#This was p fun to write

[choccy-milky]

Hello! When your Seb x Clora pregnancy one-shot is complete, will it be on ao3 or wattpad? (or both?)

waiting with bated breath btw

not pressuring a finish tho, take ur time Choccy 🥰

it'll be on both ao3 and wattpad!! and omg ik its taking long IM SORRRY, its bc its gonna be way longer than i expected LMAO, i just recently finished my outline and the outline ALONE is 41k words💀and im currently at 8.3k written😩🙏 IM GLAD YOU'RE LOOKING FORWARD TO IT THO🥹💖💖i defs hope to get it finished by this month or die trying...but heres a lil sneak peek in the meantime of impatient seb who cant wait to bring baby celeste into the world LMAO🤰👼

(seb is a freak but so is clora)

[cheriboms]

since manfred is learning to read (+ speak), and spite/cole both like being read to, i thought it only made sense theyd have a little unofficial book club :) unfortunately some picks are more... ahem... educational... than others >_>

[grimesgirll]

“good fucking girl.”

is definitely not something rick should be saying to his best friend’s girlfriend - especially not with his cock halfway down her throat.

the moment shane had stepped out for a run with glenn and michonne, you and rick were all over each other. you couldn’t handle sneaking into rick’s bed down the hall anymore. you were bound to end up in his lap on the sectional, pawing at him like a bitch in heat.

it’s not that shane didn’t fuck you; he took every chance he got. you’re just enamored with rick. ever since your boyfriend had “shared” you with his fellow officer, rick had been on your mind.

the way his brown constable’s jacket fit against his muscles when they flexed. the glint of his chocolate curls. how good he is with judith.

rick gets you goin’ in a way shane hasn’t for quite some time. he was right when he got you down on your knees back at the rest stop. you did look at rick like you wanted to drain him and then have him bend you over and fuck you silly - and that’s what ended up happening.

ever since that day, shane got off on toying with you and having you sit on rick’s cock in addition to his own. he uttered excuses about the stresses of their new duties as constable but you just slid down your denim skort and squealed the occasion away.

you’re quiet now, nice and muffled on rick’s dick as you swallow around him. the motion has him twitching in your mouth. wanting to finish off inside of you for the night, the thick length in your mouth is withdrawing and suddenly you’re in that familiar face down position again.

“so wet, baby,” rick remarks in awe as his length brushes your slippery entrance.

you’re squeezing your thighs together - trapping him between the pillowy soft surfaces. “rick,” you cry. “c’mon, already.”

“what’d we say?”

you swallow, a tear from how needy you are sliding down your cheek. “please, sir.”

you could care less if shane walked in right now. as long as rick keeps driving his hips into yours and breathing your name like a prayer, you’ll be content. content to get fucked silly by the man before he takes you in his arms and spends the night with a hand on your waist and his nose buried in your hair.

that’s after though.

now, you’re being nearly fucked up the couch.

rick’s just enjoying the way your sweet little cunt grips him like it needs him. the little thing sucks him in even better than your mouth.

and you’re a whole other story. sweat sticking to your glistening forehead, you’re babbling incoherent thoughts, strung out on the cock molding you to his shape.

your slick is pooling around rick like he’s in the fucking atlantic. so close to losing it all over him already, you’re making an absolute mess of the couch that you’ll have to resolve before shane gets home. don’t want him suffering from any fear of missing out.

the man is swept from your mind when rick absolutely crams his cock inside of your clinging cunt. the kiss to your cervix is enough for you to start seeing spots around the older man making you take his cock so well.

every time you park your pussy on rick’s thick dick and come, you ground down, grasp his hand, do anything to get as close as possible. feeling him to skin to skin is second only to feeling him fill you up. the filthy praises coming from his lips come close as well.

“fuck, baby, so nice and tight. you want me to come inside you, huh? have shane come home to this pussy all messy?”

you’re shaking your head like you have any idea what you’re asking for. “yes, rick! i want you to make a mess of my pussy.”

“then come all over this cock, honey.”

“mhmm, rick, i-,”

“that’s it.”

“i love how deep you are, rick-,” you’re bumbling like an idiot and muttering a string of “i love you”s as the dam bursts and you come undone on rick’s cock.

the pulsing warmth beneath you is accompanied by a husky, “i love you too,” and a chorus of your name into your shoulder as rick used his horsecock to fuck you two through your climaxes.

the friction on your clit heightens the heat surrounding you and flooding into you from rick. you’re almost overwhelmed by the bruising kisses rick purples onto your neck as he gathers you on top of him.

“you did so good, honey,” he’s praising you and you’re just nodding, humming, “thank you”s and “i know”s until he’s bear hugging you again. the way he nuzzles into your neck from behind and exhales into your hair is enough for you to forget trudging up to bed and drift off into rick’s touch right there.

you’re already asleep in his arms but he takes the time to stroke your hair and kiss up and down your temples. god, he loves getting this time with you to himself - even if you’re asleep.

with you pressed against him and your heartbeat thrumming, the world is still and rick realizes something - he’s never letting you go.

[pizzaqueen]

A snippet from a future fic I'll probably never write, where Steve is a widower with two teenage kids, and he and Eddie randomly meet up, rekindling their old flame. This is when they've been together a while:

“Thank you,” Steve says, coming up behind Eddie at the bathroom sink.

Eddie pauses, catching Steve's eye in the mirror. “What for?” he asks, mouth foamy with toothpaste.

Steve slips his hands along Eddie's hips, hooks his chin over Eddie's shoulder. “For loving my kids.”

“You don't—” Toothpaste dribbles down Eddie's chin and he stoops to spit what's left in his mouth into the sink, gathering his hair to one side. He rinses his mouth out, wipes his face with a towel, then turns to Steve. “You don't have to thank me for that. Of course I love them.”

“Not everyone I've dated has.”

“They're idiots.” Eddie grabs the hem of Steve's shirt, pulling him close. “I mean, first of all, they're part of you, and I don't think I could love you and not love them. But...” He trails off, a small smile tilting his lips. “They're amazing kids.”

Pride swells in Steve's chest; he slides his arms around Eddie's waist and says, “They are.”

“And I'm pretty damn honored I get to be part of their lives,” Eddie says, “so thank you,” and he butts his head gently against Steve's.

Steve huffs and slides his hands up Eddie's back, pulling him into a tight embrace. “I love you.” He presses a kiss to Eddie's neck.

“I love you too.”

“And they both love you as well.”

Eddie lets out a shuddering breath. Steve knows how nervous Eddie was, when they started dating, that he wouldn't be welcomed, but it's almost like he's always been part of their family now. “Good to know,"”Eddie says.

Steve holds Eddie a little tighter. All those years ago, back in Hawkins, when they ended things, Steve thought he'd never see Eddie again. But here they are, together—a family—and Steve's never letting him go this time.

[manofthepipis]

battery acid pool party :D

bonus sneo under cut

he feels pretty :)

[noxious-fennec]

3 years and I'm STILL IN THE FUCKING BUILDING... unbelievable... anyway happy re-bday to my pathetic cringefail politician

Alt ver. under the cut

***Massive disclaimer: i do not support the cc this is strictly about the fictional character

[inkyarcturus]

CW: underage drinking, being drunk

More teen Harry Severitus antics:

The two had grown closer in the past year or two, its 6th year and everything seems to be calmer to an extent. They come up with a schedule where Harry goes to meet up with Severus on a weekly basis.

It started as extra defense or occlumency lessons but turns into a glorified excuse to be in one another’s presence.

That day, the Gryffindor are throwing an after Quidditch victory party. Harry tells Severus that he won’t meet up with him, wanting to spend his time as a normal teenager for once. All Severus does is nod, quietly disappointed but not enough to make it known.

There’s drinks involved, so so many drinks have been smuggled into the common room and there’s is a 100% chance that someone already spiked the pumpkin juice.

At least three Gryffindor are using the couch as a mock stage for their spontaneous band, singing songs the entire time Harry is there. The music is so loud everyone has to basically scream to be heard despite being right next to one another.

Harry’s using this as an excuse to lay back, relax a little after all the events of the previous days, weeks, months, years, honestly his entire life at this point. So he gets a little reckless, drinking 1 shot, then 2, then 3, and surely he’s down like 6 shots by now. By the end he’s come to the brilliant realization that he is a light weight.

Cursing his childhood starvation which caused his stunted height and forgetfulness (he forgot to eat earlier) he’s essentially bumbling around like an idiot.

He is plastered out of his mind and the brightly colored lights, loud music, screaming, touching, everything about the party is suddenly too much for him. All he wants is his dad. The silence of the dungeons, the soft glow of a fire place and the comfort of his room that Severus had made specifically for him during the summer.

Before he knows it he’s out of the common room, shutting the portrait and leaving all the noise behind him. He’s dazedly walking, functioning on muscle memory alone to bring him to Severus’s quarters.

He wasn’t even thinking about the possible consequences of an adult figuring out that he was drunk.

Thankfully, (or maybe unthankfully) Harry runs right into Severus on his walk to the dungeons, not even noticing him in his drunken stupor. Severus wraps his arms around him automatically.

“And what are you doing out past curfew so far away from the lions den, Mr. Potter?” the professor drawled out, still keeping his hold on Harry.

The drunk child squints up at him, “Dad? When did you get here?”

Before the man can stop himself, his hold tightens in shock at the title. Quickly grabbing his wand from his holster he performs a diagnostic spell.

0.145 Blood Alcohol Content

Merlin this boy does not do things by halves.

He sighs in relief however, “idiot boy.”

While the results were troubling and he would be taking points, giving him detention and a lecture tomorrow, it was nothing that couldn’t be fixed within a day. He had gotten used to the boy only using that title in traumatizing, near death scenarios. It was comforting to know that the child could use it unbidden outside of those contexts.

Deciding that the best solution is to simply bring him to their quarters as the Gryffindor tower was farther and likely still had the party going on, they head off.

Severus practically carries Harry back to the quarters. At first he tried simply guiding him with a hand on his back, but Harry’s lack of coordination was too painful to watch for long.

He opens the doors to their make shift home, laying Harry on the couch while he goes to grab some water in the hopes that it sobers him up a little.

As the professor goes to the kitchen, Harry’s gaze is glued to the fire place, mesmerized by its flames. His sitting in silence, contrary to how he usually behaves when near the man. He only reacts when the Professor returns with the glass of water and a slice of buttered toast to eat.

“Eat you foolish child, it’s a wonder you haven’t blacked out yet,” he pinches the bridge of his nose, “nothing in your system and you decide to drink enough to knock out a hippogriff. I should withhold the hangover drought from you in the morning.”

The threat is empty. He knows he couldn’t stand seeing the-this-his boy in pain for any longer than absolutely necessary.

Harry doesn’t respond to his comments, being unable to focus on them because of the intoxication. He finishes his toast and water though. Apparently that was all his body had energy left for, choosing the couch as the perfect bed for the night. He lays down and curls up, staring up at his guardian.

Severus huffs but procures a blanket and some pillows for him, far too susceptible to his sad dog eye look. When Harry frowns and makes a small hand gesture towards him, non verbally asking that he tucks him in, the man obliges, hushing him while he does so.

Just like that the teen is out like a light.

The guardian removes his glasses and puts them off to the side. He brushes Harrys bangs off his face as he listens to the slow crackle of the fire and their combined breaths.

“What am I going to do with you?” Despite the words, there’s no mistaking the fondness in his tone.

He leaves the room, shutting off the light after one last look to make sure his boy was breathing.

[just-a-girl-with-a-pistol]

Asked some people on a smol LoP discord server what fish vibes pino got and these were the results so, here ya go!

[starry-bi-sky]

Childhood Friends Danny and Jason: Ch2 Remastered

-------------------------------------------------------------- late at night when the stars don't look quite right -------------------------------------------------------------- there's something burning in the empty room inside of my head fill it up with doubt let it in, let it spread

Jason nearly falls flat on his face when he sees the photo of Danny. He’s in a warehouse, finishing up with a gang selling drugs on his turf. The guys he’s got tied up are cursing up a storm at him, throwing every insult under the sun his way that he’s all heard before. His eyes drag over to them, and silently Jason adjusts his jacket to reveal the guns strapped to his thighs, his hand hovering over the handle of one. 

They all fall silent, and Jason moves his hand away. His phone in his other hand, texting Oracle to alert the police. Jason hates that he has to; these guys will be out of their cells in a matter of months, and nothing will change. 

But he’ll play nice. 

And then his phone buzzes, and when Jason looks down he sees a banner from Tim. A message he planned on ignoring, but his eyes skim over the text on instinct, and suddenly the air is stolen right from his lungs, and his thumb is hitting the screen before he can really think it through.

[Hey Jason, your best friend just appeared in Gotham for the first time since your funeral.]

Impossible. He thinks, yanking his phone close to his nose, as if that will make it any less real or fake. Danny hasn’t been in Gotham in years, Jason checked. But then the image loads, and then he’s staring Danny Fenton in the face. And then he’s greedily tracing every minute, new detail he can find. The gang left half-forgotten in his mind.

Danny’s got an undercut, it looks self-done. It looks good. He looks taller. He’s got piercings in his ears, gold and jewels lining up the sides like a magpie’s find. He’s got an eyebrow piercing. 

Something old, something new; Danny is smiling and it still looks just as Jason remembers it. Crooked, lopsided, warm like the sun and belying the mischief underneath it. He remembers to breathe in that moment, and the sound comes in sharp. Danny’s eyes are as blue as they’ve ever been. 

(“I don’ get why books talk so much about peoples’ eyes.” Danny complains to him one day when he’s visiting the manor, his legs thrown over Jason’s back like an anchor tied to its ship. They’re sunk into the mattress of Jason’s bed, sunlight peering through the windows. “They’re just eyes! I don’t need t’know that they’re ‘as blue as the sky,’ or- or the ocean, or whatever blue thing in the world there is.”) 

(Jason’s smile comes to him like breathing, and he twists around to lay on his back. His arms trap Danny’s legs to his stomach. “Pretty sure it’s jus’ for emphasis on how much they’re noticing the person’s face.”)

(Danny’s face scrunches up, and Jason’s smile splits into a grin, heart swelling three sizes on instinct. “I think it’s stupid, s’just some fuckin’ eyes.”)

(“Eyes are windows to the soul, Dan.” Jason retorts, barking out a laugh when Danny gives him a deadpan look. His hands creep for a pillow, one of the soft downy ones wrapped in silk, and he throws it at Danny’s face. “And besides, speak for yourself! Your eyes are the bluest thing I’ve ever seen.”) 

But most importantly, Danny looks tired. 

Hiding is something that comes free with the purchase of living in Gotham, and Danny’s good at hiding things, he always has, but Jason knows him like the palm of his hands. He looks tired, and Jason wants to reach through the screen and ask him why. There’s an age-worn look there, catching in the flint of his iris, where his smile doesn’t quite reach his eyes. 

Jason gets the ETA from Oracle, then leaves as fast as his legs can carry him and his grappling hook can zip through the air. He needs to see Danny with his own eyes, to confirm himself that Danny was here, and that it wasn’t his mind playing tricks on him. Or that it was Tim playing a cruel joke on him — and if it was, he’ll have to rethink his whole killing thing. 

Gotham’s air is warm and suffocating, but her winds bite at him as he soars through it.

It’s second nature for him to find the west end balcony, and Jason finds himself with his feet locked in place on the building beside it. Grappling hook in hand, and a balloon in his lungs, all swelled up and squishing the air out of him. 

It’s just his luck —with whatever he has left— that Danny is there as well. In the same spot he’s always been, with a cigarette caught between his teeth. He’s stuck halfway, head tilting, eyes closed, with the shadows of Gotham on his back and the light of the gala at his front. 

For a moment, for a fleeting, terrifying moment, Jason thinks Danny’s going to tilt himself back off the side.The thought has him blindly tilting himself forward with his heart in his throat. Hands reaching for his grappling hook, swinging down to drop down beside him.

Danny is staring at him before his feet even hit the ground, face nigh unreadable beyond the small, wary furrow of his brows. Danny’s never looked at him like that before, it feels like  stumbling on the last step of the stairs. 

Then, like fire to black powder something flashes and ignites in Danny’s eyes. Mouth curling, eyes burning, for a moment, just a moment, they’re kids again, getting into fights and turning soft hands punch-rough. Danny looks at Jason like he’s going to tear him to shreds.

Jason’s mouth runs dry like a desert in the summer, but his blood chills in fear cold in his veins. Why are you looking at me like that? His mouth opens, but his tongue is leaden in his throat, and no sound comes out. It’s me. Don’t you recognize me?  

Danny yanks the cigarette from his mouth like it burns him, his free hand gripping onto the railing like it’s the tether to a leash, nails threatening to turn into talons. “Red Hood.” He says, voice low and timbre, smoke dripping from his lips like dragon’s breath.  

Oh.

That’s right. Jason suffocates on his heart as it sinks and soars with relief. Danny doesn’t know it’s him. In his tunnel vision, he forgot that simple, easy fact. It’s not because it’s Jason that he’s angry. It still doesn’t explain, though, why Danny looks at him like he ought to sink his teeth into his throat and rip him open. 

He’s half-distracted by that, and then distracted by the need to drink in the sight of Danny again. A photo is one thing; the real person is another, and with his fear subsiding, Jason rakes his eyes over his best friend and swallows him whole. His eyes are bluer in person, his memory and Tim’s photo doesn’t do them justice, and Danny inherited his dad’s height. He’s gotten so tall. They both have. They both used to be such scrawny kids. 

So distracted is he, that he forgets to respond to Danny, to say anything. Not until Danny tries to dismiss himself, and Jason kickstarts into gear. White hot panic fills in his lungs, burning him up like magma. No, no, no, he’s moving without thinking, always when he’s with him, and he nearly latches onto Danny. Nearly wraps his hands around his arm to hold him in place. Don’t leave. You’re finally here; don’t go. 

Danny stays, but he stares at Jason’s reaching hands like he’ll bite them off, stares at Jason with his eyes burning, watchful. Jason’s excuse is lousy and he knows it, but he wants, wants, wants to stay and figure out every new thing about Danny. 

And he feels like he’s losing something. Time bleeds together beside him and Jason feels trapped behind a glass wall of his own making. Something old, something new. The distance of which Danny keeps him at is foreign to him. He hates it. 

Tell me everything, he thinks, because he can’t find the words to say it. He hands Danny a cigarette instead, and hopes that it’s enough. Tell me everything and more, tell me what I’ve missed. 

In the end, he still feels like he’s losing something, but he also feels like he’s missing something. Answers that are water, and that water is slipping through his fingers. Danny leaves him with more questions than answers; something that’s never happened before, and Jason watches him walk back inside with a spinning mind. 

What do you mean you spoke to my ghost?

I told you that the Joker killed me?

Have I told you anything else? Have I already told you everything I’ve wanted to?

What happened while I was gone? 

Is that why you’re scarred?

Because Jason isn’t blind, he’s never been. Not in Crime Alley, not as Robin, not now. And not when it comes to his best friend. He sees the silver lightning scars ripped jagged up Danny’s arm, sees that they disappear under his sleeves. He saw, faded as they were, invisible until the light hit right, as they spread like tree roots up his throat and across the side of his face.

Scars that Danny’s never had before. Scars he didn’t have when Jason was alive the first time. Scars he didn’t have the last time Jason saw him. Or — what he remembers to be the last time he saw him, because apparently he saw him as a ghost. He sees the curve of his ears and how they point more than a human’s should, he saw the glint of his canines, sharper than they should be; sharper than he remembers. Metaphorical fangs turned real.   

Jason should’ve asked where he got them from, should’ve taken Danny by the front of his collar and stopped him from leaving. Who did this to you? He should have said, a fire burning in his chest and wrapping around his throat, pulling his voice into a snarl. He should have said, his guns weighing heavy on his sides; Who did it. I’ll take care of it. Just tell me who. Tell me everything. 

Instead, something crawled into his mouth and died, and his tongue is glued to the roof of it. And he doesn’t say anything, because saying something means telling his best friend who he is. It means having to take off his helmet and mask. It means telling his best friend that he’s alive, that he has been. That despite being two halves of a whole, Jason spent five years letting him think he was dead. 

He can’t tell him, not when he’s in too deep already. Not when Jason is so unrecognizable to who he used to be that if he told him, Danny would hate him.

And Danny is still grieving him. So plain as day mourning, still angry over his death. Angry enough that he wants the Joker dead, angry enough that he wants to hang the noose and kick the chair out himself. 

Jason wishes he told him that he looks tired. 

Instead he’s standing alone on the balcony, trying to get his thoughts in order as music blares muffled through the gold-light door. He’s left staring at the crushed cigarette laying on the ground, Gotham’s ambience at his back and a poem hanging in the air that he has no words for. It’s already there. Like stars on a painted ceiling.

And there are so many questions he needs answers for. 

Like his ghost. His ghost.

What did Danny mean by his ghost? 

Does he really want to kill the Joker himself? Was it just the grief talking? Jason knows — or thinks he knows — Danny like the palm of his hands. He’s been through everything with him, he’s seen him say something and then immediately follow through with it. He knows when he’s being serious, he knows when he’s not. 

Danny wants to kill the Joker. Stealing is one thing; murder is another. And Danny wore a look on his face that looked like he meant it when he told Red Hood that he wanted to kill Joker. But saying and doing are two different things. Jason doesn’t know what to think.  

Something old, something new. Danny is still the same, and yet he’s changed so much. 

What did Danny mean by his ghost? 

Jason doesn’t ever remember being a ghost. But Danny knows the Joker killed him. He knows how he killed him. Danny’s parents are ghost scientists, and Jason remembers the letter he got one day telling him about the portal they were building in the basement. 

He remembers thinking about telling Bruce — this was something beyond the glowing green samples stored in the fridge, giving life to the food inside. This was beyond the weapons, the inventions they made that only saw the light of day when the Drs. Fenton brought them up to showcase them.

And he didn’t, because if he hadn’t told Bruce about everything before, he wasn’t going to start. He admits, it was part fear that Bruce might intervene and prevent him from seeing Danny that he didn’t.  

Neither of them had expected it to work — but it sounds like it did. 

(Jason has avoided Amity Park for a reason. He knows he wouldn’t be able to stop himself from going there if he didn’t. But now, he just might have to look into it. He’s missed too much.) 

And Danny wants to kill the Joker, and Jason isn’t sure if he means it or not. Because the look on his face when he said it is oh-so familiar. It’s the one he wore when he needed Jason to distract the clerk while he snuck behind the counter to steal cigarettes from the shelves. It was the one he wore when an older kid cornered them near one of Gotham’s many alleys, threatening them over something Jason can no longer remember clearly. 

(He remembers puffing himself up, rearing for a fight. Danny, with glass in his teeth and blood between his fingers, lands a square kick to the spot between the kid’s legs. His knees hit the ground, and Danny’s hand found Jason’s to drag them both out of there.)

It’s the look of a boy, Gotham-touched grime in his soul, soft fingers turned calloused and scarred, about to do something he’s not going to regret. It’s the look of a boy that has set his mind to something and is going to do it. Some might call it the eyes of a cornered animal, but Danny’s never been cornered, not when Jason’s been with him. 

(But Jason hasn’t been with him. Not for the last five years. So can he really say it wasn’t the eyes of a cornered animal?...Yes.) 

Jason gets off the balcony before he can be seen, and he shouldn’t, but he loiters. He should get back to patrol, the night is never over. Not in Gotham. But he stays, hidden atop the roof nearby.

—---------------

An hour later, Danny walks out the doors with a man Jason recognizes as Vlad Masters — another new mystery for him to uncover. The paparazzi have long since left. Gotham’s nights are dangerous and everyone knows that, not even the vultures would stick around for a scoop, not unless there was something worth seeing. 

A black limousine pulls up beside them, and Masters walks around the back to reach the other side. He’s bristled like an angry cat. “I thought I told you not to embarrass me.” He hisses, eyes snake-narrowed.

Danny, for the most part, just looks unbothered, his hands shoved into his pockets without a care. But he narrows his eyes right back, an expression made of stone. “You have a pretty low bar for what you think is embarrassing.” 

Masters just scowls, “I don’t understand you, I would have thought you’d spend the whole time mingling with the Waynes, badger.” He says. Danny ruffles at the nickname, lips curling into a snarl. Jason finds himself unconsciously mimicking him. “And yet, I find you sequestered away in the corner like a little fly on the wall. Were they not up to your standards?”  

‘Sequestered’ Danny mouths mockingly, eyes burning like he was going to claw his hand down Masters’ face. Instead, his hands dig into his arms. “I did talk to them, that’s more than I can say for you. You couldn’t even keep Mister Wayne’s attention for more than a minute.”  

Jason frowns, and Masters scoffs, puffing up like an owl with its ego bruised. “Regardless, I am not the one losing here. Or did you forget what you promised me?” 

Jason’s frown deepens. Danny doesn’t promise anything. At least, he doesn’t promise with just anyone. He deals; he repays; he indebts. But he does not promise. Promises were power, with only one side benefiting. It was trust to promise someone something. Danny doesn’t trust easily, neither of them do.

Something that hasn’t changed. Danny rears up angrily, mouth twisting, teeth baring, snarling out a fury sound. A wire cut live and sparking. He grabs the door handle and yanks it open harshly. “I didn’t promise you anything, Vlad.” He hisses, Jason strains to hear him. “I offered and you agreed. Do not fucking twist my words.” 

There it is. Jason should’ve known better, guilt string-plucking in his chest for his doubt. Danny doesn’t promise things; not to people like this Masters guy, at least. 

Danny grabs something from the car and throws himself back. “Don’t wait up.” He snarls, a wild thing just as Jason is, and yanks on a red hoodie over his arms. It zips up, and hangs off him, smothering the vest and button-up beneath. “I’ll meet you back at the hotel.” 

Then he slams the door shut, shoulders hunched and with a scowl carved into his face. They’re both made of broken glass; independence — disobedience — and rebellion cut into them from every broken beer bottle shattered on the streets.

(Jason makes a mental note to look into Vlad Masters — Danny’s never told him about him, so they must have met after he died. The man leaves a rot in Jason’s mouth, and there is a greed festering inside him that Jason knows has left him in decay.)

(He doesn’t like how close Masters acts with him, doesn’t like the affiliations between them both. Masters reminds him of Luthor and every other rich socialite with their hands in something dirty. He hates even more that Danny is making deals with him. What has he missed?)  

Jason follows after Danny, partially concerned that Danny is wandering Gotham alone. Regardless of what he can do, Gotham is still dangerous. It is bone-rotting, lung-choking and unforgiving. Danny knows this, Jason knows he does. He’s partially curious to know just where he’s going, and whether or not it was important enough to visit in the dead of Gotham’s bloody nights.

Danny surprises him — slipping between alleyways, sticking close to the shadows. Someone taught him how to be stealthy — or, at least, refined what stealth Danny already had. More new things that Jason needs to learn. More things he will never get to know. 

Who taught you that? 

Just what, exactly, have I missed?

I want to know everything. 

Five years is a long, long time to be away from someone. If a caterpillar can become a butterfly in two weeks, then what can five years do to a human? It’s a long time to change, to become something else entirely. Jason’s become someone new, and he thinks, so has Danny. 

Dread pools in his ribs, into his lungs, and weighs heavy on his heartstrings. The urge to drop down in front of Danny, to grab him by the arms and ask him to tell him everything, returns with a vengeance. This is why he avoided Amity Park. 

Will I still know you like I used to? Jason trails behind Danny from the rooftops, like a ghost. Do you still love the stars? Do you still take tea over coffee? Will you tell me, if I ask? 

And if he doesn’t? If he doesn’t ask, like he isn’t right now? 

If he doesn’t ask about his ghost — something that still boggles his mind, because it means the Fentons were right and that portal might have worked, and Danny found Jason’s ghost? If he doesn’t ask what his ghost told him, if he told him anything else? Did his ghost tell you that he was Robin, like he always wanted to?  

He will just have to keep his questions to himself. He will just have to tuck them into a folder in his mind, and file it under all of his other regrets.  

He feels like he’s Robin again; keeping secrets and hiding things from his best friend because it simply wasn’t safe enough for him to know. It’s maddening.  

Why has nothing changed since he died? Why has nothing changed, now that he was alive?

—---------------

Danny leads him to the Gotham Cemetery. Jason freezes outside the gates. Oh, he thinks.

Oh.

He thinks back to what he thought earlier. 

What could possibly be so important that he’d go to it in the dead of Gotham’s night? The cemetery. Of course. Something old, something new, something bittersweet sets over his tongue that he swallows down. 

Jason forces himself to follow. 

“Hey.” Danny says as Jason settles behind a tree, voice gentle in foreign familiarity. He’s standing at Jason’s grave, his hands shoved into his pockets. The light is low but it doesn’t stop Jason from seeing the starlight-soft look in Danny’s eyes and his half-tilted smile, the smile that Jason is more familiar with than the wary scowls. “Sorry I’m late.”

Guiltish misery wraps its hands around Jason’s lungs. Pin-prickingly, stabbing at his heartstrings, Jason’s mouth moves on its own; “It’s okay.” but no sound comes out. Danny doesn’t hear him, and neither does Jason himself.  

Danny sits down before Jason’s tombstone, groaning low and tiredly as his legs fold beneath him. He’s older than Jason, and immediately his mind switches over to all the jokes he used to lob him with. 

(“Need help crossing the street, old man?” Jason, eight years old, asks with a grin so wide and painful across his face; giggles in his chest. He hooks his elbow with Danny, and keeps him tight against his ribs. “You’ll need all the help you can get in your ancient age.”)

(“I’m not that old.” Danny says, glaring at him before they scurry across the street with the light still green. Traffic laws are a joke in Crime Alley, it’s like a game of frogger as the sound of honking horns and screeching tires follows their heels. “We’re six months apart!”)

(“Six months and four days, actually.” Jason corrects when they reach the other side, snickering as they race down the sidewalk. Drivers lean out their windows and curse them out as they get away, Danny dodges an empty soda can thrown at his head. “Can’t forget the four days.”)

“I would’ve come sooner.” Danny tells him, pulling him from child-fuzzy memories and back into reality. Jason peers around the tree to see him running a hand through his hair, head ducked down. His palm splaying against his neck. “Sorry I didn’t. I got scared.” 

Scared? Jason blinks, he leans against the bark and bumps his helmet against the wood. The thunk is loud in his ears, but Danny makes no indication that he heard. Of what? 

But Danny doesn’t say what, he drops his hand and glances off to the side. He sits like a man who isn’t quite sure what to do, his mouth pressed into a thin line, his eyes scrunched. Grief carves into the lines of his face like a sculptor carving into marble. 

“I was gonna get you flowers on my way here.” Danny continues. His voice cracks, begins to wobble, and Jason sees Danny’s jaw tighten and his eyes close for a moment. When they open, there’s a wobbling sheen on his bottom lashes; tears threatening to bleed.   

Danny flicks at the tears with the nail of his thumb, it does nothing. It just makes his breath hitch. “Um, but they- uh, didn’t have any open on the way here.” He says, giving Jason’s grave a tremulous smile. “Sorry, I’ll make sure to pick some up on my next visit.”   

Next visit. Jason’s heart squeezes uncomfortably, before he reels at the words. Danny’s going to be visiting again, after five years of being out of Gotham? Next visit, why are you visiting again? Was this the reason he came to Bruce’s little charity ball with Vlad Masters? So that he could come visit Jason’s grave?

It couldn’t have been. There are other ways to get to Gotham that don’t require making deals with shady rich men. Danny’s smart, smarter than Danny himself gives him credit for. He’s brilliant. Why did he need Masters’ help to get him to Gotham?

There had to be another reason why.

God, there were so many questions that Jason wants the answers to. He’ll find them, one way or another. 

But, he focuses in again. Danny is only here for the night. One night, and he doesn’t know when he’ll be back again. Jason wants to commit every detail of his best friend to memory before he leaves. 

“You like zinnias, right?” Danny pets the grass at his side absently, and yes. Yes, Jason does, and Danny remembers. Even five years from his death, he remembers. Of course he does. 

“Yeah, you do. You used to pick the petals up off the sidewalk from those uh, fuck — the vendors. The Victorian flower language too, I think. Got a book on that somewhere. I’ll get you red an’ yellow ones.” 

Grief traps in Jason’s chest, and he barely tamps down the bitter laugh forcing itself out of the chokehold of his throat. You fucking sap, you big fuckin’ sap.

Red zinnias. Steadfast beating of the heart. The irony. It’s got double the meaning now, now that he’s alive. But Danny doesn’t know that, so the heart that’s beating could only belong to him. But even with Jason alive, he’s hiding. Between the both of them, the only one here with a beating heart is Danny.

(Between the two of them, the only heart here is one that's made between the two of them.)

Yellow zinnias. Daily remembrance. Of course. That doesn’t need any explanation, the writing is right there on the wall. Raised, so that even the blind may read it. It doesn’t need to be said what that means, Jason can hear it on the wind, in the grass, in the trees. His heart crumpling like a rag being twisted out to drain the dirty water soaking in it. 

I miss you.

I miss you. 

I miss you. 

I’m right here. Is what Jason wants to say. It’s what he should say. He should step out from behind the tree; should speak up and say something. To announce his presence. To do something to let Danny know that he’s speaking to someone who is more than a ghost (who feels like one anyways) and a corpse in the ground. 

Here I am. Here I am. HERE I AM.

His feet are gravebound to the dirt, his tongue cut out of his mouth and shoved into a jar. He feels, in some way, like he’s clawing out of his own grave again, but the dirt keeps falling and his arms are burning. His lungs are filled with more soil than air. He’s not getting out. 

Shame burns cigarette smoke in the back of his throat, shriveling up what little remains of his tar-filled heart. It should be his lungs, and it’s got that too. His feet are grave-bound to the floor.

Danny’s begun to cry, much to Jason’s horror. It should be more incentive for Jason to step out. He doesn’t. His best friend sniffles and scrubs at his face, soaking tears into his hoodie’s sleeve. “I’m sorry for not visitin’ sooner,” he says, voice spiraling with grief, “I don’t have an excuse. I should’ve come sooner. I’m sorry. I’m so sorry.” 

Don’t be, Jason thinks. Finds himself surprised by the truth of it. He should be upset. Five years and not a single visit. He abandoned him like everyone else. Except he didn’t. 

He’s not upset, he can’t be. Not when Danny’s finally here. Not when he’s still crying over him five years after the fact. Not when he’s going to put flowers on his grave that means he thinks of him daily. Not when Danny knows who killed him and wants him dead. 

Jason isn’t sure of what to think of that still. He wants Bruce to kill the Joker. More importantly he wants change in Gotham. He wants something to be done. He doesn’t know if Danny is being honest or not — and honesty doesn’t mean anything if someone doesn’t act on it.  

Danny continues talking to his grave, his voice full with sorrow. He talks about the gala, about running into Bruce and talking to him again. 

Jason listens in dutiful silence, soaking in Danny’s voice like a sponge. This is what he was expecting on the balcony; this easy conversation. Except it’s not a conversation, Danny is talking and not expecting a response. Jason feels like a stranger imposing on his own grave.He should slink away, let Danny have his peace on his own.

He refuses to move. He can’t bring himself to.

If he closes his eyes, he can pretend that he's sitting in front of him. He can pretend he’s thirteen again, with him and Danny crawled under the bed at the manor and trading all the stories they couldn’t fit in their letters. Danny tells him about another fight he had with Dash Baxter, eyes rolling but smug teeth flashing in a stifled smile. Then he tells him about something Sam and Tucker did; about one of Sam’s protests she led against the biology lab, and Tucker coding his PDA to play Doom. Easy, stupid middle schooler shit.

They’d sneak out to the balcony for their vices, Danny clutching a carton of cheap cigarettes in hand. Alfred always finds the ones Jason hides, so they usually share whenever Danny comes to visit. Jason tells him about Gotham Academy, about the people there and the classes. Prep school is another beast entirely, he likes seeing Danny’s reactions to the politics that goes on inside. 

Or, further back, they’re eight again, climbing a rickety fire escape to the rooftop and hanging their feet over the edge to find Batman and Robin. Danny was in the lead before he left for Amity Park. Jason remembers it clearly; they’d spent all night outside on that rooftop. 

Jason doesn’t close his eyes.

Jazz decided to change career goals; psychology’s become more of a hobby for her, and she’s going to go to med school instead. She’s thinking of doing an internship in Metropolis. Danny says he’s glad that it’s not Gotham, and when he told Jazz this, she laughed at him and told him that she was going to save that for later. 

She’s Gotham-touched too, she knows it’s blood just as much as Danny does. She wants to help the people there, but knows what Gotham’s like. She knows what she can and cannot do. Determination doesn’t equate skill, it just means the willingness to learn. 

Sam is staying in Amity Park and doing online classes for college, but Tucker got a full ride scholarship in software engineering. Danny’s thick with pride as he tells Jason’s headstone. Jason’s happy for him — they weren’t close, not like he and Danny were, but they were still friends. 

Jason soaks it all in; tell him more. He wants to know everything. 

"I don't know what I want to do." Danny says when he’s finally done talking about everyone else, his chin laying on his knees. “S’not like I can be an astronaut anymore, but there’s not anything I can see myself doing.”

The corner of his mouth coils, sardonic. “I’ve had five years to come up with somethin’ new, and I’ve come up with nothin’ at all.” He huffs. It’s a rough, bitter sound. Gotham has been steadily seeping back into his voice since he arrived in the graveyard, and now it comes out thick, like it never left. 

Danny’s face falls slack, like a puppet losing its strings, and he sinks into himself. “I guess I…” He exhales slow. “I’ve just been distracted.” A faraway glaze eclipses his eyes, and before they close, tears begin to bleed onto his eyelids. Again, grief mars the lines of his skin, settling into the curve of his mouth and threading between his brows like second nature.

Fuck, it’d be so easy for Jason to just step out. Move. His best friend is grieving. He could save him the pain of it and tell him now. Move, move, move. 

He doesn’t move.

For a while, there’s nothing but silence, just Jason hiding in his shame; a rat on the street would be bolder than him. Danny’s eyes don’t open. Eventually, his head tilts and slumps into his knees, Jason almost thinks, somehow, that he’s fallen asleep — but Danny’s hand threads into the hair on the back of his head, his finger beginning to tap an invisible beat into his skull. 

It’s the perfect opportunity for him to slip away. Danny’s distracted; lost in his thoughts. He won’t notice if Jason slinks off now. He could go and hide away on a roof nearby, ensuring that Danny gets his rightful privacy without leaving him to the teeth of the streets.  

Jason still doesn’t move. 

Danny begins to hum. It’s a low, breathy sound, and it shakes unevenly. There’s no discernible melody, but a breeze picks it up and travels it through the air anyway, rooting Jason to his spot. His throat swells, and his back sinks into the bark behind him. 

For a full minute, maybe two, Danny just hums. It’s a simple tune, but it fills the graveyard with the sound. When it goes up, he sharpens, when he goes down again, it flats, and sometimes it wobbles.  

When he lifts his head, when he finally opens his eyes, he’s still humming. Soon it dies down, and the next time Danny exhales, it comes out tumultuous and slow. His hand slips heavy from his head and drops into the grass. 

“Where’d you go, Jay?” Danny mutters, and despite his voice coming flat, he still sounds so tired. Danny’s eyes flick up, lifting off the grass to burn into the headstone. He’s not even looking at him, and yet Jason still freezes up, he still feels pinned under the weight of his stare. “I know you’re still out there, somewhere. I know it.” 

Jason breathes in shakily, a sting deep in the back of his throat. He gives no answer; guilt is an animal with claws, and it burrows deep into Jason’s heart to make itself a home between the tendons. He’s right here. 

Silence falls over them again, and this time it’s only the sound of the city around them that bleeds into the air. Danny stares at Jason’s grave, staring like he’s expecting an answer. He doesn’t get one. 

Danny sighs out low, and stands. His knees tremble slightly, and he rubs his sleeve into his eyes, catching the stray tears falling from his lashes. Like breaking a spell, Jason jolts from the fog of sorrow hanging in the air. 

“I’ll see you later, an’ I’ll make sure to bring you those flowers you like.” He tells him, and miraculously, a shadow of a smile flits over Danny’s mouth. “Y’better be here when I get back, alright? I’ll kick y’fucking ass if you’re not.” 

Jason bites back a huff, his mouth upturning in a wobble. I will, he thinks, and watches Danny trail out of the graveyard with his hands in his pockets. He waits until he’s disappeared behind the gate before following.   

Guilt is a thing with claws, and Jason leaves the cemetery with it eating his tongue. But he makes sure Danny gets back to his hotel safe before he slinks back to Crime Alley; he might not be a ghost anymore, but he can still trail behind Danny like he is. 

------------------------------------------------------------------------------

ayy i finally got chapter 2 of CFAU/TMWS edited/redone! It had to get rewritten because a lot of stuff became obsolete in the wake of the new chapter 1. and also it just kinda. fucking sucked imo lmao

(you can also read it here on my ao3!)

[phonydiaries]

In the Heat of Battle - P x Reader

Requested by @amethyst-huntress

Notes: The premise of this fic was requested by Amethyst-Huntress and I started absolutely foaming at the mouth at the idea, so huge thank-you’s are in order for that nugget of inspiration. Unfortunately, same as last time, I have still barely progressed through the game thanks to my lack of patience and skill, so please forgive that both of my fics take place extremely early in playthrough. Other than that, thank you all for reading and I hope you enjoy!

— 

Where is that damn puppet? You think to yourself, teeth gritted at the deadly inconvenience standing in front of you. 

In the dark and the rain and the constant buzzing noise of Krat, you admit it's easy to get turned around. Even traveling with a companion -in your case, with Gepetto’s puppet- it’s easy to lose track of which gloomy alleys you’d already traversed. Even standing back to back, nudging each other with your elbows, even checking in every so often,“You still with me?” It was easy to get lost. But now, standing face to face with a candelabra wielding automaton and a rabid mechanical dog, you’re  not feeling very generous towards your puppet companion. He’s probably searching for you in a frenzy at this very moment. 

Ha.

Fat load of good it does you. 

The automaton winds up and its eyes flash red across your face. Target locked. The candelabra comes crashing towards your head, but it's met instantly with the clanging cold steel of your sword. The automaton stumbles backwards. Its head cocks unnaturally to the side and you hear something whir, as if in frustration, beneath its face. It winds up again to strike you, but you’re quick and clever; you land a blow in the dead center of the loathsome thing's torso. A sick crunch of metal echoes as you draw the sword out of the brand new gaping cavity in its chest. The automaton sinks to its knees. You look down your nose at it, satisfied at your own skill. The enemy looks to be shutting down, but in a quick, almost desperate motion, its hand shoots towards your foot, grasping wildly. It's cold fingers close around your ankle, but you quickly stamp it out with your free foot. The automaton lets out a weak mechanical wheeze as its hand is crushed beneath your boot. For good measure, you take the hilt of your sword in both hands and slam the base through the miserable things forehead. It crackles, then collapses finally on the ground. You smile darkly at its now lifeless shell. Perhaps a little early. 

A sharp bark cuts through the air and your head snaps to attention. Shit. You forgot about the damn dog. Before you have the chance to raise your sword again, the dog lunges at you. Razor sharp teeth clang dissonantly together and the sound ripples against the glistening walls of the alley. In an instant, you’re knocked to the wet, muddy ground; the iron paws of the mutt are already upon your chest. The mongrel snarls mere centimeters from your face, black oily fluid spilling from its mouth as if salivating. You groan and struggle beneath its weight but regain your grip on your sword just in time to catch its rabid jaw. The dog bites down on your blade, thrashing its head to either side. You strain against its unnatural strength, attempting to pull your weapon free. In one fell swoop you’ll rip it free and decapitate this fucking thing. Your fingers curl tighter around your hilt, you ready a strike, suck in one sharp breath and then-

You freeze.

A second blade appears, glinting in the gaslight, right between your eyes. Thick black fluid goes splattering across your face. The mutt goes limp, its full weight crushing your lower torso. A gasp is pushed from your lungs and you roll to the side, quickly shoving the robotic corpse away from your body. You kneel, palms pushing into the slick ground. Your heart is thundering beneath your shirt as you swallow frigid air hard and fast. When you finally catch a breath, you turn your head towards the owner of the blade; Pinocchio, your companion. He wipes the rapier against his trousers, cleaning the sludge from its razor sharp surface. You huff, blowing matted wet bangs out of your face. 

“I had that under control.” You say sharply. P cocks an eyebrow at you, unconvinced. You feel your face burn in annoyance. “I did!” You insist, “Had you given me just one more minute I would’ve been fine. And probably less covered in this.” You jab your weapon in his direction, flecking dark oil across his shirt. He shoots you a slightly apologetic smile. 

He knows you can handle yourself, he does. He just worries. You can’t blame him; you do the same thing. You’ve gotten quite close on these arduous journeys, saving each other's skins more times than either of you can count. As you wipe the sludge from your face, P extends his hand to you and begrudgingly you take it. Swiftly, he helps you to your feet. His eyes flicker up and down your face, narrowing on your cheek. He licks the thumb of his legion hand and streaks it across your cheek, lifting the remnants of black. You scrunch your nose up at him.

“Eugh- enough-” You whine, swatting the hand away. “Where did you run off to anyways?” 

Pinocchio’s legion arm gestures behind his head. You squint through the darkness at the distant yellow lights of Hotel Krat up ahead. You grimace. It’s further still than you thought. “I don’t suppose you found some kind of underground shortcut?” P shakes his head apologetically. You both sigh, knowing you’ve got plenty of dangers yet to face before you’re given any time to rest. These days spent traveling have taken their toll on your bodies, but you’re at least grateful to have a friend in the gloom of Cerasani Alley. Your sword slides neatly into your belt as you walk ahead of Pinocchio. “Back to it then.” 

As the two of you push forward, you notice a concerted effort on your companions' part to stick close to your side. At any strange noise or eerie shadow, P reaches for your hand. You squeeze back in reassurance that all is well. A bit unnecessary? Sure. But you don’t fight it. It’s much preferred to losing the poor boy again. 

Drawing closer to your destination with only a few minor scuffles to slow you down, you reach a dilapidated fairgrounds. Sickly yellow light bulbs buzz overhead and cast an ominous glow across the entire scene. A ghostly music box melody plinks and permeates the air. You look to P quizzically. 

“You’re sure this is the right way?”

P takes in his surroundings and gives you a curt nod. You grimace in reply. This decrepit place gives you the creeps.

Together you silently weave through wooden cutouts of circus performers, checking carefully for hidden enemies. It's suspiciously quiet, save for the phantasmal carnival music that grows louder as you approach an iron gate. Another barrier. Excellent. 

“P?” You step aside and gesture to the locked gate. Pinocchio smiles slyly at you, boyishly pleased that there’s still a few things you can’t do without him. You want to roll your eyes, but you watch reluctantly impressed, as deep violet energy crackles around his fist. In one swift swing, he punches through the gate and leaves a smoking crater where the lock once sat. He shoots you a sharp smile, satisfied with himself. 

And then you feel something. A great mechanical thud rippling beneath your feet. Your heads snap in unison towards the source and your eyes go wide at the sight of the staggering monster in front of you. At least 3 times your size looms the Parade Master, constructed of decaying parts and craquelured paint. Its massive fist alone is as wide as your body, and sways heavily at its side. 

You unsheathe your blade, and its weight sinks your shoulders. It's not ideal for speed you admit, but the vindication after landing those obliterating killing blows to your enemies is unbeatable. Keeping your eyes locked on target, you whistle to catch Pinocchio’s attention. You started doing this early on. Whistles were a good line of nonverbal communication when you couldn’t afford a glance in each other's direction. 

“Flank him?” You suggest. Pinocchio whistles quick and sharp in agreement. Your fingers tighten around the great sword and your chest thrums with anticipation. You jut your chin in the direction of your common enemy. “After you.” 

Without looking, you know his brows are furrowed together in deep focus. You can perfectly visualize the way he lures the puppet away, his steps meticulously timed and graceful. As you wind your way behind the thing, you hear the clang of P’s rapier against tarnished metal. Your enemy rears its arm back, and you follow suit striking its vulnerable back with a satisfying SHUK! You yank the blade out of its now damaged shell and catch the briefest glance at your companion and oh. Oh. The way he looks at you. 

With fascination?

Admiration?

It’s something greater, deeper than that. Your heart skips. But you shake yourself out of distraction, startled at the sound of your own voice calling out. Your lips move before your mind has time to catch up. 

“MOVE!” 

Exactly as you shout it, P dodges a strike from the Parade Master. The brute’s fist lands in the brick pavement, blowing a hole through it instantaneously. You gulp at the thought of your companion lying there instead, crushed. Your skin goes cold. 

No. Never.

Knowing neither of you can afford another lapse in attention, you suck in one long loud whistle between your teeth. The Parade Master whips itself around to face you. Two huge lamp-like eyes glow sickly in your direction. This was intentional. You can distract for now and give your ally a moment to catch his breath. You ready both hands on your weapon and take a step back. The monster lurches forward, its steps accompanied by a horrid clanking sound. 

“Get over here you fucking rust bucket…” You mutter grimly under your breath as the space between you and the looming threat of death shrinks. You breathe deeply and steel yourself, heels digging into stone. You watch carefully as the puppet rushes towards you, arms swinging wildly. Just when the behemoth is about to crush you beneath its huge frame, you duck between its legs and emerge from behind. There’s just enough time to land a solid blow. P’s rapier crosses with your greatsword, both your weapons plunging into the deteriorated creatures back. 

“This one’s mine, P.” You snap, pulling your blade from its fresh wound. 

“Mine.” P parrots with a smirk, retrieving his rapier as well. Being a man of so few words, you can't help feeling amused even given the circumstances. This is good. The beast is growing weaker. If you can both keep level heads this will all be over soon, you think to yourself. 

At least until your enemy decapitates itself. 

Your jaw drops as the Parade Master rips its own head from its massive shoulders. It wields its shiny new weapon like an enormous mace and swings it your way. It makes contact with the ground, and the impact alone is enough to shake your balance. You dive to the side, narrowly avoiding collision with the wall. You struggle to recalibrate, to size up the situation while keeping yourself out of the range of attack. You hear P whistle pointedly across the arena, waiting on your instruction. Your mind races for a plan and comes up blank. 

“Hold on!” You shout, “Just- Just hold on, I’ll think of something.” You’ll have to if you want to leave this place in one piece. There’s nowhere to run. Nowhere to hide. All you can think to do is attack. And you do; your blade leaves white hot gash marks on the enemy, but it hardly seems to be enough against such a terrible and towering foe. You’ve angered it now, and it’s in a total frenzy. The Parade Master swings its massive head in your direction again and you raise your sword to block it. Half a second too late. 

As your weapons collide, the impact sends you to the ground. You gasp at the sharp pain that shoots through your skull. There’s a ringing in your ears and a soft dark edge to your vision. You struggle against unconsciousness and fight to keep yourself upright. Things are moving slow; trails of light obscure the events unfolding in front of you. 

You comprehend something catching the Parade Masters' attention, you watch the goliath wind up, you hear something cry out, and then hear nothing at all. A sick feeling churns in the pit of your stomach and bile rises in your throat. Something’s wrong. You search the scene frantically for your ally. Your line of sight flickers from the Parade Masters head to the ground slick with rain. Your throat tightens. With his face turned to the ground, his eyes fighting to stay open, lies Pinocchio. His rapier skitters across the stone, coming to a sudden halt beneath the foot of the Parade Master. 

Something flashes through you, anger, grief, adrenaline; whatever it is, it propels you forward. Your weapon is suddenly weightless as you skid between the monstrous puppet and your companion. The head of the Parade Master collides with your sword and the sound echoes through the arena with an arresting ring. You breathe hard in disbelief of your own courage. Your teeth are bared and your furrowed brow is sticky with sweat. 

“Don’t. Touch him.” You command, and you swear even your mindless enemy hears it. A deep guttural sound is forced from the very bottom of your lungs as you thrust your weapon through the center of the automaton's body. It doesn’t die, but you hear something inside it break, and the creature slows significantly as if becoming too heavy for its own armature. 

You risk a glance over your shoulder. P looks like absolute hell, covered in grime, barely staggering to his feet. Your chest tightens at his condition, but he’s alive. 

Alive. It’s enough. 

The enemy screams in frustration, rippling orange flames and black smoke billow from the place its head once sat. You stare at the hilt of your great sword, still lodged in its heart. 

“P, your sword-” You start, but your ally is already on it, your strategic minds miraculously attuned. He sends the rapier sailing -now free of the parade masters foot- towards your open hand. It whips past your head and slides perfectly into your grasp. With what's left of the enemy in your sights, you take a running start. 

Time seems to slow; the taste of victory teases you. Your head is about to collide with the hulking hunk of metal just as you raise your boot and dig its heel into the hilt of your great sword. Its placement serves as a stepping stone, and you scale the furious beast. You clamber up its torso towards its shoulders and feel heat radiating from the inside. It burns your hands, which grip the edge of the cavernous socket of its missing head. The monster thrashes beneath you like a wild bull, desperate to throw you off. You tighten your grip, the white hot metal searing your palm. You force yourself to ignore the pain as you raise the rapier and plunge one final devastating blow into the blazing cavity. You feel the rapier obliterate whatever mechanism kept the Parade Master alive, and it crumbles finally beneath you. 

Atop the shoulders of your freshly slaughtered enemy, you fall forward with a deafening CRASH. Your body tumbles to the ground. Your grip on the rapier goes slack. Exhaustion ripples through you, and you surrender to its sweet embrace. 

You hadn’t even realized you’d lost consciousness until your eyes flutter open, met by the stunning blue gaze of your companion mere inches from your face. For a moment you forget yourself, the urge to sink into his arms is so tempting. But your pride wins out and you scramble into an upright position, barely awake. Pinocchio lets out a sigh of relief and you see his shoulders relax. Had he been just as terrified as you were at the prospect of losing him? Did that same dread sit in the pit of his stomach? 

Your head swims with what-ifs, but you have no energy to find their answers. With strength that you’re shocked to still possess, you throw your arms around the puppet. Your fingers clutch the wet fabric of his shirt as if he might disappear the moment you let go. His body tenses at first, then melts under your touch. You feel his head settle between your neck and shoulder, solid and secure. Silently breathing in the smell of him feels like waves of relief crashing over your head. 

You wish the journey could end here in the peace and quiet of this embrace, but you feel him begin to pull away and your heart sinks. Face to face with you, his eyes search for signs of damage, for something to mend. His hands find yours and you hiss involuntarily. His eyebrows knit together in concern. You try not to grimace. 

“It’s nothing.” you promise, “Burned my hand, that's all.”

P looks down at your hand and cradles it gently in his own. With painstaking care, he lifts it to his mouth and places a feather-light kiss in your palm, then on each of your scraped and bleeding knuckles. He looks up at you through those thick raven-wing lashes and you notice a trace of your blood left on his lips. The sight makes your head swim and it takes the entirety of your willpower not to catch his mouth with yours. Your posture stiffens as you try to regain your composure. 

“Well it’s not far now, is it?” You ask, deflecting back to the mission at hand. “There will be plenty of time to patch each other up at the hotel. Right?” You offer, already stupidly aching for the return of Pinocchio’s delicate touch. He blinks a few times, as if he were struggling to focus himself. But he nods enthusiastically. You feel a smile creep across your lips. 

As you leave the destroyed fairgrounds behind, you let your good hand slip into that of your companion. The two of you venture forth, certain to never lose track of the other again. 

— 

If you read this and enjoy it please let me know! Seeing your positive comments and tags absolutely warms my heart and motivates me to keep writing. Thank you so much to those of you who took the time to leave me some kind words on my last fic <3

[sommerregenjuniluft]

Ant Pile — sommerregenjuniluft on ao3

Barty Crouch Jr./Evan Rosier | E | 7163 words | chapter 1/2

This is a story about two boys raised by the sun.

Florida heat, being a teenager, best friends and how falling in love works when you’ve already loved them for as long as you can remember.

insp by Dominic Fike’s song Ant Pile

[sleepymarimo]

𝐚𝐝𝐝 𝐢𝐭 𝐭𝐨 𝐭𝐡𝐞 𝐜𝐚𝐫𝐭… : ̗̀➛ grocery shopping w your freeloading friend toji wc: 450

“put it back.”

the sorcerer killer feigns obliviousness, shrugging off your demand and allowing his eyes to browse the shelves. “dunno what you mean.”

the snacks he’d thrown in just a second earlier are snatched from the cart, the plastic wrapping crinkling under your fingers.

“premium? really?” you glance at him, opting to swap it for a cheaper version. “what makes you think you deserve premium beef sticks?”

pushing the cart along, you hide your smile at the sound of his tongue clicking in displeasure.

“my other… friends would’ve gotten ‘em for me.” is his retort, trying to get a jab in while he trails behind you at a comfortable distance. “yer’a bad host, y’know that?”

you hum, pretending to actually take his words into consideration as you read through the label on a product. “uh, maybe go hang out with them, then?”

his brows knit together at your quick dismissal, yet he can’t deny that he’s amused by how you hold your ground. you don’t just roll over, show your belly at every command, and it makes him want to push some more.

“too much work.” he replies, clearly bored out of his mind when you step into the checkout line.

as the cashier scans your items, you can’t help but notice how toji eyes the scene with a little too much interest. it’s only when the cashier is scanning the last product that he makes his move. he gives that charming grin, his tone almost considerate. “this too, if you don’t mind.”

it’s that damn beef stick, the premium one that’s about twice as much as the regular.

the cashier, polite and unsuspecting, scans the extra item without a second thought.

you open your mouth, but quickly snap it shut.

oh, he’s good.

toji knows that you wouldn’t think twice about talking back to him, but a kind worker just doing their job? no dice.

a swipe of your card and everything is paid for. as soon as you walk out the store, the sorcerer killer doesn’t hesitate to unwrap his treat and take a generous bite.

“you know you’re actually the worst person ever, right?” you accuse, lightly swinging the plastic bag in your hand.

he shrugs, smug from his victory. “you love it.”

the brief shaking of your shoulders as you stifle an amused chuckle is all the confirmation he needs to know that you enjoy this as much as he does.

glancing at you from the corner of his beryl green eyes, he tilts the snack in your direction- a silent question hanging in the air.

you take him up on his offer, stealing a bite of the savory treat.

it’s definitely worth the price.

[abnomi]

PSYCHOANALYSIS ON CHARACTER PASTS IN WRECK IT RALPH!!!!!!!!!!!!!!1!

ok... so you know how some characters were never given a backstory to play off of? (like Turbo for example)

i dont know for certain the psychological impact that not having a past could have on video game characters (or if they would even care), but what i do know is that it is objectively damaging to not have anything that came beforehand to work with.

imagine being tossed into a world, have whatever code implanted into your brain tell you specifically what you need to do, not have any choice in the matter, and then be forced to go from there. whether or not the individual believes they need a past is irrelevant; they lack one, regardless.

the psychological differences between video game characters with a past and those without come into question... are those who have a solidified memory of who they were before more or less susceptible to growth over time? or are they both intrinsically equal? maybe it depends on who it is, what game theyre from. some could thrive off of the idea of not being latched onto a past that was chosen for them, while others could long for at least some semblance of an in-between.

all things considered, it would be significantly more difficult to have a broad understanding of emotions when you aren't granted access to the same grace that those with a "before" may have. without any memories, you'd have to rely on your external surroundings to achieve any kind of development; a noticeable contrast to those who already have at least some internal understanding of themselves that came with their programming.

characters who begin their life with a clean slate may be bound to being more actively involved with the world around them because it's how they have to learn. if they don't, they're going to get stuck in the same mindset for an indiscernible amount of time until some kind of external force pulls them out of it. they don't have knowledge of their initial life; all they have is the current moment.

a big factor that correlates with all of this is the psychology of nature vs nurture. in short, "nature" is the deterministic aspect of genetics (or in this case, code) influencing who one may be, while "nurture" is how one's development is influenced by the role that one's surroundings might play. in humans, we experience both of these; they go hand-in-hand. in the WiR universe, however, it's not always guaranteed that a character will have a chance at having both at once.

those with a past get both nature and nurture, bundled into one package. however, those without are only presented with nurture, tossed into a world and expected to move on from there (maybe with a faint sprinkle of nature, but not anything that goes beyond an implication of what their life was like before spawning in). they have limited options compared to the ones who don't have to start off on a blank slate.

something else to keep in mind is how without the presence of a past, there will be far more variations between the same character across different locations. without any code telling them who they used to be, they will learn about who they are through their environment and go from there. of course, no single character will be the exact same, but code largely determines the mindset of a character and how they process the world around them.

in Turbo's case, i personally think it wouldn't matter a whole lot to him because of its irrelevance to his main concerns, but it undeniably had a strong hold over his behavioral development as an individual; he is very immature. he had no foundation to start off with... well, other than the message that was branded into his mind, dictating every decision that he has ever made: he has to win.

he acted like a child when he first came around because, in a sense, he was one (not literally HAHA, i think of him as in his late 30s). his game was plugged in for about five years before he had the biggest tantrum of his life, and keeping in mind how game characters are technically immortal until the moment they're unplugged (unless they die in another game before then), this really wasn't that much time in the grand scheme of things. it was hardly anything at all.

without a healthy outlet to process his feelings, coupled with an unnerving lack of life experience beforehand, of course he'd lash out a lot! of course he'd be overwhelmed by his own emotions to the point of not knowing what to do with himself!

that doesn't excuse his behavior at all, as he did have opportunities to change for the better or learn from his mistakes, but he chose not to. he was too stubborn for his own good.

maybe part of the reason he's so hellbent on being the best is not only because it's lodged into his code to feel that way, but also because it would feel like betraying what little personality he was coded with to go against it. yes, he's never been too keen on the idea of having anything or anyone tell him what to do, but consider this: he's clinging to his own identity, protecting what small fragments he was given and holding onto them for dear life. he doesnt have a past; he has goals, and losing said goals would be losing himself and the footing he has on his own identity. he's defined by succeeding, and he refuses to let this go. this is more headcanon-territory but it is fun to explore concepts like these!!! bro is internally empty.......

Felix has a past, yes, but it's vague and uncertain. he had a father, but does he even know what the man looked like? who he was beyond a name and an heirloom?

notice how it took thirty years for the handyman to shift his perspective on who Ralph was as a person. this could likely both be a product of the nicelanders and himself all being programmed with the belief that "Ralph is a bad guy," thus internalizing it, combined with the external influence and pressure Felix upheld being the good guy. (EDIT (LOL!!!!!): i know felix doesnt hate ralph but constantly being surrounded by everyones fear of him would have at least made him cautious about interacting with him)

his younger years have no hold on how he makes decisions, especially considering how absent said years are. his code only hints at the idea of a father, alongside the foundational belief that he is good.

his lack of a clear upbringing contributed even more to his sheltered persona, oblivious to the hardships that everyone else might face. combine this with how every NPC he surrounded himself with never dared to criticize him, he was prone to experience stunted empathetic development. he was never a bad guy by any means, but his lack of exposure to difficult situations did not fare well for his psyche.

that isn't to say he hadn't ever been in any difficult situations before. the roadblasters incident absolutely shook him to his core and likely cut deep into him, as he hadn't ever experienced anything similar to it before. without a fleshed-out past, he didn't have a bright idea of what hardships might linger just beneath the surface.

to his credit, he has changed for the better, now having more awareness of how others feel and function outside of himself. he makes sure to treat everyone with equal amounts of dignity, regardless of any preconceived notions he might have. :-]

when it comes to Calhoun, her experiences shape her significantly, directly being the cause of her hypervigilant and instinctual nature. it can't be ignored that she suffers from PTSD due to how her character's life was mapped. this demonstrates that having knowledge of who one was before isn't always necessarily a wholly good thing. not to say that her condition makes her broken in any way! it just brings difficulty into her life that wouldn't have been present otherwise.

there is some goodness that can be brought to the surface from this; just as it isn't completely good, it isn't completely bad, either. on the opposite end of the coin, she knows how to keep herself and others safe. if it weren't for her predetermined past, she'd potentially face more struggles on the battlefield.

not only that, but it helps us, as the audience, empathize with her character, along with Felix. we learn that she isn't simply intense and nothing beyond that; she's just been through a lot. on top of all of this, she is very emotionally mature and understands how to push through horrific situations, especially when necessary. it is her job to do so, after all!

Calhoun's heavy experiences may be part of her character's mold, but they do not define who she is. a past only steers a character in an approximate direction; it does not 100% determine how they grow from there. we directly see evidence of this when she moves forward and marries Felix :-]

and then there's Vanellope :-] she did have a past, but it was ripped away from her. how does she cope with this? by defining herself and becoming her own person, unrestricted by her code. she didn't start off as a princess, she started off as Vanellope.

even when she had the chance to reclaim her status as princess, she didn't, instead choosing to stick with the version of herself that she passionately created. there's a great chance that she wouldn't be the silly little booger we all know and love if it weren't for her time to think about who she was and who she wanted to be; the omission of her past was a significant contributor in how she now presents herself, unconfined to how she is apparently "supposed" to be. she has more room to choose for herself.

she doesn't let anyone else tell her who she is, holding her handcrafted identity with pride. her eccentricity is nowhere near a flaw, making itself known as a strength. her perspective of the world is unique to her and allows her to emotionally connect on a deep level with Ralph.

one doesn't need to be tied to a past to be a person. it doesnt put any more or less weight on anyone's worth, and we see this as clear as day with her character! starting off with nothing, she grew into her own skin and found her sense of self all by herself without the guidance of anyone else. i am so proud of her. i love my baby ok

above all else, having a past isn't a surefire way to predict how one may develop; it is only an aspect of who someone is. an important aspect, yes, but there are many other things to consider in the sea of personalities and experiences...

the biggest difference between having one and lacking one is ultimately how an individual character might go about how they change over time and how long said progression might take. the past is only a starting point; a pre-written map without a marked destination created in order to provide a basic concept of who exactly one was earlier on. being left without one leaves some with a need for more effort to figure life out, and this distinction will affect everyone in many different ways. at the end of the day, though, a map is just a map. the road itself is what matters most 👍

[bread-is-my-life]

HAPPY NEW STAINMIGHT YEAR!!!

Santa Might and Stain the Elf except I wasn't able to do any art of em till Christmas and New Year so you all are getting those concepts :']

(if anyone wants me to yap abt them... Heh... Just lemme know and I will write a huge ass post 😼)

Bonus doodle from *looks at the date* OCTOBER??? damn...

[13eyond13]

as much as I love n respect the permadeaths in Death Note, just imagine a world where L suddenly comes back / actually faked his death for five years or whatever and then reappears and Light finally feels feelings again for the first time in half a decade AND YET is trying his hardest to pretend he's fine / doesn't care that much / like oh fuck I guess I have to kill him even more but NO I CAN'T LET HIM DIE AGAIN IT WAS SO BORING THE LAST TIME HE DIED .... omg I need to see them being divorced queens

[butchcarmy]

ok after that i now NEED to read carmy getting a bj heh

(in reference to this post)

I’ve been thinking really hard (lol) about this…spent some time thinking and researching and studying and here’s what I’ve got… 

…BUT I want to promote this part of @zorrasucia's carmy fic first. It so closely follows what I imagine his first bj is like too. This is the blueprint. Its so good please read it. 

It finally happens one day after Carmy finishes going down on you.

You look down between your legs just as you’re trying to catch your breath post-orgasm. Carmy’s staring up at you, cheek resting on your thigh. His mouth and chin are shiny, coated with you.

“Carmy,” you sigh like you’re in a dream. You run your fingers through his hair, combing through it. “You’re too good to me. Please, let me return the favor.”

“Y’wanna go for round 2 already?” He’s sitting up, clearly already hard. He always is when he eats you out. “Don’t get me wrong, I wanna be inside you—“

“No, no, not like that.” He’s confused, and it shows on his face, too. “I wanna suck you off.”

“…Oh.” Carmy’s cheeks are quickly coloring. “That’s, uh…”

“We don’t have to anything you don’t wanna do—“

“No, it’s not that at all,” he protests weakly. The tips of his ears are pink. “It’s just, ah… I’ve never done that before.”

“You’ve never had a blowjob?” You’re aghast. He just nods, embarrassed. You do suppose it makes sense, with you being the first person he’s had sex with. You don’t know why you’re still surprised. “With how hard you fuck me, I forget there’s still a lot you haven’t gotten to try,” you muse, pulling the hair tie off your wrist, and he laughs shakily. 

“I, I’m probably not gonna last long,” he warns. You believe it, not just because it’s his first time, but because how reddened and hard his cock is. The exposed tip is so flushed, beaded with so much pre-come that it almost looks like he’s already finished. All this from eating you out.

“That’s okay. There’s always next time, and the time after that, and then the time after that…” That gets another shaky laugh out of him. You lower your head, your breath ghosting across the tip. It twitches. “Ready?”

“Please,” he whispers, and then he corrects, “I mean, yes.”

You start with just kisses. When your lips first touch the tip of his cock, he inhales sharply. Keeps it held as you kiss down the rest of him, kissing along curves and veins until you reach the base.

“Relax, baby,” you tell him, and his exhale rushes out of him. 

“I’m trying,” he starts, “I’m just—“

You lick gently at the base of his cock, forming a wet ring, and Carmy lets out a strangled moan. 

“I wanna hear you,” you whisper. You lick upwards, slowly dragging the flat of your tongue on the underside of his shaft before running it over the head. 

“Fuck,” Carmy curses, snapping his head back. You’re not sure you’ve ever seen someone so sensitive, so reactive. It’s making you wet again. You lick at the swollen tip again and again, covering it in glossy spit, and you pull a couple more moans out from him that way.

“I like the way you taste,” you confess with filthy honesty. The tip of your tongue runs firmly along his slit, and he gasps. Every pass of your tongue brings out another noise from him. 

Maybe it’s mean of you since he’s clearly so sensitive, but you do it anyway. You open your mouth and carefully suck the head of his cock between your lips. 

“Oh my god,” Carmy whimpers, hips twitching forward like they’ve got a mind of their own. You’ve pulled him deeper into your mouth. His thick, warm length rests heavy on your tongue. It’s admittedly a little bit of a tight fit…

Inching further down onto his cock, you start gliding your slick tongue on the slippery underside. Carmy’s been reduced to a mixture of poorly restrained moans and whimpers. You’re not sure if you’ve ever heard him like this before. You bring your hand to the last half of his cock that’s not in your mouth, but as soon as you pump the spit-slicked base once, he’s coming down your throat.

He moans to high heaven as he comes, hips jaggedly thrusting towards the back of your throat. You breathe through your nose, resisting the urge to gag, but if anything, it just makes you wetter. You swallow on reflex, feeling the tip spurt come down your throat, and you think the constricting tightness of it makes the volume of Carmy’s moans spike. 

You keep him in your mouth until he softens, and when you finally drag yourself off him, his cock glistens with your spit. Above you, Carmy’s still trying to catch his breath. 

“You should fuck my mouth next time,” you say cheekily, and all Carmy does in response is groan.