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shoezuki · 4 years

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Tommy's prison/revival arc isnt well written actually

Anyways ive been wanting to talk on it a while for a bit here but havent had the Time or like. The thought to. But im gonna go off now.

First off im gonna say im ASSUMING this stream and plot of tommy being in the prison with dream is written entirely by tommy and dream. Wilbur May be involved in the latest stream but im not sure.

Bringing tommy back to life after only three days of him being dead did practically nothing to progress plot, the characters, or audience's understanding. In fact i feel that it damaged Other characters' potential and plot and already established plotlines.

The 'development' aspect

A really, really easy way to see if anything has changed or developed through an arc or plotline is to straightup just compare the 'beginning' to the 'end' in terms of the barebones situation. So;

Beginning: tommy is trapped in an isolated prison cell with dream, his own abuser who has hurt him in the past, for an unknown amount of time. He's terrified of dream and being stuck there with him.

End: tommy is trapped in an isolated prison cell with dream after being killed then revived by him, his own abuser whos hurt him in the past, for an unknown amount of time. Hes terrified of dream and being stuck there with him.

Okay. This is simplified obvious. But the point stands. ALTHOUGH the troupe of 'going back to the beginning' is common in the heroes journey its. It doesnt work here. Has tommy learned anything? Has he changed as a character? Is the severity of their situation any different? Have we, as the audience, learned anything new?

Im going to expand on that last point because i think it has the strongest potential argument. Technically for progression in literature and development of plot/characters, things can Change without them being Aware as characters. It can change just by the audience's perception changing or being challenge.

Slight example: i've been reading a webcomic called Your Throne. Its a fantasy/political drama about a noble lady who entered a competition with another noble lady to become the empress. The main lady lost despite her being a better fit, and the comic starts with the main lady trying to assassinate the empress. Its assumed and stated by the main lady that she 'ruined her life' and so thats all the readers know. However, later in the novel we see flashbacks to the competition itself and find that the two ladies were extremely close friends, neither wanting anything bad for the other, but it was the emperor himself who manipulated both of them for his own agenda. Those flashbacks gave us an entirely different idea of who the real antagonist is and completely changed the two main ladies' relationship. THAT is how the audience's understanding of the plot and novel can be used to change the entire story. We dont get such here though

Some things that were brought to light during tommy being dead/revived:

Dream is capable of reviving people infinitely

This was already implicated and assumed. The book dream has being a means of reviving people has been around Technically since schlatt's death. This just 'confirmed' what was known

Time works differently/feels longer in the afterlife

This doesnt really impact much beyond emotions and implications. If we had more insight into what the 'afterlife' is like beyond nothingness perhaps so. But really it just makes it so wilbur being dead for what feels like 9 years and tommy having been dead for 2 months appeal to emotions.

Wilbur is evil

This one fuckin sucks i cant lie HSKSHSISSGEGDV. Like i was gon go on bout it and i will but it jus sucks. We have nothing to go on besides tommy's word, no examlles of what Horrible things wilbur said could make tommy assume this, etcetc. Ill most likely make a seperate post on how this feels like we're just going to get 'wilbur is a horrible villain' type with him. But still. I feel wilbur Not Being Good isnt a new development.

Dream is going to revive wilbur

This doesnt feel new either, part because phil had wanted to revive wilbur before (ill get to that more later) and that tommy had kept dream alive/initially imprisoned him with the idea of him reviving wilbur.

Dream believes wilbur will break him out of prison

Okau this makes no sense to me actually. I cwnt understand How exactly wilbur would be able to do this? Or why dream believes he even Could? Mans been dead for like 9 years and all we Know of the afterlife is that its black... nothingness. How would 9 years of that make wilbur capable of busting the prison open?

So. Yeah. All in all this plotline hasnt done anything new, developed things, or altered people's perceptions. We just ended up back at square one. Back to tommy being traumatized, dream being 'evil' and horrible and doing villain monologues, and them being stuck together.

Other characters and plotlines

Im pretty damn sure tommy's revival fucked up a LOT of other characters' plotlines and potential development. Honestly i feel this has a lot to do with the writers not communicating with other ccs well enough. But Ill talk about specific characters from least to most fucked over in my opinion:

Sam

He's the best off. He hqd been there during tommy's death, had been close to tommy, had majorly blamed himself and his own mistakes for tommy's death. His grief and self hatred was actually really heartbreaking and well done. The attached character of Sam Nook being unaware of tommy's death and simply waiting for tommy to return was a really good parallel to sam's own grief and anger. like it really snapped sam the guy who cares for tommy and wants to do Right by him back together with him as the Warden of the prison. Mixed personal life with 'just business'.

I feel it wouldve been nice to have him like. Have more time to grieve properly and come to terms eith tommy's death and his own involvement/influence over the events. Him finding tommy alive again Could be a means of him like. Facing his own grief head on if done well.

Ranboo

Mostly in the context of him and sam's argument do i feel it got screwed over. The weight of them yelling at each other and trying to find who to blame and the implications that Maybe ranboo was the one who caused the security breach that closed down the prison on tommy just.... doesnt hit so hard anymore. Because how can there be blame and arguments and a 'who done it' mystery when tommy popped up all fine again?

Puffy

I dony know much of her involvement or how she found out tommy died (besides metagaming shhhhh) but i saw her monologuing of how they 'failed' tommy and like. Her whole 'he was so young we the Adults failed him' spiel is like........... inconsequential? Now??? Like no dont worry he died but hes alright now.

Philza

BET YOU DIDNY EXPECT TO SEE THIS FUCKER!!!!!! But actually though i want to talk bout how this ties into phil. A LOT. for Zalbr ❤. But also because i see ppl tying phil to tommy's death n like nah shutup u doin it wrong. Ill go off more in a Wilbur Post. But essentially: i dont like that dream is now going to revive wilbur. I feel they arent going to tie philza into this Despite phil having originally been trying to revive his son and studying on it and Attempting and Failing. But now suddenly dream can just. Say some magic words and Poof wilbur lives? So we're just going to Kill philza's revival attempts plotline and leave that hanging? This made his efforts seem pointless and Wack like oh why didnt you just Say The Magic Words phil????

Niki

I feel really bad for niki. She hasnt been able to do a lore stream during tommy's 'death' (she tweeted she wanted to but her computer wasnt working) and considering her entire character.... that shit is important. We seen it with Jack Manifold how tommy's death impacted Him considering he literally wanted tommy dead. And since niki is in a similar boat to jack of trying to kill tommy and it being her Only goal...... thats extremely important.

BUT. i feel there wasnt any communication. Did she or anyone even know tommy would be revived? Did no one consider they could At Least let her do a single stream on it? Like jack manifold????

We couldve gotten a Really good niki lore stream. I genuinely was so excited for it and i dont regularly watch her. But we seen it with jack manifold which is why i dont feel he got screwed because mans genuinely did So Good he could pop off with anything n i think it works in His favour. But now........ for niki. Canonically she never even knew tommy was Dead. So its like nothing even happened for her. Is she just supposed to continue on trying to kill tommy with no progression?

What i think would work

This is more me being like 'hey @ the dsmp writers let me in' type speculation sbosegussgs. But i was thinkin on a Really easy way to 'fix' this without rewriting lore and the streams.

Dream should kill tommy again now that he's been revived and Leave Him Dead.

More development for the characters who are affected by his death Especially niki. More time for grief and self reflection and development

A chance for the audience to figure out what the 'afterlife' really is.

Dream is supposed to be smart and a master manipulator or something right? Why doesnt he use being able to revive tommy as a bargaining chip with sam for his own freedom?

The audience would now Know dream's intentions with tommy better, that this death isnt 'final', but we could still see other characters' grief and reactions and coping without it feeling cheap. Ive seen some 'but people dont know tommy is alive so hes still dead in their mind' but that sucks imo.

We'd know more on dream's ability to revive people and that he can just Do It on a whim (which i think sucks but hey im trying) but no one else would know this canonically

Okay. Im done. If you read this. Thankyou. I love you. Hmu.

#mcyt #dream smp #dream smp critical #tommyinnit #dream #im puttin this in main tags took me too fuckin long to write for me Not to #death mention #ask to tag

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yurimother · 5 years

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Interview: Shilin Huang, Creator of Amongst Us and Carciphona

Shilin Huang ( @okolnir )is a Canadian freelance artist and comic creator, known for her long-running series Carciphona. She has a Bachelor of Music in Performance from the University of Western Ontario. Carciphona is a long-form fantasy story set in a world where demon-magic is forbidden. The series follows a young sorceress named Veloce, and the mythical assassin assigned to kill her, Blackbird.

Shilin’s newest book, Amongst Us, based on the webcomic of the same name, is an alternate universe comic that reimagines Veloce and Blackbird as musicians and girlfriends in the modern world. You can support the physical release for Amongst Us book 1 on Kickstarter today.

The first book of Amongst Us is coming soon. How do you feel about the release?

Eager and relieved!! I had worked for so long to make the web format viable for print format, as well doing all the extra drawings that were necessary--like covers--that I had to keep under wraps, it felt great to know that that part is finally done and I can release my child into the wild. I was very worried too before the launch of the Kickstarter, because though I am the one who made this story, I am not quite a slice-of-life type of person myself, and it was hard for me to see value in this mundane, not-plot-driven kind of story as a printed book. But I was very lucky to have that worry dispelled!

What drew you towards creating comics and artwork? Was it a dream of yours?

I’ve been drawing since before elementary school because I enjoyed it, and somewhere along the way, I wanted to create my own characters, and then I wanted stories for them. It was always just me doing what I felt like doing, more so than something that I aspired towards achieving consciously. If I had to analyze the allure myself, maybe it was because people and the world are so interesting, I’ve always loved thinking about their nature and circumstances, and art/storytelling was the best way for me to explore and share those thoughts.

Could you briefly walk us through your creative process for making a page of Carciphona or an episode of Amongst Us?

Carciphona is a long, plot-driven story, and so the scale of preparation required before the page eclipses the actual drawing of the page itself. [A] small moment has some larger impact in the plot, character development, and accuracy of world-building. So I usually spend about half a year or more writing out an entire volume, read it over many times over the course of the years, before I do the same thing with sketching the entire volume on the computer, rearranging pages and panels and entire scenes for best delivery, before I finally commit to drawing out each page in detail on the computer.

Where Carciphona is like an elaborate set course where I chop up and measure ingredients and time their cooking with a careful game plan so everything can be served as they should, Amongst Us is more like an omelette that I’m making to taste. There is still planning and writing ahead of time, but each episode is much more self-contained, and I do more of the planning of the episode within the episode itself, adding and taking away details as I see fit before I feel like it reads naturally enough for me to fine line, colour, and paint.

You talk about being a self-taught artist, how did you learn to create artwork? What are some of your favorite educational resources?

While I did come across many tutorials, they were mostly short ones here and there made by my peers, so I don’t have any favourites in my mind that I can share ): . I learned by just looking at the art of my peers at the time and drawing a lot myself, thinking about what I could learn from each time I see something great, and what I could try next time to make the next drawing look better to me. When I had just started drawing digitally, the internet was quite new, drawing tablets expensive and uncommon, with no social media to share art or find resources. Over time, I did try to learn more properly by doing studies and seeking out professional tutorials, but I found that I hated it and decided that I’d rather learn and make mistakes at my own pace and be happy than to commit to effective and efficient learning and make myself dislike drawing.

Amongst Us is, of course, an Alternate Universe comic featuring characters from Carciphona. What inspired you to put your characters into a GL slice of life work?

Back in 2006, when I started drawing Carciphona, I had no plans of this frenemies dynamic for the two main characters, Blackbird and Veloce, and when the thought had occurred to me as I continue to tweak the story, canon GL relationships were still rare and rarely accepted. I was even told on many occasions by readers that they hope the two do not end up with some couples dynamic, or they will no longer be interested in the story. Ultimately, Carciphona was a fantasy story about an entire world, and I wasn’t going to risk the story’s reception over a small detail like whether or not Blackbird and Veloce sleep together, so I just played with the ideas of their relationship on the side, in paintings of many different AUs. Eventually, all that did was make me become so attached to the idea that I decided to say, screw it, I need someplace where they could be together, and I’m drawing an AU for real.

Where do you draw inspiration from for your work? Both Amongst Us and Carciphona.

I love a lot of things, feelings, aesthetics, and I eat up all of that and take it back out in the form of my stories. The inspiration is everywhere, from beautiful imagery I witness in pictures and in real life, to [the] lives of people that I hear about or experience firsthand, to the ethics and structures of professions from mechanics to medicine… In feelings, knowledge, and perspective, there’s an infinite amount of things that makes me think, and that thinking is what creates AU and Carciphona, whether or not that line of inspiration can be clearly drawn back to the root of the thought.

What are some of your biggest challenges or fears creating Amongst Us? Was there any realization or advice that helped you overcome those difficulties?

My biggest fear is always in relatability because it’s a difference between me and the reader that I do not and cannot have a solution for because it involves another person. In such a relatable genre as slice of life/comedy/romance, where the readers have more experience and therefore more varied but stronger expectations of a version of life that is relatable to them, I know that even if somehow I become a master writer, I still would not be able [to] say whether I could story that others would get or would be interested in, especially because I am aware I am an oddball when it comes to how I think, how I live, and what I value. What helped me the most was simply seeing that there were readers who did enjoy the stories for what it was, and reminding myself that I’m telling the stories to find those who might enjoy it, not to avoid those who might not. It’s a different perspective, rather than a solution, so the worry constantly resurfaces, but I hope it becomes easier over time as I am proven wrong more often!

Amongst Us readers have gotten to see Veloce and Blackbird as an established couple, and now we are witnessing flashbacks to how they first met. Where do you hope to take the series in the future?

I intend to tell both of these timelines concurrently, so as the couple timeline ended at episode 20, I intend to end the flashback at around episode 40, and then switch again at episode 60, and so on. While this kills the momentum for each arc, I made AU so that I can have the cake and eat it too--I want both their back story and a happy ending at the same time without having to wait 10-20 years for it, like I do with Carciphona’s plot haha!

What is one dream or aspiration you would like to accomplish? Even if it is unrealistic.

My only dream right now is just to finish both Carciphona and AU before my time’s up! Funny how unrealistic is specified, it made me realize that I rarely consider unrealistic dreams/aspirations as worth thinking about as they are unlikely to happen when there are so many other things I want to do that are actually possible. Most of my unrealistic dreams actually revolve around music, a profession I had left behind with an aching heart. I dream to play a concerto with an orchestra someday, or even learn to conduct, but for now, drawing my dreams out feels enjoyable and fulfilling enough a compromise!

What advice do you have for people wanting to create artwork and comics?

The true challenge these days I feel like is rarely in the work itself; there are so many readily available free resources that anyone who is capable of working hard and thinking critically will sooner or later be able to master skills they acquire to some degree. What is truly challenging is finding, and then accepting, what paths work for you. Someone might find great joy in working in a studio with a group on something big, while someone else might only enjoy drawing what they feel. Both, in this current climate, will be compelled to adhere to the standards of drawing what others want to see in order to gain recognition and financial stability, one will thrive, one will not.

I think the most important thing to keep in mind is understanding what you want out of drawing/creating, and why. Understanding yourself is often not as straight-forward as it may seem, everyone has different circumstances that subtly motivates them to sometimes misdirect energy and misinterpret what it is they truly want. Some people need to be understood, some people want an excuse to execute, and some people want fame, money, recognition, validation. Whatever it is, and all valid, understanding and accepting your own motivations to create can tremendously help you find the path forward that is suitable for you, not anyone else, even if it might mean following an impractical path that no one else recommends.

Finally, after the release of the first Amongst Us book, what is next for you? Anything special your fans can look forward to?

My game plan through the decades has always been to just keep going. I did choose long-form projects such as the comics that I draw, and the best thing I can do is to just keep it up and reach those exciting points of the story that I’ve always worked towards, no matter how uneventful that may make my work routine sound. However, I do have a little side thing with a(nother) recurring theme that I’ve been doing here and there for fun whenever I had time, people who keep up with my social media art posts may have noticed. If I ever accumulate enough material, maybe there will be some bonus snacks for my readers on the horizon!

Read Carciphona and Amongst Us online now and be sure to support the physical release on Amongst Us book 1 on Kickstarter today. Also, be sure to follow Shilin on Twitter @Okolnir.

#yuri #news #essay #lgbt #lgbtq #lgbtq+#queer #gay #shilin #girls love #gl #wlw #essays #interview #art #artist #comics #indie #carciphona #amongst us

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biteghost · 4 years

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How do you come up with so many cool characters?? All of your OCs seem so vibrant and fleshed out. Do you have a specific process for developing them, or do they just kinda come to you mostly formed? I find I struggle with building a compelling OCs for D&D games & would love to hear your thoughts on character development.

(This answer got long, sorry.) This is a super nice sentiment, I’m happy you think my characters are all cool and unique!!

As far as process goes, uh, it depends on the character? I’ve spent a long time (years) rewiring my brain when it comes to what I think about when creating OCs. They don’t usually come to me fully formed - I get an idea in my head about a concept, and then over like a week or even months of fiddling I end up with a character for that concept.

A lot of the time my characters are simply people I wanted to see more of in media as a kid! Mostly, female characters I actually relate to or are as nuanced and messy as their male cast members, haha... (It was a trip when I realized in high school that I didn’t hate female characters - it was actually that none of them were written as well as the cool boys in the anime series I liked, haha! Be the change you want to see in the world, basically.)

Inspiration for characters (and stories for them to be part of) come from a lot of places. An easy piece of advice is to make an effort to intake media you like! Read new comics, watch new movies and television shows, read books, play video games, listen to music and obsessively memorize the lyrics - hell, obsessively learn everything there is to know about black holes or public domain characters (that’s what I did, lol...)!

(Note: ’New’ meaning new to YOU - you don’t need to only be partaking of media that’s created in 2021 - you can find a lot to love in media that was created before your time, or for generations before you!)

I must reiterate: intake new media that you ENJOY! You don’t have to like all the same things as everyone else, you don’t have to be invested in the same shows and podcasts as your friends. Varied interests and taste is part of what makes us all unique! Increasing your pool of inspiration will help you come up with interesting ideas, and help you find YOUR voice. Your particular interests and the niche things that speak to you will help you figure out what kind of characters and what kind of stories you like to create! But the process doesn’t end at just intaking media... When you find the stuff that brings you joy, analyze what exactly it is about that thing that speaks to you... Put it into words. Explain it to a friend. Make it tangible, analyze the feelings and why the series made you feel that way... and then take it and shove it into your own stories, lol!

Engage critically and thoughtfully with work you like, with characters you like, and it will help you have the language and thought process to recreate it in your own work!

My creative process is like an exquisite corpse of all the characters and series I’ve liked over my lifetime. I mesh them all together in a grim blender and what comes out is a shake in the vague shape as an OC, lol

BUT... it seems like you’re asking more specifically about making characters for tabletop roleplaying games like D&D? And THAT is a different process for me than making OCs for my comics or original story ideas!

I don’t usually join a tabletop game with a fully fleshed out character, actually?? I don’t spend a long time on their backstory, and I usually figure it out like halfway through the story, or through collaboration with my game master!

My TTRPG characters are usually whatever I think would be most interesting in the given game setting or set-up and... usually they exist in opposition to whatever the core concept of the game is. So, the examples I have from games I’ve played are:

In Cardians: West (World of Darkness: Hunter the Vigil): we played in a modern-day urban fantasy setting, where players were recruited into a supernatural Hunter group that was also a criminal organization that Did Crimes and Broke The Law in the name of keeping peace and protecting humanity from the supernatural creatures that go bump in the night. I played Andrew, a Lawful Good Police Detective, because I thought playing a character who would need to grow past his original ideals of ‘Right and Wrong’ in the name of the greater good would be interesting! (And it was!)

In SINNING ADVENTURE (WoD: Geist: The Sin-Eaters) we payed in a modern-day urban fantasy setting with the premise that the players all Died and were brought back to life by forming a pact with a powerful spirit (and getting cool ghost powers in the process!) I played Cassius, a character who could not cope with his death, and thus refused to use his new powers because they were evidence that he was no longer strictly human. It caused conflict in the group and world, but I thought it would be interesting! (And it was! Cassius was a Bitch.)

In Rex Machina (Dungeons and Dragons 5E), I wanted to play an Aarakocra, but was having a hard time deciding on a class or backstory... until I found out that in the ‘canon’ of D&D Aarakocra only live to be like, mid 20s???? Their lifespans are insanely short compared to other playable races!! And I thought that was stupid, so I decided to make MY Aarakocra, Izzy, a warlock that’s looking for ways to extend his own stupidly short life. His pact essentially granted that to him, giving him extra time to find a way to achieve True Immortality. His conflict challenges what’s ‘true’ living in this world, and his extended life is in direct conflict with a lot of forces in the world we play in, and while it is very stressful I think it’s really interesting to play!

In Lamplighting (Monster of the Week), my character Aicen is an assassin who made a deal with a demon and gained supernatural perks out of it... except I decided that she doesn’t WANT to be in this deal. She is actively trying to undo it because it wasn’t her deal - she inherited it from a CEO that she killed during an unrelated job. (Aicen is probably my character I’ve put the most backstory into, and that’s just because at character creation in MOTW you are given a lot of questions about who your character is and why they’re where they are!)

In Hand of Adam (WoD: HtV), the concept was that all players were going to join a post-apocalyptic supernatural-hating cult. I played Shouter, who was a self-preserving pacifist coward who also turned out to be a fae (which the cult would have killed him over). It was stressful but very fun. I love Shouter. He ran away from fights and didn’t actually kill anyone until the last episode where they fought God (whom he killed, lol).

NOW. THESE ARE ALL JUST EXAMPLES OF HOW *I* LIKE TO PLAY CHARACTERS!! For me personally, I enjoy playing a character who has built-in conflict either with the world, the story, or the other players. I’m only able to play characters like this because my friend group are all really cool and we all know that conflict is not bad - it’s fiction and we’re just roleplaying! If I didn’t trust my GMs and fellow players as much as I do, I probably wouldn’t have felt comfortable enough playing some of these concepts.

I don’t think you need to know every little thing about a tabletop character, and in fact, not knowing some things and leaving it up to the GM and story to flesh out is an easy way to help you get more invested in both your character AND the story your GM is telling! Tabletops are a collaborative storytelling experience, so if you’ve already plotted out your character’s whole story, there won’t be much participation from other players or your GM. Figure out what your character wants, and let your roleplaying and GM slowly put all the other pieces in place over the course of your campaign!

But the TL:DR about how I make tabletop OCs is that I just... try to give them a goal, an ideal, or a personality that is in direct conflict with some aspect of the game we’re playing. I don’t want the character to be undermining the whole game, because that’s really crappy to do to your GM, but I have to have something for my character to grow through or change. I like giving them built-in character arc starters, lol. I haven’t played a game where my character has gotten along with every other player character and NPC over the entire campaign since my very FIRST game, lol!

Also, if you’re having trouble, why not ask your GM what they think? Again, tabletops are collaborative! Don’t be afraid to talk ideas out with your GM for your character.

A final note about playing in specifically oneshot games (i.e. games that are not long campaigns but are meant to be played in one or two sittings). Personally, I always just retrofit an OC I already have to play in oneshots! When I make a new character for a long campaign, it usually takes me two or three sessions to find their voice and figure out how to roleplay them. If the game you’re playing is only one session, I find it easier to jump right in and get the most out of your character and the game when you’re playing a character you already know pretty well! I’ve played characters from my webcomic quite a few times, and it’s always a lot more fun for me than figuring out a new character on the fly!

SO UH, IN CONCLUSION... sorry if this is mad unhelpfu!! My personal processes are unique to me! but that's the point - no one person will have the exact answer that works for you! You have to keep trying until you figure it out for yourself! Good luck! Keep creating! <3

#long post #asktime #not art #art talk #writing talk #tabletop talk #gif #iwishihadhorns

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painted-crow · 4 years

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Fictional double Birds, webcomics edition!

I found/rediscovered some more Bird characters for y'all~

These pals are all webcomic characters, so you can read their stories for free :D the name headers link to the first page of their respective comics!

Just a reminder, clicking the images gives you better quality and can make the text easier to read. I've put alt text on the images with the relevant info--sorry if this still isn't the most accessible post. ^^;

Henry Jekyll (The Glass Scientists)

Thanks to @aubade-things for reminding me this comic exists, and for discussing it with me! I binged the whole thing a few days ago, haha.

The Glass Scientists is a webcomic about a haven society for mad scientists, in a world that does not like them. Jekyll here is trying to keep it from falling apart, but between mad science shenanigans, plain old lack of funding, and a fellow called Hyde who is definitely not the same person, who told you that, he's... uh... struggling.

Jekyll screams Badger secondary at first, his Bird secondary is just VERY burnt.

He idealizes Badger as a huge part of how he thinks a Proper Gentleman should be, and he has this super uptight Badger performance that does noooot actually make him happy.

His primary's shaky, too, but he's working on it. This just about says it all, honestly:

Yes, that is a figment of his own imagination yelling at him for using Bird secondary to sort out a major piece of his system.

Jekyll is peak "person who looks like they have their shit together but is actually a mess underneath" and I'd be okay with him being a little less relatable thank you very much

He is slowly reclaiming his secondary though:

Sidenote: I have had almost that exact experience, about the same topic, during a period where I'd burned Bird secondary.

(Seven year old Paint was obsessed with the idea of plant medicine. You know how some kids mix up "potions" with stuff from their back yard? I wanted mine to work. I had this giant textbook about it and everything.)

Alas, remembering was less useful to me; all it really gave me was an extra uncanny experience reading this webcomic :p

Thistle (Daughter of the Lilies)

Thistle is a cinnamon roll hiding a whoooooole lot of trauma and anxiety. I'll let you find those panels for yourself, though. Instead, here she is entertaining some children with her magic:

Sometimes she sounds like a Badger primary, but she's a full-fledged Bird:

Her secondary is a little singed, too, but hers is WAY better off than Jekyll's. She's doin ok.

Spoiler warning: the current comic arc shows her face, which is a major reveal--so if you want to puzzle out what her deal is on your own, start from the beginning and avoid the front page for now ^^

She's also super relatable, but in a way that doesn't bug me. I'm trying to figure out why Jekyll does... I think it's that he's an example of a very burnt Bird secondary that looks seriously familiar to me, but his primary is unstable too and I find that unnerving--I've never burned mine. To me, he feels deeply unhealthy in a way that Thistle doesn't at all. Thistle's morality is very clear and bright; the parts of her system she struggles with most are about how she sees herself, but I deal with the same thing (it's probably less common for Birds not to) so that's fine.

That does say something about the general tone of the two stories. DotL deals with some heavy topics, but it's a much more optimistic feeling world with a much more stable protagonist.

DotL fights with Girl Genius for rank as my favorite webcomic, period. Everyone should go read it, it's beautiful and funny and relatable and tragic and then it's funny again. Also there are dragons! At least one of them is plot relevant, and several of the pages he's on got turned into posters by popular demand because the art is just that good.

Speaking of Girl Genius:

Gilgamesh Wulfenbach (Girl Genius)

Girl Genius is a gaslamp fantasy comedy adventure romance about mad scientists, and it does all of those things really well at the same time. Perhaps unsurprisingly, it's a goldmine for Bird secondaries.

This story has also been adapted into ebook and audiobook versions, so if comics are hard for you to read, that could be a more accessible option!

Snake primary is the most popular (Agatha, Tarvek, Zeetha, Bang, Krosp, Lars, and most of the Jagers) but there are a few Birds hanging around. The Baron is a Bird primary, I think, and Othar is some form of Exploded Idealist (double Lion?) but I'm going to focus on Gil because he's a main character.

The page that cements his primary for me is this one, where he's arguing with Snake primary Zeetha (who is Loyal to Agatha). Agatha's been the victim of some weird mind control stuff by the story's BBEG, but Gil hasn't gotten that context yet and the Baron (his dad) is convinced Agatha IS the BBEG.

And yes, he's technically pantsless in this scene but hasn't realized that yet either. It's not his fault... the "ability to rant" part of a Spark's brain wakes up long before their situational awareness does.

Also lol @ Zeetha's reaction. Gil is one of Agatha's Important People, and Agatha is Zeetha's, so he's safe, for now, if he behaves.

As for his secondary:

And:

Like many of the cast, Gil is a Spark and very vulnerable to nerd sniping. RIP his lost sleep.

Also mine, actually. I'm gonna end this here and try to go back to bed ^^;

Happy reading!

#sortinghatchats #meta #ravenclaw primary #ravenclaw secondary #burned ravenclaw secondary #paint speaks #q

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soyouareandrewdobson · 4 years

Text

Andy on Asian Animation or SYAC: The Master Review 2

Let’s talk a bit about anime and Dobson’s work relation with it.

I think we can all agree, that starting from the late 90s and early 2000s on, anime and manga became extremely popular in the western world. Sure, Japanese animation was nothing completely new to us (Speed Racer, Nadia-Secret of Blue Water, Samurai Pizza Cats, Sailor Moon, Kimba and Akira e.g. come to my mind as properties already known in the west before 1995) but it really was around this time that thanks to “mainstream” stuff like Dragon Ball and Pokemon people became aware of how different Japanese animation was from western. Eventually resulting in the really good shit (like Cowboy Bebop, Black Lagoon, Kenshin and Heat Guy J) coming over and enriching nerd culture for more than just a few people who knew of it as an obscurity at that point. Now, if you know anything about Dobson, you likely know that his relationship with anime is rather… complicated to say the least. Or, to let him explain it with his own words…

Dobson essentially likes silly and wacky 90s anime. But later on he hated anime in general, because it got too popular and a bad experience with an anime club in college soured his enjoyment of it. Furthermore, he put the blame on his lackluster art style and storytelling capabilities as seen in the likes of Formera, Patty and Alex ze Pirate, on anime in general, while also claiming that Disney pulling the plug on 2D animation is the result of the “anime inspired” Treasure Planet, meaning anime in a sense deprived him of his chance at working at his dream job and “ruining” western animation.

Which to me has always been ignorant as fuck. For starters, I can understand not liking certain stories or genres, either for objective or subjective reasons. But to hate on an entire nation’s form of entertainment (not just individual shows or genres), depriving yourself of the chance of potentially watching a lot of good stuff while also being rather insulting to these other works and people enjoying them? Especially when the stuff you can supposedly “stomach” has been rather simplistic compared to other things?

Second, blaming Japan for “poisoning” your art style? What, did the ghost of Osamu Tezuka possess you and FORCE you to put sweatdrops on your characters forehead while also going for the rather simplistic character style of Rumiko Takahashi, as well as emulating the slapstick of the likes as Slayers and Ranma ½?

Next, if he had emulated them successfully, I say he would have actually managed to tell decent enough stories worth to read online. Not create Uncle Peggy aka “Discount Happosai” or the bland proto-Isekai known as Formera.

I mean, let’s give some context here: There have been people who successfully managed to emulate certain anime and manga aesthetics into western animation and make it work. Otherwise we wouldn’t have gotten the likes of Avatar-The last Airbender, Samurai Jack, the Animatrix, Thundercats 2011, Super Robot Monkey Hyperforce Go, Kim Possible, W.I.T.C.H, Megas XLR and Wakfu. You know, shows that are actually awesome as hell.

Heck, Dobson’s favorite animated show of the last decade, Steven Universe, is heavily inspired by anime aesthetics to the point of being embarrassing.

But Dobson… well, he emulated anime aesthetics in his work the same way as these crimes against animation did.

Combined with his general shortcomings as a storyteller it is no wonder his initial comics did not do well.

Lastly, and sorry for digressing here a bit, but if the Wikipedia entry on Treasure Planet is something to go by, there was no real inspiration by anime involved in making this movie.

Supposedly the idea of making an animated Treasure Planet in outer space movie was already pitched by Ron Clements WAY BACK in 1985 but only came to be after Michael Eisner greenlighted stuff in the late 90s. Design wise the movie was supposed to look 70% traditional and 30% sci-fi inspired and people took inspiration for the art style by illustrators associated with the Brandywine School of Illustration. A western style of illustration established in the 19th century, that had a big impact on the illustration styles for many 19th and early 20th century adventure novels and short stories.

What, is anime supposed to be the only form of animation allowed to have sci fi elements or steampunk in it? Fucks sake, The Lion King and Atlantis, which came out one year earlier to Treasure Planet, were likely more inspired by anime. Don’t believe me? Watch Atlantis and then a certain anime by Studio Gainax called “Nadia-Secret of Blue Water”. Or read up on the controversy surrounding the two.

The truth is, it is not entirely clear what caused Disney to shut down 2D feature film animation in the early 2000s. In fact, if anything, most people put the blame on Michael Eisner and a certain change in the publics taste in movies in general, combined with Disney trying to turn almost every movie they had into a franchise via cheap follow up movies on video and DVD.

And even if Disney did not shut down, are we really supposed to believe that a certain guy with fedora would have made it big at Disney to the point Alex ze Pirate would have been made into a feature film?

But Dobson could never quite understand this and instead of “reinventing” himself properly, he would rant about anime and its fans in one form or another…

And on the peak of his hissy fit create this little art piece he baptized Anime Sux. Alternatively “West vs East”. Or as I like to call it, slap a jap.

Now, the pic was done in 2008 and Dobson claimed sometimes in the last decade, that he no longer holds his old opinions. Unfortunately, by that point he would also more or less use the chance to vent in his webcomic about anime (or rather its fans), which brings us finally back to SYAC.

While Dobson never outright thematized in more detail WHY he hates anime and manga in SYAC (likely cause if his comic reasoning was even slightly like his reasoning in his blogs, people would have torn him apart like a bag of paper) he did use the format to punch down on anime fans and their preferences.

For example, for someone who has a 4chan story going around of having been rather arrogant towards others in college for not liking Ranma ½, Dobson has THIS little college related comic to show off, where he portrays an aspiring manga artist as a delusional jackass.

Then in this strip titled manga, his manga fan is essentially portrayed as a young woman dressing up like a very stereotypical high school anime girl, who is in the wrong for even just DARING to draw her comics in the direction manga are read.

On one hand, I get Dobson’s point. She could be at risk of alienating a market of readers as she is obviously drawing for a western audience. Then again, if she doesn’t draw a traditional western comic but a manga, why shouldn’t she? I mean, as long as she enjoys it, which I assume she does as she seems genuinely just happy when stating that she likes manga, why not let her? Plus, this comic was drawn in the late 2000s. I think by then most people kinda knew how to read from right to left, so Dobson’s claim she would alienate or confuse people is kinda redundant. If anything I find a) Dobson getting angry at her just very petty (just let her have fun) and b) portraying a western manga fan as someone who would be confused by the sheer idea of reading stuff from right to left is also in itself just really dumb and insulting. What is Dobson trying to imply? That anime fans are so stuck in the way they consume certain media, they can’t act according to “western standards” again?

Then there is this strip where yet another female anime fan is essentially portrayed as the embodiment of how “ignorant” manga fans are of the idea of different art styles...

Which becomes rather laughable once Dobson describes his style as a mixture of European, American and Japanese. Why? Because he is the one oversimplifying things, rather than the anime fan.

You see while anime and manga of all sorts do share certain aesthetics (like the black and white art style, emphasize on the eyes of characters, the way hair is drawn, recurring tropes within certain genres and so on) style wise (both in art and storytelling) there can be severe differences, depending on the artist alone. Akira Toriyama’s style differentiates significantly from the likes of Eichiro Oda, Rumiko Takahashi, Kentaro Miura, Tezuka, Kaori Yuki and so forth.

The same also goes for many western artists. Herge had a significantly different style from Uderzo and Goscinny. Don Rosa has a different style in which he drew Scrooge McDuck than Carl Barks did. Rob Liefeld and Jim Lee draw mainstream superheroes differently compared to how Jack Kirby, George Perez and others did. Heck, Ethan Van Sciver and Jim Lee were closely associated with Green Lantern in the 2000s and look how they differentiate.

Which btw is the kind of skill level Dobson would have needed to have, to make it in the mainstream industry

So when Dobson says “I draw in a combination of American, Western and Japanese” all I can think is the following: THAT DOESN’T NARROW IT DOWN! WHAT THE HECK HAVE YOU LEARNT IN COLLEGE ABOUT COMICS? WHICH ARTISTS, WORKS AND STORYTELLERS DO YOU TRY TO EITHER EMULATE OR HAVE BEEN INSPIRED BY?

Then there is this little thing…

Where do I even begin? How about the fact that Dobson’s hand in the last panel looks like he has lost a thumb? The fact that the little boy, anime fan or not, is aware of Sae Sawanoguchi, a character from a short lived OVA and anime series from the 90s, which considering his age, I kinda doubt he would be aware off. Unlike Dobson, who got into anime in the 90s and admits in fact within the posts I loaded up earlier, that he had watched the anime in particular, known in the west as Magic User Club.

Then there is the implication by Dobson, that anime is so “corruptive” as a medium, little kids don’t even know the most basic characters in western animation because of it. I expect in a next panel, that all of sudden some 50s PSA guy comes along and lectures me that if I want this kind of thing not to happen at MY convention, I need to teach little kids more about the GOOD western animation, instead of the BAD eastern one. Then there is this rather unflattering portrayal of a shonen ai/shojou ai fangirl…

Which makes me laugh cause honestly, even some of the worst shonen ai and shojou ai can do better in portraying a “realistic” gay relationship than Patty if you ask me.

Also, as much as I think fangirls can be extremely thirsty (I have read my fair share of extremely stupid yaoi and yuri fanfics) I think that in hindsight Dobson is really not anyone to complain about shipping obsession and sex when he himself has KorraSami, the Ladybug fandom and a certain rat pirate under his floppy belt.

As you can imagine, Dobson would get heat for those comics, considering how he himself has been greatly inspired by anime and manga for his major comics. And while I don’t have any explicit deviantart posts of him reacting to criticism in that regard, I do have this comic which addresses it directly.

And yeah, if I were schoolgirl number 4, I would just sigh and walk away after telling Dobson that his mistakes and shortcomings are not related to having consumed anime, but rather by what sort of anime (and other stories) he had consumed and the amount of effort he had put in creating his stories instead of emulating just something more popular. Plus, if you really want people to draw more from life, how about drawing more from life yourself down the line? And no, tracing Star Wars movie frames does not count.

Finally, Dobson, considering how very little most people think of your work, I say mission accomplished: People have learnt from your mistakes and know not to be a Dobson.

And at last, there is this comic, which kinda wraps up Dobson’s “vendetta” with anime and manga fans within the pages of SYAC.

By trying to mock anime fans and make them look just as shallow as he is. I at least suppose. Honestly, the message of this comic is rather muddled. On one hand, I would say the strawman accusing Dobson hates anime just because it is popular is very simplified. After all, Dobson has made his reasons for not liking anime clear in a few more details. It’s just that the details in and on themselves in real life are still rather shallow and boil down to a lot of personal bias rather than an objective criticism of actual flaws. Which I think is worth pointing out.

But frankly, what is Dobson trying to say or point out here? That the strawman is not so different or even dumber than him, because he hates Justin Bieber for “shallow” and superficial reasons too?

Okay, this doesn’t quite work as well as Dobson wants. First, the argument Dobson’s strawman makes is in huge parts based on some verified statements Dobson made for not liking anime. Second, he just says a name and that triggers the guy to express his hatred for Bieber. We don’t know why the guy hates Bieber and you could make in fact the case, that he hates him not because he is popular, but because he has a genuine issue with the artist, his work or his behavior as a human being. Third, if you want to make yourself look like the better person Dobson, try to argue with the guy and make solid arguments why you don’t like anime. Instead you just deflect the criticism by changing the subject and then try to make yourself look like the “smarter” person in the room by mocking your critic in the most condescending manner.

Which as I think about it, sounds like your modus operandi on twitter and tumblr.

Weirdly enough, that more or less marks the “end” of Dobson tackling anime fans and the beef he has with them within the pages of SYAC. Despite how much Dobson’s negative reputation especially in early years was build around him hating on anime and belittling its fans, he didn’t really do more afterwards in the Dobson focused pages of SYAC. And mind you, those strips were also separated by other strips in-between, focused on Dobson just being at conventions.

Unfortunately for him, the strips didn’t really help in any way to diminish that negative reputation and instead just confirmed for many, that Dobson can’t handle criticism about his flawed opinion on anime. If anything, it just made people think even less of Dobson, as the strips just painted him as someone who would rather portray his critics as strawman he can be “rightfully” annoyed at, instead of fellow humans with slightly different tastes in entertainment, who are still worth listening to.

So, now that we have the anime fan related “annoyances” out of the way, what other sort of silly problems in making webcomics would Dobson cover in his strips and are “relatable” to everyone?

Lets see some of these examples in the next part.

#anime / manga #manga #Andrew Dobson #fuck you Tom Preston #Tom Preston #syac #so...you are a cartoonist #so you are a cartoonist #review #webcomic #comic #adobsonsartwork #adobsoncomic #adobsonartworks

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siren-virus · 3 years

Note

Time for an ask now :D sent a day later than the schedule I was SUPPOSED to have but I suck at them XD

First is SWUP, you said that both Unicorns and Dragons are aliens that are apparently at war with one another. Like, they're from different planets and are waging wars over resources/colonies/bad first encounter/something else, or are they from the same planet and evolved together to be both space travelers, but their situation is similar to that of the USA and the Soviet Union, where they're raceing eachother and fighting over economical and political might?

Also, since there are Unicorns that are being sent to Earth only to return later, would there be Dragons there too? Would there ver be an encounter between the protagonist (I forgot her name XD) and a Dragon or another Unicorn besides Wine Aunt? Would some of the friend ever encounter and befriend a Dragon, either by being their friend despite having both of them meet and beat eachother? Or my favourite scenario in this case, be friends with both of them with them never finding out about it? XD

Now it's Free time (nice name btw, I can get a few vibes from that alone :D), the idea with the best trope to ever exist, found family (I'm also a sucker for those XD)

We have the protagonists (whose names I forgot yet again XD), the owner of the braincell bird lady, naive and overly curious problem human (and potential human disaster too since he live in a Dome, and was probably born with a silver spoon), and feral child (there can't be a better description for that XD). How many headaches would bird lady have a day when dealing with both of them at the same time? How would problem human interact with feral child? I can't imagine those interactions being peaceful most of the time. Would the feral child eventually come to see the other 2 as their parental figures? Accidently calling them mom and dad (or any other variation) in their misadventures?

Would the found family ever expand? would there be additions in the form of crazy uncle, stoic aunt, murder cousin, and/or more? Like, I can imagine their family expanding over time the same style as FMA:B, where they meet people that eventually become family to everyone, but considering that they're always traveling, they rarely find eachother (until the possible falldown once they reach the Dome at the end of the voyage, where there's almost always a big encounter and heartfelt goodbye, which only sometimes are left as goodbyes for separating found families is a major crime unless there's a really good reason for that).

Well, that's all the asks for your OCs/stories ideas for now, for even if I had more questions I'd still be missing some (or a lot) of info to make them XD

Birdy boy, Leo (who is a man, he'd be quite offended if you call him a lady.) Naive human, Tristian, very oblivious yes. Rich kid fed with a golden spoon, rather than silver. Mans has a butler! Quite ignorant to the wolrd, so he believed things would go smoothly when he left. Fortunately he's also an optimist. And the feral gremlin child, Robin. She's angry by default. Tristian adores her like a little sister, but Robin is like a cat (contrary to her name) she either hates, or tolerates.

With unicorns and dragons (no design yet, or at least an updated one) I was thinking they live in the same solar system, just on sister planets. So their ecosystems are pretty similar. They're both just very territorial. Plus they've gotten to the stage of harvesting other planets resources. So they've reached the point of going to different "earth type planets" But not on the level of having full control of their solar system. If you get what I mean.

So they're waging war over resources, colonisation, etc. Yeah let's say they're similar to Russia vs to USA, but more violent!

No dragons yet, but a little there's a rumour going around, so perhaps a dragon is on their way. But that's for me to know and you to find out. (If i ever develop this story and make a webcomic- sobs, I love developing shit, but me attention span is too short. By the time I've got something im on to the next thing. Thus the cycle continues!!)

Wine aunt/ Felidae is one of the few unicorns on earth. She's a bit out of sorts.

No plans for the dragons yet, but I'll keep that in mind.

Flee not free, we already got the dreaded swim show.

Birdy boy, Leo (who is a man, he'd be quite offended if you call him a lady.) Naive human, Tristian, very oblivious yes. Rich kid fed with a golden spoon, rather than silver. Mans has a butler! Quite ignorant to the wolrd, so he believed things would go smoothly when he left. Fortunately he's also an optemist. And the feral gremlin child, Robin. She's angry by default. Tristian adores her like a little sister, but Robin is like a cat (contrary to her name) she either hates, or tolerates.

Leo gets many a headache from the pair of them. Especially Robin, he's not above arguing with children. (Same tho).

Robin eventually mellows out (poor baby needs therapy, but therapy don't exist in a post apocalyptic society. As to whether she sees them as parental figures or brothers, you won't know til I say so. (i also wanna make this a webcomic, but- flops- takes effort. and commitment)

Found family would defs expand. I've got one in mind. But I might expand it further. I've got too many stories where its a main trio. Where's my main... 12'o. jk..... unless

FMAB... hmhm, I have an idea. You probably won't like it, seeing as you watched it. You'll find out eventually.

Fuck goodbyes, its always see you later alligator. til death do them part kinda deal.

Fair enough, I gotta start writing stuff down anyways. I'm such a visual creature I always forget about the writitng

#flee #swup #answer #tristian #leo #robin #felidae

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gofancyninjaworld · 4 years

Text

watching ONE write women

One of the joys of following a writer for a while is that you get to follow how their ideas develop. One of the things that ONE brought up in an interview (annoyingly I’ve lost the link) was that he didn’t think that he wrote women particularly well.

I was thinking about that. When ONE says that, what comes across to me is that he has no problem writing a female character as an individual rather than a role. All the girls and women he’s written so far have their own voices, own their problems, and have something to do within the story that would be noticeable if they weren’t there. Quite frankly, that alone is over and above what various tests of representation (such as the Bechdel test) ask for.

What he’s not so good at is appreciating what being female brings to a character’s experiences and outlook. But he’s not just left it at that. More on what he’s been doing in a bit (and under the cut).

“...the law forbids rich and poor alike to sleep under bridges...” -- Anatole France

With his sharp eye and talent for exploring the implications of whatever he posits, ONE has brought up some issues are not inherently gendered, but usually are.

A: Childcare

Metal Bat appears to be the main, if not sole, carer for Zenko. How it affects him is fascinating. He’s one of the longest-serving heroes in the Hero Association, being there before Class S was formed, literally within the first six months of its establishment. He’s been extremely loyal and is highly trusted by the HA -- they put Narinki’s life into his hands without fear. His battle strength is literally praised to the heavens.

Metal Bat makes Zenko a priority, structuring his availability around her school schedule and being present in her life. He gets very angry if these times are threatened without overwhelmingly good cause. His reward is to be perceived by the Hero Association as less committed and so they under-recognise him in terms of ranking, and since rank and pay are linked, under-pay him as well. It’s a story all too many women can relate to. But that’s not all.

Because ONE writes so simply yet conscientiously, something else comes up and has a peek: intersectionality. It’s the concept that we often have multiple social disadvantages that interact and compound our problems. The first is sexism. Regardless of whatever childcare policy the HA has, the sexist assumption that only women care (for the record: this is bullshit) makes it unlikely for them to ask Metal Bat. Second, social capital. The fact that he’s Zenko’s sole carer means that he has low social capital, that informal network of people around you who can help out -- or tell you where to find help and what things to say in order to get that help. [Aside: this is why programmes to help people, unless they reach out aggressively, tend to disproportionately attract those who need it least.] Metal Bat doesn’t have the knowledge. The third is the challenge brought by his being a 17-year old boy. He’s quick to perceive challenge as threat, and threat as something to be met by anger. Witness him threatening to smash the HA headquarters if it turns out that he’s missed Zenko’s piano recital for nothing -- completely not useful to anything. [Another aside: the importance of learning to disambiguate emotions and do useful things with them even if it means being vulnerable as a part of growing up as a man is the whole point of Mob Psycho 100.]

What do the Neo Heroes do? They ask Metal Bat if he wants help with childcare AND HE JUMPS SHIP PRONTO. If that’s not an indictment of the Hero Association, I don’t know what is.

B: Emotional Labour

Saitama has been delegating more and more of the day-to-day work to Genos. What started as an act of service to express his gratitude, respect and love for Saitama is increasingly turning into a second job for Genos. It’s not just the cooking and cleaning and the shopping and the bailing Saitama out if he’s forgotten his wallet again, it’s also the worrying about Saitama, sometimes at inappropriate times. Has he drunk enough water? Has he clean clothes in good repair? What sales is he looking forward to? Have they been marked on the calendar? It’s honestly not doing Genos any good, and it’s one of those things all too many frustrated wives and girlfriends can relate to. This doing the practical and emotional work for another is not intrinsically gendered, but funny how often it breaks that way.

It’s not doing Saitama any good either. He’s using this freed up time to fritter his life ever more aggressively away, playing games with King and finding pointless competitions to enter, all while complaining about feeling less and less connected to anything (if you don’t address the problem, it doesn’t get better, duh!). Worse, he’s started to take that gift of service for granted, witness him airily telling King how he’ll just have Genos go clear up the mess of monsters he’s left outside the flat. I was heartened to see what happened when Saitama went a little too far and asked Genos to go cook and instead of jumping up, Genos gave him the the evil eye and let the awkwardness hang there. That was good -- there’s hope for this guy yet.

Speaking of Genos, he also over-functions for something else Saitama struggles with: advocating for himself. He tends to have Genos be the ugly one so he doesn’t have to be. You can see just how bad he is at self-advocacy when Forte and friends could invite themselves into Saitama’s house at will despite his protests -- and it stopped the instant Genos showed up.

In a sense, it’s not surprising that Genos can do that. When you’re differently-abled (and for once, this is not a euphemism) as he is, being able to clearly ask for what you want and need is life-and-death necessary. If Genos was shy about it, he’s long since had to discard that. But! Let me point to a nuance the story touches on. How pushy you can be without being punished for it depends a lot on who you are, intersecting strongly with race, gender, social status, etc (remember my mentioning intersectionality before). What’s called assertive in a man is called bitchy or sharp-elbowed in a woman. Even taking gender and race out of the equation, there’s still a noticeable difference in the way the world treats Saitama and Genos. You don’t need to be Sigmund Freud to understand the way the short, ugly Dr. Kuseno sweats making sure that Genos positively radiates youth, beauty, wealth and power. That’s part of his right to ask and be taken seriously. You can see how drastically different it is for Saitama, even from his middle school days. Genos notices, and makes sure to leverage his social power for Saitama.

What I love about these examples are that by not automatically heaving a woman into these characters’ roles, ONE’s brought a less frequently seen angle that illustrates the problems they deal with are not ‘womens’ issues per se but are rather inequities that disproportionately affect women -- which is at the heart of what feminists keep saying. When you read Makai no Ossan, you can appreciate that ONE could have gone with female characters and done a great job, but his choosing not to has brought a very welcome dimension to the story.

Women proper

“I’m not like other girls”

Still, bit by bit, ONE has been working more women into his stories. After his interview, the next thing he worked on was the single-volume sequel to Mob Psycho 100, Reigen. He took his challenge head-on by making the POV character Tome and putting her in an all-girls’ high school.

Throughout the story, we see Tome thinking of herself as special, better than her fellow classmates, whom she sees as vapid and shallow. The denouement comes with Tome being humbled as she gets to know her classmates better and realises that they pursue interests just as varied and weird as hers -- only they’re also practicing being socially adept on top of that.

It’s a gentle story, but it’s still a great side-swipe at self-internalised misogyny, the idea that it’s shameful to be like a ‘girl’ and it’s something to distance oneself from. Fortunately, Tome can laugh at herself and grow up.

“Ha ha ha”

For a long time, the only (named) women we had in OPM were Tatsumaki and her younger sister Fubuki. We’ve gotten more women both good and bad: in particular, it’s been very gratifying to find that one of the most dangerous, story-shaping villains in the story is Psykos.

In the webcomic, ONE’s pushed even further. A recent Tweet featured him talking about how hard he finds it to draw women. And he’s added several. No same-face for him! I’ll talk about the new heroines he’s added, but first, let me draw your attentions to something most artists don’t realize they do: massively skew the gender distribution of crowds, even when it is incredibly illogical to do so. With ONE, even drawing the crowds at the fair who gaggle at Amai Mask, he’s got a far more even balance of women and they’re not all young and pretty -- which is much more true-to-life. He’s in the business of drawing people.

ONE has featured microaggressions before, particularly in the way Fubuki can have perfectly sound things to say and be totally ignored, but he brings it properly to the fore with Suiko. No one calls her incompetent, but the little put downs she gets when she puts herself forward for the hero test in lieu of her brother, oh they’re well-observed The look on her face just makes it. I love the way she shut the recruiters up subsequently.

Let’s conclude this tour with a look at Webigaza’s lonely figure. We have another mono-manically focused cyborg in the story. Genos has been called a lot of things -- determined, obsessive even, but crazy? Never. Notice who it’s been reserved for instead. It’s no slip of the tongue.

Wrapping Up

I’m of the impression that ONE really wants to try to capture as much of the human experience as he can in his stories, however whimsical or fantastical the stories themselves are. I’m disarmed by his humility in accepting that he’ll never have the lived experience of half the world’s population but he sure as hell can put some effort into learning how to to writing well-realised, believable, female characters.

I watch ONE’s continued development as a writer with interest.

#OPM #Reigen #ONE #meta #long #women #female characters #I like that ONE treats women not as creatures whose problems and experiences can't possibly be understood #but as people first and foremost #perfect? No and who is #ongoing and adding to his understanding -- yes

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purity-town · 3 years

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Whoops, didn’t mean to post this so late. Time’s gotten away from me this week, haha. Anyways, a few ask replies are below the cut!

Aw, I’m glad you’re enjoying the comic! It’s the best feeling knowing that folks are liking what I’m putting out. ^^

And yep, bosses are being done in order! I’ll list them out below with how I’m handling each of them for simplicity’s sake:

King Slime -- Will be mentioned, but won’t appear. Probably defeated by a previous hero? I’m not sure, but Chris won’t be fighting it.

Eye of Cthulhu -- The first boss Chris fights.

Eater of Worlds -- Most likely an on-screen boss fight? I’m debating.

Brain of Cthulhu -- This is a Corruption world, so it’s not included.

Queen Bee -- Mentioned, though cut for time.

Skeletron -- Plot important boss battle!

Wall of Flesh -- Also plot important boss battle; actually one of the first scenes I had figured out for the comic, haha.

Mech Bosses/Plantera/Golem -- These most likely will be fought, but I’m not sure how I’ll be handling them. The Mechs at least are plot relevant, we’ll see about the other two.

Optional Hardmode Bosses -- Queen Slime, Duke Fishron, etc. will be cut for time.

Event Bosses -- Things like the Pumpkin/Frost Moon and so on won’t be included.

Other Events -- Solar eclipse, blood moon, etc.; may or may not be included depending on how the story flows with them.

Lunatic Cultist/Celestial Events/Moon Lord -- again, plot important.

Do keep in mind that the above is subject to some change depending on what I want to include, as well as just what I want to be on/off screen. I never really know how I’m going to handle something until I’m actually writing/drafting/sketching that chapter, save for a few scenes that I’ve had planned from the beginning, haha.

Firstly, 🎉🎉🎉 for 200 followers!!!

And as for the question -- it’s a really long story actually, haha. Hence why I’m putting this ask last.

So, I’ve owned a copy of Terraria on Steam since early 2016; I had bought another game and needed something cheap to finish off the gift card. Spent like five minutes on it, said no thanks, and went on. Opened it again a few years later, played for an hour and got frustrated at the controls/opening doors/not understanding tools and put it down again. I only got into it come 1.4 -- having access to journey mode meant I had a lot more freedom to do what I wanted, and since I had previously played a little, I was no longer totally confused by the game.

I went through my first playthrough pretty much blind, and had a lot of fun! I tend to make up little stories while playing open world games, and since I only started playing Terraria after the NPC happiness mechanic came out, I put a lot of effort into getting everyone little houses with their friends and such. I put in a few dozen hours, had a blast, and that was that.

Because it was my first playthrough, I was mostly relying on the Guide and a boss progression list I had pulled up on my phone to get through the game, though to figure out housing I ended up spending a while screwing around on the NPC pages, and realized...hey! Terraria doesn’t have *much* of a story, but it does have enough content to work with.

And then I spent an evening putting together a 20 page document about the game’s lore and characters because I wanted to share my latest fixation with my partner, but didn’t want to annoy them. I don’t recall if they ever did read it -- I think they did? -- but the point is that I had it, and started playing around with the idea of writing a little fanfic based off of it. I planned a few things out, but didn’t end up writing any of it, and then shelved the idea after a little bit.

After that I went through a phase of doing a lot of commissions to get some money for college shopping, then classes started and I was busy, then I got really into HLVRAI, etc. etc. Finally, someone I used to watch years and years ago on youtube posted a Frankenstein: A New Musical animatic. I said “cool!” and then Frankenstein was my latest fixation. I found someone on Tumblr (@/reanimationstation) who draws a lot of Frankenstein art, saw they were doing a cute little gothic lit slice of life comic, and said...hey, comics are pretty neat! What if I did one? I had been recently thinking about my Terraria story, that could be fun to mess with.

So, I drew a two-page comic with the Guide and Old Man talking about their curses, posted it to Reddit, and got tons of nice comments and PMs from people saying that they really liked it and hoped I did some more. I had mentioned it was part of an old fic of mine (I was still debating picking it back up and writing it at the time), and people interpreted that as there being more to the comic. There wasn’t, but I figured: eh, why not? I’ll go for ten pages, enough to squish in a whole first chapter if I keep it short, and if I don’t like it, I’ll stop. I’d always wanted to do a webcomic, after all. This could be fun.

And you know what? It has been fun! I need to get better at managing my time most certainly, since pages take so long, but it’s also serving as a way for me to actually be forced to improve, haha. I can already see how much my style has changed since the first chapter, just from the weekly drawings! Plus, I really do love the characters, haha. It’s been a good while since I’ve been so passionate about stuff like this, and while I don’t post them, I do pretty often write goofy ficlets about the characters just to work on their “voices” and all that. Mostly about Andrew and Chris, since they’ll have the most screen time, so to speak, but overall whatever my latest silly idea is.

So, yeah! Just a bunch of things coming together in such a way that I ended up doing a comic.

#pt asks #Purity Town #not an update

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mylifeiskara · 4 years

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fic writer asks

I was tagged by @she-who-the-river-could-not-hold and @burninghoneyatdusk!

Name(s): queenemori (though there’s an underscore on Twitter)

Fandom(s): The 100, though I used to write for the webcomic Check, Please! and I wrote one Stucky fic and some Harry Potter things that I hate now lol.

Where you post: AO3

Most popular one-shot (by kudos): My actual most popular one-shot is for Check, Please, but if we’re just counting t100, then it’s In Dads We Trust! This was a Bellarke/Memori prompt in which Bellamy and Murphy are stay-at-home dads with a Youtube channel and they get in a feud with Josephine, a popular mommy blogger. It was so much fun to write, and I’m glad people enjoyed it!

Most popular multi-chapter (by kudos): That would be You’re Already Breaking My Heart, aka my Bellarke To All the Boys AU, aka the reason this fandom trapped me in the first place, because it was my first fic. I hold it near and dear to my heart because it got me writing again after a long period of just not and I would not have the many other fics I have written for this fandom without it.

Favourite story you’ve written so far: We Don’t Need To Say It, my Memori actor AU! The longest fic I have ever written and the one I had the most fun writing as well. There aren’t very many long Memori stories and I knew I wanted to write one. This was rather self-indulgent, but I’ve gotten a lot of nice comments and other people seemed to enjoy it which makes me incredibly happy.

Fic you were nervous to post: Probably you’re the last best thing i’ve got going or danger has a hold on me (but i’m safe in your arms). The first, because it is my first Murven fic and I was not sure how some people would react to me posting for a different ship than I normally shout about. I’m pretty big on multi-shipping and I know some people are not lol, but I have gotten some nice comments on that one that have made me excited for some other Murven things I have in the works. And the latter because it is smut and I do not enjoy writing smut/do not like the smut I write, but I had the idea and it would not leave me alone so I had to get it written.

How do you choose your titles?: Typically song lyrics, but a few of my titles are more based on the idea or something someone says in the fic.

Do you outline?: Yes, I outline obsessively (I’m a Virgo). We Don’t Need To Say It had two full outlines, one for the fic itself, and one for four seasons of the fake TV show I created for the story lol.

Complete works: 25!

In-progress works: Currently one (but not for much longer). Piece Me Back Together is my Definitely, Maybe AU, featuring dad!Murphy, so it has Clurphy, Murven, and Memori all in one.

Coming soon/not yet started: Some holiday fics are mayhaps on the way 👀. A bunch of prompts that I need to catch up on, including another dad!Murphy story where he has a TikTok cooking show and a Memori Anastasia AU, among others! And in terms of multi-chaps, I have finally started the Bellarke Emma AU I kept talking about this summer, and I hope to post the first chapter in the coming week. And I’m working on my Gossip Girl rewatch for my Murven/Bellarke s1-s2 AU of that. It will most definitely be more Murven than Bellarke because I have not been paying attention to Dan and Serena on this rewatch but I feel like I’m okay with this outcome.

Prompts?: Yes! I’m accepting one-shot and WIP prompts through @t100fic-for-blm! There are a few prompts that are mine on our prompt ideas board and you can also check out our carrd for more general info. I typically write Memori, Bellarke, AU Murven, and I guess I dabble in Clurphy now too. But I’m honestly happy to write anything if Murphy is there.

Upcoming work you’re most excited about: I’m excited about a lot of things, but probably the Anastasia AU because I love that movie so much and I had actually been thinking about a Memori AU for it, so to actually get to write one is going to be a lot of fun!

#tag games #fanfic stuff #so much to write and not enough time smh

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to-read-or-not-to-read3088 · 3 years

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70+ disabled, neurodiverse and chronically ill authors COLLAB

This post is in collaboration with several other bloggers whose links are included here:

Artie Carden

Anniek

Hi! It’s been a while since I posted anything, but this post has been a month in the making. I have twenty books by twenty authors for my part in this collaboration, and you can check out the other parts of the collab with the links at the top of the post.

I haven’t read some of these books but almost all of them are on my to be read pile, and I did extensive research to make sure I got this right, but please let me know if there are any mistakes or if anything needs to be corrected.

1. Meet Cute Diary by Emery Lee

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Meet Cute Diary follows Noah Ramirez who thinks he’s an expert on romance. He must be for his blog, the Meet Cute Diary, a collection of trans happily ever afters. There’s just one problem. All the stories are fake. What started off as the fantasies of a trans boy who was afraid to step out of the closet has grown into a beacon of hope for trans readers across the globe. Noah’s world unravels when a troll exposes the blog as fiction, and the only way to save the Diary is to convince everyone that the stories are true, but he doesn’t have any proof. That’s when Drew walks into Noah’s life, and the pieces fall into place. Drew is willing to fake date Noah to save the Diary. But when Noah’s feelings grow beyond their staged romance, he realises that dating in real life isn’t the same as finding love on the page.

The author, Emery Lee, is a kid lit author, artist and YouTuber hailing from a mixed racial background. After graduating with a degree in creative writing, e’s gone on to author novels, short stories and webcomics. When away from reading and writing, you’ll likely find em engaged in art or snuggling with cute dogs.

Emery Lee is nonbinary, and uses e/em pronouns, and e’s debut book, Meet Cute Diary, features a side character who is also nonbinary (and asexual!). Emery is also neurodivergent, and frequently speaks about what its like being a writer with adhd on twitter.

Meet Cute Diary is a book I only discovered last month, when it was published, but I’m excited to read it. It has representation of all kinds, and I love any book that has even a little mention of an asexual character because its so rare to see.

2. Ace of Spades by Faridah Àbíké-Íyímídé

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At Niveus Private Academy money paves the hallways, and the students are never less than perfect. Until now. Because an anonymous texter calling themselves Aces, is bringing two students’ dark secrets to light. Devon, a talented musician, buries himself in rehearsals, but he can’t escape the spotlight when his private photos go public. Chiamaka, head girl, isn’t afraid to get what she wants, but soon everyone will know the price she has paid for power. Someone is out to get them both. Someone who holds all the aces. And they’re planning much more than a high school game.

Faridah Àbíké-Íyímídé, is the author of the instant New York Times and IndieBound bestseller, Ace of Spades, billed as ‘Get out meets Gossip Girl’. Entertainment Weekly has called it “this summer’s hottest YA debut”. She was born and raised in Croydon, South London, and Faridah moved to the Scottish Highlands for her undergraduate degree where she completed a BA in English Literature. She has established and runs and mentorship scheme for unagented writers of colour, helping them on their journey to get published. Faridah has also written for NME, The Bookseller, Readers Digest and gal-dem.

Faridah Àbíké-Íyímídé’s book is one that I pre-ordered months in advance, after discovering that I actually really liked this sub-genre of YA, and although I still haven’t read it yet (sorry!), I’m still super excited to dive into it. From what I hear, it has some gay rep, which we all know by now is something I seek out in my books.

3. Lycanthropy and Other Chronic Illnesses by Kristen O’Neal

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Priya has worked hard to pursue her pre med dreams at Stanford, but a diagnosis of chronic Lyme disease during her sophomore year sends her straight back to her loving but overbearing family in New Jersey and leaves her wondering if she’ll ever be able to return to the way things were. Thankfully she has her online pen pal, Brigid, and the rest of the members of “oof ouch my bones,” a virtual support group that meets on Discord to crack jokes and vent about their own chronic illnesses. When Brigid suddenly goes offline, Priya does something very out of character; she steals the family car and drives to Pennsylvania to check on Brigid. Priya isn’t sure what to expect, but it isn’t the creature that’s shut in the basement. With Brigid nowhere in sight, Priya begins to puzzle together an impossible but obvious truth: the creature might be werewolf – and the werewolf might be Brigid. As Brigid’s unique condition worsens, their friendship will be deepened and challenged in unexpected ways, forcing them to reckon with their own ideas of what it means to be normal.

Kristen O’Neal is a freelance writer who’s written for sites like Buzzfeed Reader, Christianity Today, Birth.Movies.Death, LitHub and Electric Literature. She writes about faith, culture, and unexplained phenomena. Her debut novel, Lycanthropy and Other Chronic Illnesses is based on her own experiences with being chronically ill. Kristen has two autoimmune disorders and “a number of other problems and issues” with her body. According to her website, she is doing much better than she used to, but still has flares somewhat regularly.

I cannot describe the feeling of seeing a published book with the best group chat name I have ever seen. Oof ouch my bones is absolutely something that I would be part of if it really existed, because its just such a mood, and funny at the same time. I pre ordered this book too, but like all the others, I still haven’t gotten around to reading it. I’m super excited about it though and cannot recommend it enough.

4. Only Mostly Devastated by Sophie Gonzales

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Will Tavares is the dream summer fling – he’s fun, affectionate, kind – but just when Ollie thinks he’s found his Happily Ever After, summer vacation ends, and Will stops texting Ollie back. Now Ollie is one prince short of his fairy tale ending, and to complicate the fairy tale further, a family emergency sees Ollie uprooted and enrolled at a new school across the country. Which he minds a little less when he realises it’s the same school Will goes to…except Ollie finds out that the sweet, comfortably queer guy he knew from summer isn’t the same one attending Collinswood High. This Will is a class clown, closeted – and to be honest, a jerk. Ollie has no intention of pining after a guy who clearly isn’t ready for a relationship, especially since this new, bro-y jock version of Will seems to go from hot to cold every other week. But then Will starts “coincidentally” popping up in every area of Ollie’s life, from music class to the lunch table, and Ollie finds his resolve weakening. The last time he gave Will his heart, Will handed it back to him trampled and battered. Ollie would have to be an idiot to trust him with it again. Right? Right.

Sophie Gonzales was born and raised in Whyalla, South Australia, where the Outback Meets the Sea. She now lives in Melbourne, where there’s no outback in sight. Sophie’s been writing since the age of five, when her mother decided to help her type out one of the stories she had come up with in the bathtub. They ran into artistic differences when five-year-old Sophie insisted that everybody die in the end, while her mother wanted the characters to simply go out for a milkshake. Since then, Sophie has been completing her novels without a transcript. Sophie Gonzales tweets about her experiences with ADHD on her twitter.

Only mostly devasted is one of the few books on this list that I’ve read. I read the whole thing in one sitting because I just couldn’t put it down, which is weird because I normally don’t read contemporary at all. I have recommended this book to literally everyone I know, and even bought my best friend a copy to convince her to read it.

5. The Bone Houses by Emily Lloyd Jones

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Seventeen-year-old Aderyn ("Ryn") only cares about two things: her family, and her family's graveyard. And right now, both are in dire straits. Since the death of their parents, Ryn and her siblings have been scraping together a meagre existence as gravediggers in the remote village of Colbren, which sits at the foot of a harsh and deadly mountain range that was once home to the fae. The problem with being a gravedigger in Colbren, though, is that the dead don't always stay dead. The risen corpses are known as "bone houses," and legend says that they're the result of a decades-old curse. When Ellis, an apprentice mapmaker with a mysterious past, arrives in town, the bone houses attack with new ferocity. What is it that draws them near? And more importantly, how can they be stopped for good? Together, Ellis and Ryn embark on a journey that will take them deep into the heart of the mountains, where they will have to face both the curse and the long-hidden truths about themselves.

Emily Lloyd-Jones grew up on a vineyard in rural Oregon, where she played in evergreen forests and learned to fear sheep. After graduating from Western Oregon University with an English degree, she enrolled in the publishing program at Rosemont College just outside of Philadelphia. She currently resides in Northern California.

Another book on my to be read pile that I’m super excited to read, but still haven’t gotten around to. This one features disability rep, but because I haven’t read it, I don’t know much more, sorry guys.

6. Mooncakes by Susanne Walker and Wendy Xu

📷Nova Huang knows more about magic than your average teen witch. She works at her grandmothers' bookshop, where she helps them loan out spell books and investigate any supernatural occurrences in their New England town. One fateful night, she follows reports of a white wolf into the woods, and she comes across the unexpected: her childhood crush, Tam Lang, battling a horse demon in the woods. As a werewolf, Tam has been wandering from place to place for years, unable to call any town home. Pursued by dark forces eager to claim the magic of wolves and out of options, Tam turns to Nova for help. Their latent feelings are rekindled against the backdrop of witchcraft, untested magic, occult rituals, and family ties both new and old in this enchanting tale of self-discovery.

Suzanne Walker is a Chicago-based writer and editor. She is co-creator of the Hugo-nominated graphic novel Mooncakes (2019, Lion Forge/Oni Press). Her short fiction has been published in Clarkesworld and Uncanny Magazine, and she has published nonfiction articles with Uncanny Magazine, StarTrek.com, Women Write About Comics, and the anthology Barriers and Belonging: Personal Narratives of Disability. She has spoken at numerous conventions on a variety of topics ranging from disability representation in sci-fi/fantasy to comics collaboration.

Wendy Xu is a Brooklyn-based illustrator and comics artist. She is co-creator of and currently draws the webcomic Mooncakes. Her work has been featured on Tor.com, as part of the Chinese American: Exclusion/Inclusion exhibit permanently housed at the Chinese Historical Society of America, and in Shattered: The Asian American Comics Anthology. She occasionally teaches at the Asian American Writers Workshop and currently works as an assistant editor curating young adult and children’s books.

Suzanne Walker suffers from hearing loss, something that she wrote into her graphic novel, Mooncakes, making Nova hard of hearing. I read this in a few years ago as an advance reader copy for Netgalley and it was honestly one of the best graphic novels I have ever read. The main characters are Chinese American, queer AND magic, which is an amazing combination of representation.

7. Six of Crows by Leigh Bardugo

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Ketterdam: a bustling hub of international trade where anything can be had for the right price—and no one knows that better than criminal prodigy Kaz Brekker. Kaz is offered a chance at a deadly heist that could make him rich beyond his wildest dreams. But he can’t pull it off alone… A convict with a thirst for revenge A sharpshooter who can’t walk away from a wager A runaway with a privileged past A spy known as the Wraith A Heartrender using her magic to survive the slums A thief with a gift for unlikely escapes Kaz’s crew is the only thing that might stand between the world and destruction—if they don’t kill each other first.

Leigh Bardugo is a #1 New York Times bestselling author of fantasy novels and the creator of the Grishaverse (now a Netflix original series) which spans the Shadow and Bone Trilogy, the Six of Crows Duology, The Language of Thorns, and King of Scars—with more to come. Her short stories can be found in multiple anthologies, including the Best American Science Fiction & Fantasy. Her other works include Wonder Woman: Warbringer and Ninth House (Goodreads Choice Winner for Best Fantasy 2019) which is being developed for television by Amazon Studios.

Leigh grew up in Southern California and graduated from Yale University. These days she lives and writes in Los Angeles.

In the acknowledgements section of Six of Crows, Bardugo reveals she suffers from osteonecrosis and sometimes needs to use a cane; this was a source of inspiration for one of the story's six protagonists, master thief and gang boss Kaz Brekker, who uses a cane.

I read Six of Crows a few years ago and I really loved it. I’m not going to pretend I managed to finish the whole Grishaverse series, because I haven’t even gotten close yet, but it really showed Kaz’s struggles with his disability, and his mental health. This is part of a duology, and the duology is part of a large series of books with another duology and trilogy, but Six of Crows can be read without reading the others.

8. Hyperbole and A Half by Allie Brosh

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This is a book I wrote. Because I wrote it, I had to figure out what to put on the back cover to explain what it is. I tried to write a long, third-person summary that would imply how great the book is and also sound vaguely authoritative--like maybe someone who isn’t me wrote it--but I soon discovered that I’m not sneaky enough to pull it off convincingly. So, I decided to just make a list of things that are in the book: Pictures Words Stories about things that happened to me Stories about things that happened to other people because of me Eight billion dollars* Stories about dogs The secret to eternal happiness* *These are lies. Perhaps I have underestimated my sneakiness!

Allie is an American blogger, writer and comic artist best known for her blog in the form of a webcomic Hyperbole and a Half. Brosh started Hyperbole in 2009 and told stories from her life in a mix of text and intentionally crude illustrations. She has published two books telling stories in the same style, both of which have been New York Times bestsellers. Brosh lives with severe depression and ADHD, and her comics on depression have won praise from fans and mental health professionals.

Another book on my tbr that I just haven’t gotten around to but really want to.

9. The Rest of Us Just Live Here by Patrick Ness

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What if you aren’t the Chosen One? The one who’s supposed to fight the zombies, or the soul-eating ghosts, or whatever the heck this new thing is, with the blue lights and the death? What if you’re like Mikey? Who just wants to graduate and go to prom and maybe finally work up the courage to ask Henna out before someone goes and blows up the high school. Again. Because sometimes there are problems bigger than this week’s end of the world, and sometimes you just must find the extraordinary in your ordinary life. Even if your best friend is worshipped by mountain lions...

Patrick Ness, an award-winning novelist, has written for England’s Radio 4 and Sunday Telegraph and is a literary critic for The Guardian. He has written many books, including the Chaos Walking Trilogy, The Crash of Hennington, Topics About Which I Know Nothing, and A Monster Calls. He has won numerous awards, including the Guardian Children’s Fiction Prize, the Booktrust Teenage Prize, and the Costa Children’s Book Award. Born in Virginia, he currently lives in London.

Patrick Ness has written about OCD and anxiety in at least two of his books, inspired by his own experiences with the two disorders and how it affects him (The Rest of Us Just Live Here & Release)

10. Every Heart A Doorway by Seanan McGuire

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Eleanor West’s Home for Wayward Children No Solicitations No Visitors No Quests Children have always disappeared under the right conditions; slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere... else. But magical lands have little need for used-up miracle children. Nancy tumbled once, but now she’s back. The things she’s experienced... they change a person. The children under Miss West’s care understand all too well. And each of them is seeking a way back to their own fantasy world. But Nancy’s arrival marks a change at the Home. There’s a darkness just around each corner, and when tragedy strikes, it’s up to Nancy and her new-found schoolmates to get to the heart of the matter. No matter the cost.

Seanan lives in an idiosyncratically designed labyrinth in the Pacific Northwest, which she shares with her cats, Alice and Thomas, a vast collection of creepy dolls and horror movies, and sufficient books to qualify her as a fire hazard. She has strongly held and oft-expressed beliefs about the origins of the Black Death, the X-Men, and the need for chainsaws in daily life.

Years of writing blurbs for convention program books have fixed Seanan in the habit of writing all her bios in the third person, to sound marginally less dorky. Stress is on the "marginally." It probably doesn't help that she has so many hobbies.

Seanan was the winner of the 2010 John W. Campbell Award for Best New Writer, and her novel Feed (as Mira Grant) was named as one of Publishers Weekly's Best Books of 2010. In 2013 she became the first person ever to appear five times on the same Hugo Ballot.

Seanan McGuire has an invisible disability due to herniated disks in her spine. She is slowly coming to terms with this, and talks about it occasionally on her twitter, and about the struggles she faces.

I loved this book, and so did my best friend. We both read it in one sitting and talked nonstop about it afterwards. Although short, its filled with amazing characters, plot, and representation (asexual character!!)

11. Girls of Paper and Fire by Natasha Ngan

Each year, eight beautiful girls are chosen as Paper Girls to serve the king. It's the highest honour they could hope for...and the most demeaning. This year, there's a ninth. And instead 📷of paper, she's made of fire. In this richly developed fantasy, Lei is a member of the Paper caste, the lowest and most persecuted class of people in Ikhara. She lives in a remote village with her father, where the decade-old trauma of watching her mother snatched by royal guards for an unknown fate still haunts her. Now, the guards are back and this time it's Lei they're after -- the girl with the golden eyes whose rumoured beauty has piqued the king's interest. Over weeks of training in the opulent but oppressive palace, Lei and eight other girls learns the skills and charm that befit a king's consort. There, she does the unthinkable -- she falls in love. Her forbidden romance becomes enmeshed with an explosive plot that threatens her world's entire way of life. Lei, still the wide-eyed country girl at heart, must decide how far she's willing to go for justice and revenge.

Natasha Ngan is a writer and yoga teacher. She grew up between Malaysia, where the Chinese side of her family is from, and the UK. This multicultural upbringing continues to influence her writing, and she is passionate about bringing diverse stories to teens. Ngan studied Geography at the University of Cambridge before working as a social media consultant and fashion blogger. She lives in France with her partner, where they recently moved from Paris to be closer to the sea. Her novel Girls of Paper and Fire was a New York Times bestseller. Natasha has a heart condition, and talks about her struggles with her health, and gives updates on her health and her books on twitter.

I’ve heard a lot about this book, but for trigger warning reasons it sadly isn’t on my to be read list. Everything I’ve heard about it says its an amazing book though, and the cover is beautiful.

12. Queens of Geek by Jen Wilde

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Three friends, two love stories, one convention: this fun, feminist love letter to geek culture is all about fandom, friendship, and finding the courage to be yourself. Charlie likes to stand out. She’s a vlogger and actress promoting her first movie at SupaCon, and this is her chance to show fans she’s over her public breakup with co-star Reese Ryan. When internet-famous cool-girl actress Alyssa Huntington arrives as a surprise guest, it seems Charlie’s long-time crush on her isn’t as one-sided as she thought. Taylor likes to blend in. Her brain is wired differently, making her fear change. And there’s one thing in her life she knows will never change: her friendship with her best guy friend Jamie—no matter how much she may secretly want it to. But when she hears about a fan contest for her favourite fandom, she starts to rethink her rules on playing it safe.

Jen Wilde is the YA author of QUEENS OF GEEK, THE BRIGHTSIDERS and GOING OFF SCRIPT. She writes unapologetically queer stories about geeks, rockstars, and fangirls who smash the patriarchy in their own unique ways. Her books have been praised in Teen Vogue, Buzzfeed, Autostraddle, Vulture and Bustle. Originally from Australia, Jen now lives in NYC where she spends her time writing, drinking too much coffee and binging reality TV.

Researching for this collab was the first time this book popped up on my radar as something I might be interested in reading. Jen Wilde, the author, is herself autistic and suffers from anxiety, which gives the narrative “authenticity that is lacking in similar books” according to socialjusticebooks.org.

13. The Upside of Unrequited by Becky Albertalli

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Seventeen-year-old Molly Peskin-Suso knows all about unrequited love—she’s lived through it twenty-six times. She crushes hard and crushes often, but always in secret. Because no matter how many times her twin sister, Cassie, tells her to woman up, Molly can’t stomach the idea of rejection. So, she’s careful. Fat girls always have to be careful. Then a cute new girl enters Cassie’s orbit, and for the first time ever, Molly’s cynical twin is a lovesick mess. Meanwhile, Molly’s totally not dying of loneliness—except for the part where she is. Luckily, Cassie’s new girlfriend comes with a cute hipster-boy sidekick. Will is funny and flirtatious and just might be perfect crush material. Maybe more than crush material. And if Molly can win him over, she’ll get her first kiss and she’ll get her twin back. There’s only one problem: Molly’s co-worker Reid. He’s an awkward Tolkien superfan with a season pass to the Ren Faire, and there’s absolutely no way Molly could fall for him. Right?

Becky Albertalli is the author of the acclaimed novels Simon vs. the Homo Sapiens Agenda (film: Love, Simon), The Upside of Unrequited, and Leah on the Offbeat. She is also the co-author of What If It's Us with Adam Silvera. A former clinical psychologist who specialized in working with children and teens, Becky lives with her family in Atlanta.

Becky Albertalli has generalised anxiety disorder (GAD), and has spoken about it in several interviews, which you can find online. She has also written several characters in her books who also suffer with anxiety. Her first book, Simon vs the Homosapien’s Agenda (or Love, Simon), is the only book of hers that I have read so far, and I loved it. It was the first contemporary book that I read and actually enjoyed.

14. Carve the Mark by Veronica Roth

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Cyra is the sister of the brutal tyrant who rules the Shotet people. Cyra’s current gift gives her pain and power—something her brother exploits, using her to torture his enemies. But Cyra is much more than just a blade in her brother’s hand: she is resilient, quick on her feet, and smarter than he knows. Akos is the son of a farmer and an oracle from the frozen nation-planet of Thuvhe. Protected by his unusual currentgift, Akos is generous in spirit, and his loyalty to his family is limitless. Once Akos and his brother are captured by enemy Shotet soldiers, Akos is desperate to get his brother out alive—no matter what the cost. Then Akos is thrust into Cyra's world, and the enmity between their countries and families seems insurmountable. Will they help each other to survive, or will they destroy one another?

Veronica Roth is the #1 New York Times best-selling author of the Divergent series (Divergent, Insurgent, Allegiant, and Four: A Divergent Collection), the Carve the Mark duology (Carve the Mark, the Fates Divide), The End and Other Beginnings collection of short fiction, and many short stories and essays. Her first book for adult audiences, Chosen Ones, is out now. She lives in Chicago.

Veronica Roth suffers from anxiety, like a lot of the authors on this list, and talks about it in interviews. A quote from one: "I've had an anxiety disorder my whole life, so I've been to therapy on and off throughout, before books and after books. I went back and tried to talk through some of the things I was feeling and experiencing, and it was helpful."

I’ve never read any of her books, not even the hugely famous Divergent trilogy, though they’ve been on my radar for years. I’d love to get into her books at some point, but it might take me a few years.

15. How to be Autistic by Charlotte Amelia Poe

📷An urgent, funny, shocking, and impassioned memoir by the winner of the Spectrum Art Prize 2018, How To Be Autistic by Charlotte Amelia Poe presents the rarely shown point of view of someone living with autism. Poe’s voice is confident, moving and often funny, as they reveal to us a very personal account of autism, mental illness, gender and sexual identity. As we follow Charlotte’s journey through school and college, we become as awestruck by their extraordinary passion for life as by the enormous privations that they must undergo to live it. From food and fandom to body modification and comic conventions, Charlotte’s experiences through the torments of schooldays and young adulthood leave us with a riot of conflicting emotions: horror, empathy, despair, laugh-out-loud amusement and, most of all, respect. For Charlotte, autism is a fundamental aspect of their identity and art. They address the reader in a voice that is direct, sharply clever and ironic. They witness their own behaviour with a wry humour as they sympathise with those who care for them, yet all the while challenging the neurotypical narratives of autism as something to be ‘fixed’. This is an exuberant, inspiring, life-changing insight into autism from a viewpoint almost entirely missing from public discussion. ‘I wanted to show the side of autism that you don’t find in books and on Facebook. My story is about survival, fear and, finally, hope. There will be parts that make you want to cover your eyes, but I beg you to read on, because if I can change just one person’s perceptions, if I can help one person with autism feel like they’re less alone, then this will all be worth it.’ Charlotte Amelia Poe is a self-taught artist and writer living in Lowestoft, Suffolk. They also work with video and won the inaugural Spectrum Art Prize with the film they submitted, 'How to Be Autistic’. Myriad published Charlotte's memoir, How to Be Autistic, in September 2019.

Another book I didn’t know about until researching for this post, but I really want to read it because I haven’t read many books about autism, and practically none of them were actually written by someone who actually is autistic. Charlotte uses they/them pronouns.

16. Ask me about my Uterus by Abby Norman

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For any woman who has experienced illness, chronic pain, or endometriosis comes an inspiring memoir advocating for recognition of women's health issues In the fall of 2010, Abby Norman's strong dancer's body dropped forty pounds and grey hairs began to sprout from her temples. She was repeatedly hospitalized in excruciating pain, but the doctors insisted it was a urinary tract infection and sent her home with antibiotics. Unable to get out of bed, much less attend class, Norman dropped out of college and embarked on what would become a years-long journey to discover what was wrong with her. It wasn't until she took matters into her own hands--securing a job in a hospital and educating herself over lunchtime reading in the medical library--that she found an accurate diagnosis of endometriosis. In Ask Me About My Uterus, Norman describes what it was like to have her pain dismissed, to be told it was all in her head, only to be taken seriously when she was accompanied by a boyfriend who confirmed that her sexual performance was, indeed, compromised. Putting her own trials into a broader historical, sociocultural, and political context, Norman shows that women's bodies have long been the battleground of a never-ending war for power, control, medical knowledge, and truth. It's time to refute the belief that being a woman is a pre-existing condition.

Abby Norman’s debut book, ASK ME ABOUT MY UTERUS: A Quest to Make Doctors Believe in Women’s Pain, was published by Bold Type Books (Hachette Book Group) in 2018, with advance praise from Gillian Anderson, Lindsey Fitzharris, Jenny Lawson, and Padma Lakshmi.

The book was praised by The New York Times Book Review, The Wall Street Journal, New York Magazine, The Washington Post, The Sunday Times, The Irish Times, Literary Review, The Times Literary Supplement, The New Republic, Book Riot, Toronto Star, ELLE, Health Magazine, Undark Magazine, BUST Magazine, Bitch Magazine, Ms. Magazine, BBC Radio 5, and other international media outlets.

In 2019, the paperback edition was published in the U.S. and the Korean translation in Seoul (Momento Publishing/Duran Kim Agency).

Her work has been featured in Harper’s, Medium, The Independent, Literary Hub, The Rumpus, Mental Floss, Atlas Obscura, and elsewhere. Interviews and profiles have been seen and heard, including NPR/WNYC, BBC, Anchor.fm, The New York Times, Playboy, Forbes, Glamour, Women’s Health, and Bitch Magazine.

Abby Norman suffers from endometriosis, which was a large part of why she wrote her book, and why she advocates so hard for fellow patients at conferences such as Stanford University’s Stanford Medicine X and the Endometriosis Foundation of America’s medical conference and Patient Day. She is

Abby has served on technical expert panels including the National Partnership for Women and Families’ CORE Network (Yale University), the American Congress of Obstetricians and Gynecologists (ACOG), the Centres for Medicare and Medicaid, The Society for Women’s Health Research (SWHR), and Health Affairs.

In 2019, Abby contributed to a paper addressing research gaps and unmet needs in endometriosis published in the American Journal of Obstetrics and Gynecology.

This book is definitely one I will be adding to my to be read list, as someone who (unfortunately) also has a uterus, it is important to be informed. And Abby sounds like such a badass who wrote a whole book about her chronic illness to help others with the same condition.

17. Stim: Autistic Anthology by Lizzie Huxley-Jones

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Around one in one hundred people in the UK are autistic, yet there remains a fundamental misunderstanding of what autism is. It is rare that autistic people get to share their own experiences, show how creative and talented and passionate they are, how different they are from media stereotypes. This insightful and eye-opening collection of essays, fiction and visual art showcases the immense talents of some of the UK's most exciting writers and artists - who just happen to be on the spectrum. Here they reclaim the power to speak for themselves and redefine what it means to be autistic. Stim invites the reader into the lives, experiences, minds of the eighteen contributors, and asks them to recognise the hurdles of being autistic in a non-autistic world and to uncover the empathy and understanding necessary to continue to champion brilliant yet unheard voices.

Lizzie (Hux) Huxley-Jones is an autistic author and editor based in London. They are the editor of Stim, an anthology of autistic authors and artists, which was published by Unbound in April 2020 to coincide with World Autism Awareness Week. They are also the author of the children’s biography Sir David Attenborough: A Life Story. They can be found editing at independent micropublisher 3 of Cups Press, and they also advise writers as a freelance sensitivity reader and consultant. In their past career lives, they have been a research diver, a children’s bookseller and digital communications specialist.

I wasn’t even aware that there was an anthology out there by an autistic author, about autism, but now that I do I need to read it.

18. Chimera by Jaecyn Bonê

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Creatures unlike you've imagined before! Welcome to a world where myths and legends collide to create a new breed of monster. Savage and soulful, these monstrosities combine to form the mighty Chimera. In this anthology, talented writers weave 10 tales of fantastical beasts. Featuring stories by: Matt Bliss Jaecyn Boné Alexis L. Carroll Chris Durston Dewi Hargreaves Stephen Howard Samuel Logan Vincent Metzo Braden Rohl Michelle Tang

Jaecyn is a queer, non-binary, disabled Asian-American writer and digital artist fascinated by faeries.

Most of their writing involves wlw romance and faery-inspired creatures. Their first novel, Farzana's Spite is a 10-year-old work in progress and the first novel in The Faerth series. Other works include The Killing Song (novel) and Colour Unknown (short), both of which are also part of the Faerth universe.

Jaecyn's art can be described as a neorealistic pop art style with cel shading. They began their digital art journey with a 5-year-old refurbished iPad using their finger as a stylus and immediately fell in love. They do digital download commissions as well as sell prints of their artwork.

Jaecyn is the Co-Editor in Chief of the Limeoncello Magazine, an online Own Voices literary magazine which debuted its first issue on March 21st, 2021.

When not writing, drawing, or chasing after their two children, they can be found either gardening or practicing their ukulele.

None of Jaecyn Boné’s books are published yet as they are still in the stage of querying, but they contributed to the above anthology, along with nine other authors. I had no idea that this anthology existed, and now I’ll be closely following this author to see when their books get published!

19. Forest of Souls by Lori M Lee

Sirscha Ashwyn comes from nothing, but she’s intent on becoming something. After years of training to become the queen’s next royal spy, her plans are derailed when shamans attack 📷and kill her best friend Saengo. And then Sirscha, somehow, restores Saengo to life. Unveiled as the first soul guide in living memory, Sirscha is summoned to the domain of the Spider King. For centuries, he has used his influence over the Dead Wood—an ancient forest possessed by souls—to enforce peace between the kingdoms. Now, with the trees growing wild and untamed, only a soul guide can restrain them. As war looms, Sirscha must master her newly awakened abilities before the trees shatter the brittle peace, or worse, claim Saengo, the friend she would die for.

Lori M. Lee is the author of speculative novels and short stories. Her books include PAHUA AND THE SOUL STEALER (Disney/Rick Riordan Presents), FOREST OF SOULS and the sequel BROKEN WEB (Page Street), and more. She’s also a contributor to the anthologies A THOUSAND BEGINNINGS AND ENDINGS and COLOR OUTSIDE THE LINES. She considers herself a unicorn fan, enjoys marathoning TV shows, and loves to write about magic, manipulation, and family.

Lori struggles with anxiety, and the common symptoms like fatigue but she doesn’t let this stop her writing amazing books. I read Forest of Souls earlier this year, and it was seriously one of the best books I’ve ever read. I loved the magic, the characters, the world building. Everything about it, including the plot twist ending that had me losing my mind at 2am, was just so unlike anything I had read in any other fantasy before.

20. A Song of Wraiths and Ruin by Roseanne A Brown

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For Malik, the Solstasia festival is a chance to escape his war-stricken home and start a new life with his sisters in the prosperous desert city of Ziran. But when a vengeful spirit abducts Malik’s younger sister, Nadia, as payment into the city, Malik strikes a fatal deal—kill Karina, Crown Princess of Ziran, for Nadia’s freedom. But Karina has deadly aspirations of her own. Her mother, the Sultana, has been assassinated; her court threatens mutiny; and Solstasia looms like a knife over her neck. Grief-stricken, Karina decides to resurrect her mother through ancient magic . . . requiring the beating heart of a king. And she knows just how to obtain one: by offering her hand in marriage to the victor of the Solstasia competition. When Malik rigs his way into the contest, they are set on a course to destroy each other. But as attraction flares between them and ancient evils stir, will they be able to see their tasks to the death?

Roseanne “Rosie” A. Brown was born in Kumasi, Ghana and immigrated to the wild jungles of central Maryland as a child. Writing was her first love, and she knew from a young age that she wanted to use the power of writing—creative and otherwise—to connect the different cultures she called home. She graduated from the University of Maryland with a Bachelor’s in Journalism and was also a teaching assistant for the school’s Jiménez-Porter Writers’ House program. Her journalistic work has been featured by Voice of America among other outlets.

On the publishing side of things, she has worked as an editorial intern at Entangled Publishing. Rosie was a 2017 Pitch Wars mentee and 2018 Pitch Wars mentor. Rosie currently lives outside Washington D.C., where in her free time she can usually be found wandering the woods, making memes, or thinking about Star Wars.

Roseanne is another author that struggles with anxiety and wrote one of her two main characters with generalised anxiety disorder (GAD), despite it being a fantasy. I don’t even think I can name a fantasy that had a character with anxiety represented so well. This was a book I read around the same time as Forest of Souls, and I loved it. The cover was beautiful, the characters were brilliant, and I just loved the world building, the magic, and the plot. It was just different to the usual fantasy books I read, and I enjoyed the variation so much I’ve had the sequel pre ordered almost a year in advance.

So, this was my 20 books by 20 chronically ill, disabled or neurodiverse authors list. Blurbs and synopsis were compiled between Goodreads and author websites, and bios were found either on Goodreads, author websites or on amazon author pages. All the information about their chronic illnesses, disabilities or neurodivergence was found online, where they had either explicitly said it or written about it, but if I have something wrong, please let me know so I can fix it!

If you have any other suggestions or know any other books and authors that should be on this list, please let me know and I’ll do my best to add it to the list as soon as possible.

Thanks for reading 😊

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