#The first one is about a specific character and no I will not say who

[paradoxius]

The Baseball is Non-Diegetic, Probably

Each player describes a character with a name, a talent, and a drive. Divide characters into two opposed teams. Say what you're fighting over. Take turns batting. The bad guys bat first. The fielding team sets the scene. When your character is at bat, state your objective and what feat you attempt, then roll 2d6 and consult the table. You may always opt to take a strike instead of the listed call. Interpret the call according to the rules of baseball. Achieve your objective when you reach home. An out removes you from the action until you bat again or your team takes the field. In the case of a strike, roll the dice again. If you're attempting a feat within your talent, you may choose one die to keep and roll the other. 1, 1 | Double.......+2, +2 1, 2-4| Single.......+1, +1 1, 5 | Error........+1, +1 1, 6 | Walk.........+1, -- 2, 2-5| Out at first..X, +1 2, 6 | Foul out......X, -- 3, 3-6| Strike 4, 4-6| Fly out.......X, -- 5, 5 | Double play...X, +1 (most advanced runner | also gets out) 5, 6 | Triple.......+3, +3 6, 6 | Homer........+4, +4

Okay to archive off-site.

This is less of a game and more of a resolution mechanic really. And one that presumes a broad familiarity with the rules of baseball on the part of its players at that. At least it has some novel unstated assumptions about what roleplaying looks like. And a big stupid table. I copied the table from Our National Ball Game (1887) by E. K. McGill, who calls it an "Umpire."

This is an extremely stripped-down version of a draft I'm working on for a game based around this mechanic, but with like, other mechanics too. The premise of that game is that it's a hypothetical game from the alternate timeline in which H. G. Welles invented and popularized the tabletop RPG c. 1920. I'm imagining Welles's game as a speculative fiction naval adventure deal, and my designers as a group of era-appropriate theater kids who dislike all that and are hacking a boardgame to play swashbuckling adventure stories instead.

Anyway, I think you could have some fun with this, but it would require a lot of people and a decent amount of initial unguided creative input to get the ball rolling on who these characters are and what they're fighting over. On the other hand, if you have a setting and a conflict ready to go, I think this could be a really good little engine for some fast-paced team-based action.

My sincere hope is that this game starts at least one argument about how the rules of baseball apply to the specific gameplay scenario or, better, work in general.

200 Word RPGs 2024

Each November, some people try to write a novel. Others would prefer to do as little writing as possible. For those who wish to challenge their ability to not write, we offer this alternative: producing a complete, playable roleplaying game in two hundred words or fewer.

This is the submission thread for the 2024 event, running from November 1st, 2024 through November 30th, 2024. Submission guidelines can be found in this blog's pinned post, here.

[solxamber]

haii can i req octotrio, malleus, and leona (all seperate!) with a reader like kokomi from genshin thats also a jellyfish? romantic or not it doesn’t matter to me ^_^ also feel free to add more characters the more the merrier :3

Leona, Octatrio, Malleus, Riddle, Vil, Rook, Rollo x Kokomi!Jellyfish!Reader

a/n; i felt pretty inspired so i added quite a few <3

Leona Kingscholar

Leona pretends he’s indifferent, but your serene and calculated demeanor throws him off.

The first time he sees your glowing form under the moonlight, he blinks twice, convinced he’s hallucinating. “Tch, what’s with the light show? Trying to blind me or something?” But secretly, he’s mesmerized.

Your habit of calmly handling disputes in the dorm (often between Ruggie and others) frustrates him. “You can’t just talk people into behaving,” he grumbles, only to watch you succeed every time.

Leona’s competitive side comes out when he learns about your strategic mind. Chess games with you become a weekly ritual, and losing to you annoys him more than he’ll admit.

Despite his gruffness, he’s deeply protective of you, especially when someone comments on your jellyfish-like features. “Say that again, and I’ll show you why you don’t mess with jellyfish.”

Sometimes, he watches you float gracefully in water, pretending he’s there for a nap. “Stop staring at me, Leona.” “Who’s staring? I’m just resting my eyes.”

Azul Ashengrotto

Azul is immediately intrigued by your jellyfish traits and calm demeanor—after all, you’re a marine creature, and that’s his territory.

Your bioluminescence is something he secretly envies, though he’ll never admit it. “A marvelous ability,” he says while scribbling notes for future contracts.

Your strategic thinking makes you one of the few people who can keep up with him in negotiations. He offers you a job at the Lounge almost immediately, “to better utilize your talents.”

Whenever Floyd or Jade annoys him, Azul uses you as a buffer. “Perhaps you could… calm them down?” And, to his astonishment, it works. Even Floyd listens to you.

He’s absolutely fascinated by your glowing hair and jellyfish-like appendages. “Do they serve a specific function, or are they purely aesthetic?” he asks while trying not to sound overly eager.

Azul secretly finds your tranquil nature soothing. After a long day of scheming, he’ll seek your company under the guise of “strategic discussions,” but really, he just wants to hear your voice.

Jade Leech

Jade is utterly fascinated by you from the moment he meets you. Your resemblance to a jellyfish sparks his curiosity.

He constantly asks you questions about your biology, glowing abilities, and lifestyle. “Do you use your bioluminescence to lure prey, or is it purely decorative?”

Jade enjoys teasing you, especially when you’re peacefully floating in water. “You look so serene. It’s almost a shame to disturb you.” Then he splashes you.

He respects your calm and collected demeanor, but he’s determined to find out what flusters you. Watching your serene mask slip is his new favorite pastime.

If someone dares insult you, Jade’s smile grows even sharper. “I wouldn’t recommend making an enemy of a jellyfish, you know. They’re far more dangerous than they appear.”

He enjoys your company during his hikes, fascinated by how your glowing presence adds an ethereal beauty to the forest.

Floyd Leech

Floyd is absolutely obsessed with you. You’re a jellyfish, and jellyfish are cool—end of story.

He immediately nicknames you “Jelly,” much to your mild exasperation. “C’mon, Jelly! Let’s go do something fun!”

Floyd loves poking at your glowing features. “What happens if I touch this? Will it zap me?” (You have to swat his hand away repeatedly.)

Your calm nature intrigues him. “How do you stay so chill all the time? Don’t you ever wanna, like, flip out?” He sees it as a personal challenge to get you riled up.

He’s oddly protective of you. If anyone messes with you, Floyd’s mood sours instantly, and you have to calm him down before he does something drastic.

Floyd loves dragging you into the water to “swim like real jellyfish.” His playful nature contrasts hilariously with your serene floating.

Malleus Draconia

Malleus finds you absolutely enchanting. Your ethereal glow and calm presence remind him of a fairytale.

The first time he sees you glowing in the dark, he’s convinced you’re some sort of spirit. “Are you a creature of the night, summoned by the stars?” You laugh, which only confuses him more.

He adores your serene demeanor and often seeks your company when he’s feeling lonely. “You have a calming presence. It is… soothing.”

Your strategic mind impresses him. He occasionally consults you on matters of state, and your insight leaves him in awe.

Malleus is enchanted by your glowing features and bioluminescence. He often compares you to the stars and moon. “You shine as brightly as the night sky,” he says, his voice soft.

He’s protective of you, especially when others don’t understand your unique traits. “Anyone who dares mock your beauty will answer to me,” he declares, his aura dark and foreboding.

Riddle Rosehearts

Riddle is equal parts fascinated and exasperated by your serene and dreamy nature.

He struggles to reconcile your gentle demeanor with the strict order he upholds. “You can’t just let them get away with breaking rules.” But you always seem to handle things so effortlessly, he can’t help but feel a little envious.

The first time he sees your bioluminescence, he’s stunned. “W-What are you glowing for? Is that some sort of trick?” He secretly thinks it’s mesmerizing.

Your calmness has a soothing effect on him during his temperamental moments. When you gently suggest he take a deep breath, he can’t find it in himself to argue.

Your strategic mind earns his respect, especially when you help him resolve dorm conflicts with minimal drama. He finds himself seeking your counsel more often than he’d like to admit.

He tries to deny how much your presence comforts him, but when you glow softly under the moonlight, he’s reminded of the beauty of following one’s heart.

Vil Schoenheit

Vil finds you utterly captivating, both for your glowing beauty and your ability to remain so composed under pressure.

He immediately notices your bioluminescence and praises it as “natural elegance.” He may even use it as inspiration for his next photoshoot.

Vil admires your calm demeanor but insists on refining your presentation. “Grace comes naturally to you, but you must carry it with intention.”

Your ability to remain poised even under stress makes him jealous sometimes. He spends hours perfecting himself while you seem effortlessly radiant.

The two of you often engage in long conversations about leadership and balance. He’s impressed by your thoughtful insight, though he won’t always admit it.

He pretends not to care when others praise your ethereal glow, but he can’t help but feel proud, especially when you stand by his side at events.

Rook Hunt

Rook is absolutely enchanted by your jellyfish-inspired traits and ethereal aura.

The first time he sees your bioluminescence, he dramatically declares, “Magnifique! You are a creature of the heavens, a glowing gem beneath the sea!”

Rook constantly watches you, fascinated by the way you move and speak. He calls it research, but it’s really just admiration.

Your calmness intrigues him. He frequently tests your patience with his flamboyant antics, but you never falter, much to his delight.

He adores how your strategic mind contrasts with your soft demeanor. “You are as cunning as you are serene, ma chérie méduse.”

Rook writes poems inspired by your bioluminescent glow, claiming that no words could ever truly capture your beauty.

Rollo Flamme

Rollo is conflicted about you. Your calm, composed nature intrigues him, but your glowing features remind him of magic—something he loathes.

The first time he sees you glowing, he’s visibly unsettled. “Is this some kind of magic trick? I don’t trust it.” Yet, he can’t look away.

Your tranquil demeanor softens his usual disdain. He begrudgingly admits that you’re… tolerable, though his fascination with you grows daily.

Rollo’s jealousy flares whenever others praise your ethereal beauty. “They’re only bewitched by appearances,” he mutters, trying to convince himself he’s not affected.

Your intelligence earns his respect, though he won’t openly say it. He finds himself relying on your calm judgment more than he’d like.

Despite his feelings about magic, he catches himself enjoying the way your glow lights up dark spaces. It’s almost… comforting.

Masterlist

[l0lita-luv]

⋆. 𐙚 ˚ “Polar Opposites!!”

Fluff+Smut!!

Summary-Some fluffy hcs about you and Vi, along with other arcane characters. And some sweet sex at the end.

Warnings-Use of y/n, reader is described as hyper!fem, Powder still exists, Caitlyn is a friend, Vander, Mylo, & Claggor are still alive, Switch!Vi, Mostly Sub!reader, Fingering R!receiving, Oral R!receiving, pet names: Angel, baby, sweet sex :)

a/n- Wrote this before act lll came out so…

men dni!!

Sfw!!

Vi has always loved the way you dressed. Your frilly dresses and skirts, not to mention your adorable little shirts. When she first saw you, she just knew she had to have you!

When the two of you met, she was wandering the streets of Piltover going to visit Caitlyn. But when she saw you struggling to carry your groceries, she sprinted to help you

“Hey! Uhm-let me help you with that!” Vi said nervously, “Oh thank you so much!” You beamed at Vi’s kindness. She almost melted when she saw your adorable smile.

“You ok?” You asked snapping Vi out of her trance, “Oh yeah! Uh no problem!” Vi stumbled helping you carry your groceries to your car.

“Could I maybe get your number?” You both asked in unison.

Everyone who knows her is so sick of hearing about you, specifically Powder

“Did you see what she wore today? It looked great on her right?” Vi said rambling to Powder once again, “Mhm…she looked great Vi.” Powder said her voice dripping in annoyance. Sighing as Vi opened her mouth once again.

But when everyone meets you they understand why Vi is so utterly in love

When Powder sees you she’s just so stunned by your clothes, hair and everything about you!

She’s tries to contain herself from stealing the bow in your hair

When Claggor and Mylo meet you, their very akward

Stumbling over their words, and saying things most would find offensive!

Vi was obviously staring them down the whole time

When you first met Caitlyn, you were a bit scared of her…why? Well because of the amount of stories Vi has told her about you, you were afraid you would make a horrible first impression

But when Caitlyn greeted you with a warm smile and a hug, you knew everything was fine.

Overall, everyone loves you

She also likes how your style and hers clash

Def calls you angel, doll, and love

She tries to act tough whenever the two of you are out but behind closed doors, she’s such a sap

Buys you whatever you want!

“Baby…can I get this?” You ask holding up a pair of heels. “Of course you can! They would look great on you.” Vi responds looking at the price tag nervously.

But it was worth it! Because let’s just say you payed her back…

Nsfw!!

Absolutely loves when you wear skirts and dresses

Lowkey gets annoyed when you try to take it off

“Babe-“ Vi tries to speak between kisses, tugging your skirt up. “Keep it on!” Vi manages to get out.

You love when Vi gets like this, you pay her no mind continuing to grind on her lap making her groan as you took your shirt off.

You were so focused on teasing her you didn’t even notice when she took of your panties, until she slipped in a finger only to pull out and rub your clit sweetly. “Vi!” You squeak, “Please…”

She only smiles at you, flipping the two of you over so that you can be under her. Quickly taking off her shirt.

“What do you want Angel?” Vi asks taking one of your nipples between her fingertips pinching them, making you whine. “Y-your mouth…” You whisper loud enough for her to hear.

Vi chuckles softly at your desperation, leaning forward to kiss you making her way down to your throbbing cunt. Almost immediately getting to work, she was eating you like you were her last meal. “Oh!” You yelp, reaching for Vi’s hair tugging her head closer. If even possible, she starts moving her tongue even faster making your moans louder.

You practically start screaming when she enters a finger pumping it in and out gently, looking up at you. “Think you can take another Angel?” Vi asks sweetly her face still buried in your cunt. “Yes!” You whimper your legs beginning to twitch. Vi gently slipping in another finger, her pace being generous.

“Vi…” You whisper, “Hm?” “Kiss me…” You whine. Vi comes back up, her fingers still moving. Leaning down to kiss you passionately, “I love you Angel.” Vi says, reaching for your hand, holding it. Your grip became tighter as you came undone, moaning into her mouth. “I love you too baby.” You respond back, catching your breath.

[urdreamydoodles]

Could we get some headcannons on how X-Men characters would deal with an s/o who struggles with verbal communication? (I was thinking someone who just struggles with words but they could be deaf or mute as well)

Like instead of talking they use notes, or gestures, or even actual sign language to communicate. I was thinking it’s usually done when the reader is struggling to ask for something directly, or just convey what they’re thinking.

(I wasn’t sure if you’d want specific characters to think of or if you’d want free rein, but I’ll list a few of my favourites; Wolverine, Nightcrawler, Gambit, Storm, Morph, Magneto, Beast)

X-Men x Reader

You struggles with verbal communication

Characters: Logan Howlett, Remy LeBeau, Kurt Wagner, Scott Summers, Ororo Munroe, Morph, Erik Lehnsherr, Hank McCoy, Jean Grey, Rogue, Cable & Wade Wilson

Logan Howlett aka. Wolverine

- You’d been living at the mansion for a while, and while most people understood your struggle with verbal communication, Logan didn’t seem to get it at first. He wasn’t rude about it, but his gruff nature often led him to misinterpret your gestures. “What, you can’t just spit it out?” he’d ask, crossing his arms. You’d roll your eyes and scribble something on a notepad, sliding it over to him with a sharp look. He’d grumble but take it, slowly realizing how much effort you were putting into every interaction.

- Logan started paying closer attention over time. He noticed how your hands moved when you gestured, how your eyes flicked to certain objects when you wanted something. He wasn’t the type to ask outright, but he started observing quietly, learning your nonverbal cues like he was piecing together a puzzle. One day, you found him practicing basic ASL signs in the corner of the library. “Figured it might make things easier,” he said when you caught him, scratching the back of his neck.

- He surprised you by using those signs during casual conversations, albeit a bit clumsily at first. When you were struggling to ask for help one day, he simply signed, What do you need? It wasn’t perfect, but it was enough to bring tears to your eyes. “Don’t get all weepy on me, kid,” he grumbled, handing you a tissue. Still, the small smile tugging at his lips showed he was proud of himself.

- Logan’s protectiveness shone through in unexpected ways. If someone gave you a hard time about not speaking, he’d step in with a sharp glare that could silence a room. “Got a problem with how they communicate?” he’d growl, leaving no room for argument. You never asked him to defend you, but his unwavering support made you feel seen in ways you hadn’t before.

- Over time, the two of you grew closer. Logan’s patience, hidden beneath his rough exterior, was a balm to your insecurities. One evening, after a particularly long day, you handed him a note that read, Thank you for understanding me. He read it silently, then looked up at you with an intensity that made your heart race. “Ain’t nothin’ to thank me for,” he said softly. “You’re worth the effort.”

- The shift from friendship to romance was seamless. Logan wasn’t one for grand declarations, but his actions spoke volumes. He started carrying a small notepad for you, just in case you ran out of paper. And when he kissed you for the first time, it was tender, unhurried, as if he was trying to convey all the words he knew you struggled to say. “You don’t need words with me, darlin’,” he whispered against your lips. “I get you just fine.”

Remy LeBeau aka. Gambit

- Remy was instantly intrigued by your quiet nature, his curiosity piqued when he saw you using gestures and notes to communicate. “Mon cher, you always this mysterious?” he teased with a charming smirk. At first, you thought he was just flirting like he did with everyone, but his genuine interest shone through when he started trying to decode your gestures without making you uncomfortable.

- He quickly turned your communication struggles into a game, guessing what you were trying to say with an exaggerated flair. “You tryin’ to tell me you hungry? Or you just wanna see ol’ Remy look like a fool?” he’d say, making you laugh silently. His lighthearted approach made it easier for you to relax, even when you struggled to get your point across.

- One evening, when you left a sketchpad on the table with a note reading, I’m not sure how to ask for help, Remy’s teasing demeanor softened. “Cher,” he said quietly, taking a seat beside you, “you don’t gotta be afraid to ask me for nothin’, yeah? I’ll figure it out.” His reassurance, paired with his playful charm, made you feel safe in ways you hadn’t expected.

- Remy’s natural adaptability shone as he started learning little tricks to help you communicate. He began carrying a deck of blank cards, writing quick responses or questions for you to use. “See? Now we both got somethin’ to write on,” he’d say with a wink, making the process feel less daunting. He even started teaching you French phrases, encouraging you to write them down when words failed.

- The moment things shifted between you two was subtle but impactful. One night, you handed him a note that simply read, I like you. His red eyes glimmered with mischief as he read it, but his smile was surprisingly tender. “Well, cher,” he said, leaning in closer, “guess it’s only fair I tell you somethin’, too.” Before you could respond, he pressed a soft kiss to your hand, his actions speaking louder than words ever could.

- Dating Remy was like navigating a whirlwind of charm and affection. He made it clear that he adored you, using every opportunity to show you how much he cared. From spontaneous gestures to quiet moments where he’d sit beside you, letting your notes and signs speak volumes, Remy proved that your unique way of communicating only made him fall for you harder.

Kurt Wagner aka. Nightcrawler

- Kurt noticed your struggle with verbal communication almost immediately, his empathetic nature drawing him toward you. “You do not speak much, ja?” he asked one day, his tone gentle and curious. When you nodded, he didn’t press further, instead offering you a warm smile. “I understand. We all have our ways.”

- He quickly adapted to your communication style, finding joy in the way you used gestures and notes. “It is like learning a new language,” he said with excitement, his tail flicking behind him. “And I am always eager to learn.” His enthusiasm made it easier for you to open up, his patience and kindness making every interaction feel effortless.

- One day, you hesitated, struggling to express something important. Kurt noticed your frustration and gently placed a hand on yours. “Take your time,” he said softly, his golden eyes filled with understanding. When you finally handed him a note that read, I don’t know how to ask for help sometimes, he nodded solemnly. “You never have to worry about that with me,” he assured you. “I am here for you, always.”

- Kurt began incorporating small acts of reassurance into your daily life, like leaving you notes of encouragement or learning more ASL to communicate with you better. His joy when you taught him new signs was infectious. “Did I do it right?” he’d ask, his tail curling nervously as he signed a simple phrase. Your smile was all the confirmation he needed.

- The turning point came one evening when you handed him a note that read, I think I’m falling for you. Kurt’s eyes widened, and a faint blush colored his blue cheeks. “Mein Schatz,” he whispered, his voice full of emotion. “You have no idea how happy that makes me.” He pulled you into a gentle hug, his tail wrapping around you in a protective embrace.

- Being with Kurt was like stepping into a world of unwavering kindness and affection. He made it his mission to understand you, to support you in every way possible. “You do not need words to tell me how you feel,” he said one day, his fingers tracing your hand. “I can see it in your eyes. And I will always speak for the both of us, if you need.”

Scott Summers aka. Cyclops

- Scott was initially unsure of how to approach you. He respected your quiet nature but didn’t want to overstep. When he saw you using notes and gestures to communicate, he made a conscious effort to pay attention, his leadership instincts kicking in. “Let me know if there’s anything I can do to make things easier,” he said one day, his tone sincere.

- He started picking up on your cues quickly, his analytical mind piecing together patterns in your gestures. “You don’t have to rush,” he’d say whenever you hesitated, giving you the space to communicate at your own pace. His patience surprised you, his usually stoic demeanor softening in your presence.

- One day, after a training session, you handed Scott a note that read, I feel like I’m slowing everyone down. He frowned, shaking his head firmly. “That’s not true,” he said, his voice steady. “You’re part of this team, and we support each other. Don’t ever feel like you’re a burden.” His words were firm but full of warmth, his unwavering belief in you shining through.

- Scott began making small adjustments to accommodate your communication style, like keeping a whiteboard in the common areas or encouraging others to be more patient. “It’s not about how you communicate,” he told you one evening. “It’s about making sure you’re heard.” His support made you feel seen in ways you hadn’t before.

- The moment your relationship shifted was quiet but profound. You handed Scott a note that read, I care about you more than I can say. He read it silently, then looked up at you with a rare, soft smile. “I care about you too,” he said, his voice barely above a whisper. The kiss that followed was tender, his hands cradling your face like you were something precious.

- Being with Scott meant being with someone who valued every part of you. He made sure you always felt included, never letting your struggles define you. “You don’t need to say a word,” he told you one day, his hand resting over yours. “I’ll always understand.” His quiet devotion was a constant reminder that love didn’t need words to thrive.

Ororo Munroe aka. Storm

- Ororo was naturally drawn to your quiet strength. She noticed your use of notes and gestures early on, her sharp intuition picking up on how you often hesitated to ask for help. She approached you with her characteristic grace, offering you a kind smile. “You speak in your own way,” she said softly. “And I’d like to listen, if you’ll let me.” Her calm understanding put you at ease immediately.

- Ororo quickly adapted to your style of communication. She never rushed you, instead waiting patiently for you to finish writing or signing. “Take your time,” she’d say whenever she noticed you struggling. Her respect for your pace made you feel valued, and you found yourself opening up more around her.

- One day, you handed her a note that read, I don’t know how to ask for what I need sometimes. Ororo’s serene expression softened, and she placed a gentle hand over yours. “You’ve already asked by sharing this with me,” she said. “Let me help you carry that weight.” Her words felt like a soothing balm, her unwavering support reassuring you in ways you hadn’t expected.

- Over time, Ororo began incorporating subtle gestures to show her understanding. She’d leave small notes of encouragement in places she knew you’d find them, or create gentle winds to carry your written messages to her during training sessions. Her actions spoke louder than words, and they reminded you daily of her care for you.

- The turning point came during a quiet evening in the garden. You handed Ororo a note that read, I think I’m falling for you. Her silver hair shimmered in the moonlight as she read your message, a radiant smile spreading across her face. “The feeling is mutual,” she said, her voice filled with warmth. She leaned in to kiss your forehead, her touch as gentle as a summer breeze.

- Being with Ororo was like standing in the eye of a storm—peaceful yet powerful. She made you feel seen and cherished, her understanding and empathy creating a safe space for your love to flourish. “Your voice is beautiful,” she told you one day, tracing your hand with hers. “Even if it’s not always spoken aloud, it still reaches me.”

Kevin Sydney aka. Morph

- Morph immediately took an interest in you, his playful nature making him curious about your quiet demeanor. “So, what’s the deal?” he asked one day, his tone lighthearted. When you handed him a note explaining that you struggled with verbal communication, his face lit up with excitement. “A challenge, huh? I love a good puzzle!”

- He made it his mission to understand your gestures and notes, often turning your interactions into a game. “Okay, charades it is!” he’d say, mimicking your motions in exaggerated ways that made you laugh. His humor took the pressure off, and you found yourself enjoying his company more than you expected.

- One day, you scribbled a note that read, I’m not good at asking for help. Morph read it aloud, then gave you a dramatic bow. “Lucky for you, I’m great at helping!” he said with a grin. Despite his joking tone, his sincerity was evident in the way he stuck around, always ready to lend a hand.

- Morph’s shape-shifting abilities came in handy when it came to communicating. He’d transform into a giant hand to mimic your gestures or into a cartoonish version of himself to make you laugh when you were feeling down. His creativity knew no bounds, and his efforts to connect with you were as entertaining as they were heartfelt.

- The moment things shifted between you was as spontaneous as Morph himself. You handed him a note that read, I think I like you. He gasped dramatically, clutching his chest like he’d been shot. “I knew it!” he said, pulling you into a spin. When he set you down, his usual joking demeanor softened, and he leaned in to kiss you gently. “I like you too,” he said with uncharacteristic tenderness.

- Being with Morph was an adventure in every sense of the word. He made sure you never felt isolated, using his humor and shape-shifting to keep things light and fun. “You don’t have to say a word,” he told you one day, wrapping an arm around your shoulders. “I can read you loud and clear, and I’m not going anywhere.”

Erik Lehnsherr aka. Magneto

- Erik was initially perplexed by your communication style, his analytical mind trying to make sense of your hesitations. When he realized you relied on notes and gestures, he was intrigued rather than dismissive. “An unconventional approach,” he mused. “But effective, nonetheless.” His curiosity made you nervous at first, but his lack of judgment slowly put you at ease.

- He began studying your gestures with the same intensity he applied to everything else, determined to understand you fully. “Communication is an art,” he said one day, watching as you wrote something down. “And you are a master of it, even without words.” His respect for your efforts made you feel seen in a way you hadn’t experienced before.

- One evening, you handed Erik a note that read, I feel like I’m a burden. He read it silently, his expression darkening. “You are not a burden,” he said firmly, his tone leaving no room for argument. “You are resourceful, intelligent, and resilient. Never diminish yourself in my presence again.” His words, though blunt, were filled with an undeniable care that warmed your heart.

- Erik’s efforts to support you were both subtle and grand. He’d manipulate small metal objects to write words in the air for you or create intricate metal sculptures to convey messages when you struggled. His actions showed a thoughtfulness that contrasted sharply with his usual stern demeanor.

- The turning point came during a quiet moment in his study. You slid him a note that read, I care about you more than I can say. Erik’s sharp eyes softened as he read your words. He set the note down carefully, then reached for your hand. “And I care for you,” he said, his voice low and steady. His kiss was deliberate, filled with the kind of intensity that only Erik could bring.

- Being with Erik was like standing beside a force of nature—powerful, unyielding, and deeply protective. He made sure you always felt valued, his actions speaking louder than any words ever could. “You don’t need to speak,” he told you one evening, his hand resting gently on yours. “Your presence is enough.”

Hank McCoy aka. Beast

- Hank was fascinated by your unique way of communicating, his scientific mind eager to understand the nuances of your gestures and notes. “A fascinating approach,” he said the first time he saw you write something down. “May I inquire further?” His genuine interest made you feel less self-conscious, and you found yourself opening up to him quickly.

- He started keeping a notebook nearby, jotting down your cues and gestures like he was studying a new language. “It’s remarkable how much you can convey without words,” he said one day, his admiration evident. His encouragement made you feel proud of your communication style, rather than ashamed of it.

- One afternoon, you left a note in his lab that read, I feel like I’m too much work for people. When Hank found it, his brow furrowed, and he immediately sought you out. “You are never too much work,” he said, his voice filled with conviction. “If anything, you’ve taught me to see the world in a new way, and I’m grateful for that.”

- Hank’s support manifested in practical ways. He developed small devices to make it easier for you to communicate, like a digital notepad that converted your writing into speech. “A little invention of mine,” he said with a sheepish smile. “I hope it’s helpful.” His thoughtfulness left you speechless, your gratitude clear in the way you hugged him tightly.

- The moment your relationship shifted was as gentle as Hank himself. You handed him a note that read, I think I’m falling for you. Hank read it carefully, his blue fur bristling slightly as he looked up at you with wide eyes. “The feeling is mutual,” he said, his voice soft. His kiss was tentative but warm, filled with the quiet intensity that defined him.

- Being with Hank was like being wrapped in a cocoon of warmth and understanding. He made sure you always felt supported, his kindness and intellect creating a safe space for your love to grow. “Your voice is unique,” he told you one day, his hand resting over yours. “And I consider it an honor to understand it.”

Jean Grey aka. Marvel Girl / Phoenix

- Jean noticed your quiet demeanor and alternative way of communicating long before you realized. She often caught glimpses of your emotions through her telepathy, though she never intruded. When you passed her notes or gestured instead of speaking, she responded with patience and understanding, letting you take the lead. “Take your time,” she’d say softly, her gentle smile a constant reassurance.

- Jean quickly adapted to your style, finding ways to bridge the gaps in communication. She subtly enhanced your gestures with her telepathy, sensing what you meant before you could even fully convey it. “It’s like we have our own secret language,” she teased one day, her green eyes sparkling. Her ability to meet you halfway made you feel less alone.

- One day, during a quiet moment in the mansion’s library, you hesitated before passing her a note. It read, Sometimes, I feel like I don’t belong here. Jean’s expression softened as she read it, and she reached out to take your hand. “You belong wherever you choose to be,” she said, her voice filled with conviction. “And right now, I’m glad you’re here with me.”

- Jean began leaving small notes for you as well, little affirmations that brightened your day. “You’re stronger than you think,” one read, tucked under your door. “You don’t have to say a word for me to know how amazing you are,” said another, left with your breakfast. These gestures reminded you that she was always thinking of you, even in the smallest ways.

- The shift in your relationship came during a walk through the garden. You handed her a note that read, I care about you, more than I probably should. Jean’s face lit up with a radiant smile, and she reached up to tuck a strand of your hair behind your ear. “Good,” she said softly. “Because I feel the same way.” Her kiss was gentle and warm, like sunlight breaking through the clouds.

- Being with Jean felt like basking in a calm, nurturing presence. She understood you deeply, both through her powers and her heart. “You don’t need words to express yourself,” she told you one day, her hand resting lightly on your cheek. “You’ve already said everything I need to hear.”

Anna Marie aka. Rogue

- Rogue was drawn to your quiet, introspective nature. She was no stranger to feeling out of place, and when she noticed your reliance on notes and gestures, she connected with you immediately. “Ah reckon we’re both a little unconventional,” she said one day, her Southern drawl soft. “But that’s what makes us unique.”

- She made it her mission to understand your style of communication, often using humor to lighten the mood. “What’s this one mean?” she’d joke, mimicking your gestures dramatically. Her teasing was never mean-spirited, and her playful attitude made it easier for you to relax around her.

- One afternoon, you left her a note that read, I’m afraid people will get tired of me. Rogue’s gloved hand tightened around the paper, her expression shifting to one of fierce determination. “Sugar, if anyone ever makes ya feel that way, they’re not worth your time,” she said firmly. “Ah’ll never get tired of ya, that’s for sure.”

- Rogue’s physical limitations due to her powers didn’t stop her from showing her care. She’d use small gestures like slipping notes into your jacket pocket or brushing her covered hand against yours to reassure you. Her creativity in expressing her feelings mirrored your own, making you feel understood on a deeper level.

- The turning point came during a late-night conversation in the mansion’s common room. You passed her a note that read, I think I’m falling for you. Rogue’s green eyes widened, and she bit her lip nervously. “Ah’ve been feelin’ the same way,” she admitted, her voice barely above a whisper. She leaned in, her gloved hand cupping your cheek as she kissed you carefully, mindful of her powers.

- Being with Rogue was like finding a kindred spirit. She understood the challenges of feeling different and made sure you never felt isolated. “You don’t need to say a thing, darlin’,” she told you one day, her smile soft and warm. “Ah know exactly how ya feel.”

Nathan Summers aka. Cable

- Cable’s gruff exterior initially made you hesitant to approach him, but he surprised you with his patience and attentiveness. He noticed your preference for notes and gestures right away, his keen tactical mind quickly adapting to your style. “Communication’s about understanding,” he said once. “Doesn’t matter how you do it, as long as it works.”

- Despite his hardened demeanor, Cable showed surprising softness when it came to you. He’d take your notes seriously, his cybernetic hand carefully holding the paper as he read. “Got it,” he’d say with a small nod, making you feel heard and respected.

- One day, you scribbled a note that read, I don’t know how to ask for help. Cable’s steel-blue eyes softened as he read it, and he placed a reassuring hand on your shoulder. “You don’t have to ask,” he said simply. “I’ll always have your back.” His words, though straightforward, carried a depth of sincerity that stayed with you.

- Cable’s actions spoke louder than words. He’d leave you supplies he thought you might need or subtly adjust his schedule to be around when he thought you might struggle. His protective nature made you feel safe, even without verbal reassurances.

- The moment your relationship shifted was quiet but profound. You handed him a note that read, I think I’m falling for you. Cable read it, his expression unreadable at first. Then, a rare smile crossed his face. “Guess I’ve been waiting for you to say that,” he said, pulling you into his arms. His kiss was firm yet gentle, a reflection of the man himself.

- Being with Cable was like having a steadfast anchor in a chaotic world. He didn’t need flowery words to show his care; his actions spoke volumes. “You’ve got your way of communicating,” he told you one day, his voice steady. “And I’ve got mine. Together, we make it work.”

Wade Wilson aka. Deadpool

- Wade was immediately fascinated by your unique communication style. “You’re like a mysterious, silent protagonist,” he quipped one day, leaning dramatically against a doorframe. “Do I get to be the comic relief in your story?” His lighthearted approach put you at ease, though his constant chatter sometimes overwhelmed you.

- He took your notes and gestures as a challenge, often exaggerating his responses to make you laugh. “Oh, I see what you mean!” he’d say, even when he clearly didn’t. His antics were equal parts endearing and infuriating, but his genuine effort to connect with you never wavered.

- One day, you passed Wade a note that read, Sometimes I feel like I’m too much. He stared at it for a moment, unusually quiet. Then he grinned and said, “Too much? Sweetheart, have you met me? You’re like the perfect yin to my yang!” His humor was disarming, but the sincerity in his eyes reassured you.

- Wade found creative ways to communicate with you, often using props, drawings, or even sock puppets to convey his thoughts. “See? Communication is an art form,” he said, holding up a poorly drawn cartoon of the two of you. His efforts were chaotic but heartfelt, showing you how much he cared.

- The shift in your relationship came during a quiet moment in his usually loud life. You handed him a note that read, I think I love you. Wade froze, uncharacteristically speechless. Then, with a dramatic flourish, he scooped you into his arms. “I knew it!” he shouted, spinning you around. His kiss was surprisingly tender, a rare glimpse of the man beneath the mask.

- Being with Wade was unpredictable but filled with joy. He made you feel understood in his own chaotic way, proving that love didn’t need to follow traditional rules. “You don’t need words,” he told you one day, his voice unusually soft. “I get you. And trust me, that’s saying something.”

[postcardsfromheapside]

No. I wasn't missing the point of most criticism. Literally, I saw post after post of people saying they wished the characters could be mean to each other. Some posts were more specific, like "I don't like Taash," (and I'm sure you can imagine what THAT'S about) and some were more ambigious but cited DA2 and how everyone was bitchy toward each other.

I honestly don't care where you work and what you do, because hopefully most of us after the age of 30 have experienced an adult job where we have to be reasonable with our coworkers, even if we strongly disagree, or outright dislike them. I had the suspicion that most people who think that there is "no conflict," or "low conflict" or "bad writing" in this game haven't experienced this kind of setting in any capacity. What I'm now hearing is that you might have, but you didn't absorb any of the dialogue, or switch out your party to listen to banter, which is an essential function for picking up information in any DA game.

I walked around Arlathan with Lucanis and Harding, and they have a whole ongoing conversation in which she threatens him with one of her special arrows. And he agrees that if Spite should take him over, she should do something about it. Harding isn't frightened, because Harding isn't a pushover, but she's not taking any shit either. Did you walk around with just the two of them right after recruiting Lucanis? Did you frequently visit the rest of the companions so that you could see just how much Lucanis and Davrin *didn't* get along? Neve mentions what sounded like a knock-down drag out fight.

**Just because this isn't explicitly mentioned to you doesn't make it bad writing - it means you haven't had the time we had with Inquisition to play the game over and over and switch out your party so you can see everyone's interactions with each other. You will actually have to play the game multiple times and switch your party out a fair amount in order to see these interactions. Or wait for people to post them to tumblr. You can complain about how unfair this is, or remember that Inquisition has 10 years on this game, and it's been out for just shy of a month.**

Why in the absolute fuck would Davrin manufacture conflict between himself and someone he could easily conjecture isn't pro-slavery based on the fact that within five minutes he could find out she's from Dock Town, she's a private investigator working with the Shadow Dragons, and LITERALLY WHEN YOU GET ONTO THE DOCK WITH HIM, her first priority as she's running back to Minrathous is to say "if the dragon wrecks havoc, the Venatori will take over." Davrin isn't an idiot, he could pretty well surmise that she's not "pro slavery" with only the barest of interactions and Rook saying "yeah Neve's cool."

Why would Neve yell at you? Why is it bad writing for the writers to give Neve a personality you don't agree with, because you're uncomfortable with how she reacts? Neve's an adult who is used to working on her own and people not showing up for her - she says this MULTIPLE TIMES - it's actually a large arc of bonding with her, as a friend and a lover. She's not going to scream at you, she's so far past the point of being loud about disappointment, she's on the other side, for one, and for another, she does in fact understand that the entire North of Thedas is on fire and blighting Treviso is pretty fucking bad when it has no major defenses. Rook doesn't endlessly apologize. She came back after a short pause and while I didn't have her healing abilities after that, it didn't take long for me to boost my bond with her back up and feel like we were friends again.

This honestly feels like you're having a personal reaction that you need to examine, and it's not something to do with the writing, since the game mechanics and the dialogue don't actually bear out what you're putting down here.

All of the companions who have conflict initially have to figure out how to trust each other and it sometimes takes most of the game for them to do that. If you didn't spend the time listening to their banter as they work their way through it, that's not Bioware's problem. That's you. And...I don't want to have repeated conversations where I go into Emmrich's (my romance) room and "vent"? I didn't do that with Cullen. I didn't do that with Anders. Why would it suddenly be a thing here? But if you listen in to people's conversations, they do express dismay and doubt and fear about the various quests they've been on. Again, it feels like you didn't spend the time eavesdropping or taking people out and listening to banter.

I have no idea what you're talking about with flirting. I flirted with every companion at first even though I knew I was running for Emmrich, and all of them responded according to their personality. I romanced Cullen in Inquisition, and he was pretty quiet initially, until you get to Skyhold, and similarly, most of the companions here retain a certain reticence until the game progresses. But if you're looking for people who get flustered - Lace and Bellara absolutely do! And Emmrich isn't flustered, but he's taken aback a few times before he collects himself and flirts back - though whether you'd actually recognize it for flirting, I'm starting to wonder. The fact that you can't tell with Neve is actually making me tilt my head at the screen, and I say this as a self-confessed disaster who is very very bad at knowing someone is interested. Even I can tell what's going on in DA romances.

This is probably a lost cause, but I urge you to either spend time playing the game again, or watch someone else who really loves DA (and is Veilguard positive) play so that you can watch without being in the thick of it, and hopefully experience more dialogue and different choices.

No, I'm not done yet, I'm house sitting and she left me snacks and soda and not even god could keep me from venting my spleen at this point.

"I wish the companions were meaner to each other in this game, like in DA2."

While I think there's a larger argument to be made discussing the similarities between DA2 and Veilguard, I need everyone to get so close to me right now about a glaring difference:

DA2 involved a ragtag group of assholes with their own agendas coalescing around Hawke's personality or exchange of favors. There was no larger "goal," except maybe Varric's expedition - everything else is encountered as circumstance. You wend your way through your companions' stories while a city winds ever tighter into itself, a spring about to literally explode.

There's zero reason for these people to be nice to each other. They have no point in being around each other except Hawke. They can bitch at each other all they like.

Rook becomes Varric's second in command (I've seen one post say it's about 6 months before the events of the game) with an explicit purpose: find and stop Solas. Harding and Neve are recruited as experts in their respective fields for this particular goal. When it all goes to shit, Neve recruits another expert, Lucanis, to deal with the fallout, and Harding finds Davrin, *also* an expert in his field (monster hunting). When Rook has to make a particularly consequence heavy decision, two more are added to the crew: Emmrich (Fade expert) and Taash (dragon expert). All of these people are extremely competent, and know from the jump that they have one particular goal in mind.

They join ready to work together on Day 1 because if they don't, there's simply no other alternative. It's lights out. Even when they mistrust each other, the direness of the situation is not lost on them. Infighting serves no purpose. That's why the struggle is directed inward: clean up your own house, so we can move as a single unit.

Honestly the fact that what people took away from this game was "I wish my friends were meaner to each other" and not "wow, I wish we all worked together to keep evil dictators from taking over" is fucking mindblowing when I sit back and reread this.

[taylitruther]

Max’s motivations confuse me.

This isn’t a Max hate post. I actually think his inconsistent motivations make him a compelling character to watch, especially as the season(s) continue and he develops more.

Example A: He takes the job on the Odyssey on the first place because he wants a better work life balance. Except, now he’s living where he’s working. Speaking from some level of experience (RA at my college for 3 years), living where you work is actually kind of sucky if you want balance. You have to put in a lot of effort to turn off work mode.

Plus, all of your friends are then also your coworkers (or in his case, your boss or subordinates). It’s hard to relax and let your guard down, especially for someone as Type A as Max.

And he should know this difficulty. As an accomplished doctor who has worked in remote areas, I can’t imagine he was living very far from his patients and any coworkers he did have, who ultimately would be his friends as well.

So, why did Dr. Max Bankman really take the job?

Example B: He dances with and kisses Avery (his subordinate) literal minutes after Tristan (his other subordinate) confesses that he loves her.

Like, he knows he’s going to have to work with these people for the rest of the cruising season. Why would he invite that potential tension into the infirmary?

Example C: His “one-woman man” speech in reflection of the threesome. More specifically the fact that he gives the speech to both Avery and Tristan, but then doesn’t have any sort of follow up with Avery alone about being his “one woman”.

He said he enjoyed it, he had a good time. He didn’t mention anything in it about them being his subordinates, and we know he is distinctly attracted to Avery (see Example B). Why would he not say anything to her?

I think Max Bankman is not a confusing character, but a confused man, which makes him a compelling character to watch. And I am so excited to see him develop.

[trrenchertrash]

I was thinking about “I am the dirt under your nails” and first of all I don’t think it can be ignored that the title of e9 is derived from this line. Considering that, this line is evidently not meant to be a cutesy throwaway line between Cait and Vi, it has huge thematic weight and implications. If you think about the title “The Dirt Under Your Nails” in this context, it’s clear that it’s meant to refer to the fact that all of our characters have dirt under their nails. As in, their hands aren’t clean. They’ve all committed wrongs, because they’re all human, which is obviously a major theme of this season/show. The second part of this dialogue is “nothing’s gonna clean me out,” which fits with what Caitlyn says about how no amount of good deeds can undo those wrongs. This line is about accountability.

And there’s a reason why it’s Vi who says this line to Cait. The most obvious is that Caitlyn has wronged her, but it goes deeper than that. In e8, Vi asks Caitlyn who gets to decide who gets a second chance. There are multiple ways to interpret how this idea impacts the narrative. I’ve seen it said that Caitlyn allows Vi to free Jinx because in giving Jinx a second chance she also gives herself one, and that’s an important point for Caitlyn’s character, but I think Vi would’ve found a way to free Jinx no matter what. Cait just made it easy for her. What the narrative shows us is that Vi is the one who gets to decide who gets a second chance by having her decide to give one to both Jinx and Cait. I’ve seen people talk about how’s Vi’s role is that of the witness — to be the constant that observes all the change and corruption that happens around her, and to be burdened with the memory of all that has transpired. And that’s true, but there’s more to it as well. Remember this promotional poster? It has 3 different titles/captions associated with it (that I saw):

1) Horrors I’ve Seen

2) Everyone is Guilty, Vi

3) It’s Too Late to Point the Finger Now

The first one obviously reinforces Vi’s position as the witness. But the second two are about accountability. It always struck me that the second caption brings the collective guilt of our cast to Vi’s attention specifically. Now it makes sense: she is both witness and judge. The character with the “good heart,” the only one who remains largely uncorrupted/unchanged by the end. Who is motivated purely by her desire to protect while the vast majority of the characters around her are twisted by revenge and ambition. It’s absolutely intentional that she is the one who says that line.

[asher-agere]

For the ask game:

🦄🎡🔥🌷 :3

No pressure to answer any of them! I wish you a lovely time zone ^^

YAY ASK GAME. Also “I wish you a lovely time zone” is my new favorite way of saying that-

🦄 - What animal do you have the most plushies of?

Last time I was asked this I just guessed- But this time is for real! The winner is… My cat plushies! I have 10.5 (One is half unicorn…). I thought dogs would win cause of my Cinnamoroll obsession but I only have 8 :0

🎡 - What’s something nostalgic you do when regressed?

Honestly a lot of regression for me is about making a new childhood rather than reliving my own! Howeverrrr I’ve always loved to play with Legos! My dad loved Legos hehe so I’ve been playing with them since like birth

🔥 - Babble about someone you really love!

Hehehe… My time has come…

@sasha-romeave IS THE BEST CAREGIVER AND LITTLE BABY AND SHE’S SO MUCH FUN AND SO AMAZING AND I LOVE THEM SO SO MUCH. SHE DESERVES ALL OF MY LOVE EVER

@babyniigo BEST BIG SIS EVER. GENUINELY MY FAVORITE BLOG EVER AND THE FIRST PERSON I FOLLOWED (Not counting my friends who helped me learn to use tumblr-)

@twinypwupy BEST SIBBY EVER. I’m not in the fandom they post for a lot, which is sad BUT THEIR POSTS ALWAYS LOOK SO SO PRETTY AND THEY’RE SOO MUCH FUN TO TALK TO GUYS

@sunny-silly AHH SUNNY. LOVE YOU SO MUCH. THEY ARE SO SO FUN TO TALK TO. I LOVE GETTING TO SHARE MY IDEAS ABOUT CHARACTERS NOT MANY PEOPLE KNOW, AND SUNNY CAN ADD TO MY IDEAS. AND LIKES MY IDEAS. AND WE SEEM TO ENJOY SIMILAR THINGS AND IT MAKES THEM SO SO AMAZING TO TALK TO

@starb4byy MY NEW RP PARTNER. THEY WRITE SUCH BEAUTIFUL AMAZING WONDERFUL WORDS AND THEY’RE SO SO CONSIDERATE AND GIVE THE BEST COMPLIMENTS

🌷 - When/why did you start regressing?

I started regressing around 2 years ago! Give or take a couple months. I started regressing because I realized. Hey! I remember like 10% of my childhood! And I feel miserable! What if I just. Y’know. Tried again? Then I’ve been hooked! I did stop for like 6 months after losing a caregiver though, definitely a low point-

YAY I FINALLY GOT TO BABBLE ABOUT PEOPLE I LOVE. I love each and every one of you! Those 5 are just like the ones I interact with most, they’re in no specific order, except for my caregiver who’s obviously in first place! Sorry guys but no competition there

[phillycheesesteakcore]

I specifically want to hone in on the "cop = bad" comment. Because in real life, police have statistically been shown to do incredible amounts of harm as well as uphold systems of institutionalized oppression. But let's not focus on that, let's focus on fiction.

Because there are fictional pieces of media that depict police forces and the people who operate them as nuanced, even charming, characters. Shows like CSI, or Brooklyn Nine-Nine or the like.

Arcane is not one of them. The enforcers in Arcane, from the very beginning of the series, are shown to be vehicles for violence against the lower class. The very first introduction we get to our main characters is enforcers murdering their parents. Later on these same enforcers hunt down literal children who accidentally caused some damage like animals. At the end of Act 1 of season 1, Marcus essentially kidnaps a 15 year old girl and wrongfully puts her in prison in an attempt to "keep her safe" (never mind that he likely had access to the resources to ensure her safety without arresting her if he thought about it for longer than 5 seconds). After the timeskip we see that the enforcers are a deeply corrupted group with their literal leader in the pocket of a criminal kingpin.

Now let's look at Caitlyn specifically. She's of an aristocratic background, not needing to work any kind of job but willingly choosing to be an enforcer anyway. She starts investigating a case she doesn't have the jurisdiction to, and when she hits a wall, uses nepotism to get her own way anyway (by having Jayce authorize her actions at Stillwater). This is all before her further downward spiral in season 2, where, fueled by her own personal feelings, she commits literal war crimes by gassing innocent civilians who had nothing to do with the person that she's pursuing. She tries to shoot at a child for heaven's sake and then hits her love interest for stopping her from doing so. She's made the head of the enforcers and institutes marshall law, further terrorizing the people whose lives she's already made so difficult.

If you walk away from all of that going "anyone who thinks the enforcers are bad is simplistic in their thinking", I genuinely have no idea what to say.

Arcane Season 1 fans: Oh my god, I love how nuanced this show is! There are so many parallels and micro expressions and the animation is so good!

Arcane Season 2 “fans”: Don’t make me use brain, just tell me every plot point. I don’t want to pay attention to the characters expressions to figure out what they’re thinking. Fuck nuance, cop = bad!

[rootspiral]

hi, hello!! i absolutely adore your deep dive series into the aaa episodes, and i was wondering if you could/would feel like expanding further into agatha’s guilt towards wanda and all the emotion she shows in the first episode, when she sees wanda’s corpse? the way agnes seems to value human life is especially interesting to me, considering how much agatha has killed (and i understand agnes is a character in what’s supposed to be a very stereotypical detective series, but i remember how you said agnes is in some ways agatha at her most transparent). anyways, i thought i’d try to pick your brain a little more on the subject, because your takes are very interesting to me!

Hi hello to you, thank you for stopping by! And also thank you for your interesting question, consider my brain officially picked. I'm gonna ramble QUITE a bit because I want to talk about Agatha and misogyny first (as requested by @leoleolovesdc ) but hold in there, I'll get to wanda too.

To get to the point directly, I think that Agatha's actions are steeped in internalized misogyny, and I think it's something she inherited from her mother and the salemites. It's actually pretty common for marginalized communities or individuals to turn against their own and replicate the patterns of the oppressor, looking to ease their self-hatred or for outside acceptance or a sense of control. Think for example about super conservative wives voting against their best interests, think about all the homophobia and biphobia and transphobia and acephobia (etcetera etcetera ad infinitum) in the queer community.

The persecution of witches was essentially a war on a kind of womanhood that went again imposed gender norms. Witches (in the marvel universe and in real life) were more often than not women who lived independently, who knew herbs, who didn't marry, who worked as midwives etc. And talking about the salemites specifically and the way they treated Agatha: they did to Agatha what the external world did to them, they replicated a pattern. They targeted the odd one out, the woman in their group who was the most different, and called her evil and essentially tried to burn her at the stake.

We don't know a thing about evanora, but I would BET that a lot of her hatred stems from her own internalized misogyny / agatha being born female, and I honestly wonder if Agatha would have found it harder to love a daughter the same way she does Nicky or Billy, without any of her internalized bias kicking in. Since she was a kid Agatha had been hurt and persecuted by other witches, she's pretty much wired to mistrust and hate them. And it gets even more muddled and complicated because she hates witches but loves witchcraft, she hates women but is sexually and romantically attracted to them. She yearns to belong, but she ends up torturing and killing her own community. She allies with people like that disgusting prick who violated Jen.

Enter Wanda, who is essentially Agatha 2.0: she was born doomed by the narrative or, to say it like evanora, she was born evil. Evanora would have had a FIELD DAY with Wanda. The Scarlet Witch? The destroyer of universes? She would have tried to kill her on the spot. There is A LOT Agatha instinctively hates in Wanda, she's a woman, she's a witch, she's dangerous. Agatha does what the salemites did to her and what men did to witches: she replicates a pattern. She punishes Wanda for being too alone and too different and complicated and scary. And yes Agatha is doing it to get her hands on chaos magic and all that comes with that, but this is all the baggage she brings in.

There's the other side of the coin: Agatha hates women and witches, Agatha loves women and witches, and Agatha hates and loves Wanda. She's been essentially killing and running away for the past two centuries, refusing to dwell on the consequences of her actions, but we know that she is no unfeeling psychopath, that's just a role she plays. We know all her actions weigh on her. With Wanda that sense of guilt is even stronger because Wanda is not a random witch she kills and abandons in the woods, she has to live with her and witness all of Wanda's pain up close, how lonely she is, how scared she is, the grief of losing Pietro and Vision, it's all there to torment Agatha. She cannot be a child about it, she can't close her eyes and cover her ears and go lalala until it's over, she has to take it all in order to get what she wants. And what's worse, Wanda is so similar to her that Agatha can picture exactly what she's feeling down to her bones, that's empathy to the max. And she goes through with her plan and does horrible things to Wanda anyway.

Knowing Agatha like we know her now, I'm convinced that her guilt about Wanda is especially hard to deal with, but Agatha has always refused to deal with any of her inner struggles, so Wanda just goes on the pile together with all the painful and complicated feelings she's pointedly ignoring, and which are not haunting her at all, thank you very much!

Except when she's Agnes, because all the feeling are still there but she doesn't know where they come from. I'd say that more than transparent Agnes is unfiltered, she doesn't know she should censor her struggles like Agatha does. Based on Agnes, we can plainly see what the biggest issues on her Inner Pile of Shit and Sorrow are: grief over Nicky's loss, anger and yearning for Rio, extreme loneliness, and guilt over those she hurt, with a particular emphasis on Wanda.

[dragonnnerdd]

Things I wish more people would talk about in Lego Monkie Kid

(Prepare for a rant longer than the bible /silly)

Spoilers for LMK seasons 2, 3 and 5 (also a brief mention of emotional abuse, and trauma)

Li Jing's terrible parenting

First of all, can we acknowledge that Nezha was CRYING when he had to go against his father??

LOOK AT HIM

How are we supposed to forgive Li Jing so quickly when all he does is talk down to Nezha? And you could argue that Li Jing said he was always proud of Nezha, but all he did was treat him terribly, and as an expert on horrible parents (*cough* my dad *cough*), if they're in a situation where they have to say the right words, 👏 THEY 👏 MOST 👏 LIKELY 👏 WON'T 👏 MEAN IT 👏, especially if they don't change after that. Li Jing could possibly change his treatment of Nezha, that still doesn't forgive what emotional trauma he could've given Nezha to make him CRY AT THE THOUGHT OF GOING AGAINST HIS ORDERS. Now, you could say that Nezha just didn't want to betray his father, and that's what made him cry, but the evidence still points to Li Jing being a horrible father. And I might have a bias towards Nezha, since he is one of my favorite characters, but I know for a fact I'm not the only one who thinks at least one of these things, because I learned one of these things from a post I saw (I can't find it tho, but if anyone might know what I'm talking about, please tell me). Keep in mind I'm not in any way a psychiatric professional, but I do know about what emotional abuse can do to a person, and how the way a parent treats their child can really effect the child's mental health.

Summary: It is implied that Li Jing is a terrible father.

Did I really make a giant paragraph on how Li Jing sucks? Oh, girl (gender neutral), we ain't even done yet.

How Possessed Sun Wukong is actually really creepy, and how he is the perfect temporary antagonist

I hardly think the first part needs explaining. LOOK AT HIM

Now, we all know how Wukong is, like, one of the most powerful guys in the world. Which makes it even more shocking when he is turned against the protagonist, whom he cares about like a son/brother/whatever you prefer (as long as it's not proship-y), by someone who is thought to be less powerful than him. Usually, Wukong makes a lot of noises while fighting, which is something really intimidating about the absence of any grunts or yells when he is possessed. I will use this scene for example

And there is just something about the zero hesitation to attack anyone, up until the end of the special when he slowly walks up to MK, showing that he is fighting LBD's control. And, may I just add, that scene is REALLY CREEPY

LOOK AT HIM

Anyway, as I said in the title of this rant, Wukong is a perfect temporary antagonist. He is extremely powerful (so powerful that he literally punched the lotus out of Nezha)

He caused a crater in the ground from punching Nezha one time, and he took one step and caused a dent in the ground. The protagonist (MK) clearly doesn't want to fight him, and Wukong is immortal. He LITERALLY WALKED THE UNIVERSE-ENDING FLAME

NOTHING CAN KILL HIM! (I apologize for the quality of some of these images, my tablet sucks)

This next thing ties into Wukong's possession--

LOOK AT THE PURE FEAR ON MACAQUE'S FACE WHEN HE IS FACE-TO-FACE WITH WUKONG

That is the face of a guy who is reliving trauma. And let's not forget the scene in the Shadow Play episode where MK charges at Macaque, and the flashback to Wukong flying at him makes it very clear what this moment reminds him of. And in the Benched episode, he tries to convince Tang that his friends (and specifically Wukong) are better off without him, and I bet that's how Macaque felt when Wukong had killed him. I really hope that season 6 touches more on Macaque's trauma.

Now, onto my last topic (finally, I spent so long writing this overanalysis about Legos)

Wukong apologized to MK

If you remember, in season 3, Wukong actually apologized to MK. This is mainly something I'm just really happy about, because he finally admitted he made a mistake. Throughout the first two seasons, Wukong is known to be a silly guy, not taking things seriously, and not admitting his mistakes, so for him to actually apologize for something he did, and actually look guilty for it, is something that just really is nice. LOOK AT HIM (fourth "LOOK AT HIM" of this rant)

He is genuinely sorry. Now if he could APOLOGIZE TO ALL THE OTHER HUNDREDS OF PEOPLE HE HAS MADE ANGRY, THAT'D BE GREAT

Wukong, I love you, you're my babygirl, but MACAQUE IS MY OTHER BABYGIRL, APOLOGIZE TO HIM

Now, finally, my rant is done (for now)

Did I really just make the longest post I've ever made to say what I wish more people would talk about, which turned into an in-depth analysis of Lego monkeys, and a Lego prince whose whole thing is pink flowers? Yes, yes I did. I have no shame

Now, to quote a great man...

MONKEY KING DRAGON NERD OUT!

[ayebibs]

What would have made the Veilguard companions more compelling?

I keep racking my brain trying to determine how the marketing of this game was so focused on the companions, their rich lives outside of the narrative, and the journeys that they go on when I think that they are objectively the worst written companions to date. Not to say that their appearances aren’t well designed or that they don’t have really fun and cute moments, but they are simply less three-dimensional than previous companions. Fundamentally, my biggest grievance with the Veilguard companions is that I just don’t find any of them nuanced or interesting. They are all good people, but they are not good or believable characters that fit this plot and interact with it in meaningful ways.

I have never been one of those people that ignore canon, but I have been perseverating on the missed potential of this highly anticipated game that we’ve waited ten years for. So, I wanted to criticize some of these characters and explore some changes that might’ve made for a more compelling group of characters had they been written differently, but (hopefully) respecting the vision of who the characters are at their core because I do think that the skeleton of something great is here.

Disclaimer because this is long and critical: There are a lot of spoilers below. I haven’t read all of the Dragon Age books and I could be missing things, but I also think that the game and the characters’ journeys should speak for themselves as we go through the story. I also get that these are just my opinions, I’m a STEM girlie by trade and a creative on the side! Not everything I suggest may be great or realistic for building a plot or realistic for writing the script of a videogame. I also don’t mind conversations about these characters! I think that would be fun, I just don’t want to be shat on for being very disappointed in this game when it’s been my favorite video game series for half my life and I went in very hyped and willing to excuse a lot!

Alright, if you’re still with me, buckle up!

First, before I outline the specific changes I would make to each character, I want to address that there are just flaws with the way BioWare decided to handle companions as a whole in this game. I want to mention them now because they impact nearly every character and I don’t become repetitive:

1. Most importantly, the approval system is pointless and probably could be left out of this game for all it means to the narrative. It is nearly impossible to wrack up disapproval for the companions and you increase approval and bond by just taking companions out and completing a quest. If the companions like nearly everything that Rook does, then it means that they don’t care enough about anything to have strong rigid opinions (which is good for a well-written character). If companions don’t have an opportunity for meaningful agreements or disagreements, it means that the writing is not what people expect of a Dragon Age game based on every single installment we’ve had so far. It is one of the few things that have stayed the same in all of the past games and one of the things that I think fans are really upset about and should have been nonnegotiable.

2. All of the factions (except for maybe the Grey Wardens) really just needed to be messier and more complicated. Not all of the factions were meant to be heroic throughout the series. As others have commented, the Lords of Fortune and the Antivan Crows are the most glaring examples of this. However, I think that the Mournwatch and Veiljumpers are not exempt from this either. The factions serve as crucial parts of our companion’s backstory and by sanitizing them, we are wiping key opportunities for character development. For example, it could be way more interesting to have a character who fundamentally disagrees with their faction, but doesn’t know how to escape it. Or, what about a character who loves their faction and makes us feel conflicted about them because of their willingness to explain away the faction’s history? I could write (another) essay on this, so I’ll leave this point here.

3. We simply needed to have more conversations with all of the companions. All we have are these short, uninteresting cutscenes to learn about the companions. The player should be able to go up to the companions and ask them about the history of their faction, who they trust and care about in their faction (and why), their past, and their opinions about new information (on other companions, side quests, and plot points). None of these even need a cutscene, just voice acting. It would also help players feel more connected to the companions.

4. There needed to be more visible personal and interpersonal conflict. The companions read like coworkers to me. They mostly like each other and, even if they do have disagreements, they are never explored in the narrative. They don’t seem to have any hugely conflicting viewpoints on any topic and, even if they do, they are benign. For example, what to pack for a camping trip or not wanting to talk about a particular topic (dragons vs. spirits) can be interesting in addition to more complex banter but the banter just feels inappropriate and irrelevant for the plot of this game. Overall, the companions rarely make a fit about anything. It feels like the writers didn’t want any character to appear problematic, but they made them flat because none of them seem to have a hill to die on except that they should save the world. This might have been fine in a game series that didn’t focus so heavily on companions and the way that ethics are shaped by personal experience, but this is not that imaginary game series.

5. The companion quests should have focused more on worldbuilding and getting to know the characters. I have little to say about this other than that the quests for Harding to try out her powers, training Assan with Davrin, shopping with Lucanis, and lighting candles with Emmrich, etc. were lazy, uncreative filler. I really cannot put it any other way. They should have all had quests that better explored their faction and, by extension, them. We barely learn anything in those quests and they are time wasters. Those are the scenes that should have been converted to a codex entry, not some of the important lore drops that we currently have in the codex.

6. Rook chooses one option of a binary for every companion towards the end of their personal quests. I’m okay with some of these, I think that it made sense for Bellara and Davrin to ask Rook what to do in their personal quests because it felt more natural. A friend asking a friend for their input. On the other hand, some of these are really inconsequential, semantic, and mindset related (Neve) and others are such personal choices that it feels inappropriate for Rook to be involved (Emmrich and Lucanis). In a lot of these cases, it would have made more sense to have dialogue options sprinkled throughout the game that influenced companions to make their ultimate choices. Giving Rook so much power in these decisions makes the companions feel one-dimensional because it strips them of agency that any believable character would want. Even if they wanted Rook to make these decisions, companions should have felt more strongly towards the options and either praised or disparaged Rook for their decision.

7. Finally, I found all of the romances very lackluster. I was never someone who considered Dragon Age games glorified dating sims (I actually really don’t like that take, even if it's all jokes), but I found myself missing the depth of relationships in previous games. All the relationships felt too new and shallow. Largely, I think this is due to points 3 and 4, but also due to a lack of reactivity with your companions. For example, companions barely acknowledge you getting them a gift or flirting. This could have also been helped by a few extra cutscenes with the companions.

That mostly covers the overarching issues that apply to all characters. Some of these things might come back in my individual discussions of the characters if it is particularly bad.

If you’re still with me, here are my thoughts on each companion and/or what I think would have made them more interesting:

Bellara

I came to like Bellara much more than I anticipated from the trailers and marketing. However, she is really emblematic of how the writers didn’t want problematic characters. There is nothing in the game that would cause people to accuse her of being problematic, but despite being an elf (a historically oppressed and enslaved group), she is so quick to apologize for the actions of ancient elves who oppressed her ancestors thousands of years ago which is ridiculous and solves nothing. It also really seems like the writers wanted her flaw or quirkiness to be some kind of neurodivergence and nerdiness and that alone doesn’t make a compelling character. I actually think it would be interesting if Bellara was, if not pro-Solas, pro-hearing him out because his intentions were in the interest of the elven people even though he made some shitty decisions. I think she would want to be interested in what Solas knew about the ancient elves and what their society looked like before the Veil. I think she’d want to know as much as she could about the technology. I think it would be interesting if she guiltily admitted to wondering what the world would look like if the Veil came down. How different would it really be to what they’re already experiencing? Could they not mitigate the problems? I think this would be an excellent point of tension between Bellara and Davrin (who is Dalish but might not understand her curiosity in the face of the blight) or Harding (whose people were so impacted by Solas and Mythal’s actions… more on Harding later).

Davrin

Davrin is actually my favorite companions in this game, but I still wanted more from him. I think it would be really interesting if, when the team is gathered around after Weisshaupt that Davrin really pushed back against the idea of sorting out their personal shit before progressing. He’s a grey warden who, in his estimation, just failed his one purpose. I think that this would cause a bit of tension between him and some other characters, like maybe Taash whose concerns are more personal than anyone else's at the time. He is serious and straightforward, so I don’t think it’d be out of character and it would make their friendship and training montage more satisfying later on if they had to move on from it. I would also expand on the fact that he was disappointed to not die when he killed one of the archdemons? It was touched on so briefly and he seems to emotionally resolve it in a few dialogue lines which I think is crazy, even considering that he wants to live to save the griffons and raise Assan. A “blow up” about how the team needs to put their personal affairs aside while struggling to keep his own personal affairs together would introduce a little more depth to his plot line and expand on one of the more interesting things about him that we barely got any time with.

Harding

Harding was one of the most boring characters to me in this game because she felt so flat and there were so many ways to make her more interesting. Her character isn’t helped by the Varric twist because the narrative requires that she doesn’t grieve except for one scene despite knowing Varric for at least a decade. Personally, I think that changing her reaction if/when she finds out what Solas and Mythal did to the Titans and her people would make her more well-rounded and believable. From that point on, Harding should be anti-Solas and you should lose approval with her every time you entertain the idea of trusting him. Maybe she could even express disappointment/frustration/sadness for an Inquisitor who believes Solas can be saved or speak of them more highly if they think that he is irredeemable. Also, we should’ve spent more time with her and the dwarven people. I think Veilguard was such a rushed and half-baked attempt at wrapping up that storyline. We learned so much about the dwarves in the last two games and we get to spend so little time with them.

Taash

Interestingly, I think Taash is one of the few companions with really obvious flaws. They are childish and impatient, but they’re poorly written and their flaws are never acknowledged or treated as flaws by the narrative. In my playthrough, their relationship with Harding might have been an interesting place to explore and address that childishness. It was also a missed opportunity for them to explore Qunari and Rivaini culture. As other people have commented, the binary choice between being Rivaini or Qunari is odd in tandem with Taash’s journey of self-discovery and identity. I think that choice shouldn’t exist and should be encouraged by dialogue options peppered throughout their larger quest. We were so close to exploring the rift that can form in families between first generation children and immigrant parents (and learning more about Rivain and the Qun by extension) when there is love but a fundamental difference in culture and lived experience. Instead, I feel like the narrative never gave us a chance to really hear Shathann out before her death, but I’ll give the writers a break because I think that they were going for tragedy and unresolved conflict and I don't know if I trust them to make that a conversation that fits the world and isn't anachronistic.

Emmrich

The thing that bothered me most about the Emmrich storyline was the final choice between Emmrich becoming a lich and bringing back Manfred. This is another choice that Rook should have influenced rather than choose outright. The number of times that you asked probing questions or commented on Emmrich’s desire to become a lich through more conversations about Emmrich’s fear of death and relationship with Manfred should have determined his final decision. Personally, it felt inappropriate for Rook to make that decision directly for him, no matter how much the game tried to justify it. I would have also liked to see his fear of death impact him more throughout his quest line and the narrative. The final quests are literally a suicide mission and he should have had more dialogue regarding it.

Neve

I’m going to admit that Neve was hardened in my playthrough and I haven’t explored her character in playthroughs where you save Dock Town, so this section might not be applicable to half of you. I didn’t understand a lot of Neve’s motivation behind her actions. I didn’t understand why she felt so passionately about her city or her jobs. Her drive felt hollow to me, making her personal quests feel generic. When I got to Neve’s quest where we gathered clues near the water in Dock Town, I was excited to finally learn anything about her, but it was devoid of any meaningful backstory. I would have written the quest to better explore Neve’s past, motivations, and personal relationships. The other big thing that stands out is that Neve is a noir detective and the VA has clearly gotten direction to sound like one, but her story is so devoid of mystery, intrigue, and many of themes that would make that more than aesthetic. And, like, isn’t her whole faction about freeing slaves? Why not make her personal quest more closely tied to that?

Lucanis

Lucanis’ personal quests are so tied to the dynamics of his faction, so I think a lot could have been solved by making the Crows more morally grey. I think Teia and Viago could have stayed the same, but we should have seen more negative interactions between him and the rest of the Crows. Outside of Illario, Catarina would have been an exceptional vessel to explore the problems within the Crows and a theme like generational trauma or exploitation. The party banter between him and Davrin criticizing each other's factions could have been an excellent space to talk about the negative aspects of the Crows and how Lucanis’ feels about them, either defend some misdeeds or express how he feels conflicted about his past contracts. In my game (when you save Treviso), Spite also felt more like a mildly important accessory in Lucanis’ plot than a significant problem. Few characters had anything significant to say about Spite and he caused few problems. I actually thought Spite was fun for most of the game, but he needed to be more problematic because he gave the impression that he was included more to build an aesthetic for Lucanis than a character-defining plot point. Finally, I think Rook deciding what to do with Illario was a poor decision. I would have written this as a decision Lucanis makes on his own based on how Rook encourages him to deal with Spite through a more fleshed out character arc.

This pretty much summarizes my thoughts on all of the companions. As you can tell, I am very Normal about this game.

I wanted to like these characters so much and they have an unbelievable amount of potential. They are all so fascinating in concept and all of them are poorly executed either due to the relationship building mechanics of the game, because of the writing and dialogue, or a mixture of both. That said, there are brief moments when I like them and I get glimpses of what they could’ve been.

I just hope the characters are better explored in future games (if we get one).

[kirbyluvr63]

need f1 fanfic recs

im SO fucking glad you asked!

im gonna give you some of my favs here and youll kinda notice a pattern, i guess! im about to expose my whole psyche in front of you.

first, one of my favorite ships is maxiel! but i particularly love anything that explores daniel's character specifically, so my first rec is an entry on Daniel Ricciardo's Internalized Homophobia Fic Fest!

heart's a mess by nunnit - just a great character study of internalized homophobia and trying to no-homo your way out of your own life until you lose the one guy you really loved. warning: there's a bittersweet ending! ships: Jenson Button/Daniel Ricciardo; Cyril Abiteboul/Daniel Ricciardo; Daniel Ricciardo/Max Verstappen; Daniel Ricciardo/Blake Friend; Daniel Ricciardo/OMC

Montreal Bounds by ellipsis99 - this one has a happy ending! daniel's in a complicated relationship with a guy who has a girlfriend and max makes him reconsider a bunch of stuff. ships: Daniel Ricciardo/Max Verstappen; Daniel Ricciardo/Scotty James; (brief Max Verstappen/Pierre Gasly)

pale green things by yekoc - historical fiction set during the tulip fever where jos is a rich tulip trader that commissions daniel to paint a portrait of max for his fiancee. yekoc is a GREAT author, i recommend anything by them! ships: Daniel Ricciardo/Max Verstappen

glory, from a high rise by yekoc - speaking of, another BANGER from yekoc. daniel works at a bar and max is a neurotic alcoholic office worker who's also horny as all hell. there's some commitment issues involved as well. it's perfect. ships: Daniel Ricciardo/Max Verstappen

honorable mentions:

a body wishes to be held and held by CamilleDuDemon

All We Knew of Home by LoveLeah

mon voisin by kitversuskat

now, my second favorite ship, my actual favorite drivers on the grid and the ones i cheer for: galex! <3

table in the back by crescenteluce - if you love miscommunication you'll love this one, the dialogue is so precise like you can clearly see how one would misinterpret what the other is saying and at the same time you get why the other person didn't even realize a misunderstanding happened aaaaaaarrrrgghhhh it's a bit infuriating too but so so good. ships: George Russell/Alex Albon

footnote in someone else's happiness by finedae - in this one george and alex kind of have a fucked up relationship... they break up so george can date women and fit in the box expected of him, but stays in touch with alex and alex has to, as the author put it themselves, keep things real. ships: George Russell/Alex Albon

ode to a conversation stuck in your throat by prettyrotten - this ones also crazy good and revolves around miscommunication.. i guess this is my favorite trope for them for some reason. george humiliates himself to keep his relationship with alex who just decides how george feels and makes things shitty for everyone. must warn you that i almost cried with this one, very angsty, but with a happy ending! ships: George Russell/Alex Albon

honorable mentions:

take care of you (take care of me) by ginnydear

Strike a Pose by amphibiangeorgerussell

carry you home (orphan work)

another ship that i adore is charlos! their dynamic is very interesting to me... between them and between ferrari and also i just like carlos and want to study him under a microscope. can't wait to find out how his chemistry will play out with alex once they're teammates tbh

In for a penny, in for a pound by chiliconcarlos - this one's the quintessential charlos fic; a required reading, if you will. charles gets drunk and hires an escort to accompany him at a wedding so he doesn't show up alone in front of his ex. he thinks he hired a female escort, but then carlos shows up and... the rest is history. just a very very good fic. ships: Carlos Sainz Jr/Charles Leclerc

the same as all those men by almondmilkk - idk about you but i'm obsessed with cowboys and this is THE cowboy au... carlos has a lot of repressed feelings and internalized homophobia and charles just doesn't give a fuck anymore, it's glorious. ships: Carlos Sainz Jr/Charles Leclerc

my blood is singing with your voice (the saints can't help me now) by choripan - if you like catholic guilt, this one's for you! there's a lot of religious imagery in this one and it's just... chef's kiss. charles and carlos meet at an abandoned church while on vacation at mallorca with their respective families. ships: Carlos Sainz Jr/Charles Leclerc

honorable mentions:

semiotic study by linearity

says he's gonna teach me just what fast is by foggystars

can't sleep 'til I feel your touch by chiliconcarlos

and now.... for my most deranged ship: george and lance. "WTF??" you may ask, and i say "don't knock it till you try it!" think of it this way: george is stuck up and hates himself a little and lance is just there and doesn't give a fuck and is the pillowest of princesses. unfortunately few see the vision so there isn't much, but i can't recommend enough Lesson Learned by bottomtxt who's also one of my favorite fanartist here on tumblr and the one who opened my eyes to this AMAZING ship dynamic! finger trap by rivalism is my other recommendation for this criminally underrated ship!

and this is it! i hope you'll enjoy it

ps.: sorry for taking a while but as you can see i was taking this very seriously and i had some college stuff to get done at the same time etc etc... feel free to keep talking to be about it, tho :)

[obeythedemons]

So with Obey Me! And Nightbringer coming to an end, I want to express my thoughts.

Firstly, I was very much a part of the fandom. It became a hyper fixation where I wrote so much fanfiction and created some fan art. At one point, I believe I may have been one of the top, if not top writers for Barbatos specifically. This blog managed to get a few thousand followers and I appreciate you all very much. It gave me comfort when I was working in an infectious disease laboratory during the height of Covid. I have wonderful memories of being a part of this fandom.

I also have to say that Obey Me! gave me the greatest gift I could ever ask for. I met my fiance because of Obey Me! I love them with all of my heart and I'm extremely lucky to have them. For that, Obey Me! will always have an extremely important place in my heart.

With that being said, my disappointment in Obey Me! started with season 4. It felt pointless and like no depth was actually being added to the characters. The special events were overwhelming and felt like cash grabs. When Nightbringer was announced, I was feeling optimistic that maybe they would go back in the story development we saw in season 1 of og. The first part of Nightbringer I was feeling better about the game in a while. There was lore being added that I could see being larger pieces of the actual game - who was the fairy king and is he related to Nightbringer? Is Barbatos perhaps actually a fairy? Is he the son of the fairy king and a foil to Diavolo? Then, the rest of the game started coming out, and it felt like season 4 all over again. Instead of plot, they focused on brother shenanigans. It felt pointless. Not only that, but it was hard to progress in the game because our cards had to start all over. I spent a long time in OG preparing my cards for a season that would never be.

I was frustrated and stopped playing. I'll check out the wiki every now and then, to see if there's anything worth picking it back up again, but I honestly can't find anything worth while. The game ignores what could be incredible story lines and characteristics and favors shallow re-hashes of the same thing.

I think a lot of players felt the same way. I think that's likely why the games are being discontinued, because people just aren't returning to it. We were no longer invested in the same points of conflict. Of having Mammon and Lucifer shoved down our throats, especially if those two weren't your favorite.

Perhaps they'll release a complete game in the future, one that's a one time purchase and is actually completed. That's my best case scenario. I would love to see it. But for now, we'll see.

I don't hate Obey Me or Nightbringer. Like I said, it gave me the most wonderful person in the world. I am disappointed with where it ended, however. I wished it would have gotten better. It deserved to be better.

[walkingoneliner]

An analysis of Cater Diamond

(That's mostly me screaming into the void.)

Cater has always had an identity problem. We see this from the very start of the game when he makes it clear how much he hates sweets because of how much his family always had to have them.

We get an idea that his family is a bit...smothering in their ideas and likes. And this is only built upon throughout the game with things such as the "rule of cute" they seem to live by.

Now, I'm not going to say Caters card is definitely him as dorm leader...but it certainly seems it. And if so, you'll notice somthing quite striking.

How different it is from Riddles uniform.

If Riddle's uniform is ouji, Caters is 100% Visual-Kei

It's far from cute, almost general looking.

Now I'm not saying "Oh Cater will be a bad leader and run Heartslabyul to the ground grr grr" as he doesn't seem like the type to do such a thing.

What I am saying, is that in Caters dream, such a uniform is vastly different because in his dream he is likely being himself! The only bad dream we've seen so far was Floyd's! Everyone else has been living their perfect realities, Epel being strong, Kalim being real friends with Jamil, Ruggie's dad coming back for him AND nobody in his village going hungry. So we can presume that in this dream as well we get to see the REAL Cater.

Which brings me to my part two ✌ of this analysis!

Who the heck is Cater?

To figure this out, we have to figure this out from the very core of who inspired him.

Now, I've seen many different guesses, the King of Hearts, the Knave of Hearts and the White Rabbit being the top three.

Well we know he isn't the Knave, that honor is clearly Aces considering he is the one who stole the "tarts upon a summers day." (Google Queen of Hearts poem if you have no idea what I'm talking about)

And honestly? I thought he was the White Rabbit! And i think they wanted us to think this.

We know when the game first released they said the reason Caters eyes were red in some twstunes and classes was because of the fact he originally was supposed to be a rabbit beastman. However, that was changed for an unknown reason.

I believe it was changed because they realized that a better white rabbit would indeed be Trey.

I know what you're thinking.

Trey? As the White Rabbit?

Hear me out.

Trey can fit the role of the White Rabbit very well as he,

Is Riddles right hand man. Many people assumed him to be the King because of this, but really, the Rabbit does far more for the Queen than the King does.

Has an odd obsession with teeth. It was a joke from the get go that none of us even considered.

Has a large family...enough said in the rabbit comparison.

How nervous he is around Riddle! Now every character is nervous around Riddle just as every character is nervous around the Queen. But it's noticeable how much more nervous Trey is than Cater, in the same way the Rabbit fears the Queen more than the King.

Finally, he is the one to smooth things over with the other students when Riddle rampages. Similarly, the White Rabbit is the only one of the Queens court to speak to the others in wonderland.

So what does this leave Cater with?

The role of King.

Now, the King doesn't do much in Alice in Wonderland, nor in the book Alice's Adventures Underground/Alice's Adventures in Wonderland which the flim Alice in Wonderland was based off.

Does that not remind you of Cater who is the most stand offish of the Heartslabyul cast. He doesn't do much at all to impact the story. All we see him do us use the others for his gain painting the roses (somthing I truthfully can't connect to the King despite my best efforts) and we see him try to convince Riddle to go easy on the first years, specifically Ace and Deuce.

I fear if I keep speaking, I'll end up running in circles. But for now, this is where I'll end it.

The fact he was the one to try convincing Riddle to go easy on them was a huge hint he was the King of Hearts the whole time, as one of the kings few lines is "Can't we have a trial?/Oh just a little trial?" And in the book he attempts to calm the Queen by reminding her that Alice is simply a child, so they should go easy on her punishment.

Not to mention he has the gavel that the King of Hearts uses...but that's just a nice little detail.

Cater is indeed the King of Hearts which we can easily trace evidence of back to the start of the story.

Despite this, I don't have any idea what Caters dream could be, but I do know it will be fascinating to see one of the least developed characters of twst finally shine!

If y'all have questions, additions or corrections, comment and let a girl know or send me an ask!

[tobiasdrake]

hearing you call live-action sonic surprisingly conservative in your post about media moving forward felt like being shot in the heart

i mean, sonic as a character is pretty leftist. his whole deal is being free and setting people free,

beating up enemies in the game is literally breaking the shell that the animals are stuck in

Eggman was an analogy for pollution, with him destroying the environment for personal gain, and later being more of a fascist dictator

and his thing is always turning people into products, into literal machines he can control to do his labor and fight his wars, which would be every capitalist’s dream.

and so i never put the pieces together when it comes to the movie being conservative.

damn.

ouch.

could you elaborate more on it? idk, the conversation hurts but i’d like to know what your thoughts are on live-action sonic specifically

Oh, sure. We can talk about the surprisingly conservative themes and ideas of the live-action Sonic the Hedgehog films. With the caveat that this is old-school traditional conservatism, not modern nakedly fascistic conservatism. The Sonic movies are conservative in a Home Improvement sort of way, not a Lady Ballers sort of way.

What it amounts to is that Paramount approached the films not with intent to make a Sonic the Hedgehog movie but with intent to make a "relatable" story for an audience that also has Sonic the Hedgehog in it.

Have you ever seen 2019's Godzilla: King of the Monsters? A film which centers a broken family trying to connect with each other, while also there's a disaster movie happening around them? Like. Godzilla and Mothra and Ghidorah is all stuff that's happening, but what really matters here is whether this daughter can forgive her mother.

It's the of writing a low-stakes personal drama and then stapling the film premise to it. The kind of move that makes sense with something like The Day After Tomorrow where the premise is just "It got fucking cold" so the movie kinda needs something with some actual characters that it can be about.

But when it's an adaptation, it shows low confidence in the IP itself to carry a film. It says, "I don't think a Sonic movie would work, so instead I'm going to just make a movie and have Sonic in it."

And the a movie that they made centers some conservative values. But, like, old-school conservative values, not the hyper-fascistic transphobia and white supremacy and stuff you see around today. Things that were considered commonly recognized conservative values in the 80's and 90's, when white people were still supposed to believe that racism was over and all that jazz.

For one, Tom is a cop. Which is a wild choice for a film coming out at the height of BLM and ACAB. The film, as well as its subsequent sequels and spinoffs, play Tom's policing very sympathetically. A major theme of the first film is that Officer Wachowski is a vital and valuable part of his community.

There is no ambiguity; The cops are the good guys here. They're kind of wacky but we're meant to love both of them, Tom and Wade. They are, however, contrasted by the wickedness of the Feds.

Eggman, in the film, is reimagined from an industrialist to a federal agent. He represents the long arm of Big Government overreach coming for the sleepy town of Green Hill. Which is then further represented by G.U.N., who oppose Eggman once he goes rogue but are still the enemy nonetheless.

Even the Knux series still manages to be about fighting the Feds. The federal government has been the antagonist for 3 out of 3 entries thus far, when Eggman himself has only been the antagonist for 2.

The films leave the environmentalism of the original behind, instead centering family values. Rather than setting out to rescue woodland creatures from industry, Sonic has heart-to-heart chats with Tom about growing up and finding his calling. Knux isn't the guardian of Angel Island, but Sonic's adopted brother. Maddie can ground him for inappropriate behavior.

The first film also features the popular old-school conservative theme of Rural America vs. Urban America. Tom is a small-town cop who yearns for the glamour of the big city. He thinks his calling is there. But, over the course of the film, he learns to appreciate the value of small-town living and his importance to his community, and sets aside his foolish dreams of urbanity.

"I wanted to run away to the city but then learned that my Real 'Murica small hometown is where I truly belong" is probably the single most popular conservative story in decades of film and television.

It's worth noting that the film does feature an interracial marriage, which is something I hear brought up a lot as a way of saying "Actually it's not conservative because...."

But for as much credit as Maddie might warrant... There is the issue of Rachel. A character who exists primarily in the film to be a Sassy Black Woman who reacts with furious histrionics towards Tom for no apparent reason. She just. Hates him. From the bottom of her soul, despises "Relatable Cop Boy".

Like. So far as the film's concerned, it needs no explanation. Her relationship with Tom is just an eyeroll, sly glance at the camera, and "In-laws, amirite?" The second film at least gives her more to do, but the first concludes her subplot by having them tie her up and steal her car.

Like. That's it. That is what she amounts to. Maddie's sister yells sassily until she passes out and then the payoff is that they steal her car and leave her tied to a chair as... I guess her karmic retribution for being so sassy and mean to Tom? It's hard to really say whether this is mean-spirited because we do not know what her beef is. The film doesn't think we need to know. "In-laws are crazy, amirite!?"

When you set aside the cool action scenes of Sonic punching robots and look at what the films center as their emotional heart? You get a story about a small-town cop learning to appreciate his rural roots and build a family with his wife despite her unreasonably psychotic relatives, while the wicked federal government attempts to destroy their home, town, family, and way of life.