#This chibi proportion is really difficult!!!

[asaka-lucy-dr-rc]

Recently, I am happy to see that some people had liked many of my posts in the past for about three days in a row. (I love to see that people have even gone back and taken a look at some of my past posts! XD) Then I remembered to check and found out that this blog has more than 100 followers 😳 Thank you very much to everyone who followed me! I feel honored that so many people are interested in my blog 💖

[cozylittleartblog]

lil columbo sticker design i made for my etsy :) i'm not sure what the market is for columbo merch but if the demand is high enough i'd like to make an enamel pin in the future!

[skitskatdacat63]

Why do I say things like this. Like what was the need. Why do I feel the need to jinx myself. What was the reason.

[decepti-thots]

I would like to hear about which characters would use which kind of fountain pen 👀

okay, so with the caveat that all of this is coming from me researching pens in my quest to become slightly a 'pen person' and not like. being one. (but also from the perspective of watching my friend talk extremely in-depth about this for many years, and cribbing from her, in my defense.)

here are some random character-pen matchups and headcanons bc why not!!

first off. minimus, obviously.

there's a few things i think about this: he's fundamentally conservative in his tastes i think (no wild experimental designs), someone who would not want to spend an Excessive amount of money but also someone who would definitely have a higher-end one quality wise, and he'd have really nitpicky taste about shit like quality control. with this in mind, the guides i read that were offering opinions on higher-end 'beginner pens' consistently brought up the Pilot Custom 74, which is like, the platonic ideal of just a functional good quality Fountain Pen TM:

look at it. that sure is a ~£190 fountain pen! it's classic, functional, a solid 'name', expensive enough i feel like a person who grew up well off would be like 'oh this is my everyday pen' and i would be sort of like 'the fuck that costs half my rent'. lmao. but not like, someone splashing out a thousand quid or more expensive, yknow. he's probably had this same pen for like. the equivalent of twenty years or more. i'm sure he has more than one but this is his 'workhorse'.

here's another one i immediately am like 'oh i know what to pick' about. this one less in terms of specifically 'this character would use it' and more like 'this character reminds me of this pen'. it's rewind! and the pen is a Tombow Zoom 828fp because. well. look at this.

MINI PEN. CHIBI LITTLE FOUNTAIN PEN. there's apparently a chinese pen that is a lot cheaper you can get of this little chonker's basic design, and i'm very, very seriously tempted to get one and call it 'rewind'. lmao. short and charmingly proportioned! i don't think rewind probably actually uses a pen but maybe this was one of those spousal in-joke gifts pre-war or something like 'haha this reminded me of you'/'are you calling me short' or whatever idfk. the point is. TINY PEN.

nautica got riptide a Jinhao 993 to cheer him up when they started doing lessons in that one issue towards the end of MTMTE/pre-DotL and he's finding it difficult maybe. "why would a fountain pen cheer him up-" THIS IS WHY LOOK AT THESE

my pen friend got the pink one of these for a fiver or something, bc i pointed out it was a pink shark and therefore a Nimona pen. haha. anyway. that's why riptide has a fountain pen.

rodimus is having a mid life crisis, and also magnus will probably think he is Mature and Good At Work if he shows up with a fountain pen, he figures one time, so he wheedles money off drift and buys this monstrosity, which to be clear costs EIGHT THOUSAND EUROS and is supposed to look like a cool racecar themed... thing. montegrappa is so fucking overpriced and tacky and they're invariably hilarious to me whenever they release some godawful tie-in thing.

now prowl. prowl doesn't have a fountain pen because prowl is the sort of person who insists on constantly having fucking. Gadgets TM. you know. the man thinks a smart fridge is a necessity, for some fucking reason. if it's electronic it's Better. however, LAMY, i found out, in addition to its wide range of pens, also makes like... high-end digital pens? you know, in the style of their most well known fountain pen design (LAMY safari) but like. a stylus. buying a brand-name pen manufacturer's stylus bc you want to have a fountain pen but also refuse to do anything not on a tablet or something is. 100% prowl to me.

and i think that drift would have a LAMY 2000. look at this thing. it's somehow so slick and modern looking in a way most fountain pens aren't without feeling weird or like it isn't one. it's also a really well regarded pen across the board and so many people swear by this thing. (my friend does indeed have this one!) he's got it because he (canonically) journals, obviously, he is whipping this bad boy out after meditation to Chronicle His Emotional State (usually um. bad. moving along.) it's one of the nice things he bought himself after he somehow acquired all that money (stole it on his way out from the decepticons).

sidenote: megatron doesn't use a fountain pen, despite being a canonical writer. his handwriting is fucking atrocious and he would break one pressing too hard if he tried. he privately thinks they're sort of pointless, but lets minimus endlessly explain nib types for the sake of indulging someone he likes and who clearly is used to being told to shut up.

[karereiko]

William James Moriarty felted figure this time (In his teacher chapter outfit more or less because I wanted more colors and details).

My first character stand up human figure and as I edited photos I did realize William is my first no-game but manga/anime figure. He’s about 30 cm high.

I’ve fall deep into Moriarty the Patriot story. My last two posts here were start of it and this one is follow up. Of course I’m planning to do another Moriarty characters next. Sherlock is next in line and I have head for him prepared already (thought I need to make another one first before I start to add details to current one, in order to keep heads the same size). I’ve spend some time yesterday on checking manga and anime and thinking what pose I want to do for Sherly. When I finish our Great Detective then for sure I wanna do Albert next. But I messed up while buying more wool for felting that I didn’t notice I have so little of brown for his hair (a lot of my brown wool went into William). And after Albert I will go with Louis because I want brothers to be together.

This William will be now kinda my pattern for next ones, it took me a moment to figure out what proportions I want for legs and hands for those standing up figures, so maybe Sherlock will let me felt him faster? Nah, empty dreams of mine, I bet his messy hair will gave me headache to figure out into 3d.

And as for William and now next stand up figures I went for old-Disney like 4 fingers hands because 5 finger ones sounds too difficult still for me. Well since I started with characters chibi figures that didn’t have hands, I call this a progress XD. And those William hands were still kinds hard to felt. I don’t think I stab myself with needle doing making Melia, with William was like this too until I got to second hand and stab myself like four times while doing it.

Depending how fast Sherly will come out and If I will need break from character felting I might do something small between him and Albert.

As for other things. I returned lately into making AMVs and I was going to make another one, I have like whole playlist of songs that fits Moriarty the Patriot and I see good amvs to them, but I hit a problem. I wanna mix manga with anime in those amvs like I did with Albert’s amv. But I know what kind of stories we might get in Remains manga and now, for William amv it would be great to include “the girl who sees rainbows”, because there was a lot cool William there and there is chance manga will show it nicely too if that chapter will make it, but I think it will. And this chapter plus “forbidden games” might give more material for another amv, this time with sherliam theme and I want really do at least one or two amvs with whole Moriarty group and knowing Novels “the conspiratorial bullet” might give some nice pannels with Louis, Albert, Bond, Fred and Jack, “Eternal Children” chapter too. So with knowing what might come in manga now I’m stuck, because update later amv is not the option for me. I feel like for 100% we won’t get any more anime (I’m very annoyed at Baskerville not being animated because of many reasons), and I wanna show MTP in my amvs as whole story, mostly what was skipped from manga. So for now I’m waiting what chapters we might get, I’m editing in my free time panels from volumes 1-19 I might use in those amvs. So soon or later next amv will come, I just don’t know how soon. I might go with one amv anime-only, I have some songs for that theme but none of them is like 100% “that’s it!” feeling like I had with Albert’s amv.

[fourseasonsfigs]

Xu Si is Rising with the Wind (Hand crafted)

I was really hoping by the time I started posting Xu Si figs that I would have made some progress in watching Rising with the Wind, but I have had exactly zero time lately to watch TV. It is definitely next up though! If you love Gong Jun in suits (and I do), it definitely seems like a show to watch.

So far I've just been getting my Xu Si in suits fix from Tumblr posts across my feed, and I've been thoroughly enjoying it.

This fig was inspired by Gong Jun's November 17, 2023 photo he posted on Weibo from a promotional event for Rising with the Wind:

Love the long blue overcoat! He looks so good.

My favorite ultra-light clay artist also loves Gong Jun in suits, so she designed this little guy to celebrate his show. I snapped it right up off her storefront, and in no time at all he was heading his way to me.

She always packages her figures very carefully. The ultralight clay is remarkably tough, but she avoids crushing damage but putting her figs in well-padded plastic boxes.

And here he is! Looking downright dapper, if you ask me.

The pose on this fig is fantastic. It's so casually elegant and confident.

His hair looks fantastic here. What a fabulous swoop! Please also note the watch detail! I love it.

Hmm, my camera seems to have focused on the base here and not the fig. Well, his hair still looks magnificent, even from this angle.

We don't get a back view of Gong Jun in that one photo, but fig makers scour all available pics from all different angles to get every detail right!

His little feet are so cute.

I like the details of the break in the trousers here.

She did a great job of the proportions of the suit - the right length on the overcoat and the suit underneath. Keeps the chibi proportions while still looking quite elegant.

It's always a little difficult to get bottoms-up angles when there's stands, but thank goodness there IS a stand. I really like how she always builds the fig into a stand.

I have a few extreme closeups for you - a good one here of the painting of his face, and of course the watch detail.

A good front view of the suit and tie - the tiny details here are so well done. She has a very steady hand!

More of that magnificent sweep of gorgeous black hair.

I'm so glad she was inspired by this show to make this fig. I definitely need to watch it.

Material: Ultra-light clay

Fig Count: 511

Scene Count: 35

Rating:

[link to the Master Post Index]

[kenkamishiro]

20210218 Jack Jeanne Creator Interview with Famitsu - Interview #1 with Ishida Sui

The Jack Jeanne staff (Ishida Sui, Towada Shin, Kosemura Akira, Seishiro) were interviewed by Famitsu, a Japanese gaming magazine for Jack Jeanne’s release. Someone was kind enough to let me read it, so I’ll be translating the 4 interviews. The interview with Ishida I’ll do a full TL, and the other three I may do more of a summary since I’ve been busy lately.

Ishida Sui

Creator / Character Designer / Script Supervisor

Mangaka. From Fukuoka Prefecture. Creator of “Tokyo Ghoul” and “Tokyo Ghoul:re.” 2021 marks his 10th anniversary in the art industry.

Characters that were created based on the idea of “personifying plays”

Please share with us how you honestly felt when you received the commission request for this work.

That it seemed kind of questionable but interesting nonetheless. “If others can do it, I can too,” I thought.

How did fans react after Jack Jeanne was announced?

I still get letters from the readers of Tokyo Ghoul to this day, but some of them would bring up Jack Jeanne, or mention that they like a character and are interested in them even before the game’s release, so it makes me happy seeing that reception.

Please share with us your thoughts about being in charge of the character design.

It was a good learning experience because it was something I’d never done while working on my manga, trying to finalize the 6-member cast of the protagonist and the main characters, and then completely focusing on them as an elite squad. I tend to make too many characters, so...

When coming up with a character, how do you develop their image?

Previously, I decided it based on the character’s name and face. But with Jack Jeanne, it was a trial-and-error process. At first, I envisioned each character as a personification of a play - for example, Fumi was modelled off of “Salome”, Yonaga off of “Shintokumaru”, Shirota from one of Yamamoto Shūgorō’s works... I dropped the idea after that...and that’s how they were developed. They were created in a peculiar way this time.

Which character did you have the easiest time drawing, and on the flipside, which character did you find yourself struggling to draw?

Kai was the very first character I created, followed by Fumi. Those two I was able to draw relatively quickly. I wouldn’t really call this a struggle, but Suzu, the one with the red hair, wasn’t part of the main cast of six at first. Ootori, the blond character with the prickly personality, was actually part of the main cast at first, but since I wanted a simple-minded character, Suzu ended up being promoted.

I’m sure you consider every character your favourite, but if you had to pick only one character, who would it be?

Probably the main character Kisa. She embodies everything I think of in a shoujo manga protagonist, and I’m very fond of her. But I really do love all the characters. They each have their own appeal, so I can’t settle on just one.

Was there anything you had to constantly keep in mind when designing the characters for Jack Jeanne?

Broccoli specially requested that I give every character a strong colour palette. It’s because if I’m left to my vices, I end up using only subdued tones...I also constantly kept in my mind that I was making them look good-looking as boys.

You were also responsible for the event illustrations in the game. Could you give more details about them, and any difficulties that you faced?

For the event illustrations, I had to be aware of what scene would best match the script. Towada-san also specified where the illustrations should be inserted, but if there was a better scene before or after it, I gave priority to it instead. The hardest part...was drawing them all by myself. There ended up being more than 160 illustrations.

I heard it was you who requested Touyama Maki to design the chibi characters. Please share with us the appeal of the chibi characters drawn by Touyama-san, as well as your thoughts when you saw the chibi characters in the game.

Touyama-san’s appeal...is that their art is great! The deformed characters are perfectly balanced and outstandingly stable. I’m also a fan of their art and I like their life-proportion-size characters. It’s really cute seeing them move their tiny limbs around on the game screen.

Despite his humble abilities as an amateur lyricist, he oversaw every song with a burning passion that was second to none.

You supervised the game and the script, but what was the most memorable part of working on this game for you?

For starters, I vividly recall talking with Towada-san all the time. It was common for us to spend 10 hours a day talking to one another, several times a week.

How did production handled between the two of you for the script proceed?

I come up with the general outline. I’d talk about the overall flow and the key developments during the meetings, and Towada-san would take that and organize it, adding descriptions and colour to the details. It would have been impossible to create Jack Jeanne without her.

You wrote the lyrics to all the songs, including the opening song “Jack & Jeanne Of Quartz.” Please share with us how you came to be in charge of the lyrics.

Originally, there were several candidates, and there was even one person that I thought, “This person might be the one.” But I realized that it would take an enormous amount of time to share the understanding of my work to them, so I decided to give it a try, thinking that even an amateur would be the best for the job as long as they were passionate.

How did you come up with the lyrics?

I’m embarrassed to say this since I’m a complete amateur, but I tried my best to associate it with the feelings and information related to the subject, and whether it sounded good when sung...at any rate, I did my absolute best.

Are there any verses in the lyrics that you’d like people to pay special attention to, or any phrases that you really liked?

Avu-chan from Ziyoou-vachi (a 4-member rock band) is a friend of mine, but when I met up with her, I had her look at the lyrics, and the part she liked I also ended up liking. It’s the phrase “charcoal night grey” in the opening song. I also like the last two lines of the ending song because they represent the entirety of the game.

What was the most memorable interaction you had with the composer Kosemura-san?

He was professional in that every time, he exceed my expectations in what I wanted conveyed. We also spent about a week together (?) during the recording boot camp for the demo songs, and the time I spent sitting next to him and listening to the same songs was surreal. I couldn’t believe the person sitting next to me wrote the songs that I listened to as a student.

I want readers to like Kisa. A cover illustration filled with strong emotions.

On October 9, 2020 on Twitter, you tweeted, “Makin’ games is hard.” What was it you found difficult?

I was given a lot of decision-making authority as a producer, but since I’m a company outsider, I had a hard time making decisions without seeing the actual situation or making choices in areas where I had no insight. It was a tweet vexed from my inability to understand due to lack of experience. I wish I had more power...

What do you want people to pay attention to when they play the demo version?

I’d like people to pay attention to the fact that the art and script were created by very few people (almost two people), much like an indie game. Something like, “Ishida really drew all these characters!” or “Towada-san really wrote all the script!”...there is more to come in the full version.

You drew the cover illustration for this issue of the magazine, but I’d like to hear more details regarding this.

I drew it while reflecting on how lucky I was, like, “I’m really drawing for the magazine I’ve read since I was a kid...!?” I drew both male and female forms for Kisa, in the hopes that people would come to love the main character.

Please leave a message to your fans and readers who are eagerly awaiting the release of this game.

I made it so that players of all ages and genders can enjoy the game. There is a lot more in store besides just the illustrations. I hope you will play it!

[bellybiologist]

On Depicting "Aged Up Characters"

Just some rambling and ranting about something im coming across with work regarding character depiction.

First and foremost, most of my long-time followers probably already know that when it comes to fictional characters, i do not care about needing to age up characters to enjoy them and whatnot, cuz fictional. But also, i 100% understand why people age them up to properly enjoy them.

That said, i need people to at least kinda explain to me what they need to see to consider a character aged up.

This is mostly for patreon work and commissions, cuz this pops up really often???

I don't subscribe to "traditional traits" of what makes a person appear "aged up." Stylistic choices aside, i generally try to make a character look as much like how they are canonically as possible with more realistic proportions, barring me changing traits to something i personally find more attractive (see me making literally every character i like chumby with a tumby). My drawing actually being seen as "oh hey, its THAT character" asap (preferably, on sight) is very important to me.

Real people don't always have the (mis)fortune to get all the traits that people need in order to appear like an "adult" to everyone.

Not everyone gets taller after that last growth spurt they got at 15.

Not everyone gets facial hair, or hell, they decide to stay clean shaven regardless of the level of hairy they achieve.

Not everyone gets broad superman shoulders or huge tits

Not everyone gets a Dorito-faced bad touch senpai chin. (this one drives me up the wall because round face shapes are CUTE and not everyone gets chiseled cheekbones or jawbones at 18, god dammit.)

A lot of these traits are only seen as "adult traits" mostly cuz hollywood really fucked us because they depicted a LOT of teenagers in media using adult actors that are deemed conventionally attractive. So most people's perceptions of what looks like an adult is pretty warped.

IMO, subscribing to traditional traits of being an adult, or simply appearing older, limits what you can do when designing a character, and also comes with othering people who dont get those traits in reality. I, myself, for example, am pretty short compared to most amab people of the race on my mom's side (which is black). And when i shave, people tended to think i was like, 16, even in my mid-20s because my filipino genes kept my face relatively roundish too. (Which is to my advantage being a trans woman, but thats not my point.). Most traits that are taped onto a charatcer to "age them up" dont apply to me when i became an adult. Then this becomes more difficult when you add in stylistic choices in art (see: chibi art)

So where i stand, i dont care for traditional adult traits because most of them are dumb anyway. But, im more than amenable to depicting them for work and art if asked!

When people ask, i follow up to ask them to clarify how they'd want them to appear "older" or "aged up" or "adult" and one of two things happen:

they never explain what would they want to see and magically expect me to read their mind or something

They literally don't know what they're looking for.

Which is problematic to me because, some people dont change at all as they get older. Genetics just be like that; Some of us grow into our final proportions once we hit 15, and das it.

So my choices in this situation are to either take a wild guess at what they want, or just do nothing and leave them the same (the latter often being suitable enough to most situations since my style is semi-realistic enough in terms of proportions, which leads me to think its less them wanting them aged up, and more to cover their own ass in case of implications). I don't like defaulting to "the traditional traits" to make them appear like an adult cuz it may end up not looking like that character after a point. Some of those traits dont even apply when you make them chubby or they gain weight or won't even be noticeable unless you put in something else as a frame of reference. ie. being fat diminishes the chiseled cheeks/chin that a lot of older male characters are depicted with, so to some who follow this rubric, chubby faces make people look younger.

But it also infuriates me because it goes to show that people are often just saying these things in order to adhere to demands of the political climate. Which, of course, is totally valid when you want to avoid Discourse™, but less so when you're not thinking about it critically and go around assuming that everyone reacts to and copes with the concept the same.

Also... it dumps all the brainwork on ME. >:T

I know i'm a badass artist and whatnot, but guesswork is my least fun thing to do to make sure some cartoon character looks suitably adult enough to enjoy guilt-free by one-person-in-particular

Taller? i can do that. Body hair? sure! Definitely. But you gotta give me something to work with. I can't read minds (yet).

So in the end. When you ask for commissions or make patreon nominations, tell me what you want. xD

[billyboymiki]

5 Works Tag Game

Rules: it’s time to love yourselves! choose your 5 (ish) favorite works you created in the past year (fics, art, edits, etc.) and post or link them below to reflect on the amazing things you brought into the world in 2020. tag as many writers/artists/etc. as you want (fan or original) so we can spread the love and link each other to awesome works!

I got tagged by @tippenfunkaport and @caramelaire for this tag game!!

I’m not one to compliment myself on anything honestly. Recently I remember thinking about how I barely drew anything this year. There was a part of my brain nagging at me to check how much I had drawn last year. So, I uh did. Turns out I drew basically nothing?! I triple checked this in fact. My DeviantART, Tumblr AND my camera roll. Nothing . . . I drew 5 very basic pinback button designs and that was it. I couldn’t believe it; but, it made be feel so much better about what I did this year. Basically my whole instagram is all artwork from this year, since I am actually really new to IG. I got super close to 40 works this year!

Now onto the works! They are in order of when I drew them 😊

Glimmer Inspired Patterns

I wanted to teach myself how to make patterns on Clip Studio so bad! I watched a couple of YT tutorials, and I can’t even remember why I decided to make She-ra ones specifically; I’m glad I did though! The Glimmer one means so much to me. Just looking at makes me so happy! The fact that so many people have now called it ‘aesthetically pleasing’ makes me feel as though I actually created a work that others could relate to. That was enough praise for me; to create something for myself that everyone else loved as well 💖

Glimbow Cuddle

This was my first real She-ra artwork. When I saw there was a Glimbow Week again I knew I had to join this one. I don’t know if anyone knows this; but, drawings take me forever to make. I used to be strictly a traditional artist and still prefer to draw rough drafts on paper. I couldn’t decide if I wanted them on Glimmer’s window seat or in Bow’s dads’ library. I was afraid of doing backgrounds; so, both sounded absolutely terrifying. I decided to go for the fireplace even if it meant fancy lighting on top of the background aspect. I think I actually spent more time on the lighting that’s hitting Bow than on anything else in this picture. It was worth it though. I studied how the show did backgrounds and lighting for a while. I tried so many different attempts at how I wanted it to look and ultimately went with this one! I love it so much 🥺

Bow’s list with doodles

Ah, yes the drawings I did for Tippen’s birthday!! I knew I wanted to draw a scene from ‘Tuna Cans’, but I was worried to try something like this. You see, I’m somebody that likes to stay in a comfort zone and only uploaded fully rendered perfect artworks. This year was the first time that I let the ‘fun’ aspect overrule my perfectionism. I’m so happy that I stepped out of my comfort zone for this, because I love Chibi styles so much. I can’t even explain the absolute joy I had drawing these. I didn’t tell anyone what I was up to, so it was just me laughing at myself for being an absolute goofball. The end result and everyone’s reactions were more than I could have ever expected. I’ve decided I’m going to revive this style soon as well so please look forwards to it!!

Space Suit Squad

Okay, so I cheated a little with this one! I couldn’t just pick ONE of the squad. Honestly though, I drew these with the thought of making them into prints in the back of my mind. I taught myself how to draw a space background and I’m really proud of it! So much in fact that the one in the final pictures is the first and last one I ended up doing! If I had to pick my favorites I think I’d have to pick Glimmer, Bow and then Catra. I LOVE the way I draw Catra I don’t know why? Maybe the eyebrows I’m not sure 🤔 It took me a while to decide on expressions and poses; although, I figured these were the ones because I could look at them and go ‘yep that’s them.’

Winter Glimbow

This one took me soooo long; I actually had to tell myself that I should put my pen down because it was done and I should stop touching it!!! I was sketching pictures in my sketchbook to make more patterns for my Redbubble account, and of course I’m like 100% Glimbow brainrot. My brain went, oooo you know what would be cute? If this skate was actually Bow’s and not just generic. So, I ended up sketching Glimmer’s as well. The heart that their skates make is like the cherry on the top for me, it had to be done! I’m not sure I did the background justice on this one? It doesn’t matter to me though because the concept was worth the effort. It was snowing here and I needed this picture like I needed air, even if it wasn’t even December at the time I posted it 🤣 I liked this one so much that I have similar ideas for the other seasons sketched out as well 👀

I’m sorry that I ramble so often. I’m like this quiet person; yet, it’s hard for me to get out everything I want to say? I’m horrible at it actually my brain runs at a hundred miles a minute and I’m not good with words most of the time. This turned out as more of a thought process than my actual feelings on each one I suppose. SO, in conclusion. I drew A LOT, I stepped out of my comfort zone, taught myself digital art and patterns. I let myself come to terms with the fact that not every piece of art has to be ‘perfect’. I drew at least 5 FULL backgrounds and I never used to draw them! I’ve also always been one for simple shading and lighting, and I do think there’s a time for that type of style, while other times sometimes a more difficult one might be appropriate. I’m glad that I did both because now I know I can do both, and they each give a characteristic that I adore 🥰 Thank you to everyone that has followed me through this journey, or just anyone who read my rambling! I have an honorable mention under the cut and some originals for anyone that made it this far! 💖

I’m not going to tag anyone; but, if you want to do this PLEASE do it. It was so great to reflect on what I did this year, it really surprised me and I think what you have done will surprise you as well! It’s been a rough year, and in the end we have been here supporting each other and that’s one of the most rewarding parts of being in a fandom! 💜

Glimmer screencap redraw

Another picture where I really tested myself on drawing a background! I love it even if it killed my hand!! The background definitely took the longest on this one too. My sister literally said ‘Wait, you did the background? I thought you just drew her?!’ And that was the only validation I needed!! I ended up thinning out Glimmer’s outline so she matched the background better. If you use the vectors on Clip please use this feature! You can do the opposite as well, it’s super useful!

Oh hi! Remember when I said I couldn’t decide between the two locations? Truth is, I also couldn’t decide if I was going to make it traditional or digital. I ended up getting really mad at the traditional version unfortunately. I haven’t gotten the hang of traditional backgrounds. In the end, I should have also done it in Copic and not cheap pencil crayons 😫

Just some space friends! There is something so rewarding about traditional art. Yes, I can see the mistakes and the proportions are most likely off; yet, it doesn’t bother me? I wanted to also show these bonus drawings because nobody is perfect and I thought some of you might like to see some of my process. Being able to hold it in my hands is something I will never tire of, in a way it’s super rewarding. I keep all my art actually and sometimes I like the rough drafts more than the finished work 👀 Outlining artwork can actually ruin the charm every so often 😔 I do really love the final versions of these though!

Annnnnd the last bonus!! As you can tell the final version stayed pretty true to my sketches! I almost went with a more realistic look and made the symbols ‘stitched’ onto the skates. In the end it felt like it didn’t fit the rest of the drawing unless I wanted to add extra details to the clothing as well. The wings on Glimmer’s skates turned into ‘Shwings’ PLEASE tell me other people know what that is? I had a pair a few years ago and misplaced them. I was doing the rough draft and it popped into brain and I treated it as a joke at first, until I gave it a proper chance XD In the end I fell in love with it!!!

[jaybug-jabbers]

Top 3 Generations: Gen 1 - Gen 5 - Gen 7

Top 3 Human Characters in Pokemon: N - Guzma - Cheren

(Warning: this post contains LARGE SPOILERS.)

Soooo. Back in 2010 (holy butts, seven years ago), gen 5 came out with Pokemon Black and White. I fell utterly in love with everything about the game. Without a doubt, I hadn’t enjoyed playing a pokemon game that much since Red and Blue. The number of new pokemon was insane (the most new pokemon introduced in any generation, even gen 1), and the designs for all these new pokemon were fucking fantastic. The UI was sleek as fuck and a sheer joy to use, the sound effects and music were truly lovely, the locations were so different and creative, and imparted a true sense of travel like the games before never did. They really felt like little ecosystems you were stepping into. The lack of old pokemon made it truly feel like an exciting new world, and everywhere you looked, there were awesome new things. We got our first female Pokemon Professor (about time!), who was really cool, and most exciting of all … we had AN ACTUAL honest-to-god decent plot and fleshed-out characters.

That was always a weak point in the pokemon games. Gen 1 gets away with not having fleshed out characters and a very simple plot because it was the first of its kind. It was still a novel concept. And the relatively simple plot was iconic– archtypal. It allowed you to imagine all kinds of things on your adventure, your childhood imagination filling in the gaps. But it’s a reasonable thing to expect future pokemon games to start introducing new, interesting plots. However, that … took a while. For the most part, Pokemon was too afraid to stray from their formula, and so they recycled the same basic plot until it became extremely tiring to hear the same thing over and over again. They stuck with a minimalistic plot with very little variation, and extremely shallow, 2-dimentional characters.

In my opinion, B/W had a far more complex and unique plot. The writing was actually solid (dialogue is usually another weakness in these games, tends to be pretty awful) and the story was truly compelling. It looked at the pokemon universe in a new way, asking questions the games never dared to ask before. And, holy cats, characters with some actual dimensions? You had multiple rivals for once, and they were actually interesting in their own rights. For the first time, I didn’t hate or feel intensely indifferent towards my rival and actually felt like they were people. That’s not to say they were perfect or intensely complex, but for once, they had some degree of interest and appeal to them.

You’ll see one of the characters I listed as my favorite was Cheren, one of your rivals/friends. I related to his nerdy, logical style much more than the scatterbrained Bianca, but I did feel a fondness for both of them. The character I listed as my top favorite, though, was N.

I was intrigued by this guy the moment the player character meets him and his quirky theme music plays. He was a truly fascinating mystery to me, and I looked forward to running into him again and again. Something about this character really caught my imagination on fire. (Heck, to such a degree I even ended up writing a fanfic. I hadn’t written fanfic for anything in years.) They continued to develop his character and I was enchanted– the scene in the carnival where he asks you to join him on the ferris wheel still stands out in my mind so clearly. It was a rush of fascination and fear and curiosity (I recall shouting at my character to not join him on the wheel, ahaha, ‘Are you crazy?!’ yet simultaneously wanting to join him). That’s another thing I forget to mention– he was a truly tough trainer to go up against, so it was a little intimidating, and I recall training hard, worried about the next unpredictable time I’d run into him.

The climax and resolution of the plot didn’t disappoint, either. I definitely think he’s the most interesting character in a main series Pokemon game, and I was happy as buttery butts that there was a sequel to Black and White. I know my intense love of Gen 5 places me in the minority. But I stand by my reasoning.

In my mind, Gen 6 was a step back in a lot of ways from Gen 5. The plot and the writing for the dialogue was total shit again, and I hated your irritating rivals, which I think were supposed to be patterned after the formula of Gen 5 but just fell flat. For a 3-D game, it sure had 2-dimensional characters. I know a lot of people praise gen 6 for its technological advancements, but to me, that’s one of the least important things. Gen 6 tried to recapture the feeling of travelling great distances and entering mini ecosystems, yet I found its city intensely frustrating to navigate (whereas I found Castelia City very intuitive and fun) and it just didn’t have as much charm. There were very few new pokemon introduced, and completing the National Dex with ALL current pokemon to that date was quite the daunting task. The best thing about X/Y’s plot, quite frankly, was its post-game story, done in chapters with the Looker character.

(Note: I never picked up ORAS, so unfortunately cannot give my perspective on that.)

Then came Gen 7. I’d say it’s probably my third favorite generation, at least at the moment. The technology admittedly is nice– damn those graphics are nice. (I realize at this point, the 3DS can barely even handle the graphics; for example they originally had planned on walking pokemon following you like in Heartgold Soulsilver and that’d be SO COOL but the game would not have been able to handle it without hardcore lag) And the character models have normal proportions, (unlike the rather extreme chibi-proportions of Gen 6), which I gotta say looks really nice. The movement is so smooth, and ride pokemon are incredibly enjoyable to use and free up the need for HM slaves/HM move slots, which I think most people agree is a smart modern change. The game is just beautiful to look at, no denyin’.

It’s also a bit of a fresh breath of air, though, when compared to some of the more formulaic gens. The tropical theme was novel, and the Alolan forms gave a fresh new look at some old pokemon. They actually were bold enough to depart from some of their precious formula and try new things, abandoning traditional gyms and experimenting with totem pokemon and ally pokemon. I fully embraced these changes. The writing and plot are also quite decent, as are the characters! And that’s a huge plus. The more organic style of the routes and various points of interest on the islands does sometimes make navigation a little difficult (hard to recall where stuff is), but it suits the theme of the game well. Shiny pokemon were made easier to hunt in this gen, and quite frankly, I’m OK with that. I know hardcore shiny hunters may not agree, but I never ran into a shiny before Gen 7 and had very little interest to hunt them at such crazy odds. In this gen I actually get to enjoy some shiny pokes, though. Was Sun/Moon too easy? Yeah. The difficulty curve was definitely pretty low. But that’s probably my biggest complaint about the games.

You’ll notice in my list above, I have Guzma as my second-favorite human character of all Pokemon games. And how! Incidentally, Team Skull are easily my favorite villian team of all the games. (Plasma would be second.) I legit find myself considering getting a lil Team Skull necklace. Anyway, Guzma is frickin’ great. It’s not JUST because Bug type is my favorite type and he’s a bug boy. Although that’s a pretty nice bonus. <3 I also loved Gladion a lot! I actually liked him a lot more than his sister.

Anyway, this, err, this post has gone on for plenty long enough already tonight, so I’ll wrap things up for now.

This is a repost on a new blog. The original post was on Feb 24, 2017.

[elven-ariaera]

Welcome all!

If you’re reading this, I’m assuming you’re familiar with my work as either an artist, cosplayer, writer or any of the other creative things I do. Recently, I had been asked about some of the work that I do, and I thought a fun way to just that was to fill out a few questionnaires. Here I talk about some of the high and low points of doing what I do, what inspires me, and my process of creativity.

For those who are only interested in certain segments, I’ve broken the article into the following sections for you to easily maneuver your way throughout the piece: Art, cosplay, writing, and questions asked by you.

I know I’m no professional and compared to a lot of others I don’t have as outstanding an amount of followers, but if this article can help inspire at least one artist to try something new or learn something they didn’t know, well, that’s good enough for me! I hope you enjoy!

Art

When did you get into art?

I’ve been drawing as long as I can remember, but I do recall middle school in particular being the time that I really started pursuing art. I had to choose between volleyball and art club after school, and guess which one I picked. It wasn’t just academics either. My notebooks were full of fan art of mostly Link and Zelda, but you could find some Kirby, Pokémon, and Naruto scattered in there as well.

Show us your oldest piece of art you have on hand.

Yeah. It’s… Something.

What defines your artistic style?

I think the faces of the characters I draw distinguish my art. I always have a certain way of drawing the eyes, ears, and other features. I always give my females more prominent eyelashes than males as well. Certain clothing as well — The way I draw capes and hoods are distinct. Not to mention when designing my own clothes, I tend to use similar patterns.

Do you practice other styles/have you tried other styles in the past?

I occasionally dabble outside my comfort zone. I’m not necessarily a huge fan of the “Cal-Arts” style, but I’ve tried it every now and then, especially when creating fan art for shows like Steven Universe, The Amazing World of Gumball, and Amphibia. I don’t really do it too often, but I’ve made a piece for my portfolio mimicking several art styles from a variety of different shows just to demonstrate that I can do it if I’d like to.

What levels of artistic education have you had?

Honestly, just high school. I thought I was going to college for digital illustrations but it turned out communication/graphic design was totally different. I actually got into that because I could draw when not many other people in that field could. Of course, I’m always interested in learning outside of school. I learn through watching other artists on social media, seeing how they create their work. Just watching a speed draw can help so much! The way I learn the most, however, is just by doing. Practice, practice, practice! 

Show us at least one picture you drew or sketched recently that you did not put on a public site.

I’ve been doing a lot of Fire Emblem doodles for my new sticker line, so here’s Setsuna. Honestly, I just like drawing bust portraits like this.

What is your favorite piece that you have done?

I can’t just pick one! I’ve drawn over 900 things since I first joined DeviantArt (and I’ve been drawing even before then), you want me to pick just one? Haha, I’ll narrow it down to three of my favorites (in no particular order):

I love this one because it was like the first cute drawing of Ivysaur I’ve ever done. Ivysaur was always a tricky pokémon for me to draw, but this was the first time I feel like I nailed it. Ivysaur also happens to be one of my absolute favorites, so that’s a plus.

This is Minerva, a Guardian from my fantasy stories. Every time I drew her prior, I could never quite get the look I wanted. This was the one that I really liked and so I colored it and am very happy with how it turned out.

I don’t know why I just love this drawing I did of Dimitri from Three Houses. I think its the eyes and hair. And the color contrast — especially in the original ink sketch (that I hung up over my craft table.) I just love it.

What is your least favorite piece that you have done?

Again, you want just one? Haha, too many failures. I’ll be fair, though, and post three of those as well.

Here’s one from my early days. I was trying so hard to get the hair all detailed like and instead it came out looking like gross looking veins. Not to mention how atrocious the proportions were. Oh man, I’m sorry past me, I know you tried.

Here’s one I was so proud of: I copied the official art for Twilight Princess and thought it came out amazing. So amazing I titled the piece “Awesomeful Link.” Yeah. Um. Nope.

Here’s a more recent one that I’m not too pleased with. I was so excited about the latest batch of Steven Universe episodes (which I would later learn were a big bunch of filler episodes and that didn’t make anything better) I drew Pearl reciting her ‘big line’ of the trailer. I tried to mix styles and I tried something different with the eyes and all in all it just came out… Meh.

What do you like most about your art?

I like the faces that I draw. They’re always the most fun and I think they come out the best. I especially love the eyes, I go into so much detail on them (even though they’re usually so small when I print them.) I’ve had issues in the past where I made all of my characters look like they had the same face, but I feel I’ve been doing a lot better at individualizing the face of each character and that makes it all the more fun as well.

What do you like least about your art?

The hands. Sometimes I draw them well, but I still struggle hard and sometimes it really shows. For chibi drawings, I don’t really care as much, but on my more “serious” art, I get a little bummed when I’ve got a wonky hand hanging off their wrists. Feet also sometimes give me a bit of trouble, but usually only when I do poses that involve more movement, which is why I sometimes make my art stiffer and I don’t like doing that either.

Have you ever considered taking commissions?

I do take commissions. In fact, I’d love to take more if it were possible.

Are you looking to pursue a career in art?

I do it part-time right now. I’m satisfied doing commissions and artist tables at local conventions. I think I’d like to pursue writing more than art, but I do love art just as well, so part-time is perfect for me.

What do you like drawing the most?

As I mentioned before, faces. I love drawing facial expressions, I feel like it’s the very core of a character. It’s the first thing I notice when I look at anyone’s art, so I always go all out on my own. I also like drawing hair and wrinkles in clothing. I used to be really obsessed with wrinkles and it would always look like my characters didn’t iron their laundry, but I’ve definitely toned it down since then, haha.

All in all, I like drawing human characters the best — or humanoid. Elves, fairies, merfolk; I love them the most. I like drawing animals too, but not as much as people. 

What do you like drawing the least?

Once again my answer is hands. They are still as difficult to draw as the day I started.

Backgrounds are also not enjoyable for me to draw. It’s an important part of a piece, but I get so bored drawing anything that’s not a character — which is why you’ll probably notice in a lot of my art that I do a lot of very minimal backgrounds. I’ve been trying very hard not to just take stock photos anymore (with the exception of my Mythical Month art as they’re meant to be stickers,) and I’ve been using games like Skyrim and Breath of the Wild as inspiration with their gorgeous scenery. 

Do you draw more fanart or original art? If fanart, what fandom do you draw the most of?

I post a lot more fan art than original — at least I used to, but I also think I have expanded in sharing my original art more and more with my Mythical Months/Mondays. I guess maybe I’d say about half and half.

What medium/program do you use the most in your art?

Digitally I always use Photoshop. Always. As for traditional art, I’ve been using Copic knock-offs (I’m still learning, so I’d rather not waste the money) and the Sakura Micron pens for my ink sketches. I’ve really been enjoying them, actually, it’s very therapeutic. However, no matter digitally or traditionally, I always, ALWAYS start with a pencil. I like mechanical pencils, I don’t like traditional #2 pencils anymore. The thin lead helps me keep control better.

How would you rank your art? (poor, mediocre, good, etc.)

I always say I think my art is “above average.” I know it’s not bad, but I think it could always use improvement. I don’t know if I’ll ever get to a place where I think my art is phenomenal, but I’m content with it, it makes me happy, and that’s all that matters.

List at least one of your “artspirations.”

My art style was greatly inspired by Naruto, Fire Emblem, and Zelda. I always liked more proper body proportions with that hint of anime inspiration. I like bigger eyes on my characters because they help convey emotion so much better, but I also don’t like the oversized baby eyes outside of the occasional chibi style. Avatar: The Last Airbender was also a great influence since the creators did exactly what I like to do and execute it wonderfully.

What do you think you could stand to improve on?

I feel like I can always improve on everything that I do in my art. There are things I’m good at, but I don’t feel like I’ve mastered anything in particular. Then there’s hands and feet again which I definitely need to work on. Lastly, motion. I want to be able to draw more fluid character motions. I’ve been working on it with my original art that I don’t post online, but hopefully I’ll start incorporating it into all my work.

Do you have a shameful art past? (recolor sprite comics, tracing art, etc.?)

Ugh, yes, YES! I admit I was so bad at first, but I also think that’s just how we learn. I used to do a lot of tracing. I started first just full-on tracing images off my computer — That’s right, I’d put the paper up to the computer and trace it like that. Then I started using bases, which was better because at least I had to draw all the details like hair and clothing by myself. Then I finally worked up the courage to stop using them completely. I’d use references, but I would force myself to figure it out by eye rather than copy it straight from the source. I’m happy to say I haven’t been tracing since my late middle school- early high school years.

Cosplay

How many years have you cosplayed?

My first cosplay was when I was fourteen, and I’m twenty-five at the time of writing this article, so eleven years now. Wow.

How did you get into cosplaying?

I honestly don’t know. I was invited to a convention where I heard people dressed up and was like “hey, I want to try that!” I guess it was because I didn’t really do Halloween as a kid and I was so deathly terrified of costumed characters as a toddler that I never took an interest until high school.

How many cosplays have you done?

That’s funny, you want me to remember how many cosplays I’ve ever done. A lot. According to my photo collection, I’ve done about 60 different cosplays (59 exactly if I’m counting correctly.)

What was your first cosplay and why did you choose it?

My first cosplay was Osaka from Azumanga Daioh in her blue summer uniform. Azumanga Daioh was my second ever manga series and my cousin and I were so obsessed with it. She even went as Yukari with me to the convention (though only, like, two people knew who we were.) Tomo is probably my favorite character, but I related personally more to Osaka, being the air-head that I am. I also didn’t have to really style my hair (because that was an era before I used wigs.)

What is your favorite cosplay you’ve done so far?

It’s a tie between my Trainee Link (Hyrule Warriors) costume and my Royal Guard Link (Zelda: Breath of the Wild) costume. Both are alternative costumes for one of my all-time favorite characters that I hand made all the really detailed pieces all from scratch. Link has always been a special character for me to cosplay, but these two are my favorites.

What is your least favorite you’ve cosplayed?

Rapunzel (Tangled). I was obsessed with her at the time which is why I wanted to cosplay her originally, but my dress was not the best and I didn’t look good as her. At least I think so. It was the only costume that made me feel insecure.

What cosplay is the most uncomfortable or troublesome?

Okay, I love this costume and character to pieces, but my gosh the struggles I go through for Pearl (Steven Universe). Blue Diamond (Steven Universe) is the worst in terms of how long it takes me to put my makeup on, but Pearl is right behind her at about 2 hours being my best time. However, the thing that makes Pearl more troublesome to wear is one thing and one thing alone: armsocks.

They look great and prevent you from having to dab makeup all over your body, but I literally couldn’t even hit the home button on my cellphone and it’s not like I could just take them off like gloves. They’re attached at your middle and putting them on is a hassle on its own. Getting your fingers into each tiny socket is so time-consuming. Now imagine this while also being coated in body paint. Plus, having white be the color of the stockings, you have to be conscious of everything you touch because it will stain and show. Because of all this, I refuse to use the restroom dressed as Pearl, and while that is “in character,” it is not healthy and totally NOT recommended you do that.

What is your most comfortable cosplay?

During the winter, Ravio (Zelda: A Link Between Worlds) for sure. It’s like wearing a giant snuggie. However, in summer, it does get hot very quickly (which is why I literally only wear biker shorts and a tank underneath if I ever do take it out on a hot day), so I only wear it in summer if I know there will be AC. Heatstroke is a real thing. Miss Frizzle (Magic School Bus) is probably the best all-year cosplay in terms of comfort. It’s just a dress, stockings, and a wig really.

But in all honesty, most of my cosplays are relatively comfortable. There’s really nothing that I’ve been so uncomfortable that it’s made my physically ill or scarred me physically. My health is important to me, and should safety should always come first.

How do you research the cosplay before you make it?

I look up lots of reference images. I need an image of the front and back, though if it’s not available, I just improvise based on the images I do have on hand. After that, I kind of just wing it.

Do you sew your cosplays yourself?

A good majority of them, yes. There are a few exceptions to this, though: My Disney princesses are all bought since I use them in performances and want them to be durable if children come and tug on the outfit. Pearl, also being a performance cosplay, I did buy as well. For her second reformation outfit (the sleeveless with the ribbon) I got specially commissioned to look and fit me just right whereas her movie/future appearance (jacket and mom-jeans) I literally found at a thrift store. I also love to find costume pieces at thrift stores. Whether I use them as is or make alterations, they make life so much easier when you make a good find for a cheap price. Leni Loud (Loud House) is probably my favorite thrift/sew hybrid. I found a base dress, altered the top and added strap sleeves, put lace around the edges, found a blingy pair of sunglasses, bought earrings and painted them, and made bows for sandals I already had. The most expensive part of that cosplay was the wig I bought from Arda (and it’s always worth it to buy from them in my opinion.)

When I make a costume completely from scratch (like Ravio, Thranduil, any of my Link cosplays) are when I really love the costume and character and want to take on a challenge and bring it to life myself. They also tend to have pieces that can’t be altered from your everyday clothing, but that just makes me work harder and learn more!

How did you learn to sew?

My grandmother taught me how. Osaka was my first cosplay, but my mom altered it from a tee shirt we found at a thrift store and a lucky skirt find. Kabuto Yakushi (Naruto) was the first cosplay I made from scratch (and I won best novice at the convention I wore it to — even with my terrible wig, haha.) She showed me how to use patterns when we made that and my Ayame Sohma cosplay, but after that, I scrapped using patterns and I basically just eyeball everything now. It’s totally not recommended, but I’m a little weirdo and just prefer to do things the way I do. Still, I wouldn’t be able to use a sewing machine if it weren’t for her. Thanks, Nanny!

Do you make your own props?

Most of them. I don’t really use props too often as I find them cumbersome to lug around a convention (which is how I thought of the Fire Emblem, Gravity Falls, and Skyrim book boxes to store your stuff and add some extra flair to a costume.) The few props I have made include Link’s sword, his trainee shield, his original shield from Zelda 1, and Soren’s Wind Tome (which I used for Laurent (Fire Emblem: Awakening) because I didn’t finish Soren (Fire Emblem: Path of Radiance) yet…) Then there’s my prized cosplay prop; Victreebel for James (Pokémon). That was all thanks to my fleece hat business in high school that taught me the skills to build that thing.

I actually think the only prop I store-bought was my Hylian Shield because it was so lightweight and easy to carry, plus I was dreading doing all those details at the time. Maybe one day I’ll make it from scratch, but for now, I’m content with my store-bought.

Do you style your own wigs?

Yes. I have been improving my styling skills a lot more since I first started. It was always a more difficult task for me, but I’ve been practicing more and more. The first one that I attempted on my own was my short-haired Rapunzel. That was basically just giving it a haircut, though. My first real styling challenge was Breath of the Wild Link. It took a long time, but I actually had fun figuring out his hair.

For most of my costumes, it’s really just the bangs that need that extra pop, to which I use Got2B gel and spray. Does the trick every time and keeps everything in place. For those who are wondering, though: No, I did not style Pearl’s wig. I am not ready for that kind of gravity-defying styling. That was all E-Bay.

What skill has been most useful for making your cosplay?

Well, sewing mostly, but other skills that have come in handy for me personally have been painting, crafting, makeup, styling, and overall decorating. Probably other stuff too, just nothing more I can think of off the top of my head.

What is the hardest thing when making a cosplay?

Probably figuring out how things connect. This is the main reason I’m timid when it comes to armor. I’ve been getting better, but I’m still having trouble figuring out how everything attaches and how to put on these kinds of costumes, which is why my Skyrim Elven Armor has been put on hold.

What was the biggest screw up you’ve had making a cosplay?

I’m not sure if I had any major crisis’ when it comes to making cosplays, but I’ve certainly had my fair share of irritating mishaps and mistakes. I can’t tell you how many times I’ve accidentally sewn the sleeves on a costume inside out about 4 times before I finally got it right.

I’ve cut holes in my clothing, I’ve sewn sleeves on too tight, and I’ve even completed a hat that took hours just for it to wind up being too small when I put a wig on. I guess most of the major issues I’ve had with sewing are measurement issues, so my advice to you is to always measure and try on your costume as you go. Don’t wait until the day of the con to try out your new cosplay.

How often do you injure yourself while making a cosplay?

Not too often, I occasionally prick my finger with my sewing needles, but I haven’t had too many serious injuries. I think the worst was when I slashed my thumb with the exacto-knife when making my first shield for Link. Needless to say, there was a lot of blood.

Do you try to stay cheap or do you splurge on materials?

I am a frugal soul; if I can save, I will. That’s why I thrift so much. However, on a costume I’m really passionate about, I will spend more to ensure the quality. For example, I spent a little more going to a more shimmery material for Royal Guard Link. It cost about $50 for the blue and red material, which to me, is a lot (and that was with coupons). However, the results were 100% worth it. PS, Michaels and Joann’s ALWAYS have coupons. I totally recommend downloading both apps.

I also stand by that with wigs and contacts. I love Arda, their quality is great, but they are more expensive than Amazon. Contacts I don’t mind spending more for as well since the quality is VERY important in this case; they are going on your eyes, after all.

However, as I said, I am absolutely not opposed to going cheap. If you can make it work, make it work. My Nyo!Austria (Hetalia) cosplay came out very cute and it was literally made from bedsheets. From using mostly thrifted and recycled materials, a lot of my cosplays came to around an overall price of around $30. Some of these costumes include Mega Gardevoir (Pokemon), Tomoyo Sakagami (Clannad), Spyro (Spyro the Dragon), and Luan Loud (Loud House.)

Cosplay can be totally affordable, you just have to be creative and think a little outside the box sometimes to make it work.

Have you ever cosplayed with a partner or group?

Yes, a few times. I’d love to do more group cosplays, but we all have to think of something we all like. Luckily, two of my very good friends decided they would dress up as Steven Universe and Amethyst to go with my Pearl this year for Comic-Con and it was such a great experience! I’m trying to convince them to do others as well, such as The Loud House and The Magic School Bus with me as well, haha.

Do you try to act in character?

Always: but I don’t always succeed. It really depends on the character. Pearl I could roleplay for days. It’s probably because I connect so much with her and performing as her doesn’t hurt either. Dee Dee Magno Hall says her favorite lines to say are peoples names, and after giving it a shot myself, I totally see why. I even practiced Garnets “Stronger than you” monologue in Pearl’s voice and tone (in case no one volunteered to sing during our karaoke event) and it always makes my friends laugh.

The characters that stump me a little more are the more serious characters I choose to portray; Link, Laurent, Thranduil (the Hobbit), Belle (Beauty and the Beast), just to name a few. I’m kind of a goofball/airhead so those characters clash with my personality a little bit, but I am getting better. Blue Diamond is surprisingly the easiest of these types to stay in character for.

That being said, I love being the outgoing, oddball characters. Like I said, Pearl is second nature to me, as well as Anna from Frozen. Back in my Hetalia days, Austria and America were my go-to guys. I could act as them forever, and my friends and I literally lived as them for a while with how much we role-played. Most of the Disney Princesses it’s pretty easy for me to stay in character, especially (like I said before) Anna, Sofia the First, and Merida.

How do you react to cosplayers dressed as a character from the same anime/game/etc?

If there are some good character opportunities, I will role-play on the spot, but more often than not I will ask if we could all get a picture together. There were so many fun interactions with other Steven Universe cosplayers when my friends and I did our little group, but one of my favorite interactions was probably when I was dressed as Laurent and I stumbled across a Miriel cosplayer and I just shouted out “MOM! I FINALLY FOUND YOU!”

Do you try to duplicate your character’s expressions, walk, movements, etc?

I can talk the talk (mostly), but I have more trouble walking the walk. I’ve been trying to replicate movements better, but facial expressions I have trouble with (ironic as it’s my favorite part of drawing.) I’m not as photogenic as I’d like to be, as you could probably tell by most of my pictures being the same face, but I definitely am striving to improve on that.

What was your funniest experience of acting in character?

Okay, there’s a lot that I could share, and eventually, I want to do an article solely on cosplay “in-character” experiences, but the one I HAVE to share right now is a recent experience when I was dressed as Ariel from The Little Mermaid.

I was performing at the family day event my church helps out at my pastor’s air force base as Ariel, and after my sing-a-long, my makeup was a little smudged. I asked a volunteer where the restroom was so I could touch up before I headed back out to the crowds. I thought he’d take me to a private restroom, but he brought me to the public one where there were families waiting outside. They noticed and the dad joked “See? Even princesses have to go.” to which I laughed and gave my best Ariel shrug to play along. I went inside, fixed my makeup, and went back outside.

It wasn’t long, so the family was still outside the men’s room. As I walked by, the man’s son shouted out “Ariel, congratulations on going pee-pee!” to which I bursted out laughing. Everyone was. I mean, if you gotta congratulate a princess on using the bathroom, you picked the right one! After that, I did explain that I was just putting on makeup but I appreciated his enthusiasm and thanked him for it.

Do you compete in cosplay contests?

All the time. I love them. Whether I win or lose, I always get something out of it. I learn tips from other cosplayers, get to meet so many interesting people, and those times I do win I get prizes which is always nice as well. Most importantly, though, the memories that are made there are the very best part.

Have you won anything?

I have won quite a few. I have three trophies, a medal, a few certificates, and have won a cash prize as well. My first win was my second convention as Kabuto where I won the best novice trophy. My most recent win was for Ravio in August of 2019 with best in show. It’s amazing, I never thought I would get this far, but I’m so grateful for everything I’ve been a part of.

Again, it’s totally not about winning, but I’ll admit that it does feel really nice to have my hard work appreciated. Just as drawing, I still feel like I have a lot of room for improvement in my cosplay, so winning a few contests here and there definitely helps my low self-esteem.

Do you prefer skits or walk-ons?

I’ve only ever done walk-ons. I’ve never had anyone to do a skit with and I don’t think I could pull one off on my own. I’d love to do one eventually, but for now, our panels are good enough.

How many friends have you made because of cosplay?

Quite a lot. My Instagram is full of cosplayers I’ve met at conventions and I love seeing their cosplays and drawings, it’s all so inspiring!

Do you attend photoshoots and meet-ups outside of conventions?

Occasionally. I’ve never done a professional photoshoot (though one day I’d like to,) but I have attended a few meetups. I’ve done one for Steven Universe, Once Upon a Time, Disney, and I actually accidentally walked into a Fire Emblem: Awakening one dressed as Laurent, so that worked out.

What is the funniest reaction you’ve gotten cosplaying from people outside of the community?

The best one was when I was dressed as Link and my friend and I were on the subway. There was a mom and her kid sitting across from us and she pointed to me and said to her child, “Look, an elf! You see? Santa’s got his helpers out all year round, so you have to be good!”

I also had another wonderful experience outside of a con dressed as Link, though it’s not as funny but more just a sweet memory. It’s quite a bit, but luckily I’ve already written about it for Zelda Universe so I’ll just link it here for anyone who’s interested. 

Name a few cosplays you’re planning to do next:

I’ve got to get Soren (Fire Emblem: Path of Radiance) done soon. I’ve been wanting to do this cosplay forever and I did start it, but I need to finally finish it. Dimitri (Fire Emblem: Three Houses) is also on my list to do next. Not sure about who else I want to do for sure, but some ideas that have floated around in my head have been Tilly Green (Big City Greens), Anna with her Frozen 2 look, Princess Peach (Super Mario), and a Thalmor Mage (Skyrim.)

What is your dream cosplay?

Princess Zelda from Twilight Princess. I’m still too scared to try to cosplay her. I bought a cheap starter costume that I was going to build off of and it wasn’t turning out the way I wanted, so I put it off again. One day I’ll feel confident enough to make her costume, but until then I’m totally satisfied with my Link cosplays.

What do you take into consideration when picking a character to cosplay?

Honestly, I just have to love them as a character and the costume itself has to seem do-able. I mean, I’m totally not opposed to buying cosplays if I really want to be a particular character, but like I said, making it means all the more to me. It’s my display of affection towards that character, the creators behind them, and the series as a whole.

Is cosplay serious business for you?

Yes and no. No because I don’t do it for money, likes, or internet fame. I do it because it’s fun and what I like to do. Yes because I go all out when I cosplay. I do everything I can to get the look the way I want it and I put my blood, sweat, and tears into it when I make them by hand. 

What is your favorite thing about cosplay?

Everything: Dressing up as a character I love, roleplaying them, taking photos, just everything! I would do it more often if I could!

How do you want to grow as a cosplayer?

I want to learn how to make more. I want to build armor, I want to learn new makeup and hairstyling techniques, and so much more. I’m happy where I am, but I know I can be better. I will watch others and learn from them and push myself to try new things!

Are you willing to answer questions and help other cosplayers?

Absolutely! I may not be a top dog of cosplaying, but if I can help someone with something I’ve learned along the way, I’m more than happy to help!

Writing

When did you start writing?

I started in middle school as well, I used to write a Nintendo fan fiction called “The Kirby Show,” where Kirby and his friends would get into wacky sitcom scenarios. They were really just knock-offs of the television shows I used to watch back in the day, but hey, everyone’s gotta start somewhere.

As for my original writing, I started that more in high school. I still wrote a lot of fan fiction at that point, but I was starting to develop my own characters as well. I thought it about time to think of my own creations, and I did. I remember I was in my Godmother’s car when I thought of the main three characters and since then the cast has expanded so much, their stories are much better developed, and the lore is much more solid.

When you were a beginning writer, what did you write primarily? What do you write now, primarily?  (i.e. romance, fan-fiction, poetry)

As mentioned before, I started out writing stories about characters that were not my own. Now I do all original writing — well, aside from my work at Zelda Universe. There I get to write about all the unique aspects of one of my favorite game series of all time, so there’s that as well. Writing there has helped me start writing little fandom topical posts for my own blog, such as top 10’s, reviews, and other things along those lines. 

How often do you write?

I make it a habit to try and write at least a half-hour a day. If I’m really on a roll, I could write up to a few hours a day before I get burnt out. Even though I’m not always writing, I’m always developing the stories in my head. 

When is your favorite time of the day to write?

I always write a half hour before I go to bed. The later it is, the more ideas keep rolling in. With my early hours for work now it’s harder to stay up late, but that doesn’t stop the ideas. I just gotta push myself a little harder to start earlier to have more time before I need to go to bed. 

Do you have a writing muse? If so, who/what?

Not in particular. I always just write about what I like and incorporate different aspects of my life into it. I guess I’m my own muse in that sense? I don’t know. I just write what I do know. 

What is your most popular lit piece?

Out of all my public pieces, I’d say either my “Animal Crossing Diaries” series or my “Endless Ocean” screenplay. “Vagabond” gets some decent attention as well, which is nice, but honestly, I’d be happy if there was just one person enjoying my work, so I really can’t complain. 

What is the piece you are currently writing?

Out of my public blog works, “Vagabond,” from my Zelda Universe collection I’m working on a character piece on Colin from Twilight Princess. 

What is the piece you most recently finished?

On my blog that would be my “Top 10 Favorite Fire Emblem Characters” list. For Zelda Universe, it’s actually a piece about Fire Emblem as well — It was DS week, I could write about whatever DS game I wanted to, of course I have to sneak in some Fire Emblem.

What piece are you most proud of?

While “Vagabond” definitely needs some more work, out of all the pieces I’ve posted publicly, that one is the one I am the proudest of. If anything just for Kurt and Maerwynn. They are two of my favorite characters to play around with and I’m so happy that somehow I was allowed to think these two up.

In my more private works, my fantasy story is my pride and joy. I feel so blessed to have been able to come up with these characters, and I do hope that someday I will be able to share them, whether on a television screen as I’ve always dreamed of in a novel of some sort. One day, maybe. 

What piece are you most disappointed in?

It’s not so much disappointment, but rather I’ve grown so much in my work, it’s very hard for me to look back at my first romance story. It’s a little cheesy and the dialogue is a bit clunky, some of the actions that my characters had performed totally go against what their characters have become now after spending a lot more time with them. It’s something I would love to revisit and maybe even go public with, but it’s going to take a lot of work. 

From all of your stories, who is/are your favorite character(s) and why? (try to limit it to 3)

Since I only published “Vagabond” online, I’ll stick to characters from this story in particular.

Maerwynn is definitely a favorite because she’s got a lot of qualities that I wish I was bold enough to enact myself. She speaks her mind without a care of what anyone else will think, even if it’s blatantly rude. She goes for her goals, even if they may seem ridiculous, and she pursues them with great passion and ferocity. Even with this rough and tough exterior, she’s still got a softer side that she’s just discovering in her new life at the palace. Now, I wouldn’t ever recommend being like Maerwynn ALL the time, but there’s definitely is a time and place where we could all be a little bit more like her, I think. Her confidence is the thing I admire most about her.

Kurt I connect with as well. Again, he says all the things that we all wish we could get away with at one point or another, but he knows he can because he’s royalty. However, he’s got so much going on underneath the surface as well with the complications of his past. He’s learning to open up, connect with others, and understand his feelings. Despite feeling restricted by the laws of his kingdom and the traditions of the royal family, he finds his own way to feel free and be himself. 

What is the best compliment you ever got on your writing?

My best friend who I’ve been sharing these stories with for as long as we’ve known each other told me the nicest thing not to long ago. I always laugh at myself for going so crazy in-depth with the lore and characters of my fantasy world, but she told me how she’s admired that and the love and care I put into each little thing was what made it so great. It really meant the world to me to hear that and I can’t thank her enough for all the love and support throughout the years! 

What is your main goal in writing?

I don’t know if there’s one main goal in particular, but I suppose if I had to pick just one, it would be to show good through the works of my characters and hope and pray that it inspires others to be like them. Kindness is growing scarce in the world, and if I can just inspire a little bit of it in someone, I suppose that’s all I can ask for. 

Have you ever been published?

No, but I am aiming for it. Once I complete Vagabond, give it another revise myself, and hopefully find an editor to give it another look over, I’d love to find someone to publish my book or even self publish on a platform like Amazon. Just something to get my work out there.

Questions asked by you

Who is an artist that you look up to? There are a few artists online that I follow who I just adore their work. Three that come to mind in particular are Bianca Roman-Stumpff, Bellhenge, and TheStarfishFace. Their art is so different from mine, but I think that’s probably why I love it so much (if that makes sense?)  They each have such a unique style and great subject material, I highly recommend giving them a look!

What did you think of “Frozen 2”?

I loved it. No secret that I’m a huge Frozen fan, so I was bound to like it. I was actually really nervous about how it was going to end, but I can say (without spoilers) that I am 100% satisfied with how it concluded. Also, Kristoff finally gets the spotlight that he deserves, thank you, Disney.

However, as much as I did love it, I do totally admit I do see flaws in it that could have been improved on. That being said, there was that in the first movie too and I stilled loved it. The characters have enough charm to keep the film entertaining throughout and I just adore them!

What does your family think of your art?

My parents have always encouraged me about my art and I know my grandmother loves it; I gave her a sweater with the art she liked of mine last Christmas and my mom says she wears it all the time. The rest of my family knows and supports my art as well, I  never really had any issue with my small art business and the family.

Any memorable cosplay experiences at a con?

So many. I’ve shared a few before, but I think I’d like to make a whole article on the great cosplay experiences I’ve had! There are so many to talk about and stories to share.

Is there a type of art that you would like to get into? I’ve seen a lot of people doing wood carving and burning, but that looks insanely difficult.

I’ve actually been considering wood burning, haha! It does look difficult, that’s why I’ve been hesitant, but maybe in the future I’d give it a shot. I think they’d make my Skyrim wood pieces look legit.

I’m really up for trying anything. If money wasn’t a thing, I’d have tried a lot more by now. In the future, I’d love to try needlepoint as well! 

Recently, I had been asked about some of the work that I do, and I thought a fun way to just that was to fill out a few questionnaires. Here I talk about some of the high and low points of doing what I do, what inspires me, and my process of creativity. Welcome all! If you're reading this, I'm assuming you're familiar with my work as either an artist, cosplayer, writer or any of the other creative things I do.

[cosmiciaria]

World of Final Fantasy Review! (Spoiler free)

I know the game is pretty old by now. It was released in October, 2016, before Final Fantasy XV wrecked the fandom. I've always wanted to give it a shot, but the apparent light-hearted approach didn't suit me well – so I waited for a decent discount in PSN, and I finally managed to get it in my hands! Disclaimer: this is a review of the vanilla version of the game. Saw there's a big expansion adding quite a a lot of stuff, including gameplay mechanics, so… either way, the game is quite enjoyable as it is, I don't deem an expansion necessary in my case to make me like the game more.

So yes, this is a GUD game. Even GUDER than I'd thought it would be. Like REALLY. Real good.

I'm not explaining myself. You see, this game seems made for younger generations. It was the result of the 30th Square Enix Anniversary, and it's the cocktail boiling in the cauldron every Final Fantasy fan wanted to have. It's a crossover, it's the perfect fanfiction across all the universes we've learned to love and care in this franchise. It's a love letter to fans, and I want to stress this idea, because… this game is great, is awesome, is moving, but only if you're an FF fan.

I mean, you'll still enjoy it for what it is, but… there are a thousand nods and references to the previous FF games that you won't get if you at least are not familiar with their premises. I, for instance, haven't played many of the mainline FF, including I, II, V and XI. I knew about their characters and some of its most characteristic thingies (like Gilgamesh being from FFV), so I still could get some of the references, but it's not the same.

It's not the same, because, like I said, this game is a love letter to fans. And it shows.

But – wait, are those chibis? Is this a children's game? What are you talking about? I know it's hard to take chibis seriously, but hear me out – this game is more serious than it seems at first sight. I expected nothing but RPG tropes and I did get many of those, but DUDE (pun intended) did I had a great (TRAGIC) time with those twists and turns!

So we follow Lann, a fifteen year old ginger boy who goes to work at his usual café. He doesn't seem to notice the Pokémon – I mean, the Mirage on his head, a cute white little fox that seems to defy the laws of gravity by gripping to his hair. In the café, Lann meets Enna Kros, a mysterious woman who asks for a very sugary coffee. Minutes later, we meet our other protagonist, Reynn, Lann's twin sister, who crashes into the place to tell her brother that there's nobody anywhere. Lann is like, hey, there's this woman over here, but truth be told… the neighborhood is empty.

So this woman, Enna Kros, introduces herself and tells them that she's a goddess of some sort (her nature is, eh, well, never fully explained and that's fine). She reveals they are in a place called Nine Wood Hills, a land that looks like it's stuck in time and space. Lann and Reynn had forgotten what the hell they're doing there, or who their parents were, or anything, so Enna Kros gives them (or more like, reminds them of) the Prismariums: the ability to imprism Mirages, like the little fox I mentioned, and bend them to their will. The purpose, she says, is to catch as many Mirages as they can, across Grymoire, the world she's the goddess of, and collect memories about their past. Then the little fox is introduced as Tama, a very important Mirage that is going to accompany the twins for the rest of the journey.

Off they go to Grymoire, and this is where the crossover starts: here people are tiny (chibis) called Lilikins; Reynn and Lann remain normally proportioned (Jiants), but they can turn into Lilikins whenever they want. Jiants had disappeared from this world a hundred years prior, so the twins kind of attract everyone's attention. This only feeds the mystery that shrouds this pair.

Grymoire is full of towns, regions and dungeons. Across all these places, the twins will irremediably come across the chibis we all know and love: the FF characters. Their storylines are so well intertwined that you forget that they belong to an original game, for their personalities and backgrounds fit this story very well. We have a Bahamutian Federation who's conquering everything in its stride, except for a few kingdoms that still fight against it. The League of S, the resistance group, wants to recruit as many people as they can, and it's up to the twins to help this insurgence grow. But this is not everything: it seems that in the Federation there's a prophecy, a Crimson Prophecy, that foretells the arrival of two Jiants twins who are Mirage Keepers…

The story gets more and more complex, until it reaches a point where I couldn't believe my eyes. And this was a game for "children"! But I won't spoil it for you. Instead, let's talk about the gameplay first!

I said Pokémon earlier – It's the closest approximation and I'm not lying. If you wanna be the very best, you gotta catch 'em all. Mirages will appear as your ordinary enemies in dungeons, and every first time you encounter one, Enna Kros will give you a new prismarium to imprism them in it. But to do this, you first have to create a prismunity: a chance that leaves the Mirage vulnerable to the imprism. This prisminuty is quite easy to achieve in the early levels, but they get more and more difficult and specific to attain as you progress. Each Mirage has an ability tree to develop, in which you'll spend SP points, and most Mirages have also evolutions (is it Pokémon enough yet??) that you'll be unlocking once the requirements are met.

Catching Mirages is not everything, though. Mirages are actually useful: you can equip them. Since we don't have equipment or ability tree for the twins, the Mirages are our only source of power, so their stats and their abilities become our own when we fight. Each twin in Jiant form can 'stack' on their heads a Medium and Small size Mirage, and in Lilikin form, they can stack on a Large Mirage and still have one Small Mirage on their heads. The stack becomes your shield in battle, and at first it looks ridiculous, but once you understand how it works, you can create MAGIC out of its mechanics. Careful because the tower you form can topple and your Mirages can fall from your character's head in a quite funny animation.

Twins don't have ability trees, I said. Well, that's partially true. You see, in the ability trees of the Mirages, every now and then you can come across a Mirajewel: this is the equivalent of a skill card in the Persona franchise – meaning that you can equip that Mirajewel into Lann or Reynn as you please. The Mirajewel doesn't lock to just one character, you can switch it between the twins as you like. The slots for these Mirajewels take a while to unlock, though, and it's related to the twins's levels.

Battles are your good old friend turn base combat. And it's great. IT'S GREAT. Like really. They can STILL do this and it's still loved, I don't know why people say that turn base combat is outdated and old fashioned. It's pretty slow paced, but fear not, because there's an ACCELERATOR button that lets you fast forward battles. Isn't it convenient? In fact, everything in this game is so convenient it makes me wanna cry: you wanna leave the dungeon? No prob, just use this unlimited teleport stone; wanna change your Mirages for others? Never fear, you have a save point every half hour. You wanna fast travel to this place? Nine Wood Hills got it covered for you. You're not enjoying this minigame? You can skip it and still advance in the main story! You kinda not dig this new menu we created for this game? Try the old style FF menu and play like you did in the old FF titles!

Really. Everything is there for you, at your disposal. The option to choose how and when you play is available, and it's kind of heart-warming they did this. I just wish every new FF could work like this one, on terms of gameplay! This game is SO Final Fantasy that I wanna cry a river.

Alright! Too much gameplay. What about characters?

Lann and Reynn are just hilarious. Their interactions are natural and casual: they truly make us believe they're twin brother and sister who deeply care for each other. Each of them has their own quirks, like Lann being quite slow, always saying "dude!" and protecting his sister at all costs; and Reynn being determined, direct and fearless, but also hiding her nervousness behind blurting trivia into the void whenever things seem to get nasty. There's one particular funny scene in the game where Reynn is angry with a Cactuar and she wants to, basically, punch it to death, which she can't, because Cactuars have their agility skyrocketed to high heaven more or less, and her hysteria is so relatable that you want to get yourself inside the screen and pat her on the head.

On that note, voice actors for the main protagonists were a delight. I was kind of surprised to discover that the guy who voices Lann also voices Shiro from Voltron: I couldn't recognize my favorite gay spaceship leader anywhere in this upbeat character, but there were moments where Lann became serious and angry, and damn, did that Shirogane emerge! All the other FF characters that we know have their original actors returning –not only that, but also we hear some characters from the older FF games that had never ever had, in any other media, voices. I swear my control almost fell to the floor when I heard Vivi f*cking SPEAK.

The FF characters remain in their personalities and they're never out of character. They bring about a thousand references from their original games, that are not forced at all. The script is clever enough to blend these moments inside the main story in such a way that you never see them coming, and more than once I was at the verge of tears, specially with Tidus and Yuna who belong to, I may very well say it now, my favorite Final Fantasy game (Oh I never wrote a review for FFX, even though I played like six times). I won't tell you, just play the game and discover these scenes for yourself. They make the game ten times more loveable. There are also instances of 4th wall breaking so beware yourself for a good laughter. Read the Mirage's Manual, I fully recommend it.

The game has all the RPG tropes you can ask for: the mandatory ice, fire and water levels, the really really bad guy you can tell he's bad because of his demoniac appearance bad villain bad oh bad he's bad because reasons, treasure chests, chocobos, cactuars, tomberris, flans, malboro menaces and anything you can expect from an FF game. But this isn't a copycat of previous installments. Towards the second half the game shows its true colors and we're faced with an original story, with huge twists that left me open mouthed, and you forget about the first few hours of the game that seemed taken straight out of any other FF, because, you know it, honk's got real. (Oh, btw, Lann used 'honk' every time he should've used the f-word, it was so funny, once he says 'shut the honk up' I'm cryinggG)

On the music department, I just couldn't really get into it. There were some boss fights that caught my attention but that's all there is to it. Nine Wood Hills background music gets under your skin after a while of continually listening to it, and sometimes it plays during important sequences, so I guess it's the most memorable piece of music. On the other hand, we have remixes of all those FF's themes we liked so much that play during certain characters' arcs and they may bring more than one tear to players' eyes (I did NOT cry when Suteki Da Ne started playing I did NOT). Visuals are nice and all – you can tell it had less production than, let's say, FFXV, its contemporary companion in release dates, but damn, some places were vivid and realistic! And lighting and shadows were real enough! And who cares about an anime appearance or chibi characters when everything SHINES and the story is good either way!

This game made me for some reason ship Cloud with absolutely everyone? What the honk?

All in all, this is a Final Fantasy game in all its glory, and it shines bright in many aspects I believe it was done even better than most of the newest games in the mainline. I just wished it had a more 'independent' story, in the sense of what I first mentioned: that this is a game for fans, that the experience would be very different if you haven't played the majority of the FF titles (and even some spin offs!). Still, the main story holds up well and at the end of the day, the main characters are the twins, not Cloud or Squall.

I do have one or two tiny complaints: there are some FF titles vanished to oblivion in this vanilla version. Firion from FFII only appears in the expansion and Balthier from FFXII, although he is a free dlc, he's not part of the story and he doesn't even have a page in the people's compendium, his appearance being the only silent presence of that title in the game. Also there's something spoilerish I wasn't really fond of – I'm just gonna say, without revealing anything, that I don't like how certain character was handled. And no, I'm not speaking about the masked woman. Anyway, that's all I can complain about, actually.

I think credit must be given where credit is due. And this game is due a lot of credit. For its amazing gameplay, giving us a taste of what we've been asking for years, and for the good use of the Extrauniverse to weave this story for us. Interactions between characters are a delight because of how well written they are. And there's a lot of post game content so, here I go, the route to platinum!

If you enjoy FF, then you'll love this game.

[popstrikers]

I’ve been a huge fan of @deadlycomics‘ work for years now, and am lucky enough to have him as a patron. I remember a few years back when his animation “Late to Work!” came out, I still love it to this day! So with #DrawThisInYourStyle being a thing right now, and DC’s main character from the animation also being a cute raccoon, I figured I’d recreate a shot from the animation and give Azumi someone to hang out with xD 1428 polys 512 x 512 texture If you’re like me and long for the low poly days of the PS2, consider supporting me over on Patreon and help bring blocky back!

Keep reading for more info on this project!

After the torrent of fanart I got for Azumi last week when dropping her into the #DrawThisInYourStyle hashtag, I knew I had to give back and enter the ring myself. I don’t think Deadly Comics ever put his character out there, but he’d been in my Patreon Discord and here on Tumblr giving me some words of encouragement throughout Azumi’s production, and I’ve always loved his work, so it seemed like as good a place as any to start.

You can see the tiny concept scribble in the top right that eventually became the finished render xD

Being a bipedal raccoon with chibi-esque proportions, Deadly Comics’ character is pretty similar to Azumi, so translating him to my style wasn’t all that difficult, these were the only three sketches I did before jumping into Blender. It was basically a male Azumi, with less defined hips, and wider forearms to reinforce a more male silhouette. The face was similar, but I made the eyes smaller than I did with Azumi to be closer to the original design. That’s the character’s defining feature, so I figured moving it too far from it’s starting point I’d lose the through-line to DC’s concept. All in all I think I struck a good balance!

Next was choosing a frame from the animation to recreate. Seeing as I basically already made my choice while doing the concept art, this was an easy choice. Though I also chose to use a different shot from the end of the animation for the turnaround.

The background is really simple, just a couple cubes really, with a simple low res texture.

Overall though I had a ton of fun making this. I’ll mostly likely do other artist’s characters in the future!

[notsodaily-smolkakyoin]

18,19, & 20.

18) What are you currently trying to improve on?

I think the one I’m most aware of trying to improve on is probably my coloring? I tend to avoid coloring altogether because I don’t know what style I want but I also kinda want to improve on my lighting. i should really practice more ;;;;

19) What is the most difficult thing for you to draw?

It sounds weird, but probably clothes. Clothes are pretty hard to draw. And animals I think. I know I avoid drawing those a lot too. 8′)

20) What is the easiest thing for you to draw?

It’s definitely children. I don’t even know why. They’re just easy to draw 8′D;;

I’m always defaulting to drawing children. But I think it’s also because when my art first started to sort of improve, all my proportions still look vaguely.....chibi-ish.

25) Do you like to draw in silence, or with music?

I usually draw while playing videos with people talking in the background. So I put things like Let’s Plays or stand up comedy playlists on. I actually kinda rarely play music while drawing unless I really need to concentrate on a thing.

30) What inspires you to not just make art, but to be a better artist?

Oh geez, this is a hard one. I don’t really know. I guess seeing other artists who make good art kinda inspire me to get to that level too? At the very least it does inspire me to keep drawing.

[fourseasonsfigs]

Good Sword

This fig set! I got it a long time ago, but it took so much wrangling I'm just now getting around to writing this post.

We know the inspiration for this fig from this amazing scene in Episode 2:

There's a lot of delicate pieces on this fig set - Lao Wen's hairpin, his flying hair wispies, and of course A-Xu's Baiyi, so I'm happy this fig set arrived safely in it's protective polystyrene.

I love it when figs are in plastic like this - they make it super easy to remove from the box. Less worry about breakage from me for sure.

Let's do a quick spin around of these two figs before we connect them.

Beautiful! I love this set - it's a slightly different style than the more typical chibi style, a little more "grown up". There's some wonderful detail of the bamboo embroidery on Wen Kexing's white robes, and on his ginkgo hairpin. A-Xu of course is in his hobo best, with his drinking gourd and layered blue robes.

So here's the problem. They're very difficult to fit well together. The fig maker was horrified to hear that some fans broke Baiyi by mistake, trying to get the two figs to connect together. She issued instructions to the buyers on how to connect them, but I have to say, they didn't help me all that much.

One of the issues is that Wen Kexing's two fingers that are supposed to hold the blade - don't. The fingers are tiny and cute, as you can see by him flashing a peace sign there, and not in any way big enough for Baiyi to snap into. You can press the sword a little bit into the fingers, but it pops right out. I guess if his fingers were actually big enough to hold Baiyi, they'd be comically large, so I get it!

You can see when I actually put them together so the sword goes in the fingers, that the heights are off. When I push Lao Wen down or A-Xu up so both of their feet are on the same level, the sword pops right out. Also, the wispies on Lao Wen's hair block A-Xu from getting too close, and then you have Lao Wen's hand that (in the show) wraps around his waist, but here, just seems to hold his drinking gourd.

This is literally the only way I can get the figs to fit together. You see Lao Wen's wispy that's running into A-Xu's hair? I was worried about breaking that putting them together. I was worried about breaking Baiyi of course. I was also worried about breaking Lao Wen's fingers! You can see now why I've put off doing anything with this set for a while. I ended up gluing the figures down, then put a bit of glue between Lao Wen's fingers and then holding the sword between his fingers for about 6 minutes until the glue set. You can see how Baiyi is more wavy than a curve - that's because the heights didn't quite work out. In retrospect and looking at this picture, maybe I should have angled Baiyi down from the top a bit so the tip was pointed down - less parallel to the base.

But! All that aside, it finally all worked out with no damage, so I'm very happy! Let's give you a spin back around the pair now that they're not going anywhere:

You can see Lao Wen's wispy here that kept getting in the way. I kept trying to turn A-Xu a little more into Lao Wen's hand, so his hand would properly go around his waist, but that of course just rotated Baiyi even further out. You can see here how, as it is, the sword tip just barely is being held between Lao Wen's fingers. If I rotated A-Xu the other way, away from Lao Wen (which just sounds wrong!), then Lao Wen's hand and that wispy gets in the way.

In the shot in the show, they both truly are facing forward, so the fig maker did a really nice job translating this to fig form. I think it must get real complicated real fast when you try to design figs like this to fit each other - I've seen how easy it is to get the proportions of arms and hands off, so the fact that this set adheres to closely to the scene while remaining cute and delicately made is amazing.

They're both wearing their pants and boots, you just can't see A-Xu's because of the dark blue layers. Their feet are also very, very small and narrow, which complicated things as well because they aren't very stable figs even before you try to connect them together.

Looks pretty good from the top, I think!

Here's a comparison of our Good Sword figs with our wonderful Dirty Bag and Snow Maiden figs so you can see the typical fig proportions with this new body style. Much smaller and more delicate all the way around. I love them both!

Our very cute box card with Lao Wen delivering his line...with a little smile!

It's funny the bits of Chinese I've picked up from the show, as I slowly and painfully plod my way through Learn Rudimentary Chinese in 15 Minutes a Day for Working Adults. Thanks to my lessons, I can say things like, I eat noodles, and I am busy in the morning. Thanks to Word of Honor, I can say things like Good sword, and I am a philanthropist.

We've already done the New Year Wenzhou set here on the box...just two more to go in this series! Please look forward to it!

Material: Resin and a very good sword

Fig Count: 397

Scene Count: 27

Rating: Thanks for helping out, Philanthropist Wen!

[link back to Master Fig Index for more posts]

[emilydaisyart-year2]

Final Character Mashups

After a month or so of the project, I finally completed all of my character mashups and corresponding character sheets, ready to add to the presentation. I had a lot of fun producing these and being able to stretch my creative mindset to go into territory I wouldn’t usually tread. When it came to choosing which mashup to start with, I considered which style I was most comfortable working with, and thought I’d go from there towards the more challenging style.

Mashup 1 - Steven Universe x Splatoon

The first character mashup I made, therefore was the Connie Inkling mashup. For a good while before the summer, I had been practicing branching into more cartoonish proportion by drawing various characters from the Splatoon universe, and so by this point I was pretty well-versed in the anatomy of the Inkling and the proportions I would have to reproduce. Connie Maheswaran became my chosen character from the Steven Universe series, she just won out the top spot with her character growth and general personality and relatability. I chose to adapt her into the Splatoon Style in particular, since I felt like the Inkling species isn’t too far removed from humans, and so would make for a particularly easy and smooth mashup to begin with. Additionally to this, Connie being a warrior made her suited for a role as an inkling, and made for plenty of room to experiment with weapon choice and adaptation.

Connie already has rather exaggerated features when it comes to eyes and head size, but I took this even further and brought the 2D Splatfest style into it, which is even bolder. The limbs got thinner and lankier, but her pose got stronger, giving her that Inkling spark of confidence I wanted to portray. I made the lineart broken and split apart to try to mimic the quick-style sketch from the splatfest art, and the colouring followed an entirely different process to what I’m used to, bring splotchy like watercolour. Overall, I was really impressed with my adaptation of Connie into this style, and the smaller sketches also have their charm in showing her spunk and character. I had a lot of fun producing this in a time where I really wasn’t in the right headspace, it helped me to refocus my working brain on the tasks at hand.

Mashup 2 - Onward x Animal Crossing

For the second mashup, I actually had a rather difficult time planning and executing the character, moreso than I originally thought I would have. Animal Crossing has a very regular style, the body types remain very similar to one another, with the only variations between characters often being colour and facial expression. The reason I chose the Manticore, is because of her uniqueness, she is after all, a Manticore, a combination of several different creatures. I knew I would be able to do something interesting for this, but when it came to sketching, she just wouldn’t look right. After a lot of trial and error, I came to a design I was happy with, even though she still doesn’t look exactly as I would like her to. The Manticore is a free spirit who definitely lost her path, but rediscovered the fire in herself and her calling as a beacon for adventurers. Personality-wise, there’s a lot there and I was hoping I could translate that into the Animal Crossing style well enough.

The Manticore is a large-bodied character with a lot of facial variation, so reducing that into a chibi style was going to be a task. The body wasn’t an issue, since it just follows a set type. The head and especially the hair proved difficult since there was so much going on, so I leaned into the detailed style and added as much definition as I could, drawing each individual curl and tooth. I mapped out the colours and parts of the body and got rid of the lineart for a while, but brought it back in at a lower opacity at the end. The shading was very fun, I don’t often work with a 2D-3D style so when I get to, adding exaggerated shading and texture was pleasant to do. The smaller figures, because I had added so much detail, proved harder to match but they look ok at the end. After she was finished, I was pleased, just not entirely with her outcome. There would be things I would change and improve should I draw her again, but as it stands, her design is still good in my books, and I did enjoy drawing her.

Mashup 3 - Ratatouille x Jojo’s Bizarre Adventure

This final mashup was absolutely the most fun of the three to produce, the differerence between the subject and chosen style was just phenomenally fun to create and map out. Linguini is genuinely one of my favourite characters to come out of the Pixar universe, and so to be able to draw and adapt him and his personality into such a fun and interesting style made for an amazing experience. Linguini himself is very clumsy and incredibly awkward, but he honestly has a golden heart, and so to contrast that to the seriousness and masculinity of the Jojo style was entertaining. I wanted this piece to have the irony of the character being such a soft touch, presented as intimidating and I think I carried that out well.

The lineart took the longest, but I was more than happy to spend my time perfecting it and thickening the lines. I also dedicated a lot of time to drawing in the slight details, which I would usually add in colour, but the black helps them to stand out more. Even just in lineart form, the piece was already looking strong, but the two-tone colouring really helped to bring him together and to amplify certain features like his hair. Drawing Remy was also incredibly fun, since I got to go wild with his design, as well as the tarot card design in the corner. Shifting style halfway through to the tarot design was a welcome break from the mundanity. Even the background was a challenge, but I had to fill it and make it stand right out, so that the theme would continue of big and brash. After everything, this design turned out to absolutely be my favourite, and I had a lot of fun producing it. Though it’s so far removed from my own style, I will definitely be revisiting it in future.

Final Thoughts

The entire project up to this point has been really fun and refreshing. From the very beginning of summer I had a lot of personal problems going on, and this character mashup task has been a really welcome distraction from everything, getting me back on track for the animations and the beginning of Year 2.