#These characters will kill me one day

[transmasccofee]

I’m so obsessed with the saiki brothers it’s not good for me. Like it’s the fact that they care about each other that torments me. They don’t actually hate each other, it’s just years and years of built up resentment and distance on both sides, as well as the added bonus that is Kuusuke struggling to see his brother as human.

[ruporas]

invisible scars (referenced previous talk here)

[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."

Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”

Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.

At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.

"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.

Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”

Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."

In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]

Credits for ID here and here

[rockpaperscissuhs]

BAND OF BROTHERS: EPISODE ONE + my favorite closeup shots

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[murk888]

Aro 👉👈

I DIDN'T HAVE MY TWILIGHT STAGE IN TIME, OKAY?!? Now I watch the films while dying from laughter most of the time, their faces I can't-

MICHAEL SHEEN >>>>> 🛐🛐🛐🛐🛐

[fumifooms]

What if we were both magic prodigies and it otherized us in different ways and we devoted ourselves to protecting a family member who has general other goals & priorities. What if we both did self-sacrifical devotion in opposite ways.

What if we were dark mirrors of each other and where I've grown overcontrolling you've grown complacent. What if, bought as a servant into a pretty loving home, ownership and control is what love looks like to me, and to you neglected and lonely growing up, love is gratefully taking any scraps of it you’re lent.

By belonging to someone, even if she comes back injured or fails at finding Delgal, she feels like she belongs and is cherished, by owning someone he feels safe in them not leaving him.

She’s what’s tethering him do you see… And he’s the only thing giving her direction and purpose in her state. She needs a compass and he needs a support.

They’re both so out of it 😭 It’s the weirdly intense and unearned mutual trust and reliance on each other?? They’re each other’s weird little comfort codependent teddy bear. Or at least they were headed towards that before SHE DIED THEN HE DIED THEN THEY BOTH FORGOT ABOUT EACH OTHER AND NEVER MET EVER AGAIN. Though she’s also the guard attack hound keeping him safe… And vice versa he heals her and can rewrite her very being with just one wave of his hand. They’re both so so mentally and physically vulnerable both but they cling onto each other. They can’t perceive things accurately but despite it all someway somehow they stumble into something closer to resembling companionship just before they both die. Falin is just that kind and Thistle is just that lonely. Overworked. We both haven’t lived for ourselves in a very long time, haven’t we.

They both have a similar devotion to the people they love but again the difference is that Thistle starts overtsepping while Falin is self-effacing. The other difference between them is that people care about Falin <3 People have given up on Thistle long ago, and he has given people reasons to, while people refuse to give up on Falin. Yaad has a mini arc about it dw about it it’s ok he’s not all alone in the end 😭😭 He reached out for Marcille’s hand but they already all wanted to help him, they just had to be given the chance to, Yaad just had to be given the chance to, it’s okay I’m okay

Hey what if we learned to get in touch with our own identity and the world around us and living in the present again through being in the worst codependent situationship ever.

Falin and Thistle sitting in a tree, sucking on flowers together because they’re h-u-n-g-r-y 💕💕💕

I bet he’s only ever thought of flowers as useless ornaments. Weak weeds. But she shows him they’re tasty and useful and good and pretty in their own right too and deserve existing without proving their worth and waaa <33 Thistles…... Did you know thistles taste sweet if you remove the thorns and eat them?

"Even as a chimera, her kind nature remains" you can’t suppress her in the way that matters. You can’t soothe him in the way that matters. It’s doomed. You’re doomed. It’s all doomed. Save me.

[navree]

"rhaenys could have ended the war by dracarysing all the greens right there" yes because a distant relation to the throne deciding to barbecue an anointed and publicly positively hailed king and his entire family who is well loved within the city and in multiple other parts of the country for the sake of the succession of a far-away princess no one was ever on board with who hasn't been seen by the populace in literal years, her psycho husband, her three obvious bastards, and two toddlers from the psycho husband would go over super well with westeros and especially in king's landing where scores of the still-cheering population were killed for no reason by that same dragon who would do the barbecuing, because when targaryens act unilaterally without thinking of how the people would react there's never any problem, which is why the storming of the dragonpit and robert's rebellion were actually just collective delusions dreamed up by readers who hate rhaenyra and not key parts of the story and house targaryen's history that directly contributed to their demise and are intrinsic to the plot

truly team black stans are made up of only the most genius and media literate amongst us

[ominous-horse-noises]

not done talking ab fhjy actually so i'll just say some of you guys who go on about how you could've done better themes and narrative arcs can't even think critically about the one in front of you.

i do wish that the other bad kids had interacted with their foils more this season because it was fun seeing them trade insults, but i also dont think it would've done much for them. i mean, people forget the tbks did try to turn reuben early on (they literally saved him from grix even though it was his fault he showed up trying to kill people). adaine thought oisin was cool and tbks were onboard with thinking maybe he wasn't that bad, and then he sent his grandma to murder them and their entire school. fabian tried to get an 'in' with ivy and it nearly cost him a genuine relationship with a character who had a way better chance of helping them figure things out without the risk of being betrayed. kipperlilly had an ego-driven hateboner for riz since BEFORE the rage stars and killed her own party member in cold blood just to stick it to kristen, and you're telling me that she could've been my little ponyied into giving up her chance to squash the symbol of all her inadequacy? buddy and maryann are the only rat grinders who havent fucked them over meaningfully and guess what? they're not thrilled about having to kill them- they're actively avoiding targeting them! almost like theyre capable of distinguishing between someone not on their side and someone who's proved to be a threat!

brennan made it pretty clear that trying to befriend trgs in their rage forms was futile and actively punished it ingame. you can have your opinions of that, but it definitely had a narrative point: if you get rage starred, you cant be 'this isnt youuuu'd out of it. you think ONLY of rage, and rage can't be reasoned with. it's arguably worse than death, bc at least someone can revivify you and there's no lasting consequences. think about how hard brennan was trying to push the ihs into taking rage tokens. he knew exactly how dire he'd made the consequences and that was on purpose. the season has no stakes if you can just talk your way out of being rage starred bc tbks could save each other easily. the whole climax literally can't happen if trgs arent being evil bc porter can't be a living god of rage without followers. tbks hating trgs isnt a flaw in the story: it IS the story.

[hinalatte]

A Thematic Analysis of Chapter 2’s Killer

Drdt spoilers. Obviously

There’s a lot of people who have started liking Ace more since this episode. I am not one of those people. He’s always been my favorite character. I’ve suffered from paranoia as well, and it sucks when people don’t take that shit seriously. Just because it’s irrational doesn’t mean it’s not harmful, and just because it’s stupid doesn’t mean the person suffering from it is stupid. I related to him a lot because of that. His issues are constantly downplayed by the people around him. Either that, or they think he’s irreversibly crazy for fears he can’t really control.

But besides that, I like him because his brain is fun to pick apart. He has so many problems. It’s a genuine shame he’ll never be able to get over them. It’s not the direction I expected his character to go, but it makes a lot of sense.

All that glitters is not gold.

The title made me think that a “good person” would be the killer, but it was Ace, a “bad person.” And his victim was Arei, another “bad person.” The people who died this chapter were the cast’s “worst people,” people who were outcast by everyone else for being bullied. But this chapter also shows their human sides—maybe they were only bad people because they were never given a chance to be good, like Arei. Maybe they were pushed to extremes because nobody treated their problems seriously, like Ace. Meanwhile, the cast’s “good people” are all revealed to be worse than they seemed. That was the thematic reason behind the motive secrets. Some of the others have done things far worse than Arei or Ace.

Nico was someone most of the cast liked. They were never mean to anyone, and they were constantly the victim of Ace’s bullying. They were easy to like, or at least easy to not hate. They quickly formed a bond with Hu (because Hu seeks out people she thinks need her protection). But in this chapter, they tried to kill someone. They admit themselves that it was reprehensible. Nico is a “bad person”.

Hu was supportive of everyone in chapter 1, positioning herself as a motherly figure. She was kind, caring, and helpful. But in chapter 2, she infantilized Nico to the point that she thought they can’t speak for themselves during the trial. She let biases cloud her judgement. She derailed the trial without good reason, because she wanted to be helpful to Nico, even when they weren’t asking for her help. Hu is a “bad person”.

Levi was called a good person by Eden at the start. He’s polite, takes care of other people, and reached out to Ace of all people. But in this chapter, it’s revealed that he did all of that for his own convenience. He doesn’t care about other people. He’s a murderer. He’s a “bad person”.

Levi threatened Ace, making Ace’s paranoia worse. Nico tried to kill Ace, confirming Ace’s idea that he was going to die if he didn’t get himself out of the killing game. Hu defended Nico, confirming Ace’s idea that everyone was against him.

The so-called “bad people” are cursed to die, while the so-called “good people” are shown to have been bad all along.

And isn’t that far more interesting than showing that good people can do bad things, and ending it like that? Now all the so-called “good people” have to live with the fact that their actions led to Arei’s death, without having been Arei’s actual killer. Arei was killed by the cast’s mistreatment, negligence, and trivialization of Ace Markey.

Thematically. Not literally, of course. Ace did that.

But their culpability in Arei and Ace’s deaths, even tangentially, shows in full color the consequences of letting their flaws go unchecked.

And in the context of Nico and Hu specifically, I can’t wait to see how that impacts them in the long run. Chapter 2 was all about facing the darkest sides of some of these characters. So wouldn’t it stand to reason that Ace’s death would influence some of them (like Nico) to examine their actions more closely and try to grow from them?

I can see Nico cutting off their friendship with Hu after this. She refused to acknowledge their fault in the situation. Since Nico is an objective person, I think they’ll understand the part they played in the Ace/Arei situation, and want other people to understand it as well. They won’t want Hu’s misplaced protection anymore.

And for Hu, I have no idea where she’s going after this. After her performance in this trial, where her flaws were pointed out to her by all the other characters, is she going to reflect and change? Or is she going to regress first, especially now that Ace, who she believed to be a villain, actually snapped and killed someone?

A big theme of chapter 2 has been growth. Ace shows the consequences of not growing. He was pushed to murder because of the rest of the cast not confronting their flaws, and he himself committed the murder because he didn’t know how to change.

It’s a bit of a hopeful spin on his death, but I’ll be honest—I’m still majorly bummed out about it. His life has just been terrible and will be terrible until it ends. He’s a horrible person with blood on his hands. He’s a coward and a bully who is hated by everyone. It’s all he’ll ever be, because he’ll die before having the chance to be someone else. Nico, through the sheer coincidence of having their murder interrupted, will be able to grow and change. Ace never will. A terrible life and a terrible death for a terrible person. And he won’t be missed. Not like Arei. Not like Min. Not like Xander. People like Nico, Rose, and Eden may feel bad about it, but no one will miss Ace specifically, because no one likes him.

If you were able to change and become a better person, it only means you were a good person to begin with.

If you weren’t able to change, it means you were doomed from the start. There’s no use trying.

There’s another world where people took Ace’s fears seriously. Where they didn’t dismiss him as a joke at the start and a volatile dog at the end. He might’ve survived if that happened. No matter what David says, bad people can change, if they know how to do it.

When this chapter finishes, I might make a full thematic analysis of it. There are still a bunch of things to say. I’ll just leave this post off with: Nico survivor stocks going up! Invest now!

[vaggieslefteye]

NIFFTY, Hotel Maid | 1x02 - Radio Killed The Video Star

"We're about 80% sure she's harmless!"

[gabs-magical-abs]

Queer women who have never seen Xena before are gonna be in for such a treat when they finally watch it

[mychemicalbrromance]

SKETCHES manga spoilers under the thingywingy

[ruporas]

post ep 11

[youngpettyqueen]

I need to talk about Julian's whole thing with Sloan in Extreme Measures cause it does actually make me feel a certain kind of rabid

Extreme Measures is a great episode for the Julian/Miles dynamic and has a lot of great moments with them but I think an underrated element of the episode is how it very plainly shows just how much the Dominion War has changed Julian, and how his morals have shifted into a much greyer area

Julian in this episode is very callous towards Sloan even as he's literally dying. he has no issues violating Sloan's mind, and when Sloan dies, the only reason he actually cares is because the answers and secrets Sloan has will die with him. truly cannot emphasize enough just how deeply Julian fucking hates Sloan, and sheer hatred isnt something we really see all that much from Julian, especially not to the degree he was with Sloan

even with that, though, Julian has never been like that with another patient. Julian doesnt let his personal feelings get in the way of being a doctor, and always treats his patients with the utmost care and his best work. Julian was willing to find a cure for the Jem'Hadar's addiction, simply because they asked for help, even if it meant potentially making them into a much bigger threat than they already were. Julian treated Tain in Camp 371. and, sure, Julian does treat Sloan, but he does so explicitly because Sloan has information they need, not because he has any care for Sloan's life

and I think that- his willingness to violate Sloan's mind to get what they need, and how he didn't particularly care that Sloan died- is a really bleak look at just how much the war has changed Julian and how much it's shifted his moral compass. throughout the war, Julian has been ordered time and time again to compromise his morals. add to that several traumatic events- multiple of which are orchestrated by Sloan- and a slide into deep depression, and it's no wonder he gets to a point where he can do the things he does in this episode

and I dont think it hits him until much later. I think one day, long after the war has ended and theyre still rebuilding everything that was broken, Julian lays awake at night and remembers how bad it got and what he became willing to do, and it makes him sick to his stomach

[violetvulpini]

THE NEWEST EPISODE HELLO???? ITS SO GOOD also made me realize I never posted these old doodles anywhere. Hands them to u

[evil-women-step-on-me]

Sayeon Lee: A Tragedy of Her Own Making

"Am I a bad person? Or just a weak one?"

It would have been easy for Sayeon Lee to be drowned out by her more colorful supporting cast.

The main three, for example, have their own main character-level backstories. Ryujin's adoptive family was massacred by the Aberrant Corps, the organization she is then forced to join; she seeks to avenge them by killing the Level 9 officer behind her family (and maybe crush's) death. Iseul's father was an apparent beacon of goodness within the shady Aberrant Corps and died before Iseul came of age; Iseul strives to succeed him, even though the Corps is a darker organization than he could ever imagine. Min was stripped of his essence at a young age, the trauma forming his stoic, mute personality. He joins a gang of criminals led by a woman he probably loves- even though she will never love him back- at least not in the way she loves her real sister, Sayeon Lee.

And who is Sayeon Lee? She's a hard worker. She… goes to school. She had maids? Her day-to-day existence is pretty cushy. It's explicitly stated that Sayeon has never worried about money, and probably food. Samin provides her with everything should ever need. As Officer Cha drives her to the Corps, Sayeon worries about her salary.

And despite how sheltered Sayeon is, and how "normal" her goals are compared to everyone else's ("Make the world a better place"…. ok, gurl) Sayeon still manages to be a devastatingly tragic character. To me, the reason is simple: Her tragedy is largely of her own making.

After Samin killed her best friend's dad, Sayeon could have reacted in so many ways. She could've tried leaving the home, or she could've not. She could've accepted Samin (and her family's) criminal history by acknowledging many of their actions as necessary, or she could've not. She could've lived her life and tried embracing the things that bring her happiness- or she could've not.

She doesn't, she doesn't, she doesn't. Sayeon chooses, inexplicably, to become a prosecutor. She studies until her nose bleeds so that she can get into a top school and put people like her sister in jail. She rejects having friends, hobbies, comfort, or any leisure throughout her teens just so that she can fulfill this purpose. She, essentially, rejects happiness itself.

And she didn't NEED to. From the start, no one has forced Sayeon to do anything. In fact, she has something that no other member of Cell 4 has: the backing of an ultra-powerful, ultra-rich family member who would do literally anything for her, no strings attached. Sayeon is the single most privileged member of Cell 4.

Ryujin didn't choose to be captured by the Corps. She didn't choose to sit in jail for years. Iseul is happy to be at the Corps, but he didn't have a choice in that either- unlike Sayeon, he isn't conveniently related to a family of supercriminals that would bail him out if he wanted something different. Min has had so little choice in his life that his character is basically defined by it. Even now, he is watching Sayeon on another person's orders. Does he even know he has a choice?

By contrast, Sayeon is FREE. She's still bound by society in some ways, so no, she won't become a prosecutor. But she had a choice between the Corps and a luxurious underground life as the untouchable sister of a superpowered heiress, who built an entire criminal empire just to protect her, and loves Sayeon with her whole heart and more.

And Sayeon still chose the Corps.

Sayeon is so mad with guilt and grief, so stuck on the idea of becoming society's Perfect Angel, the embodiment of her country and culture's ideals in some twisted form of repentance for something that she didn't even do- the actions of her family, which she did not choose and could not control- that she rejects happiness every time.

THIS is her fatal flaw. THIS is Sayeon's tragedy.

Not that she doesn't have a choice. But that she's always had one.