#There is another character design that I've had with me for years

[pyjamaart]

Every time someone complains about Fully Charged Airmans design, my love for him grows even stronger.

I feel like most people are mad that he isn't blue. Like back in 2014 when people complained that Sonics arms were blue in Sonic Boom. But I honestly don't think it's that big of a deal.

But if you see Fully Charged as an alternate universe to the classic series (which it is), then I don't really get why you'd have to complain about Airman not being blue. I think it's good they tried something fresh with the robot masters. They didn't have that much personality in the classic series, to be honest, compared to Fully Charged. I just think he needed a little more screen time to focus on his character. Just like many other robot masters on this show.

Okay, I have to admit, I did change around his colors a bit for a joke that would have gone along the lines of "Just hire fans, lol", but it actually ended up looking pretty cool, so I can't really make that joke anymore……. Really shot myself in the foot with that one. Anyway, here's blue Airman:

I still think that an episode featuring an air race would have been really really cool. They could have introduced a robot master like Gyroman as his rival. Maybe losing that race could have been the start of his character arc where he finally confronts his inferiority/superiority complex. Along the lines of "Flying is all I have left! If I can't have that, what else am I supposed to do?" Well, now that we're already in headcanon territory, I might as well tell you about all my other ones involving Airman. I believe his family is suuuuper rich. All his siblings have well respected careers and probably make his parents buckets of money. Meanwhile Airman is like the youngest sibling who dreamed of becoming a professional racer, which his parents didn't support at all. Kinda reminds me of another robot master under Lord Obsidians command whose dreams were crushed by his parents......

And as we've seen in that one episode, Airmans siblings are assholes. They just pretend he doesn't exist, like he never belonged to their family at all. Like they're ashamed that he's such a failure.

Oh damn that got dark again, sorry. But just like Drillman, he gets better in the end. While Drillman gets Woodman to look out for him, I've had the headcanon for a while that Airman gets taken in by Blastowoman, since she's also a flying robot master like him. Maybe she even gets him a job as a cargo bot alongside herself. I feel like he really needs someone supportive who's not afraid to call him out on his bullshit in his life. And because I have another headcanon that Blastowoman actually has an adult child (Blastman, lol), she's like the perfect woman for the job. ;)

Coming back to Airmans design, I did change some things about it for this particular piece of fan art. When I was trying to come up with an awesome pose to draw him in, the first thought I had was "Damn, I gotta give this man some heels." And that's exactly what I drew.

Sorry for not posting anything for 2 months btw. I got addicted to Metaphor ReFantazio ;) If that doesn't become game of the year, I'm gonna be real mad.

Jenny out.

[lumilasi]

Doodled this today during workshop with my watercolor markers. I actually meant to draw her yesterday already for International Women's day, but I forgot lol

I was kinda wondering too, why she's my favorite lady rn, even though I only just made her. Then it hit me as I thought about it some more;

Technically, she has existed ever since I was a child, or a version of her has.

My first ever human oc I thought up - long before I could even draw humans properly, so we're talking when I was like....8-10 - was in fact a boss lady with long white hair on a ponytail.

Her name/outfit/story details/etc. have changed a lot and multiple times over the years (her having a Japanese name/being inspired by Japanese mythology was never a thing until she became Kouka lol), but the hairstyle and the fact she was a leader figure, and a calm, confident woman always stayed as a core part of her character.

Sometimes this gal was her own character, other times my avatar for a kid's imagination adventures. Even though I didn't knowingly/ consciously take this "avatar" from my childhood to put into good use, it is apparently what happened.

(other character I can recall from that time - this one never actually left my brain or became a proper character - was this black-and-white goth emo magical girl whose design based on the yin yang symbol and some cool outfit I saw some teen girl wear at the time lol)

[glitter-alienz]

screenshot redraw!! 💪🏾

[sysig]

Really digging out the old OCs now; Pan-na, Pilok, Azalea, squirrel boys Will and Damien, and Cupid and Venus <3 (Patreon)

[7-7-cherry]

Ichiro day!!

[aletterinthenameofsanity]

Y'know, there's this gripe I've had for years that really frustrates me, and it has to do with Love, Simon and people joking about it and calling it too-pg and designed-for-straight-people and all the like. (A similar thing has happened to Heartstopper, but that's another conversation.)

I saw Love, Simon in theaters when it came out my senior year in high school. I saw it three times, once with my friends/parents on opening night, once with my brother over spring break, and once with my grandparents.

On opening night, the air in the room was electric. It was palpable. Half the heads in there were dyed various colors. Queer kids were holding hands. We were all crying and laughing and cheering as a group. My friends grabbed my hands at the part where Simon was outed and didn't let go until his parents were saying that they accepted him. My friend came out to me as non-binary. Another person in our group admitted that she had feelings for girls. It was incredible. I left shaking. This was the first mainstream queer romance movie that had ever been produced by one of the main five studios, and I know that sounds like another "first queer character from Disney" bit but you have to understand that even in 2018 this was groundbreaking. Getting to have a sweet queer rom-com where the main character was told that he got "to breathe now" after coming out meant so much to me and my friends.

But also, from a designed-for-straight-people POV (which, to be frank, it was written by a bisexual author and directed by a gay man, this was not designed for straight audiences), why is it a bad thing that it appealed to the widest possible audience? That it could make my parents and grandparents see things in a new light? My stepdad wasn't at all interested in rom-coms but he saw it with me because it was something I cared about and he hugged me when we came out of the theater. My very Catholic grandparents watched it with me and though my grandpa said he still didn't quite understand the whole 'gay thing,' all he wanted was for me to be happy and to have a happy ending like Simon did. My Nana actually cried when Simon came out and squeeze my hand when his mother told him he could breathe.

And when Martin blackmailed Simon, my mom, badass ally that she is, literally hissed "Dropkick him. Dropkick him in the balls" leading to multiple queer kids in the audience to laugh or smile. Having my parents there- the only parents, by the way, out of my group of queer and questioning friends- made multiple people realize that supportive adults were out there. That parents like those in Love, Simon do exist in real life.

When people complain about Heartstopper not being realistic or Love, Simon being too cutesy, I remember seeing Love, Simon on opening night. I remember my friend coming out and my stepdad hugging me and my mom defending us through this character. I remember the cheers that went through the audience when Bram and Simon kissed and the chatter in the foyer after the movie was over and the way that this movie made me understand that happy endings do exist.

Queer kids need happy endings. Straight people need entry points to becoming allies. Both of these things can come together in beautiful ways. They can find out about more queer culture later, but for now, let them have this. Let them all have a glimpse at a better, happier world. Let them have queer joy.

[esperderek]

I have to have a chuckle at the Screenrant article posted recently about the Galactic Starcruiser, which totally wasn't about Jenny Nicholson's video honest.

In part, because early in Nicholson's video, she talks about how unnatural it is to have your influencers speak in adcopy and copyright rather than the more colloquial nicknames, and how it makes the people speaking about the product seem very insincere and, well, paid off. Because normal humans don't speak that way, but advertising does.

What's the first two lines in this article?

"As a life-long fan of Star Wars, there was nothing quite as exciting as finding out that I would be working on the immersive Star Wars: Galactic Starcruiser experience. Located at the Walt Disney World Resort, the Galactic Starcruiser opened on March 1, 2022, and welcomed passengers to board a two-day, two-night cruise through the stars, during which they could live out their own Star Wars adventure."

No one talks like this naturally. No one writes like this naturally.

This is supposed to be your passioned defense of the place you worked at, the people you worked with, and the memories you made along the way. C'mon! Why don't you open with a story, perhaps an anecdote about the best moment you had working there, or the devastation of the day you lost your dream job. We need to feel your humanity! But there's nothing of that here, to the point where you can just hear the TM behind Galactic Starcruiser.

The first half of this article continues in this vein, reading like a press release Disney marketing put out, just with past tense rather than present or future tense:

"Essentially, the Starcruiser experience was a 48-hour movie that passengers were actually a part of. It was all facilitated through the "datapad," which was accessed through the Play Disney Parks app."

"To facilitate the overarching immersive experience and storytelling, the Starcruiser built a jam-packed itinerary for each and every guest that would consist of a variety of important activities: the captain's toast at muster, a bridge training exercise, lightsaber training, and more. These types of events were essential to understanding what was happening, as they would give passengers the chance to interact with characters and build their story. This is why the Starcruiser could never be just a hotel; every part of it was designed for enthusiastic interaction."

Like, c'mon. I used to work in television. I've seen and used adcopy in my former job, and this is some serious adcopy. It honestly wouldn't shock me if the author dredged up some old adcopy they had lying around about the topic and just transferred it over, changing the tense. You're not here to sell us this product, because there is no product to sell. It's gone, it's been gone for a year, you don't have to sell us on IT. Speak about your experiences.

The next part is yet another topic that Jenny Nicholson pointed out, the bad faith excuses that influencers and advertisers made for the extreme price point:

"What many people don't know, however, is that the price included much more than just a room. The passengers' food, park tickets, recreation activities on board, non-alcoholic drinks, and more were all included - with merchandise being one of the few additional costs on board."

Which is absolute bad faith reasoning, especially when there are plenty of other vacation options that are ALSO all-inclusive, but are MUCH cheaper and offer MORE amenities than the Galactic Starcruiser did! Including Disney Cruises, owned by the same company! Seriously, you can go on a halfway decent sounding cruise or all-inclusive resort somewhere warm for, like, a week or two and spend far less than GSC cost.

Then the last part is essentially: "All the workers liked working there and the bad reviews afterwards make the workers who worked on it feel sad. :("

Which, like, companies have been hiding behind that reasoning for ages. Curiously, the author never offers....any reasons or stories. WHY did working on it impact you so much? What set it apart, what were the people like, what did you like about working there, why are you so passionate about it even a year later? There's nothing, just a generic sort of "We worked hard." and "We're sad it's gone." Why? How? What happened? The video you're obviously writing this in response to is filled with personal anecdotes and stories, it's the backbone of the video! Again, you need to give us something to show your humanity!

Especially when you consider that Nicholson repeatedly points out that the only highlight about her experience, the only thing that kept the damn thing going was the workers.

She had nothing but praise for them, and nothing but contempt for the higher ups who wasted and abused that enthusiasm, to the point where one of her last points was "Hey, Disney is basically exploiting labor."

Much like Jenny, I'm also not condemning anyone who had a good time working there. Good! If you were having a good time at work, that's great. If you have good memories about the people, awesome. But I'll note two things:

a) That doesn't meant you weren't being exploited, and

b) That doesn't mean you have to be a useful idiot for the corporation you worked for afterwards.

I'm not conspiracy brained enough to go "Oh, Disney TOTALLY forced this article into being.", because a cursory examination of the author's prior works and such suggests a lifelong passion for Star Wars, she did work at the hotel, and she's a Star Wars Editor (whatever THAT means in this day and age) for Screen Rant. Apparently one of the heads of Screen Rant says that Disney had no hand in it either.

Though, I can see why people would think that way. It READS like a press release, not something a normal human being would write about an experience they feel passionate about.

[maxwellatoms]

In one of your last answers, you said “series reboots are usually pretty gross and sad”, and I was wondering if you could expand on that? Assuming “reboot” covers any kind of continuation of a currently cancelled or finished show (and maybe that’s the wrong assumption!), from the outside looking in it feels like a pretty mixed bag. On one hand, if I love XYZ Show, it’s cool that I get more stories with these characters and another chance to support XYZ Show and its creators. On the other, it definitely feels like a lot of ideas can only get funding if they’re tied to something already, meaning creatives are having to now tie whatever cool idea they have to some reboot/relaunch/retread, which can feel pretty disheartening if you don’t want to do a reboot/relaunch/retread. Is that a similar feeling from your side of the industry?

Thank you so much for all your answers and insight!

Usually reboots and spin-offs are just cash grabs. It happens a lot in animation. In fact, I would argue that the entire industry is just one big cash grab now. In the 80s, everyone complained that cartoons were just half-hour commercials for toys. And they were right. And we're right back there, but now that you can't legally push toys all day, it's just general "IP". Mugs, posters, more spinoffs, whatever.

I was offered three show running gigs over the pandemic. All reboots that I would consider unwise to pursue because they were "of a different time" and didn't (in my opinion) have anything more to say. Two of them were properties created by notorious sex pests, so there's also that. The animation industry loves to prop up its sex pests.

I turned all of them down, partially because I didn't respect the original creators but also because none of them had anything going for them except just being "more of the same".

I don't think any of those projects survived the intervening years, so in retrospect I maybe should've taken the job. I'd probably feel a bit gross, but at least I'd have floors in my house.

The entertainment industry is in a bad spot. The whole thing. I've had I don't know how many pitch meetings in the last few years, and they all start the same way:

"Hey! Before we start, we just want to let you know that we're not actively producing anything right now. We think maybe soon, but we won't be picking anything up today..."

And then later:

"The little we are doing is IP, so if you have a new take on our IP or a new IP you're connected to that you can bring in, that'd be great."

I always wanted to make original stuff. There came a time when I'd had my fill of Billy & Mandy and wanted to do something else new and original. That never manifested, and I was constantly being offered IP to produce. I turned too many of those down, maybe, before deciding that it was probably better that I run the IPs that mean something to me rather than having some hack do it.

But now those jobs have all gone to celebrities and fallen live-action writers, who are also slowly being eaten by the system. WB was hot for Scooby stuff a few years back, so I pitched some ideas. A few of them were turned down for being "off-brand" in a variety of ways. WB has now made (I think) all of those off-brand shows (or something close) with celebrity show runners.

I was going through a whole Midlife Impostor Syndrome thing recently where I was wondering if maybe I don't just suck. Like, it's weird that for a couple of decades I'd have people calling me trying to get me to run shows, and now nobody will call me back about the possibility of a design job.

Talking to some friends and realizing that they were in a similar situation helped me feel like I wasn't alone. That was nice. Talking to some of the most talented colleagues in my industry made me made me realize that those people weren't getting jobs either. That was unnerving. Talking to complete strangers in other parts of the entertainment industry now has me thinking that the whole house of cards is coming down. That's real concerning, yo.

It's hard not to think it's purposeful, when deranged billionaires own the entirety of our media and want to shape a society where they can't be criticized. We're letting wealthy tech bros firebomb the very heart of our culture, and it's weird that no one is talking about it. Because (for now) we still have that capability.

[nostalgebraist]

I feel like I've had the same experience several times now: someone does a new translation of a non-English literary classic, and all the critics praise it to the moon, so I go and try to read it, and it's turns out it's just . . . bad? Like, really bad? And weirdly bad?

A while back, I wrote about the case of Pevear and Volokhonsky. Here's another example, which I encountered while doing background research for my novel Almost Nowhere.

----

One of my novel's major characters is a literary translator, famous for his rendition of the Persian epic poem Shahnameh ("Book of Kings").

To help me write this character, I tried to read the Shahnameh myself. I started out – where else? – with the translation that seemed to be the gold standard, and which was certainly the most critically lauded.

Namely, the 2006 translation by Dick Davis, in prose with occasional shifts into verse.

Here's how the Shahnameh begins, in Davis' translation:

What does the Persian poet say about the first man to seek the crown of world sovereignty? No one has any knowledge of those first days, unless he has heard tales passed down from father to son. This is what those tales tell: The first man to be king, and to establish the ceremonies associated with the crown and throne, was Kayumars. When he became lord of the world, he lived first in the mountains, where he established his throne, and he and his people dressed in leopard skins. It was he who first taught men about the preparation of food and clothing, which were new in the world at that time. Seated on his throne, as splendid as the sun, he reigned for thirty years. He was like a tall cypress tree topped by the full moon, and the royal farr shone from him. All the animals of the world, wild and tame alike, reverently paid homage to him, bowing down before his throne, and their obedience increased his glory and good fortune.

And here is the same opening, in the 1905 translation by Arthur and Edmond Warner (which I only discovered much later in the process of writing Almost Nowhere):

What saith the rustic bard? Who first designed To gain the crown of power among mankind? Who placed the diadem upon his brow? The record of those days hath perished now Unless one, having borne in memory Tales told by sire to son, declare to thee Who was the first to use the royal style And stood the head of all the mighty file. He who compiled the ancient legendary, And tales of paladins, saith Gaiúmart Invented crown and throne, and was a Sháh. This order, Grace, and lustre came to earth When Sol was dominant in Aries And shone so brightly that the world grew young. Its lord was Gaiúmart, who dwelt at first Upon a mountain; thence his throne and fortune Rose. He and all his troop wore leopard-skins, And under him the arts of life began, For food and dress were in their infancy. He reigned o'er all the earth for thirty years, In goodness like a sun upon the throne, And as a full moon o'er a lofty cypress So shone he from the seat of king of kings. The cattle and the divers beasts of prey Grew tame before him; men stood not erect Before his throne but bent, as though in prayer, Awed by the splendour of his high estate, And thence received their Faith.

Now, I can't speak at all about the source text. I have no idea how faithful or unfaithful these two translations are, and in what ways, in which places.

Still, though. I mean like, come on.

This is an epic poem about ancient kings and larger-than-life heroes.

This is a national epic, half myth and half history, narrating the proud folkloric lineage claimed by a real-world empire.

There is a way that such things are supposed to sound, in English. And it sure as hell isn't this:

What does the Persian poet say about the first man to seek the crown of world sovereignty?

Excuse me? That's your opening line? I thought I was reading a poem, here, not taking a fucking AP World Literature exam!

----

Postscript

Some of the critical praise for the Davis translation, quoted on the back cover of my copy (emphasis mine):

"A poet himself, Davis brings to his translation a nuanced awareness of Ferdowsi's subtle rhythms and cadences. His "Shahnameh" is rendered in an exquisite blend of poetry and prose, with none of the antiquated flourishes that so often mar translations of epic poetry." (Reza Aslan, The New York Times Book Review) "Thanks to Davis's magnificent translation, Ferdowsi and the Shahnameh live again in English.” (Michael Dirda, Washington Post) "A magnificent accomplishment . . . [Davis’s translation] is not only the fullest representation of Ferdowsi’s masterpiece in English but the best." (The New York Sun)

[pomefioredove]

hello dovee! I saw the "I'd look good on you." and immediately thought of vil! if I could please request for that? THANK YOU SO MUCH🍰stay creative!

thank you everyone for feeding me vil requests. I got a little crazy with this one

summary: "I'd look good on you." type of post: short fic characters: vil additional info: romantic, reader is gender neutral, reader is yuu, a little suggestive a part of this event

"No, no, no, no. Wrong, dreadful,"

You dodge another designer handbag as it goes flying across Vil's room, joining the growing pile of clothes behind you.

"Why is this so difficult?" he groans, storming out of his closet. "I have not a SINGLE decent thing to wear for this interview."

You look over your shoulder, watching him as he begrudgingly begins to clean up the mess he'd made.

"I think you're stressed,"

Vil pauses midway through sliding a silken shirt back on its hanger to glare at you.

"Another excellent observation," he says dryly. Then, a sigh.

"Sorry. I've been wanting to work with this director for years... I don't care for this role, but if the film does well, he'll likely want to work with me again... How's this?"

He holds up a glittery purple dress in front of him. You blink.

"...Good,"

"Ugh," he scoffs, tossing it aside. You don't know how many more times you can tell him he looks good in everything before he kicks you out.

"What is the role, anyway?"

Vil rolls his eyes, catching onto your attempt to distract him. He indulges, anyway.

"Another villain, although this film is more of a..." he pauses, gesturing vaguely. You stare. "...A young adult movie."

"So it's bait for teenage girls?"

"...Essentially,"

He sighs again, cleaning up the last of his temper tantrum and sorting it in his massive closet.

"Thus my role is more... provocative, we'll say. Which is fine, if not for the fact that I feel I did horribly,"

"I'm sure you didn't,"

"I'll be a laughing stock, this director will never work with me again, and I'll become one of those pathetic, washed up former child stars by age twenty-one,"

That feels... a tad overdramatic, but you don't mention it.

"That's not going to happen," you insist. "I'm sure you make a great... provocative... villain!"

Vil sighs, returning to the bedside to sit with you. For a brief moment, you can feel him staring, but you say nothing of it.

"You haven't even seen it," he mumbles, finally looking away. "I only have half an hour... I feel completely unassured."

You can't help but feel pity. Before knowing Vil, you had stupidly assumed that most celebrities are confident by nature, exuding grace and certainty.

Now...

"Is there anything I can do to help?"

Vil quiets, seeming to consider the offer. "...May I use a line on you?"

You're not exactly sure what he means by that, but it can't be anything too painful. He only has half an hour, after all.

You nod.

Vil smiles, then turns away. He takes a deep breath... you've seen this before. He's getting into character.

It's very effective.

When he turns back, his expression is completely different. And his body language. Even his very presence has shifted.

You've seen this before, you remind yourself. The dangerous, menacing facade that he's known for, that makes his roles so iconic...

But he's also smiling, his eyes lowered, a pleasantly amused look about him.

His hand finds its way to the bed on your other side, effectively caging you between his arms. And then he moves in, guiding you down onto the mattress and leaning over your body.

This is your friend. You're just helping him. There's nothing to be nervous about.

Despite what you tell yourself, you can feel the effect he's having on you.

He can tell, too.

Vil tuts, his free hand coming up to tuck a strand of hair behind your ear.

"Scared?" he asks. His voice is gentle, though there's a lingering danger behind it.

"Poor thing... I won't bite,"

He leans closer, his other hand intertwining with yours and keeping it pinned to the mattress, hot breath pressing against your ear.

"I'd look good on you," he whispers.

You know you shouldn't interrupt him, but you can't stop the nervous, flustered whine that comes out of your throat.

Vil breaks character, beaming, and gets off of you.

"Oh, my..." he grins, studying your expression. "You were right. I was worried over nothing."

He stands, smoothing out his clothes, and strides towards the closet to change, leaving you flustered senseless on the bed until he returns.

"How do I look?" he asks.

Of course, perfect. He always looks perfect. And now that he's confident again, gorgeous.

He smirks. "I'll take your silence as a compliment, potato. Thank you for the boost... I'll be back to pick up where we left off in a few hours,"

[zarla-s]

We move forward, 'cause we can't go back...

It's the EIGHTH anniversary of Handplates, and the first one after I finished the comic back in July! I decided to dig up a very old wip that I never finished and finally do it. I've always loved WeMoveForward by The Midnight, and I think it applies not only to the comic itself but also this period after it... there's no way to go back to when I was doing it, only moving forward after it's done.

Even more appropriately, since I did this wip, these characters all moved forward even further... even as this sat in my files, they moved forward, in a sense. I don't know, the song gives me a sort of plaintive, longing, bittersweet feeling... it's hard to explain.

I had a very insistent voice in my head that always made me do a Handplates page over the years I was working on it, no matter what happened. I wasn't sure if that voice would ever stop, even when it's done, but it has! It's gotten quieter now, mostly only nagging me about other projects I should be working on (Defrag, the Ace Attorney/Frozen fic, web design, fic ideas, art ideas...) whenever I'm doing something, much like it did before I started the comic.

How I feel about Handplates finishing though is strange. At times it doesn't feel like it's over, even if I don't feel like I need to do another page. At other times I get sad thinking about it and I miss it, and other times I look back on it with amazement that I was able to do it. Sometimes I look back on it and think about what was happening in my life at that time, and sometimes when I look at it it's unreal and it's hard to believe I even did it, like someone else did the whole thing. It's like it's there but it's not, it's present but it isn't. It's a very strange feeling, it's hard to describe or pin down. I know it'll always be with me in some way, but it is strange to be able to focus so much attention on other things without that feeling of having to set aside a few days to do a page every two weeks... not bad or anything, but I'm not used to it still.

I don't know! When I read the comments on the last page a lot of them made me cry, especially those talking about how the comic had been their childhood, and now their childhood is over. It was sad to think that I had a part in something like that ending... but it ends for everyone, no matter what you do. We, you and me, everyone... we move forward, 'cause we can't go back. That line was so evocative for me that I even used it as a chapter title for the penultimate chapter on Comicfury.

I don't know, just nostalgic thoughts! I don't know if that's the right word for it... but thank you to all of you who read it and enjoyed it. Even now I hear from new people coming to it and reading through it again now that it's done. Even if it's finished, it's still new to people just finding it. It's still "living" in a sense. And thanks to those of you who stuck around even though it's done, I appreciate it. |D

(As a note, the Gaster ukagaka has a surprise if you boot him on the anniversary after seeing the brothers, if you haven't done that)

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[freyito]

ɢᴏᴛᴛᴀ ʜᴀᴠᴇ ʏᴏᴜ ᴀɴʏᴛɪᴍᴇ

✭ pairing(s): calcharo x gn reader

✩ inspo: I'd Have You Anytime by George Harrison

★ summary: You decide your boyfriend is being too moody.

✧ a/n: I WANNA SAY THANK YOU ALL FOR SUCH THE KIND WORDS AUGHHH I'VE BEEN KICKING MY FEET AND GIGGLING IT MAKES ME SO HAPPY TwT... i've got some little event cookin up for 700 followers, don't you worry...

BUT ANYWAYS i've been chipping away at wuthering waves... it's pretty fun !! kuro games also just make banger. games. so... the character designs are sooo yummmyyyy and of course i had to write a little fic for my (second) favorite... sephir-- i mean calcharo.

🗒 cw: gn reader, short n sweet, just fluff, not proofread

✎ wc: 781

Calcharo’s not necessarily the most affectionate boyfriend, but that doesn’t mean he doesn’t love you. You are the stars that pepper the sky, the calm and wholeness of a stream running within a foggy forest, the night that beckons him into comforting arms. You are his everything. And he is, unfortunately, not the best at expressing that. But he is loyal.

He tends to hide within himself, too spun up in his own thoughts to pay more attention to the world. Not that he isn’t hyper-aware of his surroundings, he has to stay alert, after all. But he tends to stress himself out quite a bit like this, worried about the Ghost Hounds, those he had sworn to protect, and so forth. It seems the only time those worries fade away is when he’s in your arms. You’ve started to notice a slight slump in his shoulders, how his face relaxes into more of a neutral expression rather than a frown, and even how his voice sounds a tad… lighter.

Today, he is rather moody, choosing to brood and pace around the house, worrying about menial things. The pacing is a little annoying, but every time he lets out a sigh or a frustrated grumble, you can’t help but feel your heart twist. There isn’t much you can do, you know that, and the man will always have his worries. It is human nature to worry, and perhaps Calcharo is more human than he likes to think.

He opens his mouth to protest again, perhaps question you as to why you’re so determined, but you shut him up real quick, cupping his cheek and pressing a quite tender kiss to his lips. That shuts his mind up quick, you can tell by the way his stern demeanor melts away, returning the kiss after a couple seconds.

When you break apart, his eyes have softened, and his body relaxes once more. He lets out a soft sigh as if this is what he had been waiting for all along. You aren’t quite satisfied with your work, though. It’s been too long since you’ve had time with Calcharo in general, so why not revel in it?

You press a kiss to his nose bridge first, lips lingering for a second longer before pressing another to his cheek, then his forehead, then wherever you can kiss him. He doesn’t move or complain or push you away, simply closes his eyes and lets a soft blush dust his cheeks and the tips of his ears. It’s such a rare sight to see this man blush, and the fact that he isn’t doing whatever he can to hide it from you is impressive.

You continue your torrent of kisses, leaving no span of skin unkissed, untouched. He lets out a low rumbling sound and a scoff, which is close enough to a laugh you can get it, and you don’t mind. Not one bit. He has no idea what to do with his hands for the next minute or so, placing them on your hips at first but then ghosts over your ribs. For once he feels… awkward. He’s barely used to you making advances, not that he necessarily leaves room for them. Given his reserved nature, he had done most of the leading in the relationship. You thought it would’ve been best to go at his pace, after all. But he had never felt awkward during these years with you.

You finally stop kissing him, pulling away to look down at him. He’s still blushing, hair just a little more disheveled than usual, and the possibility of a smile tugging at his lips. A rare sight indeed, you oughta pat yourself on the back for doing that to him.

“Too much?” You ask, your voice cracking with mirth as your hands settle on his shoulders.

“... Not enough.” Calcharo responds bluntly, despite the slight wavering tone in his voice.

The man finally understands what to do with his hands, wrapping his arms around your waist and pulling you down on top of him. You are practically nose-to-nose with him, and can’t help but giggle, which he responds in kind with a soft huff.

© freyito, 2024 | masterlist | queue | kofi | star header by roseschoices DO NOT REPOST AS YOUR OWN OR USE FOR AI/AI CHATBOTS.

[sysig]

Finally made it through (Patreon)

[homiesexual-or-homosexual]

Mutt

Pairing: Jackson! Joel Miller x reader

Warnings/Genre: a horribly horribly long slow burn, excuse any typos, fluff, slight angst, offstandish reader, slightly overbearing new friend (not canon character), potentially cute dogs, jealous friend, said friend has a crush on Joel, Joel gets hurt on patrol, mentions of blood, reader gets a cut on her hand, slightly romantically tense situations, let me know if I missed anything!!

Work Count: 8k

A/n: I've been telling this story to myself as I fall asleep at night and have decided to write down what I've daydreamed up so far!! Wish me luck! I hope this is good. . . And it's so long. . I'm so sorry

--- --- ---

Maria and Tommy found you on a patrol near the river.

It was a cold December this year, and your ratty, thin clothes were making it hard to stay warm. The only way to stay warm was to keep moving. Maria wasn't going to take you in, deadset on letting you pass around the town once the K9 cleared you.

Tommy wasn't so set. He figured that Jackson had the room. You were only one more person. Jackson would always use more people for patrols and work around Jackson.

The couple bickered back and forth for a few moments and once decided, Tommy shucked his jacket around your shoulders and gave you a ride back to Jackson. Once there, they settled you in a house across from them, not directly across more diagonally. You showered and they brought you to the mess hall.

You sat with Tommy and Maria, as well as another man and his kid, and another lady who seemed to have implanted herself in the family. She talked a lot. But you could care less, scarfing down your very delicious food was more important. You could feel the eyes of the man and child on you the entire time you ate.

That night, you slept warmly with a full stomach.

You woke early the next morning, so early the sun was barely up. As you finished dressing in some clothes that Maria had found you, knocking was heard.

You followed the noise to your front door and opened it to see Maria. She mentioned that she had a job for you. You nodded and pulled on a warm, heavy jacket. She led you to the stables and past the horse stalls to a back corner.

There were a few kennels back here, ten at the most. There were dogs in every one.

Maria explained that these were dogs that had wandered into Jackson, or that had been picked up on patrols. They'd been dropped here as no one had the time to train feral dogs, and since you were new you'd been granted that job.

You thanked Maria, and she disappeared into the barn.

You took notes that the dogs had the bare minimum. Like just enough food to get by, a blanket per dog, and a bowl or two per kennel. You hmmpfed and noted that the dogs also had no real way to get outside if they needed, much less a designated area to go outside.

You got to work almost immediately. Introducing yourself to the dogs, filling food bowls from a bag stuffed into a corner and filling water bowls from a spicket on the wall at the end of the little hallway/room. You found a notebook and pencil, deciding to use it for information on the dogs, like scars and particular body characteristics. You found out, just by looking and feeling, that one of the dogs was pregnant. You weren't sure with how many.

You worked the rest of the day cleaning their kennels and fixing it up with your limited tools of whatever you found in the area.

Around the start of afternoon, there was a knock on the doorway of the room, and a cheery call of your name.

It was Debby, the lady who talks a lot from dinner yesterday night, "Hey! How you doing today? I didn't get to hear you talk a lot today? Oh.. You got put on mutt duty.." She trailed off at the end, giving disgruntled looks around the small room.

You nodded, standing up and wiping off your hands, "I'm settling in, slowly. Can I help you with something?"

"Oh well," She paused as she twirled a finger. "I was just on the way to lunch and heard you worked in here now. Just decided to stop by and see if you're hungry."

You thought for a few moments, noting your empty stomach as you'd accidentally skipped breakfast, "Sure. I'm at a good stopping point for right now."

"Great!" Debby grabbed your arm and skipped her way through the barn and into the open. "Have you met Joel yet?"

"Joel?" You asked, not picturing a face to the name.

"Joel Miller!" Debby was exasperated in her answer. "Tommy's brother! He sat with us at dinner last night with his kid."

His face was blurry in memory, but you kind of made the connection. You nodded at Debby's words.

"Joel is so great!" Debby started loudly. "He's so handsome and strong! And he's so kind and willing to do almost anything for anybody!! If only I could get him alone, even just for a few moments, but that kid of his is just glued to his side."

Her cheeriness died back as she mentioned Joel's kid, almost as if Debby has a resentment toward the 14-year-old. You couldn't make sense of her rambling. You'd spent so much time outside that you really didn't understand the way Debby felt towards Joel.

When you both entered the mess hall, you dished up. Debby's gasp pulled you from your focus and she gripped your jacket sleeve. You looked at her, brows scrunched in an irritated way.

"Joel's here!" She whispered at you, shaking you just a bit.

You turned fully to look in the direction your companion was looking in. You spotted Tommy and Maria first, and the presumed Joel and his kid sat across from them. They were engaging in something casual and eating slowly. And as if feeling eyes on them, Tommy turned first and the others followed in suit. Tommy waved you two over.

Debby practically skipped over, and you were much slower. Debby plopped right beside Maria, trying to get as close to Joel as he could. You sat beside Debby, careful to not evade any space.

"Hi Joel!" Debby greeted, too cheery for something casually quiet.

Joel only nodded in response, mouth full of food. His kid only glanced at Debby before back at her food.

"You settling in okay?" Maria asked, leaning forward around Debby.

You nodded, trying your best to not scarf down your food and match the pace of the others.

"You think this job is okay for you? Do you need anything?" Tommy asked, putting his spoon down to show full attentiveness.

"Umm," You swallowed your food. "Maybe a library and some blankets? And maybe a way to let the dogs go outside by themselves?" You were unsure if you were to grab anything extra for the dogs, or if you could modify that part of the barn.

Tommy nodded, "I can show you the library after this, and where we keep our extra clothes and blankets."

"Thank you," You almost started eating before Maria asked you a question.

"You fixing up that outside coral?" Maria asked.

You nodded, "Planning on it, so they don't make such a mess of inside."

"By yourself?" Maria asked again.

"Planning on it," You sense Maria's hesitation. "I was wondering where to get some wood and maybe some chicken wire, and maybe something to smooth the wood out so no one gets any splinters."

"Chicken wire?" Tommy asked, confused.

"So the dogs don't slip out under the fence," You pointed out.

Tommy nodded, "Well, uh my brother here is pretty well-versed in woodwork."

You looked at Joel, who sat across from Tommy. He looked back.

"Joel Miller," Joel reached a hand across the table to shake yours.

"Y/n," You told him, accepting his hand.

"Ellie," Joel's kid offered her hand once you pulled away from Joel. "You'll get the hang of eating slow eventually. I was like that too."

You nodded, settling back down into your chair.

Lunch went a lot slower than you were used to. But later than sooner, you were off to the library. Tommy led the way, informing you that you were welcome to take books home if needed, but to bring them back when you were done.

You nodded along to the information. And when Tommy left to go help Maria with something, you started wandering. You were looking for books on dog behavior and diet, hoping to find good ways to train the dogs under your care.

In just under two hours you found what you needed. You big goodbye to the library caretaker and was on your way back to the barn. You checked up on the dogs, cleaned up any mess they made, and got to reading. You took note of anything you deemed useful as you read.

A knock disrupted you. It was Tommy again. He brought an arm-full of old blankets. You met him at the doorway, thanking him. The man nodded and said if you needed anything that he'll be around. You thanked him again and decided that you'd wait to give the dogs their blankets until they were ready and trained to go outside.

After reading a few more pages, you fixed up some more things around the kennels and cleaned up the place a little more.

The sun went down and the town lights came on. Work slowed the darker it got in the barn. Soon enough, you bid the dogs goodnight and made your way home. You weren't too hungry so you skipped dinner and read until you couldn't anymore.

The next morning, you woke again before the sun. You peeked outside and saw that maybe only one or two people were awake. You got ready slowly, giving the town time to wake up before you officially started your day.

You shucked a big, thick jacket on and headed to the barn. The dogs greeted you with barks and wagging tails. For each kennel you cleaned, you gave the resident dog some love. You fed them and refreshed their water. Your stomach growled and you headed out to get your own breakfast.

The Miller Family was already there and settled, as was Debby. Debby seemed to be talking a very tired-looking Joel Miller's ears off about something. You see Ellie excuse herself from the table and make her way to join you in the line. She grabs a plate and comes up beside you.

“You smell like the barn,” Are the first words Ellie speaks to you. “Do you work with the horses?”

“No,” You answer as your grab some breakfast. “I work in the kennels.”

“Kennels?” Ellie presses.

“There’s some kennels in a room off to the side in the barn,” You tell her, grabbing a drink and utensils. “I can show you sometime if you like.”

“That’d be.. cool,” Ellie gives a chill smile, her eyes sparkling in excitement.

You lead the way to the table and you two take up your usual spots. You start eating instantly, extra hungry from the skipped dinner last night.

“You smell like the barn,” Debby notes with her nose wrinkled in distaste.

You swallow your bite of breakfast, “Woke up early.”

“And the barn was the first place you went?” She asks.

“Well yeah..,” You look at her finally, feeling a little subconscious. “Where else would I go?”

Debby opens her mouth to speak, but closes it again. She decided to not add any more comments about you and continue on with her breakfast.

A small conversation picks up between Tommy and Joel. Something about patrols and work that needs to be done around the town. It’s almost like they plan their day around each other, as if they want to see each other as often as possible. Maria joins in too, noting sightings from patrols on the west side. Joel nods, muttering about going out sometime today or tomorrow.

“What about the fences for the dogs?” Ellie interrupts.

“Still on my list,” Joel answers Ellie and then looks at you. “When would you want to start on that?”

“Whenever works best for you,” You tell him.

“We can start after this, if you’d like,” Joel suggests.

You nod, “That works.”

Joel nods and you go back to your breakfast.

You’re starting to get used to the slow breakfasts, but not really. You’re antsy to get back to the dogs. But breakfast does go by. Joel goes to get some tools and wood, and you go to meet him at the barn. The dogs were antsy for your return, barking and jumping on their chainlink cages as you walk by. You give them love and refill their waters if needed.

Joel shows up not long after, with Ellie in tow. You help carry wood and tools back to where you want to start. You two adults get to work, and you tell Ellie to make herself comfortable inside the barn and that the dogs are friendly. You and Joel tear up the old wooden fence and replace with new, better wood. You both hammer down and sand, making sure the fence is stable and has a lack of splinters. You slowly make your way around this corner of the barn, completing the process of setting up the fence by midday. Putting up the chicken wire only takes another hour or two.

When finished, you ask Joel for another favor, if he doesn’t mind. What? To help make the doggy doors a little better, and make it so the dogs goes in and out as they please.

Joel agrees, leaves to grab some more supplies, and when he comes back he shows you how to install his idea so you can do some doors as well.

Joel takes the previous doggy door off, cuts around the doorway to make the shape a little better, installs a new frame around the door, attaches this rubber to the sides and bottom, and attaches this swinging rubbery door to the doorway. Joel explains that the rubber will act as a seal to keep the cold air out of the kennel, and the new door should flap back and forth a few times before catching on the rubber and sealing the inside from the outside again.

You nod as you take in his instructions and explanation. It’s only slightly confusing but hopefully with some hands on the instructions will become more clear.

Joel moves to the next door down, and you settle in at the one beside that. Joel shows you how to install at a slow pace, making sure to go step by step with you. He does this at the next doggy door, and a few more before weaning you off instruction and trusting you to do it by yourself. It’s not long before you make it to the other side, installing the other five doggy doors. You do the last two yourself, Joel keeping a watchful eye over your shoulder.

Once you’re done, it’s evening. The sun is just barely starting to set. A few of the dogs have begun to venture outside to check out the new fence, their new doors, and Joel. After a few hi’s to the dogs, you take Joel inside through a door for people located in the premises of the new fences. You help him collect and put away his tools, but you seem to get a little too confident with these newfound tools and the small saw slips in your grasp and cuts into your first two fingers. You yelp and hiss, instantly grabbing your two injured fingers in the palm of your injured hand.

“What? What?,” Joel’s instantly concerned, gently grabbing your shoulder to turn you. “What happened?”

He zeros in on your fingers grasped in your hands and gently cups your hands in his.

“It-It’s fine, Joel. Really,” You tell him. “I guess I just wasn’t holding the saw tight enough and it slipped.”

“Let me see it,” Joel demands softly.

“Joel, really,” You pull your hands away slightly. “It’s okay. I can fix it up myself.”

“Just let me see it,” Joel demands again.

You look at his face full of concern and give in, resting your hands in his grasp. You release your fingers from your grasp and let them fall victim to Joel’s eyes. The man gently straightens your fingers with his and look at the cuts on your fingerpads, titling your hand from side to side.

Joel hums, “Come back to my place. I got the stuff to fix you up.”

“I can just do it at my house,” You try to reason with the taller man, who make your hands look like half the size they really are in his.

“Do you have rubbing alcohol?” He asks and you shake your head. “Bandages?” Another head shake from you. “Well, I’ve got those at my place, so just come back with Ellie and I and I’ll get you fixed up before dinner.”

“But-“ You start.

“It’s better than you running around with bleeding fingers trying to get the supplies yourself,” Joel tells you, giving you an intense gaze.

You give in, “Fine.”

Joel nods, shucking the tool bag onto his shoulders and calling Ellie in from outside, as she joined you and stayed out to play with the dogs. He finally let you have your hands back when he led the way out the barn and to his house.

“What’s he so tense about?” Ellie asks, walking beside you.

“I cut myself on the saw,” You show her.

“Oh, well it’s not that bad,” Ellie waved Joel’s tenseness off. “He shouldn’t be that worried. Joel’s had so much worse!”

You don’t have too much time to look around Joel and Ellie’s house before Joel is ushering you off to the kitchen and asking Ellie to put the tool bag away. She does, marching off down the halls.

Joel stands you both over the sink, running the water until it’s decently warm. He helps wash your fingers off until the cuts are visible. They’re not too bad, but too deep to be left alone. Joel reaches up into a cabinet beside the sink and grabs some rubbing alcohol and some bandaids. You hiss when he pours the rubbing alcohol over the cuts, the stinging causing you to pull away on instinct. Joel gives you a minute before putting your fingers back under the water to wash away any more debris and any remaining alcohol. He turns the sink off and dabs the areas dry with a thin rag. Joel puts the bandaids on himself, he doesn’t give you a choice to try and put them on yourself. Once satisfied with his work, Joel finally lets you have your hand to yourself.

“Keep the bandaids on for a few days,” He tells you. “Either you can let them fall off or take them off when you’re ready. But if the cuts are still not healed when the bandaids come off, feel free to stop by and come grab some more.”

“Okay,” You nod, rubbing your good fingers against your injured ones, feeling the bumping texture of the bandaid. “Thank you.”

“Anytime,” Joel nods.

Joel looks at you for a moment. You watch as his eyes dart from here to there. But he gets to look for only a moment before the front door is thrusted open. In comes Debby.

“Joel!” She calls into the house, looking ahead. “Sorry for stopping in like this, but I figured it’s dinner time and you’d want to know! And we can like totally walk there together if you’re. . . . ready. .”

Debby trails off at the end of her sentence as she makes eye contact with the pair of you. She assesses the situation before speaking.

“Y/n? What are you going her?” Her tone is a nice balance between friendly and surprised, but her eyes scream confusion and threat.

“I got hurt working today and Joel fixed me up,” You tell her.

“Oh! Are you okay?” Debby slams the front door shut, rattling some little figurines on a nearby table.

She grabs your fingers a bit roughly, making you wince, and looks them over.

“He fixed you right up, didn’t he?” Debby voiced is pitched. She looks at Joel, “Didn’t you, Joel?” She almost speaks to him like a puppy that’s done something cute.

Joel nods, “I offered.” His voice is monotone and he turns to put away the medical stuff, and throw away the bandaid wrappings.

“Well, girl!” Debby turns to you. “Don’t be such a klutz next time, yeah?”

“Umm,” You hesitate. “Yeah.”

Debby is tense. Almost as if she’s taking you being in Joel’s house as a threat to her crush on the man.

Ellie comes stomping down the hallway. She’s easy to hear when the kitchen has gone quiet. She calls out to Joel.

“I’m hungry, man!” She expressed. “When are we going to eat?”

She turns the corner and her raised eyebrows fall when she see the additional person in the kitchen. Ellie huffs, looking at Joel with an irritated expression. Joel gives the hint of one back.

“We can head out now,” Joel says.

“Good!” Ellie marches on to the front door and outside. She clobbers down the steps, “I’m so hungry!!”

You three adults trail after her. Joel turns on his porch light and shuts the front door. Joel takes big steps to catch up to his advancing daughter, urging her to slow down a bit.

Debby is uncharacteristically tense at dinner. Her chatter doesn't stop, but the edge to her tone gives her away. The table either doesn't notice or doesn't care. It's whatever to you, honestly. You're too focused on eating dinner, and figuring out how to hold a fork with three fingers.

"What happened there?" Tommy asks you during a break in Debby's dinner talk.

"Work accident," You tell Tommy after swallowing a bite of tonight's dinner. "One of the small saws slipped through my hand when I was helping Joel put tools away."

"It's hard to work in the cold," Tommy nods. "Your hands go numb and stuff. You got gloves for next time?"

You shake your head no.

"I can go by and get you some," Maria offers. "And some antibiotics, just in case."

"Oh thanks!" You thank Maria.

"I can drop them off at the barn if that works," Maria says.

"That works," You tell her. "Thank you."

"Anytime."

You find the gloves the next morning, sitting atop a stool that you use sometimes. You pull them on and get to work that day, training the dogs to go outside for potty instead of inside. You check up on your pregnant dog, which you've named "Mama." She doing good and growing steadily day by day. The only odd thing in the bunch is a dog at the end, that you've named "Mick" has got a case of the sniffles. You'll have to keep an eye on him.

After your little accident, the days go on. You have meals with the Miller family, which has lead to you and Ellie growing closer. She stops by the barn every once in a while, mostly to come play with the dogs and horses though. Debby and you grow closer as well, once you move past the tenseness she feels when she thinks you and Joel stand a little too close for her comfort. It's whatever to you, you're not entirely bothered by it. Maria and the Miller boys stop by too, to check in and stuff (Joel's excuse). Joel stops by a bit more than the couple though, just to see how the wood work is hanging, he says.

Mick, the skinny black mutt at the end of the row of kennels on the left, seems to get worse as the days go on. His sniffles and runny nose evolve into coughs, weakness, and a lack of eating. You get worried and run him to Jackson's local vet. The doctor says he's run into some type of winter cold. To her, it seems he's coming down from the worst of it. The vet gives you a small bag of this white powdery stuff and tells you to mix it in with his food and water. You follow orders, and give Mick another blanket.

There's one day, after dinner while you were checking on the dogs before you went home, that Mick doesn't get up. He hasn't really eaten since breakfast. You pet him, feeling his ears and they're burning hot. You worry and pace for a small bit, wondering what to do. You decide the best thing for Mick, and yourself, is to stay with him that night. You’re lucky that you wore some thicker clothes today, it’s supposed to be a cold one tonight. Despite Mick’s heat, he’s shivering. You pile up some blankets in the kennel and get settled for the night. All the lights in the barn are off, the only light now is coming from the heat lamps that hang low from the ceiling. You curl you and Mick into a corner. You sit up so Mick can lay on your lap. It’s uncomfortable but you fall asleep anyway.

You’re roused awake by someone calling your name. You think you’re dreaming until your name is called again. You blink open your eyes and see a figure crouched in front of you, resting a hand on your leg.

It’s Joel.

There concern written on his face, and perhaps a little bit of confusion.

“What are you doing here?” Joel asks in a hushed voice.

“Mick’s sick,” You voice is raspy with sleep and lack of water.

You palm Mick’s head, feeling around his fur. His heated ears have cooled considerably. Maybe he’s getting better.

Joel huffs, you’re not sure what for.

“What are you doing here?” You asks back, a little more awake now.

“Well your porch light wasn’t on and- and Ellie said you hadn’t come home yet,” Joel explains.

“What time is it?” You asks again. There’s not windows here to look out of to guesstimate the time.

“Awhile after midnight,” Joel answers. “The town’s already gone to sleep.”

“And why didn’t you,” You press.

Joel hesitates, “I. . . I couldn’t sleep.”

You hum in response.

“You mind if I stay with you?” Joel asks.

“Sure,” You nod.

Joel situations himself beside you, your shoulders are barely pressed against each other.

“It’s. . supposed to be cold tonight,” Joel notes.

“You want a blanket?” You ask, thinking that he’s implying that he’s cold.

“Sure,” Joel says.

He takes the one you hand him and situates it on top of himself.

Due to your tiredness, you fall back asleep rather quickly, enveloped in the warmth of the dog on your lap and the man on your side. Unbeknownst to you, when you do fall into a good sleep, your head falls to rest on Joel’s broad shoulder.

Joel’s a little tense at first, but when the heat from you and the heat lamp above soak into his clothes, he’s dozing right off to sleep.

The next morning, you wake by yourself. You're so so warm, but your body hurts so so bad. You rub the possibly bluriness from your eyes before opening them. The room is lit from the plastic doggy door. It's not too bright out, so either the sun isn't up all the way or it's super cloudy outside. As you wake up more, you realize the position your in.

Somehow, someway, you've made your way under Joel's arm and you're resting your head on his upper chest. Mick has moved as well, from your lap to Joel's. He looks comfy, passed out.

You reach over and pet Mick's head, massaging his ears. They've cooled back down to a regular temperature. Maybe all Mick needed was some company for a night. You sigh and settle back down. You close your eyes for a moment before you hear footsteps and someone clearing their throat. You open your eyes again and see Ellie standing in front of the kennel.

"So this is where Joel ran off to in the middle of the night?" Ellie whispered, an amused expression on her face.

"I thought you knew where Joel was," You asked, only a little confused.

"Oh no," Ellie shakes her head. "He ran off in the middle of the night. Something about going to the barn to check on something. I guess you were that something."

"I guess," You cast a glimpse at Joel. Since when did he become so worrisome, especially towards you. "What time is it?"

"Breakfast time," Ellie answered, "Which is why I stopped by here."

Ellie turned her attention towards Joel and raised her voice from a whisper, "Joel! Joel! It's like way past your morning alarm!"

Joel only groans in response. He stretches, raising his arms above his head. When he puts his arms back down, Joel traps you back against his oh so warm body. But he jumps when he feels you under him.

"Sorry. . 'bout that," Joel apolgizes, putting his arms down in front of him.

"It's alright," You tell him.

"So awkward," Ellie mumbles, kicking the dirt floor of the barn.

Joel moves to get up, but a furry body prevents him from doing so.

Mick shuffles and wakes from his slumber. Without picking up his head, he looks back at the two of you and wags his tail. He already looks so much better.

"You feeling better, boy?" You ask him, petting his head.

His sniffs your hand, and licks it.

"'cuse me, kid," Joel pats Mick on the head and shifts his legs little by little until Mick lifts his head. He gets up slowly, groaning as he uses his knees as leverage to get up from the dirt floor.

You follow suit, groaning as well. You'll be regretting sleeping in a dirt floor today. You do your best to stretch out your condensed muscles.

Joel limps and wobbles a little bit as he makes his way out of the kennel and to Ellie.

"That's what you get for sleeping on a dirt floor, man," Ellie shoves Joel lightly.

While the two bicker, you check up on Mick. He's sitting up now, wagging his tail while doing his best to give you a tired little smile. He looks so much better now! Especially with the lack of sniffling and coughing.

After a few minutes of petting Mick, you turn towards the bickering father and daughter, "You don't mind if I feed the dogs real quick before breakfast, do you?"

"Not at all," Joel says.

"Can I help?" Ellie asks excitedly.

"Sure!" You say.

You tell her to gather the bowls from the kennels on the right while you gather the bowls from the kennels on the left. You fill the bowls and split the ten bowls between you two again to deliver them to the dogs. After feeding, you also refill their water bowls. Soon enough, the dogs are chowing down on their food and you three head off to the mess hall.

It's cold out, colder than when you arrived at Jackson. It seems the worst of winter is making it's way up and into the mountains. You're glad to get into the warm mess hall as soon as possible.

Once you three get settled and start eating and conversating with the rest of your group, a shadow at the corner of your eye causes you to turn to your right.

A young woman stands to your right, looking a little nervous as she twiddles her fingers.

"You work at the kennels, right?" She asks.

"I do," You nod. "What can I do for you?"

"Well, I was just wondering if any dogs are available for adoption," The woman explains. "I just feel bad 'cause it's getting colder out now."

"I'd say the dogs are ready for adoption," You tell her. "You can come by the barn after breakfast to come check the dogs out."

"Oh thank you!" She smiles. "I'll see you after breakfast!!"

The young woman practically skips back to her table, excitedly telling her group of friends her plans for the afternoon.

Breakfast goes by unexcitedly. The only relatively interesting news that is that Joel will be going out on patrol today, but that's about it.

The Millers, Debby, and you go your separate ways after dinner. You trot in the direction of the barn, meeting the lady from the beginning of breakfast there. She shows up soon after you, introducing herself as Mary. Mary brings along a friend as well, a woman around her age named Saturn.

You introduce the duo to the resident dogs, telling them about their personalities and any mishaps they've had while at the kennel.

Mary takes a shibu and Saturn takes a chow. As a form of payment, they exchange some homemade stuff that they made in their free time, like soaps and a wood carved duck. You give the ladies their dogs' favorite blankets and bid them goodbye.

As soon as you're doing cleaning up the empty kennels, a few more people stop by that are interesting in adopting some dogs as well. Soon enough, you have a little gathering of people in the room. By the afternoon, all dogs except Mama, your resident pregnant german shepherd. Someone even adopted Mick, even though he was recently sick. You told Mick's owner what the vet told you about his bag of medicine. The owner reassured you that Mick was in good hands.

It was quiet in the room now. You cleaned up slowly, folding blankets and stacking food and water bowls. You sighed, resting on the counter that sat against the right wall and looked at Mama.

"Well, looks like it me and you now, girl," You told her.

She wagged her tail in response.

You paused for a few moments, thinking. You figured that bringing Mama to your house, instead of leaving her here, wouldn't be so bad.

"You wanna come home with me?" You asked Mama, opening her kennel door.

In response, she got up and hobbled her way over to you.

You figured that was a yes, and you gathered up her blankets and food bowls. You led the way through the barn, letting Mama either stop for a sniff or pause for a break. She was about as big as a hippo now, and no doubt was she about to pop any day now.

You two slowly made your way back to your house, and you get Mama settled in the downstairs bedroom with all her blankets. For now, you place her food and water bowl in the kitchen.

It's afternoon by the time you've settled you and Mama at home. You're not sure what to do now that you don't have ten dogs to take care of. Maybe you'd eat lunch or something. It's a bit late for lunch, but that means you missed the lunch rush. You pat Mama on the head and tell her you’re off for lunch. She's rested up on the couch and she makes no sign to move from her spot on the couch as you open the front door.

You walk by the barn on your way to the mess hall and see Ellie making her way from the barn. She looks a little dejected before she see you, and then she lights right back up. The girl trots right over to you, bumping into your shoulder when she’s close enough.

“Whatcha up to, kid?” You ask.

"Well, Joel's on patrol and the kids here and doing something totally lame so.. I was looking for you and saw all the dogs were gone," Ellie kicked some dirt at the end of her explanation, hiding her dejection.

"Oh sorry kid," you apologized. "Yeah, most the dogs got adopted out today. The only dog that didn't was Mama, the pregnant one."

"Where is she?" Ellie asked. "She's not in the barn or outside."

"I actually brought her home," You told Ellie. "I didn't think it was fair to leave her there herself, especially since she's already so close to having her puppies."

"Oh is she really?" Ellie looked up at you, surprised.

"I know!" You acknowledge her surprise. "It doesn't feel like that much time has passed but I guess it has."

Ellie nodded.

"Well.. I am going to the mess hall to get some lunch if you'd like to join," You offered.

"Sure!" Ellie took your offer and you two were off to the mess hall.

Since you two were taking a late lunch, there were very few people in the mess hall. Only a few of the kitchen staff and a few people eating late lunch were seen in the mess hall.

You and Ellie decided to sit at your regular table but across from each other. It was nice to have someone sit across from you for once, especially someone so pleasant to talk to. Ellie was so pleasant to talk to that you two accidentally had stayed until evening, when the early eaters started trickling in. In a decision to make room for the early dinner crowd, you and Ellie had decided to go and walk around town. There was a slight chill to the air, but nothing too bad. The lack of a breeze made the early evening air easier to handle.

Eventually, you two had made your way back to your house. Ellie had beelined for Mama, who hadn't moved from her spot on the couch. You gotten the three of you settled in your living room with blankets and warm drinks. You and Ellie got to know each other more and you learned she wasn't originally from Jackson like you thought, but from the east coast. In return, you told her where you came from. You two ended up bonding over the struggles of the world outside of Jackson.

Around mid-conversation, a frantic knocking was heard from your front door. You paused and turned, glancing over at Ellie who looked as confused as you did. You got up and opened your front door caustiously.

A sobbing and hyperventilating Debby. She practically burst through your partially opened front door and into your arms. You barely caught her as you stumbled back. She was mumbling incoherently through her sobs and hiccups.

"What?" You asked, trying to pry the sobbing woman from your arms.

"Joel's hurt!!" Debby yelled through her tears.

Panic and alarm hit you. You looked and Ellie to see the same emotions mirrored onto her face. She shucked on her jacket and was out the door before you could get Debby up onto her feet. You shoved Debby out and mumbled a "be back" to Mama before shutting your front door and attempting to catch up to a sprinting Ellie.

Ellie had burst through Jackson's infirmary before you got there, calling out for her dad. You and Debby caught up to her. You stood behind Ellie, looking for Joel while Debby clung to your jacket.

A sob tore from Debby's throat and she lunged forward, leaving you and Ellie behind.

Predicting the distraught woman's path, you spotted Joel settled in a back corner. There was blood on his face and his right eye was squinty. His clothes and hair were disheveled, splattered with blood. Currently, his hands were being cleaned up and bandaged. Whoever he got in a fight with, neither of the opponents came out pretty.

You nudged Ellie and led her quickly and quietly from the infirmary to her dad. Once there, Debby was all over him. Sobbing and pawing at the injured man. Joel winced at her ministration, looking tired and irritated.

"Ma'am. Ma'am," One of the nurses called attention to Debby. "You're getting in the way of his treatment. Please back away."

The nurse's words had no affect, and Debby ended up having to be pulled away from Joel and calmed down on another cot nearby.

You decided to let Debby have some time to herself and stay here with Ellie in case she needed any support.

Ellie stood there nervously, not wanting to get in the way of the nurses but also wanted to be next to Joel.

"He'll be okay," Ellie mumbled to herself. "He's been through so much worse."

You pat Ellie on her shoulder, comforting her the best you could in the situation.

At the mumbling, Joel looked up and made eye contact with Ellie. He adjusted on the cot and pat the spot beside him. Ellie sat down beside Joel, practically pressed up against him.

"What happened?" Ellie asked.

“Just some raiders that ambushed us over by the ridge,” Joel explained.

He winced when the nurse dabbed at the cut above Joel’s right eye, as she had finished tending to his hands.

You glanced down at his hands. They were relaxed at the moment. There were some cuts and splotches of bruises littered across the peak of Joel’s knuckles. Joel’s left hand was bandaged from the knuckles and down around his wrist. He must’ve gotten really hurt on that hand.

“Well, you fucked them up pretty good, right?” Ellie asked, her tone indicating that she was trying to lighten the mood a little.

“ ‘course,” Joel chuckled, patting Ellie on the knee.

Two bodies joined you on one side. You looked over to see Maria and Tommy. They both looked over at Debby before turning their attention to Joel.

“What’s up with her?” Tommy asked you, confusion on his face.

“No idea,” You shrugged.

You noticed a black eye forming under Tommy’s left, mirroring Joel’s squinty right eye.

“You on patrol too?” You asked.

“Yeah,” Tommy nodded, sticking his hands in his pockets. “Joel seemed to have gotten the worst of it compared to me.”

You nodded.

“He’s tough though,” Maria noted, switching her attention from Joel to you. “I heard you had a busy day at the kennels. How many dogs got adopted?”

“All but one,” You answered.

“Oh really?” Tommy looked surprised. “I figured they all would’ve gone.”

“The only one that didn’t go was the pregnant one,” You told him. “But I brought her home cause it didn’t feel fair to leave her up there all by herself.”

“She didn’t give birth yet?” Maria asked.

“Nope,” You said. “Any day now though.”

Maria nodded.

The nurse stood from her stool and worked on gathering her medical supplies, “All fixed up, Miller. Take it easy for a few days.”

“I’ll try,” Joel responded.

He groaned as he got up. The man massaged the back of his neck with a hand, squinting in discomfort. Joel eyed the three of you, no readable emotion in his eyes.

“I need a drink,” Joel groaned.

“I bet you do,” Tommy chuckled.

“You wanna join?” The older Miller brother switched his attention to you.

“Awe what?!” Ellie exclaimed. “Then who am I gonna hang out with?”

“Go hang out with that Dina girl,” Joel reasoned. “You seem to like her a lot.”

Ellie scoffed, her cheeks turning just the slightest of pinks, “I guess..”

“I’ll be okay, kid,” Joel told his kid.

“Plus, it’s about time we get this hermit out her shell,” Tommy joked, bumping your shoulder with his fist.

You rolled your eyes playfully, “Those dogs loved me.”

“ ‘course,” Tommy shrugged.

The younger Miller lead the way out of the infirmary and into the cold winter air.

The sun was just a few feet above the horizon line now, painting the sky in oranges and pinks. A few people were out and about, but due to the cold weather slowly making its way over the mountains there weren’t many.

Once you’d reached the bar, called Tipsy Bison, Joel told Ellie to scamper off (in his grumpy, loving way) before leading the five of you into the bar. Because of course once Debby had seen Joel up and walking, she had attached herself to his hip and snuggled up to him all the way to the bar. You’d decided to hang back with Tommy and Maria to avoid awkwardness.

Being quite early at the bar had its quirks apparently. You’d all gotten chairs at the bar-top right next to each other. In a way to for you not to feel left out, you sat between the Miller brothers. You talked primarily with Tommy and Maria, as Joel seemed only focused on drinking at the moment.

As the sun set and more people trickled in, the five of you moved to a table near the outer circle and away from the crowd. With the table being circular, there was a bit more of an even option to talk to everyone. Most talk was about the town’s going ons and how the patrol went. You chipped in a couple times, but not too much. You’d spent these past few months in the barn and the mess hall, so you had no interesting news to share with the group.

Slowly, music had started from a jukebox in the corner of the bar and as people started dancing, Tommy and Maria had excused themselves and disappeared into the crowd. This left you with Debby and Joel, which wouldn’t have been awkward if it weren’t for Debby’s one-sided flirting towards a very tired-looking Joel.

You excused yourself and headed off towards the bar to get another drink.

It was louder over by the bartop compared to your little corner near the back of the barn. Thankfully, you ordered your drink without much hassle. You waited patiently, standing with your forearms resting on the counter and tapping your fingers against the wood along with the music. You felt a body join you on your left, but thought nothing of it until they started talking.

“You looking for someone to dance with?”

A tall blond man stood on your left, leaning against the counter with one arm. He already held a drink in his hand. His blue eyes looked you up and down, only briefly making eye contact.

“No,” You observed him briefly, before looking ahead at the bar again.

“Awe.. Why not?” The man sighed, setting a hand on your upper arm. “You got something better to do?”

You only looked at the blond man. After a few heartbeats went by, you tried to pull your arm away from the unknown man but to no avail. This man kept a rather tight grip on your upper arm.

“Well?” The man asks.

“Can you let me go please?” You try to pull your arm away with a bit more force this time.

“Why?” The blond man only tightened his grip. “I’m not hurting you, am I?”

Before you could respond, you could feel an overbearing presence over your shoulder. You didn’t have a chance to look at the person before they spoke.

“Is there a problem here?” Joel spoke from behind you.

When the blond man made eye contact with Joel, he let go of your arm so fast that you almost thought something burned him. His previously smirky expression developed into one of panic and fear. The man scooted back from you a bit.

“No-nothing for you to worry about, Joel,” The man seemed to have a bit of confidence still in him as he tried to tell Joel off.

“Go scamper off, kid,” Joel brushed the comment aside. “Go bother someone who wants to be bothered.”

The blond man huffed and left your side, shoulder-checking Joel before stalking off into the crowd. You watched the man walk off before Joel joined you at the bar top counter.

“You alright?” He asked, ordering his own drink when a bartender came by.

“Yeah,” You nodded. “I’m more weirded out than anything.”

Joel nodded. He set a soft hand on your upper arm, patting it once or twice while you waited for your drinks.

After getting your drinks, you and Joel went back to your table.

Debby had left and you couldn’t see her anywhere in the crowd. You assumed she went off into the crowd after Joel went to get another drink for himself. You weren’t worried too much. Your friend has lived in Jackson longer than you, so you trusted that she knew her way around town.

“So,” Joel took a sip of his drink. “Got anything going on for the rest of the night?”

“Umm.. Probably just gonna go home, check on Mama, and go to bed,” You told him. “Not the most excited.”

“You mind if I. . joined you? If that’s not a problem,” Joel took another sip from his drink, as if hiding behind the glass.

"Not at all," You smiled.

Joel's sudden shyness was unlike him, as was the pink tint to his cheeks. Why? Was it hot in here? You didn't think so. You shrugged his reaction off, not thinking anything about it.

After sipping down your drink, you and Joel left Tipsy Bison and headed off to your house. It was dark out now, and much colder than today. Not many people were on the streets either, not unusual for a cold winter night in Jackson. After your walk through town, you came up onto your porch. You noticed a medium-sized black lump on your porch. You didn't turn your porch on before you left in the late afternoon, so it was hard to tell what was on your porch.

As you came closer, the black lump lifted up it's head. It was a dog. The dog wagged it's tail as you came closer. Joel hung back a bit as you stepped up onto your porch. In the full moon light, you could see the black dog was Mick! He must've ran away from home and found your house!

"It's just Mick," You turned and told Joel. "He must've gotten out from his owner's house earlier."

"Ah," Joel joined you up on the porch and gave the black dog a few pats on the head. "Okay."

You opened your front door and welcomed Joel and Mick into your house. You told Joel to make himself comfortable.

As you hung up your jacket onto the hooks on the wall by your door, you noticed the lack of Mama's greeting as you came inside. You told Joel you'll be right back, you're just going to check up on your dog. You made your way into the downstairs bedroom and was greeted by small yaps and the thump of a wagging tail. You turned the light on and saw Mama laying in a nest of blankets with three very tiny bodies nestled against her belly.

"Oh!" You exclaimed.

You joined Mama on the floor, checking the new puppies. They weren't wet and all were breathing fine. You concluded that Mama must have given birth sometime early into your night out. You gave your dog a couple pats on the head and moved her water bowl closer to her so she could take a drink.

The click-clack of claws and the thumping of boots made you turn around.

Joel and Mick stood in the doorway. Upon the sight of Mama, Mick came in and gave Mama a couple licks on the head before settling down beside her. Joel still stood there, observing the situation.

"You alright in here?" He asked. "Thought I heard you say something?"

"I was just surprised that Mama gave birth already," You told Joel, settling down into a more comfortable sitting position on the floor. "Would you like to come see?"

"Sure," Joel was quick to come settle down beside you, letting Mama sniff his hand before giving her some well-deserved pets on the head.

You watched him interact with the dogs, surprised to see Joel relax so quickly in the presence of animals. It was almost like you weren't in the room with him anymore. Almost.

Joel sat up a bit, looking at you now, "So how are those fingers?"

You brought your hand up to look at your injured fingers, "They're not too bad. Still a little tender." You looked up at Joel. "How's your face?"

"Sore," Joel responded, smiling a bit.

"Too bad I couldn't be the one to fix you up," You sighed a little. "To repay the favor."

"Next time," Joel said.

"Next time?" You questioned, surprised. "I hope next time is just a little scratch and not a spilt eyebrow."

Joel only laughed at you.

You two spent the rest of the night sitting in the room with the dogs and getting to know each other a little more. Joel was a complicated, many-layered man who seemed to have very few soft spots. You were happy to be friends with Joel, but something deep down was tempting to see if you could be more.

[strawberrystepmom]

pairing: Kenjaku x F!Reader, past Geto Suguru x F!Reader

word count: 3.6k

about: you become kenjaku's captive to ensure that he will not miss his opportunity to fight the strongest after his return from the prison realm. the temptation of being this close to the last remaining earthly fragment of the man you once loved, suguru, proves too much to resist and you give into your desires despite the hole they're bound to leave.

contents: NSFW - MINORS DNI. DARK CONTENT WARNING, MAJOR MANGA SPOILERS FOR CH 236 AND BEYOND | dubcon, manipulation, violence against reader, asphyxiation, kidnapping | reader is a sorcerer and went to school with geto and they had mutual feelings for one another, mentions of religion and references to god, kenjaku retained some of geto's memories and knows reader through them, reader has breasts and descriptions of vaginal anatomy are given, rough piv sex with little prep, reader is referred to as "girl", major character death (off screen).

notes: i've uh....been going through some things lately LMAO tbh i started this awhile back before thanksgiving but have felt weird about posting it and it very nearly stayed in the "between me and god" folder so i held back but today i said fuck it. if you read, thanks and i hope you enjoy!!!

header art is by jenny holzer and divider is by @/cafekitsune ♡

“The old occupant of this vessel was very fond of you, you know?”

How dare Kenjaku mention Suguru so casually, as if he were a tenant to his own flesh and bone instead of its rightful owner? 

“You know nothing about him,” The words are full of venom, flying from your mouth not unlike the way you spat at the curse user’s face two days prior to now. He chuckled when the fluid hit his cheek, wiping it off without a second thought. “Or me.” 

You felt so guilty for spitting at his face, the face of a man you once believed that you loved, that you wept until you began to dry heave atop the futon mattress in the room that has been designated as yours. It’s the same bed you rest on now, duvet over your knees that are hiked to your chest. It’s a means to protect yourself from any vulnerability but it’s truly no use. If Kenjaku wants to harm you, he will.

He has insisted your accommodations be comfortable since arriving three days ago given you are collateral and not a captive, his own clever wording for the situation, but you’re more than aware that if you were to attempt to escape from the cage that you’d hit the window just as all birds hungry for a taste of freedom do. There are no cuffs, chains, or bars but your freedom is no longer yours. It is a prize to be won pending the defeat of the man standing across from you in the doorway, shoji door open beside him, flowing hair as dark as the midnight sky brushing the backs of his elbows.

For years you wondered what you’d do if faced with Suguru again. Would you strike him, insisting he deserved it for all the hurt left in his wake? Ask him why in a scream so powerful your shoulders would shake with the weight of your fury? Perhaps you’d forgive him, as you’d been taught and encouraged to do your entire life, and those mumbled prayers cast to the God you believe in above you would be true for the first time since they’ve left your treacherous lips. 

“I forgive him, I hope you can, too.” You have begged God aloud and silently since sixteen years old. You have always been devout in your faith despite abandoning most of the tenets that make someone a believer, your lack of devotion not enough to deter you from selfishly asking for absolution for a man who you know deserves none.

God’s answer is clear when faced with the fact that this is not Geto standing in front of you. There is no less mercy a person can be shown than their body being used as a sick prop after their death.

The space where his thoughts and dreams and hopes used to lie is occupied by something far worse than just visions of a world purified through means of violence, a place where people like you could live without the threat of death and sacrifice to keep others safe. Granted, that wasn’t exactly a noble purpose either, but at least it didn’t threaten your life the way that whatever lives inside of his skull does now.

“I know more about both of you than you think.” 

Kenjaku’s words drip with smugness and your stomach flips. The natural responses of your body to a man who looks and sounds just like Suguru make you sick but you cannot focus on fighting them off and keeping yourself protected at the same time, you have to simply make peace with the butterflies in your stomach that feels like something is punching you in the gut over and over again. He dares enter the room and you scoot further up the futon, hitting the wall behind you and leveling a glare in his direction.

Suguru’s body reacts to you, as well, something that Kenjaku planned long ago to use to his advantage. It started with hazy dreams, a face he recognized as yours drifting through them, your thighs and your lips and your skirt. It’s a version of you a little younger, a little warmer - less edgy than you are now. You are sharp and finely tuned to harm while the version of you that lived in Geto’s mind will forever stay soft, a freshly unfurled rose.

“All you’ve done is vandalize him,” you accuse and he shrugs, dressed in a cotton yukata rather than the robes he stole in addition to the body they dressed. It’s easy to imagine another life where this is Suguru and you are you and he’s coming to your shared bedside, kneeling on the ground the same way Kenjaku is now while he invites himself to the only space you currently have as your own.

“You’re a smart girl, don’t play dumb.” Your glance moves from the doorway to him, disgusted by how brave he is getting this close to you. “Perhaps I’m simply using the power this body holds in the way he was too cowardly to attempt.”

Despite your current state of sitting in nothing but a yukata yourself, you are physically strong from spending the last decade of your life as nothing more than a glorified weapon to use in the fight against evil. Even if your Cursed Technique would be unlikely to have any effect on the man, you could be a difficult problem for him if you wanted to be, yet you sit and do nothing but wait and refuse to respond to his words. He chuckles at your stubbornness and reaches across the bed and your body to grab your chin between his thumb and index finger. He shifts your head until you’re staring directly at him and a smile crosses his lips.

You do not fight him off.

“Tell me, sorcerer,” he starts and you swallow, bottom lip quivering. You want to reach out and slap him away, to scream and kick but your body stays still, the only place blood is pooling between your legs and in the heat of your face. “Where are those teeth and claws you were so eager to show me on your first night here?”

He reaches his thumb upward and presses it against your mouth, stopping the shake with a single touch - your body’s natural reaction to a man you are now certain you loved, given it’s the only explanation for your behavior. It’s a form of trust, the muscle memory of a kiss he gave you in your dorm room at the school you once shared. The first night you were spitting and hissing, now you’re so placid.

“Nothing to say for yourself?”

Stubbornly, you shake your head and Kenjaku chuckles again, pulling his thumb away from your lip but maintaining the grip on your chin. You know this is not Suguru, it’s as clear as the stitches across the forehead of the practically empty vessel that further closes in on you. He moves silently until he’s mere inches away from you, his head hovering over your knees that are still pulled against your chest. You watch him with narrowed eyes, tucking against yourself tighter than you ever have as a means of comfort, but it does nothing to stop him from lingering.

“I could just make you speak if I wanted to,” he warns. The power in this situation belongs to him.

“What’s the point of fighting you? You’re going to do whatever you want with me anyway.” You admit, defeated. Whatever fight you had left in you was smothered weeks ago during the attack on Shibuya. Even the release of Gojo is not enough to fill you with hope for the future. It’s pointless to keep fighting when the only outcome is going to be loss.

The shaky sound of your voice makes the curse user move closer to you and you shut your eyes tightly, refusing to look at him lest your body continue with these inexplicable natural responses. Heart pounding against your chest, it’s inexplicably frustrating that it cannot seem to separate what your brain knows is true from what your body wants to believe.

It isn’t him, you scream within the confines of your own mind but it does not prevent your palms from feeling clammy and the squeeze of your inner thighs against each other to provide some relief against the heat in your core.

It isn’t him. It isn’t him. It isn’t him…

Chanting the words internally, you open your eyes and are met with a pair of golden ones staring directly at you. They’re the same that stared at you in a dorm room a decade ago although they’re missing the warmth they had back then, dripping honey sweetness hidden in the irises turned to tar. 

“You’re right, I can.” He nods and dark hair falls over his eyes, catching your eye. Your stomach turns when you spot the stitches across his forehead but your gaze returns to his so quickly you can hardly think about it. “But will it be what I want or is it what this body desires, I wonder?”

This piques your interest and Kenjaku tilts his head to the side inquisitively, dark hair sweeping over your knees and around your body. It feels like a curtain, a veil like the ones you are so used to using to keep people safe and ignorant and outside of your world of sorcery.

“What do you mean?”

A smirk is the response you are granted and he moves closer to you, one of his hands reaching for the duvet you’re using to cover you. Pulling it back gently, your robe covered body coming into view and once again, you make no effort to fight. With this barrier removed, he runs his palm over the outside of your thigh. Muffling your whimper at the touch, you attempt to hide your face in your shoulder but he stops you, still grasping onto your chin and still holding your gaze.

“Interesting.” 

His hand travels from the outside of your thigh to the insides and you gently spread them to allow him access before realizing what he’s searching for. Attempting to cut off his access by closing your legs, he holds your thigh in place and lets his fingers dip lower along the soft skin. You quiver and shake beneath him like a leaf clinging to the branches of a tree in winter, desperate for somewhere to remain, and those fingers inch closer and closer to your core. He stops when he feels the coarse hair covering your mound and dares to dip a single fingertip between your folds, raising his eyebrows when he feels the arousal seeping from you. 

“I knew it,” he whispers so low you wonder if you were even meant to hear it but the way he gazes at you, like that of a man starved, tells you that the words were meant for no one but you.

Your hand shakes as much as the rest of you when you finally lift it from your side, reaching out to him and taking a strand of hair between your fingers. It feels just as you imagined it would, silk between your digits, and a breathy sigh leaves you before you begin to cry. Dropping the small strand, you choose to reach out toward his forehead and use your hand to block the stitches covering it.

“Suguru.”

You babble the name like it is precious, your lip quivering just as it did before, and the evil man shakes his head, capturing your wrist with the hand he just removed from your chin. He lowers your hand enough that you can see the stitches unobscured.

“Kenjaku, actually.” 

He lowers your hand to his lips and kisses your knuckles, amused when you squirm where you sit, practically delirious with lust and confusion. You do not want this, at least that’s what you tell yourself while parting your legs further and panting, chest heaving with every breath.

Wordlessly, he uses his free hand to untie your robe and it falls off of your shoulders, exposing you to him fully before he can blink. This is something he remembers seeing in one of those dreams but you look different than whatever the imagination of a man who was infatuated with you was able to come up with during his loneliest hours. It amuses Kenjaku that he is the one to see you like this, bare and willing. 

Tracing down your belly and lower, he stops between your legs which makes you whimper. You’re so desperate to be touched, to pretend he is someone you’ll never have the opportunity to love as properly as you could have if you’d both lived a different life, that your hips actually arch off of the bed eagerly. It should embarrass you but you are past the point of humiliation, willing to be fucked by evil incarnate just for the sake of a taste of Suguru Geto.

“Pathetic little thing,” he coos and you say nothing in return. You’re well aware of your failings as a sorcerer and a human being as his fingers spread your labia to get a glance at what you have to offer. For a moment, you consider praying for Suguru again; to selfishly beg God to make sense of your own actions but you know that he no longer has mercy for an ill behaved member of his flock. You will simply accept the consequences, whatever they will be.

His thumb brushes your clit and you moan, tipping your head back and toward the ceiling. You wait for the sensation of pleasure to climb through you again but it doesn’t come until you look downward again, eyes fluttering open.

“Eyes on me or you get nothing.”

Too afraid to look away lest it keep you from the only good thing you’ve felt in who knows how long, you keep your eyes glued to Kenjaku’s face while his hand works between your legs, spreading the slick from your cunt toward your clit and back down. If you could just shut your eyes, you could pretend, but they’re open and glued between your legs, watching every feathery stroke of his fingers through your folds.

Kenjaku’s cock hardens against your thigh and for a moment you dare to feel powerful knowing you aren’t the only one surrendering to the most base of your needs. He drops your hand and reaches for the tie of his robe, opening it and giving you the only look you’ve ever been lucky enough to get of Suguru’s bare body.

Scarred, honed, a tool - just like yours. If you weren’t so lost in the moment, the lifetimes you have imagined for years would be playing through your mind.

You gasp and knit your brows together, bucking against the increasing pressure of Kenjaku’s fingers while he brings you back to him and out of your head. Whatever you’re thinking about doesn’t matter when he inserts a finger inside of you, only testing how wet you are with no intention of preparing you for his cock. 

When he’s satisfied with how wet you are, he withdraws his finger and you whine. The sound is the most he has heard from you since the first night and it makes his eyes widen in interest. He shifts until he is standing between your spread knees and the realization that this is really happening hits you at once, your face flaming with desire.

“You’re so impatient.” 

The curse user tuts at you with a roll of his eyes and spreads your legs as wide as they can go to accommodate the width of his body. He’s broad in shoulder and hip and you bite your lower lip when he runs the head of his cock through your folds, following the same pattern of his fingers. You expect the teasing to last longer but it stops abruptly. Before you can take a breath to prepare yourself, his cock is buried to the hilt inside of you, and you gasp with wide eyes, shocked. 

“As good as you imagined?”

Words come to your mind but do not form enough to leave your mouth while he thrusts roughly, your body jerking violently against his. It’s painful, the size of him with little prep in conjunction with how he uses your body as nothing more than a glorified place to take his aggression out, but all of the numbness within you thaws and for the first time since you realized Geto was no longer Geto in Shibuya, you feel. 

It’s hard to name all the emotions you are experiencing because they blur into something barely comprehensible. Pleasure and pain and bone chilling sorrow, the kind that makes tears silently drip down your face while he takes what he wants from you. He doesn’t bother to play with your clit and there is no need to, the joy you’re taking simply from being used by Suguru’s body enough that the knot inside of you is slowly beginning to unravel. 

Skin on skin punctuated by his low grunts and your whines fill the small room and you are so lost, you lift yourself halfway up to meet Kenjaku and consider kissing him. Would it be close enough to kissing Suguru that you could eventually justify it or would it just sully the one good memory you have of him? 

You don’t have long to think about it before you are pushed back down to the bed, one of his hands caging your throat and keeping you pinned to the bed below. A reminder that this is for his pleasure and not yours although you feel yourself coming closer to the edge than you were just moments prior, shutting your eyes tightly. All of the motion inside of you stops, the hard thrusts of his cock ending, and your eyes shoot open.

“Remember what I said. Eyes on me or you get nothing.”

Nodding, you keep them open and he begins again, pace rougher than before. You can do nothing but grunt and struggle to breathe, his cock carving out space inside of you that didn’t exist until he entered you. Every kiss of his tip against your insides knocks the breath out of you and finally you cum in a strangled moan, walls quivering around his length. 

His hand inches further up your throat and squeezes experimentally. As expected, you do not fight back and he takes his indulgence with a grin, choking you with varying degrees of pressure and feeling your cunt spasm around him when he surprises you by tightening his grip. 

You like this. You want this.

He leans forward and shifts his weight to his arm and hand, finally spilling inside of you with a deep moan. Warmth fills every inch of you and you wish that you felt as full in your heart as you do in your cunt but a void remains.

Kenjaku’s other hand slides up your body and wraps around your neck, both of his palms resting on either side of your neck and fingers splaying over your throat. It’s dangerous to let him have this much access to any part of you that he could possibly crush but you do not move, tearfully looking up at him and sniffling. He increases his pressure, not enough to harm you, but enough to make you work hard and you realize how easily he could just…end this.

“Please kill me,” you beg while struggling to breathe, realizing what you’ve done now that the afterglow of orgasm can no longer protect you from the cold hard truth. 

You are a betrayer. You slept with the enemy to sate your own selfish desires and death seems almost too kind to beg for, yet you do.

“Kill me.”

Your face turns in shade and your vision is dotted with darkness, a miserable end to a miserable life you consider, but at least it will be over. The pressure of Kenjaku’s hands around your neck continues to increase until you are certain you are taking your last breath, lungs aching until he abruptly stops. He glances down from where he rests above you, half swollen cock softening and letting his cum leak out around the tip of it that is still inside of you and onto the sheets below. 

“I will not give you the satisfaction of death until you give me the satisfaction of watching you fight for it.” 

Removing his hands from around your throat completely, he glances down at the pressure indentions of his fingers with a smile. Your eyes flutter shut, you’ve passed out from lack of air, and he admires the heap he has left you in, reaching for your robe and wiping the remnants of his release and yours on the corner of it.

Nobody is coming to save you, a secret Kenjaku knows that you are not yet aware of. Satoru Gojo is dead, defeated at the hands of Sukuna. The news broke this morning and he was preparing to come to your room to let you know until this little distraction occurred. He had an inkling you were susceptible to Suguru Geto’s charms even from beyond the grave but he had no idea it would be this easy, your slumped form resting on the futon beside him. He pats your head as one would a treasured dog, long and loving strokes that do not stir you, your bare breasts swaying slightly with every breath you take.

The new world is on the horizon and he may keep you around as a plaything for a little longer than he originally intended.

[anniflamma]

This isn't a question, but rather a love letter to your art<3.

Thanks to you, I've started enjoying Greek mythology and the Bible again (I mean from a point of artistic, mythological, historical, and theological analysis; my status with any kind of religion is being agnostic XD).

And I already enjoyed Epic the Musical, but I really love the designs you make, how you empathize with the symbolism and lore of the Gods when designing them, and how you make Odysseus so human with his crude expressions that makes me empathize with him (And he's one of the characters I hated the most from Greek mythology lol)

And then there’s your art about the bible, I have to admit that I tend to avoid the biblical religion because of the weight it still has on our daily lives, the damage it has done from the past to this day, and how they deny it with current hypocrisy (I live in Spain, there the official religion is catholic), but your lgbt drawings have really encouraged me to open the bible and see it from an objective and neutral point of view, and just enjoy it as another book and not as something I’m forced to follow.

Also I didn’t know there was so much LGBT content in the bible XD Seriously, thank you so much, if you had a patreon, I would pay you for the amount of happiness and culture you have given me (^///^)

By the way, reading your posts I found out that you recently experienced an internet drama that has become so popular lately. I just wanted to tell you that I'm sorry that both you and that poor artist had to go through this, that human hypocrisy has no limits or shame, and that I agree with everything you say. Just because we like a character or an author doesn't mean we agree with their crimes or ideologies.

I hope you have a nice day<3

Hi! I’m sorry it took me a while to respond! I mean it, I’ve read this over and over, and it makes me so happy. I’ve been thinking about how to respond, but sometimes it's hard to get it out into words.

It makes me so happy that my biggest interests make others interested in it too. Heck, when people ask questions, I get all giddy!

Talking about biblical/christian saints, greek myths, history, different cultural views and changes was kind of the whole point of why I started this tumblr blog. I have so many drafts filled with random info about LGBTQ+ saints..... Now… I post mostly thirsty drawings of greek gods with hairy chests... T.T

And I sympathize a lot when it comes to religious trauma. I consider myself lucky in these matters, my mom is Catholic, and she has her views that I don’t agree with and hurtful. Yet she still supports me in her way and watching my bible retelling animatics, everytime I post a new bible animatic, she writes me: "What have you done to Daniel..."

I also have my hurts and anger towards hypocrisies too, and I guess this is my way of countering that?

LGBT content in the Bible is something that really fascinates me. I think it's important to keep in mind that people from about 2,500 years ago had very different views when it came to gender and sex compared to how we see it today. In a way, the Bible does have strict social gender expectations, and if you didn’t fit in, then you weren’t considered part of that gender. But at the same time, it acknowledges that your sex. I think it’s in the Talmud were it discusses the fact that, throughout the Bible, there were about eight genders:

Zachar: male.

Nekevah: female.

Androgynos: having both male and female characteristics.

Tumtum: lacking sexual characteristics.

Aylonit hamah: identified as female at birth but later naturally developed male characteristics.

Aylonit adam: identified as female at birth but later developed male characteristics through human intervention.

Saris hamah: identified as male at birth but later naturally developed female characteristics.

Saris adam: identified as male at birth but later developed female characteristics through human intervention.

Some scholars even believe that Abraham and Sarah were Tumtum. A Tumtum is not considered to be very distinct but rather flexible between male and female sex/gender—"sometimes he is a man, and sometimes he is a woman." The simple fact that God said Abraham had a womb and from it, he would have children. Some say that this is why he is a Tumtum, while some historical linguists argue that ancient Hebrew didn’t have the vocabulary for male genitalia yet. Both arguments are valid, and I like them both!

There’s tons of stuff I could bring up—Joseph with his princess dress, Naomi and Ruth, David and Jonathan, and the discussions around whether Daniel was a Saris Hamah or a Saris Adam. We know he was called a saris, but we’re just not sure which. And then there's Jael, whose story is filled with a lot of phallic symbolism, and even her name is very gender-neutral.

I think I’m going to end here. I could yap about these things forever! But thank you again taking your time writing to me and I hope you also have a nice day! <3