#The first one is relevant again because I am once again thinking about how much I love Mousey lol

[nobigsecrets]

So when Tommy gives Buck the tour of the 217, after having laid out the basics of the station, he proceeds to ask Buck why he's actually there. Not once, but twice and he's pretty blunt about it.

Tommy: Is that why you wanted the tour? Looking for a bad ass coffee mug?

Buck: Nah, I'm happy where I am at. I guess I just wanted to see the place during the day. You know, when we weren't stealing one— [gestures toward helicopter]

Tommy: C'mon, you didn't call me just because you wanted to see the toys. You're thinking of changing things up, aren't you?

Buck: Ah, I don't know. Okay, so, aside from worrying that Cap and Athena were at the bottom of the ocean, yeah, fine, I guess that night was the most fun I had since being struck by lightning.

To me, that indicates Tommy must have been a) clearly baffled that Buck called him in the first place and b) that he can't place Buck's request for a tour at all. Is it common courtesy after their little adventure? Is it professional interest? Or is it something more personal—?

I don't think Tommy allows himself to think in a personal direction at first. He's clearly flattered that Buck called but he also seems to be very much on guard at first. He's looking for clues as to why Buck is there. So when Tommy can't figure out it out, he's gotta ask. Because Evan is kinda hot adorable interesting. Maybe he even pings Tommy's gaydar, but he can't be sure.

And Buck's answer is super vague of course. We know that he can't even place his interest in Tommy himself yet. But Tommy doesn't know that. So he asks, again. He even suggests that Buck might be there for professional reasons, aka looking to become a pilot himself. Like Tommy doesn't dare believe Buck might be there for him.

And it's only then, after Buck admits he had fun the night they stole the helicopter, that Tommy allows himself to let his guard down. It's like he needed at least a tiny hint that Buck could be interested on a more personal level. It's only then that he starts flirting. It's only then that he allows himself to check out Evan a little bit closer. And boy, does that guy flirt back—

(Not relevant to the rest of this meta, but it's also noteworthy how both of them keep their references carefully gender neutral when they're talking about dating people they met on calls.)

[portraitofalinkonfyre]

Hiiii!!!! Uuhh sorry I get a bit awkward to approach new people but oh my god I needed to say that I absolutely love your work!! Im truly a fan!! Your Fierce Deity fics bring me to life and I cant stop thinking about it <333

Not sure if this idea is interesting enough but I cant stop thinking about it and I thought you could maybe like it!!

I keep thinking about Reader talking with the Fierce Deity's mask (imagining he still sealed in the mask) like he was physically there, just rambling. We could show him the sky and the grass, mundane things, talk about our thoughts and ask questions to him, like what is it like to be a god and if he is happy with his life.

One question that also pops a lot in my mind is asking what gods thought of humans or maybe, what he thought of them, of us!! Ofc he doesnt respond bc he is inside the mask but then one day he is off of it and he remembers each and every question we ever asked, and is willing to answer them all NFKENFKWFKWKKFKWKDKW

Its just an idea, you dont really have to do it, but everytime I think about it or Fierce in general, I cant help but also think about you <333

Im really glad I found your work!! I hope we can be friends!! :DDD

I wish you a lovely day my little leaf!! Toodlessss 🍃🍃🍃

𖠰 Woods 𖠰

Okay first of all, this idea this absolutely amazing!! I'll have you know I was practically VIBRATING with excitement while reading this! You have no idea how stoked I am to receive asks like this, so do not feel bad at all for sharing! Also what we're literally already besties <3

Man In The Mask

Pairing: Fierce Deity x Reader

Warning(s): N/A

Masterlist

What are you?

It was a question the Fierce Deity had heard a thousand times, often accompanied by blood and blaze: a question of those he protected... and those he did not, whispered on the heels crimson-dripped lips and frightful eyes. He was a god of war, and thus not one to engage in the folly of mortals. Orders were his foundation, and steel his soul, wrapped in a righteous evil that not even the goddesses could bear to gaze upon.

Which is why he felt nothing short of hedonistic when it fell from the lips of the paltry mortal's holding the wretched mask that trapped him centuries earlier. Voice soft and eyes softer, touch featherlight on the chipped edges of his prison. There were thumbs on the apples of his 'cheeks', and the deity was caught between rage and sorrow. Tumultuous emotions were not his strong suit, and neither was restraint, from the way things were looking.

He didn't need to stand before them to feel their weakness, as was typical of most humans, but there was an ember in your eyes that seemed to burn with a light he didn't dare remember, shining like a beacon in the night.

"I wonder who painted you," the human, you, mused, stroking again over the half-glossed finish of the mask. Gentle, comforting, and utterly indecipherable to the deity inside. "You're so dusty; did Time even polish you?"

Why... Why was that relevant? Never in his wildest thoughts had the Fierce Deity expected Time to intrust his 'care' to a human, much less you. His very existence was a burden; how could a so-called hero willingly place something so... so destructive in the hands of, well, he considered you quite innocent to the tribulations of war and bloodshed and sorrow.

But what could he do but wait, snug under your arm, as you prattled on about anything and everything. The notion that you were naive enough to talk to a mere mask, of all things. Had you no sense? No discretion? It was a question he often asked himself, though only because there was no one else to answer.

That didn't stop his dull wonderings on whether you would ask such questions if he stood before you in the flesh. Would you cower? Fight? Flee? Perhaps he would remember the words that fell from your mouth, just to prove himself right once again.

***

The Fierce Deity mask weighed heavy in your hands as you plodded down the small path towards home. A thick forest bordered you from the east, while a blooming prairie stretched as far as the eye could see from the west. There was no doubt in your mind that you were incredibly lucky to live where you did, a fact that was only exemplified by the nine heroes that had crashed into your life (and living room) through a portal that looked straight out of Coraline or some shit.

Never in a million years would you have expected Time, the distrustful forest child he was, to entrust anything to you, much less a mask that supposedly held the spirit of one of the greatest entities of his world, but you supposed it was only proof that miracles did still exist. Maybe.

Either way, you had taken up the mantle of caring for the mask, and there was no way in hell you were going to screw up. Not that Time would let you, the worrywart, and you were only just beginning to catch him not staring holes into your back.

Chronic mother hens aside, it didn't take a genius to figure out there was something terribly wrong with the item tucked under your arm. Whether it was the crimson and navy facial markings or innocuous radiation of something akin to evil, you had no doubt that Time's warnings were not in jest.

Despite this, you couldn't quite shake the idea of a soul being trapped inside, well, the mask was practically a prison at this point. And maybe, just maybe, you felt a modicum of guilt at the entity's fate. Had he deserved it? Perhaps. Was it cruel? Without a doubt.

Which is why you found yourself taking the Fierce Deity's mask with you when you went to the store, or the library, or simply for a walk in the forest, tucked in your satchel to protect from prying eyes, though you always adjusted the cover so at least one of the eyeholes was free to gaze upon the wonders of your world. It was a small mercy that you were willing to afford, one that quickly spiraled into conversation with the mask itself. You always had a habit of speaking out loud, and now you, presumably, had an ear to listen.

But it was all speculation at this point; Time had never outright confirmed whether a living creature resided within the painted oak, only that it was imbued with an evil so ancient it could challenge the goddesses. You had stopped listening at that point, muttering 'drugs' under your breath, but there was always hope in your tone when you reminisced about the world around you.

With a sigh, you stopped, bringing the mask to the forefront of your vision, thumbs instinctually tracing the crimson stripes on the cheeks. It was baffling that something so beautiful could feel so wrong in your hands. You desperately wished to uncover the truth, to breathe in the big reveal and revel in the known mysteries of life.

"What are you?" The words slipped off your tongue like silk, right enough that you could have chalked it up to fate. The mask felt warm, basked in the fading rays of the golden sun, and you had the distinct feeling of being watched. The pads of your thumbs stroked the raised cheeks of the mask, disturbing a thin layer of dust, as more words spilled forth. "You're so dusty; did Time even polish you?"

It felt strange, talking to the mask as if it was a person, but you were too intrigued to care. If an entity truly resided within, you wondered what he thought of you. Was he impressed? Disgusted? Resigned? You had grown up with the belief that if gods truly existed, their disappointment would be without bounds, but that assumption didn't feel accurate when you stared at the shadowed skin of your palms through the eyeholes.

What horrors had a deity of this caliber seen through eyes of oak... and why were you so desperate to find out?

***

The Fierce Deity was convinced you were either crazy or stupid.

Night had fallen some time ago, filling your small quarters with only the pale light of the moon. His prison sat propped against the contraption you called a 'lamp', facing the bed in which you slept. Your nighttime routine was... unusual, to say the least. In his time, maidens wore long shifts to sleep, while here, you had treated him to the ludicrous sight of what could only be described as the shortest britches he had the displeasure of viewing and a sleeveless rag of a tunic that looked as though you wore it to a scuffle with a large animal, not to mention the sheer audacity you had to undress before the mask without regard for decency. Had the Hero of Time not informed you of his status in this wretched prison, because it was as though you had forgotten or simply didn't care at all?

Whatever the case, it was with much dread that the Fierce Deity only found himself more attracted to the mortal cursed with his care. Your life was, at most, mundane, yet you spoke as though every day was a great adventure, in a tone that could have inspired countless scribes into a flurry of activity. More shocking, however, was how he could feel himself clinging to your every word, like a dog waiting for scraps. He had been alone for so long, and the reality that a mere mortal considered him, well, mortal enough to converse with was a reality he never imagined contesting with.

But, despite how thrown off he was, there was a certain comfort in the quiet nights you spent together, however inadvertently they came to be. After a life of isolation, he found a purpose in the steady rise and fall of your chest, in the snorting giggles of your laughter, and the way you flipped the edge of your pack to grant him sight, never mind that he was fully capable of viewing the world without it. It was for that reason that the rage in his battered soul waned a fraction, leaving a sliver of room for whatever this was, and the reason his mind refused to release thoughts of your whispered queries, always centered on him, whether it be his health, status as a deity, or happiness.

Farfetched as it was, the Fierce Deity, god of war and blood and death, waited hours for you to wake, unblinking because he would be damned to miss the very moment of your return to the land of the living, the languid stretch your body performed as you groaned softly, rubbing the creases of your eyes with the same gentleness you treated him to. He would study the outfits you wore, committing them all to memory so he could better understand the core of who he considered to be his savior. Maybe then, when he was free, he could begin to repay your kindness–bit by bit, word by word–until distance became more of a myth that him, and your tender warmth could be validated by more than just a paltry mask. Your very breath became his meaning, your soul his muse, and the Fierce Deity was sure he would never forget it.

But in the meantime, perhaps he would remember the words that fell from your mouth, just to prove you right once again.

I can't begin to express how beautiful this felt to write. The Fierce Deity truly is my muse.

ALSO there will be a part two, so keep your eyes peeled!

[crazilust]

Analyzing celebrities’ fashion according to their venus signs (pt.1)

I believe you can tell alot about someone just by looking at the clothes they've choose to wear. Let's analyze different celebrities' fashion and their venus sign (as well as the degree they're in) and give you some advice on how you can incorporate it in your own fashion style.

Aries venus

Audrey Hepburn

Even though we associate Aries venus with a very flamboyant style (and trust me, they can be and most of them are), I found important to put Audrey Hepburn as an example of someone who’s mastered the minimal, elegant fashion. Aries are very determinate and passionate individuals and once they have their eyes set on something, they’ll achieve it at all cost. I found it relevant in Hepburn’s style, because to me she achieved the quintessential minimalist fashion. She was able to balance being minimal while not being boring and basic, while staying true to herself. I think that’s one of the main strength of Aries venuses. They have to stay true to themselves, and when they do, they’re able to master their own fashion sense.

Also interesting to note that her venus is in a capricorn degree, which could also explain the more minimalist route.

Lady Gaga

On the other side of the spectrum, we’ve got Lady Gaga who also represents Aries venus perfectly. Her ability to tell a story with her clothes has become something we know and associate her for. Again, even if it’s completely different to Hepburn’s, you can still very much see Gaga’s need to be authentic to herself. Her style is a bit more tone down (see picture on the top right), but it’s still close to who she is as a person. It just evolved. Her willingness to be weird and over the top despite the constant misunderstanding of others and nagging, demands a lot of bravery and if that's not an Aries venus in a nutshell, I don't know what it is.

Her venus is in a Piscean degree (24), which could explain her intrinsic desire to use fashion as an art form and always push its boundaries.

Final take

If I were an Aries venus, I would take a long time reflecting on what I truly like, what type of person I am and how I want to be seen before buying anything. I would forget the trends and start investing in personal development in order to see how I could translate that into my clothes. Am I more a lowkey, mysterious kind of person? Flamboyant and over the top? The moment I’d be able to choose at least three words to describe me, I’d start building my closet around them and remind myself that I can go to extremes if I damn wanted to.

Taurus venus

Princess Diana

As a fellow Taurus venus, I’d be lying if I said that Princess Diana is not one of my main inspiration. To me, she represents perfectly what Taurus venus is all about. Simplicity, elegance and effortlessness. There’s a simplicity here, an ease that is very admirable from Princess Diana. It’s almost like she just threw this on but looks phenomenal as a result. It’s polished, but not forced at all and that’s where Taurus’ strength lies. Making it look easy. I also added her biker short outfit to represents Taurus’ need for comfort, but why not make it look cute? Also monochromatic looks to add that touch of put togetherness.

With her venus in 24 degrees (Pisces), we notice her tendency to break the mold and transcend beyond people's expectations. With today's eyes, it doesn't seem that groundbreaking, but at the time, and especially for a Royal, it was cra-zy (also the first one to be known for her fashion!)

Prince

What I wanted to focus on by putting Prince is his sensuality that I feel is overlooked alot when we talk about Taurus Venus. Or it's taken for granted almost. They have this little je-ne-sais-quoi that is so attractive and again, so effortless. Prince mastered this aspect so much and I find it very interesting. His clothes were a direct translation of how he felt about himself. Showing a little skin there, some see-through blouse here. Nothing extremely vulgar, but you get the message. I also wanted to put him there because whenever we think of Taurus venus celebrities, we always reference the most stereotypical ones like Ariana Grande and Lana del Rey. They most obviously embody the Venusian energy, but if you don't like this aesthetic, you can definitely be a little bit more out there just like Prince did.

With his venus in 7 degree, being a Libra degree, Prince was doubling down on his venusian energy, amping up the charm and sensuality while still being seen as charming.

Final take

What I would do (and should start to do actually) as a Taurus venus is focus on the quality of the clothes I put on my body, no matter the aesthetic or fashion choices. At the end of the day, Taurus look fabulous and effortlessly glam, but in order to enhance this trait, it's going to be important to invest in quality pieces in order to emanate this energy. I understand that not everybody wants to invest in clothes, but there's many ways you can do this without breaking the bank : thrift stores, depop, vinted (it might just take longer). Some signs can get away with cheap clothes, distressed clothing, but as Taurus venus, it definetely looks messy and not necessarily in a cute, grunge way lol.

Gemini venus

Margot Robbie

To my surprise, there's actually a lot of supermodels or sex icons/bombshells who possess a Gemini Venus. I say to my surprise, because I always see Geminis as kind of quirky, but it's true, they do embody the perfect balance of being hot but approachable (the twins archetype after all). It's like they can very well be the nerdy shy girl and the bombshell the next minute. I think you can actually see that in Margot Robbie's style where it's very Girl-Next-Door, but with an edge. The monochromatic pink look is to die for but switch the palette for a neutral look, platform for regular slippers and it's not as eye-catching. Without these two small details, you get a very basic look. I would've expected flamboyance, but from what I saw from these celebrities (ex: Kristen Bell, Sandra Bullock) is that they really embody the Model Off Duty vibes, where everything they put has a little edge to it while still appearing very approachable and mainstream. Which, when we think about it, is very reminiscent of Geminis.

Her Venus being in a Leo degree (8) could explain her tendency to want to be extra, lean more on the glamorous side and wear monochromatic colourful outfits

Megan Fox

Another route you could choose, as Megan Fox did, is to go push that Cool Girl fashion all the way and experiment fully with your closet, mixing and matching pieces with different textures and colours. Fox has always been known for her sex appeal and you can definitely see that in her fashion choices in the beginning of her career, but as of lately, she's been more avant-garde with her choices and honestly more fun. She definitely reminds me of the cool girls in my town walking around like they're just out of the fashion magazine, not giving a F about anything and you can't help but notice them.

Her venus is in 23 degrees, which is an Aquarius degree and could definitely explain her tendency to explore different styles and play with colours. Being very experimental.

Final take

What I would do if I were a Gemini Venus, is that I would learn my colours, my signature style and what goes best for my silhouette in order to put forward my best features. While this can be said for anyone, I think Gemini Venus is still very well thought out and in order to give that illusion of "I just got up", you're gonna have to know what makes you pop. As opposed to Taurus, for example, who can just rock an oversized hoodie and some boots and make it look elegant because that's what their energy gives off, Gemini is going to have to work a little bit harder. Experiment. Alot !

-----------------------------------------------------------------------

That's it from me folks, I'll post part 2 containing Cancer, Leo and Virgo venus very soon :)

[greenerteacups]

I wonder often why Deathly Hallows as a book is so fascinated with wandcraft and wandlore, especially after the series has spent six volumes being more or less disinterested in it (with the exception of the Twin Cores plot in Book 4). A weirdly high % of the plot depends on who owns whose wand and why: the wand mixup with the Snatchers, Harry's wand being broken, Draco's wand, Bellatrix's wand, and of course, the final rigmarole over who's the "rightful master" of the Elder Wand, which ends up being a weird combination of killing/disarming/fist-fight to disarm someone who... wasn't even wielding the Elder Wand at the time he was disarmed, which begs the question of what it counts to "disarm" someone of a weapon they're not technically wielding? Also, are we to assume that Dumbledore was not disarmed once in the N years since his fight with Grindlewald? Or — here's a harder one — that Draco wasn't disarmed once between Dumbledore's death and his fight with Harry? That's plausible, but it's kind of weird that I need to believe it for the rest of the plot to make sense.

And like, I can think of a few Doylist reasons for this to be the case. The first is that JKR wants Voldemort to kill Snape in the boathouse, which allows Harry to get Snape's memories and retroactively justify why Snape's acted this way since PoA (and explain where the sword comes from in the lake in DH, too). I can think of better, more character-driven reasons for him to kill Snape (just... blow Snape's cover? reveal him as a double agent? have him try to kill Nagini? idk), but let's suppose, for subtextual reasons, she wants Voldemort to think Snape was loyal to the end. Having him die by Nagini's hand muddies the already-opaque water of what constitutes "disarming," because Nagini is a living creature. What if I drop someone into a pool of piranhas? Do I get their wand? Yeah, Voldemort commands her, but then — okay, what if I Imperius someone and make them disarm someone else? I get that it's not like DH has time for Harry to sit down with Ollivander and go through all of the tiny procedural rules for wand usage, but also, are these not relevant questions? Is this not the central mechanic of the final battle, this one piece of magic? Am I not supposed to wonder how it works?

The other reason I can imagine is that Harry wins a duel against Voldemort 1v1, which is not terribly believable unless there's some kind of magical advantage working in his favor. We know the Elder Wand's failure to execute the Cruciatus means Harry can't be harmed by spells the Elder casts, because it's his "true master." This is a really weird quirk in wandlore — why does it work this way? Is it the only wand that works this way? By that logic, shouldn't everyone Harry disarms be incapable of casting spells on him? — that emerges in Book 7, apparently for the purpose of giving Harry a buff in the final duel. Functionally, that's weird, because on a technical level it works the same way as Lily's protection — it's a reason that Voldemort can't hurt him. So why get rid of Lily's protection at all? It's not like he duels Voldemort between Book 4 and Book 7. The graveyard scene artificially hikes the stakes for Harry by making him physically vulnerable, pretty much only so he can die at the end of DH... except again, not for real, because Voldemort only ends up killing the piece of Harry that's a horcrux, so it doesn't even count!

And then Harry replaces the wand in Dumbledore's tomb. Which would be a nice moment if the lore hadn't established that anyone who disarms Harry, ever, will become the master of the Elder Wand by default. Harry knows this. He also knows that this knowledge is out there in the world; sure, Grindlewald's dead now, but do we think that Grindlewald never told anyone else about the Elder Wand? And he learned about it from somewhere, didn't he? So Harry might naturally assume that someone else would eventually come looking, in which case Dumbledore's tomb is far from the safest place to put this equivalent of a wizarding nuke. (Not that it seems to be all that powerful anyway; the coolest thing it does is fix Harry's other wand, and we're left wondering why the Elder Wand is considered "unbeatable" when people who own it seem to be getting disarmed all over the fucking place.)

Also, in retrospect, this makes it incredibly odd that Dumbledore allows Draco to disarm him, because he's giving the Wizarding Nuke to a 16-year-old servant of Lord Voldemort. Suppose that he's trying to prevent Snape from getting the wand, because he doesn't want Snape to be a target: okay, fine, but does he know Draco's going to give Snape credit for the kill? What if Draco lies? What if LV just... accepts the fact that the wand recognizes Expelliarmus as a point of transfer, and either disarms or kills Draco? And in any case, no matter what the answers to these questions are, why didn't he just ask Harry to disarm him before he went to the lake?

I'm usually not one to be an asshole about plot holes — mostly because, taken by themselves, I don't find them that interesting — but they become interesting to me when I see several of them in the same vein, because they tell me that the author's trying to do something. And they want to do it so badly they're willing to strain other parts of the story to make it happen.

[iridescentmirrorsgenshin]

I’ve been so excited for more sumeru content! We were treated with an odd textual mystery but now we’re being fed again! I love this cast so much, so i've broken down my thoughts having finished nahida's birthday event <3

the birthday surprise for nahida is so sweet and so well deserved, and I’m so glad we’re finally get to celebrate it in-game especially after her birthday letter last year

dehya getting inspiration for the birthday surprise by talking to dunyarzard… yeah, I know what you are

candace, my beloved, hangout when? It was really nice to spend some time with her one on one, and to see her being a pro haggler due to her efficiency in being a guardian, enough so that she bested dori? Amazing, capable, practical, I love her

candace’s ancestry is so !?!?! interesting to me, and the fact that her being a descendant of the people of king deshret is something that I would love to see explored in relation to the temple of silence? hoyoverse... i am begging... (also the traveller for once not have access to some mystery power,, its funny to me, candace is the main character here)

cyno seeing hat guy and saying, oh sethos has talked about you, as if cyno hasn’t already technically met hat guy in the Interdarshan championship… no, instead cyno knows him through sethos talking about him, oh……

haikaveh’s first appearance being labelled as ‘suspicious’ because they are having a private conversation in an alley is something that is so… sethos’s voiceline is so relevant here I fear, okay queercoding <333

Alhaitham telling paimon that her jumping to dark conclusions says a lot about her mindset, it’s FUNNY!! But I am making parallels to kaveh’s mindset pre-and-during a parade of providence, I am once again asking for clarification hoyoverse, kaveh second hangout pls

HAIKAVEH FLASHBACK!! Making a record I see, with a flashback in their home in cyno’s second story quest, and now in port ormos, there’s just something so special about getting to see these little fragments into their daily lives together

The line ‘Like I said, that's not it! We have more than just a heartless, transactional relationship... You're overthinking the whole thing!’ is VERY interesting, since we’re given no context as to what this is about until alhaitham’s following line, this reads as kaveh’s perspective on his and alhaitham’s relationship, and I think that’s um interesting(!!) given his previous thoughts on why Alhaitham offered him a place to live!

Sick… I think its sick…. Kaveh yapping to alhaitham about mehrak coming up with wild theories, Alhaitham says that mehrak could feel extorted, and then calls out kaveh being in port ormos and having found him, while he’s supposed to be working,,, as if he hasn’t been ENCOURAGING kaveh the whole time??  Can you say fond!!!

Kaveh wanting to show Alhaitham his proposal, and Alhaitham saying that he thought kaveh is confident in his abilities, is something that is so gentle and supportive

kaveh replying by saying that he does have confidence in his abilities, but he wanted to confirm something with Alhaitham anyway, and then pursuing this further by seeking alhaitham’s opinion on his proposal – it’s so notable on kaveh’s part how much their relationship has progressed, as he now actively seeks Alhaitham out!!

Kaveh wanting to show Alhaitham the plans for the route of the flower carriage, saying he’s glad to have run into him, reminds me of an odd textual mystery where kaveh says he’s been looking for Alhaitham everywhere, and them serendipitously meeting in port ormos is giving ‘the universe is playing tricks on us’, a destined reunion, how can I be normal

Every single time we see haikaveh in canon hoyoverse is insistent in furthering their intimacy, wdym kaveh programmed mehrak to recognise alhaitham’s voice!?!?!?! This scene further establishes how important mehrak is to kaveh, and by kaveh wanting to have mehrak recognise and know Alhaitham as he knows kaveh is something that is so soft I think

Mehrak leaving to go and find coffee beans, okay youre a family we get it, the haikaveh coffee motif is something that is so meaningful to me, I’ll have to make a post about it at some point!

Faruzan showing her ‘true senior’ status to avoid being caught by nahida and scolding kaveh, for him to be :(((??? i love them

kaveh lies about not having the plans, and then uses Alhaitham as a scapegoat - ‘The plans... Oh, I almost forgot! My friend has them! That guy's always causing trouble, hahaha... I'll fetch them in a bit.’ Kaveh’s friend?? His FRIEND?? We have officially come full circle from kaveh denying this association in alhaitham’s character quest! I have MANY thoughts about this!! I’ll share them when I get the chance!

Nahida offering kaveh guidance and advice is something that is so <3333

King deshret and goddess of flowers lore mention!!! Also candace having heard their voices because of the power of the wedjat eye is !! intriguing to say the least, since they seemed to be planning the birthday celebration, just like the cast in the present. cyclical occurrences, oh im sick. The wedjat eye being placed in the custody of the temple of silence makes me hopeful for a future event exploring the temple of silence in more detail (im hanging on by a thread)

The fulfilment of sethos’s and the wanderer’s voiceline about each other. wdym people told sethos to fetch the wanderer because they know that they have a personal relationship?? Sethos saying he knows the wanderer pretty well now, commending him on his achievements, and the wanderer giving in and following sethos to the celebrations because sethos asked?? Sumeru… I know what you are!!!!!

Taking a picture to commemorate the moment of happiness in place of the wedjat eye and nahida saying that experiencing everyone’s kindness and warmth was like being a bird tucked in a nest, contrasting with her motif of a bird locked in a cage, now she is safe and secure? This is so beautiful?

This event was so fun to play through! Seeing characters from other sumeru quests, the exploration of sumeru’s history, and the development of characters and events that could lead to future storylines, I’m so grateful for being fed <3 HAPPY BIRTHDAY NAHIDA!!

[agentrouka-blog]

Do you think that the Dance is also meant to be a foreshadowing for the books like D vs fA or Jon? Because I feel like with how the story is centered to the Starks, whoever gains their support (obv Jon if he joins 😂) will win and we get to have a second hour of the wolf

Let's put it this way: The main novel series is the point, and the Dance of Dragons is a result of its existence, it is fictional historical backstory that is meant to inform, illustrate and foreshadow the events of the main series.

The first book of the main novel series was published in 1996. It already contained references to the Dance of the Dragons, and they reappear sprinkled through the series, increasing in detail and relevance.

What is interesting is that the thing most emphasized about the Dance in the main series is the intra-family strife. Brother v. sister - and transcribed into the kingsguard: brother against brother, metaphorical and literal.

Bran was going to be a knight himself someday, one of the Kingsguard. [...] Bran knew all the stories. [...] The twins Ser Erryk and Ser Arryk, who had died on one another's swords hundreds of years ago, when brother fought sister in the war the singers called the Dance of the Dragons. (AGOT, Bran II)

It's a popular, high-culture piece of music that plays on the multiple perspectives of the historical event.

Later, while Sansa was off listening to a troupe of singers perform the complex round of interwoven ballads called the "Dance of the Dragons," Ned inspected the bruise himself. (AGOT, Eddard VII)

A Clash of Kings (1998) contains no reference, though you could consider the entire developing civil war to be an answer to that first reference.

A Storm of Swords (2000) picks it up again in much greater detail.

Stannis - notably having killed his brother over the throne - emphasizes the aspect of treason while discussing the fate of his wife's uncle Alester Florent.

"It has always been so. I am not . . . I am not a cruel man, Ser Davos. You know me. Have known me long. This is not my decree. It has always been so, since Aegon's day and before. Daemon Blackfyre, the brothers Toyne, the Vulture King, Grand Maester Hareth . . . traitors have always paid with their lives . . . even Rhaenyra Targaryen. She was daughter to one king and mother to two more, yet she died a traitor's death for trying to usurp her brother's crown. It is law. Law, Davos. Not cruelty." (ASOS, Davos IV)

The song makes another appearance at Joffrey's wedding, once again emphasizing that it is a complex story from multiple perspectives. Also setting up the inter-Lannister collapse that has been brewing for a while and explodes with Joffrey's murder.

Collio began with his version of "The Dance of the Dragons," which was more properly a song for two singers, male and female.  (ASOS, Tyrion VIII)

Jaime brings it back around to the kingsguard pseudo-brotherhood, which mirrors the inter-family aspect of the civil war.

The old and the new. Jaime wondered if that meant anything. There had been times during its history where the Kingsguard had been divided against itself, most notably and bitterly during the Dance of the Dragons. Was that something he needed to fear as well? (ASOS, Jaime VIII)

Given the mess that is made of the kingsguard in the coming book in KL and in Dorne... yes, Jaime.

By AFFC (2005) GRRM firmly establishes the Dance as a historical reference for destructive civil war over feuding siblings.

And the songs he chose . . . He sang of the Dance of the Dragons, of fair Jonquil and her fool, of Jenny of Oldstones and the Prince of Dragonflies. He sang of betrayals, and murders most foul, of hanged men and bloody vengeance. He sang of grief and sadness. (AFFC, Sansa I)

It also turns the focus on Criston Cole as an alleged external engineer of such strife. Interestingly, his arms resemble a ladybug, Targaryen colors but not Targaryen.

"Most deserve to be forgotten. The heroes will always be remembered. The best." "The best and the worst." So one of us is like to live in song. "And a few who were a bit of both. Like him." He tapped the page he had been reading. "Who?" Ser Loras craned his head around to see. "Ten black pellets on a scarlet field. I do not know those arms." "They belonged to Criston Cole, who served the first Viserys and the second Aegon." Jaime closed the White Book. "They called him Kingmaker." (AFFC, Jaime II)

Contrasting to Stannis, Arianne uses the Dance as an example of treason from the other side, trying to manipulate kingsguard Arys Oakheart into supporting her coup against her father and brother, even though by Dornish custom her role would more rightly resemble that of Aegon II because she is the legal heir and believes her father to favor second-born Quentyn. Notably, Criston Cole is blamed over all Targaryen's involved. Ridiculous but probably significant.

Ser Criston Cole. Criston the Kingmaker had set brother against sister and divided the Kingsguard against itself, bringing on the terrible war the singers named the Dance of the Dragons. Some claimed he acted from ambition, for Prince Aegon was more tractable than his willful older sister. Others allowed him nobler motives, and argued that he was defending ancient Andal custom. A few whispered that Ser Criston had been Princess Rhaenyra's lover before he took the white and wanted vengeance on the woman who had spurned him. "The Kingmaker wrought grave harm," Ser Arys said, "and gravely did he pay for it, but . . ." (AFFC, The Soiled Knight)

Quite fittingly, Arianne's own little "dance" ends with horror and death and deep regret on her side, while poor Quentyn is busy on the other side of the planet.

Meanwhile, GRRM keeps the subject current in ADWD (2011) after Tyrion joins the entourage of "Young Griff", mixing in a reminder of different perspective on historical events. And some dragonslaying. Clearly, he has compiled a lot of detailed backstory for this civil war by now.

Haldon was unimpressed. "Even Duck knows that tale. Can you tell me the name of the knight who tried the same ploy with Vhagar during the Dance of the Dragons?" Tyrion grinned. "Ser Byron Swann. He was roasted for his trouble … only the dragon was Syrax, not Vhagar." "I fear that you're mistaken. In The Dance of the Dragons, A True Telling, Maester Munkun writes—" "—that it was Vhagar. Grand Maester Munkun errs. Ser Byron's squire saw his master die, and wrote his daughter of the manner of it. His account says it was Syrax, Rhaenyra's she-dragon, which makes more sense than Munken's version. Swann was the son of a marcher lord, and Storm's End was for Aegon. Vhagar was ridden by Prince Aemond, Aegon's brother. Why should Swann want to slay her?" (ADWD, Tyrion III)

Dragonslaying comes up again in the context of Hazzea and the effects of dragons in general.

If I look back, I am doomed, Dany told herself … but how could she not look back? I should have seen it coming. Was I so blind, or did I close my eyes willfully, so I would not have to see the price of power? Viserys had told her all the tales when she was little. He loved to talk of dragons. She knew how Harrenhal had fallen. She knew about the Field of Fire and the Dance of the Dragons. One of her forebears, the third Aegon, had seen his own mother devoured by his uncle's dragon. And there were songs beyond count of villages and kingdoms that lived in dread of dragons till some brave dragonslayer rescued them. At Astapor the slaver's eyes had melted. On the road to Yunkai, when Daario tossed the heads of Sallor the Bald and Prendahl na Ghezn at her feet, her children made a feast of them. Dragons had no fear of men. And a dragon large enough to gorge on sheep could take a child just as easily. (ADWD, Daenerys II)

In a telling twist on the name that pulls it directly into the present and likely future, we look at burned Quentyn:

After the girl was gone, the old knight peeled back the coverlet for one last look at Quentyn Martell's face, or what remained of it. So much of the prince's flesh had sloughed away that he could see the skull beneath. His eyes were pools of pus. He should have stayed in Dorne. He should have stayed a frog. Not all men are meant to dance with dragons. (ADWD, The Queen's Hand)

Which echoes again with Arianne in her TWOW sample chapters (2010-ish), which (interestingly) also flesh out her relationship with Daemon Sand, an intentional reference to a prominent character in the dance linked to Rhaenyra.

"Once we know beyond a doubt whether these be friends or foes, my father will know what to do," the princess said. It was then that pasty, pudgy Teora raised her eyes from the creamcakes on her plate. "It is dragons." "Dragons?" said her mother. "Teora, don't be mad." "I'm not. They're coming." "How could you possibly know that?" her sister asked, with a note of scorn in her voice. "One of your little dreams?" Teora gave a tiny nod, chin trembling. "They were dancing. In my dream. And everywhere the dragons danced the people died."

Much like with Daenerys, this reference emphasizes the destructive effects of the dragon-based civil war.

Since Arianne's little stint as pseudo-Rhaenyra went nowhere, but the Dance references remain thick and strong, we can likely look at her upcoming connection to Aegon as the point of it all.

Incidentally, GRRM has already set up their future conflict:

Now, how do you suppose this queen will react when you turn up with your begging bowl in hand and say, 'Good morrow to you, Auntie. I am your nephew, Aegon, returned from the dead. I've been hiding on a poleboat all my life, but now I've washed the blue dye from my hair and I'd like a dragon, please … and oh, did I mention, my claim to the Iron Throne is stronger than your own?' " (ADWD, Tyrion VI)

This places Tyrion into the role of a Cole-figure, hilariously, having pushed Aegon into changing direction to claim the throne directly without Dany.

There's the strife between family members, kingsguards, factions, and manipulative third parties, all over a throne that really isn't worth it, told from multiple perspectives, bringing misery and destruction to the smallfolk.

All the extra material on the Dance of Dragons was published after ADWD, from A World of Ice and Fire (2014) to the novellas (2013-2024) to Fire and Blood (2018), with one small reference to the extinction of the dragons after the Dance in The Mystery Knight (2010). So all this backstory was compiled and built up in the service of of the main story GRRM is telling.

You rightfully bring up Jon, Daenerys and Aegon all together, but it's extremely unlikely that Jon Snow is going to be a driving factor in a Dance of Dragons 2.0 because he will only just find out that he has Targaryen ancestry, and in a way that puts him it in conflict with her Stark ancestry.

No, this war is going to be between two established family members who both have claims and means alongside the ambition to ascend the Iron Throne. Not quite brother v. sister but aunt v. nephew. Tragic, destructive, self-destructive. Much like what the Baratheon brothers have served us before. Only with dragons involved on Dany's side, while Aegon mixes it up by simultaneously representing the Dornish side of the story, through his mother Elia - which is a whole different kettle of fish.

Jon's presence in there is probably going to be a very interesting complicating factor that might go in many different directions, with mirrors to Robb's Will and Stannis' offer of legitimization (another theme in the Dance), to accusations of manipulation and ambition (Criston Cole). The role of the prophecy is also going to be explored in all its myopic self-destructive emptiness.

This won't be a copy of the first Dance, though.

If there is an Hour of the Wolf, it's going to preside not over scarred survivors, but over the ashes and corpses of King's Landing and the Targaryen legacy in Westeros.

[alpaca-clouds]

Astarion, Sexuality, and Polyamory

I have not written an Astarion analysis for a bit. But there is actually something I kinda want to explore more for Astarion. Because I actually think there is one aspect that does not get explored enough - specifically in spawn endings. (I do not think it is quite that relevant to ascended endings, because Ascended Astarion is never gonna admit to it.)

I am not telling anyone anything new that a lot of Astarion's arc is about reclaiming his personhood, and also his sexuality, after Cazador stripped his personhood from him, and controlled his sexuality for two freaking centuries. We also do know that for an elf Astarion was still a minor when Cazador turned him. While we don't know exactly for how long he was a vampire, we know it was roughly 200 years - and the official age puts him at 268 right now. So he was not 100 years, which is when elves usually come of age. (Which also explains why he has a name that very much sounds like an elvish child name.)

We do know that usually elves are quite sexually liberal and yes, elves that are physically grown but not considered adults by elven standards will usually still fuck a lot. Because they are fucking hippies. It does stand to reason that Astarion hence had some sexual experience prior to being turned. But still, given how young he was in comparison to an elvish lifespan... The majority of his sexual experience was controlled by Cazador in one way or another.

Ironically we do not even know whether Cazador himself ever directly raped any of his spawn. We know he tortured them, but headcanoning Cazador as demi or ace works perfectly fine with the infomation we are given.

Given that during the two hundred years Astarion was with Cazador he did not have a lot of actually consensual sex, and most sex he had was always about him trying to seduce the next victim to accompany him to Cazador, it does stand to reason that Astarion does know a lot about technique in terms of sex... But - and that is the thing I would love to see explored a lot more - actually does not really know what he himself likes. Because to him nothing he was forced to do was ever really enjoyable, was it? Because it was forced onto him.

This is also where the last Astarion post I made comes to play. Aka how the Astarion romance arc gets a nice bow at the end on the graveyard. It is one of those gamey-thingies, where the character arc gets fully resolved, because it kinda has to - even though realistically it would probably take months for a person to get to that point.

I still think, though, it is an underexplored theme. How Astarion actually needs to learn that sex can be something that he had can do for himself, that can (but does not have to) be about connection to someone else, and which can offer a context to give up control - but does not necessarily need to. And I just like the idea of him getting to learn again what he actually likes.

To me this is particularly interesting because I read Astarion in a way that he links a lot of his self-worth to his seductiveness, but actually seems also very naive when it comes to sex.

This also brings me to the other aspect: The polyamory option. Astarion in the game does not have a problem with the polyamory with Halsin. However, his first reaction is: "It is not because we have not in a while, is it?" His big insecurity in there is: "Oh, we have not fucked, now they don't want me anymore." If you assure him though, that it is not about that, he will be fine with it.

Again, I would in a way argue that there is also once more the "tie a little bow around it" thing happening, given that the game just wanted a proper happy ending there. I am absolutely sure that Astarion is in general fine with polyamory (especially given that Faerûn is not as mononormative as the real world is - so it is not like a super foreign concept), but I do think he is in general just insecure about his own relationship to a romanced partner. Because let's face it: The man struggles with a lot of insecurity and self-hatred, because of what he has done and was made to do.

And realistically speaking, that might well come through if there was something polyamorous happening. (And let's be clear: Anything polyamorous, because let's not be limited by the sparse options canon provides.) Because while I think Astarion is absolutely able to feel compersion, I also think he will never the less always compare himself to whatever other partner(s) his partner has. Because the man really, really needs some lessons in self-love again.

I talk about it a low, how yes, Astarion is the character from the game I write about most - but he is actually not my favorite character. Like, non-companion NPCs included he is still in the Top 10, but more like number 6 or 7 probably. But I love writing about him, because... Well, I love writing about people healing from trauma because it allows me to project *coughs* and there is just no character for this like Astarion. And I do love to write different characters healing in different ways. Astarion's way is probably the most messy one, though.

Funnily enough in my stuff he does end up in a polycule too. But at first it is mostly about him realizing, that Tav still has feelings for his ex-girlfriend. And yes, in the end it is Astarion who sets them up to get back together. Before he gets his own scaly boyfriend a bit later. But that is all stuff that happens more than 18 months post canon, where he got a chance to heal a bit from all the shit. He is not fine, but he is a lot better than before.

Ironically I do think that at some point later on he is also going to get with Halsin. But that might be like 10 or 20 years in the future. Not an immediate thing.

[sgiandubh]

https://www.tumblr.com/thefrsers/727642239173525504/samcait-watching

Did you write something about their moment 😍🫠with Josh?

Dear Moment with Josh Anon,

Once again, I do apologize for the very, very late answer. As Relocation Week-end is now within reasonable sight, days are shorter and you do find yourself caught in a thousand little idiotic details. Car insurance, doggie shots for Bebe, car check-up, bank, boxes and the whole Marie Kondo tidy geisha circus - you'd be surprised to find out how many things don't spark joy anymore and will be donated to the local Catholic parish, for example. All this hullaballoo will somewhat slow my presence here: not to oblivion (they'd wish!), just a tad & I am already sorry - but (as JAMMF once said) I must.

But we're here for S&C and this is what you should read about in this answer, Anon.

Here is a relevant clip of last summer's Happy Sad Confused Special, I found online, just to make sure we are on the same page:

Anyways. Even if I am not Horowitz's most devoted groupie, I must admit the guy knows perfectly well how to navigate the S&C Narrative River and even its Dissimulation Straits, without ever pushing things up to the Point of No Return. He definitely knows things and if anyone still imagines by now all these 'impromptu' interviews are not at least discussed before the event, well...

In a nutshell, there are - as a rule of thumb - very few spontaneous things about interviews, lately. But then, you can also have unexpected gems like the one above, because it is my belief that this has not been rehearsed or discussed before: their reactions are genuine.

I know many people have talked about it before, so I am not sure what I could add to what was already said, except perhaps a couple of cursory observations.

When she is moved, her Irish accent comes back with a vengeance and then she gradually returns to 'normal' as she relaxes back. But that, to me was a giveaway of how surprised and moved she was to see that reel.

When he is moved, he immediately blurts something cheeky and (often, but not here) borderline inappropriate. 'Actually it's interesting seeing that, like, how physical we were and we just met' (01:50). These, I believe, are coping mechanisms. And yes, I am aware that some believe they met before or that he knew at least something about her. I respectfully disagree: I think what we saw that day, at that chemistry test, were two actors desperate to get a much-needed part and giving their best for it. But, unlike the cynical and corny know-it all out there, I also think we witnessed two human beings who also happened to fall in love at first sight. And that, Anon, is something extraordinary and very rare to experiment, let alone to watch.

And this is something that they both know: how could you ever forget that happening to you? And yes, they are very guarded (he, more than her) but if you watch closely enough (and manage not to feel like a filthy voyeur), you'll understand there is more than meets the eye about These Two.

Once again, I am sorry for the delay. This should serve me well as a lesson in leaving the cheap drama behind and focus on what is important.

[vickyvicarious]

About all the touching between Dracula and Jonathan... it all culimates on June 30, doesn't it. In case you want to talk about the climax of that saga

It seems there's now two instances.

The heavily implied feeding in Jonathan's room/bed. In his Old Man form, Dracula doesn't turn into mist or bat, so one way or another, he had to touch Jonathan to feed on him.

Jonathan again touching Dracula in his room/"bed". Pretty much immediately after. But this time he emphasizes how very repulsed he's feeling at the contact. "I shuddered as I bent over to touch him, and every sense in me revolted at the contact". Last time he had searched his body he didn't feel this way, but now he sees him as fully monstrous.

But also there's a potential different mirroring contact... Dracula's teeth on Jonathan's skin, Jonathan's shovel on Dracula's skin.

I've actually been meaning to make a post about this for ages. (Obviously. It's been months now.) And I think the final consideration has to include 25 June as well. Because that is when the reversals start to majorly kick in, and those reversals are a huge aspect of any touches going forward.

First, Jonathan's act of climbing the walls like Dracula proceeds right on the heels of Dracula first acting like Jonathan by wearing his clothes. And similarly to how Jonathan was unable to act while Dracula killed a child, Dracula becomes unable to act while Jonathan searches him for the key. I mentioned all of this in more detail in the post I linked above, so I won't rehash it all. But there's another comparison too: Jonathan bending over Dracula in his 'bed' while he is unconscious is a mirror at that time of when Dracula returned him to his own bed (16 May). Jonathan tried to search Dracula's clothes for the key, while Dracula undressed Jonathan. The first time Jonathan is touching Dracula instead, it's a reversal/echo in a lot of ways.

And that's relevant too for this final instance, culminating the castle's progression of invasive touch. While it's possible Dracula put a hand on Jonathan's shoulder or something while walking him back to his room on 29 June, if so it's another unmentioned touch. But, while I could absolutely see that happening, that particular scene might almost be worse if it doesn't have any touch at all, because then we bring back a horrible anticipation (fearful, on Jonathan's part; eager, on Dracula's) which is reflected in Jonathan hearing that he is 'Dracula's' tonight and praying while he waits to see what will happen.

Then we get to 30 June. We hear nothing at all about Dracula biting Jonathan, though I am convinced it did happen. And yes, he would be doing so in his human/old man form. Jonathan moves from the floor to his bed, so there's a strong chance that particular scene repeated itself once more... either before or after Dracula bit him. For reversal/mirroring purposes, I suspect that Dracula hypnotized Jonathan and helped/ordered him to bed first before biting him in his bed. And we don't know exactly what went down. We don't know how Jonathan felt about it. But I think it is likely a fairly direct contrast to the shovel scene... meaning, I think just as Jonathan emphasizes disgust in the morning, while being bitten I suspect there was at least some degree of pleasure. Similar to the "languorous ecstasy" with which he waited for the vampire ladies to bite him on 16 May. Of course, it would be mingled with disgust and fear, but if Dracula had control of his mind enough to ensure he didn't remember anything in the morning, then it's possible those emotions would have been somewhat suppressed or muted.

In the morning, while free of the direct hypnotic influence of a vampire feeding, Jonathan still is unable to remember what happened to him. And yet, as you said, he is absolutely repulsed by having to touch Dracula. Maybe this reflects a sense-memory even if he can't consciously recall what's been done to him. And he hates having to touch him... yet at the same time, he feels a "wild desire" to search for the key at any cost, and when he can't find it, a "terrible desire" to destroy Dracula. The only other time Jonathan uses that word in the castle is when he's describing his "burning desire" to be 'kissed' by the vampire ladies. Dracula says it several times though. Jonathan's desire to touch Dracula, first to take the key (which previously I've compared to Dracula wanting to bite Jonathan) and then to harm him when he can't find it, I think is indicative of another sort of reversal going on with Dracula's own desire/touching him to bite him that night. At the very least, even if you ascribe no relevance to that wording, Jonathan's shovel attack absolutely still echoes Dracula biting him. They both loom over the other one and pierce their skin/draw blood. The anticipation/building invasiveness is over with a final act of violence.

And while Dracula succeeds in biting Jonathan, he fails to turn him (technically the vampire ladies are the ones who don't do that, but I tend to assume it's something he wanted/ordered based on his line about hoping to see Jonathan in the castle again). Jonathan fails to find the key or kill Dracula, but does succeed in harming Dracula and escaping. Both strike a blow here but it's not quite the final one they wanted to happen.

So in the end, the touching culminates there with Jonathan echoing Dracula's touches, just as he did the other times he touched Dracula. But, and I think this is also really significant... while Dracula does far more touching overall, the whole saga concludes with Jonathan making the final touch. The reversal is completed. The dynamic at the beginning, where Dracula invaded Jonathan's space more and more while Jonathan was unable to stop him, is switched around. Jonathan is the one hunting Dracula, and he's the one who has to escape. If Dracula wanted to have Jonathan become a vampire, become a predator, then in a way it has come true here... except Jonathan is only interested in hunting Dracula himself. And since they both got out of the castle alive, that may become relevant later.

[alcoholfreenayeon]

Don’t Call Me Again

Chaeyoung x Reader

CW: very light fluff, angst

Word count: 900

Synopsis: I regret from the very core of my heart for hurting you this bad, I am sorry.  

AN: Yes I know this is the wrong day for it😭but I feel it’s relevant right now and also because I need a bit more for the other one. I’ll post it tomorrow instead.

You watched as the car door opened and Chaeyoung got out, you couldn’t help but smile, her cute little jump to avoid the puddle, the way she smiled uncontrollably when she spotted you, everything about her was so cute, so perfect. She walked up to you still smiling sheepishly, looking at you for a moment before quickly grabbing you and embracing you in a tight hug. At this point, admittedly you were beginning to feel a bit emotional, but you managed to fight those emotions off, for now at least.

Still holding on to you, she pulled her head back and looked at you, still smiling happily, “It’s been so long”, she said before slumping her head against your shoulder, her tone changing to a more serious one. That stung a little, you knew it had been, usually her tours make you miss her a lot, but you never really considered that she might miss you just as much if not more. After all, she does become quite loving and needy when she’s stressed. Nevertheless, you both finally pull back and Chaeyoung slips her hands into yours and that’s something you can never get tired of.

The two of you walked a little, going towards the spot where you both kissed for the first time. As you both approached it, you began to brace yourself to tell Chaeyoung but before you could, she suddenly let go of your hand and turned. She was walking backwards, unable to stop smiling at you, her cheeks rosy. You were about to tell it her when she suddenly spoke, “Oh! Pretty!”, she exclaimed, plucking a flower off the ground, smelling it, and smiling at you. She then takes a step closer and tiptoes, tucking it behind your ear and kissing your cheek and smiling lovingly at you, her hand lingering on the spot she kissed. She is making this so much more difficult than it needs to be. Is this a mistake? How were you going to tell her that you wanted to break up…

“Chaeyoung…”, you said quietly, beginning to feel tears build up in your eyes, “This is-this isn’t going to work.”

“Huh”, She said, confused by your suddenness, “What are you talking about?”

Why, why is she making you repeat, you already felt like a monster for doing this to her. She didn’t deserve it, she doesn’t deserve this. But you just can’t keep going on like this, having her go off to the other side of the world for months. You know it’s selfish, you know it’s stupid, but you just can’t keep doing this. You want her all the time and it’s clear you won’t get that from her anytime soon. So its best that you end it now before you lose your nerve, before she makes you change your mind, before she makes promises you she wont be able to keep.

“I think we should break up.”, you said in a shaky voice as you felt tears beginning to fall. You didn’t deserve to shed tears, not after what you are doing. “We-we don’t spend enough time together, we can’t go out half the time or places, it’s just too much. I can’t handle it all. I’m done”, you say the last part more harshly than you intended. “I-I am sorry, but I can’t, I love you, I really do but I think it’s better for us”, you blurt out, regretting each word but you had come too far to back out now.

Chaeyoung looked back at you confused, panicked, hurt, betrayed, she tried to reach out for your hand, but you step back, hating yourself more than ever. She didn’t say anything, but you could hear her breath heavily in panic, she looked like she wanted to say so many things to you right now but couldn’t find the words. You see tears building up in her eyes and it’s too much for you. You turn around and speed off, not looking back once because you are a monster, because you are cowardly, because you are weak. You know if you look back, you’ll cry, you’ll beg her to forgive you, to take you back. And Chaeyoung will. She will take you back without any hesitation, she will cry her heart out, she will ask you what she did wrong, what she can do to change, what she can do to stop you from feeling this way. And the truth is nothing. Because she doesn’t need to change. She was, is perfect. It’s you who’s full of fault, full of insecurities, full of weakness. As you sit in your car, you begin to sob, looking at your phone, at your and Chaeyoung’s messages, knowing you need to block her before she texts you. But it’s too late, before you can gather her strength to do that, you receive a text from her, ‘Please don’t go.’. And you close your eyes in pain, what have you done, you hate yourself, you look at the block button and feel your heart pound knowing its now or never, you take a deep breath and make your choice…  

[morganbritton132]

Idk if you’ve mentioned it before but what is everyone in the Party’s jobs?? We already know Erica is a kickass politician and Lucas is the family embarrassment doctor but what does everyone else do besides bug Steve lol?

Also is Dustin still with Susie or did that ship sail away in the EMTTS?? <333

So, fun fact about me: I am not a big fan of future AUs. I don’t particularly like reading them and I’ve never written one prior to the Tiktok Saga. I think the problem I have with them is that it’s really hard to determine where a character should be thirty-odd years down the road. How or why a one-off post about Eddie being bad with technology turned into all this, I do not know.

I don’t have everybody’s job picked out because I don’t really think about it until it’s relevant to the story, but luckily, I do spend way too much time thinking about this AU so I have few that haven’t been mentioned.

The ones that have been mentioned: Steve is a teacher, Eddie’s a musician, Nancy’s a journalist, Jonathan’s a photographer, Lucas is a doctor, and Erica is a senator.

I think Argyle owns a very successful marijuana dispensary in California where him and Jonathan live and it gives him the freedom to travel with Jonathan when he goes out of town for business. Argyle just has the vibe that should not be working a nine-to-five. Also, I think that Argyle as an old man stoner with long completely gray hair is just so cool.

Robin is also a teacher, but she teaches at a university in the linguistics department. She spoke four languages when she joined the party, she now speaks nine. She’s written a book. She has a kickass rating on Rate My Professor. She’s likely the front runner to take over the department once the current dean retires next year.

I really like the idea of Max becoming a physical therapist. She had a long road to recovery after Venca and spent over a year in physical therapy just learning how to walk again. She knows what it’s like. She knows when and how hard to push her patients, and she’s good at the job. This also makes Max a doctor so Erica includes Max when she says that Lucas is the worst Sinclair.

I’m less defined on what kind of careers that Will, Mike, and El have. I just haven’t found a job that I’m like, yes, that makes perfect sense for that character. I do think that Will has a career where he can be creative and that he’s successful, I just haven’t narrowed it down to what exactly he does.

Mike and El, on the other hand, I have no idea. I mentioned before that Mike had a band that opened up for Eddie on CC’s first national tour and I imagine that he did one summer or during his gap year before college (if he went to college). El, I like to think, travels a lot and has got to see the world and be free of the responsibility of saving the world. But those two, I think, are tough to pin down to a specific career.

Now, for Dustin.

Dustin has had a very successful career as a researcher and his career has taken him all over the world. Now what exactly does he research? That’s up to you. This man is a scientist and that’s all Steve and Eddie can tell you about Dustin’s job because it’s just over of their heads. He loves it and that’s all they need to know.

Dustin and Suzie are currently not together. They have dated off and on since they’ve known each other and have always split on good terms. It has just always been the wrong time for them because when they’re together, they’re great. They hit it off and decide to start dating again, and then they just get busy. They’re both top of their field and work crazy long hours all over the world, and the cost of that is their relationship.

I think they both kinda know that one day, they’ll meet up at the right time, but for now, they’re good friends and they date other people. Steve thinks that they’re soulmates and he’ll randomly give Dustin an update that Suzie is single again. Dustin is always like, “How do you know that?”

“We’re friends on Facebook.”

[eksvee15]

MORE PROOF THAT MEGALOVANIA IS THE PLAYER'S THEME

THANKS TO DELTARUNE AND SUSIE FOR PROVING US RIGHT ONCE AGAIN!

So we all have this constant argument of whether MEGALOVANIA is Sans' fight theme or the Player's (it's not Chara's. Stop) fight theme. Well, I believe Deltarune's use of the soundtracks solved that issue for us.

There is a firm belief that in Undertale, and by logic Deltarune, the theme heard is the theme of who initiates the battle. Undyne starts the battle against us, both times we hear her theme - Spears of Justice and Battle Against A True Hero. Flowey ALWAYS starts the battle, so we hear his themes - Your Best Nightmare and Finale, also counts for Hopes and Dreams given he and Asriel are one and the same. And it's pretty evident that whoever has the first turn DOES NOT ACTUALLY MATTER, it is misleading and is canonically not actually relevant - Undyne herself specifies she's letting us have the first turn, in any fight, she's fair, and ALLOWS US the first turn. Sans gets the first turn to catch us off guard, which is what he does during the ENTIRE fight, ATK 1 DEF 1 yet takes multiple attacks to be defeated and will obliterate your health bar, suddenly has laser weapons, dodges, can manipulate space and gravity, teleport, stops time, his entire character is "surprise bitch", no wonder he gets that first turn - heck on the third turn he won't even finish his "beautiful day" speech and start attacking MID SENTENCE

There is, aside from Sans, one other occasion where the Player initiates the battle - that being Monster Kid. Yet MEGALOVANIA doesn't play there, instead, we hear the OST "In My Way" which is ONLY played against Monster Kid and Flowey in No Mercy. But I believe it's intentional, think of your first Genocide playthrough - you still kind of feel iffy, like it's wrong. It's not much of a challenge as it is a chore at this point. You just killed Papyrus. You just killed Toriel. Two people that have shown love, care, and so much genuine friendship to you, it feels awful. You're a danger, but not yet, a megalomaniac. (Side note, I think Etika's playthrough of No Mercy shows us how LOVE affects the actual player, because killing Toriel is a pain, killing Papyrus feels absolutely awful, but then when you get through Undyne the Undying? Etika celebrated beating her, then stopped and said "Wait no, why am I celebrating, I just killed her". THIS. LV affects us and how we view the Undertale characters, from being friends and caring about them, to being a challenge to overcome in the end. And not a lot of people realise that fact)

Now that I've established all this, where does Deltarune come into play? Well, specifically in Chapter 1, we fight Lancer a number of times. And he has that memorable bouncy theme when you fight him, Vs. Lancer. We all know that theme. However there is ONE moment where we DON'T hear Vs. Lancer DESPITE facing Lancer in battle.

The Susie V Lancer battle in the Card Castle's prison.

There, Susie alone engages battle against Lancer. And we know she engages because Lancer doesn't want to fight her, heck he even avoids to attack her at some point. The battle engaged is ENTIRELY Susie's intentions to put Lancer in his place. And the theme that plays, is Vs. Susie. Because SHE engaged the battle. So it's not Susie against Lancer, it's Lancer against Susie, despite US controling Susie. Just like it's Sans against us, despite us being in control.

This is proof. Proof that we hear the theme of who engages in a battle. You could also take as back up proof the Spamton NEO fight in Snowgrave, because he has every reason to engage against Kris - they're threatening everything Spamton COULD have, so of COURSE Spamton engages, furthermore because Kris goes from puppeted to puppeteer in his eyes. Sans never engages in battle against us. We engage against him. Because we're trying to get it over with.

MEGALOVANIA is most definitely the player's theme in late No Mercy run, and we know this thanks to Susie evolving the opposite way in Ch1 that we do in No Mercy.

Thank you for reading!!

[crackrodent]

Check out the rest of my Flufftober library!

Orange Disaster

Charlie sat in the yard with a few dozen pumpkins, waiting for everyone else to show up and help carve the pumpkins. Each ticking moment was agonizing as she slowly came to terms with the fact it was just going to be her and Vaggie carving all of them.

Even then, she was still going to have to wait since Vaggie was helping Husk with something. Charlie couldn’t remember. Charlie picked up the first pumpkin and started cutting off the top to begin the prepping process.

“Charlie, why are you cutting vegetables outside?” Niffty said appearing out of nowhere.

“For the jack-o-lanterns?” She was certain she explained this in the meeting this morning but it would not be the first time she forgot to check if Niffty was there before starting.

Niffty looked at her with her big ol��� eye, “What’s that.”

“You don’t know what jack-o-lanterns are? Humans like you invented them! You never made them as a kid?”

Niffty ignored her and started cleaning off the pumpkins. “These don’t look very good. They are so messy.”

“Just wait until we pull out the guts!” Charlie joked pulling out the first clump of seeds and tossing them in a bowl.

Charlie didn’t notice, but Niffty had just fully decided Charlie was cool. Niffty was going to have to work hard to hide this fact. It won’t matter either way. Alastor could sense it miles away and groaned internally. He’s not really relevant though. Pumpkins though? RELEVANT!

Charlie did notice when more pumpkin guts got tossed in her bowl. Looking up she sees Niffty gutting a small pumpkin. She smiles and decides to take this as an opportunity to try and finally get through to Niffty about redemption.

~~2 HOURS LATER~~

All the pumpkins were gutted and cleaned. Pumpkin seeds separated from orange gunk. The prep tools are put away and the decorating tools are out. And Niffty was definitely staying in Hell.

“I love the jack-o-lanterns, Charlie,” Niffty said cradling one, “Where do we hide them?”

“We don’t hide them, we are going to place them for everyone to see them! But we need to decorate them first.” Charlie smiled, “Niffty, listen carefully because you are going to love this part.” Charlie showed Niffty the design guidebooks and how to freehand the art and explained which knives did what.

Niffty looked at all the fun little knives and looked up at Charlie, “You really are a princess.”

Charlie felt like she was going to cry, and so she did for a minute. Once she looked back she saw an orange slush puddle where the example pumpkin once sat.

“I think I stabbed it too much Charlie.” The princess of hell just smiled and said reassured Niffty it was alright and she could try again.

Charlie had barely finished her first pumpkin’s little cat whiskers when she saw that only four pumpkins remained. She sighed and grabbed her next pumpkin. She figured Niffty would burn through the last three before she would finish up her little spider but she was surprised to see all three still there.

She looked over to Niffty and saw her playing with a couple of chunks of pumpkin walls. Whittling away at them. Charlie was getting tired at this point and grabbed another pumpkin and made a regular old big scary smiling face.

Charlie heard the door open and was very happy to see Vaggie walking over to her.

“Sorry I am so late babe,” Vaggie said followed by a yawn.

“It’s okay, Niffty was helping me,” Charlie explained.

Vaggie looked much more awake now, suddenly looking around at the orange coating the yard, “I can see that sweetie,” She kissed Charlie on the cheek, “How did that go?”

“Great.” Charlie started on the second to last pumpkin and Vaggie took last place. They quietly worked on the last two, both making a happy pumpkin. Charlie was in a hurry and finished hers so quickly she forgot to carve out one of the eyes as she rushed to find a nice spot in the yard for it.

Vaggie wondered if Charlie did it on purpose. She looked at the other pumpkins for evidence but knowing Charlie it could be either way. Vaggie kept working on her intentional little goat horns she opted to carve out. She had time. Charlie needed to know someone was helping her on this project.

“Where did Charlie go?” Niffty asked Vaggie.

“She’s putting the Jack-o-lanterns where they are going to go.”

“I wanna pick where mine goes!”

Vaggie was trying to focus so brushed her off a bit, “Yeah, sure, go ahead.”

Niffty ran off with her Jack-o-lantern searching for the perfect place. She circled the building three times before ruling out all options and bolting inside almost knocking over Vaggie and Charlie as they placed Vaggie's next to Charlie’s happy pumpkin.

Niffty ran passed the living room through the kitchen and dining room before seeing it. the perfect place! Right on Husk’s bar.

Angel and Cherri had been sitting at the bar drinking with Husk when Niffty placed her creation right in front of the three of them. Husk and Angel started laughing immediately.

“Niff, you are gonna scare him right out of the fucking hotel if he sees this,” Husk warned, while moving it to a safer spot near the end of the bar.

“Aw, whiskers! Look! This is the most cute thing she has ever done. Like she’s don't some freaky shit for bad boys before-”

Cherri chimed in, “OH, remember when she took fur from that fuck head’s coat?”

“Val? Yeah, that was his wings.” Angel corrected.

“Yeah, well this bitch made a cute little head of an effigy.”

“what's an-” Niffty was cut off.

“What is that?” Baxter asked walking up to the bar. “Is that me?” He couldn’t look away.

“YES! I made a Baxter-lantern!” Niffty pulled him into a hug. He stood transfixed. This was the most stalker thing he had ever seen. No movie, book, true crime, or fictional, on earth or in hell. This was nightmare fuel for monsters. The type of thing people swear they would not wish on their worst enemy.

Why was he weirdly into it?

[crystallizsch]

hello i am once again thinking about grim, and by extension the heartslabyul duo because if there’s anything else that lives in my head rent-free it’s how the main four are as close as friends as they are throughout the entire game so far.

(help this ramble became longer than i intended)

-> i know it's a pattern that the previous dorms help out in the next book which means once book 7 ends, we’re assuming book 8 would be about ramshackle(?). which means it’s diasomnia’s turn to have a big role in the following dorm. -> but it got me thinking. throughout the books, heartslabyul (specifically adeuce) is always present somehow. no matter how much screen time they actually have and how relevant they are to the conflict at that time. (actually i think something similar could be said with diasomnia but i want to focus mainly on adeuce) -> throughout the books, we're just set up with how good of friends the four are. the prologue, books 1 and 2 start to develop the four's chemistry together, and by book 3 we get one of the first signs that yuu cares about these three to the point they're willing to risk it because their dumbasses decided to sign a deal with azul. -> in book 4, while adeuce didn't have much involvement, i believe twst JUST hammers home that all four of them are friends friends. we are shown how ace and deuce went through all the trouble of transportation DURING THE HOLIDAYS because they thought yuu and grim were in trouble. like they could've easily just went "hey it must have been nothing" but they were worried enough to go check on them, not even thinking that someone else could've had handled it already.

-> since the pattern was that the previous dorm helps the next dorm, why does it seem like in book 5 it seems that heartslabyul, or at least, adeuce has as much of a big role as scarabia? the scarabia duo was there to notice the signs with vil but it was deuce who dealt the last blow to him. (honestly i don't remember much but i don't know how much help scarabia even helped pomefiore other than being in vdc hhh) -> so then it made me think, huh. it's like twst is setting up that these two will be more important than we think and will definitely not be going away soon. -> and then THE END OF BOOK 6. ouughh the end of book 6. their reunion just solidified for me how much they all care about each other. adeuce were not prompted by a direct "we're in trouble, help us" text this time. they just found out yuu and grim were somewhere in danger and it agonized them that they could do nothing about it but wait and hope they're safe. -> book 7 finally we're back to finding out ways to help yuu get home. and since they're all admittedly close friends (dare i say found family) at this point without explicitly stating it, i get the vibes of "we'll help you get home because we care about you but we're not going to think about the depressing possibility we might never see each other ever again".

-> so very abrupt transition;;; this led me to thinking about the overall “alice in wonderland” theme throughout twst. -> is that why adeuce has been with us this entire time? to remind us of that theme? we are in twisted wonderland after all. (I'm not really sure about the thought of yuu being alice but it's an interesting one to consider too) -> to tie in more with the alice in wonderland theme, i'm briefly going to go back to diasomnia. in book 7, there's like a theme of dreams. in fact, throughout the game it was all about dreams and visions and stuff. and in book 7 we're just diving into it. -> and in the story of alice in wonderland, there seems to be the implication that everything that happened in wonderland was just based on a crazy dream that alice had. like we don't know if anything was ever real. (i'm not really a fan of the "it's all a dream" twist but the connections got the gears in my brain turning) (also mickey must be relevant too but i have no thoughts about the implications of his existence at the moment 💀) -> i know we're not done with diasomnia's book but it seems to be set up as a catalyst for something bigger along the line (thinking about the possibility that there is even something bigger than a malleus overblot is very wild to say the least)

-> SO ANOTHER abrupt transition but still related, i thought about the parallel between the "overblot grim" in the beginning of the game and the "jabberwock(y)" in alice in wonderland. they're both chimera-like creatures that are like the final bosses or something. -> and what if a way for yuu to "go home" is to "slay" the jabberwocky (or in this case the overblot grim) just like in the story of alice in wonderland / through the looking glass. -> there's theories i believe that ace is set up to be some kind of "trump card" based on his name and the fact his unique magic isn't revealed yet. but also i want to add deuce in there too remembering how he held a big role in stopping vil in book 4 like some kind of foreshadowing. -> maybe the main role diasomnia will have is only about all these dream shenanigans. and i'd like to think instead that at the end of the day, this conflict with an overblotted grim is ultimately between our main four. some representations based off alice in wonderland. -> going full circle, is this why we have been shown so much of the friendship between all four of them? to establish this possible eventual conflict? and to make it harder for us to choose about "going home"? do we even get the choice?

do we "slay" the jabberwocky or will we decide to stay in this seemingly dreamlike fantasy wonderland instead?

[spacingoutforever]

PLOT THEORY FOR S2 - Fallout

**MANY FALLOUT SPOILERS AHEAD - read at your own risk**

i have this weird theory that the juxtaposition we see between Cooper's outwardly grim appearance vs his morals being intact, and then Max's outwardly normal appearance vs his morally neutral choices, might be a way of telling us more about looks being deceiving for future developments.

hear me out.

Max is knocked out as soon as he finds out about Shady Sands, but he was definitely intending to do some damage, revenge had its hooks in him from the beginning. it was always there, whether it be to regain the honor the Brotherhood took away from him, then evolving into being part of the trio that was now after Hank. the man who robbed him of his home, family and hope for the future.

i saw a video essay discussing the moral choices of Lucy and Cooper's characters and i really liked the criteria they created for measuring it - ill link it below.

she says there's 2 main parts:

1. loss of control

2. being unrecognizable after enduring hardship

whether you agree with this criteria or think there's more to be added, i like how simple of a base it provides, when approaching these complex characters.

so if we then apply this to Max, he is the only member of our main cast who exhibits both points.

1. loss of control:

this is distinct to me in the Philly shoot-up, where he isn't able to control the T-60 power armor enough to put up a fair fight against The Ghoul. literally crash-lands it and then gets flung into the atmosphere LIKE PLS

he mistakenly attacks the people of Vault 4, once again losing control of his power.

the chicken-guy .... trying to derail that argument but saving the wrong person ><

Note: it's FASCINATING if you look at his character metaphorically, because the power armor is someone having the means for good but not having the understanding of what true 'good' means to them, yet. the power armor is LITERALLY his OUTWARD POWER like who is he really, underneath it??!!!!

we don't have this problem with Cooper and Lucy right now, their power is shown to be INWARD. the Ghoul's experience/connection to the beginning, and hers is her obvious moral strength and perseverance. they overlap.

i feel that his character is supposed to lean into the apprentice archetype, where he is currently lacking a proper teacher to show him the ropes. at first we expected Lucy to fit this role because of her inexperience on the surface, and yet when given a 'mentor' she not only challenges him but proves she can handle herself. ruling that one out, and leading us to believe the fate-intertwined aspect of ghoulcy has a touch more to it. implicit rather than explicit.

2. being unrecognizable after enduring hardship

Max to me fits this point too, because we still don't get a glimpse into who he truly is, besides knowing his past. from the beginning, his goal is to be a Knight of the Brotherhood, that's how he defines himself currently.

when he fights off the gulper, he reiterates this line to himself: "i am a Knight of the Brotherhood of Steel".

he says it AGAIN in response to Lucy's advances in the vault. which is a clue into how much he relies on it for his moral code, to the point where it crosses into his personal decisions. not just for 'missions' or survival.

this is like foreshadowing a tipping point for me, because without the Brotherhood, what does he want? he's acting in alignment of the code that was pushed on him, but it always feels like he has to remind himself to BE that.

that it doesn't come naturally, the way the other characters' do. we see this at the start where he gets the answer wrong in class, he's bullied, an 'outcast' within his own community (for lack of a better term).

by comparison, the Ghoul isn't even a real 'outcast' in the way cowboys are stereotypically portrayed, because he fits in the wasteland better than anyone.

so point 2. becomes relevant when he gets the armor and is unrecognizable from where he started. this is a point he never thought he'd get to, but he sacrifices his real identity to get there.

SO ALL THIS TO SAYYYY...... that's where i feel his character will be vulnerable to a villain-arc!

in the ending, he gets accepted as a Knight, but his expression betrays him. there is a continuous inner conflict within Maximus that is SO SUBTLE and its written so beautifully. i think we're going to see ghoulcy pushing each other in the right direction. their shared journey seems to be about regaining HOPE.

but for Max, i feel in my bones that something darker is coming for his arc, it feels like revenge. the goofy, lovable boy in the clunky armor, may very well end up having the darkest battle to face. and it's because he's alone in doing it.

this was a lot to digest, so if you made it this far i thank you from the bottom of my heart!!!!!!!

AND if you have anything to add i would love to hear it :) !!!!

[coolmanjohnny]

SAW: (unrated) rant

Okay. I just watched the unrated version of Saw (2004) in theaters. So for some reason, they alter the ending for the unrated version of Saw. I have no idea why they chose to do this. I didn't see much discussion going over the details so I thought I'd go over it and why I think its inferior to the original cut. (Forgive me if I seem nitpick-y, I just love the original film so much haha. Totally fine if you like the unrated ver., I'm just sharing my thoughts here.)

To start, the unrated is advertised as a version with more gore/blood, which it does fine on that part. There are a few extra seconds of shots, for instance, the scene where Amanda is sifting through organs, some of the crime scene photos, and the wire trap maze is slightly longer. Here is a good article that goes over the Director's Cut with more details if you are interested. (I believe the Director's Cut is the same, if not very similar, to the unrated version? Feel free to correct me if I'm wrong.) Also, I think the colors are also less blue? I can't confirm this though. I believe there may be a few other details changed as well, but they're not super relevant. Feel free to share any ones I'm missing just for fun though.

These extra shots are fine, thumbs up emoji. My problem starts and ends with the final moments of Saw (unrated). This is Tumblr. You all know the ending to Saw and are probably obsessed with it. It's incredibly impactful and angsty. Its one of my favorite ending sequences of all time. I still think about Adam being left to die alone often. RIP.

Now, lets go over what's changed in Saw (unrated)'s ending:

Some of the final lines are cut out. (Why???)

For some reason, they cut the line where Adam asks, "Am I gonna be okay?" and Larry turns back and says, "I wouldn't lie to you." Why would they do this? I don't know. I can only speculate. Maybe they thought that it contradicted with Lawrence's character, since he is in fact a liar/adulterer? Maybe they thought it was too "hopeful"? Homophobia? (joke)

I think that it's really a shame, because it makes Larry much more likable imo. This one moment is representative of his character development in the film. There are a lot of complex emotions tied with that one line. For once, Lawrence isn't lying to Adam. He truly does want to help. At the same time, you can tell that he feels uncertain. He doesn't know if he actually will be able to make it back in time (if even at all).

Notice how he responds to Adam's question in a roundabout way. He doesn't know if Adam will be okay.

In a way, Jigsaw's trap did work. Lawrence learned empathy. LMAO. It is also makes Adam so much more tragic, any last glimmers of hope he had left get ripped away as soon as he realizes that Jigsaw isn't who he thought it was. They are both fucked. (Ignore that Saw 3D exists for a second here, lol. I definitely think that the original implication here was that Larry is screwed. Either Kramer gets to him, or he bleeds out.)

Here is the original scene for reference:

2. The end credits are changed.

Saw ends with Adam's haunting screams bleeding into the end credits. There's about 20-30 seconds of silence/very subtle music. Then, it leads into the song "Bite The Hand that Bleeds" by Fear Factory. I just LOVE the angst.

Now, lets see what the unrated version is like. (I had to really dig to find this lol.) Obviously, there is no longer licensed music. It instead plays the "Saw theme". (I believe Hello Zepp/Overture is the official name of the song?)

It's...fine. (Once again, forgive me for nitpicking. I'm starting to think that I may be overreacting a bit, lol.)

I sort of understand why they would change the licensed music. It makes the first film feel more "connected" with the sequels; now they all have matching theme songs. (Another idea is that they simply didn't get the rights back to the original song for the re-release. I'd have to do more research on this.) However, it still makes me sad, lol. I just love how edgy and aggressively 2000s the original end credits feel. It matches the film's tone so well imo. The filmography of Saw reminds me a lot of early 2000s nu-metal music videos (unique colors, over-edited to hell, etc.).

I want to really emphasize the importance of film preservation in this post. Thankfully, the original theatrical cut of Saw is pretty easily accessible. (However, this isn't the case for all films. Star Wars is probably the most famous example.) I am just a little saddened that some first-time viewers will end up watching this version of the film without being aware of these changes. I love Saw so much you guys