#The first one is about a specific character and no I will not say who

[thejakeformerlyknownasprince]

So I'm putting together an In Defence of Cassie PowerPoint for a PowerPoint night with friends. Do you have any arguments for or against her? I trust your opinion and am curious.

Let's see.

"She's too powerful, too unique, too far-seeing, and not good enough for Jake! What a Mary Sue!"

Counterpoint: May I introduce you to the reigning champion fan favorite, Sad White Boy Tobias?

Only nothlit ever to regain the ability to morph

Only known human-andalite hybrid ever to exist

Regarded as savior by entire hork-bajir species

Entire existence is a time paradox the war hinges upon

Pulls the canonically "most beautiful girl in our grade", who turns down 6 or 7 other offers in favor of Bird Boy

Correctly predicted planetary ecology 65 million years in advance

Believed to be immune to 2-hour limit

In conclusion: y'all wouldn't be crying "Mary Sue" if Cassie was a sad white boy, and I can prove it.

"She's too weak and hand-wringing, and she never helps the war effort!"

Counterpoint: First of all, the fact that the same people say this in the same breath as "she's too powerful" is... telling. Secondly:

She saved the entire team's lives in #24, in #29, in #44, and in MM1, among others.

Specifically calling out #44 — that ending shows she is willing and able to be ruthless when her friends are in need. She doesn't like slaughtering human-controllers, but if the alternative is everyone she loves dying, then she'll fucking well do it.

Much like Jake (see: Sad White Boy), she's more willing to risk herself than her friends, hence the end of MM1

Her medical knowledge saves Marco from rabies, Ax from brain!appendicitis, and Tobias from bird flu.

Her survivalist knowledge saves everyone in #25 (the Arctic), MM2 (Cretaceous Era), #11 (rainforest), and #14 (desert).

In conclusion: Cassie's only idealistic-looking by the standards of this extremely morally gray team.

"She's so unfair to Jake!"

Counterpoint: Jake? The Jake who refused to speak with her for weeks? Jake who proposes marriage while they're still broken up? Jake who announces he'll never trust Cassie again because she [checks notes] saved his brother's life? That Jake?

Also:

She gives him tons of emotional support in #16, #21, #47, and other times he's feeling low.

They have a healthy argument where they air differences and come to an understanding in #9.

Did I mention he doesn't just dump her but ghosts her in the middle of the war's endgame?

They're teenagers. Their relationship isn't perfect, but it is built on open communication and mutual respect which is more than Rachel and Tobias can say

She's fighting a war, and PTSD for that matter. No, she doesn't have infinite emotional bandwidth.

In conclusion: Their relationship is fine, their breakup is mutual, and her behavior only looks bad if, once again, you're holding Cassie to a different standard than you are Jake.

"She shouldn't have trusted Aftran!"

Counterpoint: friendly reminder that the alternative was killing a 6-year-old for being in the wrong place at the wrong time. If that's what you think Cassie should've done, that tells us more about you than about her.

"She spends too much time moralizing!"

Counterpoint: this is a book series about war, not a friggin' video game. If you want moral pornography, go play Call of Duty. If you want sci fi realism, then you're going to have to accept that a majority of humans prefer not to kill their fellow humans if at all possible.

"She's a ripoff of [insert character here]!"

Counterpoint: literally every single one of these says more about the commenter than about the source work. "Every dystopia is set in the U.S." is the kind of thing only people who only read books by American authors would think. "All epic fantasy is Eurocentric" => tell me you only read books by white people without telling me. I'm glad you think Cassie is too similar to Willow Rosenberg, but there are at least 6 other stories in the known world, and I hear some of them even feature sweet/dorky/caring characters who are secretly ultra-powerful.

In conclusion: You don't have to like Cassie as a (fictional) person, but 85% of criticisms directed at her are bad-faith attacks on one of the 1990s' only fat Black female gnc ultra-powerful superheroes.

[secriden]

There's something so wondrously momentous about Style only saying his "I love you" now, when he realises that all the secrets he was keeping from Fadel are already laid bare.

He says this a significant time after Fadel has said his (and, in the context of the wider narrative, after Kant and Bison) and for the character we have seen as prone to glibness, exaggeration and flippancy with his words, that feels incredibly intentional.

Because this confession was the only truth Style had left to give.

Fadel is finally done playing his (poorly thought out) game, done with his (already cracking at the seams) charade, done with giving Style more opportunities to pull at his heartstrings with his earnestness lies.

Fadel is demanding the truth, and tells Style exactly what truth he wants to hear.

And the thing is, there is truth in this: Style's motivations at the start were wrapped up in a deception specifically targeting Fadel.

I know we, as a fandom, harp on about Style "doing all that for a car", but something I would like us all to revisit is what Kant actually says to Style when he first asks Style to "hit on" Fadel:

Kant: You need to help me. You know I don't usually feel this way about someone. And then shortly later, after Style refuses: Kant: Hey, hold on. (Kant grabs Style's hand.) What do I have to do to for you to help me out? Should I pay you?

(Please forgive my inability to gif and watch Style's reaction to this.) Style is visibly surprised and intrigued. Kant seems to be serious about this request, and I think Style decides to test just how important it is to Kant by asking for the one thing he knows Kant will not give up.

Just look the expressions on Style's face. We didn't have the context of knowing Style back then as well as we do now, but this is the look Style gets when he's throwing out a challenge (to Fadel), when he's trying to ferret out some new insight (from Fadel), when he wants to see how someone (Fadel) will react to whatever outlandish (provocative) thing he's said or done.

And when Kant agrees, Style even checks again if Kant is serious about going through with it -- and it's this that convinces Style of the sincerity of Kant's request.

Yes, the car was a factor, and yes Style also wanted revenge and to humble Fadel, but at the centre of Style's motivation has always been a plea for help from a friend.

In episode 1: Kant: Under one condition. You have to make him head over heels in love with you. Style: I'll do it. Not just for the car, but someone like him needs to be humbled by someone like me.

But in agreeing to help Kant, Style really was damning Fadel to play the fool because Fadel's feelings (his heart) was a commodity that Style was fully willing to play with back then.

And there are aspects of truth here too. When Kant tells Style about Fadel (and Bison) being hitmen, Style decides he's done and wants out. Kant reasons that it's more dangerous for Style to break up with Fadel now, because it would look suspicious, but crucially this isn't enough to convince Style.

So Kant, once again, makes the plea to friendship and to his need for Style specifically, and it is this that causes Style to finally cave.

But in doing so, the things that Style agrees to are:

Kant: Work with me. Help me get more information about them. Once we get that, it's done. Captain puts them in jail, and we walk free.

So while Style may not be directly working with the police, he is working with Kant who he knows is working with the police. By proxy, Style is involved with the police, but in front of the empty pool, he makes it clear to Fadel just what that involvement actually entailed:

Style: Kant asked me to take you out so you could leave him alone and he could freely investigate. Fadel: What did he get out of it? Style: I don't know! That ain't my business! All I was asked of is to take you out.

And this, too, actually is true! Since finding out, Style has literally not discovered a single thing that could be remotely useful to the police investigation:

He's found out that Fadel likes to gym at night. He's found out that Fadel uses tenderloin in his burgers. That he runs in the morning before going to the market. That he attends a grief support group.

But these were all things Kant also already knew and could have given the police if it were in any way useful for the investigation.

Even his attempts to get Fadel to confess to his "other job" (something the police also already know) were clearly in service of wanting to save Fadel and/or convince him to give up the life of crime in the hopes that Fadel wouldn't have to be sent away from Style to prison.

But the truths are tangled up in misunderstandings and Fadel's own assumptions now; and also further tainted again by Bison's own hurt over Kant's betrayal. And Fadel literally cannot see -- because his eyes are filled with tears [see: @thisautistic's gifset + my tags] (good grief, Joong, the actor you are) -- the honesty Style is bleeding from the marrow of his bones.

Because the truth is that along the way Style has also found out that Fadel is a good older brother. That Fadel is still hurting and bleeding inside because his parents were murdered. That Fadel wears his favourite bands' make up in secret because he cannot bear the thought of other's judgement. He's found out that Fadel misses Style, wants Style, and hates himself for it. That Fadel is afraid to love. That Fadel is acutely aware of his own darkness and cannot comprehend an existence that would not involve someone (Style) rejecting it. That Fadel does not believe that 100% trust is possible, but that he will get himself drunk so that he can offer Style as much vulnerability as he can physically make himself give.

Because the things that Style did find out were all the ways Fadel's heart is soft and tender and precious and worthy worthy worthy of all the love Style has to give.

And Style will stand firm on this truth because this is the only thing he has left to give Fadel.

Because Fadel knows, now, all the ways Style was unworthy of his trust, but crucially has not figured out the most important truth:

Because in a very significant and profound way, Style is wholly deserving of Fadel's trust. Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. -- Quoted from my meta post on the "One day, I'll be your 100%" line.

And as I alluded to in the tags on @yinwaring's insightful post: Style fully embodies the belief he espouses; because even in the face of a gun to his head and Fadel threatening to kill him if he will not admit that this, too, is a lie, Style refuses to give Fadel anymore dishonesty.

And this is because Style knows that the truth matters; now more than ever.

Because Style has had days to grapple with his worry after Fadel's disappearance. Style has had a week's worth of checking the diner only to face the regret he feels about not handling things differently. Style has had to recognise the terror of thinking he had lost something he never even knew he wanted in the first place.

And while Fadel had his realisation back in episode 4, Style never had to face this until Fadel vanished from his life and left a gaping hole in the shape of the absence of Fadel's smile.

So if this is what it takes, if this is the penance that Fadel demands of him, then it is a price Style is most happy to pay.

Because Fadel does not realise is that Style, too, now knows what it means to lose a love worth fighting for.

And in the war Fadel now feels compelled to wage against Style (because, yes, that's definitely still going on), the one damning thing Fadel has failed to recognised is that his only true weapon was leaving Style behind.

Which is why Style has already won. Not because Fadel's walls have crumpled again or because they don't still have a ton of things to talk through and work out (they really, really do), but because Style has already been stripped bare (and I mean this literally, like we all recognise THAT was the reason why Dunk is only in boxer shorts in that scene, right?? Like, I know we were joking about it, but seriously, that was so very intentional and a visual representation of Style being both stripped and, most importantly, freed from the lies he felt compelled to tell Fadel) and this means he has nothing holding him back.

And Fadel can wield his gun and his words and his anger and his hurt, but Style will die on the hill of the truth that he knew and understood and chose to love Fadel anyway, and saved this last confession for when he knew he could tell Fadel the truth without any lingering deception; and when the time is right, when Fadel is finally ready, Style will be there to welcome him back with open arms and, without any hesitation, an open heart.

[olderthannetfic]

Hi OTNF and everyone,

I am finding that it's harder and harder and harder to get into anything - book, show, movie... most things seem, you know, to just not be doing it for me, be it fanfic or original stuff.

In part, I think, it's a general restlessness and that it's become harder to give anything enough time to get into the stories, the characters, the settings, the narrative voices... I guess you can call it attention deficit on my part, just a need for stories to deliver those sweet, sweet hits quickly, but they're not.

I'm not currently ficcing but I did for years (might again in the future, who knows), and it's made reading, specifically, harder. It's like I've become more aware of what goes on behind the scene, I guess? I feel like I can see the writer giving up on a sentence, skipping a scene because fuck this, trying hard to not repeat a word although it's the only one that fits, etc.

Or maybe it's just the *everything* around us in the world that is weighing on me too much? I could say it's adult life, but then again I have more free time than most (and boy do I need hours of doing nothing to survive the other hours), and no family/partner (all that would put even more pressure on me): what is wrong, to make everything so UGHHH?

I feel like I'm stuck in a rut with a brain moaning feed me, feeeed me, and whatever I try to give it, it spits everything out. (Yes, I've tried hobbies, and nothing sticks there either. I've never really found rewards or satisfaction there, so...)

Decades ago as a kid, I was a voracious reader, although studying literature took the pleasure of it away from me. It took time and discovering fanfic that brought me back to reading, but at the time the internet was starting to be a thing, too, and it can't have helped the attention thing. AFAIK I'm not ADHD but then again, I couldn't get a proper diagnosis (the therapists I saw were either dismissive or just about The Talking, which was pointless for me).

I just wonder how it all disappeared, you know? Sometimes I find something that catches my attention for a while - a book (but I read quite quickly when motivated), a fandom... but it's been a while now, and it's just so frustrating! When is it going to come back? Will it ever? *gulp*

I know that books were escapism when I was a child, and then fandom was escapism, but at the moment I find myself grabbing at air and my empty hands are mocking me. Give me my escapism baaaaack!

So, uh. Anyone here with me?

--

Yes.

I felt like that during part of lockdown. Anhedonia is common in those kinds of circumstances.

Getting your mojo back is certainly possible, but you may need to go see a professional about depression and have some chemical assistance (yes, even if you don't feel sad per se), or you may need to change your lifestyle to one that doesn't have the thing causing you to need eleventy billion hours of downtime.

Aside from serious interventions like that, you can consider a social media detox. Remove every source of doomscrolling and time wasting of that type. When the attention span is zero and nothing brings joy, the tiny and useless hits from finishing a game of solitaire or seeing one more instagram post become very attractive. This is a trap. It will suck what little energy and joy you have and make your muscles flabby for the work of getting into an in-depth book/hobby/experience.

I know the feeling of being able to see how the sausage is made, but... well... first, being in a better mental state will make that matter less, and second, reading prose that is more competent will make that less of an issue. A lot of mainstream tradpub genre fiction is not, in my opinion, very well written these days. Obviously, people are still enjoying it, and that's fine, but if you're noticing writers fumbling around, it might be time to check out some literary fiction or some other category known more for prose quality than anything else.

It's also important to have some structure and some things to look forward to. Even if you feel tired, overwhelmed, and busy, sometimes, the answer is to do more... But it must be things that are distinct and significant and that get you off of the couch, like going to one museum every weekend.

I saw some advice once about this kind of thing that phrased it as "One big adventure; one small adventure."

Every week, you should have those two things to look forward to that matter. Check out a new coffee shop. That could be the small one. Go to an event: a gallery opening, a concert, whatever.

Physical exercise and doing some things that aren't as verbal and conscious thought-involving is important too. Painting is a better hobby for zoning out than writing is. Taking long walks in nature is good for most people.

--

The kind of intense, obsessive love I had for reading as a child and that I sometimes have for fandom requires a lot of attention and some time. It's escapist, but that masks how much work it actually was. It didn't feel like work only because we were in training.

If you've filled your brain and your day up with a thousand petty annoyances or minor and useless attempts to feel something, you won't have the capacity for those deeper things.

Because you are already at a point that's equivalent to a bad sprained ankle, trying to get back to running right now won't work. You have to stay off of the ankle for a bit, then build your strength and stamina back up.

[robinsgrl]

since im still getting hate through anon over “stealing” a concept that I didn’t know this woman had posted prior to me, im going to clear some things up.

EDITED theres a post of my comment which was taken completely out of context and not me pioneering “weird!girl”. I was talking about the “fan club” that the commenter was referring to. She commented “weird girl fan club” and I responded with “I am the leader and founder of” meaning, I was the leader and founder of my weird girls FAN CLUB because I adored that character. in high school, all the clubs had a leader and a founder but that doesn’t mean they created the idea of the club, and that’s quite literally what i meant. Think of it like a silly little club in school, it was a joke about a fan club for my specific reader. Granted, it was worded weirdly but that was part of the joke. Like me “completing” the sentence. this is a completely inaccurate post that was forced to fit a fake narrative.

^^ this issue was previously about another account but that has been resolved. we have both apologized and a statement was made. I understand her pov completely and if anyone was bothered to read the comments in this post AND read her statement, you wouldn’t be in my inbox harassing me or her.

now for the woman who is claiming that i stole this concept from her. we dm’d and honestly, she was nice. i have nothing against her as a person. but she was still reblogging stuff that her friends posted about the situation and if it’s been “resolved” then stop reblogging things. anyway, she privately messaged me and admitted that she “blocked me previously to this happening”. i started writing for this fandom the end of november. I posted weird girl reader the first or second week of December. she admitted to blocking me since she saw the post and it blew up pretty quickly so im assuming that she blocked me around the same time that it was posted. i can not stress enough that i had not seen her work. as you can see that was almost a month ago. im not sure on my timeline because literally no one will tell me anything but my first post was nov. 22. it hasn’t been that long since i’ve been in this n fandom

the few works that i DID read were texts posts. everything i read i literally reblogged under my recs. I hadn’t read much farther than that. Now i know there’s no way to prove that but it’s the truth. I didn’t see her posts. I didn’t know who she was. And I didn’t get the time to know who she was because she blocked me.

now, in her long post in that same reblog im talking about, she stresses that you can make weird girl different. that she spent time on her character and I’m sure she did. granted, I didn’t get to read her works because again, I’ve been blocked. but that’s quite literally the point of _!readers. writers have the control. they can base them off of whatever they want and she named those examples. just like she was proud of her reader, i was proud of mine. those things that my reader did in the series were things that i have quite literally done in my real life.

the first part. i did the boob/pec thing to a gym guy that i was seeing back when i was 18. biting someone’s muscled arm was a trend that i saw on tiktok. Of women biting their so’s muscles.

the putting her hands in her boyfriends jeans to warm her cold hands up? i did that before and granted, it was with a girl that i was semi-seeing and not a guy like the original post, but I just flipped the scene. same with the ass slapping and grabbing joke. i do that to my friends. my friends. it’s weird, yes, but that’s why i wrote this weird girl with things i’ve done before because for a long time, i was considered weird. i was bullied in school for being weird, as im sure a lot of people have been.

this reader of mine was me. from the antics she did to the chronically online posts and texts. ive had so many people say that they, themselves have done these things with their significant others as well because tiktok and social media is normalizing not being so serious all the time, that it’s okay to be awkward and weird and goofy with the people you love. And as stated before, i go into writing weird girl reader as someone who’s on the spectrum. I don’t write that she is but as someone who is, those little pieces of me were in the story and im sure many who are can understand that.

she goes on to say that people blow up on her for confronting them. im truly sorry she had that experience but i am not them. she should have come to me as an adult from the beginning. as a grown woman. we both are grown enough to have a civil conversation before name dropping and having people come to my page and say im plagiarizing and copying her when i did not know who she was. because im sorry to say this: you did not inspire me. i did not see your posts. i did not know your account. until this reblogged ask was posted, i did not know you existed. i can not give credit on a concept that i didn��t even know you posted ahead of me. quirky readers like this have been around for longer than your own. i remember reading one direction wattpad stories with quirky/off putting readers when i was a preteen, literally dozen off stories, and back when it was “not being like other girls”. this concept is not new and was not popularized by you. I am not saying that takes away from your work. You have a right to be upset when people steal your own personal work but a concept is a concept. And it’s not one that i stole or got inspiration from you. and i have to reiterate: I am not saying i came up with this on my own. Im not saying this was my idea. But i did not get it from you.

now cameronwillow is defending her friend and i get that. having friends like this is important in hard times but i do believe she and the original sender of the ask, blew this thing out of proportion. im glad you’re there for your friend, truly, a love like that is all anyone can ask for. but you did this the absolute wrong way. read the top to see what i mean. if you still think i copied or stole from your friend and that “credit wasn’t given”, then, you’re gonna keep having a tough time on the internet and in fandoms; tropes and concepts and plots are constantly reused.

now, you posted that i should’ve messaged first. how when she admitted to blocking me when she saw my first weird girl post? you go on to say that “if you’re old enough to be on tumblr then you’re old enough to use your thumbs and message people off anon”. Now, the anon hate is wrong and anyone who is harassing your friend in a harsh way or calling her names, don’t take them as anyone I would support. I wouldn’t support any of them or any of that. If i found out who it was, i would report and block them myself. Hate through anon is wrong no matter what. But wouldn’t that go both ways? You all reblogged and posted things about me while I was blocked before we could have any sort of discussion as adults. (With the exception of dolly because she did unblock me and we had a discussion, although i will say it was too late.)

those are the main few that i think had a lot of hold over the situation. dolly isn’t at fault here. but neither am i. it was a bad situation that was dealt with badly. feelings on all sides are valid but this is the internet, you have to be careful with what you post and how you word yourself. i should have worded myself better on that leader and founder comment and i admit that, it was wrong. but at the least all of these people can and should admit that they blew this entire thing out of proportion.

now, i do want to add that this person gravedigginbbydoll made a completely insane post. in my latin culture, mal de ojo/brujeria/ hexes are a terrifying thing. it’s not something to be messed with in any sort of way. i’ve seen first hand what those things can do to a person. my mother and her long line in mexico rebuke all of this. they fight against it. they cleanse others and us in ways that i wouldn’t even know existed if i wasn’t a part of them. you don’t have to believe in it but i do. I wholeheartedly believe in it. And maybe she didn’t mean me. Maybe she didn’t mean it seriously. But i took it seriously. My family, who im talking with this about is taking it seriously. If youre an avid believer and follower of this stuff, you should know that a post like that to a random girl on the internet, who just wanted to get a better grasp on this abrupt situation, is maniacal and evil. I believe in karma. Karma IS going to come for you over that post and over wishing those things on me (and others).

I had a conversation with her friend under a post where we talk about the hate comments and anon and i agree, neither of us should get this hate. Not at all. And dolly has the right to her feelings. Plagiarism and copying is a real issues in fandoms and in fanfiction writing, one that i have dealt with myself in my past fandoms. But it’s also not insane of me to want to defend myself. I’m not “dragging it” by wanting to defend myself. I’m not “dragging it” by posting this. This is me defending myself and my writing because i am being completely honest— I did not know her work.

sensitive topic below here

Now to those who are defending me and sending me sweet messages, i love you all so much. It means the absolute world to me that you all are willing to hear me out and not jump to conclusions like many people are. And im so grateful for all the love on all my works, not only my weird girl posts. Fearless and Kildare nights were works that i was immensely proud of. Kildare Nights was a way to let out my silly little thoughts. I get attached to character and JJ was one that i was very attached to. The ending of s4 felt like a hole in me and i wanted to fill that. On top of that, a lot of you knew from my authors note that i was in the process of moving. I was lucky enough to find a place with my family in time before being evicted. I was homeless before this. I moved in with my mom because i was literally homeless. I slept in a shelter for a few days before renting a room in a random house with a random lady i met on Facebook. My mom, who I wasn’t talking to at the time, let me move back in with her. But she hadn’t told the landlord. So we were scrambling to find a place. Being homeless is a traumatizing part of life that I never want to go through again. And Kildare Nights is what got me through the nights where I wanted to give up again.

And Fearless was my baby. I’ve been a big girl my entire life. I was bullied for it relentlessly in high school to the point of developing an eating disorder that I still struggle with at 21 years old. I’m getting there slowly and surely but Fearless was for the big girls now and in the past that never felt like they could be loved. For the big girls who struggled to find themselves attractive or sexy or even pretty. To the big girls who have had mean girl experiences regarding their weight and just mean high school girls in general. We are deserving of love and romance and even the heartbreak that comes with all of that.

And im sorry to cut it all short. But this account is tainted by everyone who has name dropped me, who has blocked me, who has sent me hate through anon. By all of it. I may be grown and I should be able to handle these things but truth is im not. I don’t have the confidence nor am I in the correct frame of mind, mental health wise, to be putting up with all of this. I get that im not a child but Im 21 and still figuring things out. drama (because this is drama. despite saying its not.) shouldnt be in spaces that make us feel good, that make us feel empowered and that a lot of us use as an escape. thank you for hearing me out.

[gay-disabled-characters-showdown]

LGBTQ+ Disabled Characters Showdown Semifinals Poll 1

Please be civil in the notes. We will block people if we feel it is necessary. A character being canon LGBTQ+ and disabled was not required to be in this competition. Please check qualifications and propaganda before asking why a character is included. This is not a competition of who is better representation.

Check out the other poll in the semifinals here.

Yang Xiao Long-RWBY

Qualifications:

She is canonically wlw (has been for years but specifically kissed and got together with her now girlfriend in the latest season) and uses a prosthetic arm and has been shown to struggle with PTSD due to the traumatic nature of losing it during the show.

Canonically had her right arm chopped off, uses a prosthetic. Has PTSD. Is canonically in a WLW relationship.

She has a canon girlfriend and canonically has a prosthetic arm and PTSD

She's canonically sapphic (part of a recently canonised wlw slowburn relationship) and is an amputee (due to events from the 3rd season finale) who wears a robotic prosthetic. She also suffers from PTSD which is explored in the show

Propaganda:

I will keep on submitting Yang to relevant brackets until I die. RWBY has plenty of strengths and weaknesses with writing, especially Yang's recovery arc, but instead of forcing her to push past her trauma and enter the battlefield immediately, we see her struggle with it, take time to process, and not be pushed into repression and when she chooses to wear her prosthetic, chooses to train to ready herself, and chooses to seek out her family and save lives, she isn't perfectly healed, as no one is. The show depicts her having flashbacks due to sudden loud noise, shaking hand the first few times she has to fight for her safety instead of training with her dad, and snapping at friends when they bring up Blake, the person she lost her arm trying to save (who, near immediately after ran away due to feeling she was endangering those she loved, furthering Yang's already present abandonment issues.) It isn't done perfectly but the intentions and general message sent are extremely positive and honest. She struggles less as the show progresses, and there are opportunities to consider herself less for being disabled or "become whole again" but she explicitly refutes these ideas and says that's she's better because of her failures and losses, and isn't any less whole. Her becoming disabled is also extremely tied to her being LGBT, because, as previously mentioned, she lost her arm protecting her then friend and partner, now girlfriend, directly after the villain who cut her arm off told her love interest that he would "destroy everything [she] love[s]. (Camera pans to Yang, he looks at her.) Starting with her." LIKE. He attacked her BECAUSE Blake cared for her so much and Yang ran to her defense blindly BECAUSE she loved Blake so much. When they reunite, they struggle with communication because Yang feels Blake is seeing her as weak, and through several things, mostly a climatic battle against the man who severed Yang's arm, they affirm each other as equals. I can go on but this is already too long. YANG SWEEP!!!!!

Yang lost her arm while protecting her best friend and future girlfriend from said girlfriend's abusive ex. Had a whole arc about learning to live with that loss and dealing with PTSD. Is totally devoted to and in love with Blake Belladonna and is just the sweetest but most badass character in the show.

She's one of the main characters, and just finished a 10 year slow burn romance. Plus, she has both physical and mental disabilities, but is never treated as lesser or incomplete.

Yang Xiao Long was one of the first examples of a sapphic character I ever saw in animated media with her character journey in the show being an iconic part of my teenage years and current young adulthood. The loss of her arm after a traumatic event in the show's 3rd volume was one of the big shockers of the show that nobody saw coming. Since then the show has done an amazing job in exploring both the mental and physical effects of her losing a limb, gaining a prosthetic arm and the recovery journey. Her character also has a major arc regarding handling her PTSD from both this and her past most notably in the 5th and 6th volume. Her character also has a slow-burn romance with her teammate and fellow main character Blake Belladonna which is one of my fave romances ever (it has everything: canon soulmates, friends to lovers, sunshine x grump,battle couple etc..) that has recently became CANON BABIEE!!! There are MULTIPLE characters in RWBY with various disabilities that are handled well in the narrative but i would say Yangs definitely the top FAVE!

Eda Clawthorne-The Owl House

Qualifications:

She has a magical chronic disorder which has flare-ups, is mitigated by taking medication (potions), and has similar side effects to many real disorders such as fatigue, greying hair, and physical impairment (drains magic, a natural ability of *most witches). Unlike in other stories however, her condition is NOT ever completely cured. It does evolve and become more manageable over the course of the story, but she still experiences symptoms from it. Eda also loses one of her arms later in the story. She does get a replacement hook, but it is never shown whether she has a functional prosthetic or not. Most likely, she only has one fully functioning arm after this. As for being queer, she is in a relationship with a nonbinary person and is all but confirmed bisexual (has a secret box with the bi flag on it seriously why else would she have this). Also the owl house has a Lot of queer characters in it and I mean. just look at her. I would be surprised if she wasn't queer somehow.

Bisexual, and has a curse that affects her day to day life

Bi & lost arm and has a chronic illness metaphorically

Propaganda:

Has canonically dated both men and a non-binary person. Her curse affects her ability to use magic (and at one point outright stops it), which is very important in witch life. Said curse also causes her body parts to fall off sometimes. Many have said her curse is like a metaphor for depression but really it's more like a magic version of a physical disability (although I wouldn't be surprised if she actually also had depression).

Uuuuh she’s great and stuff idk I can’t propaganda well sorry

[incorrect-green-lantern-quotes]

Hey! Just wanna say im really glad i found this account ive been getting into green lantern comics recently and your page is a godsend.Aside from that its one of the few that isnt overrun with batman/batfam content propinng him or his orphan child soliders by putting down other dc characters..so i was curious if you knew any dc fanfics that portray the lanterns as competent and or calling bruce out on his bullshit ( sorry if my text is a bit jumbled english isnt my first language)

I'm glad you like my content!

Tbh the fanfiction situation for Green Lanterns is just as bad as it is on Tumblr, if not worse. So a few of these fics are going to be bat-centric, but I've specifically selected those that I feel actually respect and understand the GLs instead of flanderizing them to be stupid assholes.

I've tagged the authors whose Tumblr usernames I could find in the fic or their AO3 profiles. If you're one of the authors I haven't tagged, just let me know and I'll edit the post to add you.

But without further ado, the GL contents of my bookmarks in no particular order:

Fics where the Bats are uninvolved or only play a minor role

In the end, we all bleed Green. by @catboyollie (series) - a collection of GL shortfics

Kink Meme #5 by Perpetual Motion (perpetfic) - Most people forget Guy Gardner was a teacher...

Friendship, Ice Cream, and Green Lanterns by MildlyRebelliousMint - GLs hanging out after a battle

Family is What You Make Of It by @exasperatedfey - in which Hal has to bail his fellow GLs out of jail

In Case of Emergency by @susanphoenix - Kilowog’s been adopted by the Earth heroes as the GL to go to if they can’t find the earth lanterns. No one told him that.

i ate up all the light by @effietrinket1619 - Six times Hal was there for a fellow GL (and one time they're there for him). TW for roofie

Good Cop/Bad Cop by @meduseld - shortfic of Hal being a scary mf

Adrift by @rose-cake - Simon and Jessica are partners. That word has multiple meanings. Minor Simon/Jessica

These Mountains by pastelplastic - Superman meets Tomar-Re, the Green Lantern who failed to save Krypton

Justice League's most wanted fugitive: Hal Jordan by Panamic - The Justice League are trying to find Green Lantern. Hal does not want to be found by the JL. Shenanigans ensue

No Rest for a Superhero by Crimson_Crystal - Kyle sacrifices sleep to finish an art commission and crashes

A Mind Of His Own by @wolfsbanesparks - The Justice League finds out Captain Marvel is actually a kid, and Hal is the only one who still treats him like a fellow hero

The Goddess of Petty Annoyances by @galahadwilder - Jessica invades Apokolips specifically to annoy Darkseid. Crack

Shooting for the Stars by @green-lanterns-c0ck - Guy in his yellow ring era bumbles into saving a galaxy far far away. Crack crossover with Star Wars

canary in a coal mine by BrandyFromTheBottle - Guy is an asshole to Dinah, but he's trying to be better about it

Hal & Kyle fics (there's enough of these that they warrant their own category)

Luminance by @lanternwisp - Hal slowly realizing he thinks of Kyle as a son

trajectory from me to you by @softpunks - deaged!Kyle thinks Hal is his dad

the moldy cup is not a metaphor by MildlyRebelliousMint - Kyle calls Hal "dad" and Hal goes to visit Barry, totally not freaking out

friendly fields and open roads by @ufonaut - Hal returned to life and feels like shit. Kyle comes seeking a mentor.

ship in a bottle by @hopeworth - Two former hosts of Parallax meet up for brunch

Fics involving Bats that respect Green Lanterns

we're in the mellow mayhem together (series) by lunaratlasky - Jason seeks out Hal whenever he wants to piss off Bruce

Emergency Line (series) by @crucifixinhell - jason looked at hal once and went "you seem like good dad material"

For Whom We'd Give Blood (series) by Boogalee99 - How Hal Jordan becomes the favorite uncle of the batfam

There's Always Another One by lapsedpacifist - Dick gets fired and decides to crash at Hal's place

To Overcome Fear (ongoing) by @dc-sideblog - Stephanie gets fired and Kyle decides that if the Bats don't want a perfectly good superhero, the Green Lanterns definitely do

Disclosure by @aj-artjunkyard - Maybe Hal isn't as at peace with a certain android's death as he thought he was... and maybe he's not alone in his grief either.

Stars in a Paint-Filled Sky by @thenaphorism - Kyle has to explain to the Justice League why he has a Red Hood/Troia tramp stamp

because you know better by @matchahater - Ion and Red Hood contemplate the ethics of resurrection

catch the asteroids that come your way by @thepackwantsthed - the only JayKyle fic that I've ever liked

Justice League International - Spoiled! by @secretlystephaniebrown - Guy Gardner, Crystal Brown's childhood neighbor and best friend, ends up taking in her daughter Stephanie after an unexpected turn of events.

the superhero game (ongoing) by Nyame - Jason Todd Peggy Sue longfic ft. a near-omnipotent White Lantern

I'm gonna pin this post and update it as I encounter more fics I like, so drop some recommendations in the comments for me and everyone else!

[doginurbloodstream]

i am bive from regretevator!

i dont particularly miss the regretevator universe.. i do enjoy the game though

i know two infected fictionkins, one of which is also unpleasant gradient and poob!

id say im a 3/10, i tend to be a very rational person (i think)

bive is unlabled mspec but wlw and im aroace transmasc

my fictionkin identity doesnt really effect daily life, if at all. it has to be triggered by specific bive related things. the closest its gotten is wanting to yell out "me" whenever the npc me entered the elevator while i was playing with my friend, who does not know im a fictionkin, so there was like an awkward pause where i stopped myself, and then yelled bive. there are random bits of dysphoria i guess, i dont like talking in third person, but its mild and i can get past it.

my fictionkin experience is mainly unpleasant (gradient) unfortunately. shifts are euphoric but also stressful. i tend to have to consciously ground myself a bit, because i have felt like im being watched in the past. i knew/know i wasnt, i just couldnt shake the feeling. i mean coming up with theories for the game where i can just completely let lose is fun, however it is saddening that i will probably never come up with a real one.

death note, touch tone telephone (i was based on that song so its not surprising), and i recently realized the backrooms does too. theres more im not thinking of

im not sure, its not psychological and i think dont believe in most spiritual things. its probably a multiversal thing, but i dont know from there so i usually just say unlabeled.

i do experience shifts! they are always triggered tho, thankfully. i dont get them too often. the first two shifts i had were me being paranoid abt things (the very first one was very out of control, but i was sleep deprived and depressed at the time). the second time i talked about two questions ago. i didnt have any shifts for awhile after that until i my plushie arrived, and i stayed up quite a bit just missing mediamates. that was rough. my later shifts were triggered by trying to come up with theories for the game, altho i wasnt aware i was shifted, until later, i thought i was just excited. the theories were really unhinged, and i thought i was a genius. it was rly fun tho. harmless shift. today i had a brief shift, i was looking at a bive fictionkin stimboard, and there was like a liminal space gif + music was playing, and it looked.. all too much like the lab. i started crying a bit, even tho i do not think have kinmemories, but it ended pretty quickly cuz my friend msged me a joke and the shock value got to me lol. ive also had phantom shifts, but not much recently. i may have had tail shifts, but its difficult to differentiate between kintypes

my media is regretevator on roblox! i do cringe at it sometimes tbh.

when i see fanart, it sort of feels like it was made FOR me specifically lol. what i know abt my canon heavily aligns with the fanon designs so thats cool. when it doesnt align i do feel a bit off tho- like no, that isnt me. you got it wrong. ironically this happened with a recent canon update, when they added melanie WHO IS DEAD. she was supposed to BE dead and STAY dead. and then also, why do i welcome her back?? why am i so friendly?? i mean i get that shes like friends or smth with split, but i just dont trust her. i have no reason not to, i just dont. that is WRONG. you. NO. get OUT.

ooh ooh! i like this question. i have a large, reptile-like (but hairy) non-prehensile tail! my hands and feet are clawed, with only 4 digits. for my feet i have like thumb things coming out of my heels, similar to a bird. i likely am very similar the upcoming remodel, but i cant confirm as i have not seen it. i just know im not a roblox character, and the previews of splits remodel feel very familiar.

ah.. ships. i dont see much of them outside me n split. if i do i just think its a bit weird, and move on. i wish i was seen as more than just someone who likes her. theres more to me. the majority of bive fans are mainly spive fans. i decided to look myself up on tumblr and i was just flooded with shipart. there is MORE TO ME. I AM MORE THAN HER. PLEASE SEE ME FOR ME.

in current lore me and split have feelings for each other (cant relate, im aro, but spive is in my canon tho) and are GOING to confess but that has not happened yet. i feel kinda weird abt it since i have very mixed feelings on romance, but i think we are a thing in my canon, because MY GOD I MISS SPLIT SO MUCH. I MISS HER.

Alex's fictionkin ask game!

(mostly for fictional characters)

🌲 - what is your fictotype?

🪲 - do you miss your home? Or maybe you're happy that you're here?

🐸 - do you have any sourcemates? If yes, who/what are they?

🌳 - in scale 1-10, how are you similar to your canon?

🌿 - does your fictotype have a different sex/gender identity than your body/you?

☘️ - what aspect of life does your identity affect the most?

🪴 - is your fictionkin experience unpleasant or enjoyable for you?

🍃 - what reminds you of your fictotype? (E.g.: a figurine, a doll, a tv series)

🌄 - on what level is your identity? (E.g. spiritual, psychological, psychical)

🐢 - do you experience shifts? Of yes, how do they look like?

🥝 - what is your source?

🐛 - how do you feel about fanarts of you and fanfictions?

🌵 - do you look exactly like in your source or do you look different? If you do, then what is different?

🥀 - what do you think about ships with you?

🦕 - do you have/had a loved one in your source?

♪♪♪

So, yeah, that's all! :D

Reblog this, so the others can ask you questions or answer them all right now, if you want to :>

[wixhing0nastar]

From Hound to Hawkeye: The Evolution of Vi's Protector

I remember when I first saw the interview lines from Amanda Overton post-S2 talking about Vi's character arc this season and feeling a little confused by them at first. Who is Vi when she doesn't have anyone to protect? The type of person to fall in love. Which while beautiful, begged the question in my mind; what about Caitlyn?

But the more I've thought about it in the interim the more obvious the answer has become. Vi doesn't have anyone left to protect because Caitlyn doesn't need Vi to protect her. In fact, over the course of the show Caitlyn undergoes a journey to become Vi's protector. Specifically, Caitlyn steps in and fills the hole, that need for love and protection, that was left behind after Vander's death in Vi's youth.

And once I made that connection it was suddenly really easy to start noticing all of the parallels between Caitlyn and Vander, especially when it comes to their interactions with Vi.

Caitlyn's journey on the path to becoming Vi's protector started in Stillwater, when she first freed her, but this arc doesn't really kick off until after Vi gets stabbed while fighting Sevika at the end of Episode 5 and she's then forced to depend on Caitlyn for safety, on account of the whole being stabbed thing. And that's when the Protector Arc, and the Caitlyn/Vander parallels, begin in earnest.

~Both lecture Vi for her impulsiveness before/while tending to her wounds~

Even this early on Caitlyn already cares for Vi's safety (a trait we quickly learn applies to most people) and we get the very obvious, show makes sure we know it's a parallel to Vander, Caitlyn telling Vi that she has a good heart.

This is quickly followed by her leaving to find Vi some type of medicine which leads to the next big parallel between Vander and Caitlyn.

~Both sacrifice their weapons in a dangerous situation to keep Vi safe~

Vander drops his gauntlets on the bridge in the middle of the fighting (even if it was dying down), sacrificing them in order to pick Vi and Powder up and take her to safety. In the same vein, Caitlyn sells her only firearm in the middle of a dangerous environment while tracking down a terrorist with almost no bureaucratic support to get Vi a cure for being stabbed.

Shortly thereafter we get the whole escape from Silco/finding Jinx sequence which isn't relevant except for how it leads to the next parallel when Vi and Caitlyn get captured by the Firelights.

~Both attempt to sacrifice their freedom for Vi's~

Now, Caitlyn's already captured here but I think it counts. Before the reveal that Vi's on good terms with the Firelights, Caitlyn is seen fighting tooth and nail to get them to release Vi and keep her in Vi's stead. Vander on the other hand willingly turned himself over to the Enforcers in Vi's place to keep her from having to spend who knows how many years in Stillwater.

~Both went to bat for Vi against politically powerful opponents~

Caitlyn immediately goes toe-to-toe with Cassandra when she makes it back topside, demanding assistance and offering reproachful glares whenever someone says something remotely offensive about Vi (honestly everything with Ambessa also fits here but she's later). Vander on the other hand was trying to juggle Silco's schemes (that he didn't even know about), Marcus' impudence, and Sevika's betrayal while trying to keep Vi's life unaffected.

After this there's only one major parallel between Caitlyn and Vander until the end of S2A2, but there's some other fun Protector Things to talk about in S2A1. Specifically, how Caitlyn steps up and becomes Vi's protector in the wrong way during this act.

There's this specific old-timey usage of Protector that's popular in like... period romances(?) I was a lit major but I didn't specialize in period romances lol to refer to an influential individual (typically a man) who bestows financial and social protections on someone (typically a woman) without granting them the legal protections of marriage.

This is, essentially, what's happened with Vi and Caitlyn in the first act of the second season. We know that Vi's not living with Caitlyn but she also doesn't seem to be working, so the logical conclusion is that Caitlyn is handling her accommodations. In terms of social we know Caitlyn went so far as to threaten to pull her family's funds from the city if they didn't, basically, treat Vi as an equal citizen instead of the sister of a terrorist. But they aren't together romantically and they aren't living together with any of the implied legal protections one might have as an actual ward of Caitlyn's house.

Which leads up to the next one:

~Both lash out in their grief at the wrong people~

And more specifically, they lash out at the wrong person who was sort of a tangential cause in the death of a loved one. Vander attacks and blames Silco for Felicia's death and while she's primarily holding herself responsible, Caitlyn is also aware that she would have stopped Jinx without hesitation if she wasn't Vi's sister; if Vi hadn't made her second guess herself and show mercy... well Cassandra might be alive.

There's also a very specific parallel between S2A2 Caitlyn and Post-Bridge Vander. Both allow an outside force (the Enforcers/the Noxians) to have unfettered access to the Undercity in the hopes of preventing escalating violence, only for things to continue to get even worse.

~Vi is able to pull them from the dark/reestablish their humanity~

When Vi reunites with both Vanderwick and Caitlyn in S2 Act 2 they've both completely lost themselves down darker paths. Vander's mind is being destroyed by Shimmer and he barely remembers he's a person and is largely just Warwick at this point while Caitlyn is lost in a sea of guilt-driven revenge and is donning the title "Commander" like a cloak of self-flagellation. And Vi's able to cut through Warwick to Vander and The Commander to Caitlyn because of their deep rooted love and need to protect her.

Then we get Caitlyn betraying Ambessa and the fight at the commune and I'll come back to this with the last parallel but first I wanna talk about the decisive moment where Caitlyn became Vi's protector, for real this time.

~Both choose to sacrifice revenge in order to save Vi~

During the fight at the commune, Vi is horribly, life-threateningly injured. As folks have noted before, Jinx gives Caitlyn a clear shot at her back while she's distracted (while there's enough chaos for it to be realistic for her to get caught by a stray bullet) and Caitlyn completely ignores her in favor of rushing to Vi's side. Plus she continues to put aside her feelings about Jinx in order for them to get Vi topside safely, and eventually allows Vi to free her when she willingly surrenders. Meanwhile, Vander pulled the same sorta deal in Episode 3 when the factory was about the blow up. He had a moment he could have gone, was going to go after Silco but realized the building was collapsing and Vi was still trapped inside after having a beam dropped on her. Naturally Vander rushed to save Vi, which allowed Silco to escape.

For Caitlyn, however, this is the exact moment she basically takes Vi properly under her protection. In fact, going back to the "old-timey romance novel" version of Protector. The way in which Caitlyn allows Vi to free Jinx, in addition to the fact they are living together post-canon, show that Vi now has legal protections and those protections come from her implied position as a Kiramman.

More to the point, the way in which Vi frees Jinx is reminiscent of how Caitlyn herself freed Vi back in Episode 5. With Caitlyn manipulating the pieces behind the scenes since Vi wasn't really aware she'd been granted Kiramman privileges yet. But to summarize:

Both were somewhere they weren't really supposed to be, but there wasn't anyone who'd question them (Caitlyn because she's a Kiramman, Vi because Caitlyn removed all the guards)

Both freed a prisoner unauthorized knowing hoping that someone higher up would have their back (Caitlyn knowing Jayce would have her back and Vi hoping Caitlyn would be willing to let Jinx help)

Both did indeed have someone higher up the food chain keep them from getting in trouble (Jayce covering for Caitlyn to Marcus and Caitlyn coming down to the cells to make sure she found/freed Vi before anyone else)

Another point in the "this is where Caitlyn becomes Vi's protector" agenda, but ever since that very first scene of the series on the bridge, Vi's always worn some sort of wraps right up until she wakes up in S2A3 in Caitlyn's bed.

Aka: she can finally put her weapon's down, because she's found herself placed firmly under Caitlyn's protection, which means she's finally, fully safe.

And then for the final (and this parts' going to be a dozy so buckle in) we can hop back to the battle at the commune and Caitlyn turning on Ambessa. And what I really love here is that Caitlyn, who has spent the last several months being manipulated at literally every turn, finds one single earnest, honest person again and is like

~Both are willing to start a war in order to protect Vi~

This parallel actually goes a little nuts. Because not only are both of them willing to start a war to protect Vi and her family, with Vander refusing to give the kids up to the Enforcers and nearly starting the civil war almost a decade early versus Caitlyn who refuses to give up Vanderwick real full circle moment here to Ambessa and Singed and actually starts a war with Noxus over it. No, they are both nearly killed in the fallout while taking a knife to the gut from someone they used to trust (Silco/Ambessa) after getting betrayed by someone they thought they could (Sevika/Maddie).

And Caitlyn actually does have to start and finish said war in order to protect Vi. Which brings me to my final point, which is actually something I've seen several complaints about but was really important for Vi's character arc.

Caitlyn needed to fight in the war without Vi. With Vi at a considerably safer location, all things told. Because an important part of Vi's arc is that she's just a normal girl who keeps getting caught up in matters far larger than her when really all she wants is to keep her little family safe, only to have it tragically clawed apart again and again.

So there are two parts to this. Firstly, why it was important for Vi to not need to be there. Because time and again Vi's watched as she'd failed to save her loved ones. Been feet away from them as they were brutally killed in front of her. Her being there hasn't ever been enough to save anyone. But with Caitlyn? Who's protecting not just Vi's fragile mortal form, but her battered, bleeding heart? Caitlyn didn't even need Vi there to come back alive (hurt, but alive).

Building from that we then circle back to the fact that, again, Vi's just your average girl from down in the lanes. There's a reason she nearly has a panic attack when she's sitting in on the war council and realizes how bad the situation is. And it's okay. In the end, Caitlyn and her people (well, mostly Mel) are able to handle Ambessa while Vi's allowed to basically focus on a family matter putting Warwick to rest with Jinx. Aka: Vi isn't responsible for dealing with the big major catastrophe and doesn't have to make it her priority. She can trust that Caitlyn's taking care of it and focus on taking care of her family, the thing she's wanted to do the whole time regardless of how it might have turned out.

While they don't really have a ton of screen time once they get together, the two scenes we do get also showcase this change in dynamics. Especially since, given Vi's affinity for fighting, most of the protection Caitlyn is providing at that point is emotional.

I just mentioned how Vi nearly had a panic attack in the war council, but note how it was nearly because Caitlyn immediately picked up on it (like, it took less than five seconds) and reached out for her, in an official, public setting mind you, to hold her hand and reassure her.

The final scene lends even further to this. Caitlyn is clearly hard-tuned in to Vi's emotional state. She's smirking and running off to see her after hearing her hum like, one line, clearly excited to witness some sort of levity out of her. And after Vi explains though Caitlyn offers some fairly non-evasive comfort (resting her head against Vi's shoulder and gently encouraging her to open up if need be) which serves as an invitation for Vi to choose to take more of said comfort, which she does, physically at least.

And it's such a perfect culmination of their respective arcs. Vi's a Lover, who's been forced to don a Fighter's mantle for years until nothing of her was left. While Caitlyn is a Fighter Protector who spent her whole life locked up in a gilded cage, desperate for more but constantly told her only role was to dance and sing for her public.

In the end Vi's allowed to start piecing herself back together, figuring out who the hell Violet is, while Caitlyn finally has a partner she can trust and rely on who does the same for her in turn.

Someone who sees her as an equal and loves her for herself, someone she can safely hand her heart over to.

And that's for both of them.

[amethystarachnid]

NEW YEAR EVE WITH THE KIDS

⤷ JAMES B. “BUCKY” BARNES

ᯓ★ Pairing: James B. “Bucky” Barnes x fem!reader

ᯓ★ Genre: romance, fluff

ᯓ★ Request from: MARVEL Holiday Special

ᯓ★ Story type: one shot

ᯓ★ Word count: 4.4k

ᯓ★ Summary: New Year Eve party with a 10, a 6 and a 2 years old kids isn't easy, especially when it's a Stark party, but can you and your husband, Bucky, manage it?

ᯓ★ TW(s): nothing

ᯓ★ Request: not requested but I wanted to write for Bucky from the Holiday special with this trope: 29. New Year’s Eve Party with the Avengers (or X-men)  – The Avengers come together to celebrate the New Year, but there’s a twist: the kids are part of the celebration. How does your character juggle both the kids' excitement and their own fun as the clock counts down to midnight?

ᯓ★ Comment if you want to be added to the taglist (specify if you want the everything taglist or for a specific character)

ᯓ★ From now requests can only be done in the asks, not in the comments because it's confusing and I'm scared of forgetting a request <3

ᯓ★ Songs & Superheroes tales - The Game (to make a request, follow the rules on the link!)

ᯓ★ MARVEL Bingo (requests open)

ᯓ★ Masterlist

ᯓ★ If you are a Charles Xavier fan click on this link!

ᯓ★ English isn’t my first language and this isn’t proof read

The evening begins with chaos, of course. In your household, it always does. You’re standing in front of the mirror in your shared bedroom, trying to fix the clasp on your necklace when you hear a loud crash from the kids’ room, followed by Estelle’s exasperated voice.

“Liam! I told you not to throw the ball near the closet!”

You sigh, glancing at Bucky, who is currently on the floor wrestling Julie into her tights. “I thought the party was supposed to be fun,” you mutter, and he chuckles, looking up at you with that boyish grin that still makes your heart skip.

“Fun’s subjective, doll,” he replies, finally managing to slide the tights over Julie’s chubby legs. She giggles, kicking at his vibranium arm as if it’s her favorite toy. “There we go, princess. All set for your grand entrance.”

Julie claps her tiny hands, her pigtails bobbing. “Pahty!” she exclaims, and Bucky scoops her up, planting a noisy kiss on her cheek. She shrieks in delight.

The crash upstairs is followed by Estelle shouting again. “Mom! Liam’s stuck in the closet!”

You exchange a look with Bucky. “Your turn,” you say, gesturing toward the door.

He smirks, standing up with Julie still perched on his hip. “Sure thing, boss.” He taps your chin with his free hand before heading out, his footsteps heavy on the stairs.

In the kids’ room, you hear the commotion quiet down as Bucky arrives to handle the situation. You use the brief reprieve to fix your makeup and take a deep breath. It’s New Year’s Eve, after all, and Tony Stark’s parties are legendary. You can’t show up looking like you’ve just run a marathon.

A few minutes later, Bucky returns with Liam in tow. Your six-year-old has a sheepish grin and a telltale smudge of something across his cheek. Bucky looks bemused, though not particularly surprised. “Our boy thought he could climb the shelves to get his Captain America action figure. Guess who came to the rescue?”

“Captain America?” you tease, raising a brow.

Bucky rolls his eyes. “Close. His dad.” He sets Julie down and crouches to Liam’s level. “You okay, bud?”

Liam nods vigorously. “Yup! Daddy saved me!” He beams up at Bucky, who ruffles his hair and mutters something about reckless behavior being genetic. You stifle a laugh.

By the time everyone is dressed, it feels like an entire year has passed. Estelle looks radiant in her sparkly silver dress, which she picked out with great care. Liam has been persuaded into his tiny suit after much negotiation, and Julie, in her poofy pink dress, keeps twirling and declaring, “I’m a pwincess!”

Bucky, who looks as devastatingly handsome as ever in a sharp black suit, whistles low as he glances at you. “Doll, you’re stealing the show tonight.” His eyes trail over your outfit with such open admiration that it makes you blush.

“Flattery won’t get you out of diaper duty later,” you say, smirking.

He grins. “It’s worth a shot.”

With everyone finally ready, the five of you pile into the car and head to the compound. The drive is lively, filled with Julie’s excited babbling, Liam’s endless questions about fireworks, and Estelle’s occasional exasperated sighs about her younger siblings. Bucky is at the wheel, his hand reaching over to rest on your knee every so often, grounding you amidst the chaos.

When you arrive, the compound is already buzzing with life. Tony has outdone himself, as usual, with glittering decorations, an extravagant buffet, and a live band playing festive tunes. The kids’ eyes widen in awe as they take it all in.

“Remember,” you say, crouching to their level. “Stay close to us, okay?”

“Yes, Mom,” Estelle says dutifully, though she already looks like she’s itching to run off and explore. Liam bounces on his toes, clearly more excited about the dessert table than anything else. Julie clings to Bucky’s leg, her little hand clutching his fingers.

Bucky picks her up effortlessly, his eyes soft as he looks at her. “Ready to have some fun, sweetheart?”

She nods, her face lighting up. “Dance with me, Daddy?”

His grin is immediate. “Always.”

The night is young, and though wrangling three kids at a Stark party might be a Herculean task, you know one thing for certain: with Bucky by your side, it’s going to be an unforgettable start to the new year.

The party is in full swing as you and Bucky step into the grand hall with your three little ones. The band plays jazzy renditions of holiday classics, and the room sparkles with golden lights and elegant decorations. Tony is in his element, greeting guests with a drink in one hand and an effortless quip on his lips. Somewhere near the center of the crowd, you catch a glimpse of Steve, already engaged in a polite but animated conversation with Natasha.

The kids, of course, are magnets for attention. Within minutes of your arrival, they’re surrounded by adoring Avengers.

“Is this my favorite Barnes family?” Sam’s voice booms as he makes his way over, a broad smile on his face. He leans down to fist-bump Liam, who immediately grins.

“Uncle Sam!” Liam exclaims, hopping with excitement. “Look, I’m wearing a suit! Dad said I look like James Bond.”

Sam chuckles, throwing Bucky an amused glance. “James Bond, huh? High praise coming from your old man.”

Bucky shrugs, looking unapologetically proud. “He pulls it off.”

Julie, meanwhile, reaches for Sam, her tiny arms stretching toward him. “Unca Sam!” she demands, and Sam obliges, scooping her up with ease.

“Well, aren’t you the prettiest little princess,” he says, spinning her around. She squeals with delight, and you take a moment to exchange a relieved smile with Bucky. At least for now, someone else is helping entertain the kids.

Estelle, however, is more interested in catching up with Uncle Steve, who spots her and immediately crouches to her level. “Is that Estelle? Or is it a movie star in disguise?”

She rolls her eyes but can’t hide her smile. “It’s me, Uncle Steve. Can I show you the drawing I made for you?”

“Of course,” he says, his face lighting up. She pulls out a folded piece of paper from her small purse and hands it to him. It’s a detailed sketch of Captain America’s shield, meticulously colored in red, white, and blue. Steve whistles, clearly impressed. “You’ve got talent, kiddo. I’m gonna frame this.”

Estelle beams, and you exchange a look with Bucky. “She’s been working on that for days,” you whisper, and he nods, pride etched in his expression.

As the evening progresses, the kids take turns dragging you and Bucky in different directions. Liam is enthralled by the dessert table, where Thor is loudly extolling the virtues of a massive chocolate cake to anyone who will listen. Julie insists on dancing, tugging at Bucky’s hand until he relents and twirls her around on the dance floor. The sight of him, in his sharp suit, crouched down to Julie’s height and spinning her like she’s the star of the evening, melts your heart.

“You two make it look easy,” Natasha teases, appearing at your side as you watch them.

“Easy?” you laugh, sipping your drink. “Nat, I haven’t had a single moment to sit since we got here.”

“Well, you’re doing great.” She gives you a sly smile. “And if you need a breather, let me know. I’ve got my ‘scary Aunt Nat’ face ready to keep them in line.”

“Scary Aunt Nat?” you repeat, grinning. “I’m not sure they’d buy it.”

Natasha shrugs, but there’s a glimmer of affection in her eyes as she watches Julie try to dip Bucky during their dance. “Worth a shot.”

When Julie finally tires of dancing, Bucky scoops her up and makes his way back to you. “This one’s gonna crash soon,” he says, his voice warm as he adjusts her position on his hip. Julie rests her head on his shoulder, her thumb in her mouth.

“Want me to take her for a bit?” you offer.

He shakes his head. “Nah, I’ve got her.” His free hand finds yours, and for a moment, the chaos of the evening fades as he gives you a soft smile. “You look beautiful tonight, by the way.”

Before you can respond, Liam reappears, his mouth covered in chocolate frosting. “Mom! Dad! Uncle Thor let me try the big cake!”

“Of course he did,” Bucky mutters, giving Thor a mock glare across the room. Thor grins unapologetically, raising a glass in salute.

“Let’s get you cleaned up, buddy,” you say, grabbing a napkin and crouching to wipe Liam’s face. He squirms but lets you do it, his excitement about the cake apparently outweighing his aversion to being fussed over.

The rest of the evening is a whirlwind. Steve steps in to play “superhero tag” with Estelle and Liam, giving you and Bucky a much-needed moment to sit down and enjoy a plate of hors d'oeuvres. Clint distracts Julie with a balloon animal he somehow fashions out of a stray party decoration. Even Tony gets involved, showing Liam and Estelle how to use a holographic projector to create firework simulations.

You lean back against Bucky’s shoulder, savoring the rare quiet moment. “We owe them all big time,” you murmur.

Bucky kisses the top of your head. “They don’t mind. It’s family.”

The word settles over you warmly, and you glance around the room. Estelle is laughing as Steve pretends to trip over his own feet during their game. Liam is perched on Thor’s shoulders, looking like he’s ready to conquer the world. Julie is curled up in Natasha’s lap, her eyelids drooping as Nat quietly tells her a story.

It’s chaotic, messy, and exhausting, but it’s yours. And you wouldn’t trade it for anything.

The quiet moment doesn’t last. It never does.

You’re just about to take another sip of your drink when Liam barrels into you, clutching your leg with surprising force. “Mommy,” he whines, his voice muffled against the fabric of your dress, “I’m sleepy.”

You glance down and notice the way his little face is pressed against you, his arms wrapped tightly around your thigh. He’s usually full of boundless energy, so this sudden clinginess catches you off guard. “Sleepy already, huh?” you ask, crouching down to ruffle his hair. “It’s not even close to midnight.”

“I’m not tired,” he insists, his eyelids drooping even as he says it. “I just want to sit with you.”

Bucky appears at your side, Julie still nestled in his arms. She’s half-asleep now, her thumb firmly planted in her mouth, her head resting against Bucky’s shoulder. He rocks her gently without thinking, his movements instinctive and soothing. “Looks like the little ones are winding down,” he observes, his voice low.

You glance over to where Estelle is happily chatting with a small group of other kids her age. She’s animated, her hands gesturing wildly as she tells some story or another. Clearly, she’s inherited your social streak.

“Estelle seems fine,” you point out. “We just have to figure out how to keep these two awake.”

Bucky raises an eyebrow, his vibranium hand lightly patting Julie’s back. “You mean how to keep them awake without a meltdown.”

“Exactly,” you say, standing up with Liam still clinging to your side. He seems content to stay glued to you for now, his cheek resting against your stomach. You stroke his hair absentmindedly, already brainstorming.

Natasha appears out of nowhere, her sharp eyes taking in the scene. “Looks like bedtime’s creeping up on them,” she says with a smirk. “You two need a strategy?”

“We’re open to suggestions,” you reply, gesturing at Liam and Julie. “We want them to make it to midnight, but…”

Natasha tilts her head thoughtfully. “Maybe some fresh air would help. Take them out to the balcony for a bit. It’s quieter out there, and the cold might perk them up.”

Bucky nods. “That’s not a bad idea. What do you think, doll?”

You shrug. “Worth a shot.”

With that, you gently pry Liam from your leg and scoop him into your arms. He protests half-heartedly but quickly settles, his head drooping against your shoulder. Bucky adjusts Julie, who lets out a sleepy little sigh but doesn’t wake fully, and the two of you make your way toward the balcony.

The cold air hits you immediately as you step outside, and it’s invigorating. The sky is clear, the stars twinkling brightly, and the faint sound of the party inside provides a comforting background hum. Liam stirs slightly in your arms, blinking against the crisp air.

“Hey, buddy,” you say softly. “Feel that? It’s nice out here.”

He mumbles something incoherent, but his eyes stay open. Julie, on the other hand, gives a little shiver, prompting Bucky to wrap her more tightly in his jacket.

“You think this’ll do the trick?” Bucky asks, his breath visible in the cool air.

“Let’s give it a few minutes,” you reply, swaying gently with Liam.

The two of you stand there, side by side, enjoying the rare moment of relative peace. Estelle pokes her head out onto the balcony a few minutes later, her cheeks flushed with excitement.

“Mom! Dad!” she exclaims, her voice slightly too loud for the serene setting. “There’s a game inside with prizes! Can I play?”

You exchange a glance with Bucky, who nods. “Sure thing, sweetheart,” he says. “But stay where we can see you, okay?”

Estelle grins and darts back inside, leaving the two of you alone with the younger two. Liam starts to perk up slightly, his head lifting from your shoulder as he takes in the view of the compound grounds below.

“Are there fireworks?” he asks sleepily.

“Not yet,” you tell him. “They’ll happen at midnight.”

“I want to see them,” he says, his voice firmer now. You take that as a good sign.

Julie stirs again in Bucky’s arms, her big blue eyes blinking open. She glances around, taking in the unfamiliar setting, before giving Bucky a sleepy smile. “Daddy.”

“Hey, baby girl,” Bucky says, his voice as soft as the snowflakes that begin to drift down from the sky. “You waking up a little?”

She nods, resting her tiny hand on his vibranium arm. “Cold,” she murmurs.

“We’ll go back inside soon,” he promises, brushing a kiss against her forehead.

After a few more minutes, you decide it’s time to return to the party. The fresh air has done its job—Liam is more awake now, and Julie is at least partially alert. Once inside, the warmth of the room welcomes you, and the kids seem to adjust quickly.

You and Bucky take turns carrying Julie and coaxing Liam into small activities to keep him occupied. Tony, always the entertainer, steps in at one point with a bubble machine he’s somehow rigged up, and that distracts Liam for a good ten minutes. Estelle reappears briefly to show you the prize she’s won—a small stuffed animal—before darting back to her group of friends.

“Are we actually going to make it to midnight?” you whisper to Bucky as Julie leans heavily against him again, her eyelids drooping.

“We’re stubborn,” he replies with a grin. “The kids get it from us.”

You laugh softly, taking his free hand in yours. “Alright, Sergeant Barnes. Let’s see if we can pull this off.”

The final stretch to midnight begins with a burst of energy you didn’t see coming—mainly from Liam. As the games inside kick off, his drowsiness evaporates like snow in sunlight. The moment he notices kids gathering around Tony, who’s setting up some sort of interactive holographic game, Liam wriggles out of your grasp and bolts across the room.

“Uncle Tony’s got a game!” he shouts, weaving through the crowd like a little rocket.

“Liam!” you call, but he’s already in the thick of it, his excitement contagious. Other kids, Estelle included, gather around Tony as he explains the rules with dramatic flair.

Bucky chuckles, watching Liam’s antics. “Looks like he got his second wind.”

“Lucky him,” you reply, adjusting Julie in your arms. She’s growing heavier by the second, her little head lolling against your shoulder. “Wish I could say the same about this one.”

Julie lets out a soft hum, her eyes fluttering shut. You sigh, exchanging a look with Bucky.

“Almost midnight,” he says, checking the clock on the wall. “Think we can keep her up for the fireworks?”

You cradle Julie closer, brushing a strand of hair from her face. “We have to try. She’ll be upset if she misses them.”

Bucky steps closer, his vibranium arm resting gently on your back. “Fireworks, huh?” He leans down to nuzzle Julie’s cheek, his voice soft and coaxing. “Hey, baby girl, you wanna see the fireworks? Pretty colors in the sky?”

Julie stirs at the mention of fireworks, her tiny fingers curling into the fabric of your dress. “Fiwerworks?” she mumbles, her voice slurred with sleep.

“That’s right,” you say, kissing her forehead. “But you have to stay awake for them, okay? Just a little longer.”

Her eyes open a fraction, and she nods weakly, her thumb finding its way back into her mouth. Bucky grins, clearly charmed by her determination. “That’s my girl.”

The promise of fireworks seems to work, and Julie stays semi-alert as the minutes tick by. You and Bucky take turns holding her, walking her around the room to keep her from dozing off completely. Occasionally, she perks up when she hears laughter or music, but it’s clear she’s hanging on by a thread.

Meanwhile, Liam is fully immersed in the games, his earlier sleepiness forgotten. He’s running back and forth with a gaggle of kids, cheering loudly whenever someone scores a point or completes a challenge. Estelle joins in too, though she occasionally glances back at you and Bucky to make sure everything’s okay.

As the final minutes of the year approach, Tony takes the stage to announce the countdown, and the energy in the room shifts. People start gathering near the large glass doors leading to the garden, where the fireworks will be launched. The kids trickle back to their parents, their excitement palpable.

“Mom! Dad!” Liam calls, sprinting over to you with flushed cheeks and wild eyes. “It’s almost time! Can we go outside? Uncle Tony said the fireworks are gonna be HUGE!”

Estelle follows close behind, clutching her prize from earlier and looking equally excited. “I want to see them too!”

“Of course,” you say, smiling at their enthusiasm. “Let’s get our coats.”

You and Bucky bundle the kids up as quickly as possible. Julie, now fully awake at the mention of fireworks, clings to Bucky’s neck as he wraps her in her tiny pink jacket. “Fiwerworks, Daddy!” she says, her earlier sleepiness replaced by anticipation.

“That’s right, princess,” he replies, adjusting her hood. “Let’s go see them.”

The five of you step out into the garden, joining the crowd of partygoers waiting for the show. The night is crisp and clear, the stars twinkling above, and the air buzzes with the thrill of the approaching countdown. Bucky keeps Julie in his arms, her wide eyes scanning the sky, while Liam stands between you both, bouncing on his toes. Estelle stays close, her hand gripping yours tightly.

As the final seconds tick down, the crowd begins to chant. “Ten! Nine! Eight!”

You look up at Bucky, who’s already watching you with a soft smile. His free hand finds yours, squeezing gently. “Happy New Year, doll,” he murmurs, leaning down to brush a kiss against your temple.

“Happy New Year, Buck,” you reply, your heart full as you glance at your children, their faces glowing with excitement.

“Three! Two! One! Happy New Year!” the crowd cheers as the clock strikes midnight, and the first firework explodes in the sky. It’s a brilliant burst of color—red, gold, and blue—illuminating the garden in dazzling light.

Julie gasps, her tiny hand flying to her mouth. “Oooh!”

Liam lets out a cheer, jumping up and down as more fireworks light up the night. “Look, Mom! Look, Dad!”

Estelle claps her hands, her eyes sparkling as she turns to you. “They’re so pretty!”

You and Bucky exchange a look, a shared understanding passing between you. This moment—surrounded by your children, their laughter and awe filling the air—is everything you could have hoped for. He leans in, pressing a soft kiss to your lips, and you smile against him.

“Happy New Year, Mom and Dad!” Liam shouts, tugging on your hand. “This is the best!”

Bucky laughs, pulling you both into a group hug with Julie still in his arms. “Happy New Year, buddy. It’s just getting started.”

The fireworks die down, and the cheers from the crowd begin to fade into a hum of conversation and laughter. Midnight has come and gone, and while the party is just getting into full swing for most, you and Bucky exchange a knowing look.

The kids, their initial excitement fading, are starting to show signs of exhaustion. Liam tugs at your hand, leaning against your leg, his earlier energy replaced by sleepy eyes and slow movements. Julie rests her head on Bucky’s shoulder, her little hand clutching his jacket. Even Estelle, who usually has the stamina of a marathon runner, yawns widely as she rubs her eyes.

“You ready to call it a night?” Bucky asks, his voice low and warm.

You nod, brushing a strand of hair from Liam’s forehead. “Yeah. They had their moment, but they’re done. And honestly, so am I.”

Bucky chuckles, pressing a kiss to Julie’s temple. “Alright, let’s round them up.”

The kids don’t protest much as you gently guide them toward the door, saying your goodbyes to the Avengers along the way. Natasha gives you a knowing smirk, Sam teases Bucky about being an old man, and Steve promises to stop by for brunch soon. Tony makes a grand gesture of bidding farewell, but even he keeps it brief, clearly understanding the delicate balance of leaving before a kid meltdown.

By the time you reach the car, the crisp night air has lulled the younger two into a state of near-sleep. Bucky carefully buckles Julie into her booster while you help Liam into his car seat. Estelle climbs into the back with minimal fuss, clutching her stuffed animal and leaning her head against the window.

Once everyone is secured, you climb into the passenger seat, exhaling a long breath. Bucky starts the car, and the hum of the engine fills the quiet night. The drive home is peaceful, the streets nearly empty save for the occasional car heading in the opposite direction. The kids are silent, their breathing slow and steady as they drift off.

For a moment, it’s just you and Bucky, the soft glow of streetlights illuminating his profile as he drives. His hand rests on the gear shift, and without thinking, you place yours over it. He glances at you, a small smile tugging at the corner of his lips.

“Tired, doll?” he asks, his voice soft.

“A little,” you admit, returning the smile. “But happy. It was a good night.”

Bucky nods, his eyes flicking back to the road. “Yeah. Seeing them light up like that for the fireworks… worth every second.”

You squeeze his hand gently. “And you? You didn’t hate the party?”

He chuckles, the sound low and warm. “I had you and the kids with me. How could I?”

The quiet comfort between you is palpable, and you take a moment to study him. The way his jawline softens when he’s relaxed, the way his eyes crinkle just slightly when he smiles. You’re about to say something when a small murmur comes from the backseat.

“Daddy…” Julie mumbles, her voice thick with sleep. “Fiwerworks pretty…”

Bucky’s smile widens as he glances at the rearview mirror. “Yeah, princess,” he says softly. “They were pretty.”

By the time you pull into the driveway, all three kids are sound asleep. Bucky kills the engine, and the two of you sit there for a moment, neither wanting to break the spell of the quiet car. Finally, he turns to you with a grin. “Think we can carry them all inside without waking them?”

“Challenge accepted,” you reply with a playful smirk.

Bucky goes for Julie first, carefully unbuckling her from her car seat. She stirs slightly but doesn’t wake, her head resting on his shoulder as he cradles her against his chest. Meanwhile, you gently coax Liam awake enough to walk inside with your help. He grumbles softly, rubbing his eyes but ultimately lets you guide him.

Once inside, Estelle trudges toward her room on her own, too tired to argue about brushing her teeth or changing into pajamas. Liam makes it to his bed with a similar lack of resistance, flopping down onto his mattress as soon as he’s within range. You manage to get him into a pair of pajamas with minimal effort, though his eyes remain mostly shut the entire time.

Julie is the hardest, her small body limp and heavy in her sleep. Bucky sits on the edge of her bed, holding her upright while you gently pull off her party dress and replace it with her favorite unicorn pajamas. She lets out a sleepy sigh, her thumb slipping back into her mouth as her head lolls against Bucky’s chest.

“Almost done,” you whisper, smoothing her hair back. Bucky’s gaze softens as he looks down at her, his vibranium hand carefully tucking the blanket around her tiny frame once she’s settled in bed.

“She’s out like a light,” he murmurs, standing up and following you out of her room.

With all three kids finally in bed, the house falls into a deep, soothing quiet. You and Bucky make your way to the living room, collapsing onto the couch together. He stretches his arm along the back of the couch, pulling you close as you lean against him.

“Happy New Year, Mrs. Barnes,” he says, his voice teasing but tender.

“Happy New Year, Sergeant Barnes,” you reply, tilting your head to meet his gaze.

He presses a kiss to your forehead, lingering there for a moment. “We survived another year,” he says with a chuckle.

You laugh softly, your fingers tracing absent patterns on his chest. “And we’ll survive many more.”

The two of you sit there in the quiet of your home, the promise of a new year stretching out before you, filled with all the chaos, laughter, and love you’ve come to cherish.

[pearlofthewoods]

@celluloiddream666

Like yes, and no. I think there’s a distinction to be made here. Most superhero films (particularly the early ones) have historically centred men as the superheroes. Crucially, Buffy is a woman.

The stereotypical superhero is a man who is given superpowers which he goes on to use to protect mankind. So far so similar. He may also be a physically weak person who then becomes strong, but there’s still a difference here in the intentions behind the character’s empowerment.

Because Buffy’s superhero arc comes from a slightly different place, It’s not just about a physically weak person becoming supernaturally strong, it’s crucially about a woman gaining the ability to overcome her oppressor, and to save her own life.

Whedon envisioned Buffy particularly as a subversion of the typical horror movie scene, in which a woman is attacked in an alley (often by a man) and dies as a result. For all his flaws in writing the series, his intention was for the premise to be a feminist reversal of that trope. The empowerment of an otherwise vulnerable woman to protect herself from violence and misogyny.

A quote from the article where I read this:

“Whedon created the character of Buffy as a reaction to the trope of the blonde girl who tends to die first in horror films.”

It was particularly the idea of the female victim’s early death that I felt I wanted to address. Because if subverting that was Whedon’s aim, in a roundabout way he failed to do so.

Visually, yes, that trope is subverted in the scene where Angel meets Buffy for the first time:

But in the longer term? Buffy’s superpowers didn’t save her from dying. In fact, she dies three times throughout the series. Directly as a result of being the slayer. It was this particular irony that I was trying to bring out.

And although historically male superheroes might have experienced bullying or been physically weak before receiving their powers, I don’t think many of them were so vulnerable as to be at risk of death before their transformation. I think that’s the difference.

It’s also ironic to me that in this very specific case, Whedon intended Buffy’s powers to be of particular use for her to defend herself from danger. Not everyone else. And that’s not an intention you can accredit to all other media in this genre.

So when I say it’s ironic that she has to sacrifice herself to save everyone else, I’m not talking about her being a superhero in general, I’m talking about Whedon’s failures to adhere to the intentions he had for Buffy when creating this specific piece of media.

I understand if my point was lost on you, since I added crucial parts of that analysis in my tags originally, so I’ll reupload them below for you.

I hope that helps get my point across a little better :)

I once saw a quote that said the idea for Buffy came from subverting the horror movie trope of ‘woman is attacked in dark alley’, by making the female protagonist stronger than her attacker.

But I do find it interesting that when the female MC is given the power to fight back, she’s not just expected to protect herself, but to save everyone else as well.

And I think that’s such a tragic side to Buffy’s character, that it’s never enough for her just to protect herself, she has to save the world too, even at the expense of her own life and happiness.

[calware]

Do you have any advice on how to write Dirk and Hal or know of anyone I could get tips from :0?

okay so first of all i want to say that i don't think that i'm really an 'authority' on the subject, or that anyone else really can be aside from andrew herself. but i do have some thoughts and opinions that i'm willing to share

#1 piece of advice is to reread the comic once in a while. or at least reread bits and pieces if that's too daunting or not feasible. the POV cam extension is really helpful for that because you can specifically reread just the parts where dirk is there (does not work for hal though iirc which is where the dialogue directory is the next best thing) anyway i suggest doing this because it's always better to have their canon depictions fresh in your mind so you aren't accidentally working off of purely fanon ones

i think this is more of just a writing tip in general but try to think about how much you intend to transform the character. and by that i mean how much you want to stick to canon characterization. no matter how far you go with it, your depiction should always be informed by canon, but you can go as far with it as you want as long as it's intentional. so for example, if you want to stay really close to canon characterization, go for it. but if you want to stick them in an AU, ask yourself how that will change their behavior, personalities, etc. and it you specifically want them to act differently than they do in canon, that's okay too as long as you justify it and make it believable to your reader. you don't have to be afraid of changing them as long as something happened to cause that change

i feel like these are the two biggest pitfalls people fall into, usually a combination of the two. either they just don't understand the character well enough to give a believable portrayal of them, they don't give the audience enough reason to believe their portrayal of them, or both. for example there are a lot of hal fics out there where he is evil and kills people for fun, which to me just tells me that the author didn't really get him. but the takeaway isn't that you should never make hal evil and kill people, just that you need to provide basis for the audience to believe that he would be evil and kill people while still feeling in-character for doing so. that's what i mean by intentionality, you need to understand why you make the artistic choices that you are making

i wrote down some common tropes (?) of hal writing i tend to see that are along the lines of "i see these a lot and they wouldn't be bad if the author just made them feel believable" if that's at all helpful. i can do some for dirk as well if anyone wants me to

3. avoid being reactionary. the homestuck fandom is so reactionary with its portrayal of characters, meaning that one mischaracterization will get popular, and people will complain about it and swing the complete opposite direction, leading to a different mischaracterization becoming popular. an example of this is everyone thinking dirk is the coolest ever, and then switching to think he's the lamest ever. just try to focus on your own perceptions of the characters based on what you read from the comic and what you agree with others on, don't form perceptions based on trying to break away from something else

4. this goes more for dirk than hal because hal isn't as popular, but just keep in mind that dirk isn't the main character. i think a lot of people attribute main character energy to him when they don't really have to. obviously if you write a fic about dirk, he's literally going to be the main character, or if he's your favorite character you're going to care about him more than the others. but that doesn't mean he's any more important, more special, more traumatized, more mentally ill, or what have you, than any other character. going back to the example from above, the people who treat him as both the coolest OR the saddest character are both portraying him as the Special Boy. when the reality is that they are all pretty special and he's not an exception

i hope that all made sense... if not feel free to ask and i can explain further if needed

[lanalosty0uu]

⋆.˚ PROLOGUE ᝰ.ᐟ

🕰️ BACK TO THE FUTURE 🕰️

no specific warnings on this chapter slight foreshadowing of another stranger things character!

main masterlist

pairing: steve harrington x fem!reader

"Oh, no need to help, dear! I can do it by myself."

The nice 50 year old-ish lady told you not to worry about her fish pond. You're a second year high school student who just got accepted in an exchange program, and now you’re finally here, in Hawkins, Indiana.

"Oh, don't worry, Mrs. Byers, I can handle it pretty well… My dad also has a fish pond on the back of our house.” You tried to reassure her that it’s totally fine for you to take care of it. Remembering that she can already be categorized as an old lady, it would be very cruel of you if you let her clean it by herself.

“You are truly an independent and hardworking young lady… Reminds me of myself back in the old days.” You can see her smile while looking to a blank space, probably reminiscing herself back when she was younger.

You chuckled at her compliment, slightly thanking her for saying something you don’t hear everyday, especially from your parents. Instead of saying anything further, you smiled at her before continue cleaning her fish pond.

⊹ ࣪ ˖🕰️୭˚. ᵎᵎ🗝️

“Please, dear. Feel free to look around.”

Ever since you got here last week, you never had the courage to explore her gigantic house. Not because it has spirits living on it, of course not! (hope so) But, it’s more like you don’t wanna disturb her peace and you don’t wanna look like you’re being nosy about her personal stuff. Yet, from the first step you took on this house, you literally fell in love. The vintage architecture, big pillars on her yard, it seems impossible for an old lady to live her by herself.

Sure, her house only has two levels, but the interior of her house is just mesmerizing. The details and antique things in this place are remarkable. If only you don’t have to control yourself, you’d already touch every single one of her things.

The only thing that you did here was to go to school and spend time with her a lot. You went shopping together, clean the house, do regular house chores, watch cheesy rom-coms or comedy movies (which you surprisingly also love). The whole week basically already felt comfortable for you.

You always loved old people. You get to hear their stories, adventures, and all what happened in the past. It seems… Very interesting, so different with what you have now. And one of the things you love about Mrs. Byers, is that she talks about her youth days a lot in the 80s! You, as a person who is a big fan of the 80s always had an open jaw when listening to how beautiful life seemed to be in the 1980s, especially in the year 1985.

“These are some beautiful watch collections, Mrs. Byers!” You looked through a cardboard box full of old clocks and watches inside.

“Those were my parents’. I was planning to give those to the antique store since I don’t really use it. But you can look around there if you’d like, dear! If one catches your eye, please do take it before people put a price on it in the antique store.”

The feeling of knowing that you can look at these old watches and actually bring them home without needing to let out a single dollar made you feel euphoric. But, you still need to help her cleaning up this messy attic, not wanting her to get asthma from breathing the dusty air so much.

“Maybe I’ll do it later, Mrs. Byers. I gotta clean these up first.”

Mrs. Byers looked at you, giving you the ‘I swear this kid never rests’ look. Yet, she just smiled. And you know deep down she’s really happy to have someone to be her company and to help her around since her husband died a year ago.

⊹ ࣪ ˖🕰️୭˚. ᵎᵎ🗝️

“If you need me, I’ll be downstairs, okay dear?” Mrs. Byers excused herself to go back to her room, probably knitting since it’s what she’s been doing at home (as far as you know). She left you there in the attic, wandering through her watch collection.

As you were diving through it, you took pictures of every single watch, especially the ones that has unique details in it. But one caught your eye… A golden pocket watch. It has golden chains, chained to the top of the watch. Tiny details surrounding the face of the watch. Since it looks pretty old, it was also covered in dust and rust, including the roman numbers that tell the time inside.

You made the watch dangle around your arms, admiring it’s old, yet timeless beauty. You started turning the clock around, seeing if it still works or not. Sadly, it’s broken. You immediately thought of the 80s just by looking at it, imagining how Mrs. Byers would always wield it and brought it everywhere she goes, even though you know this watch must’ve came from an older time… Most likely to be from the 30s or the 40.

Since you liked that pocket watch so much, you put the chains around your arms, keeping it there as you put back the rest of the watches gently inside the cardboard, not wanting to be irresponsible after Mrs. Byers let you mess around with all of it.

note: hey, i'll be publishing the first chapter like around... later! but i'll be posting it today as well (i'll try hihi ^^), lmk what r ur thoughts about the prologue so far, and if there's any of u that wants to be in the taglist, feel free to ask! hope you like this one <3

@xprloki @pupwrites @gorlillaglue25 @lovestrucklyuniverse since y'all seemed pretty excited abt this, i've decided to tag y'all in this and all future chapters, really hope y'all like it and continue reading <3

[rotomartsblog]

I’ve been thinking about my version/rewrite whatever of Ever After High so I’m just gonna list a few lore tidbits about the world and some of the characters

So first things first I want to say that my version of the EAH school is more based on European secondary education than American (since I’ve decided that EAH should logically take place in Europe). Mostly N. Ireland’s secondary school system since that’s what I’m most familiar with. Anyway- EAH students go through seven years of school from around age 11 to age 18 (give or take a bit). EAH officially has two stages of education; the Freedom stage and the Legacy stage. The Freedom stage is the first three years of school and the Legacy stage is the remaining four years. The Legacy stage itself is split into two sub-stages, Pre-Signing and Post-Signing. The story begins in the second year of the Pre-Signing Legacy stage, where Legacy Day will take place at the end of the year. Students also can only room with people from their year.

I wanted to actually establish what the Curse on Wonderland actually is since that never actually gets explained in canon. Basically, the Curse takes the form of an erupting black fountain in the centre of Wonderland that leads up to the sky, “polluting” the atmosphere. It has both a physical and mental effect on the people of Wonderland, making them physically weaker while also “corrupting” their minds I guess? While the people of Wonderland have developed medicine and treatment for the curse, it’s more effective against the physical symptoms than the mental ones and it isn’t widely distributed.

Speaking of Wonderland, the Alice of the story is the only “character” that follows the Legacy system, because the rest of the characters are from Wonderland and don’t follow the same rules as Ever Afterlings. This doesn’t mean that the characters don’t have family legacies and traditions but they operate separately from Ever After’s.

Speaking of Alice, Alistair has been trapped in Wonderland since he was 10 years old. He isn’t as fond of Wonderland as his canon counterpart. Also his last name isn’t Wonderland it’s Adventures. I know that’s sounds equally stupid but it’s makes more sense to me based on the lore I’ve established.

Card people have the ability to go “flat” like a card. Also, they’re made of the same material of a playing card (specifically card stock), and they feel like such whether they’re flat or not.

Card people are limited to only two colours in their designs; white and the second colour depending on what suit they’re from (Clubs are green, Diamonds are blue, Hearts are red, and Spades are purple), except their eyes, which can be any colour. The exception to this is royal cards, which have three colours; white, black, and their suit colours (also their eye colours of course, which in Lizzie’s case is green). The outlier to this entirely is the Joker cards, which have no set rules for how they’re coloured.

There’s never a set number of Jokers for each generation of card people. In the previous generation, the parents generation, there were two: the red joker and the black joker, but in the current generation Courtly is the only Joker card.

Chess people are living chess pieces so they are made of wood.

Card and Chess people aren’t ‘born’, they’re literally made.

Lizzie, Kitty, and Maddie are the first Wonderlandians to attend Ever After High.

When the Evil Queen was imprisoned, all known entrances to Wonderland were closed off. However, new ones can be made either on purpose or accidentally. This is how Darling ends up in Wonderland.

When Ever Afterlings go to Wonderland their colour palette changes because idk I think it looks neat.

Also the Evil Queen cursing Wonderland and being imprisoned would’ve taken place like right before Raven started EAH.

Okay done talking about Wonderland onto something else. King Charming is a piece of shit human being. He’s a bad dad and an unfaithful husband who has a whole lot of illegitimate kids. Blondie is one of them.

Raven ended up rooming with Maddie in their first year at EAH because over half of the students in their year requested to specifically not be roomed with Raven.

Briar’s mum was asleep for 100 years because I don’t want to work out how it’d make sense if she was from the previous generation. Rosabella’s mum is Briar’s mum’s great-niece. Briar and Rosabella call each other cousin because it’s simpler.

Rosabella, despite what is believed, is actually the Beast in the story. The reason it’s believed she’s the Beauty is because the society of EAH is #sexist and #homophobic so the idea of the Beast in BATB being a girl or a boy being the Beauty is unbelievable. Rosabella suspects she’s the Beast because when she was younger she grew horns, though she’s forbidden from telling people this.

Briar and Rosabella’s parents are not on speaking terms because of a situation revolving around Rosabella’s horns. When they grew in, Briar’s parents had offered to babysit Rosabella while her parents were busy. Briar’s dad then dehorned Rosabella (and he wasn’t trained for it so it wasn’t a pleasant experience for Rosabella). Rosabella’s parents were obviously upset about this so they cut ties with Briar’s parents.

By the time the story begins Ashlynn’s mum is dead so she’s kind of going through it. Her dad hasn’t remarried yet.

I’ve messed around with the ages of some characters so while most of the main cast is the second year of the Pre-Signing Legacy stage, some are in different years. I haven’t worked out everyone but the important ones right now are that Dexter and Darling are in the first year of the Pre-Signing Legacy stage and Ramona is in the first year of the Post-Signing Legacy stage (and Justine I guess since they’re roommates).

Also most roommates will probably be the same as in canon since I can’t be bothered to change those.

Despite Legacy Day being when you pledge to follow your destiny, there are expectations on people whose stories typically happen when they’re young (case in point: Alistair being in Wonderland when he’s 10). Cedar often deals with people prodding and asking questions since she’s still a puppet as a teenager, though her dad also started his story late so it isn’t unique to her.

Raven doesn’t listen to Tailor Quick in my version. Sorry to swifties but sometimes you write a character and realise some things don’t work with their personality. Raven listens to goth music and dad rock. Dexter still listens to Tailor Quick though.

Speaking of music tastes, Poppy listens to Ska punk and Holly hates it so much.

Cupid was told to hide her monstrous features when going to EAH, so she’s masquerading as a Cherub. Also for a majority of her first year at EAH she’s faking her personality.

EAH’s school is specifically for European stories and there are different school in other regions for their stories.

Idk how yet but I’m planning on including references to other fairy tale authors and collectors like Andrew Lang.

I’ve planned a few arcs and mini stories for my version, some of them replace canon arcs. A few of these are a story based on A Wonderlandiful World, a rewrite of Way to Wonderland, a rewrite of Dragon Games that features two of the mention regional schools, a story I can only describe as “Cedar gets psychologically tormented by an arm puppet”, the Blood Knight story, and a story that replaces Epic Winter.

While EAH is typically only open for people with legacies to follow, there is a course available for people without legacies. However, it’s incredibly expensive and the course is kept entirely separated from the main course. Non-legacy students aren’t even allowed to be roommates with legacy students and there’s few opportunities for the two courses to interact. Poppy was originally in this course before Holly managed to get Headmaster Grimm to transfer her to the main course and the Charming family have a deal with the school so that none of their children go to the non-legacy course.

That’s all for now I think.

[lunabug2004]

Reblogging this bc the current reactor I'm watching just gave me a prime example of this!

She watches the scene with Nancy & Steve dining with Barb's parents and cries with Nancy, talking about how she has no one she can talk to about her feelings (her survivor's guilt). She's legitimately so upset for Nancy (rightfully so).

However, when it cuts to Mike's own depressive episode about El, she pretty much immediately starts acting like he's being dramatic. She starts saying "Michael" in a disappointed-esc tone, and even specifically says he needs to take the fort down because it's been long enough. She makes the connection of his "rebelling" being because he "misses El" (her words exactly), but doesn't go any farther than that. She doesn't seem to catch onto his grieving, at least not to the same extent that she did Nancy's.

She knows El is alive for sure, despite never seeing the show past season 1, because she'd seen promo stuff for s4 all over the media. I fully believe this is why it's so much harder for her and a massive portion of the GA (bc anyone who watched the s2 trailer knew El was alive as well) to see the connection between Nancy's and Mike's survivors guilt.

And while I don't know for sure if this was on purpose (I'm leaning towards yes bc it was very hard to believe El wasn't still alive at the point of the first episode coming out), I do think it's pretty unfair towards the character of Mike. Plus adding his dislike of Max into the mix, which is mostly due to all the emotional pain he's in, made people start to dislike him in this season.

I just think with how much the Duffers (& all the actors) claim to love Mike, these were very strange choices to make.

Something I've noticed recently is the difference in which people notice or think/talk about Nancy and Mike's survivor's guilt.

People seem to be much more open to the notion of Nancy having survivor's guilt, also they tend to pick up on it easier, and I think the reason for this Nancy actually kinda demonstrates herself in s2, when talking to Jonathan when she says "Yeah, but it's different for you. Will came home."

Now, Mike feels survivor's guilt in connection to both Will and El, and Nancy for Barb, and the difference between them is that both Will and El actually survive. But the thing that people tend to forget is that Mike saw Will's "dead body", he saw El disappear in front of his own eyes just to not hear from her for almost a year, he saw his best friend's body and mind be taken over by a terrifying monster (who he had just told he wouldn't let happen to him a day or so before). So, yes, El and Will may not be dead, but in any case, esp in Mike's 11-14 year old brain, that doesn't really mean much at all. Mental illnesses don't go away just because the thing that caused them did. I mean, that's legitimately what PTSD is!

Talking about s2 specifically for example, even at the beginning of the season, most of the GA already knew that El was still alive, but knew for sure that Barb was dead. The show parallels Nancy and Mike in ep 1, with Nancy crying in Barb's house and Mike looking terribly upset while boxing up toys in his basement. Despite this parallel though, most people I've watched only pick up on Nancy's survivor's guilt. Even though Mike goes on to try and contact El, who he still (mostly) believes is dead, lots of people just go "aw that's sad" or "aw that's sweet" and move on.

Idk if it's just because he's younger, or that, as I said before, the audience knows El is still alive, but it's always seemed to me that people don't take Mike's mental health problems as seriously as they take Nancy's when really, they're in a very similar boat.

[causticsodaa]

Your threads are very interesting.! Do you believe Sakura and suo will have conflict or rivalry? Or their dynamic will be kinda similar to killua and gon for example!

Hello! I’m very thankful you find my threads interesting, I put a lot of thought behind them, so this means a lot :)

To answer your question: I definitely think they will have some sort of conflict at a later point of the story. Specifically, one that will lead to a physical confrontation between the two.

As I’ve pointed out in my main Suo and Sakura analysis, the two are close; however their relationship feels disjointed compared to WBKs other dynamics since they cannot bring themselves to be properly vulnerable with people, much less with each other. It’s only in the unexpected moments where Suo reveals parts of his hidden self to Sakura (and the audience).

And whats the only way that they can properly learn to understand each other? Well, Umemiya says it himself during Shishitoren:

Heck, a potential fight between them has been hinted in that very same arc!

Sakura being the one to challenge a fight with Suo and the latter denying his request is very telling of their characters. Nii Satoru is a master at [subtle] foreshadowing through character dialogues and [visual] symbolism, so I believe this exchange was written with deliberate intent. After all, Sakura doesn’t go picking fights with people who haven’t done anything unjust. Though the extent of Suo’s mistreatment towards Kanuma can be debated…

I’m aware Nii sensei has stated in their interview given in Thailand that the trio wouldn’t get into a physical fight if they ever fell into conflict, but they never said anything about it’s individual dynamics >:)

About the possible Killua and Gon type dynamic: You’ll have to forgive me for any misinterpretations. It’s been a very long time since I’ve watched Hunter x Hunter (been due for a big catchup + rewatch), so I’m only basing my next thoughts from what I’ve seen so far.

From what I’ve understood and remember, Gon has a lack of self worth and Killua is a bit too eager to throw his life away (ie. they just dont have much self worth lol)—these two aspects of their characters interfere with their friendship even though their bond is very strong.

Their relationship is pretty different from Suo and Sakura’s, so I’m not sure who’d fit whom. I can see Suo being [somewhat] self-sacrificial as Sakura was in Noroshi. Or maybe Sakura (and Nirei too!) were Suo’s first real friends.

I can’t really say much right now because I’ve forgotten so many things that had happened in HxH (also im pretty behind on the story) . Sorry about that. Maybe when their relationship develops more, they’ll grow to be as close as Killua and Gon, just without the emotional angst :’)

[michaelmilligan]

The Jonmartin manifesto no one asked for but needed to get out

So, I've not been in the tma fandom for long yet, having only listened to it for the first time a few months ago. But from browsing the Jonmartin (and teaholding and jmart) tag regularly, it seems to me like most jonmartin shippers fall into one of these two categories:

They would find each other in every universe; or

It's a miracle they even got together in this universe

(Obviously, that's an oversimplification, and people who express one view in one post can easily hold a different view at another time - these are fictional characters we're talking about after all, and headcanons don't need to be consistent and can even contradict each other. This is just the general vibe I got so far.)

Anyway, I wanted to add my own two cents on the topic, because while I understand where both of these views are coming from, I think neither of them is ultimately correct.

(Putting the rest under a read more - be warned that this is NOT a spoiler-free post, so if you haven't finished listening to TMA yet and you want a spoiler-free experience, you probably shouldn't read this.)

So, before we get to my own opinion, let's first look at where the two options I mentioned above come from, shall we?

"They would find each other in every universe"

Obviously, this view is highly romantic - star-crossed lovers, finding each other again and again. It is both a good foundational basis for AUs, and a ray of hope in the face of the tragedy that is the tma finale.

Of course, concerning the finale, this is a rather different take than concerning AUs (since it would mean the very same characters finding each other again in a different world, not fundamentally different characters, shaped by said other world, also finding each other). And maybe when people express this view, they mean more the finale fix-its than AUs, though I suspect that plenty of people mean both.

It's a nice, comforting thought. And don't we all need some comfort after the finale? Yes, we certainly do. (Except for the people who read only hurt without comfort and angst, I guess. You do you, and I'm glad you're having fun, but personally I do desperately need some comfort, lmao.)

Is this view supported by canon though?

Cynical minds would say no, and personally I'm more inclined to agree with them, though as I've said, for me the truth lies outside of those two rigid stances (somewhere in between, I suppose).

I don't see much in canon which points to Jon and Martin falling in love under any circumstances/in any universe, especially considering their... let's say difficult relationships at the start of the show. But of course we must also take into account the specific circumstances in canon (more on that below) and interpretations vary, and I do very much enjoy AUs, so I'm certainly not trying to throw shade if you're on this side of the 'divide'.

Mostly, I think there CAN be other circumstances in which those two get together, outside the canon ones. (I'm writing a canon-divergent jonmartin fic myself, lol.) Let's get into that while we look at the other view, shall we.

"It's a miracle they even got together in this one"

Ah, the Martin-approved stance. One could say 'well, they literally said it in canon' and be done with it. However, that would require us to believe that the opinions of the characters are always true and correct, which. Lmao. We only have to listen to season 2 of tma to know that this is very much not the case.

And even if S5 Martin is not S2 Jon at the height of his paranoia, he's still very much a man shaped by his own life and experiences. I'm sure he would call himself a realist, but he honestly seems more like a pessimist to me. Which is understandable, given his life, and his association with the Lonely, which has often been (in my opinion accurately) compared to depression.

The thing is, Jon did treat Martin horribly in S1, and then he admittedly treated everyone horribly in S2. It was only in the course of S3 that their relationship got more, let's say, equal, with Jon no longer thinking Martin would be 'contributing nothing but delays'. (And then of course we have S4, which I LOVE even though it hurts me deeply. Then again, that's the whole show. And, obviously, S5 my beloved.)

So. Jon seemed to hate Martin in S1, while Martin was arguably already in love with the man. (Arguably. We do know that he acted catty to Basira in S2, so it's reasonable to assume that he started liking him at some point in S1, or even before the show started.) Then a lot of traumatic things happened, and they got together.

This means it must be the traumatic things that made them compatible, right? Just like Martin says in S5?

Well, one could see it that way. Jon certainly changed over the seasons, coming off his high horse and such. (In S5, he arguably gets back on it quite a bit, but then he IS the Eye's specialest little princess in a world that's literally ruled by it. And also he is slowly losing his grip on his own humanity. But I digress.)

And I do think that the trauma channeled a lot of those changes - the first time we see Jon being actually emotionally open (something he still struggles with over all seasons, because people don't just change fundamentally that quickly) is during Prentiss' attack on the Institute. They're in a situation where they might reasonably die (they even expect it, because they don't know that Elias is just rubbing his greedy little paws as he waits for things to get worse before he saves them with the gas).

I do think that moment could have been a big turning point for Jon and Martin, if it hadn't been immediately followed with the discovery of Gertrude's body, and Jon's subsequent descent into paranoia. Jon opened up, and also saw that Martin was rather competent during the attack, which could have led to them becoming closer, respectively having at least something like a normal work relationship.

But then Jon got paranoid and interpreted everything he saw negatively, including Martin's competence, which was twisted in his mind to 'What if he's just been pretending to be incompetent and is actually an evil agent out to kill the archivist'.

(Big sigh.)

Anyway, before I lose myself in the red string as well: Yes, Jon seems to 'mellow' over the seasons, especially with regard to Martin, at the same time that he's going through terribly traumatic events.

But does that mean that it's actually the trauma that's changing him and his relationships? Partly, certainly, but I would argue that trauma doesn't make you nicer or kinder. It might make you realise some things, but that doesn't mean that you can't realise those things in other ways.

And does it means that they couldn't have come together if they had met under different circumstances? Also not necessarily! I would even argue that the specific circumstances they met under were detrimental to Jon's first impression of Martin. And yes, this goes beyond the dog story.

So let's try and dissect their relationship from the start.

A theory of... something like nuance, or whatever

The starting situation

(Yes, I did have to use a Supernatural gif, thank you for asking. No, I will not apologise. <3)

Alright. So let's start with what we actually know about Jon and Martin's first meeting. Obviously, there's the dog story, though as far as I know that's not 'canon' because it wasn't actually in the podcast. I still like it, and think it adds another reason to Jon's behaviour, though I don't necessarily think it's necessary, because Jon already had lots of other reasons to tell himself that Martin wasn't worth his time.

1.1. Jon has issues. More at 11.

First of all, we learn throughout the podcast that Jon doesn't actually have any qualifications to lead an archive. He's probably 29 when the show starts (in 2016, going by the fandom wiki stating that he was born in 1987, which is reasonable given everything we learn about his age).

So, he's 29 and suddenly appointed, after four years of working in one department, to become the head of a completely different department. He does not have a degree that would give him credentials for leading an archive, nor are we told that he has ever even worked in an archive. For all we know, and that he knows, he is woefully underqualified. (This is also, I think, highlighted in S2 when Jon threatens to resign, only to then be baffled by Elias saying that he would be difficult to replace. Elias means something completely different than his skill set as an archivist with a lower case 'a', presumably, but then Jon doesn't know that.)

This means that Jon is in a highly stressful position, because he's trying to do a job he doesn't actually know how to do, while also trying not to let on that he doesn't know how to do it!

It doesn't help that Jon is also terribly scared of what all might be lurking in the shadows (or even in the light), as he himself admits during the Prentiss attack. He is extremely high-strung from day one, basically a wet chihuahua shaking in a slight breeze, while trying to seem like a strong bulldog.

We also know that Jon asked for two people to be his assistants: Tim and Sasha. They both worked in research, and Sasha also briefly worked in artefact storage, making them both qualified to help Jon with following up on statements. But I think more than their qualifications, Jon probably requested them because he knew and got along with them.

Imagine: Your boss tells you that he's promoting you into a position you're not qualified for and which you have no real clue how to do. Wouldn't you rather have people around you who you're already friendly with, and who are likely to cut you some slack if you're not perfect on day one? I know I would!

1.2. Elias is a little shit and I want to kill him with hammers (affectionately)

And then Elias transfers Martin.

I'm going off the dog story again, because again, I like it, and I think it does fit neatly into canon. If this story is to be believed, Elias neither asked nor did he tell Jon that he was giving him another assistant. He apparently simply told Martin 'you work at the archives now, congratulations' and then went back to his office to smile smugly to himself.

This is a VERY bad start for a working relationship, because not only does Martin come in unannounced, this also comes off as Elias not respecting Jon, or potentially even sending someone to report back to Elias (because Martin is the only one who doesn't have an established rapport with Jon).

Jon never verbalises this suspicion, so maybe this is too much interpretation on my part, but in any case it's cause for a lot of resentment on Jon's part, and since he can't exactly let it out on Elias (who is rarely there, anyway), he simply lets it out on Martin.

He finds reasons to do so, of course, insulting his work and all that. It's probably easy, especially in the beginning, because not unlike Jon, Martin doesn't have any qualifications to work in an archive! He worked at the library before, and we know that his degree is made up (which we can only assume Elias knows, considering he can know almost anything).

(I actually find the question on why Elias transferred Martin in the first place extremely interesting, and might get into that in another post. But this one is already too long, lmao.)

1.3. Martin is too nice, aka Jon has even more issues

This is mostly my personal headcanon, though I do feel it fits Jon's character - which is that he doesn't know how to deal with nice people.

Not kind people. Not friendly people. But nice people.

People who do things seemingly out of the mere goodness of their heart. Like bringing their mean boss tea when he never asked them to do that. Like being friendly even in the face of insults. Someone who constantly takes himself back in favour of other people and their opinions.

People like Martin is appearing to be. Appearing, because Martin isn't actually like that. He does have his opinions, and he could probably grumble up a storm in S1 about Jon, but Jon is his BOSS, and so he plays.

Martin also IS genuinely a nice person most of the time (when he's not on a revenge rampage, making his boyfriend murder people). He doesn't have to do nice things for Jon like bring him tea in S2. But he does. Because that's Martin's way of trying to reach out, to show other people that he means no harm (and that he can be useful).

(I also think that Jon's snappish behaviour, where Martin never quite knows what will set the man off, might remind him off his mum, but again I digress. :))

But I think Jon doesn't know how to deal with that, because even when he's not in the height of paranoia, he still suspects that people who are THAT nice (especially when they have no reason to be nice because he's being an arsehole to them) have a secret agenda. This is playing into what I said under 2 (the part that might be too much interpretation on my side lol), because if Jon suspects that Martin is reporting back to Elias, or is at least someone who would not be friendly if he found out that Jon doesn't know what he's doing, then he can't allow himself to relax around him, and he certainly can't allow himself to be lulled into false security (as Jon would think) around him.

Tl;dr on this point: I think Jon is wary of Martin's niceness because he thinks he might be fishing for gossip/anything he can use against Jon. And even if he isn't, Jon thinks he would be likely to use anything he learns against Jon, because they weren't friends to begin with, and Jon's behaviour has made them anything but that.

(We have to remember that this is the guy who says in S2 that he knows what it's like to 'lack the respect of one's peers', aka the kid who got bullied by at least one older kid, and likely had no or very few friends - plus he believes in the supernatural, which doesn't exactly lend itself well to getting academic respect.)

1.4. They were fucked from the start, your honour

Basically what the meme says, but yeah. The they were put in practically guaranteed that Jon would be wary of Martin, and that Martin would be trying extra hard to make friends with him, which in turn would make Jon even more wary/hostile.

And Elias made it worse, either knowingly or by negligence (not telling Jon about transferring Martin).

If we add the whole dog story to it... they were fucked. I do actually wonder if, assuming we take the dog story as canon, Elias actually somehow managed to set that up. Or whether he was at least cackling (sorry, smiling ever so silently, but smugly) in his office as it happened, or whenever he ended up knowing that it happened.

2. Yes, we've had one starting point, but what about second starting point?

As we have established above, the starting situation for Jon and Martin was... not ideal. So, would they have gotten together easily given a different starting point, like in a cute coffee shop AU?

Eh.

It's true that the specific situation they were in made it a lot harder for them to actually communicate and see each other as they are than it had to be. That doesn't mean that a different situation would have made it easy, though.

Their personalities still make it hard, though, as even without the added stress of a new job, Jon is still a little chihuahua shaking in the corner, who tries to make up for it by barking at everyone, and Martin is still the guy trying to approach him with treats and getting his hand bitten.

There are certainly specific situation that could make it easier, especially if Jon isn't scared as hell, and has maybe already learned that not everyone who does something nice for him wants to just pull on his strings. (Yes, I do think that the thing that makes Martin, according to Annabelle, suited for the Web, is the thing that put Jon on edge at the beginning. I don't know if this was intended at all, but it makes me cackle.)

The beauty of fanfic is that we can do whatever the hell we want. But I think the most fun thing an AU author can do is think 'What would have to happen, in this specific scenario, for these two to get over themselves and get together?'

Excursion: Martin, my beloved depressed blorbo who I am certainly not projecting on, haha

Because it IS both of them who need to get over themselves. Of course Jon's issues are the most obvious, and I've certainly expanded on them enough. But Martin also has a problem, and it's that he's constantly hiding his true feelings and opinions, especially anger and fear.

That makes sense, perhaps, in a workplace, though considering he's dealing with a walking, talking worm hive and a stalker boss... Let's just say it probably would have helped Tim, too, if Martin hadn't been so desperate to make everyone be friends again.

Because Martin is always TRYING to make everything better for everyone, but he's actually not helping anyone. Being nice to Jon and bringing him tea doesn't help battle his paranoia. And trying to tell Tim not to be so angry at Jon, and can't they all be friends, doesn't actually help Tim with his anger.

All Martin is essentially doing is making himself small and saying 'let's get along, pretty please' every now and then. I don't know if it would have helped if he had expressed his own fears and anger, and maybe Jon would have misconstrued that as well, too deep in his paranoia already. But at least Tim might have realised that he was not alone in all this. (His biggest problem, as he says in S2, is that he feels that no one has his back, which I think at least partly results from no one expressing the same anger, aka no one validating his feelings.)

Anyway! (Jon voice) Excursion ends.

3. (To the melody of 'What shall we do with the drunken sailor') What shall we do with these total idiots?

So, how ARE these two going to get together, if they're so woefully unequipped to deal with each other?

Well, first we need to give Martin a good helping of self-confidence. Then we need to kind of give Jon the same, since his problem ALSO is that he's unsure of himself, he just tries to make other people small to cover it up, instead of making himself small. (And isn't that a funny thing to do for someone who we know was bullied. To become a bully himself. Oh, the snake, biting its own tail...)

The easy answer is, of course: You can come up with your own version, get creative. <3

The more complex answer is: A lot of stuff, probably. Jon and Martin will certainly need time to get to know each other, and of course it depends on what situation you put them in to start. But there will be misunderstandings, and there will be hurt feelings, and I am going to soak it up all like a particularly slowburn-greedy sponge.

I feel like there are probably five million ways to get them together, and some might be cute and fluffy (if they go to therapy first, I guess, lol) and many will be full of tears. <3 (Jon voice) And I want to see them all on my desk by Friday! So get to it!

In all seriousness though, yeah, I think there's not one right way for them to get together (though canon did it well imo). But it's also a little more complex than we might give it credit to (very much including me).

4. So what now?

I don't know. I'm not your dad. Write a fic. Draw a picture. Put down your own thoughts on the matter. Or take a shower and clean up your room, young Padawan!

(Though actually, if you've read this post from start to finish in one session, what you should probably do is get up and stretch and get some water.)

And above all! And this is imperative.

Have a good day. <3