#This is England 88

[neelyowhora]

this is england ‘88

[merpmonde]

"Take the aircraft engine out!" - the AP1-88 hovercraft

The Tim Traveller has just dropped a video about the massive SR.N4 car-carrying cross-channel hovercraft (which got a mention here) on display at Portsmouth, and he notes that there is still an active hovercraft service between Portsmouth and the Isle of Wight. That reminded me that I had a couple of pictures of that, and I thought I was primed for part 3 of "stick an aircraft engine in it". Two problems though.

First problem, the pictures aren't great. Taken in 2012 from the Mont Saint Michel ferry exiting Portsmouth harbour with my previous camera, which had a less powerful zoom and a lower resolution than my current one. It's still enough, in conjunction with the Wikipedia page on Hovertravel, the company that operates these vehicles, to narrow it down. The hovercraft can only be one of two vessels, the Freedom 90 or the Island Express (squinting at the bow it might be former), but the exact identity matters little. Both are of the same type: an AP1-88 built by the British Hovercraft Corporation, successor to Saunders-Roe who built the big cross-channel model.

And that's where the second problem arises: the AP1-88 is not powered by aircraft engines! It is powered by 4 Diesel engines, making it much quieter and more economical to run, while still capable of reaching 50 knots. It shows that passenger hovercraft transport is possible without gas turbines, and Hovertravel's current fleet consists of two Diesel hovercraft built in 2016 by Griffon.

Nonetheless, chalk up the hovercraft as something I have seen in action!

[proofhead]

Iron Maiden - Maiden England '88 Plağım

[rwking01stuff-blog]

de Haviland DH.88 Comet

Festival of Flight at the Shuttleworth Collection 01 Aviation Photography of a DH88 Comet from the Shuttleworh Festival of Flight Air Show in Bedfordshire The DH.88 Comet was built during the period between the World Wars where the aircraft industry and the public were focussing on racing. The Comet was built in 1934 for the England to Australia MacRobertson Air Race. The development of the…

[ultimatestellar]

this is the guy who sings about cities and towns.

if you live in the US then hes probably got a song about your town. bro has thousands of songs. his oldest album is from 2012 and his newest albums are from this year.

enjoy.

[dickinson-devotee]

Steve absolutely almost overbalanced right into the crowd there, he is so lucky the traction on his shoes was good, good GRIEF man

[jade4956]

“I just lost Lucy the World Cup”

The 2023 Women’s World Cup Final: England vs. Spain

85:12 on the clock.

England were running out of time.

Spain had taken an early lead in the first half, and despite England’s relentless pressure, the score remained 1-0. The Lionesses had thrown everything at them, attacks down the flanks, long-range efforts, set pieces, but Spain’s defense refused to break.

And now, with less than five minutes of normal time left, the world was watching as England desperately searched for an equalizer.

Tahlia Bliss could barely hear herself think over the roar of the crowd.

Her lungs burned, her legs felt like lead, but she couldn’t stop now. Not when they were this close. Not when Lucy Bronze—one of the greatest players England had ever seen—was still out there, still fighting, still chasing the trophy she had dreamed about her entire career.

And then, in a flash, the moment came.

Lauren Hemp had the ball on the right flank, driving forward with pure determination. She cut inside, slipping a pass into the box. Alessia Russo let it run, a brilliant dummy that fooled the Spanish defence.

And suddenly, Tahlia was there.

Inside the box.

Completely unmarked.

Her body reacted before her mind could catch up. She took a touch, set herself, and then struck the ball with everything she had.

Time slowed.

The Spanish goalkeeper dived the wrong way.

The ball sailed past her fingertips only to crash against the top right corner of the goalpost.

Tahlia watched, horrified, as the ball bounced away from the net instead of in.

Gasps filled the stadium.

The commentators were stunned.

Tahlia held her knees in disbelief and her head stayed down.

“That was the moment.” The commentator’s voice was almost breathless. “That was the equalizer—if it had been a fraction lower, England would be level. But instead, the post denies them. Unbelievable.”

She barely registered the Spanish defense scrambling to clear the ball.

Barely noticed the way Lucy Bronze had turned around, hands on her head in disbelief.

Barely heard the cries of frustration from her teammates.

Because all she could focus on was the reality settling in her chest like a boulder—

She had just missed England’s best chance to save the World Cup.

England didn’t stop fighting.

They kept pushing, desperate to break through, desperate to find one last opportunity.

87 minutes.

88 minutes.

Spain packed their defense, forcing England to take rushed shots from distance. None of them came close.

90 minutes.

The fourth official lifted the board: 6 minutes of stoppage time.

There was still a chance.

Tahlia forced herself to push past the exhaustion, tried to block out the noise, the pressure, the missed shot still replaying in her mind like a cruel joke.

91 minutes.

Lauren James won a corner. The entire stadium held its breath as the ball swung into the box, only for Spain’s keeper to punch it away.

93 minutes.

A counterattack from Spain. England’s defense barely managed to scramble it clear.

95 minutes.

One last attack.

Tahlia sprinted into the box, waiting for the cross,

But it never came.

The ball was intercepted.

Cleared.

And then—

The final whistle blew.

Spain were World Champions.

Tahlia froze.

Around her, the Spanish players collapsed in joy. Some fell to the ground, others sprinted to their teammates in celebration. The roar of their fans was deafening.

And England?

Devastated.

Lucy Bronze dropped to her knees. Rachel Daly covered her face with her hands. Keira Walsh stood motionless, staring blankly at the field.

Tahlia’s vision blurred.

Her breath hitched—

And suddenly, the weight of everything crashed down on her.

Tahlia broke.

Tears spilled down her face before she could stop them. She tried to breathe, tried to hold it together, but she couldn’t.

She had let Lucy down.

She had let England down.

She barely noticed the Spanish players coming over, offering their condolences. A few of them gave her reassuring pats on the back, whispering words of comfort in Spanish, but she barely heard them.

Her body shook with sobs.

And then—

Lotte Wubben-Moy was there.

She didn’t say anything at first. Just knelt down next to Tahlia, pulling her into a hug.

Tahlia tried to speak, tried to say something, but the words wouldn’t come out properly.

Lotte just held her, letting her cry into her shoulder.

And then, one of the cameras nearby accidentally picked up her voice.

Through her tears, through the overwhelming grief, Tahlia choked out,

“I just lost Lucy the World Cup.”

The world stopped.

The commentators fell silent.

The words echoed across the broadcast, and suddenly, it wasn’t just Tahlia’s heartbreak, it was everyone’s heartbreak.

Fans around the world felt it.

Lucy Bronze, who was still on her knees nearby, heard it too.

And without hesitation, she was by Tahlia’s side.

Lucy didn’t care about her own devastation. She didn’t care about the cameras, or the fact that Spain were celebrating just meters away.

All she cared about was the young player in front of her, the one who had given everything for this tournament, the one who was now blaming herself for something that wasn’t her fault.

She crouched down, resting a hand on Tahlia’s back.

“No.” Her voice was firm, but gentle. “You didn’t lose me the World Cup. We win together, we lose together. Don’t you ever put that on yourself.”

Tahlia just sobbed harder.

And Lucy pulled her into a hug.

The world saw it all.

The way Tahlia completely shattered.

The way Lotte refused to leave her side and staying in close with other players.

The way England, despite their heartbreak, still held onto each other.

And as the Spanish players lifted the trophy, as England gathered for their silver medals, there was one image that stood out more than anything else.

Not the celebrations.

Not the trophy lift.

But Tahlia Bliss, still crying in Lotte’s arms, with Lucy Bronze bent down on her knees.

Because everyone knew how much Lucy had wanted this.

And everyone knew, Tahlia had wanted to win it for her even more.

[verstappen-cult]

HOW YOU GET THE GIRL | CL16

— 03. THE DRAMA

PREV. PART | NEXT PART — [ SERIES MASTERLIST ]

summary: in which charles has an embarrassing crush on alex's childhood best friend and everyone meddles. content warnings: faceclaim is taylor hill but you can picture her as you’d like! some cursing and a tiny bit of angst because why not. time jump of a month approx.

INSTAGRAM POST

📍 LONDON, ENGLAND — JUN 27, 2023

Liked by alex_albon, landonorris and 897,455 others

yourusername i kinda like it here. ⛳️

view all 7,637 comments

user66 uh excuse me? the second slide???

user67 IS THAT CHARLES ???? user68 I THINK SO

alex_albon i feel betrayed.

yourusername stop being so dramatic

user69 my parents are together i still can’t believe it

user70 oh my god okay it’s happening

user71 everybody stay calm OH MY GOD user72 are they together? user71 girl go on twitter and see

landonorris let’s play and see who’s better

yourusername me ofc

charles_leclerc ❤️

user73 relationship goals

user74 lol we don’t even know if they’re dating user75 they kissed in front of thousand of people AND on live tv what are you talking about

user76 he’s too good for her

user77 who is she anyway. user78 stop being so childish, he’s never gonna date u

user79 who wouldn’t want to date her i mean just look at her

user80 all these people saying charles is too good for her like ??? SHE’S too good for him

user81 she will get bored in a few days mark my words

danielricciardo Ok but who won?

charles_leclerc i won! yourusername charlie don’t lie maxverstappen1 I don’t believe anything he says ever since I won fair and square playing FIFA and he threw the controller at me. landonorris he did that to you too? pierregasly that’s nothing. he threw a padel racket at my head, i still don’t remember anything from that day. charles_leclerc ffs shut up yourusername leave him alone you bullies

user82 i love how all the drivers are calling charles out lol

Y/N’S iMESSAGE

“that’s not how you make pasta!” you’re dying with laughter at seeing charles trying to cook.

“i asked you if i could cook!” charles can’t help but join you in your laughter, leaving the burned pasta aside.

“because you said you knew how to!”

“you better not believe anything i say.” he takes a sip of wine. the one he brought alongside the beautiful flowers that are now adorning your terrace.

“not even when you say how much you like me?” you pout, looking at him beneath your eyelashes.

charles walks the short distance to where you are sitting in the kitchen counter and you happily make room for him between your legs, arms finding your waist in no time.

“you should a hundred percent believe that.”

“mh i don’t know,” you tease, playing with his soft hair. god, you love his hair so much. “i think you should show me.”

“oh i’m definitely going to do that.”

INSTAGRAM POST

Liked by sabrinacarpenter, gigihadid and 566,328 others

yourusername 💐

view all 8,771 comments

user83 that’s one hell of a bouquet

user84 charles knows what he’s doing

gigihadid Can’t wait to see you this weekend!

❤️ by author

user85 i wanna be her so bad :(

user86 If it weren’t for Charles nobody would know who she is. He put her on the map.

user87 this is a grown ass man by the way user 88 i swear to god men are so in love with charles is getting kinda scary

carmenmmundt What a beautiful picture 💛

user89 tired of her comment section being all about charles

user90 fr like they forget she’s her own person user91 I just know she doesn’t like this at all, she’s always speak up about these kind of things user92 if this were to happen the other way around everyone would be insulting her

user93 CHARLES IS WITH HER RN OHMYGOD

user94 what are you taking about user93 LOOK AT CHARLES STORIES HE LITERALLY JUST POSTED THE PICTURES user95 if it wasn’t for the close up of the flowers we wouldn’t even know they’re together user96 he def did it on purpose

user97 the boys, the girls, the gays, they all like Y/N

INSTAGRAM STORIES

landonorris has replied to your story

landonorris: *chandler bing’s voice* can I BE any more obvious? charles_leclerc: just stop watching friends, i beg you

maxverstappen1 has replied to your story

maxverstappen1: Uh, so that’s why you wouldn’t travel with me. Interesting. charles_leclerc: can i use air max for the next race? 🥺

pierregasly has replied to your story

pierregasly: you guys make me sick charles_leclerc: Y/N says to shut up pierregasly: 🤮🤮🤮

yourusername has replied to your story

yourusername: i like this soft launch/hard launch thing charles_leclerc: i bet you like me more yourusername: debatable charles_leclerc: i can make you change your mind 😏

TWITTER — JUN 28, 2023

TWITTER — JUN 30, 2023

TWITTER — JUL 02, 2023

ALEX’S iMESAGGE

TAGLIST (bold means i couldn’t tag you) — @leclerc16s. @willowpains. @berrnuu. @minkyungseokie. @1655clean. @sassyheroneckgiant. @scott-mccall-could-lift-mjolnir. @nessacarty1. @a1leexxa. @storminacloud. @lovstappen. @littlehoneyfreak. @paintedbypoetry. @thatoneembarrasingmoment.

note: hiii besties, take this as an early new years present! this was supposed to be posted after dec 31st but couldn’t leave it in the drafts. there is at least one or two more chapters, so if you still wanna be added to the taglist let me know! <3

[tavolgisvist]

The trial for the dissolution of The Beatles’ contractual partnership 

"And I've changed. The funny thing about it is that I think alot of my change has been helped by John Lennon. I sort of picked up on his lead. John had said, 'Look, I don't want to be that anymore. I'm going to be this.' And I thought, 'That's great.' I liked the fact he'd done it, and so I'll do it with my thing. He's given the okay. In England, if a partnership isn't rolling along and working -- like a marriage that isn't working-- then you have reasonable grounds to break it off. It's great! Good old British justice!

(Paul McCartney, Life Magazine, April 16, 1971)

‘I don’t mind being bound to them as a friend. I like that idea. I don’t mind being bound to them musically, because I like the others as musical partners. I like being in their band. But for my own sanity, we must change the business arrangements we have…’

(Paul McCartney, interview, Evening Standard, April 21-22, 1970)

From my point of view, I was getting done in. All the decisions were now three against one. And that’s not the easiest position if you’re the one: anything I wanted to do they could just say, ‘No.’ And it was just to be awkward, I thought. … I got so fed up with all this I said, ‘OK, I want to get off the label.’ Apple Records was a lovely dream, but I thought, ‘Now this is really trashy and I want to get off.’ I remember George on the phone saying to me, ‘You’ll stay on this fucking label! Hare Krishna!’ and he hung up – and I went, ‘Oh, dear me. This is really getting hairy.’

(Paul McCartney, The Beatles Anthology, 2000)

'Eventually,' McCartney recalled, 'I went and said, "I want to leave. You can all get on with Klein and everything, just let me out." Having not spoken to Lennon for several weeks, he sent him a letter that summer, pleading that the former partners 'let each other out of the trap'. As McCartney testified, Lennon 'replied with a photograph of himself and Yoko, with a balloon coming out of his mouth in which was written, "How and Why?" I replied by letter saying, "How by signing a paper which says we hereby dissolve our partnership. Why because there is no partnership." John replied on a card which said, "Get well soon. Get the other signatures and I will think about it.” Communication was at an end.’

(Peter Doggett, You Never Give Me Your Money, 2009 - P.88)

I thought, “This is crazy, no one likes me enough to just let me go, give me my little bit of the proceeds and let me split off.”

(Paul McCartney, 31 January 1974, interview with Paul Gambaccini for Rolling Stone)

A draft of an undated letter in John Lennon‘s hand that essentially bars Paul McCartney and his new manager, Lee Eastman, from accessing The Beatles’ recordings without authorization. 

THE HEAD OF Media Sound.

Please do not release hand over any Apple Record Tapes to anybody other person except either John Lennon, George Harrison, Ringo Starr, or someone bearing a letter with one or more of their signituer [sic].

John Lennon, President, Apple Records George Harrison, Director

(from thebeatleaesthetic)

…Not that I didn’t see the others. I did, and kept asking them to let me out and they said, “No, Allen says there would be tax complications.” I said, “I don’t give a damn about tax considerations, let me go and I’ll worry about the tax considerations. I didn’t want to be an ABKCO-Managed Industry.” It was weird. My albums would come out saying “An ABKCO Company,” and he wasn’t even my manager. … [Growing more emotional] My back was against the wall. I’m not proud of it. But it had to be done. To him [Klein], artists are money. To me, they’re more than that.

(Paul McCartney, Jan 1974, interview with Paul Gambaccini for RollingStone)

I do think if it were just up to the four of us, if we were totally unencumbered, we would have had a dissolution - I hate these heavy terms - the day after John said he was leaving. We would have picked up our bags - these are my shoes, that's my ball, that's your ball - and gone. And I still maintain that's the only way, to actually go and do that, no matter what things are involved on a business level. But of course we aren't four fellows. We are part of a big business machine. Even though the Beatles have really stopped, the Beatle thing goes on - repackaging the albums, putting tracks together in different forms, and the video coming in. So that's why I've had to sue in the courts to dissolve the Beatles, to do on a business level what we should have done on a four-fellows level. I feel it just has to come. We used to get asked at press conferences, 'What are you going to do when the bubble bursts?' When I talked to John just the other day, he said something about, 'Well, the bubble's going to burst.' And I said, 'It has burst. That's the point. That's why I've had to do this, why l had to apply to the court. You don't think I really enjoy doing that kind of stuff. I had to do it because the bubble has burst - everywhere but on paper.' That's the only place we're tied now. <…> You see, there was a partnership contract put together years ago to hold us together as a group for 10 years. Anything anybody wanted to do - put out a record, anything - he had to get the others' permission. Because of what we were then, none of us ever looked at it when we signed it. We signed it in '67 and discovered it last year. We discovered this contract that bound us for 10 years. So it's 'Oh gosh, Oh golly, Oh heck,' you know. 'Now, boys, can we tear it up, please?' But the trouble is, the other three have been advised not to tear it up. They've been advised that if they tear it up, there will be serious, bad consequences for them. The point, though, to me was that it began to look like a three-to-one vote, which is what in fact happened at a couple of business meetings. It was three to one. That's how Allen Klein got to be the manager of Apple, which I didn't want. But they didn't need my approval." <…> I first said, 'No, we can't do that. We'll live with it.' <…> The build-up is the thing - All these things continuously happening making me feel like I'm a junior with the record company, like Klein is the boss and I'm nothing. Well, I'm a senior. I figure my opinion is as good as anyone's, especially when it's my thing. And it's emotional. You feel like you don't have any freedom. I figured I'd have to stand up for myself eventually or get pushed under. <…> So then we began to talk again about the suit, over and over. I just saw that I was not going to get out of it. From my last phone conversation with John, I think he sees it like that. He said, 'Well, how do you get out?' <…> My lawyer, John Eastman, he's a nice guy and he saw the position we were in, and he sympathized. We'd have these meetings on top of hills in Scotland, we'd go for long walks. I remember when we actually decided we had to go and file suit. We were standing on this big hill which overlooked a loch - it was quite a nice day, a bit chilly - and we'd been searching our souls. Was there any other way? And we eventually said, 'Oh, we've got to do it.' The only alternative was seven years with the partnership - going through those same channels for seven years.

(Paul McCartney, April 16th 1971, interview with Richard Merryman for Life Magazine)

John Lennon, George Harrison and Ringo Starr have accepted Paul McCartney’s decision to leave the group and will not appeal against the recent court decision to appoint a receiver to look into their affairs. Mr Morris Finer, QC, representing Apple Corps Ltd, Lennon, Harrison and Starr, reported to the Apple Court on Monday that his clients considered in the circumstances that it was in the best interests to consider means whereby McCartney could disengage himself from the partnership. His clients felt that prosecution of the Appeal would be hostile to the atmosphere best suited for negotiations – and accordingly asked for their appeal to be dismissed. McCartney’s QC, Mr Jeffrey Hirst, welcomed the suggestion to drop their appeal. The decision of the other three to allow McCartney to go his own way strengthens the likelihood that Lennon, Harrison and Starr may record together again – possibly with Klaus Voorman playing bass.

(Melody Maker – May 1, 1971)

…on “Wild Life” there’s a line that refers to “a lot of political nonsense in the air.” Later, he was talking about political nonsense, all the trouble between him and the others, between the McCartney’s and Linda’s father, John Eastman, and Allan Klein. Politics, Paul called it, and he didn’t like it. All he wanted was to be out of the whole thing, to own the copyright to his own songs, forget the Beatles, sign a piece of paper saying we’ve split up, everything’s going to be shared by four. “And John said, “Yeah, but that’s like asking us to stop the bombing in Vietnam.” We eventually decided that we were all Vietnamese, so that’s all right… “But I keep wanting to send him postcards saying ‘The war’s over if you want it’ – tell him what he’s saying. It’s just crazy, I’m sure the truth’s a whole lot more simple than it’s made out.”

(Paul McCartney, Nov 1971, interview with Steve Peacock for Sounds)

Maybe there's an answer there somewhere, but for the millionth time in these past few years I repeat, 'What about the TAX?' It's all very well, playing 'simple honest ole Paul' in Melody Maker but you know damn well we can't just sign a bit of paper. You say, 'John won't do it.' I will if you indemnify us against the tax man! Anyway, you know that after we have OUR meeting, the fucking lawyers will have to implement whatever we agree on, right? If they have some form of agreement between THEM before WE meet, it might make it even easier. It's up to you, as we've said many times, we'll meet whenever you like. Just make up your mind! <...> If you're not the aggressor (as you claim), who the hell took us to court and shit all over us in public?

(John Lennon, Dec 1971, a letter of reply to Melody Maker)

Some context:

9th September 1971 (US) and 8th October 1971 (UK) - release Imagine (with How Do You Sleep?) 13 September 1971 Stella McCartney was born (by emergency caesarean section, Paul prayed for her (and Linda) and got his daughter, wife and the name for new group). 10 (11) November - interview with Chris Charlesworth for Melody Maker, published 20th November. 4th December - Melody Maker publishes John's furious letter to Paul and Linda. In November 1971 Lennon Remembers (the interview with Jann Wenner) releases as a book.

In early 1973 Lennon, Harrison and Starr served notice that they would not be renewing Klein's management contract when it expired in March, Klein sue The Beatles, Apple, Lennon, Harrison… they sue Klein.

In 1974, Wenner received a mysterious cream-colored envelope in the mail, care of “Johann Weiner” and postmarked Los Angeles, California. Inside was a single Polaroid picture of John Lennon and Paul McCartney hanging out on a garden patio with friends: Linda McCartney, hoisting a pool stick; Keith Moon, in shorts and Roman sandals; and May Pang, Lennon’s then lover, holding McCartney’s daughter Mary on her lap. On the white strip below the image, dated “Palm Sunday 1974,” was the message “How do you sleep???!!!”

<...>

What Wenner didn’t know was that the Polaroid captured a pivotal moment in the history of the Beatles—the period when John and Paul managed a degree of détente after the acrimony of the breakup.

(Joe Hagan for Vanity Fair, September 29th, 2017)

I’m going to be an ex-Beatle for the rest of my life so I might as well enjoy it, and I’m just getting around to being able to stand back and see what happened. A couple of years ago I might have given everybody the impression I hate it all, but that was then. I was talking when I was straight out of therapy and I’d been mentally stripped bare and I just wanted to shoot my mouth off to clear it all away. Now it’s different. When I slagged off the Beatle thing in the papers, it was like divorce pangs, and me being me it was blast this and fuck that, and it was just like the old days in the Melody Maker, you know, ‘Lennon Blasts Hollies’ on the back page. You know, I’ve always had a bit of a mouth and I’ve got to live up to it. Daily Mirror: ‘Lennon beats up local DJ at Paul’s 21st birthday party’. Then we had that fight Paul and me had through the Melody Maker, but it was a period I had to go through. Now, we’ve all got it out and it’s cool. I can see The Beatles from a new point of view. Can’t remember much of what happened, little bits here and there, but I’ve started taking on interest in what went on while I was in that fish tank. It must have been incredible! I’m into collecting memorabilia as well. Elton [John] came in with these gifts, like stills from the Yellow Submarine drawings and they’re great. He gave me these four dolls. I thought, ‘Christ, what’s this, an ex-Beatle collecting Beatle dolls?’ But why not? It’s history, man, history!’ I went through a phase of hating all those years and having to smile when I didn’t want to smile, but that was the life I chose and, now I’m out of it, it’s great to look back on it, man. Great! I was thinking only recently – why haven’t I ever considered the good times instead of moaning about what we had to go through? And Paul was here and we spent two or three nights together talking about the old days and it was cool, seeing what each other remembered from Hamburg and Liverpool. So y’see, all that happened when I blew my mouth off was that it was an abscess bursting, except that mine as usual burst in public. When we did a tour as The Beatles, we hated it and loved it. There were great nights and lousy nights. One of the things about therapy I went through a few years ago is that it cleans you by forcing you to get rid of the negatives in your head. It wasn’t all that pie and cookies being a Beatle, there were highs and lows, but the trouble is people just wanted bigmouth Lennon to shout about the lows. So I made a quick trip to uncover the hidden stones of my mind, and a lot of the bats flew and some of them are going to have to stay. I’ve got perspective now, that’s a fact.

(John Lennon, interview with Ray Coleman for Melody Maker: Lennon – a night in the life, September 14th, 1974)

HOUGHTON: You seem to attack McCartney in your first couple solo albums. How do you feel about Paul McCartney now? JOHN: Uh, we’re – haha. [laughs] This is like a joke: “We’re just good friends.” We’re – we’re pretty close now, like I was telling you before. Whenever he comes to America, he comes with Linda to see me, and we go eat, and we reminisce about old times, and we really have both – evolved out of whatever feelings we had when we first split. I think we were – I think it’s a case of, we were more scared than we thought. All of us. The fact – however the split happened, being suddenly on your own after ten years was a pretty scary thing for all of us.

(John Lennon, October, 1974, interview with DJ John Houghton)

Thanksgiving 1974, November 28, John joins Elton John on a Madison Square Garden stage: Whatever Gets You Thru The Night, Lucy in the Sky with Diamonds - and I Saw Her Standing There, which John announces, 'We thought we'd do one last number so I can get out of here and be sick. This is a number of an old estranged fiancé of mine called Paul.'

December 20th 1974: the signing final Beatles dissolution papers and George's concert at Madison Square Garden.

We had a business meeting to break up The Beatles, one of the famous ones that we’d been having — we’re still having them 17 years later, actually. We all flew in to New York specially. George came off his disastrous tour, Ring of flew in and we were at the Plaza for the big final settlement meeting. John was half a mile away at the Dakota and he sent a balloon over with a note that said ‘Listen to this balloon.’ I mean, you’ve got to be pretty cool to handle that kind of stuff. George blew his cool and rang him up: ’You fucking maniac!! You take your fucking dark glasses off and come and look at us, man!!’ and gave him a whole load of that shit. Around the same time at another meeting we had it all settled, and John asked for an extra million pounds at the last minute. So of course that meeting blew up in disarray. Later, when we got a bit friendlier — and from time to time there would be these little stepping-stones of friendship in the Apple sea — I asked him why he’d actually wanted that million and he said, I just wanted cards to play with. It’s absolutely standard business practice. He wanted a couple of jacks to up your pair of nines. He was one great guy, but part of his greatness was that he wasn’t a saint.

(Paul McCartney, 1986, interview with Chris Salewicz for Q Magazine)

gifs by nikidontsurf

May Pang: Originally when they were supposed to sign it in December (of ’74), before Christmas, it was that time period of George’s Dark Horse tour; at the last minute John didn’t want to sign it because there was one clause he felt uncomfortable with and he wouldn’t come to the meeting. SG: Which clause? May Pang: Since he was the only one of the group living in America that he would be the one responsible for the taxes. It would be over a million dollars. He did not want to shoulder that burden. So he wouldn’t come out to sign it. Paul and Linda had already set up cameras to take photos of everyone signing it, and George was there because of the show, and Ringo had signed it previously in England but was on the telephone to confirm his signature. All the legal counsels for the individuals as well as legal counsels for Apple both in the US and the UK were there waiting. As time went on, poor Harold Seider bore the brunt of everyone at the hotel asking “Where’s John?” He called John and me at home and I said, “He’s not coming.” And Harold said, “What?” and I said, “He doesn’t want to shoulder this tax burden.” Harold knew that they were gonna come down on him. And John was going, “Tell them the stars aren’t right, tell them anything, I’m not doing this.” So… when Harold hung up the phone, he had to face the crowd, and you had to know there was a big crowd in there, over thirty people. He said to them, “The stars aren’t right, John’s not coming to sign the agreement.” George called us immediately, and I said “Do you want to speak to John?” and he said “No, but you can give him a message from me. I started this tour on my own and I’ll end it on my own.” If I could tell you that we could hear George screaming through the rooftops… The next day Paul and Linda came over and they said, “What’s wrong? Let’s see if we can work this out.” SG: and..? May Pang: Paul and Linda dropped by and John explained the situation to them. Then we went off to see Paul’s father-in-law Lee Eastman to sort it out, and in the end we came out with satisfaction. At the meeting Lee kept saying to John, “George will never forgive you,” and Julian called at exactly the same moment and said to me, “George just told me to tell dad and to say ‘all is forgiven, and please come to the party after the show'” and I said ok, and walked back into the room. Lee was telling John off the whole time I was on the phone, as well as Neil Aspinall who accompanied us, going on about how George was never going to forgive him. So I repeated Julian’s message out loud, that all was forgiven, and it couldn’t have been a better set up. So then John said, “Well! Looks like we have a change in plans then. We’re outta here.” And if you could see the look on Lee’s face, that I had just upstaged him.

(May Pang, 2008, interview with Shelley Germeaux for Dayrippin’)

gifs by pennielane

George and I are still good pals and we always will be, but I was supposed to sign this thing on the day of his concert. He was pretty weird because he was in the middle of that tour, and we hadn’t communicated for a while because he doesn’t live here. I’ve seen Paul a bit because he comes to New York a lot, and I’m always seeing Ringo in Los Angeles. <…> George was furious at the time because I hadn’t signed it when I was supposed to, and somehow or other I was informed that I needn’t bother to go to George’s show. I was quite relieved in the end because there wasn’t any time for rehearsal, and I didn’t want it to be a case of just John jumping up and playing a few chords. I went to see him at Nassau and it was a good show. The band was great but Ravi wasn’t there, so I didn’t see the bit where the crowd was supposed to get restless. I just saw a good tight show. George’s voice was shot but the atmosphere was good and the crowd was great. I saw George after the Garden show and we were friends again. But he was surrounded by the madhouse that’s called ‘touring’.” <…> When I did that charity at Madison Square Garden, I was still riding high on ‘Imagine’ so I was OK for material. But when I did ‘Come Together’, the house came down, which gave me an indication of what people wanted to hear. At the time I was thinking that I didn’t want to do all that Beatles—but now I feel differently. I’ve lost all that negativity about the past and I’d be happy as Larry to do ‘Help’. I’ve just changed completely in two years. I’d do ‘Hey Jude’ and the whole damn show, and I think George will eventually see that. If he doesn’t, that’s cool. That’s the way he wants to be.”

(John Lennon, interview with Chris Charlesworth for Melody Maker: Rock on! (March 8th, 1975)

Paul and Linda on George's Dark Horse Tour show at at Madison Square Garden 20th Dec 1974

George called just before his concert. 'Do you want to speak to John?' I asked. 'No.' George had heard about John's decision and he was livid. 'Just tell him I started this tour on my own and I'll end it on my own,' he snarled. Then he slammed down the phone. Later that night Paul calld, too. Unlike George, he was exceptionally even-tempered. John explained to Paul his feelings about the unfairness of the tax provision, and they both agreed that they would try to find a solution.

(May Pang, Loving John, 1983)

December 21st, 1974: John joins in on an radio interview George is recording in his hotel room and provides a suspicious explanation for the lack of meetings amongst the four former Beatles. John and George had actually just come from George's end-of-tour afterparty, where John, Paul, and George all hung out together and hugged.

In December 1974 John, May and Julian went to Orlando, Florida and went to Walt Disney World.

I met John Lennon at Disney World while working as a monorail operator. He, Julian and May Pang rode in the front of the monorail on two different occasions with me. I allowed him and Julian to operate the train. The second day John came out to the station and actually ask if I was working. He and Julian waited until I arrived in the train and again rode with me and drove the train. May Pang took a lot of pictures that day. As they left the train that day John ask if I would like to take some pictures and waited while I retrieved a camera. I have a great 8×10 of John Lennon and I together. (Cast Member Hal East)

May Pang:

Riding the Disney World monorail back to our hotel, I overheard a father tell his son he had heard a Beatle was visiting. “Which Beatle?” The father said, “George Harrison." I burst out laughing. John asked why. We then all started laughing so hard that the Dad turned around. It then registered which Beatle was at the park that day - and why we were laughing. “It’s O.K.," John jokingly said, "we all look alike.”

Photo and info from meetthebeatlesforreal

SG: So did they work out the tax thing? May Pang: Of course… It was worked out within the week. It was signed at the Polynesian Hotel at Disneyworld in Florida if you can believe that. <…> May Pang: … John putting his signature on one of the documents that he had to sign, for the dissolution of the Beatles. So I had the last photo, because the other guys had already signed it. SG: Actually signing the dissolution of the Beatles?! May Pang: Pen in hand as he’s signing his signature. Prior to that you’ll see pictures of him reviewing the contract. SG: And you thought to take a picture…? May Pang: John wanted me to take the picture. In fact he joked about it, saying “C’mon Linda, take the picture!”

(May Pang, 2008, interview with Shelley Germeaux for Dayrippin’)

Photo by May Pang, from her 'Instamatic Karma: Photographs of John Lennon'

May Pang: ...And then we came back (from Disneyworld) and we spent time with Mick (Jagger), and went out to the Hamptons, and Montauk where we picked out that house, and we saw the McCartneys, and David Bowie…

(May Pang, 2008, interview with Shelley Germeaux for Dayrippin’)

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[yonderghostshistories]

Idk yesterday I got bored and decided to take pics of my 2 bookshelves (from the main living room and the middle room respectively) filled to the brim with books, DVDs and CDs (among other things) that I own/have got, and then I thought it’d be cool to show y’all my lovely collection of things.

Here’s my 2 Exquisite Collection of Things I have (mostly consisting of my special interests, both former and current <33)

(From the Main Living Room shelf)

Items Found:

Specific Labels for the things which are featured on my shelves :

(F) = Films

(TVS/MS) = TV Series/Miniseries

(CD) = Compact Disc(/s) (aka CDs)

(CT) = Cassette Tape(/s)

(B) = Books(/s)

(LP) = Live Performance

(Z) = Zine(/s)

#1 : (from top - bottom) (Left; Top Shelf)

DVDs including; “American Friends” (1991) (F), “Holy Flying Circus” (2011) (F), “In The Earth” (2021) (F), “A Field in England” (2013) (F), “A Liar’s Autobiography” (2012) (F), “Remember Me” (2014) (TVS/MS), “Vanity Fair” (2018) (TVS/MS)

#2 : (Middle; Top Shelf) “Torchwood : Tropical Beach Sounds & Other Relaxing Seascapes #4” (2020) (CD)

#3 : (from top - bottom) (Right; Top Shelf) DVDs including; “Psychoville” (2009-2011) (TVS/MS), “The League of Gentlemen: Live Again!” (2018) (F) (LP), “The League of Gentlemen Are Behind You!” (2006) (F) (LP), “The League of Gentlemen’s Apocalypse” (2005) (F), “The League of Gentlemen: Live At Drury Lane” (2001) (F) (LP), “The League of Gentlemen : The Complete Collection” (1999-2017) (TVS/MS)

#4 : (from top - bottom) (Left; Bottom Shelf) Books including; “A Kind of Spark” by Elle McNicoll (B), “My So-Called Bollywood Life” by Nisha Sharma (B), “Submarine” by Joe Dunthorne (B), “Baby Love” by Jacqueline Wilson (B), “The League of Gentlemen : A Local Book for Local People) (B) (a Tie-in Book for the TV show), “Ghosts : The Button House Archives” (B) (a Tie-in Book for the TV show)

#5 : (Bottom) (Right; Bottom Shelf)

“Be Funny Or Die” by Joel Morris (B)

(From the Middle Room Shelf)

#1 : (from top - bottom) (Left; Top Shelf) CDs & DVDs including; “Spot The Loony” (2015) (CD), “Spot The Loony” (2001) (CD), “Shanghai Knights” (2003) (F), “Harlots” (2017-2019) (TVS/MS), “Imagine Me & You” (2005) (F), “Monty Python : The Movies” (2006) (F), “Monty Python’s Flying Circus : The Complete Series 1-4 (1969-1974) Fully Restored in HD” (2019) (TVS/MS), “Queer As Folk : Definitive Collector’s Edition” (1999-2000)(TVS/MS)

#2 : (from top - bottom) (Right; Top Shelf) Books including; “Graham Crackers : Fuzzy Memoirs, Silly Bits and Outright Lies” by (Monty Python’s) Graham Chapman (compiled by Jim Yoakum) (B), “The Life of Graham : The Authorised Biography of Graham Chapman” by Bob McCabe (B), “Calcium Made Interesting : Sketches, Letters, Essays & Gondolas” by (Monty Python’s) Graham Chapman (edited by Jim Yoakum) (B), “OJRIL : The Completely Incomplete Graham Chapman (Unpublished Scripts by Monty Python’s Pipe-Smoking Genius)” by Graham Chapman (edited by Jim Yoakum) (B), “Ghosts : Brought to Life (The Making of a Classic)” (a BTS Tie-in book for the TV Show and that looks into the making of the show itself) (B), “There and Back : Diaries 1999-2009 (Volume #4)” by Michael Palin (B)

#3 : (top & across) (Left; Bottom Shelf)

Includes; “Peter Falk Tries on Hats” (a Zine about Peter Falk) by Ren Wednesday (Z), The Michael Palin Diaries Volumes #1-#3 (in chronological order; “The Python Years : Diaries 1969-79 (Volume #1)”, “Halfway to Hollywood : Diaries 1980-88 (Volume #2)”, “Traveling to Work : Diaries 1988-98 (Volume #3)”) (B)

#4 : (top - bottom) (Middle; Bottom Shelf) Books, Zines & DVDs including; “The Little Guide to Monty Python” (B), “High Precision Ghosts” (a Zine about Graham Chapman) by Ren Wednesday (Z), “A Liar’s Autobiography: Volume VI (#6)” by Graham Chapman (B), “A Liar’s Autobiography” the audiobook cassette tape from the 1980s, recorded by Graham Chapman (CT), “Medieval Lives” by Terry Jones & Alan Ereira (B) (a Tie-in book for the TV show), “Erebus : The Story of A Ship” by Michael Palin (B), “Spy” (2011-2012) (TVS/MS), “Murder Rooms : The Mysteries of The Real Sherlock Holmes” (2000-2001) (TVS/MS), “The Pythons Autobiography By The Pythons” by Bob McCabe (B), “Great Uncle Harry : A Tale of War and Empire” by Michael Palin (B)

#5 : (side and top - bottom) (Right; Bottom Shelf) Side (DVDs) includes; Hunderby (Series 1) (2012) (TVS/MS), Hunderby (Series 2) (2015) (TVS/MS)

Top - Bottom (DVDs) including; “(Monty Python’s) Graham Chapman : Looks Like A Brown Trouser Job” (2005) (F) (LP), “Mongrels” (2010-2011) (TVS/MS), “Romance With A Double Bass” (1974) (F), “Simon Magus” (1999)/“The Nine Lives Of Tomas Katz” (2000) (F), “Bunny And The Bull” (2009) (F), “Treacle Jr” (2010) (F), “The Taming Of The Shrew” (1980) (F), “It’s A Sin” (2021) (TVS/MS), “Do Not Adjust Your Set” (1967-1969) (TVS/MS), “At Last The 1948 Show” (1967) (TVS/MS), “The Terror” (Series 1 & 2) (2018-2019) (TVS/MS)

Anyway, that’s it for what’s on my shelves!! Do let me know y’all’s thoughts on my shelves full of stuff, and let me know which is your personal favourite thing(/s) from my shelves and why!!

[pinturas-sgm-aviacion]

1942 10 24 Daylight over Milan - Graham Turner

After attacks on Genoa on 22/23 and 23/24 October, which were designed to coincide with Montgomery's El Alamein offensive, Harris at the morning conference at HQ Bomber Command on 24 October decided to switch targets to Milan. Unlike Genoa, with its ports and shipyards, or Turin, with its war industries, the attack on Milan - the political and commercial centre of northern Italy - was for morale purposes and the effect on the civilian population. As a result, this attack was unusual in not being one single night raid. Instead, Harris chose to split the attack: 5 Group's Lancasters by day - perhaps to highlight British air superiority over a major Italian city - and the other Groups' 'heavies' at night. This battle scene features the daylight attack, which saw 88 Lancasters take off to bomb the aiming point of 'Milan "A"' - the city centre - though this caused controversy afterwards when it became public that the Duomo had been the aiming point . Seventy-four aircraft dropped 51.8 tons of HE bombs and 81.5 tons of incendiaries on Milan. As cloud over Milan was down to 3,000 ft, and since the bombs dropped included a good number of 4,000-pounders, release from below this height was in some cases avoided so a number of Lancasters stayed above the cloud, bombing at between 8,000 ft and 12,000 ft. A number went below the cloud and down to 2,000ft to identify the aiming point, however, and this is depicted in this battle scene. One Lancaster even got down to 50ft, where, the Italian authorities claimed, it strafed buildings and machine-gunned people in the streets; indeed, the Lancaster of Wg Cdr J. M. Southwell, 9 Squadron's CO, admitted later to having 'used 7,000 rounds machine-gunning two trains on the Milan-Novara railway and strafing what he said was Novara'. Nonetheless, photographic evidence - taken both during the bombing and later on by a reconnaissance aircraft - revealed that a large amount of damage was inflicted - mainly by fire - on industrial premises all over Milan, and the railway lines to Bologna,Genoa and Venice and along the St Gothard route had been severed. The main railway station had been particularly damaged, as were areas around the Porto Novara Station and the Parco Solari and many industrial premises, such asthe GEC Engineering Works, Municipal Tramways and the Caproni aircraft factory. Mussolini publically admitted damage to nearly 2,500 houses, with 450 completely demolished. For the British, the losses were three Lancasters(3.4 per cent), one having crashed over Milan and two others shot down by Luftwaffe night-fighters around Caen in France. These were light considering this had been a risky long-distance run in daylight across Axis-dominated Europe.Damage to aircraft was another matter, however. Several bombers had been damaged either by flak over Milan or enroute, by colliding with a seagull over the target, by a Macchi C.202 Folgore, by hitting high-tension electric cables,or by crash-landing at an emergency airfield in Sussex. A total of ten aircraft (11.45 per cent) were damaged, half ofthem seriously. While the day raiders were landing at their bases in England, another force of 71 aircraft, comprising the Stirlings,Halifaxes and Wellingtons from the PFF, 1, 3 and 4 Groups, was already over Milan. Although thick cloud covered the target, they could see the glow of the fires started by the Lancasters five hours earlier, and proceeded to bomb those. Further destruction to Milan, although not extensive, was caused

[germanpostwarmodern]

88 Wood Street (1994-98) in London, England, by Richard Rogers

[maniculum]

I'm doing a College class on Ancient Foods. My focus is on Honey like the different recipes and usages in Medieval era. I found like a couple recipes, a thing on religious relation ("Milk and Honey of Paradise") /Crusades, medicinal use, and possibly bees/beeswax because I was struggling to get something.

Y'all have any recommendations?

(I've brought Zoe in on this one; the following is a collaborative effort. Also I'm assuming you have access to your university library so you can get ahold of the cited material below quickly and for free.)

Can you include beverages? Honey is the main ingredient in mead, which should give you a lot to talk about. Susan Verberg is the premier researcher on medieval mead, and has some excellent works on both mead making and honey production. She has a website at https://medievalmeadandbeer.wordpress.com/ where you can find both her formal publications and her blog.

If you do want to talk about beverages, there were other medieval drinks that used honey. Some citations for you:

Breeze, Andrew. “What Was ‘Welsh Ale' in Anglo-Saxon England?” Neophilologus, vol. 88, no. 2, 2004, pp. 299–301.

Fell, Christine E. “Old English ‘Beor’." Leeds Studies in English, vol. 8, 1975, pp. 76-95.

You can also go into cultural symbolism; here are a couple on that:

Enright, Michael J. Lady with a Mead Cup: Ritual, Prophecy, and Lordship in the European Warband from La Tène to the Viking Age. Four Courts Press, 2013.

Rowland, Jenny. “OE Ealuscerwen/Meoduscerwen and the Concept of ‘Paying for Mead'." Leeds Studies in English, vol. 21, 1990, pp. 1-12.

Also you might want to look into the general concept of the "mead of poetry" from the Old Norse sources. You can find the origin story for that in the Prose Edda, I believe.

Definitely check out https://www.foodtimeline.org for recipes with honey during the period - they have more than you'd expect. There's also a few medieval cookbooks you can parse through. Here's an online one you can sort through that does a great job modernizing the translations: https://www.medievalcookery.com/etexts.html

As for honey itself -- there's actually quite a bit of research on that! Honey was quite a specialized trade, and most of the medieval world used it for sweetener, so there's a good amount of research.

A few leads:

honey as an alternative to sugar, which was expensive, imported, and could indicate class

honey grading: honey was graded based on location/provenance, type (lavender, orange blossom, etc.), and also by grade. However, their method of grading was very different to our modern one.

honey as a preservative, not just for flavor

Articles on this subject:

(DEFINITELY this one!!) Fava, Lluis Sales, et al. “Beekeeping in Late Medieval Europe: A Survey of Its Ecological Settings and Social Impacts.” Anales de La Universidad de Alicante. Historia Medieval, no. 22, 2021, pp. 275-96, https://doi.org/10.14198/medieval.19671.

Wallace-Hare, David, editor. New Approaches to the Archaeology of Beekeeping. Archaeopress, 2022. JSTOR, https://doi.org/10.2307/j.ctv2b07txd.

Verberg, Susan. “Of Hony: A Collection of Mediaeval Brewing Recipes for Mead, Metheglin, Braggot, Hippocras &c. — Including how to Process Honey — from the 1600s and Earlier,” 2017. Academia.edu.

If you want to look more into the medicinal usage, Cockayne's Leechdoms, Wortcunning, & Starcraft collects all the medical & scientific texts of the Old English period. It's old enough to be public domain, so it's available on the Internet Archive and HathiTrust in searchable form, meaning you can just ctrl-F "honey" and see what comes up.

Let us know how it goes!

[whencyclopedia]

Thomas Cavendish

Thomas Cavendish (1560-1592 CE) was an Elizabethan mariner and privateer who famously circumnavigated the globe in 1586-88 CE, only the third voyage to do so and the first to set sail with that specific intention. Returning rich from Spanish treasure and basking in the glory of his feat, Cavendish set off to repeat the voyage and also find the Northwest Passage in 1591 CE. Beset by storms and unable to round the tip of South America, Cavendish's ship was obliged to turn for home, and he died at sea in May 1592 CE.

Early Career

Thomas Cavendish was born in Suffolk in 1560 CE to a wealthy family and, when he came into his inheritance, he seemed set up for a life of ease. However, Cavendish's lifestyle of high-spending soon exhausted his funds. The life of a mariner and privateer on the high seas then appealed, and Cavendish mortgaged his remaining property to join an expedition organised by Walter Raleigh (c. 1552-1618 CE) in 1585 CE. Cavendish captained one of the fleet's ships, the Elizabeth, on this second voyage to establish a colony in North America in the area Raleigh had named 'Virginia' after his queen, Elizabeth I of England (r. 1558-1603 CE). Returning to England, Cavendish, with only one voyage as experience, now sought to lead his own expedition.

Continue reading...

[hetalia-club]

Local Hottie Beauty Pageant 2023

(I will do a new round every week. The winner will challenge the next and there can only be one left standing in the end. Remember to vote every week.)

Vote even if they're not your main #1 because this is a knock out. Also keep in mind this is not a favorite character competition this is the local hottie beauty pageant. But wait...One cannot just simply take a crown without a final fight from the King...

Now are you saying Long Live The King or are you Holding Out For A Hero? That is the true question you all need to ask yourselves...

Round 24: Fight **FINALS!* For The Crown!

Prepare for the coup of the century. If this isn't how you thought this poll was going to end then you haven't been paying attention.

Previous Rounds 1. England .vs. France- Winner: England- 46 2. England .vs. Germany- Winner: Germany- 69 3. Germany .vs. Romano- Winner: Romano- 26 4. Romano .vs. Denmark- Winner: Romano- 154 5. Romano .vs. China- Winner: Romano- 239 6. Romano .vs. Lithuania- Winner: Romano- 70 7. Romano .vs. Austria- Winner: Romano- 189 8. Romano .vs. Norway- Winner: Romano- 88 9. Romano .vs. Italy- Winner: Romano- 242 10. Romano .vs. America- Winner: Romano- 30 11: Romano .vs. Iceland- Winner: Romano- 228 12. Romano .vs. Ireland- Winner: Romano- 120 13. Romano .vs. Estonia- Winner: Romano- 244 14. Romano .vs. Japan-Winner: Romano- 96 15. Romano .vs. Finland-Winner: Romano- 86 16. Romano .vs. Netherlands- Winner: Romano- 132 17. Romano .vs. Russia- Winner: Russia- ?? 18. Russia .vs. Sweden- Winner: Sweden- 194 19. Sweden .vs. Greece- Winner: Sweden- 51 20. Sweden .vs. Portugal- Winner: Sweden- 36 21. Sweden .vs. Canada- Winner: Canada- 12 22. Canada .vs. Prussia- Winner- Prussia- 63 23. Prussia .vs. Spain- Winner- Prussia- 16 24. Prussia .vs. Turkey- Winner- Prussia

[doctorwhoisadhd]

thoms england.

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Why do people keep asking me about a glove

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Who's OJ simpson

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🦈 consumer167 Follow

HEY DOES ANYONE KNOW WHERE THAT ONE SOUL GUY WENT

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Wait have you all seen the gnome

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What gnome???

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⚾️ blaseball

what

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takig a straw out into the garden after it rains and slurping up all the yujmmy delicios mud

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Thinking about divorce

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Thinking about marriage

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What the fuck