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postracehair · 1 day ago

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say again

george russell x reader | 3.9k

three times george curses. or, a beginning, a middle, and a future.

cw: george cursing. a few scrapes and a little bit of blood, some kissing, and a love confession to boot.

a/n: this kind of ran away from me, especially in the middle but every time george russell says fuck an angel gets its wings. written ages ago but posting in honor of Las Vegas.

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YOU'VE GOT TO BE FUCKING KIDDING ME

The door buzzes and you let yourself into the building.

You've only been here a few times, but a match day spent with your coworker and some of her friends is better than sitting on your couch alone, right? Wine and cookies in hand, you trudge up two flights of stairs to her flat. By the time you reach the landing, you can already hear the chatter and the TV.

No one seems to hear your knock so you push the door open and gingerly step in. The kitchen is on the other side of the flat, and you assume everyone is somewhere between there and the television.

But when you pass the living room where the TV actually is, there's just one guy on the couch. Leaning forward, elbows on his knees watching a penalty get called.

"You've got to be fucking kidding me," he says to no one.

You snicker. He whirls around. "Hello," you say.

"Sorry," he says, standing immedietly. Wow, he's tall. "Sorry, hello."

Oh, and he's familiar. You know him, kind of. He's -- god, he races cars, right? Shit, what is his name? Your coworker has social connections you barely understand so it's not really a surprise to find someone who is probably famous in her flat.

"It is just you, then?" you ask. He laughs and runs a hand through his hair. Dressed in jeans and a team jumper, his casual outfit is at odds with the severe cut of his jaw, his cheekbones. He just looks expensive.

"No," he says. "No, everyone is putting plates together. I'm afraid I might be the one most interested in watching the match."

"Not going well?" you say lightly.

He rounds the sofa, hand out. "Could be better," he says. "I'm George."

You readjust the items in your hands to shake his and tell him your name. He repeats it, and you smile.

"Let me go put these down," you say, "and then, um. Do you want some company, George?"

Honestly, you're not sure where that came from. But, though you came here to escape the smothering loneliness of your own flat, something about him makes you want to stay here rather than go into the kitchen with everyone else.

"'Course I do," he says. "I promise to tighten up my language. Won't do for that to be my first impression."

You wave him away though your cheeks feel a little hot and head for the kitchen.

Your coworker brightens at seeing you and takes your hostess gifts with ease.

"The match is on in the other room," she tells you, "but most of us are drinking in here."

"I saw," you say. "I met George."

She hears something in your tone that turns her expression something between amused and calculating. "You did, did you?"

You just nod, loading up a plate with the various nibbles. "How do you know him, anyway?"

She shrugs. "Oh, you know." No, you don't, but she plows on. "What did you think?"

"Taller than he seems on TV," you mutter. "But very polite. He shook my hand."

That gets her to laugh. "Oh, of course he did. Well, don't stand around in here with us. Go chat up a Formula 1 driver!"

George is back on the couch when you return, arm stretched over the back of it, brows furrowed.

"Has anything exciting happened?" you ask him, sitting down with a perfectly responsible distance between you.

He grimaces. "Nothing good. Wolverhampton, bless 'em, are quite bad."

That might explain why no one is watching this match with him, but you keep that to yourself.

"I see," you say, solemnly. "But loyalty is loyalty, I suppose, if they're your club."

"Exactly," George says. "It's suffering but it has to be done." Someone on the screen triggers a free kick and George leans in until it's over. He starts talking about one of the players being traded, or his contract being renegotiated, or something. You nibble on your plate and just watch. He's animated, this man. Fringe falling over his forehead the more he gestures, blue eyes wide and serious. It's all very endearing.

"Sorry," he says suddenly. "I'm being so rude. You don't want to hear about all of this, do you?"

You smile at him. "I don't mind. I came over for some company more than anything else."

He sinks back into the couch a little, hand running through his hair again. "Well, lucky for me that you did," he says.

Your face feels hot and you don't want to mistake this for flirting if it's not. He is a world-famous athlete, after all, but here you are on the couch next to him. "Lucky for you, indeed."

He laughs, delighted.

OH, SHIT!

This is not how you saw your life going, but maybe that's just the nature of it. Big moments happen just the same as small ones and we have to handle them regardless. The trajectory of your life shifted just a little bit when you sat down on someone else's couch to watch a football match with a stranger.

Because that stranger -- George -- is now much more than that. He asked for your number that day before he had to leave earlier than everyone else, and has been speaking to you ever since. Texts, phone calls, FaceTimes. And, when he's not driving hundreds of miles an hour halfway across the world, he likes to spend time with you.

They're dates, you know they are. But things are still casual, immensely so. Coffee, dinner, long walks through the park. It's probably past due that you ask him what he'd like out of this, but your friends tell you to just have fun for the time being. You've learned a lot about him in the last month or so, both from him directly and by doing your research.

You'd watched a few Grand Prix before meeting him but not with any kind of rapt attention. Now, obviously, you watch with purpose. See him zip around the track, read his radio messages, hope desperately that he'll be alright. He's a big mix of things, George Russell. Witty but determined, thorough but reactionary, polite but intense. You want to keep getting to know him on a personal level and measure that up to how he appears to the world.

Today, you're on one of those long walks. George is recounting the last race at your request. It's always more interesting to hear him talk about what happened than watching it, though you're really growing to love that part, too.

It's a bit chilly and he's got a scarf on in addition to a nondescript hat pulled down low over his eyes. You're used to this by now, though you wish you could see his face more fully.

"And then -- well, I'm sure you saw this bit -- he turned right into me like I wasn't even there!"

"But you avoided it," you remind him. "I saw that, too." A cold wind blows down the path and you shiver a bit.

"You alright?" he asks. "Nippy, huh?" He stops walking and turns to you, his huge hands coming to rest on your shoulders before he rubs them up and down your arms.

"A bit," you agree, a little breathless. God, you really need to talk to him about what this is. You're thinking about him all the time, which is a bit of a nuisance, as you're not sure he's feeling the same. But, a small voice in your head tells you, you can't be too far off in thinking that it might be based on the way he's looking at you right now.

Even under the cap, you can see the soft set of his brow, the way his eyes are shining. The gentle quirk up of his mouth. What would it be like to kiss him? Would he let you?

George stops his warming efforts, catching your hands in his. "Better?"

All you can do is nod. He grins, looking a bit too pleased, and starts walking again, you in tow. This is something else you've learned about him -- he really can be a cheeky bastard. He must have more than some idea as to how he affects you and enjoys it. It's somewhere between a game and a challenge.

You're thinking about ways you can get him back, ways you can flirt mercilessly. His hand is in yours and he's half a step ahead of you when suddenly your fingers are ripped from his and you find yourself on your hands and knees with a gasp.

George is immediately there with you.

"Oh, shit," he says. "Are you alright?"

"I--" You're a bit too stunned to say anything. George rarely curses, which is funny given how you met, but it unsettles you a little bit as much as it warms you. "I think I tripped?"

"Let me see your hands," he says, gently tugging at your wrists with his long fingers. He sucks on his teeth when he sees your palms. "Not too bad, but a little scratched."

You rearrange yourself so you're flat on your bum, legs in front of you. Your hands might be alright but your knees are another story. The fabric of your jeans isn't ripped but you can see the bloodstains already.

"Oh," you say. You look up at George, feeling a bit pathetic. "This is embarrassing."

He scoffs. "No, it's not," he says. "I do think we should get you cleaned up, though."

"We can go to my place," you suggest. The sting sets in a little more, but mingles with your chagrin and you just set your jaw. "Help me up?"

"Brave girl," George says. He presses his lips to the base of your wrist and stands, tugging you up as he goes. "Have you got first aid things at your flat?"

You nod, running through the contents of your bathroom in your mind. It occurs to you that George has not been to your place before, and you did not mentally prepare yourself to bring him there today.

George gently says your name. "Let's get a cab, shall we?"

It takes no time at all to flag one down. George removes his hat in what you can clearly see as an effort to get the cabbie to hurry along a bit, but it seems to work. He takes one look at you, one more at George, and steps on it.

"Let me get your belt," George mutters, making quick work of the buckle.

"I don't think I've ever worn a seatbelt in a cab in my life, George," you reply. He just pats your thigh.

"Think we've had enough injuries for one day, don't you?"

George and the cabbie chat about the race season, about how hot it really is in Singapore, about one of George's recent podiums. He keeps you tucked into his side the whole time -- he's ignored his own seatbelt, you notice -- hand on your thigh. You keep your palms turned up on your knees and wonder how on earth you got here.

The city flies by and you lean your head on his shoulder. You can feel something shifting between you, something clicking into place that wasn't entirely settled before. It's scary, it's exciting, it's big. It's something you're going to have to talk about.

George pays the driver in some large bills and helps you out of the cab and up the steps of your building.

"Where are your keys?" he asks.

"Front right pocket of my jeans."

"Pardon my reach," he jokes, and lightly rests on palm on your hip and slides the other into your pocket to find them. He tugs the keyring out and winks at you before unlocking the door. Up the stairs, into the flat. Shoes toed off, coats on the hook after George helps you out of yours.

"I'm not an invalid, you know," you tell him. He clicks his tongue.

"We don't want blood on this nice coat of yours, do we?"

You roll your eyes. George glances around your flat and smiles. "This is very you."

Dishes on the counter, the pillows a mess on the couch, your books and trinkets on every flat surface -- you suppose he's right.

"Thank you?" you say. He taps your chin with his knuckle.

"It feels like a home, I mean." Your cheeks feel warm and your heart sighs. God, the things he says.

"Oh," you breathe. "That's kind."

"And does this home have a first aid kit?" The reminder brings the dull sting of your scraped skin back to the forefront of your mind.

"Bathroom cabinet," you tell him. George nods.

"I'll get that. Why don't you change into something loose so I can get to your knees?"

In your room, you tug carefully tug on some sweatpants, mindful of your palms, and let yourself marvel at how today has gone. You expected to have George here someday, but certainly not like this. Will he want to see your bedroom? You shove some dirty laundry into the hamper and thank past you for making the bed this morning.

"I think you should sit on the counter," George calls. "Whenever you're ready."

You pad out to meet him in socked feet. It's quite the sight, him in your kitchen. He's bent over your sink, washing his hands. His sweater has been tossed over a chair and you can see the lines of his back under his t-shirt.

"Do you need help getting up?" he asks. You nod. Together, you get yourself on the counter, making you about eye level.

"Hello," you say. His hat is gone, too, so his fringe falls across his forehead in slightly curled strands. When you've cleaned yourself up, maybe you'll work up the courage to run your hand through them.

"Hello yourself. Right hand, please." You hold out your palm and George gets to work. He cleans it, getting all the bits from your skin, and then uses an alcohol wipe.

"Do you have a special interest in first aid, or something?" you ask to distract yourself from the sting. His thumb strokes your pulse point as he works.

"I guess you get beat up a bit in karting when you're young," he says. He wraps one palm in gauze and moves onto the other. "I suppose i just like knowing how to take care of people."

"God," you groan. "Is there anything wrong with you?"

He looks at you then, hair falling into his blue, blue eyes. "Oh," he smirks. "Plenty, darling." He finishes up on your other palm and holds it in his for a moment longer than you expect. Then he slowly brings your hand to his mouth and kisses the bandage.

You might gasp, You're not entirely sure, eyes glued to his lips like nothing else exists. Then he kisses the other palm. Your gaze flicks up and George is looking right at you.

"Knees," he says, voice a little hoarse. "Alright?"

"Alright," you breathe. You stick one leg out just to see what he'll do. You're learning that he rises to the occasion, and that's exactly what happens. He cups your ankle, places your foot on his thigh, and slides your sweatpants up above your joint.

"That's gnarly," he says, breaking the tension. You laugh and tap his leg with your other foot. "You ready?"

"I'm ready."

He makes quick work on it. One hand on your calf, the other gently cleaning and bandaging. The silence is comfortable, familiar, though you've not been in this situation before. It's not until George is almost done with your other knee that he speaks.

"You know," He says, lightly. "If you wanted me to touch you, all you had to do was ask. The tripping wasn't entirely necessary."

"George!" you gasp. He squeezes your calf.

"I'm just saying, darling."

He ties off the gauze and rolls down your pant leg. You widen your knees and he steps between them immediately, hands resting gently on your thighs. It's absolutely electric -- going from shy, appropriate touches to being in your flat together, his hands all over you. How are you going to go back?

Maybe you can't.

George's eyes rake over your face. You inhale his exhales, feeling them on your lips. His pupils dilate.

"What is this, George?" you whisper. His fingers press into your thighs a little harder.

"Well," he says, tongue darting out to wet his lips. "What would you like it to be?"

"I don't know," you say, honestly. He is not dissuaded, does not back away. He must know that this is hard for you -- his life is so different from yours. As it is, you avoid social media so you don't see pictures of you splashed across gossip accounts. It's impossible to totally stay away from it but you try, because you really like being with him.

"Shall I tell you what it is for me?" George says.

You nod.

He cups your face in his hands, thumbs stroking the delicate skin under your eyes.

"Every second I am not with you I am thinking about when I'll see you next," he says. "I store up things to tell you and take photos to show you and I have a bag full of things I've bought you but been too afraid to give you. Beautiful things, things that remind me of you."

"George--"

"I worry about fucking up your life," he continues, and you fall silent. "This is a lot. I am a lot. My life is not simple, and you've already seen that. But I want you in it. I want you in it however you want to be there, though I have my suggestions. I promise that if you let me, I'll treat you so well, because you deserve everything, and --"

Your heart is going to explode if he goes on any longer, so you close the gap between you and kiss him. Finally.

It's just the press of your lips against his for a few seconds, your eyes fluttering shut, before George catches up to what's happening and angles your faces a little bit to make it deeper. Your bandaged hands rest on his elbows and you swallow a sound from deep in his throat, something that lights a fire in your belly.

"Blimey," George says, leaning your foreheads together.

"What, no curse for me?"

His eyes sparkle and he wrinkles his nose at you. "Fuck," he says. "I've been thinking about that for weeks."

You press your lips to the corner of his mouth. "That's more like it."

BLOODY HELL

What the fuck was that? Is he serious? Keep focused, George. This is fucking ridiculous. Head down.

It's a bad day. Not as bad as it could be -- George does not end up in the wall. But he ends up way further down the pack than he should, barely scraping together a few points. It's the car and everyone knows it. The bouncing, the drag, the understeer. A showing far too poor for this late in the season.

And George is pissed. It's not often that you see him this way -- he's fairly levelheaded, even when things get tough. Something about him causes conflict to lull, things to fall into place, but even that can't fix the silver arrow.

You slip out of the garage during the last lap to sit in his driver's room and wait.

This isn't your first race. Far from it, by now. Things got official halfway through the season after that day in your flat, and you've been coming to as many as you can. It's a rush, really, to see him work. Scarier than anything, but when it's good? It's amazing. You love the energy of the garage and everyone seems to have taken to you, too.

So much so that they know to send George right to his room before the media pen so you can calm him down.

You sit on the bench and wait.

He comes in, closing the door firmly but never slamming it, and sighs. All the tension melts from his body and he looks defeated. Sweaty, annoyed, and defeated.

"Hello," you say, lightly.

He smiles wryly. "Shit day, huh?"

You love how George looks after a race. Hair a mess from his helmet, skin beaded with sweat. He unzips his race suit and lets it hang at his hips and you can see the outline of his muscles through his fireproofs. It's genuinely swoonworthy, even with his visibly bad mood.

"Are you alright?" you ask. He shrugs, rolls his shoulders, and winces.

"Bloody hell," he curses. "My back is killing me."

"What can I do?"

"Nothing," he says automatically. "You're perfect just as you are."

It's a reflex he has -- not to ask for things. You're still working it out, poking and prodding to find the cracks. Maybe, with time, he'll loosen this grip he has on his desire to make your life as comfortable and wonderful as possible without thinking of himself. There are moments when it's best to just let him fuss, but right now you think you can push back a little.

"George," you sigh. "Come on."

He hides his face behind a sweat towel for a breath, then tosses it aside. "Alright," he says. "Just sit with me for a bit."

You scoot over on the bench and he flops next to you, head back against the wall and eyes closed. His hand fumbles around for yours, pinching your thigh when he overshoots, which makes you laugh. He cracks a smile and opens one eye just enough to see your grin before settling back into his rest.

He breathes deeply, fingers entwined with yours. The line of his jaw is pronounced in the awful lighting of the room and the shadows under his eyes look worse than usual. A few more races and then he can rest. What will you do in the off season? Maybe a vacation. Hopefully a vacation. You imagine George in swim trunks on a beach somewhere, dozing in the sand. Rubbing sun tan lotion on his back and his shoulders and his nose, reading books for hours until he convinces you to run into the water. Lazy days on a balcony or in a bed with all the windows open, never being far from each other --

Someone knocks on the door.

"Christ," George mutters. "Let's ignore it."

"You need to go to the pen, darling," you whisper back. He squeezes your hand and presses your legs together.

"Just a few more minutes," he says. "Eventually they'll just come in."

"If you say so."

You press a kiss to his tacky cheek and lean your head on his shoulder, eyes fluttering shut.

George takes a deep breath. "I love you," he says.

The words stretch into the silence that comes after, the moments it takes for you to process it. They fill the small room, sneak their way into your bloodstream, your lungs, all the way to your heart.

Part of you is waiting for the follow-up. I know it's too early, I know it's a lot, You don't have you say it back. But George doesn't deal in excuses. He feels it, so he says it.

You lift your head to look at him and find him already staring at you. Not expectant, just looking to look.

"I love you, George," you say.

He grins bigger than you've ever seen, bigger than after your first kiss, than the days when he's on the podium.

Someone knocks on the door again.

"Oh, piss off," he mutters and leans in to kiss you.

#george russell x reader #george russell #george russell fanfic #gr63 x reader #f1 fanfic #gr63 #my writing #fic: say again

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chasedeys · 2 days ago

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Jesus Christ he pulled up on Joe ???! I need this devotion

he did 😔😔🤚🤚🤚

the Lakers Date in gifset form and in video form like look at joe staring at ja'marr like that and giggling and shit oh my god joe ja'marr is sure as hell funnier than you but really? ja'marr putting his arms around joe which is just. yeah. look at that little scratch and then actually reaching his arms out and then just saying something short and random 😭 you know. casual. and joe barely reacting to it ok whatever. oh and also there's this hilarious twitter thread in reaction to it lmao.

this is the wowing backstory (everyone say thank you to carmen's big brain!!) to the date and kind of why this felt like a psychological attack beyond the implication that this was A Basketball Date. basically ja'marr flew his ass to arizona for joe because the man was having the shittiest week and was sooooo weirdly messy about it because he posted a vague blurry ass insta story of his location and then deleted it (?????) god what is wrong with him. like the photo was obviously a quick little snap of him in a car with just a location posted in the middle of the night like it didn't matter what the pic was only the location and was posted the minute he arrived (?) like he was announcing where he was for a very specific reason and then deleted it like it served its purpose and he didn't need it anymore. (is that not basic teenager in love 101........)

on joe being miserable -> like joe went to a club and flipped people off and i think one of the events he had was the signing with obj and kd (beloved kevin durant <3 but its sooo random why the fuck was kd there im so confused as to what this event was) and joe's expressions throughout all the videos and photos were either flat as fuck or straight up not-enjoying-shit. the next time he gets snapped in public it's with ja'marr on a basketball court with matching outfits finally smiling and laughing right and doing silly shit like clapping all up against ja'marr's face like a besotted dork......mind you he clapped because ja'marr was on camera probably getting introduced to the stadium so everyone could technically see it so it was like he was teasing the ever living shit out of ja'marr who was trying to be all cool throwing peace signs only to get stunted on by his embarrassing ass man who just wouldn't let him live jesus i'm sorry but i'm genuinely wondering why he clapped that way. look at his impish little smile joe oh my god stop.

but he was really finally acting all goofy and silly and smiling and laughing genuinely when ja'marr showed up and yapped at him!!!!!!! insane. shining example of devotion and codependency tbh.

some Speculation! which i love to do unfortunately for everyone around me:

this was planned from the start way before joe went through apparent hell or something. they bought the tickets way back with dj and sam and this was like the only thing joe looked forward to which is why he was finally smiling and laughing and actually managed to get through the week.

from that event they had together kd gave tickets to obj (pretty sure he was also there but like on the opposite side of the court?? idk) and joe and joe requested/bought more tickets and invited ja'marr and sam and dj because he was in heavy need of Friendship Love Moral Support from his guys. yeah.

(the favorite. the full of love theory) ja'marr found out joe was Going Through It (from joe himself? from obj? from his manager? the internet? other friends? who knows) and flew his ass to arizona having bought the plane ticket within minutes of ending the call/text regarding the joe situation. knew joe needed some refreshing/healing so he searched up what arizona had going on for them that week or he was planning on watching the game from his home anyway idk and immediately bought court-side tickets for the game. invited dj and sam so joe would be surrounded by more close friends who he would feel comforted by. arrived in phoenix in the middle of the night, snapped a quick photo for ig announcing where he was, joe saw it and sent ???????? in reply, ja'marr then deletes the ig story bc he doesn't want anyone else asking shit too, and finally crashed joe's pity party and has him smiling within minutes. am i crazy. yes. am i free. also yes.

THE CLOTHES THING they're literally wearing yellow and purple -> lakers and coincidentally lsu's colors!!! technically suns' too i think. did they plan on matching or did they each plan on wearing lakers colors in the first place (these divas...) and just had that one-brain-ism thing they got going on. ja'marr was sooooo pretty btw 😭😭 his faceeeee the dimple the hairrrr i miss his cornrows he looks sooo good in bright mustard yellow toooooo somebody save me from myself.

OH and dj reader and sam were there too okay 😭 like they weren't there alone. that la lunch date was like this lakers date 2.0 bc they weren't alone damn it but it weirdly seems that way 😭 when you're in love etc. or maybe because they just weren't mentioned as much as these two :( but I'm really pleased that joe could smile surrounded by his teammates <3 joy etc.

okay bye 😭

#ask #this could've been under 50 words sorry #this and the fact that its referred to as the lakers date instead of the suns date made me think ja'marr was a lakers fan btw #or at least a lebron truther but apparently......it was for joe.........okay...............#like is /joe/ a lakers fan or did they just choose the nearest nba event #so fascinating how sports players enjoy nba games for dates and get introduced to the entire stadium in the process btw #how many Events have they had #'Lakers Date' 'Clothes Saga' 'Game Worn Jersey' 'Natty Championship Ball' 'KC Game Shove' 'Pinky Shakes' idk am i reaching #god i truly wished i got to experience the entire events leading up to the date and the date itself #i fear if i was there i would break the post limit #joemarr #joe burrow #ja'marr chase #...#joemarr meta #i think #also please don't ask how i managed to link all of these #also also i searched up the price for courtside tickets and just about died. why. why the fuck. and its a lakers suns game so.

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tyrantisterror · 2 days ago

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Wherefore Art Thou Clownfucker?

A while back I made a post explaining why vampires appeal to me, and while it was mostly in a more general sense, there was a specific focus on why I find them, you know, hot. And it was that was in part because I had recently discovered that I'm apparently surrounded by Werewolf fuckers on here, much to my dismay as a Vampire fucker. It's like being the only goth kid at a rockabilly concert or something. I felt defensive, is the point! I needed to go to bat (heh) for my pale ladies (and Astarion.... and Spike)!

And now, because Muncher compels me to do so, I'm doing the same for Clowns. My other pale ladies.

Now, keep in mind the fact that I'm a monsterfucker first and foremost, and that my clownfuckery is really more derived from my monsterfuckery. I imagine the middle section of the Clownfucker/Monsterfucker diagram is pretty big, but I also know there are some clownfuckers who are very much NOT monsterfuckers, and vice versa. This is not the case for vampirefuckers, who are nestled firmly within the monsterfucker circle, because while all vampires are monsters, not all clowns are monsters. I bring this up because while I'm gonna try to explain clownfuckery on its own terms, there is likely going to be some monsterfucker bias in my explanations and defense. That's just how it is on this bitch of an earth!

I'm gonna get real pretentious here and talk about the historic role of clowns for a moment. From Comedia del Arte harlequins to medieval court Jesters, the clown's role has always been that of Comic Relief. They are, simply put, here to be tonally dissonant - when everyone else is serious and dramatic, a clown comes in as this weird, silly, incongruously hilarious element that contrasts the gravity of everything around them. "Relief" is really the key word here - a clown's job is to provide levity when otherwise there would be none. When everything is dark, they provide a little light.

That's the core emotional appeal of clownfucking - a clown is/should be someone who can make you smile when you need it the most. Kingdom's at war, family's fighting, your life's in shambles? The clown will make you laugh. Everything feels dark and gloomy and depressing? Here comes a silly little goofball wearing bright, clashing colors and jingling with each step because they're covered in bells, and all they want to do is tell jokes until you start laughing. Clowns are, by intent, that sweet sweet hit of dopamine personified.

Clowns are here to make you smile.

Another important historical detail about clowns is their unique place in the hierarchy of society - namely, being entirely outside of it. A jester was in some respects the lowest person on the totem pole, a fool that had power over no one and nothing, living to be laughed at. Yet, because they had no power over anyone, it was generally poor taste to take offense to anything a jester said, which meant they could talk more freely than anyone else - when everyone else acts like a butt-kissing sycophant, a jester is free to talk shit and speak their mind.

The traditional attire and appearance of clowns plays into both of these traits: the bright, gaudy clothing and makeup is silly, yes, but it's also a sign that the clown does not give a single shit about fashion and other social norms. A clown is, by nature, an anomaly, a misfit, a rebel.

Nowadays we have another word for people with that attitude. Clowns are punk.

Weird makeup, crayola red hair, patchwork clothes...

I would say the very fact that "normal" people look at clownfucking as some sort of inexplicable fetish is, in fact, part of the appeal. It's a form of xenophilia, of attraction to things that are different and othered, a love for outsiders and misfits and oddballs. To fuck a clown is to show love and adoration for something outside of the realm of what is socially acceptable - something silly, goofy, and weird, yet also often harmless. After all, a clown's main purpose is to make you smile.

That's not to say that clowns have to be harmless to be attractive, mind you. Tons of people, many much smarter than I, have talked about the cultural shift of our perception of clowns that began somewhere in the 1980's. Clowns went from being viewed as genuinely fun and cute to primarily being figures of fear and terror - if a clown shows up in modern media, even if it's innocuous, there will always be at least one character who vocally talks about how creepy they think clowns are.

That may in part be due to the fact that clowns have such a benign mission statement - a lot of people, especially nowadays, do not trust a person who claims they just want to make others happy. Anyone who acts like that MUST be up to something - there must be something nefarious going on, some evil plan, some lurking danger.

Which is where you REALLY bring the monsterfuckers in.

You really don't need to do that much with a clown's design to push it firmly into monster territory - "a pale person with sharp teeth" is the bare minimum it takes to make a vampire, after all (and even the pale part can be downplayed).

And a clown's dedication to making things "funny" can make for a very enjoyably-scary persona for a monster - hell, half the appeal of the Addams Family is that they're a bunch of freakish inhuman monsters who react to a bunch of scary shit with absolute delight and adoration. Again, the tonal dissonance element is at play here, albeit in a different way - even when Clowns are the darkness in your world, they still bring light in the sense that they view it that darkness as funny in of itself.

(hell, the word "harlequin" means "five horns," and may be rooted in folkloric monsters like Herne the Hunter depending on who you ask, so in a way clowns have always been monster-coded)

I think all of this is pretty well exemplified in the current Patron Saint of Clownfuckers, the goddess of Clownfuckery if you will, Harley Quinn. Hailing from a story whose main setting is such a Gothic Horror-inspired nightmarish shithole of a city that it's literally called Gotham, surrounded by characters who are at least 60% gothic horror archetypes by volume, opposed by a hero who literally dresses like a Dracula, it is inarguable that Harley Quinn is surrounded by darkness that's both literal and figurative.

But she's always smiling, and not in an ironic way.

Harley Quinn suffers intense abuse, she's drawn into wicked schemes, and in the way of most modern clowns, she causes no small amount of mayhem and suffering herself. But even at her darkest, she's always smiling, always trying to find the bright side.

She's a rebel, she's a punk. Almost everyone thinks she's beneath them. Almost all of those people get proven they're wrong. In a world full of tyrannical hierarchies, she steps outside of them.

She's an outsider, a misfit, an oddball. And she wants to make you smile.

I think you can probably see the appeal of that.

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