#They know he has high intelligence

[ailithnight]

Reacting like that turns out to be a mistake. Now LBM knows that button garners a big reaction. It's his new favorite button. He carries it with him everywhere and attempts to take it away are met with violent force the likes of which Bats didn't even know LBM was capable of.

We've all seen baby man Danny doing crazy stuff like take over the world and become president, mayor, defeat cults, or become a pet.

So imagine the typical baby man Danny being adopted by the Batfam

But one of the bat kids having the bright idea of giving him dog buttons

Made a real quick animation

[avnasace]

honestly even if he is a pretty bad person in the silm i want more curufin content. like this is a guy who grew up with 'everyone sees me as a copy of my father and nothing else' syndrome. he was the son of his father, and the father of his son. thats got to be rough.

and with the oath and the many spirals of bad decisions, he is definetly not the paragon of goodness, but ultimately he is a person who was once loved, by a wife and son and brothers and parents and so i refuse to believe he is completely irredeemable in spirit.

its also interesting to me that he is the middle link between the creator of the silmarils and the creator of the rings of power, its quite sad, for a person literally named little father, and also even sharing a fathername with his father, that he has nothing to show for himself with his own craft is pretty tragic honestly.

[lala-blahblah]

I will never make this because it would be for an audience of one (me) but ever since reading "If we Were Villains" (story about serious drama kids in college who perform shakespeare and deal with a murder) I have been entertaining the thought of a crack fic crossover with High School Musical The Musical The Series where the staff decides they will no longer put on shakespeare after the tragic accident that happened at Thanksgiving, because Shakespeare plays would only increase the tension and drama. So they hire Ms. Jen who decides their spring play will actually be High School Musical (which exists in the 90s in this universe) and it ruins the vibe so much that everyone gives up on being dark and mysterious because they're universally pissed at Ms Jen for making them learn choreoraphed basketball dancing.

[lupins-hehim-pussy]

I think I accidentally made Wriothesley AuDHD. fuck

[allsortzofcrap]

i feel like for the rest of my life i will be walking around totally normal and then periodically, i will be absolutely brained with a metaphorical anvil falling off the side of a building that represents the absolute bafflement i have towards modern adaptations of sherlock holmes and their treatment of irene adler. bbc's most recent adaptation in particular.

im so sorry. please repeat. she was stupid u say??? and i'm sorry, IN LOVE with him u say??????

i'm a feminist so i think women are capable of being in love and also of being stupid. they can do anything they put their minds to ofc ❤️. but this is too far even for me.

it's just that i can't understand why you would choose to write a narrative that is more mysoginistic than the source material when the source material was written in 1891.

was it intentional? did they somehow not pick up on the implications? was it random?

i can't fathom it. it keeps me awake.

[todayisafridaynight]

would it be okay if u told me why u like aoki😭/gen😭😭😭😭BEEN TRYNA LIKE HIM FOR SO LONG I JUST CANTT but i love ur art so much so i still consume it otherwise lol

i liked tohru adachi in high school and tbh i think that alone is enough of an explanation for why i ended up liking aoki

[6mayhem]

anyway i need to hang out with my brother again he is the one person who i am pretty sure knows literally everything about me so he's the only person i trust that i can absolutely not disappoint. nothing i can do could be worse than the sum of everything i've been doing to that poor man (and him to me) the past 19 years

[hellsdogs]

Mishima Sen, the Interpersonal Intelligence, Emotional Intelligence. Sen excels in interpersonal intelligence, the ability to deeply understand the emotions and motivations of others. His empathy allows him to sense and even manipulate the feelings of those around him, making him exceptionally perceptive. It is what makes him a good artist but also a good listener, a good shoulder to cry on, a good company, a good conversationalist. He sees and understands, he reads people/ His weakness: Sen's deep emotional awareness, however leads to obsession and compulsiveness. Instead of focusing on his own emotional needs, he often suppresses them, choosing to delve into the emotional states of others. This makes him compulsively interested in other people’s feelings, to the point where he loses himself and risks dangerous over-involvement. His ability to manipulate emotions, although is not always intentional, but if he uses that on someone, it can lead to darker, obsessive behaviors where he bends others to his will or spirals into unhealthy relationships. The more he feeds this need, the more likely he becomes a threat, both to himself and others.

Ueno Junji, the logical-Mathematical Intelligence.

Junji is the logical-mathematical intelligence, excelling in critical thinking, problem-solving, and understanding complex systems like geopolitics and societal structures. His intellect enables him to analyze situations which makes him an effective journalist with the ability to unearth hidden truths. His weakness: Junji's weakness is his lack of self-awareness, particularly regarding his own intellectual limits. While he is undoubtedly smart, his confidence in his intelligence leads to arrogance. It blinds him to potential errors in judgment. His belief that he can outsmart others leads him to lead grand schemes—assuming he can maintain a facade as a reputable journalist while secretly engaging in criminal activities. Ultimately, his inability to accurately evaluate his intelligence will bein his downfall, as he overplays and gets caught.

Yamazaki Dai, the Intrapersonal Intelligence, Business and Strategic Intelligence. Dai’s intelligence lies in intrapersonal intelligence, which is the deep understanding of oneself combined with business intelligence. He is aware of his strengths and weaknesses and possesses the strategic mindset to run a large criminal organization as efficiently as a corporate empire. Dai can think long-term, weigh risks, and make calculated decisions, blending knowledge of finance, and law with his inherited sense of duty. His weakness: Despite his self-awareness, Dai is confined by responsibility. He gres up with an almost uncontrollable violent side that conflicted with his duties. He must constantly manage and suppress his primal instincts as he ages, to remain a composed leader his clan needs. This internal conflict creates tension within him, where his responsibilities prevent him from unleashing his true self, a more violent and impulsive person. If pushed too far, he could snap, endangering both his leadership and the stability of the Yamazaki Clan.

Kimura Taketa, the Bodily-Kinesthetic Intelligence, Street Smart. Kimura is the bodily-kinesthetic intelligence, where his physical abilities and survival instincts are highly developed. His street smarts enable him to navigate the criminal underworld with ease, relying on adaptability, quick thinking, and hands-on problem-solving. He understands how to survive in dangerous environments by leveraging his experience rather than academic knowledge that he couldn't have. His weakness : Kimura's life of pure violence and lack of emotional intelligence are his greatest weaknesses. While his bodily and practical intelligence allow him to survive, fight and rise, they come at the cost of empathy and emotional understanding. He is cold and detached, treating survival as a game of brutality. This detachment leaves him emotionally barren, incapable of forming meaningful connections or understanding the emotional consequences of his actions. His worldview is devoid of empathy, which isolates him from others and makes him dangerous in a way too.

[certifiedgoofball]

yesterday during the campaign, my character -fireballed the cleric (she was in the line of fire. it was a work-place danger. she failed 2 death saves but the wizard stabilized her so its fine) -got his teeth kicked out by the fighter (he was trying to persuade someone but his story got more and more farfetched as it went on and he just kept going) -got the cloak of billowing ??? as if my guy couldn't do that already -fell in a hole and got buried alive (two entirely separate events. both very much his fault)

[m1d-45]

hiiiii midasss

not a continuation of eldritch horror reader, but i REALLY. REALLY LIKE VERY TALL READER. A LOT.

it would be hard to hide, but imagine how fun it would be .. i mean, what’re they gonna do about it?? carry us off to jail? no, man, no. we can step on them. squish :]

and when i say tall, i’m talking like, AT LEAST 7 feet. quite possibly 10 feet tall. big guy.

i want to be able to pick someone up and throw them like a football.

-owl anon who was hearing bird chitters while writing this

i might bring a more detailed snack of eldritch horror reader later

oh em gee bird chitters guys

also if makes sense if you think about it, since they on your screen are itty bitty so

[zorkaya-moved]

" you are always on about helping me," for someone whose voice usually comes in a subtle, warming tone, it has taken the turn for something more heated today as their debate, nay, argument had come to blossom as a result of long nights and dreadful projects. in the aftermath of the disagreement, kaveh will find himself in a pit of embarrassment and guilt for having stood his ground, but he couldn't accept it. he wouldn't accept it.

" to say that it's pride is only a portion of it, but i have never had to rely on anyone in my life --- i couldn't. there was simply no room for me to rely on anyone, let alone ask for it and --- that's why i can't stand by and simply allow you to help me, when you clearly do not wish me to help you in return. are we not equals ? do we not share a mutual form for respect, do you think less of me because you see yourself in a position to protect me and support me ? because i won't have you in such a position, zarina. "

it's not anger , per say , simply frustration. he is frustrated with how she puts up a mighty act of a stable, strong woman, for while she is ( archons know she is, she is so strong, and kaveh looks up to her in so many ways / had he been one for prayer, her feet would be the ones he'd find himself bowing to in seek of grace ) she remains as human as him at the end of the day. the pain and hurt he felt certainly were no strangers to her. does she not think he feels the way her face tends to drop the second he turns, or notice how her thoughts wander in the corner of his eyes when he find himself occupied by the desk ?

" let me look after you the way you look after me. let me take care of you the way you take care of me --- for it seems too long ago since anyone did the same for you. " crumbling in his stance ( is my love not enough for you ? ), the heated tone has come to falter in favor for a softer and honest one, as hands seek out to her cheeks, pleading to hold her tenderly in his grasp. " you are my life , zarina. how do you expect me to allow you to be my foundation when you refuse to accept it from me in return?"

@avaere

Their argument breaks out and nothing feels real for the first second. They’ve never argued like this before, it’s never come to this. It’s unusual for the architect to look at her like this and speak to her like this. It confuses her, it makes her wonder, and it makes her question exactly what brought this out. And the more words leave Kaveh’s mouth, the more confused and puzzled she becomes. It doesn’t make sense. It simply doesn’t make sense to her. Is he… not happy? Is he upset that she offers her support? Is he upset that she wants to keep him safe? It doesn’t seem logical nor does it seem like something he should be so frustrated over. The questions circle in her head and Zarina tries to search for an answer, but instead she’s met with a wall. She slams into it mentally as Kaveh keeps talking. 

—That's why I can't stand by and simply allow you to help me, when you clearly do not wish me to help you in return. Are we not equals?—

“We are…” Sokolova whispers to his question, still finding herself at a loss for words simply because she cannot fathom the reasoning for his upsetness, frustration, and fiery anger. It makes no sense for him to be hurt in her mind. 

 —Do we not share a mutual form for respect, do you think less of me because you see yourself in a position to protect me and support me?—

What are you talking about? Zarina asks internally, eyes empty and hollow at those words. Suddenly, his words echo in her head and she can’t find the will in herself to really suppress them. To her, everything he says right now simply doesn’t fit in her understanding. Is she not supposed to help him? Is this not proof of her love? Is this not enough for him to understand how much he means to her? Is this now what love is supposed to be about? 

Finally, Zarina isn’t weak to keep those she loves unprotected. She gained everything she needed to keep these important people safe. She has power, she has influence, she has money, she has it all. She has information on each and every important person in almost all of Teyvat. She has customers and clients who are of noble birth and who would beg for her to take a look at their cases. She has it all to ensure those she loves have a comfortable life. 

Because she, a woman who lacks any humanity behind her void gaze, can only feel human while being with them. They keep her a person. They keep her away from the numbness, void and hollowness. They keep her away from losing the joys and colors. They are her colors. Kaveh is her Sun and the person she wants to keep happy the most. 

But… 

—Because I won't have you in such a position, Zarina.—

…I’m strong enough to be in that position, am I not? Why don’t you just let me do it?  

She isn't weak. She isn’t weak anymore to have others fuss over her. She doesn’t have anyone to worry over her and try to keep her from harm’s way. Now she can take care of herself, she can protect others like she always wanted. There won’t be laughs of men cruelly kicking her and calling her a little princess, there won’t be Victor hurt while trying to protect her, there won’t be Aleksey who they fret over as her parents are gone, and there won’t be any other people they’d be indebted to who can use them for their own ridiculous schemes. 

No, she’s climbing to the top and it means she won’t have anyone look at her or her family the wrong way. She can tear apart anyone who dares to mistreat her or her family. She has everything to keep herself occupied, interested, away from the deafening silence and frigidness. 

Ah, but that’s not it. That’s not what Kaveh says and that’s where the dissonance happens. Her past clashes against her present.  

Why do you look at me like Victor did? I’m stronger now. I can protect you. I won’t be hurt anymore. There’s no need to worry, no need to try and protect me, I’m fine. I’m…

—Let me take care of you the way you take care of me --- for it seems too long ago since anyone did the same for you.—

His tone crumbles and she can see him reaching out. After all, she had no second to input any of her words into this conversation. His stream of words hit her a bit harder than she’d ever expected. It makes her confused, all too confused and lost.  

This means that she hasn't been successful or what does it mean? It makes her think of Victor who’s been trying to take care of her when she was rescued. It makes her think of how when she came to Sumeru, she was looked down on by Scholars and those who were against Snezhnaya. Now they love or hate her, seeking her out despite pride and prejudice because they know she’s stronger. Isn’t it fun to see those people crawl to her? 

It makes her think of her selfishness, her indulgence, her sick satisfaction with reaching the top and watching people who underestimated her crumble before her feet. But then it all dissipates, she’s grown bored and sought out more. Like a ravenous beast in the body of a beauty. All hedonistic indulgences fade with time aside from sex and planning. The long-standing plans hold her interest for a little while longer until she’s left disappointed or satisfied for a medium period of time. It all fades, but not the warmth she feels when she’s with those she loves. Not with Victor, Aleksey, Kaveh… Not with them. Not with him. 

Oh, but Kaveh reaching out to her both emotionally and physically almost makes her feel fear. Almost, if not for her control over the internal state. It’s a titanium hold, but when his hands touch her cheeks, Sokolova feels something inside start to crack. The whispers in her mind say over and over again how he’d find her revolting, tyrannical, and cruel. He doesn’t know how little care for the world and its riches she has. 

She’s always lived selfishly, so giving to her loved ones feels like what she can do. After acquiring everything because her selfish self wanted to see how far she’d be able to reach, this development seems to be… baffling. 

His touch and his last words bring her out of that stupor. Still, confused and puzzled over these confessions within the argument, she feels at a loss. Emotions aren’t her strongest forte. Nay, genuine emotions aren’t her strongest forte. Zarina knows how to use them, manipulate them, and twirls them for her own benefit, but right now? It’s not about manipulation and malice. It’s not about shadows and darkness. It’s not about survival. It’s about… love, trust, and communication. 

Everything she wanted to protect since childhood yet never surrounded herself with until return home or when Kaveh was by her side. 

“What do you mean you don’t help me with anything?” She suddenly asks, her voice coming out genuinely puzzled but her eyes… Her eyes are bleak and cloudy, no, they’re hollow and empty when she begins. His hands against her cheeks feel so hot, her own body feels so cold. Is it because of her vision or is it because she remembered everything from that past? She doesn’t understand him, or does he not get the amount of things he does for her without knowing? “You always do. You’re the only one here who does.”

No one in Sumeru matters. No one in several regions matters aside from Snezhnaya where her brothers stay. Kaveh doesn’t know. He doesn’t know the ‘survival of the fittest’ rule she lives by, rules by, orders by. 

Zarina brings her left hand up, touching his hand but she doesn’t yet grasp it. Her fingertips grave over the fabric covering his wrist. She worries that if she grasps it, she’ll break it. Zarina recalls her first hunt in the snowy plains of Snezhnaya. She doesn’t want to break him.

“You make the nightmares go away. You make me feel safer than I’ve ever felt since…” The agonizing pain, the loud screams, the laughter of those who had control. “...since I was hurt,” Sokolova looks away for a moment, her words feel like they’re spilling out as if in desperation to get him to hear, to understand, to give him enough to have an idea but not dive into details (not yet). “You indulge me, you give me your time. There’s no silence, no hollowness, no void. You make me feel…”

Clarity returns to her golden eyes. The silverette takes a second to breathe, finally letting her fingers wrap around his wrist (tenderly, carefully). Her shoulders drop, her expression is one of light exhaustion and still flickers of bewilderment. 

“You make me feel human.”

It must be so strange to hear, isn’t it? To feel human. Isn’t she almost the most beloved in all Sumeru for her scholarly achievements, for her charismatic nature, for her connections and for her being the strongest candidate for the Amurta Sage? And yet, Zarina knows better than anyone that those achievements are not done for the sake of gratitude or betterment of the world. It’s selfish, it’s ambitious, it’s all out of boredom and pettiness. 

“You never ask for anything. I have power, I have money, I have connections, I have it all, but you never ask for anything,” she starts off. “You are my equal, if you were not…” She lets out a soft chuckle, but it’s sharp and cold. “...I wouldn’t fall for you, love you, treasure you, want to give you as much as I can. If you were not my equal, you’d be lost in the sea of faces I meet.” 

Golden eyes return to look at him, but she doesn’t smile nor show any emotion. If anything, she’s stone cold, but not guarded. She doesn’t hide, but there’s no bright light in her gaze and in her behavior.

“Do you… really think that I’ve reached all of what I have today through honored and honest work, Kaveh?” She gives his hand a gentle squeeze, but her golden eyes are growing colder the more she thinks about what she’s done… and how she feels no guilt or remorse or regret over everything. The people’s screams, the Abyssals’ pleas for mercy, the blood, the merciless ends, the survival. “Do you really think that I don’t see you as my equal? If I didn’t care about you or saw you as my equal, you would’ve never even gotten a glimpse of who I am. Like everyone else in Teyvat.”

A hard hitting sentence, isn’t it? Especially said with that razor-sharp gaze and a voice that got deeper as if she growled it out. But instead of showing the same cold-hearted ferocity, she presses her lips together and looks away from him as if ashamed. It’s not that she’s ashamed of who she is, but she is unsure of how much more she can say. 

“I… don’t know how to let others care for me,” she admits. “I don’t know how to stop protecting who I care about. And I don’t think… You’ll look at me the same if you learned the things I have to do to survive…” But also because when you’re not here, the boredom and silence come back in full force and I return to those frigid days. “What if the person you love is only kind to you, Kaveh? Will you hate me for it?” 

There’s a glimpse of cracks, of a weight no one ever expects someone to carry. But she doesn’t mind that. If it means she’s indulged and her family is protected, it means nothing. Is she really human when she does not feel any remorse for all the things she’s done? Perhaps, the only remorse and sadness comes when it comes to Kaveh. What if he fell in love with a phantom? What if her sharper and crueler sides will scare him away? There’s no fixing that. It’s simply who she is. 

“I don’t understand you.” Her lips are pressed together in frustration. “I don’t understand what you mean by taking care of me more than you already do. I don’t understand what you want from me right now. All these riches, all these connections, all of what I have… They are nothing compared to what you’ve given me. You taught me that I can love, I can experience love, I can feel it.” She brings her other hand up to touch his, but then pries his hands away from her face to hold them instead. “And yes, it doesn’t make the world better and it doesn’t make colors seem brighter, but it settles me down. It makes me… think that a normal life isn’t out of the question for me.”

 Then, Zarina laughs. But it’s hollow and bitter and feels like shattering. 

“To accept your help, I must give up control… of everything I am. And if I do,” she lets out a soft exhale. “I don’t know if I’ll be able to pick myself up if you reject me.” 

Finally, she smiles but that smile is soft and careful. Not sharp, not hollow, not cold. It’s more familiar to him. It’s more genuine, it’s as genuine as she can muster when her mind remembers everything she does behind his back to remain on top. She cannot simply end everything she rules over, it’s already too late. Too many people want her head, too many people rely on her, too many people have their eyes on her, too many people wait for her word like their only prayer.

“You are my lifeline, Kaveh. You already give me so much, I want to…” She gives his hands a squeeze, gaining up courage to say the next words. He’s more important to her than everything she’s acquired. She’s lived her life selfishly already. “But alright. I don’t yet understand, and that’s why… Can you teach me… how to let you care for me in a way you meant?” Without this iron control over everything. As she holds his hands in her own, she bends down to press her forehead against his knuckles. A beast offering its leash to another, she hopes he won’t turn away the more she opens up. “But please, I’m begging you, give me time to tell you everything. My life belongs to you, you are my heart. I still don’t understand, I probably will struggle, but be my guide here. So please,” she straightens up and gives him another small smile. She’s trying. It’s obvious. She’s trying against everything she’s been taught by life, by experience, by struggle and torturous existence. But for him? She’s trying. It’s tense, but she’s trying. “Be a patient teacher with me. I’ve never… been protected… and I haven’t been cared for since my childhood.”

[isekyaaa]

I really want more non-villain male characters that rank really high in emotional intelligence and use it to their advantage. I want men that know the ins and outs of how people work and tailor themselves and how they act to get the desired reactions and results out of them. I want men that can turn angels out of demons and make even the bitchiest of Karens worship the ground they walk on. But I don't want them to do these things to achieve lofty goals. I just want them to act this way because that's just how they naturally are.

[sysig]

Predator and Prey (Patreon)

[lucysweatslove]

I took my octopus plushie (he still needs a name) with his lil frown to my husband to ask for a hug. Mainly because I didn’t feel like speaking. After said hug, I flipped him to his happy face.

Husband, smiling: “Is this how you’re going to communicate now?”

Me: nods

It IS effective. I may be intelligent and verbal and “high-masking” and could verbalize what I need, but communication tools including lil emotion plushies are still so helpful when I just don’t want to put forth effort of real words.

[reiyaus]

fem reader intended

fiancé gojo who shocked the jujutsu higher ups when he revealed his engagement to you, a grade 1 sorceress with no relation to any big 3 clans. imagine their surprise when he decides to get married out of love and not just to create a heir.

fiancé gojo who teaches with you at jujutsu high and is the reason why you can barely arrive to classes on time. with his pouty face and insanely toned biceps trapping you in his hold, who are you to say no?

fiancé gojo who whines when you actually leave him to teach your students, feigning offence when megumi shoots him a disgusted glare.

fiancé gojo who often joins in on your lessons when he starts feeling lonely, acting as if he were your actual student. your annoyingly smart A+ student who does nothing but brag about his intelligence.

fiancé gojo who likes to text you and send silly voice messages no matter the situation. picture satoru replaying his minute-long burp vm in front of the jujutsu higher ups so that he makes sure you can laugh at it (spoiler: all you feel is disappointment).

fiancé gojo who thinks it’s absolutely hilarious to flaunt his engagement and watch the irritation on their faces turn into pure horror. because for gojo, flaunting means interrupting you mid-sentence to practically make out for a minute straight.

fiancé gojo who asks everyday, “should we have our wedding now?” and sighs dramatically when you tell him to be patient. not that he’s actually mad, though. he likes the giddyness he feels while counting down to your wedding date.

fiancé gojo who drowns you in affection and praise after every mission, crying his heart out (jokingly) about how he felt like an abandoned princess waiting for her prince to come back from war.

fiancé gojo who, deep down, thanks the skies above that you get to come home safely everytime. and while he’s a jokester, all the ‘missing you’ parts in his sob stories were true. because while he knew you were strong, the lingering worry of you running into something way stronger bit his ass everytime.

fiancé gojo who indulges himself in your warmth, ignoring every single notification his phone pings out.

fiancé gojo who has a hold on you so secure, even during sleep, that you have to wake him up before he presses on your bladder any further. now you have to deal with his complaints of “do you not love me anymore? Is that why you let go? you’re so mean!”

fiancé gojo who shuts up when you offer to wash his greasy hair, immediately situating himself in front of you and leaning into every single touch you place on his head.

fiancé gojo who ends up getting you wet and makes a stupid excuse so that you can bathe together. no matter how difficult, the feeling of your skin against his was enough to get him through the day.

fiancé gojo who settles your back on his chest, lifting your arm to trace “satoru 🤍 [name] 4eva”. what a cutie.

fiancé gojo who genuinely can’t wait until he sees you walk down the aisle, exchange the vows he’s been working on since you first met, shamelessly give you the most passionate kiss ever (in front everyone you know and love), and officially get the privilege of calling you his wifey.

[galadrieljones]

It speaks volumes when Lavellan calls Solas a "terrible liar" in the Cobbled Swan. Rook is, of course, confused by this. "He's the god of lies," she says. But Lavellan clarifies, because that's not what she means. She means that he can't tell "lies of the heart." That is why he had to turn her away, because he actually could not deceive her.

Varric, very early in the game, also refers to Solas as "sentimental." He says to Rook, "He could burn the world down, and the thing that would make him cry is a single flower with blackened petals."

There's something very interesting about the elven god of lies and deceit, who unwillingly wears his heart on his sleeve, essentially creating a new version of the world in which all sources of raw, magical *emotion* that, according to him, used to imbue it with so much life and beauty have been compartmentalized from the more brutish, harsh aspects of the physical world. Because he, himself, has had to do this very thing to his own heart. He's "split." A very cool archetype. When he tells the Inquisitor to "harden her heart to a cutting edge" in Inquisition, he is projecting. Solas has built a "veil" within himself, to protect his more stern, militaristic identity as The Dread Wolf from the effusive, soft, and intelligent man that is Solas. It's the only way he can get anything done. Perhaps we should more aptly call him the god of stoicism and compartmentalization.

It's also interesting how well characters like Varric seem to know Solas, because it communicates that Solas did open up to the people of the Inquisition, during which time he "played the role" of quiet, unassuming Fade mage. Perhaps this wasn't a role at all, however, and perhaps this is why he is failing so spectacularly now. Who he really is is just this man who fell in love and made friends and found a home within a community where he did not have to cut off his emotions in order to lead. This was the "breach" in his plans, so to speak. It tore his world apart.

The whole story of Veilguard actually starts because Varric knows he can appeal to Solas's emotions and that this has a high chance of working to some degree. It's important to remember that while Varric didn't change Solas's mind at the ritual site, he was able to keep Solas talking long enough for Rook to sabotage his plans. Solas entertains Varric's pleas, because, sort of as Rook guesses with Lavellan at the Cobbled Swan, in some ways, Solas wants to be stopped. He wants someone to pull the reins on him because he is too prideful to stop himself.

Thinking back to Trespasser, I remember we all sort of knew this right away just in reading his body language. I remember someone making a whole post about it, and how he will not allow her to get too close to him. When she approaches, he takes a very measured step back. And later, as he takes the anchor, a task which requires him to take her hand, we see exactly why this is. He breaks down, calls her his "love," and kisses her. He is so stern and so measured and in "control," but then, all it takes is a single touch from the woman to whom he showed a glimpse of his true heart, his true self, to bring him to his knees.

The Veil as a narrative manifestation for how Solas tends to seal his own raw emotions away from others in order to function as the revolutionary general he had to be for centuries is a very beautiful construct to me.