of his lips.

"No. no I don’t."

"Oh thank god. 'Cause I don’t know if I’d survive that," Steve exhales, his small smile spreading into a grin. He rocks forward onto the balls of his feet again, and Eddie finds himself pulled into Steve’s orbit. It doesn’t matter that he’s just in his socks and the doorstep is damp with cold. Eddie crosses the threshold and curls his fingers gently around the lapels of Steve’s coat. Eddie’s struggling to breathe, little puffs bursting forth from his lips and clashing in the air, mixing with Steve’s own.

"Can I-?" Eddie asks, doesn’t dare say the word aloud in case Steve’s not on the same page; gives himself an out if Steve’s not where Eddie’s at. Where he’s always been at, really. It just wasn’t quite at the right time.

"Yes. Please," Steve breathes, sweet frosty breath swirling gray-white around in the thin, chilly air between their faces. Slowly, giving Steve plenty of time to back away, change his mind, Eddie draws Steve towards him, tips his chin until their noses brush. the very peaks of their lips touch, and Steve’s breath hitches at the contact. It’s the prettiest sound Eddie’s ever heard. Eddie sips in a breath, hardly daring to move, and lets Steve nudge their mouths together.

Finally.

Their lips press softly together, and Eddie feels Steve’s hands come to grip at the sides of his sweater, bunching it at his waist. He pulls Eddie towards him, moans softly, just the tiniest hint of voice slipping out and into Eddie’s mouth. A new prettiest sound.

Suddenly aware of their very public, very chilly location, Eddie stumbles backwards, pulls Steve inside with him. Steve follows enthusiastically, kicking the door shut behind him with his heel, lips never leaving Eddie’s for even a moment. They’re entirely wrapped up in each other, even as Eddie frantically unwraps Steve’s cold-proof clothing, lost completely in the feeling of their bodies pressing together.

They took their time, to get here. But now that they are, here is where they’ll stay. It won’t be easy, being apart for long stretches while Steve’s away at college, but now they’ll have a little something of each other’s to keep hold of until they’re together again.

They’ll have the promises they made each other that night, the words whispered against skin, the kisses pressed and breath shared. They’ll have the silent, precious exchange of one heart for another. And that will see them through.

[hairmetal666]

Everyone in the league knows about Eddie Munson. He has the makings of a great pitcher, except for the fact that his slider has a 75% chance of sliding too high and his fastballs mostly end up in the dirt. His technique is wild, flailing, unrestrained. Which is why Steve is beside himself when he learns about the trade.

The owners, they think that Steve being the best catcher in the league means he can work with Eddie, settle him, make him a real prospect. Steve's input isn't needed with the decision already made, but Munson--with all his tattoos piercings and leather--looks like he'd rather hock a loogie at Steve than take directions from him.

And Steve is the best in the league, the glue that keeps the team together. They're a well-oiled machine, and Eddie is--Eddie is a squeaky wheel.

They meet for the first time, briefly, in the locker room. He's seen the guy before, of course, but now, like this, he can't help but be intrigued by his pale skin and long curls and brown doe-eyes, his lightly muscled frame. And they're in the locker room, Eddie with just a towel around his waist, exposing his toned chest and stomach and the black swirl of his tattoos.

"Steve Harrington!" Eddie reaches out a hand. "Great to meet you, man."

"You too. Excited to have you with us." The handshake is quick and firm and Steve is trying not to be surprised about how excited and genuine the guy sounds, keep his mind away from thinking of how Eddie is naked aside from the towel.

With only a few weeks until the start of the regular season, Eddie starts pitching to Steve. And Steve, he so expects Eddie to fight and grumble and refuse, that his head sort of spins when, on the first day, Eddie claps him on the back with his glove, says, "where do you want me, cap?" and that's that.

He wants to say that they dislike each other, that they're a bad fit, that Eddie is full himself and refuses constructive criticism.

Instead.

Instead it's easy.

Eddie doesn't complain, doesn't argue, just watches Steve, learns him, takes his advice and notes and implements them as much as he can. They like each other, have an easy rapport, get each other. He's tight with all the pitchers, but Eddie is different. They settle each other.

They're best friends. They hangout constantly. And he doesn't have a crush; he doesn't. It would be unprofessional. They're best friends.

But sometimes, sometimes he thinks he catches Eddie looking at him. It's impossible. Of course it's impossible. Eddie couldn't be into the guy Sports Illustrated called "baseball's Ralph Lauren model" in the intro to Steve's Body Issue photo spread. And it doesn't matter one way or the other because Steve won't make a move. He won't jeopardize the team like that.

They don't touch. He touches everyone on the team, often, and Eddie particularly is a physical guy, but aside from that first handshake, he keeps his distance. Steve's afraid--even though it's silly, he's afraid--that once they start touching, he won't be able to stop, and he can't let that happen.

The team is good, competing for first place in the National League. Eddie's success has made everyone else better.

It's late July, they're in first place in the league, and Eddie's pitching a perfect game. There's only been 24 perfect games thrown in the history of Major League Baseball, but it's the eighth inning and Eddie's doing it.

A pitch goes wild, veers high over the umpire's head. Eddie's shaken, Steve can tell with how his fist tightens compulsively around the ball. The next pitch swings wide, towards the batter's knees.

The count is at 2 balls, no strikes, and he can see, even from behind home plate Steve can see, that Eddie's losing it. He heads for the mound, refuses to let it end like this. He closes the distance between them, has a quick internal debate before he puts his hand on Eddie's lower back. They've never touched, this is it, this is--warmth bleeds from Eddie's skin, through the fabric of his jersey, goes straight to Steve's head.

Eddie frowns. "I don't think I--"

"You're going to do it, Ed. I know. I can feel it." He pats his chest, over his heart. "It's gonna happen."

Eddie's breathing settles and it's only then that Steve realizes he's rubbing circles into Eddie's back with his thumb. He's not sure when he started, doesn't want to stop, loves being able to feel.

"Okay," Eddie says.

"Okay."

Steve removes his hand, heads back to home, still tingling with the warmth of Eddie's body even as he crouches behind the plate.

He closes out the inning with three definitive strike outs. The crowd goes wild.

They take the field for the top of the 9th, the crowd is screaming, ready for this, the energy zipping through every player on the field.

It goes by in a blur. Nine pitches. Eddie's perfect game is wrapped up in nine phenomenal pitches.

As the ump calls the last out, there's a moment of complete and utter quiet in the stadium, Steve's heart a pounding hum in his ears, before pandemonium breaks loose. There's screaming, fireworks, someone is crying--

All he can see is Eddie. Eddie's who's thrown his glove to the dirt, is barreling towards him with a triumphant smile bright on his face. Steve stands, runs to close the distance. He sees the moment that Eddie decides to jump into his arms, catches him easily--will always catch him--but his legs are tired and the momentum gets him, sends them tumbling back into the grass.

They're both yelling, laughing, smiling hard enough to hurt. Eddie's hair has fallen out if its tie, tumbling around his shoulders, and Steve gazes at him, can't help it, in this moment can admit that he's so, so astronomically in love.

It's only then Steve realizes that the laughter's stopped, that Eddie's gazing back. Brown eyes shining bright with happiness, cheeks flushed pink, lips parted. Thoughtless, he reaches up to caress Eddie's cheek.

The team reaches them, streaming around them, yanking Eddie and Steve to their feet. The celebration stretches around them, the moment slipping away. He wants to finish what they started but there are interviews, champagne showers, congratulations, that keep them apart. Sometimes, from across the room, their eyes meet, and there's heat there that's new, that sparks something low in Steve's gut.

Hours pass, and finally he finds himself alone in the locker room. He's just pulled on his t-shirt when the door shuts behind him. He spins, finds Eddie, waiting, watching.

He crosses the room without a word, can't not, not now, not after everything. They grapple for a second, the wanting so strong that it takes a second to settle, to find each other. They kiss hard, desperate, seething with desire.

Steve hopes it never ends and it doesn't, just tapers into soft kisses, gentle nips. He can't bring himself to step away.

"Is this for real ?" Eddie whispers.

"I've been insane about you since the trade."

Eddie's smile is blinding. "I used to have those pictures of you--the ones with the little red shorts?--in my locker in the minors. Feel like I'm living in a dream right now."

It lights him up inside, knowing that Eddie wants him, has wanted him. "Let me take you home and show you just how real it is?"

He snorts, but his dimples deepen, eyes shining. "What a line, sweetheart."

"Yeah well, the baseball field isn't the only place where I hit home runs."

[steddiealltheway]

Thinking about Steve who has not a single idea about how social media works, but he downloads a few things like Instagram and Twitter only to check in on the kids. Other than that, he has zero knowledge of pop culture and kind of lives in that blissful bubble. Every once in a while, the kids will get a bit exasperated with him, but he enjoys listening to them explain things - and he knows they secretly love being able to rehash all the gossip.

And honestly, being out of the loop has it’s perks. Especially when he’s on a plane to Los Angeles, California to visit the Byers while they’re there for a concert and to do some sightseeing in the meantime. He’s sat next to someone who sits by the window seat but wears a baseball cap and sunglasses, curly hair tied back in a ponytail. He seems strangely on edge - maybe suffering from a hangover or scared of flying.

Steve can’t help but tap him on the arm. When the stranger turns, he has his mouth in a flat line looking strangely done with the conversation before it’s even begun. “Sorry, I was just going to ask if you’re okay,” Steve says.

The man frowns and tilts his head. He hesitates to reply, “Yes, I’m just… a bit on edge.”

“Tell me about it. This is my first time on a plane.”

The stranger’s mouth twitches. “Is it really?”

“Yeah. What about you?” Steve asks.

“I’ve been on hundreds of planes - would rather be on the road though,” the stranger says reaching up to grab at the end of his ponytail and twirl it around his finger.

Steve smiles and replies, “I get that. I’m Steve by the way.” He holds his hand out to the stranger who eyes it wearily.

“Eddie,” he replies quietly and shakes his hand.

Steve gets distracted by the rings on his hands and finds himself asking about them. The stranger looks at him for a moment, and, even with the sunglasses on, Steve can tell Eddie is strangely taken aback. Steve is about to take it back and apologize for… mentioning the rings? But Eddie points to the first one and explains.

The rest of the plane ride goes well, amazingly well even. Steve finds himself chatting away with Eddie and throughly enjoying his company - especially when he holds his hand while the plane takes off. He especially enjoys the moment when Eddie briefly takes his sunglasses out to look at the clouds, and Steve gets to see his beautiful brown eyes.

A range of emotions pass through those eyes before Eddie puts the sunglasses back on. Steve almost asks him to keep them off - entranced by the way they express everything he’s thinking. But that can be a dangerous thing, so he doesn’t press him about it.

When the captain announces that they’re about to land, Steve is truly upset to think about not getting the chance to see Eddie again. Maybe it’s the fact that Steve has taken a risk and finally left Indiana for once or maybe Eddie’s just one of the first people he’s hit it off with in a long time, but Steve asks, “Do you want to get coffee? After we land.”

Eddie’s tongue rests on his top lip, tracing it back and forth as he considers it. He finally responds, “I would love to, but I have an appointment as soon as we land.”

Steve lets the disappointment settle in him but tries his best not to let it show. “It’s alright.”

But Eddie fidgets with his rings, tongue still resting on his top lip as he debates something. “Do you have an Instagram?” He asks.

Steve laughs bashfully. “I do, but I never use it. Well, I do sometimes just to keep track of some kids I used to babysit honestly, like Dustin who I told you about.”

Eddie’s smile turns into a full blown grin. “Of course. Well, do you mind if I get your Instagram so I can message you with when I’m free? I would give you my number but… I’m afraid of it getting out. Not that you would do that but… people listening and whatnot…” Eddie spins his rings so anxiously fast that it makes Steve nearly laugh.

“Yes, I hope I remember it correctly because I didn’t come up with it,” Steve confesses. Eddie passes him his phone with the notes app open. He types in steve.the.hair.harrington and hands the phone back.

Eddie takes it back and laughs as he reads it. “It’s fitting,” he explains and reaches out to mess with a few strands.

“I try my best,” Steve replies with a shrug, wondering how he can get Eddie to touch his hair again.

“My hair stylist would love you,” Eddie says then freezes.

Steve smiles. “You have a hair stylist?”

Eddie struggles to respond but is given an out as the plane finally lands. He’s immediately reaching out to grab Steve’s hand, and he forgets all about the question.

Eddie doesn’t let go until people start making their way off the plane, using his hand to tilt his baseball cap a little lower and tuck in on himself. It’s as if he’s trying to avoid having someone see him, but Steve doesn’t want to pry so he doesn’t ask.

Eddie follows Steve off the plane and glances around once they get to the terminal. Then, he quickly pulls him into a hug and whispers, “Thank you for a normal flight.”

Steve has no idea what he means by that, but he just squeezes him back tighter. Eddie pulls away and lingers in his arms. Steve wants more than anything to take off his sunglasses and look into his eyes again.

There’s a sound of a camera going off that has Eddie jumping away and putting his hands in his pockets. “Think we’re near someone famous?” Steve jokes.

“Oh, I know we are,” Eddie says with a small smile that makes it seem like he knows something that Steve doesn’t. Before he can ask, Eddie is saying, “I hope I’ll see you again. Goodbye, Steve.” And with that he’s rushing off, pulling his baseball cap a little lower and directing his gaze towards the ground.

He’s strange, but Steve likes him.

The rest of his day, he has a spring in his step. And by the time he gets to his hotel, he collapses on his bed with a sigh of relief. He pulls out his phone and checks for any notifications before he realizes his phone has been on airplane mode. He turns it off and waits for a message from Robin or Dustin to appear on his screen.

Instead, he’s bombarded with notification after notification - including 27 missed calls from Dustin. He calls him immediately.

The phone rings for not even a second before Dustin is answering with a scream of, “Steve Harrington, why have you not answered your phone?!”

“I’ve been sightseeing. Is everything okay?”

“Check the photos I sent you!”

Steve rushes to his messages, finding them filled with people he hasn’t heard from in years. He ignores that and goes to his pinned messages with Dustin. He clicks on the first picture he sees.

It’s a poor quality photo of him and Eddie hugging in the terminal. He swipes to find a photo of him and Eddie holding hands on the plane. Then another one of him lingering in Eddie’s arm looking… very smitten. “Dustin where did you get these?” Steve asks swiping and even coming across a video of them talking on the plane, with Steve laughing as Eddie dramatically tells some sort of tale.

“Better question, how did this even happen Steve? Why didn’t you tell me?!”

Steve is thoroughly confused. “Dustin, I just met Eddie today. But seriously, how did you get these?”

There’s a pause on the other line and a breathed out, “Oh my god.” He can hear Dustin take a deep breath before he asks, “Steve, please tell me that you know who Eddie Munson is.”

“His last name is Munson?”

There’s a muffled scream on the other line before Dustin is launching into a speech about how Eddie is one of the most famous up and coming artists right now. And yeah Corroded Coffins does sound familiar, but it doesn’t click until Dustin explains that’s who Steve and the Byers are going to see in concert.

Oh.

Steve thinks back and everything clicks - especially the number of people who were staring at him and trying to sneak photos while he was out. He scrolls to a screenshot of a Twitter post with the caption, “did anyone else know that eddie munson has a boyfriend???”

Steve’s eyes widen. “Dustin, how many people think we’re dating?”

“The entire internet so basically the whole world,” Dustin says, and Steve doesn’t have time to even process that statement before Dustin is yelling, “Oh my god!”

“What?”

“Eddie Munson just liked a photo I was tagged in! Holy shit, he’s seen my face!”

“Yeah, dude, I told him all about you on the plane,” Steve says. And boy, that probably will not help with the kid’s ego.

Steve opens his Instagram, ignoring Dustin’s little screams on the other line, and takes in the sheer number of notifications. He quickly goes to his requests in his messages and finds one from therealeddiemunson. “Hey, Dustin, what does a blue checkmark mean?”

Dustin groans on the other line asking why it was Steve who got to meet him before finally explaining it. Steve accepts the request and stares at the message hey, you still on for that coffee?

Steve clicks on Eddie’s profile and his heart thuds. He’s pretty sure people aren’t supposed to have a “K” in their follower count. He looks at the recent photos and feels himself turn a bit red. He almost has no clue how the Eddie he met on the plane and Eddie Munson are the same guy.

“Dustin, if I turned down Eddie Munson for coffee would you ever be able to forgive me?”

“Don’t you fucking dare, or I swear to god I will never let my mom bake anything for you again.”

Steve laughs and with that he goes back to the messages and sends Absolutely :)

[starrystevie]

"you're gonna make me fall in love with you, aren't you?"

eddie's room is quiet except for the ambient noise the trailer makes and the deep, sighing breaths steve is making against his chest. it's the same breaths he makes when he's sleeping, the ones that sound like once he's unconscious, he can actually let go and take in a full breath without all of his daily anxieties holding him back.

eddie assumes he's asleep now so he mutters out the secret he's been holding in for too long. eddie assumes incorrectly because steve's snuffling against his chest to resettle his ear over eddie's heart.

"would that be such a bad thing?"

steve's fingers drag slowly across his stomach before wrapping around the side of his bare waist, pulling like he could somehow get eddie even closer than he already is. he has half a mind to push steve off his chest so he can't hear how wildly the move makes his heart flutter.

eddie sighs, runs his fingertips over steve's freckled shoulder like an apology. like a promise. "i'm not sure yet."

they aren't just friends, they aren't dating but they're- they're something. something that's made up of too hard kisses and wandering hands and gazes that catch before darting away with dopey grins. they're a forest fire that can't burn out, can't be controlled until it's all scorched earth in its wake. they're a rainstorm, soothing and gentle, coaxing life back into the forest floor like it deserves a fresh start.

eddie's afraid but when is he ever not? eddie's confused but that's not exactly a first either. eddie's falling for steve and it has his brain tied up in knots as he tries to make sense of it all. steve wraps a leg over his while his fingers drum against his side. he has to be able to hear how everything he does, everything he is, affects eddie because he's leaning up to press a shock of a kiss over his heart. like the electricity from that alone will shock eddie's heart back into rhythm.

"well, let me know when you make up your mind about falling," steve whispers sleepily, his lips dancing over eddie's sensitive skin leaving goosebumps and lightning in its wake, "because i'm already down here waiting."

eddie's heart thuds painfully, steve covers it with a kiss once more.

he closes his eyes and feels, takes in the sharp bite of steve's cologne, matches his breathes to steve's, runs his foot over his bare calf to get them even closer. he doesn't have to think about it for too much longer because he already knows that he'll follow steve anywhere, even if that means tumbling and falling after him.