#Theatrical posters

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Teatro Yiddish en Buenos Aires y Nueva York

🇦🇷 La Colección de Teatro Yiddish de la División Judía Dorot de la Biblioteca Pública de Nueva York es una de las más grandes del mundo y contiene cientos de materiales relacionados con el teatro yiddish. Entre sus piezas se encuentran carteles, programas de teatro, manuscritos, fotos y entrevistas orales. Los carteles de teatro yiddish se destacan por su publicidad exuberante que promovía las primeras producciones de teatro en Nueva York y en la ciudad de Buenos Aires. En Buenos Aires, el teatro yiddish alcanzó una etapa dorada en los 1930s y 1940s, convirtiéndose en la segunda ciudad más importante en la historia del teatro yiddish. El teatro yiddish en Buenos Aires comenzó en el principio del siglo XX, pero ganó impulso en las décadas posteriores. Importantes figuras del teatro yiddish como Boris Thomashefsky visitaban Buenos Aires y ayudaron a fomentar este auge. La colección también incluye materiales de actores y actrices como Boris y Bessie Thomashefsky, Bertha Kalich, y Sophia Carp, quienes fueron pilares del teatro yiddish. Esta colección preserva carteles publicitarios que datan desde finales del siglo XIX, reflejando el resurgir del teatro en Nueva York y su influencia en Buenos Aires.

🇺🇸 Yiddish Theater in Buenos Aires and New York The Yiddish Theater Collection of the Dorot Jewish Division of the New York Public Library is one of the largest in the world, containing hundreds of materials related to Yiddish theater. Among its items are posters, playbills, manuscripts, photos, and oral histories. The Yiddish theater placards stand out for their exuberant advertising, promoting the early productions of Yiddish theater in New York and Buenos Aires. In Buenos Aires, Yiddish theater reached its golden age in the 1930s and 1940s, making it the second most important city in the history of Yiddish theater. Yiddish theater in Buenos Aires began in the early 20th century, but gained momentum in the following decades. Prominent Yiddish theater figures like Boris Thomashefsky visited Buenos Aires and helped foster this revival. The collection also includes materials from actors and actresses such as Boris and Bessie Thomashefsky, Bertha Kalich, and Sophia Carp, who were pillars of Yiddish theater. This collection preserves advertising posters dating back to the late 19th century, reflecting the revival of theater in New York and its influence on Buenos Aires.

[shiftwux]

they think he’s gangster number one so they’ve made him their favourite son and that and that goes to show…anything goes! 🎵

[ilovemesomevincentprice]

House on Haunted Hill theatrical poster (1959)

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[austinbutlerslovers]

*NEW* & It’s so pretty 😍

[cupiidzbow]

on the road tomorrow to my new home state…… im literally so exhausted from this month but at least after 17 hours it will all be over ……….. .

[haaaaaaaaaaaave-you-met-ted]

Star Trek: The Final Frontier - Preliminary Poster Art by Steve Chorney

[kinasin]

[spacepunksupreme]

kind of incredible how many different posters and dvd covers there are for a difficult to find, kind of mediocre, remake of a banned tv movie that doenst even have its own wiki page

[monstorous-lullaby-au]

Theatrical poster 1#

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Looney Tune Stock Posters (1940s)

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Zombi 2 (1979) directed by Lucio Fulci.

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CHOUBRAC, Alfred. Esclarmonde, Opéra Romanesque en 4 actes de Jules Massenet, 1889 by Halloween HJB Via Flickr: Massenet opera based on the medieval chivalric tale Parthénopéus de Blois, written in the middle of the 12th century by Denis Pyramus.

[ilovemesomevincentprice]

Vincent Price + Roger Corman + Edgar Allan Poe collab movie posters

[laboitediabolique]

Theatrical poster for the limited US release of Robotech the movie, July 1986. A much maligned film, but rarely seen by it's detractors, this film is a rather scrambled edit of Megazone 23 and coupled with edits of footage of various episodes of Southern Cross. Despite claims the film was a box office bomb, in it's test market run in Dallas, Texas, it did exceptionally well despite it's run being limited to daytime matinee screenings in most theatres. However, financial issues plagued it's distributor Cannon Films. Cannon also did not understand the core market of the franchise. When teens and young adults showed up to screenings rather than children (which they expected the film to appeal to and had already bought TV commercial airtime during children's TV shows to market to), they panicked and pulled the film from distribution. Due to internal issues, the film was never remarketed or retooled for wider distribution. It was eventually released on home video in English in the UK and Belgium (with Dutch subtitles) and on laserdisc in English in the Netherlands, again with Dutch subtitles.