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personnage-neutre · 1 month ago

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"Tintin, quel âge as-tu ?"

Today marks 96 years of The Adventures of Tintin, and readers have spent at least the last 78 of those years asking the same question: "How old is Tintin?"

The series is infamously coy about giving a definite answer, as was its creator, but I argue in the first part of this post that 1) there was indeed a specific intended age range for Tintin and 2) it is very much possible, using evidence from many different sources including the albums themselves, Tintin magazine, other BDs of the time, and interviews with Hergé, to say exactly what that age range was. Let me be very clear: I'm specifically making an argument about how old Hergé saw him as and how old Hergé wanted him to be seen as.

The second part is less concrete; it presents how a few scholars have interpreted the ambiguity of Tintin's age, plus some of my own thoughts about it that build on their claims. That part is less trying to find an answer to the age question and more trying to explain why his age is so much in question.

This is a long post.

I. Intent

Official sources

When asked about Tintin's age in a 1960 interview for Cinq colonnes à la une, Hergé judged that "il doit rester aux environs de quinze ans" ("he must still be around 15 years old," 0:33-0:44).

In 1962, he gave a very similar response on the Canadian program Premier Plan: "Une quinzaine d'années ? Quinze ans, seize ans, je ne sais pas, moi" ("About 15? 15, 16, I don't know"). "Donc c'est l'adolescent" ("So he's a teenager"), pursues the interviewer, and Hergé answers with a firm yes.

Nearly ten years later, in 1970, he added some nuance: "What age do I give him? I don't know... 17? In my mind, he was about 14 or 15 when I created him, a Boy Scout, and he practically hasn't budged. Let's say that he's picked up three or four years in forty years... All right, let's take the average: 15 plus 4, 19." (translation mine)

In 1979, his interviewer on Apostrophes preempted him on the age question, saying that "c'est un reporter de quinze ans" ("he's a 15-year-old reporter"). Hergé agreed: "C'est ça, à peu près" ("That's right, more or less").

Today, the official Tintin website run by Moulinsart declares him to be "Seize, dix-sept ans (dix-huit tout au plus !)," that is, "16, 17 years old (18 at most!)."

Responses to reader questions in the Journal Tintin

Early in the Journal Tintin's run, between 1946 and 1954, readers who wrote in with questions had a chance to see the responses to their letters published in the magazine each week. Supposedly it would be Tintin himself who was answering - questions addressed to him would be answered in first person, which probably only increased the urge to ask about personal details. So there were naturally many questions about his age, which provoked a range of responses.

Who was actually answering the letters? It's hard to say. But seeing as the responses were being published in the official Tintin Magazine as the voice of Tintin himself, Hergé would surely have been at least consulted on questions concerning his character, especially as the team running the magazine was still very small when it was regularly publishing responses.

The most common response was to dodge the question entirely. The stock phrases were "Qu'importe mon âge ?" and "Tintin n'a pas d'âge !" ("What does my age matter?" "Tintin has no age!").

In a small number of cases they related Tintin's age to that of his readers; an 11 1/2 year old was told that Tintin can be "l'âge que tu souhaites : entre dix et vingt ans !" ("whatever age you want: between 10 and 20!", 1953), and for a couple others, where the age of the writer wasn't listed, Tintin's age is "un peu plus que le tien" ("a little older than you," 1951) or "un peu moins que le double du tien" ("a little less than twice your age," 1950). The target audience of the Journal Tintin - as it was for the Petit Vingtième, and for comics magazines of the time generally - was 8-15 year olds.

The only definite answer that appeared with regularity put Tintin's age between 15 and 20:

(TIntin nos. 19, May 8, 1947; 26, June 26, 1947; 6, February 5, 1948; 2, January 12, 1950; 9, February 27, 1947. The second and third examples also have Tintin declare that "I've travelled so much that I no longer remember where I was born," a fine example of the de-Belgicanization he underwent after the early years.)

("As I've already told several of my friends, I'm older than 15 but younger than 20." (1947) "My age? Let's say 15… or a little older." (1947) "My age? Between 15 and 20 years old." (1948) "Tintin? He has no age! Seeing him move about, he seems to be about 15." (1950) "I'm not yet 20 but I'm older than 15." (1947))

Real-life incarnations of Tintin

When the end of Soviets was celebrated with "Tintin" arriving at the Gare du Nord in Brussels, the role was played by 15-year-old Lucien Pepermans. When the event was repeated for the end of Congo, two years later, Pepermans was replaced by Henri Dendoncker, age 14. About thirty years after that, Jean-Pierre Talbot was declared Tintin's spitting image at 16 ("Same age, same silhouette, same face, same hair," reads the announcement of his casting in the Journal Tintin). He was 20 at most when Blue Oranges (released 1964) was filmed. Hergé told Numa Sadoul that he unconsciously based Tintin in Soviets on his younger brother Paul, who was 16 when it started. Additionally, Palle Huld, often cited as an inspiration for Tintin, completed a tour of the world in 44 days in 1928 at age 15 (and in plus-fours).

(Lucien Pepermans, Henri Dendoncker, Jean-Pierre Talbot, Palle Huld)

In the play Tintin et le mystère du diamant bleu (1941), which Hergé was very involved in the writing and production of, the role of Tintin was played by Mlle. Jeanne Rubens, a woman - a common theater trick for portraying young boys. He was played by a woman again in Radio Luxembourg's 1950s audio adaptations: Claude Vincent, "qui interprétait à merveille les rôles d’enfants et d’adolescents" ("who played children's and adolescents' roles wonderfully"), was the voice of Tintin. Sadly those broadcasts appear to be lost, but she can still be heard in the likely similar role of Alix.

(Shared on forum-tintinophile.com, "Tintin aux Indes, ou le mystère du diamant bleu." Certainly the only adaptation that got his height difference with the Thompsons right.)

In 1959, the Journal Tintin invited readers who thought they looked like Tintin to send in their pictures; five candidates for "Tintin's lookalike" were chosen by the magazine and presented to the readers for them to vote on. The winner was a 15-year-old, and while the ages of the other contestants aren't listed, they appear to be the same age or younger.

(Tintin nos. 25, June 24, 1959 & 31, August 5, 1959)

Comparisons with contemporary characters

Mainstream BD in the first half of the 20th century was not particularly inventive, especially as it was contending with its relative youth as a medium, a focus on the children's market, and, especially after WWII, heavy scrutiny from both religious and secular moral watchdogs. In the specific case of the Journal Tintin, Hergé's iron-fisted artistic direction in the early years led to a high level of artistic homogeneity across the magazine, while restrictions on the types of stories that could be told (from both the threat of censors and expectations about reader interests) limited variety in plots, characters, and settings.

All that is to say that a lot of what was being published alongside Tintin in the 40s and 50s looked more or less like Tintin, and even was likely directly modeled on it, which makes it useful for comparison. The protagonists of the time can be generally divided by age into children, the "15-20" range, young men, and middle-aged men. Each category is visually distinct (comics are a visual medium!) and each results in a slightly different kind of story with different character dynamics.

Here's Tintin with a couple of the teenage protagonists that appeared alongside him in his magazine:

(L'Affaire Tournesol (1956), p. 51; La Griffe Noire, Tintin no. 6, February 5, 1958; Les Deux Visages de Kid Ordinn, Tintin no. 1, January 2, 1957)

Hergé's no. 2 collaborator Jacques Martin created Alix (center, 1948), a Roman Gaul confirmed to be 16 in the original albums. Chick Bill (right, 1955), who in looks and narrative role is effectively just Tintin as a cowboy, is identified (by none other than Franquin) with the 15-20 age range. Some shared visual markers of their youth are a short and slight build, rounded shoulders, a round head, and a soft jawline. While all very independent, they are all three semi-accompanied by a much older man and a child sidekick.

Now, here are some examples of characters from the next age range up:

L'énigmatique Monsieur Barelli, Tintin no. 44, November 2, 1950; L'ouragan de feu, Tintin (Kuifje) no. 37, September 15, 1960; Défi à Ric Hochet, Tintin (Kuifje) no. 8, February 25, 1964)

Hergé's no. 1 collaborator Bob de Moor had a humor-adventure series using the same style as Hergé, but his character, stage actor Georges Barelli (left, 1950), is a grown man. Martin's second series was required by publishers to somehow be a modern AU of Alix, but Alix's counterpart, reporter in the same way that Tintin is a reporter Guy Lefranc (center, 1952), is clearly older than him. So-called reporter, really amateur detective Ric Hochet (yes, that's his name, right, 1955) is kind of an odd case; he started out a child, then looked basically exactly like Chick Bill (they were both drawn by the same artist, Tibet), then finally settled into his final form as a young man in his mid-twenties - a 1969 album places him at age 26. All three own their own cars (admittedly a moot point for Alix and Chick), and, compared to their teenage counterparts, they're much more likely to have friends and colleagues their own age instead of being supervised by someone older.

It should be clear from these six pictures that Tintin was not drawn in a way meant to make readers think he was an adult. And besides, there's really no reason to believe that Hergé, who once declared that "my primary objective is to be legible. The rest follows," would have chosen to give his main and titular character an appearance that was somehow deceptive. I'm prepared to say with confidence that Tintin looks young because he's supposed to be seen as young.

Textual evidence

For this section, I first look at a few ways that the albums actively present Tintin as a non-adult character. However, most of what follows is about showing that what happens in the albums does not contradict the argument that Tintin is intended to be a teenager. The Adventures of Tintin may be deceptively timeless, but not only is the series nearly a century old, it also was written during a time of extremely rapid and intense social, cultural, and technological change. Consequently, I want to make sure that I'm not judging the past with the attitudes of the present; in order to put the series in its proper context, I try to identify viewpoints and conventions expressed in texts created at the same time (and, when possible, by the same author) to see if a teenaged Tintin fits in with them.

In looking over how other characters refer to him across the albums, one sees that Tintin's most distinctive feature to those around him is his youth. This is, I think, more visible in the original French, where other characters address or describe him with a whole array of words commonly used for children: jeune homme, (jeune) garçon, gamin, galopin, blanc-bec, enfant de choeur, fiston, freluquet, moussaillon, (mon) petit (used as a noun), and morveux, not to mention many, many instances of characters appending "jeune" or "petit" to another word ("reporter," for instance). In English, he's variously (a) young man, (young) boy, kid, boyo, whippersnapper, wonderboy, lad, brat, puppy, young fellow-me-lad, and cabin-boy, along with liberal use of the corresponding adjectives "young" and "little." (I've collected specific panel examples for reference in another post.)

As @professorcalculusstanaccount has pointed out, there's no question of Tintin being called up for the draft as Haddock is in Black Gold; that album also contains the only example of Tintin's competency being questioned because of his age, on page 7: "So you're the new radio officer... You look a bit young to me..." (There's one similar remark, in America, after Tintin is injured in a car accident on page 6: "The poor kid..." "He looks so young...") Him not being called to war is particularly striking because Belgium historically required young men to do compulsory military service at age 18 or 19, after which they would be enrolled in the reserve army (p. 274). Thanks to a hard-to-translate joke in the original French for Emerald (below), we know that military service exists in Tintin's world and that the Thompsons have done theirs; Hergé did his at age 19, and then was called up from the reserves in 1939, interrupting the magazine publication of, precisely, Black Gold. Given his longtime anti-war stance and the peace sign sticker he wears in Picaros, though, one can easily imagine Tintin becoming a conscientious objector after it was legalized in 1964 - but by 1964, most of the series was already over.

(Les Bijoux de la Castafiore, p. 37)

He also doesn't dress like an adult: the plus-fours look very childish after the 1930s, as @illegally-blind-and-deaf pointed out. He also never wears a proper hat, only a flat cap in a few early adventures, and from Temple on (that is, after 1948) he runs around in his shirt and sweater with no tie or jacket. Some of that can be put down to the importance Hergé placed on his characters being maximally recognizable, but it certainly doesn't make Tintin look any older - look at a few of Hergé's crowd scenes and compare how the background characters are dressed.

Next, he doesn't seem to ever need to shave. In fact, in the original French for Black Island, Tintin remarks that the bad guys have gotten away "à mon nez et à ma barbe," an expression equivalent in English to "right under my nose" but literally "at my nose and at my beard," to which Snowy incredulously responds "Your beard? What beard?"

(L'Île Noire, p. 29)

It's true that nearly everyone who meets Tintin, including his adult friends, addresses him respectfully with the formal pronoun "vous" instead of with the informal "tu," as you typically would for someone much younger than you. However, Pierre Assouline attributes this to a dislike of over-familiarity on Hergé's part, citing him as saying that "Le tutoiement est la fausse monnaie de l'amitié" ("Using 'tu' is the counterfeit money of friendship").

(There are a few moments where Haddock slips and uses tu with Tintin, but I won't go into them here. Suffice to say that the majority of them are indeed moments where he's treating Tintin more as a child.)

Much has been made of Tintin's nonchalance about drinking alcohol as proof of adulthood, but evidence from other BDs indicates that this perception is a result of a shift away from historically looser attitudes towards drinking. Early comics for children frequently carried moralizing messages, but there's no marked moralizing present around youths drinking like there is around them smoking.

Compare, for example, the difference in tone between these two Quick & Flupke pages, where the kids are sternly warned off from tobacco...

(Originally published in Le Petit Vingtième nos. 4, January 28, 1932 & 43, October 24, 1935)

...Versus this gag, where Flupke's own relatives getting him drunk on New Year's over his protests is played entirely for humor.

(Le Petit Vingtième no. 1, January 3, 1935. "Tu es un homme et tu dois boire!")

There was even a follow-up comic at the same time the year after, in which Flupke imagines the alcohol he'll be plied with on January 1st and attempts to move to the North Pole to avoid it.

If a kid as young as Flupke is being given alcohol, then Tintin really doesn't have to be much older to be drinking as well. In fact, one might even note an echo between Flupke's reluctance to drink here and Tintin's in Picaros, when he's pressured to take a swig of whisky by Arumbaya custom (p. 34). On the other hand, since Quick and Flupke are so young, the ban on smoking is stronger for them. Tintin is old enough to occasionally be offered a cigarette, but still young enough that he always must refuse: Hergé was adamant that Tintin remain a good model because of the children who identified with him, while Haddock smoking his pipe, for example, never raised the same issue.

Beyond that, for a non-Hergé example and a later one (from 1960), here's child tennis prodigy Jari, hero of an eponymous strip in the Journal Tintin. He's just bicycled from Belgium to the Netherlands and wants a refreshment, so he goes to a drink stand and orders a beer - and no one bats an eye. Similarly, the only alcohol that Tintin orders casually, in a cafe or pub, is beer (Golden Claws p. 2, Black Island p. 41).

(Jari et le Plan Z, Tintin (Kuifje) no. 40, October 6, 1960)

At the same time, this relaxed attitude has limits. Tintin won't share a friendly drink with Haddock, for example when returning to Marlinspike after an excursion (though Haddock pours two glasses anyway in Affair (p. 3)). Calculus scolds Haddock severely when he thinks that Haddock has given Tintin champagne at breakfast in Tibet (p. 4: "Vous avez bien tort de lui faire boire du champagne de grand matin, à ce garçon !…"). Later in that same album, Haddock drunkenly warns Tintin against alcohol, telling him it's "very bad for young people like you!" (p. 38).

Next, while Tintin is undeniably capable of driving a car, there's actually no indication outside of the earliest stories that he can legally drive. (A quick Google search also tells me that Belgium has historically been notoriously lax on road safety.) At no point after the first four albums - that is, after Hergé became interested in telling a story that makes logical sense, a development typically placed at Blue Lotus - does Tintin drive a car that was acquired legally, not commandeered or outright stolen. (In Soviets and Congo he buys a car; in Cigars he drives the two Rajaijah victims to the asylum, though I doubt anyone was worried about him getting pulled over in the jungle.) On the few occasions where there isn't an emergency, it's always Haddock who drives; see for example Crystal Balls or the few pages of Thérmozéro. When Tintin finally gets a vehicle of his own, in Picaros, it's... a motorbike, which one can get a license for at a younger age than for a car. And in Alph-Art, where the motorbike plays a much larger role, Haddock still drives Tintin into town (p. 25) - and then gets left in the car while Tintin investigates!

Hergé also apparently didn't think flying a plane was particularly difficult. In Jo et Zette, one of his other series, Hergé has little Jo be able to fly his father's "Stratonef" and even land it from a glide, despite only ever hearing his father talk about how to fly it. Over the course of the two-part story (Le Testament de M. Pump and Destination New-York), Jo manages multiple successful flights - more than Tintin ever does! - despite unambiguously being a child.

(Destination New-York, p. 41)

And as with the cars, every plane Tintin ever flies is stolen, so whether he has a legal license or not really doesn't matter.

The same goes for his guns. In all but the first albums and Ear where, surprised in his flat, he really does pull a revolver out of nowhere, Tintin's guns are explicitly either given to him or taken from a disarmed enemy. The series doesn't make a point of him owning and carrying his own gun - just the opposite. And while it seems to us now that Tintin has a lot of firearm use for a children's comic, proficiency with guns was honestly a genre expectation for all adventure heroes of the time (just don't put a gun on your cover). For example, Chang, who from his introduction on acts like a second Tintin, wields a pistol at the end of Lotus and is even implied to be the one who makes the shot that breaks Didi's sword despite appearing even younger than Tintin. (See also the previous section of this post; Chick Bill is carrying a gun in the picture I included.) What's more, the gunplay in Tintin is actually a step down from its predecessor Totor, where Hergé's titular Boy Scout kills a man with a rifle shot to the face.

In short, Tintin is able to do a lot of things he shouldn't legally be able to do by simply not doing them legally.

The fact that Tintin lives alone isn't necessarily a mark of maturity either. It's hardly uncommon for a young adventure protagonist to be unusually unsupervised; it's effectively a demand of the genre. Hergé learned why that is from experience when he created Jo et Zette for the editor of the French, ultra-Catholic children's magazine Coeurs Vaillants, who had raised concerns about how unrealistic Tintin was. In Hergé's own (translated) words:

(From Entretiens avec Hergé, reproduced & translated in The Comics Journal no. 250, p. 191)

Parents are a nuisance, one that Hergé was only too happy to dispense with in Tintin's case. And besides, Tintin isn't completely alone forever; with the introduction of the Marlinspike "family," not to mention Marlinspike Hall itself, during the war, he at least ends up with a home and some adult supervision, however dubious it may be at times.

As for his schooling, according to a report on the Belgian education system from 1932, education was only compulsory there (not to mention free) from ages 6 to 14. That same report records that in 1928, the number of students in the higher level of secondary education - corresponding to high school in American terms - was only 1% of the number of students enrolled in compulsory primary school. Even adjusting for the fact that primary education enrolls children for twice as long, the percentage is still a paltry 2.6%. And then the number of students in university that same year was only about three-quarters of the number of students in secondary education.

What that means is that at the time when Tintin was getting started, only very, very few people stayed in school beyond age 14. Hergé himself was one of those few, but to many of his readers in the early years, the idea that Tintin was already working at age 14 or 15 would have been not just reasonable but recognizable - especially as he has no apparent family to support him. (Not that Tintin isn't knowledgeable: judging from the number of books in his apartment, we can presume that he's quite the autodidact.) Of course public education was broadened after WWII, but by then the character was already firmly established.

As for how Tintin is already a reporter, well, Hergé freely admitted that he gave him the job just because that's what he thought was cool at the time. "Of course it was a pretext," he said on British radio in 1977. (The announcer for that interview describes Tintin as "a 16-year-old Belgian boy with a strange lick of hair, a pair of plus-fours, and a terrier." In it Hergé, questioned about the outsize success of his series, responds that for him "he [Tintin] keeps to be a little boy. Only that.") The tone of the series would be very different if Tintin were just an office clerk or a paperboy, after all - and besides, all but the youngest readers of Le Petit Vingtième would have understood that it's not a real newspaper, just a little children's magazine, so the idea of it having its own official reporter was not to be taken fully seriously.

It's important to remember that our current cultural idea of the teenager as a separate, unique stage between childhood and adulthood was largely a post-WWII American innovation - in fact, the word "teenager" only entered popular use in the 1940s. By contrast, fully half of the Adventures of Tintin (up to the first 2/3 of Crystal Balls) were written either before or during WWII. Hergé himself, born in 1907, began submitting illustrations to a magazine (Le Boy-Scout) at 14, was hired at the Vingtième Siècle at 18, created Totor and did his military service, reaching the rank of sergeant, at 19, and before turning 22 had been given full responsibility for creating and running the Petit Vingtième, gotten engaged to his first wife, Germaine Kieckens, and created Tintin. Being young looked different then.

To close this section I'll also note that, as far as I can tell, positioning Tintin as a teenager never seemed to pose much of a problem to anyone reading the series while it was actively running. Anecdotally, nearly every published source I've read takes for granted that he's an adolescent, and an exception like writer of multiple books on Tintin Renaud Nattiez saying on the air in 2016 that he thinks Tintin is at least 22 (~03:30-03:50) seems to be a uniquely 21st-century development.

TL;DR: Everything I can find indicates that Tintin was always intended to be around 15, and never older than 20, years old.

II. Interpretation

Finally, it's important to not overstate Hergé's commitment to realism. At the end of the day, Tintin can do whatever the story needs him to be able to do, because he's the protagonist of a very straightforward adventure serial. He's always been aspirational, even for Hergé himself: "Tintin is me the way I'd like to be: heroic, flawless." And yet Tintin, victim of its own success, has always been held to a higher standard of realism than its fellow comics, not to mention a higher level of scrutiny in general. Even if, as I've tried to demonstrate, Tintin's feats aren't entirely out of the range of possibility (or at least the norm for comics characters) for his time period, I'm not arguing that he's supposed to be a perfectly accurate representation of the average boy of any point in the mid-20th century. I also don't deny that he typically does act like an adult. So the guiding question here is: How can this dual nature of Tintin's - his adolescent status and adult aspects - be interpreted?

Jean-Marie Apostolidès writes that as "il unifie dans sa personne deux aspects opposés de l’existence, l’enfance et l’âge adulte" ("he brings together in his person two opposing aspects of existence, childhood and adulthood"), Tintin represents "un mythe réconciliatoire" ("a reconciliatory myth") of which the "fonction implicite est de ressouder entre deux générations une confiance brisée" ("implicit function is to mend a broken trust between two generations"). He names this type of child-adult character the "surenfant" ("superchild"), and argues that it is specific to the 20th century and the cultural shock of WWI.

For Pol Vandromme, who wrote the first book of analysis on Tintin (or on any BD), Tintin is simply a perfected version of the teenage boy, one that other teenage boys can aspire to. First, he cites as conventional wisdom that Tintin is around 15, and concludes that "c'est dans tous les cas un adolescent" ("in any case he's a teenager"). While Vandromme accepts that Tintin is presented as a teenager, he also points out that Tintin doesn't represent the experience of being a teenager; Tintin "ne présente [...] que les apparences de l'adolescence" ("only displays the appearance of adolescence") because he's so self-assured and stable, traits antithetical to "l'époque de la métamorphose" ("the time of metamorphosis") that is adolescence.

And yet "il [Tintin] demure malgré tout suffisamment proche pour que les garçons se disent qu'ils auront un jour la chance de lui ressembler, d'imiter son style de vie. [...] Ce que Tintin propose à ces garçons de quinze ans, c'est la figure achevée de leur âge. Il les venge de leurs insuffisances" ("he [Tintin] remains all the same close [i.e. similar] enough that these boys tell themselves that one day they'll have the chance to be like him, to imitate his way of life. [...] What Tintin offers to these 15-year-old boys is the perfected version of their age [group]. He makes up for their shortcomings"). Consequently, having put themselves in Tintin's place, these boys "ont l'illusion d'être déjà de la tribu des jeunes gens qui ont découvert dans leur sac de voyage les clefs qui ouvrent les portes de la fable du monde" ("have the illusion of already being part of the clan of young people who have discovered in their travel bag the keys that open the doors of the world's fable"). In plainer language, being able to identify with Tintin as an apparent peer lets teens imagine themselves as being more capable and powerful than their age allows in reality, an attractive illusion.

I'll add that the static quality of Tintin as a character that Vandromme identifies is dictated by the form of the series. When presented with a teenage protagonist in a work, the novelistic expectation is that what follows will be some kind of bildungsroman, where the events of the story will push the protagonist to change and mature into adulthood. However, I believe that it's a mistake to approach The Adventures of Tintin as a novel when it is fundamentally a serial - even late in his career, when he didn't need to do prepublication anymore, Hergé's approach to plot was still oriented around the page-a-week format. Serial characters, as a rule, change very little. Tintin gets compared to Sherlock Holmes more than once in the series, and it's also true on a meta level: Holmes has a few minor moments of character development, but he largely remains exactly the same over the course of Conan Doyle's stories, which were likewise published in a magazine. In a true serial, the status quo is god, because the main aim of the serial is to perpetuate itself - theoretically forever. And so Watson always finds a reason to return to Baker Street, and Tintin never gets old enough to think of settling down and getting a real job.

Like Holmes, Tintin does change and grow somewhat as a character over the course of the series, but also like Holmes, that growth is not a planned arc with an endpoint, as you would expect in a novel. Instead, it's just a result of Hergé himself maturing and changing. In his contribution to L'archipel Tintin, Benoît Peeters notes that "Grande est la tentation, pour beaucoup, de lire la série comme une totalité, un monument où tout signifierait" ("The temptation is great, for many, to read the series as a totality, a monument where everything has meaning"). And yet he declares that "si accomplies soient-elles... Les Aventures de Tintin se sont élaborées en l'absence de tout grand dessein" ("however polished they may be... The Adventures of Tintin were created in the absence of any grand design"), citing the testimonies of both Hergé and those who knew him at the beginning of the series. Hergé never really had a plan for Tintin as a character; he really did just put him in situations over and over again for a little more than fifty years. However, now that the series is only read in album format and serial publishing is less common, the "temptation" Peeters describes is even stronger. This mismatch in narrative expectations may be part of why modern readers might struggle to view Tintin as a teenaged character.

There's one more element to Tintin's strangeness: the world of the series was built around Tintin himself to facilitate his adventures. Vandromme recalls the fact, so obvious that it's easily forgetten, that "Tintin étant ce qu'il est et ne pouvant être un autre, infléchit l'intrigue d'une certaine manière. [...] Remplacez Tintin par le père Fenouillard et il vous faudra modifier l'album de fond en comble. Dans un roman les personnages déterminent les événements avant d'être déterminés par eux" (Tintin, being who he is and unable to be anyone else, influences the story in a certain way. [...] Replace Tintin with the father of the Fenouillards [character from a 19th-century comic about the misadventures of a French family abroad, n.b.] and you'll have to change the album from top to bottom. In a novel, the characters define the events before the events define them"). This point is especially relevant to Tintin given that the series' beginning was, to put it mildly, haphazard. Starting from Soviets, where Tintin is alone with his dog in a bizarre world where he can sneeze down a sewer grate, cut down a tree with a pocketknife, or fistfight a bear - whatever it takes to keep the plot moving - set a precedent for the character: that Tintin, and nobody else, will always triumph over whatever enemy or obstacle he is faced with.

Because it's founded on Tintin himself, there are no real adults in the Adventures, and in fact there can't be any. Preserving Tintin's Soviets-era boy hero status as the world of the series became steadily larger and more realistic created a kind of 'competency warp' where Tintin, along with his young "doubles," Chang and Zorrino, is effectively always the most capable, the master of the situation, while those closest to him who are much older (the Thompsons, Haddock, Calculus...) tend to act rather childishly. I think it's telling that the 1946 introduction of Blake & Mortimer is often hailed in terms like these: that "pour la première fois, les héros n'étaient pas des enfants, mais des adultes responsables dont la psychologie était en parfaite harmonie avec leurs fonctions" ("for the first time, the heroes were not children, but responsible adults whose psychology was in perfect harmony with their roles," emphasis mine). All the major adult characters in Tintin had been introduced at that point, but apparently none of them qualified as "responsible" or properly suited for their positions.

Apostolidès similarly notes a deforming effect: "Tintin est un adolescent qui, sans jamais entrer dans l’âge adulte, rajeunit le monde en se confrontant à lui. Au lieu que le personnage se soumette passivement au monde adulte, s’intègre dans une histoire, vieillisse et meure, c’est l’univers extérieur qui se fige dans le temps au contact du héros" ("Tintin is an adolescent who, without ever entering adulthood, makes the world younger by confronting it. Instead of the character submitting himself passively to the adult world, fitting in to a history, getting older and dying, it's the outside world that freezes in time at the hero's touch"). Not only does Tintin resist adulthood himself, he also protects others from its effects.

There are characters who escape the warp, but they must stay on the very edges of Tintin's orbit. One example is the efficient and no-nonsense Mr. Baxter from the Moon books. He has a real job: he's director of the atomic center, and every time we see him he's actually doing it. He also remains disengaged from the antics of the Marlinspike crew, often exasperated and confused by them. They don't belong in his serious space program, and he doesn't belong in their funny adventure series - hence the clash. Another (and very different) example is Jolyon Wagg. I wish I could remember where I read it, but I once saw it pointed out that Tintin and Wagg almost completely ignore each other; their only direct interaction in the whole series is saying hello to each other exactly once (Emerald p. 17). The unidentified author's point was that Wagg inhabits a world so intensely banal, so different from Tintin's - one with community organizations, salesman jobs, an old mother, an Uncle Anatole, a wife and (a lot of) children - that the two can't even come into contact. Wagg may be almost preternaturally obnoxious, but he's also a genuinely ordinary man in a way that the major characters really aren't.

Tintin must remain the sole and main driver of action, because if he isn't, the series would have to change fundamentally. That means no other character can threaten his role by being more competent and responsible than him - and so the adults become ridiculous and/or irrelevant, and Chang and Zorrino are only allowed to act for one album each. And yet Hergé created Tintin as a teenager, and suggested that a Tintin who progressed past teenagerhood would also grow out of adventure: "Il est difficile, pour un personnage comme ça, à le faire vieillir. Parce que s'il vieillit, il va avoir vingt ans, il va avoir vingt-deux ans, il va rencontrer une jolie fille, il va se marier, il va avoir des enfants..." ("It's hard to make a character like that get older. Because if he gets older, he'll be 20, he'll be 22, he'll meet a pretty girl, he'll get married, he'll have children..."). Tintin passing into adulthood, 'real' adulthood, symbolized here by settling down and starting a family, would make the series just as unsustainable as demoting him to a more technically age-appropriate role would; both sides of the tension between Tintin's youth and his maturity are required to make him a proper adventure hero for children.

And so he remained, as he remains today, the world's most competent teenager.

#tintin #hergé #journal tintin #le petit vingtième #resources #also featuring:#jean-pierre talbot #quick et flupke #jo et zette #alix #chick bill #monsieur barelli #lefranc #ric hochet #jari

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lightsoutletsgo · 10 months ago

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the one where ollie lives alone (cl.16 x bearman!reader)

pairing: mainly ollie bearman x oldersister!reader for this part but there's a plenty of charles leclerc x bearman!reader here and there!

word count: 4.2k

warnings: a whole lot of stupidity mentions of death, seemingly angsty in some parts (you'll see what I mean) this might be one of my favourite parts I've written for any series ever 😭 it's so dumb but so funny (according to the people who proofread for me!) as always let me know what you think! your comments are always appreciated. happy reading! mimi 🤍

taglist: @arieslost @iamapersonwholikesunicorns

“Jesus Y/N, what the hell is in here?” Ollie wheezed as he staggered past you, arms straining under the weight of the box he was carrying. You rolled your eyes, “You’re so dramatic Ols, it’s literally just makeup.”

“Is that the last box ma belle?” You turned and saw Charles in the doorway, staring at you fondly. “Mhmm! Everything else is in the van.” You held your arms out to him and he crossed the room, pulling you in by your waist and kissing you softly, “I can’t believe you’re finally coming home with me…” You smiled, looping your arms round his neck, “Me either,” He booped your nose with his own, a loud cough making the two of you jump apart as Ollie leaned against the doorframe, one eyebrow raised, “Are you two done being gross?” “Shut up dummy.” You punched his arm as you walked past him towards the front door. You inhaled deeply, it felt strange but exciting to be moving out and into Charles’ apartment.

Behind you, Charles watched Ollie stare at you, looking like he wanted to say something. He quietly padded up behind the younger driver and nudged his arm, “Are you going to miss her?” Ollie was startled but quickly scoffed, “Hmm? No way!” Charles gave him a pointed look, “I get the whole place to myself! I can’t wait!” Charles gave him a smile and punched his arm gently, “We’re only ten minutes away if you need us.” Ollie laughed, “Thanks but I can manage!”

♯ incident 1 - the dishwasher ⊹.∿ As it turned out, Ollie could in fact, not manage. Mere hours after you’d left him, you found yourself sprinting back up the stairs, cursing the old apartment building for still not having an elevator. You reached the floor of your old apartment and checked the door to see if it was open, turning the handle and entering you called out, “Ollie? I got your text!” You poked your head into each room as you went, searching for him, “What’s the emer…gen…cy…” You trailed off as you reached the kitchen, Ollie staring up at you with wide eyes, crouching next to the dishwasher that was… pouring out soapy bubbles? “Ollie!” “I think I made a mistake.” He said dryly, suspiciously poking some of the bubbly foam next to his shoulder, “Yeah, no shit Sherlock.” You said sarcastically, thinking of a solution, “You put dish soap in didn’t you?” He nodded sheepishly, “There were no dishwasher tablets left so I just… thought on my feet?” You facepalmed and sighed, “Okay well, we need to- DON’T OPEN IT!”

You looked on in horror as Ollie pulled open the door and a torrent of soapy warm foam spilled out and all over the kitchen floor, creeping further into the centre of the room, was it… growing? You looked over at your brother to see him staring back at you with comically wide eyes. “So that’s why we don’t do that.” You said, face deadpan. Ollie giggled nervously, “Oops?” A snort from behind you had you turning round to see Charles filming the whole thing, “Oh some help you are babe.” Charles coughed to cover up his laughter as he put his phone away and entered the foamy bubbly monstrosity that was now the kitchen. “Somewhere under here there’s a bucket and mop.” “Ollie?” “Yeah?” “You’re going in.”

♯ incident 2 - french toast ⊹.∿ A few days had passed since the dishwasher incident and you dozed in Charles’ arms, enjoying the lazy Sunday morning sun slipping through the bedroom curtains. The previous night’s activities had left you a little worn out and with no plans for the day, you had wordlessly agreed that a cosy day in bed was just what you needed. A shrill sound pierced the air and jolted both you and Charles awake. You scrambled to find your phone, as Charles groaned, hands rubbing his face as your hand came up to feel how quickly your heart was pounding. You glanced at the screen as your hand met your phone and you scowled, Charles rubbing your back and doing his best not to laugh as he saw who was calling you, “Ollie Bearman, you better have a damn good reason for calling me this early on a Sunday morning.” There was a pause, “It’s eleven o’clock?-” “That’s not the point!” You sighed, “What do you need?” “Well, you see… I have a question.” “Go ahead,” “So I was making french toast right? And I followed the recipe exactly as you wrote it out! Right amount of eggs, milk and sugar.” “So what’s the issue?” Ollie sighed, “It won’t cook but it smells a bit smokey…” You pinched the bridge of your nose, “Then turn it down?” “I don’t know how!” “Turn the hob dial down dummy!” Ollie went silent for a second, “Did you say hob dial?” Alarm bells started ringing in your head, “Why would I adjust the hob when I’m using the toaster.” You froze for a moment before pulling your phone away from your ear and putting it on speaker, unable to believe what you were hearing, “I’m sorry, what did you just say?” Charles gave you a concerned look, sitting even closer to you and wrapping one arm around you while the other rubbed your knee comfortingly

“I said, I’m using the toaster.” You stared at your phone, mouth slightly agape, “You’re making french toast in the toaster?” “Correct.” Charles snorted and choked back a huge guffaw of laughter as the hand he’d placed on your knee came up to cover his mouth, his face turning pink with how hard he was laughing, “Ollie! French toast isn’t made in the toaster!” “It’s called french toast!” You pressed the video button and changed the call to facetime. Your brother stared back at you, looking rather dishevelled, “That’s a rather deceiving name if you ask me!” You groaned, facepalming, “You make it in a frying pan” Charles was no help next to you as he wheezed silently, grabbing his own phone to record the conversation for later use and hilarity. “Well how was I supposed to know that?!” Ollie was indignant as he pleaded with you through the screen, “OLLIE! You’ve watched me make it hundreds of times!” He pouted through the screen letting out a little ‘hmmph’ “Well if you hadn’t abandoned me, we wouldn’t have this issue would we!” You rolled your eyes, “For the last time, I did not abandon you! I live a 10 minute walk away!”

You sighed before laughing at your brother lovingly, “Alright then silly, head over for lunch and I’ll show you how to make french toast the proper way.” Charles snorted once more and you both burst into giggles as your brother scowled at you, “Stop laughing at me!” Ollie whined, you caught your breath and wiped your eyes, heart warm at the silly moment you knew would turn into a fond memory, “Uhhhh Y/N?” You looked back at the screen to where Ollie was turning the camera round to show you a sparking, smoking toaster, “I don’t think it should be doing that…” You cursed as Charles scrambled out of bed, pulling mismatching socks on as you grabbed a hoodie, “Change of plans Ols, we’re on our way!”

♯ incident 3 - Gerald ⊹.∿ Things were peaceful for a couple of days after the french toast debacle - something you were more than thankful for, wrapped up in your perfect little bubble with Charles. Of course you continued to text Ollie, but there had been no major crisis that required your immediate attention. Until there was.

It had been one of those long lazy days spent at home, until Charles had announced he was taking you to dinner and told you to get all dressed up. You’d slipped on one of his favourite numbers and he’d shown his appreciation more than once, sliding his hands round your hips and squeezing while you waited to be seated, pulling your chair out for you to sit down and sliding his hands down your arms once you were seated, moving his chair round the table to sit closer to you so he could place a slow smooch against your neck. You hummed happily as he fed you a mouthful of his dish, “I knew you’d like it!” You smiled at him, “I like most things you suggest…” He bit his lip as his eyes darkened slightly, “Is that so?” You nodded, eyelashes fluttering as your lids close, “What if I suggested something a little… more intimate?” You giggled, picking up your wine glass to take a sip and hide your face, too shy to keep the eye contact, “I wouldn’t mi-” Your phone blaring cut you off and you gasped, rushing to put your glass down as other customers in the restaurant glared at you, Charles chuckling quietly next to you, his hand resting on your thigh and rubbing soothingly.

“Ollie I swear to go-” “He’s dead.” You heard your little brother sniffle and adrenaline kicked in, “Ollie, who’s dead?” You kept your voice as calm and quiet as possible, you heard him sniffle once more before a sob left his mouth. That was all you needed to hear before you were grabbing your clutch and nodding towards the door. Charles tilted his head and you mouthed your brother’s name. He nodded understandingly and rushed to pay the bill before you were both scurrying back to his car. As soon as you were buckled in you put your phone on speaker, “Ollie… Honey… what happened?” Charles also looked panicked as he heard Ollie’s choked sob, “He was fine and then he just… wasn’t.” “Who Ollie, who’s not fine?” You pleaded, “Ge-” You cursed as the call cut out, “It’s okay ma belle, his phone probably just died, we’re almost there okay?” You nodded, hands nervously twisting and wringing together in your lap. Charles eyes darted to your hands for a second before looking back at the road, one hand leaving the steering wheel to gently hold your hand in his. You looked at him and squeezed, a wordless thank you.

As soon as Charles pulled up, you were racing out of the car, slipping your heels off and carrying them in your hand as you sprinted barefoot up the stairs of the apartment building. You reached the door and rang the bell, knocked, called his name, anything you could think of to attract his attention. The door opened slowly and it wasn’t Ollie that appeared but Arthuer Leclerc, looking ever so sombre, “Arthur?” Your eyes were panicked as you looked him over for any injuries or obvious isses. He simply held his hand out to indicate to you to enter and you slowly stepped through the door, “Where’s Ollie?” Arthur nodded, head down towards the ground and the panic rose in your chest again, “He’s in the living room, saying his goodbyes.” “Goodbyes to who?” You paced down the hallway and burst into the living room, your jaw dropping at the sight you saw.

Ollie stood in front of the coffee table that was lit with candles, dressed in a suit and your brain suddenly registered that Arthur had been dressed the same way. You were even more concerned when you saw Arthur’s girlfriend fully dressed in black, standing next to Ollie with a comforting hand on his shoulder. You approached him slowly, arms opening and your expression softening as he turned to you with a red splotchy nose and red-rimmed eyes, he fell into your arms and you patted his back, gently shushing him, “What happened, Ols?” “He’s gone.” Ollie croaked out, “Who’s gone honey?” Your voice was gentle as you stroked his hair, the same way you did when he was younger and couldn’t sleep, “Gerald.” “Oh.” You said softly, “Was he a friend?” Ollie nodded and you held back a wince as he rubbed his snotty nose onto your shoulder, knowing he needed you, “He was such a good friend.” You led him over to the couch and sat down, his head falling onto your shoulder as you continued to play with his hair.

You were aware of Charles appearing in the doorway and you gave him a brief smile, before turning your attention back to Ollie, “Would I know this friend?” Ollie nodded, his sobs quieting to sniffles, “You were his friend before I was.” Your stomach dropped as you frantically thought of who Ollie could possibly be referring to, feeling guilty that your mind was blank, “The funeral was lovely.” Arthur’s girlfriend nodded solemnly, a hand over her heart as the other hand came up to dab her eyes with a tissue, “The funeral has already happened?” You were confused as Arthur nodded, “Just before you got here.” Your eyes shot to Charles who was just as concerned and confused as you, “Wait, the funeral was here?” Ollie scoffed, “Well where else would it have been?” “Wait Ollie,” You held his face in front of yours, “Why was the funeral in your apartment?” “He wanted to be remembered in the place he was most happy…” Ollie sighed wistfully, his head turning to look at the coffee table once more.

You squinted, focusing on a shape amidst the flickering candles and once more your mouth gaped as you stood up and stormed over to the other side of the room. “Ollie. Bearman.” You gritted your teeth, “Don’t tell me that this was all about a fucking cactus?” “Succulent!” Ollie snapped at you, wiping away a tear from under his eye, “He was a succulent,” He whispered as he looked down at the floor. Charles broke first, snorting in the doorway and you watched as he did his best to choke down his laughter, coughing and shaking his head, you watched as he excused himself from the room for a moment to force a solemn expression back onto his face. He returned but you could see the laughter threatening to bubble over as he took in the sight before him. Ollie, his younger brother and his younger brother’s girlfriend all dressed in black and in mourning for a succulent that sat sadly on the coffee table and looked like it had been watered a little too much.

“I’m glad you got here,” Arthur spoke up suddenly, “Oh goodie, do tell me why.” Your tone was sarcastic. “We’re about to do the funeral exit.” Charles was holding in his laughter so much that he now had tears streaming down his face and Arthur patted his back with a ‘there, there’ and handed him a tissue. “Arthur’s girlfriend has agreed to sing the exit song and we’re so thankful she has.” “Who is we Ollie?” You brow furrowed as you looked around the living room, “I-I…” You sighed. “Go ahead.” You all stood still, heads to the floor as Arthur’s girlfriend launched into a rendition of ‘Memory’ from Cats, “Miiiiiiidniiiiiight, not a sound from the paaaaavemeeeent.” Charles quietly crossed the room to stand next to you, nudging you gently with his shoulder, “Interesting date night hmm?” You growled, “Don’t you dare encourage him.” Ollie approached you, “Do you want to say your final goodbyes?” “Ollie, why would I care about a succulent?” He gasped, “It’s Gerald!” “Yes Ollie so you said, but why would I care that it’s name is Gerald?” Ollie shook his head, “Don’t even recognise your own friend…” Arthur tutted and even his girlfriend gave you a disapproving look as she continued wailing in the background, you mentally made a note to apologise to the neighbours the next time you were here during normal sociable hours.

You rolled your eyes at your younger brother and stepped forward to ‘pay your respects’ to the succulent. Your eyes narrowed, “Oliver. James. Bearman. That’s MY fucking succulent!” “It was nice of you to wear black.” He continued, nodding towards your dress and Charles blazer and pants, ignoring your exclamation. “We were on a date!” You screeched, Charles once again powerless to help in any way, instead just collapsing with laughter. You growled as you lunged for your brother, “Ollie, I swear there will be a funeral tonight.” You hissed, “Yours!”

♯ incident 4 - spiderman ⊹.∿ After everyone had said their goodbyes to Gerald, he had been unceremoniously dumped into the rubbish bin and that had been the end of it. Ollie had promised to buy you a new succulent and had learned that they did not, in fact, require watering every day, and you now forever had ‘Memory’ stuck in your head. Once more, peace had been restored but you doubted it would last much longer.

Your theory was proved correct when a few days later, your phone rang. An unknown number. You ignored it at first, all too aware of strange reporters and crazy fans who would do anything to get closer to Charles. You simply went back to reading your book, until your phone rang again. It was an unknown number still and you grumbled, rolling your eyes and answering quite snappily, “Yes? Hello?” The voice on the other end of the line seemed almost taken aback, “Umm excuse me is this Y/N Bearman?” You sighed, “Yes it is, no I won’t give you a quote and yes Charles is great in bed, goodbye!-” “No wait please! I’m from downstairs! You live in 10B yes?” You stopped as your finger hovered over the end call button and brought the phone back up to your ear, “Uhhhh I used to, yes, can I ask why?” “Oh, well there’s a man trying to climb onto your balcony and I was concerned that’s all.” Your stomach flipped, your mind rushing to thoughts of someone breaking in when your little brother was home alone, “I’ll come over now! My younger brother still lives there.” You raced to grab your keys and jumped into your car, deciding to get there as soon as possible rather than walk. Who was stupid enough to break in in broad daylight? You briefly considered calling the police but you were sure the idiot would be gone by the time you got there. Your car pulled up and you craned your neck to look up at the balcony of your old apartment. Your eyes widened and you gasped as you spotted that there was indeed a man hanging off of your balcony, “Holy shit,” You mumbled, scrabbling to open the door and race towards the apartment complex. The closer you got you squinted as you realised the hoodie looked ever so familiar. “Ollie?!” You yelled up and shrieked as your brother looked down at you, giggling nervously as his feet kicked back and forth as he desperately searched for a footing, “What the fuck are you doing?” “Uhhh I can explain!” He yelled back to you, “H-hold on, I’m on my way up!” You hurried up the stairs, once more cursing the lack of elevator as you finally reached your floor, unlocking the door and rushing through the apartment to french doors out onto the balcony.

“What the fuck were you thinking?” You screeched, leaning over the balcony and diving to grab him and pull him up, “Ollie that’s so fucking dangerous!” “Look!” You heard a kid shout from the street below, “It’s Spiderman!” You scoffed and rolled your eyes, "He wishes!" You paused for a moment to yell back, before resuming hauling your brother over the apartment balcony. “How did you even get up here? Why are you up here?” Ollie chuckled, panting slightly as he finally threw one leg over the ledge, “Funny story actually…” You raised an eyebrow, “Well please share,” “I forgot my key…” “I-” In your shock you almost let go of him and his scream attracted the attention of yet more passers by below, laughing and pointing at the odd sight they were witnessing. You smiled down awkwardly before turning back to Ollie once more, “Why didn’t you call me?” Ollie whined as you began to tell him off, “Because I didn’t want you to find out…” “Oh so this was a better idea- Ah!” You squeaked as Ollie tumbled over the ledge and onto the balcony. Landing on your stomach in a tangle of limbs, “Your foot is up my butt!” “Yeah well it wouldn’t be if you hadn’t been being stupid! Anyway, get your elbow out of my eye!” “Oh I’m sorry, I was making sure I wasn’t about to fall to my death!” You shoved Ollie off of you and led there on your back, panting, Ollie much the same,

“For the record, you are the shittiest spiderman there is.” “Thanks, that’s really boosting my confidence.” “Glad I could help.”

♯ the resolution ⊹.∿ “We need more protection.” You announced loudly, stepping into the kitchen “Excuse me?!” Charles choked on his protein shake, cheeks turning pink and you heard Max snort on the phone, “God, no! You pervs… I meant like, we need protection from Ollie and his dumbass incidents.” Max cackled, “Charles has sent me the videos, I was dying at the dishwasher incident.” You groaned, crossing the room to stand next to Charles who sat at the breakfast bar. He grinned as you rolled your eyes at Max who you could now see was on facetime. “Yeah, well I’m turning grey way sooner than I should!” You joked. You chatted with Max a little longer before Charles signed off with the promise of joining him to game later.

You sighed, leaning against Charles’ side, “What’s wrong ma belle?” You took another breath and paused, “I’m just… worried about Ollie…” Charles put his arm around you and rubbed your back soothingly, “What has you so worried mon amour?” His expression was warm and you knew he wasn’t angry with you, rather genuinely curious, “I just feel like… maybe he isn’t ready to live on his own yet?” Charles nodded at you and you took that as a signal to continue, “I mean, he’s always had me there to help him and I know someday he’s gonna have to get used to me not being there but I just feel like right now…” You trailed off with a sigh, “He still needs you.” Charles finished and you gave him a grateful smile and nodded. “But, I don’t wanna leave you. I love living with you and having you around and I love just... living life with you. Am I selfish for not wanting to give that up?” You bit your lip, moving away from Charles to pace the kitchen floor. Charles shook his head with a fond smile,

“Ma belle… You’re not selfish for wanting to do something for yourself and I’m proud of you for wanting to pursue that, especially since it’s me you want,” he slid his arms around you as you stepped next to him and dragged you backwards to him, making you giggle, “but I also know that you want to be there for family and I can understand that, you guys are close, the same way that me and Thur are, probably even closer.” You hummed, leaning back against him, “Thank you for being so understanding.” You sighed, “Now I just need to work out how to fix it…” Charles smiled and turned you round in his arms, nudging your nose with his, “Well… we have a spare room?”

Which is how you found yourself hauling boxes upstairs a week later, “Jesus Ollie, what the hell is in here?” You wheezed out and Ollie simply smiled at you, patting you on the head as he walked past you, arms empty, “You’re so dramatic Y/N, it’s literally just a few bits.” You poked your tongue out at him as he mimicked your words from just a couple of months ago. “Is that it mate?” Charles head appeared from behind the apartment door and Ollie nodded, as you finally conquered the stairs and planted the box down on the hallway floor. “Now let’s go over the rules one more time Ols.” He sighed, “Fine…” “Rule one?” You crossed your arms and raised an eyebrow, “No dish soap in the dishwasher…” He grumbled, Charles chuckled, “Rule two?” “No cooking without supervision.” Ollie recited as you nodded, “Don’t worry, that rule applies to Charles too.” “Huh?!” “Shush baby, rule three?” You turned back to Ollie, “No watering the succulents unless instructed, no matter how sorry I feel for them.” You nodded, “I am not having a repeat of Gerald and the… funeral.” You shuddered, as Charles snorted before asking, “Rule four?” “Always call one of you two if I forget my keys…” “And?” You raised an eyebrow, “No climbing balconies under any circumstances.” You clapped your hands together and smiled, “Good! Well I can’t think of anything else, can you?”

You turned to Charles who shook his head and Ollie who just shrugged, “In that case, let’s go! Pizza for dinner sound good?” The three of you walked into the apartment and the door to the hallway swung shut, your arguments about pizza toppings muffled through the door, but the happiness and love you felt for each other not dulled in the slightest.

#mimi.writes #bear hugs series ˚ʚ🧸ɞ˚#f1 fic #f1 series #f1 fluff #f1 crack #ollie bearman x reader #ollie bearman x you #ollie bearman fluff #ollie bearman fic #charles leclerc x reader #charles leclerc fic #charles leclerc x you #charles leclerc fanfic #charles leclerc fluff #charles leclerc imagine #f1 oneshot #f1 fanfic

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omgshiftercat · 26 days ago

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I have a friend whose ex, a minor celebrity in some circles, was abusive.

Shortly after she and some other women went public about it, there were some people who chimed in talking about other misdeeds of his.

Her ex was, and is, a loathsome waste of oxygen, and the words, "...who deserves every accusation leveled at him" would almost escape my lips...

...Except that some of the accusations people began throwing around because they (understandably) hated this guy weren't true.

This did not help my friend at all! It muddied the waters, and gave her awful ex ammunition for his claims that people were just out to get him, and were willing to make stuff up to smear him.

Switching gears: there's been a lot of discussion recently about how some brilliant and influential art has been created by objectively terrible people. Part of that discussion has been calling out people who say, "Their work always sucked," or "I never liked it." Not only are statements like this unhelpful, they provide cover for predators. If you insist that your tastes reflect your morality, you're giving yourself a huge blind spot, and making it easy to dismiss evidence of harm done by creators you happen to like.

This is one reason why I think exhibits like this one are important: they help teach that lesson.

Three notes on this: 1. by the time of that exhibition, Gill was long dead and therefore unable to profit from it.

2. This kind of thing isn't necessary for every artist, because not every creator does heinous things.

3. My friend's ex is nowhere near the artistic league of Eric Gill or any of the other creators I'll discuss.

Switching gears again...

If someone mentions a bespectacled British boy wizard with an owl familiar, in a modern setting with "secret world" magic, the name that springs to mind is most likely "Harry Potter", right?

But Timothy Hunter, from The Books of Magic, was published a full seven years before that. I was working in a bookstore when the novelizations for the BoM comics came out, and had to tell kids that no, this was not a HP rip-off.

I don't think the reverse was true, either: for one thing, The Books of Magic is set in the DC Universe, and I've never heard of JKR reading superhero comics. But also... sometimes completely separate creators will come up with strikingly similar ideas, utterly by coincidence. It's one reason why most authors tell fans NOT to send them ideas or fanfiction based on their work: there is rarely any good way to prove that you didn't steal a concept.

Now, obviously every creator is influenced by other people's works, and I completely agree that it's good to acknowledge that and to point fans towards your influences!

When Rowling began channeling her resources into making life worse for trans folk, I saw a lot of people saying, "Well, Harry Potter was just a mediocre rip-off of The Worst Witch anyway."

While I haven't read that series, I strongly doubt this claim. The idea of magic schools is older and more widespread than either of those series, and "British boarding school hijinks, but it's a magic school" was bound to be written more than once.

Now, some of you already know, and others have looked up, who originally wrote Tim Hunter. And... yeah, it's Neil Gaiman. *sigh*

In the last few days, I've seen some people saying, "The Sandman ripped off Tanith Lee's Tales from the Flat Earth." They cite a number of similarities: Azhrarn, the Lord of Darkness, is a pale-skinned, raven-haired Byronic figure with a sibling-like relationship to the Lord of Death and the Lord of Madness. Like the Endless, these beings are god-like, but specifically not gods. Apparently some people have mistaken fanart of Azhrarn for Morpheus. And Chuz, Prince Madness, has a bisected appearance, half his face horribly messed up, like the demoness Mazikeen.

But speaking as someone who was a fan of the late Tanith Lee years before I picked up an issue of The Sandman: I don't believe the latter was stolen from the former. Are there similarities? Yes, but they're superficial. If you've read both series, as I have, you'll know that the stories, settings, and characters are very different!

It's possible Gaiman was influenced by Lee's writing, and if so, I agree he should have acknowledged that. He did promote the work of other female creators, which is one reason why many of us thought he was "one of the good ones". But it's also entirely possible that these two authors independently came up with similar ideas.

When it comes right down to it, I think that statements like this -- "their best work was just a rip-off of something else" -- are just another variant of "their work always sucked".

It's often an easier accusation than "they've always been crap", because, as I said, writers come up with strikingly similar concepts all the time, and it's very hard to prove you didn't steal an idea. But it has the same problems, so -- barring the kind of case you could make with a college-level plagiarism-catching program -- I think it's best avoided.

Now, telling people, "Hey, are you sad about this creator turning out to be an awful person to whom you don't want to give any more money? Try this other person's work instead!" This is good! Let's have more of it!

Addendum 1: I think "separate the art from the artist" should mean, "you don't have to treat books already on your shelf as if they're suddenly coated in poison", not "I'm going to ignore this creator's actions and keep buying their products anyway."

Addendum 2: I just posted a version of this to Bluesky.

#tanith lee #tales from the flat earth #harry potter #timothy hunter #eric gill #the sandman #neil gaiman #books and reading #comic books

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hoshifighting · 6 months ago

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hoshi as a sugar baby!

— WARNINGS: sugar mommy x sugar baby relationship, smut, teasing, sponsor!reader,dancer!soonyoung, multiples orgasms, soonyoung is a freak in bed, dancer's hips. — (Seventeen as Sugar Baby's Series)

you were used to being the one who controlled the room, the one who made heads turn for all the right reasons. you weren’t used to showing up in a place where your designer scarpans echoed against the hard floors of a dance studio, surrounded by people in scuffed sneakers and well-worn sweats. it was almost laughable, the stark contrast between you and them, but you held your head high, owning every step as if the place belonged to you.

you were there for business, checking on one of the many studios you sponsored. it was supposed to be a quick visit, a formality, but then you saw him—soonyoung. the way he carried himself, all confident swagger as he walked in with his dance partners, sweat still glistening on his skin from what you could only assume was a performance. he was the kind of hot that made you stop and stare, like the kind of guy you'd see on a billboard in nothing but designer underwear.

but when your eyes met his, something unexpected happened—his face flushed a bright pink. you hadn’t even done anything yet, just looked at him, but suddenly the cocky dancer couldn’t stop stuttering.

“h-hi,” he managed to choke out, his voice cracking just a bit as his friends shot him amused glances.

you raised an eyebrow, trying to hide the smirk threatening to tug at the corners of your lips. “hi.”

he opened his mouth, then closed it, looking for all the world like a fish out of water. you could practically see the gears turning in his head as he struggled to figure out what to say. his friends, probably tired of watching him flounder, gave him a shove.

“soonyoung, just ask her already,” one of them hissed, and you couldn’t help the small laugh that escaped.

“ask me what?” you prompted, leaning in just enough to make him squirm. you were enjoying this more than you should.

“uh, i was just, um… me and my friends were gonna grab some food at this, uh, street food bar… you wanna come?” he blurted out, his voice rushing the words together in his nervousness.

his friends all cringed, one even elbowing him and whispering something about you being the sponsor. so yeah, a street food bar didn’t fit you, apparently.

but you didn’t mind. in fact, you were impressed that he’d asked at all, considering how out of place you looked in your crisp white shirt and perfectly styled hair.

“sure,” you said, surprising yourself as much as him. “why not?”

the stunned silence that followed was almost comical, but soon enough, you found yourself following soonyoung and his group to a small, bustling street food bar. it was the kind of place you’d never have set foot in on your own, but there was something endearing about how nervous soonyoung was as he tried to make conversation with you, all while sneaking worried glances at your hair.

“you don’t have to worry, you know,” you teased as he glanced at you again, clearly concerned about the smell of frying pork wafting through the air. “i’m not going to bite your head off if my hair smells like food.”

his eyes widened, and he quickly looked away, his ears burning red. “i just… i didn’t think you’d actually say yes.”

“why not?” you asked, genuinely curious.

he shrugged, poking at his food with a pair of chopsticks. “you just seem… i don’t know… out of my league.”

you tilted your head, studying him for a moment before smiling. “maybe i am, but that doesn’t mean i can’t enjoy some fried pork with you.”

his eyes flicked up to meet yours, and for the first time, you saw a spark of the confidence he’d had when he first walked into the studio. “well, i’m glad you did.”

and just like that, the tension melted away. soonyoung was still a little nervous, still stealing glances at you like he couldn’t quite believe you were there, but the conversation flowed easier, and you found yourself laughing more than you had in a while.

you could tell he was trying to impress you in his own way, showing off a bit as he talked about dancing, about his aspirations, about how much the studio meant to him. and as the night went on, you realized that maybe you’d underestimated him. sure, he was a little awkward, a little rough around the edges, but there was a charm to him that you couldn’t ignore.

by the time you left the bar, your hair did smell faintly of fried pork, but you didn’t mind. if anything, it was a reminder of a night that had turned out to be far more enjoyable than you’d expected.

“thanks for coming with me,” soonyoung said as you walked back to your car, his voice more confident now.

“thank you for asking,” you replied, turning to him with a smile. “maybe next time, we can go somewhere a little more… upscale.”

his eyes lit up at the suggestion, and he nodded eagerly. “i’d like that.”

the relationship with soonyoung progressed in the most unexpected way. from that awkward street food date to trips in first class, dinners at exclusive restaurants, and gifts that had him questioning your sanity. you loved watching his reactions—how his eyes would widen in disbelief, how his voice would go high-pitched when he realized just how much you were spending on him.

like the time you handed him a box containing a pair of sneakers. he had no idea what brand they were—some obscure, ultra-luxury label that you’d stumbled upon while shopping in milan. you’d seen the way his face lit up when he talked about sneakers, so you thought you’d indulge him a little.

“babe, you shouldn’t have,” he’d said, grinning as he pulled the shoes out of the box, not even realizing just how much they were worth.

“trust me, you’ll love them,” you’d replied with a smirk, already knowing what was coming.

it wasn’t until later that night, when you were in the middle of a meeting, that your phone rang. seeing soonyoung’s name on the screen, you excused yourself, expecting some casual conversation. instead, you were greeted by his panicked voice.

“are you out of your mind?!”

you blinked, trying to stifle a laugh. “excuse me?”

“those sneakers,” he continued, his voice almost a shriek. “do you know how much they cost? that’s more than my rent!”

that did it. you couldn’t hold back the laugh that bubbled up, loud enough to make your secretary peek into your office with a raised eyebrow. you waved her off, trying to compose yourself as you brought the phone back to your ear.

“soonyoung, it’s fine. just enjoy them,” you said, still chuckling.

“enjoy them? i’m afraid to even wear them! what if i step in something? i could buy a car with that money!”

“then don’t step in anything,” you teased, biting your lip to keep from laughing again.

“you’re impossible,” he huffed, but you could hear the smile in his voice. “seriously, though… thank you. but you don’t have to keep buying me stuff like this. just… be with me.”

that last part made you pause, your heart doing a little flip. it was easy to get caught up in the luxury, in the thrill of spoiling him, but moments like this reminded you why you’d started this in the first place. it wasn’t just about the gifts or the trips. it was about him. about how he made you feel grounded, even as you floated in a world of privilege.

“you know,” you began, your tone softer now, “i like spoiling you. it makes me happy to see you happy.”

“i am happy,” he said, his voice dropping to a quiet murmur. “but i don’t need all this to be happy. just… don’t stop being with me, okay?”

your breath caught in your throat, the sincerity in his words wrapping around your heart. “i won’t. i promise.”

from then on, the dynamic between you shifted. sure, there were still the extravagant gifts, the luxurious vacations, and the fine dining. but there was also more—quiet moments together, like when he’d sneak into your office just to bring you coffee, or when you’d spend a lazy sunday in bed, doing nothing but enjoying each other’s company. and yes, there were still the moments where you’d surprise him with something ridiculous, just to see that wide-eyed look on his face. like the time you flew him to paris on a whim, just because he mentioned wanting to see the eiffel tower at night.

“you’re really spoiling me,” he’d whispered, standing with you on the observation deck, the lights of the city sparkling below.

“maybe i am,” you replied, leaning into him as he wrapped an arm around your waist. “but that’s because you deserve it.”

but beneath his playful frustration, you could tell that he loved it—the gifts, the attention, the way you seemed to know exactly how to keep him on his toes. and the more you spoiled him, the more he let his guard down, slipping into the role of your sugar baby with a comfort that had once seemed impossible.

every time you saw him, he was wearing something you’d bought him. the designer clothes, the luxury watches, the sneakers that were apparently worth more than his rent—it all became a part of him, an extension of the way you showered him with everything he didn’t even know he wanted.

soonyoung was a fucking beast in bed—there’s no other way to put it. you’d never met anyone who could break down your walls the way he did, turning every ounce of your composed, CEO exterior into a puddle of raw, desperate need. you’d been with your share of men, playboys who thought they could handle you, but none of them came close to what soonyoung gave you.

like that time you were waiting for your chauffeur after a charity gala. you were the picture of elegance, standing there in your custom gown, looking every bit the composed CEO. then, out of nowhere, soonyoung slid up behind you, his arms wrapping around your waist as he pressed his body against yours. you could feel his cock—hard, ready, insistent, and shamelessly grinding against your ass. his breath hot against your ear as he whispered, “can’t wait to fuck you in that dress.”

“you’re really something, you know that?”

“oh? what’s that supposed to mean?” he whispered, his breath hot against your ear. you felt him shift, pressing his hips forward just enough for you to feel the unmistakable hardness against your ass again.

you nearly choked on your own breath, your perfectly poised exterior cracking just a little. “not here.”

“why not? they’re all staring at you anyway,” he teased. “might as well give them something worth watching.”

“soonyoung,” you warned, but your voice lacked conviction, and you both knew it.

he loved to fuck with your composure, to see you struggle to maintain that icy exterior you were known for. like when you were paying for one of his outrageous gifts, handing over your black card with a smirk. he’d sidle up behind you, pressing his hard cock against you while murmuring a quiet “thank you” into your ear. the people behind you in line? didn’t matter. all that mattered was the way your body reacted, the way your brain short-circuited every damn time.

and when it came to sex, soonyoung didn’t just make love to you—he fucked you like he had something to prove. his dancer’s hips were a lethal weapon, rolling and grinding into you with a precision that had you seeing stars. he knew exactly how to move, how to hit that spot inside you that turned you into a moaning, trembling mess.

he held your legs wide apart, his hips driving into you with a rhythm that made you want to scream. and you did—because with soonyoung, you didn’t hold back. he wouldn’t let you.

he had this thing about numbers, too. every gift you bought him, every splurge on something ridiculously extravagant, he saw it as a challenge. like that time in dubai, when you’d gone on a shopping spree, loading up on ten full bags of presents just to see how far he’d take it. each swipe of your card was met with a smirk, anticipation building as you mentally tallied up the orgasms you knew he’d demand in return.

that night, he didn’t just match it—he exceeded it. 10. fucking. times. he had you screaming his name.

he took his time that night, dragging out every orgasm until you were on the verge of begging him to stop. but you didn’t—you couldn’t.

by the time he was done, you were spent, your body trembling, muscles sore from the intensity of it all. you’d never felt so used, so thoroughly fucked, and yet… you couldn’t get enough. not of him, not of the way he took you apart and put you back together, over and over.

by the time he was done, you were a wreck—sore, trembling, and utterly spent. the heat of dubai didn’t help, making everything feel more intense, more suffocating, even with the air conditioning blasting.

you had to take a rest day after that, your body too worn out from the marathon of pleasure soonyoung had put you through. but god, it was worth it. every ache, every sore muscle, was a reminder of just how good he was. and just how much he had you wrapped around his finger.

soonyoung had no manners in bed, and with him, you learned to have none too.

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pucksandpower · 1 year ago

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Ice Queen: Fire Meets Ice

Max Verstappen x Räikkönen!Reader

Summary: how you and Max went from playing together in the paddock while your fathers raced to being the ones racing

Series Masterlist

First Meetings

“Who’s that, Papa?” You ask, pointing to a slightly older boy playing with toy cars a few feet away.

“That’s Max,” Kimi replies, glancing down at you with an amused expression. “Wanna go play?”

You consider it for a moment, your two-year-old face taking on a comically serious expression. “Will he share his cars?”

Your father chuckles, “Only one way to find out.”

As you toddle over, Max looks up, his blue eyes curious. “Hi. I’m Max.”

You stare at him, sizing him up with all the intensity a two-year-old can muster. “I want that one,” you declare, pointing to a red toy car.

Max raises an eyebrow, a hint of a challenge in his gaze. “That’s my favorite.”

You mimic the same deadpan expression you've seen Kimi wear countless times. “Mine now.”

Max seems taken aback for a second but then bursts out laughing. “Okay, okay! We can share.”

For the rest of the day, the two of you are inseparable. Racing toy cars, building makeshift tracks, and causing minor chaos in the paddock.

At one point, you both decide to “race.” Max, being older, naturally has the advantage but that doesn’t deter you. You’re determined to keep up.

“Papa says I’m fast,” you tell Max confidently as you both line up for the big race.

Max smirks, “My vader says I’m faster.”

You frown, looking genuinely offended. “No way.”

The two of you race, or more accurately, engage in a hilarious toddler trot. It’s less about speed and more about who can go the longest without tripping over their own feet.

As the day draws to an end, Max’s father approaches. He doesn’t seem as warm as your father but he nods in acknowledgment, “Looks like you two got on well.”

Kimi ruffles your hair, looking down at you with a smirk, “She has a way with people.”

You and Max exchange a final high-five, both of you making a pact to race again someday but next time in real cars.

“Pwomise?” You ask Max, holding out your pinky.

He nods solemnly, linking his pinky with yours. “Promise.”

As you leave the paddock, your father leans down, “I think you’ve made a friend for life there.”

You nod, clutching one of the toy cars Max let you keep. “He’s alwight. But I’m still faster.”

Kimi chuckles, lifting you into his arms. “No doubt about it.”

Until We Meet Again

“Papa,” you begin, tugging at Kimi’s leg, “why is Max packing all his cars?”

Kimi crouches down to your level. “His papa is leaving F1, so they won’t be around next season.”

You frown, not fully understanding the implications but sensing the seriousness of the situation. “But ... I want to play with Max.”

The boy in question walks over, his toy cars clutched tightly in his hand. “It’s not fair,” he says, stomping his foot with a little scowl.

Your lip starts to wobble. “Very not fair.”

Max’s shoulders slump. “I’m going to miss this. And ... and I guess I’ll miss you.”

“You’re leaving? Like ... fowever?”

He nods, looking down. “Yeah. But we can still be friends, right?”

You think it over for a moment then smile, a plan forming in your mind. “We can write letters!”

Max seems to consider this. “That sounds cool. Let’s do it!”

The two of you spend the rest of the day drawing letters to each other seated on the rough tarmac, complete with scribbles and doodles. The content might be indecipherable to any adult but to you and Max, they’re precious messages.

As the final race of the season ends, and it’s time for Max and Jos to leave, you give Max a tight hug, your small arms wrapping around him. “Don’t forget, okay? Letters!”

He hugs you back. “I promise.”

You watch as they walk away, Max turning back every few steps to wave. Kimi, sensing your sadness, lifts you into his arms. “You okay?”

You nod, clutching the red toy car — Max’s favorite — that he gave you as a parting gift. “I’ll miss him, Papa.”

Your father presses a kiss to your forehead. “I know. But hey, you have a pen pal now.”

You giggle, the idea bringing some comfort. “Yeah. And when we’re older, we’ll race together!”

Kimi chuckles, “No doubt about it.”

Reunited and It Feels So Good

“Who’s that guy over there?” You ask, pointing to a young driver in a Toro Rosso race suit chatting with his team.

Your father squints in the direction you’re pointing and smirks. “That’s Max Verstappen.”

You blink in surprise, studying the taller figure with a more chiseled face. “Max? As in my Max?”

Kimi nods, eyes crinkling in amusement. “One and the same.”

“He’s … changed. I mean, he kind of looks like Sid the Sloth from that Ice Age movie.”

Your father chokes on his drink. “You always did have a way with words.”

Without any hesitation, you start walking over to Max, Kimi trailing behind. As you approach, Max looks up and for a moment, there’s no recognition in his eyes. But then something clicks.

“Is that ...” His eyes get even wider.

You smirk and cross your arms. “Last time I checked, Sid the Sloth wasn’t a Formula 1 driver.”

Max bursts out laughing, the sound echoing around the garage. “You haven’t changed a bit!”

You raise an eyebrow, “Can’t say the same for you. You used to be so cute. What happened?”

He grins, a hint of the mischievous boy you used to play with still shining through. “It’s good to see you again. Been too long.”

Your father walks up, throwing an arm around your shoulder, “She’s just here to make sure I don’t slack off.”

Max chuckles and shoots a wink, “Knowing you, I’m sure she has her work cut out for her.”

You nod sagely, “Full-time job, really.”

As the day winds down after free practice, Max finds you outside the Ferrari motorhome. “We should hang out more. Catch up properly.”

You tap your chin exaggeratingly, “Hmm ... I guess I could spare some time for an old friend.”

Max nudges you playfully, “It’s like Kimi copy and pasted his personality to make you.”

“Someone’s got to keep you on your toes.”

With a promise to meet up soon, the two of you part ways but not before your father adds, “Stay out of trouble, you two.”

You and Max exchange amused looks. “No promises.”

A Nudge in the Right Direction

“Remind why exactly we are watching an F2 race again?” Christian Horner asks, adjusting his sunglasses as he tries to blend into the crowd.

Max grins sheepishly, “Just thought it would be fun to watch some up-and-coming talent, you know? Besides, there’s someone racing today you might find ... interesting.”

Franz Tost, who has also been “accidentally” dragged along, narrows his eyes, “This isn’t one of your schemes, is it?”

Max looks offended, “Me? Scheme? Never.”

Christian chuckles, “Alright, Max. Who are we looking at?”

Max points to a car getting ready on the front row. “That one. Trust me.”

As the feature race begins, it’s clear who Max is talking about. Your driving style stands out with precision, aggression, and an undeniable talent reminiscent of a certain Finn of few words.

“Hmm,” Christian murmurs, watching intently as you expertly navigate the track. “Who is that?”

Max smirks, “Someone who’s used to the world of F1, thanks to her father.”

Franz raises an eyebrow, “Kimi’s daughter?”

Max nods, “Impressive, right?”

The two team principals watch with sharp eyes as you overtake competitors with ease and display skills beyond your years. It’s clear you’re a natural.

As the checkered flag waves and you cross the finish line in P1, Max turns to Christian and Franz with anticipation. “What do you think?”

“She’s certainly got the talent.”

“And the lineage. Räikkönen skill is clearly in her DNA.”

Max smiles widely, “So ... Red Bull or AlphaTauri?”

Christian chuckles, “You’re quite the talent scout.”

Franz sighs, shaking his head but smiling, “We’ll have to discuss it of course. But I think either team would be lucky to have her.”

“I just have one question,” Christian interjects. “How is she not part of a development program already?”

Max shrugs, “Kimi didn’t want her to limit her options and have to wait around to break into Formula 1 by binding herself to a team that might not have any seats open for a while. Just thought you guys should see her in action.”

Christian pats Max on the back, “Good call. We’ll be in touch.”

As they walk away, Max sends a thumbs-up in your direction. You, still high on adrenaline and not yet aware of the high-profile spectators, simply return the gesture, wondering what the mischievous grin on Max’s face is all about and whether it should worry you.

I’m Coming Up

“Guess what?” You blurt out as soon as Max picks up the phone.

“You ate my hidden stash of stroopwafels?”

You roll your eyes even though he can’t see. “No, although that sounds tempting. I just signed with Red Bull to race for AlphaTauri next season!”

There’s a moment of silence before Max erupts, “I knew it! That is brilliant!”

Your smile widens at his enthusiasm. “Thanks. Thought you’d like to know.”

Max snickers, “You’ll be driving for Red Bull in no time, watch.”

You laugh through the speaker, “Oh? Ready for some actual competition?”

The seriousness with which he responds makes you pause for a second, “Absolutely. I’ve been bored without you to race against.”

“Careful what you wish for.”

He feigns offense, “You think I can’t handle the heat?”

“I’m just saying,” you tease, “that once I’m there, you better get used to the sight of my rear wing.”

Max laughs again, “I’ve missed your comebacks.”

“And I’ve missed using them against you,” you shoot back.

“Seriously though, congrats. I’m so excited to see where this takes you.”

You nibble your lip, “Thanks, Maxie. That means a lot coming from you.”

“Just don’t forget us little people when you’re taking F1 by storm, okay?”

You snort, “Little people? Last I checked, you’re taller than me. And probably the best driver of his generation.”

“Probably?”

“Well,” you draw out, “Charles Leclerc exists …”

“Y/N …” Max whines.

“Oh, don’t get your panties in a twist. It’s not like he’ll do much damage to you if Ferrari keeps up this pattern.”

You can almost hear Max’s pout through the phone. “Fine.”

“But,” you grin, “that doesn’t mean I won’t.”

“May the best driver win. Just promise not to leave me in the dust.”

You laugh, “No promises.”

Easy Choices

“All right, drivers, ready for some quick-fire questions?” The Red Bull social media coordinator asks, camera poised.

Max nods, “Born ready.”

You tighten your ponytail, “Let’s do this.”

Sergio and Pierre exchange amused glances, clearly anticipating the shenanigans ahead.

“First question,” the coordinator starts, “Which driver would you want to be stuck on a deserted island with?”

Without hesitation, you and Max respond in unison.

“Max.”

“Y/N.”

“Always so predictable,” Pierre laughs.

Sergio grins, “Afraid of a little competition?”

You raise an eyebrow with a smirk, “From you? Not particularly.”

The group erupts in laughter and Max adds, “It’s just logic. We’ve known each other the longest.”

The coordinator smiles, clearly enjoying the banter, “Okay, okay, next question. Who is most likely to get lost in a new city?”

Again, without missing a beat, both you and Max point to each other.

Sergio chuckles, “Clearly, there’s a pattern here.”

Pierre nods in mock seriousness, “And if you two ever do get stranded on that island, please send us a postcard.”

You laugh, “Deal.”

“Last question,” the coordinator announces, “Which driver do you think has the best taste in music?”

“Definitely not Max,” you shake your head.

“Excuse me? My playlist is legendary!”

Pierre chimes in, “If by legendary you mean questionable ...”

Sergio retorts, “At least it’s better than your love for French pop.”

“It’s cultured!”

As the session wraps up, the coordinator grins, “You two are a match made in racing heaven.”

You and Max laugh but both of you can’t help the way your cheeks warm at the comment or how you avoid meeting each other’s eyes on the way out of the studio.

The social media coordinator must spend so much time online that fans’ ships are getting to her too.

That’s clearly the only reason she would say that.

Nothing else.

Nope.

Taglist: @ironmaiden1313 @ilovedreming @jamie2305 @reidsworld @notyouraveragemochii @faithm120601 @idkiwantchocolatee @cha-hot @formulaonemad3 @eugene-emt-roe @champomiel @topguncultleader @gods-menace @razielchrysanderoctavius @sainzluvrr @kimmchijjajang @imagandom @roseseraj @minkyungseokie @daniellarogers @that-aesthetic-chic @elijahslover @coffeewhore18 @glitterf1 @a-mixers-serenity @itsjustkhaos @leilanixx @scoobdoobdoob @lillianacristina @keii134 @olliesoakberry @ruleroftheuniverse @mellowarcadefun

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reds-skull · 3 months ago

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CW FLASHING IN THE VIDEO (3rd from the bottom)

This is it. 3 months in the works, the comic (and video) are finally done.

A little over a year ago, I uploaded the first work in Revenant AU, Ghost's origin comic. I never thought I'd write a whole series for this, but I'm so glad I did. I got a whole new hobby out of it, haha.

I already began working on part 2, but this for me marks the start of it. I'm really excited to get back into this world!

Under the cut there are some comments on the comic I thought some people might be interested in (don't wanna make this post longer than it already is lol). I will upload the frames from the video separately, with comments on it there.

Bottom line is, thank you for letting me just go wild with this :)

Okay, I'm mostly gonna talk about the part where Fate shows Makarov the 141+Farah. Makarov doesn't see the Fate of people as literal images, he often has to interpret odd symbolism in the flashes he gets from the Weave of Fate.

I decided to go for a style I saw in a collection of calling cards in MW3, mainly from this one:

You can really see it in the faces and pitch-black cel shading.

I'll be going in order of appearance, starting with Farah.

Obviously, each of the "flashes" shows the Reaping of each person, Farah being crushed under rubble. Behind her is a helo of green gas, which symbolizes the Russian experimental gas. The motifs around her are more interesting imo - they're taken from the Urzik flag (and yeah apparently it's "Urzik" and not "Urzikstani"... according to the wiki at least). Wings, plants (feels to me like a pomegranate and some sort of crop, but I couldn't find what it is specifically), and a moon, upside down.

I'm skipping ahead a bit, but I've had the idea to make a drawing of Gaz in the Hanged Man pose since I started the AU basically. I tried sketching it once, and it went bad so I gave up lol. But I decided to come back to that here, and add some sort of tarot connection to all of them. I know practically nothing about tarot, googled the meanings of each, they fit well enough, I called it a day lol.

So Farah is the Moon, upside down.

Price is next, showing him taking control of the brain of someone. I didn't use the flag of the UK for the 141 (it'd be kinda boring...), instead I took the Taskforce 141 logo, and broke it down to different elements.

I took the laurels for Price, both framing his illustration and sitting above his head like a crown. I decided he will be the Emperor.

Next up is Gaz, the Hanged Man of course. Gaz gets both the wings and the stars (I changed mine to 4-pointed because... I like them better). Pretty clear why, both symbols relate to the sky. The illustrations kinda follow a rough day cycle, if that makes sense. Farah being night, with the moon. Price with his golden and purple color palette, twilight. Gaz being sunrise, and Ghost and Soap, day. This is why Gaz has a sun behind him.

Ghost was fun because he's the only inhuman one out of the group. I'll let you think what that implies, that even in Fate's Weave, Ghost is an outlier... Ghost gets the skull, and the card "Death". That one was easy, but what I did add is blood flowing down the skulls, like tear tracks...

Soap, the problem child, gave me the most issues as always. For once, it wasn't his fucking face, it was the flames behind him, and overall contrast and readability issues. Soap's illustration is probably packed with the most "hidden" details, though they're obvious if you've read the fic and Konchar's side story. The headless man behind Soap is Konchar himself, holding 4 chains with dog tags on them. The 4 soldiers from Soap's squad, who he killed before Soap was Reaped. Soap's pose is from the moment he came to his senses, after getting shot in the head and destroying a large part of Verdansk. He has 4 swords, pointing at him and downwards, so his card is 4 of Swords, upside down.

Between Soap and Ghost is a circle and a triangle. I'll explain that in the post concerning the video, since that's where I got that from.

If you read all of this, thank you so much! There will be another post for you to read in a moment lol

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brodygold · 4 months ago

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A Costume Idea

Halloween had always been my favorite time of year, but this year felt different. There was an excitement in the air, something electric and unspoken, and I knew I wanted to do something big, something unexpected. My boyfriend Eric and I had always gone for the geekiest and nerdiest costumes we could think of—last year, we had dressed up as characters from our DND campaign as an example. But I wanted more this time. Something bold. Something that would turn heads at the party we were invited to.

It was a lazy afternoon in late October when I finally decided to float my idea by Eric. We were sprawled out in our small living room, surrounded by the usual chaos of comic books, snack wrappers, and game controllers. Eric was deeply engrossed in his laptop, playing a strategy game, while I fidgeted with my phone, trying to gather the courage to pitch my idea.

I cleared my throat, a little nervous. “Babe, I’ve got an idea for Halloween this year.”

Eric barely glanced up from his game, raising an eyebrow. “Oh yeah? What is it? Going as our druid and wizard pair again?”

I shook my head, grinning mischievously. “Not this time. I was thinking… football jocks.”

That got his attention. He paused his game, looking at me like I’d just suggested we shave our heads and join a cult. “Wait. Us? Football jocks?” He gave me a once-over, from my messy hair to my skinny frame. “Are you kidding?”

I laughed, knowing exactly why he was so skeptical. Neither of us were remotely athletic. We were both nerds to the core, preferring to spend our free time gaming, reading comics, or binge-watching sci-fi shows. The idea of us dressing up as sports jocks was so far outside our usual territory that it was almost absurd.

But that was exactly why I loved it.

“Hear me out,” I said, leaning in closer, my voice brimming with excitement. “Not just any football jocks. The Golden Army.”

Eric blinked, and I saw the recognition dawn on his face. The Golden Army was a famous team from a fantasy series we were obsessed with. They were the epitome of strength, loyalty, and camaraderie, their golden jerseys shining like armor in every battle on the pitch. They weren’t just players; they were legends.

Still, Eric looked uncertain. “I don’t know, Daniel… we’re not exactly… jock material. We wouldn’t even know where to start.”

“That’s the point!” I said, unable to keep the excitement out of my voice. “It’s totally out of character for us. No one will see it coming. Plus, it’s Halloween! Isn't the whole point to be someone you're not for one night? Let’s surprise everyone.” I pulled out my phone and showed him the golden uniforms I had found online. They were perfect, gleaming in the photo like they had been forged in a fantasy world.

Eric studied the picture for a moment, biting his lip. I could tell he was starting to come around, but he was still hesitant. “It feels… weird,” he said quietly, glancing at me with a half-smile. “I mean, we’re not exactly built for this.”

“We don’t have to be,” I said, nudging him playfully. “It’s just for one night. Come on, babe, we’ve done the nerd thing every year. Let’s try something new. Think about it—walking into that party, heads turning, everyone doing a double take. We’ll look like total badasses.”

Eric looked at me, his resistance softening. I could see the idea starting to take root. After a long pause, he finally sighed and smiled. “Fine, you win. Let’s do it. But if we end up looking ridiculous, I’m holding you personally responsible.”

I laughed and kissed him quickly on the cheek. “Deal.”

The next few days were a whirlwind of excitement as we waited for the uniforms to arrive. When the package finally came, I could barely contain my enthusiasm. I tore into the box and pulled them out. They were more beautiful than I had imagined. The gold practically shimmered in the light, and the detailing along the shoulders made them look like something straight out of a fantasy novel. I handed one to Eric, grinning like a kid on Christmas morning.

"Ready?" I asked, already pulling the jersey over my head.

"I guess so." Eric said, clearly more hesitant. He headed off to the bathroom to put his on.

As I continued putting the uniform on, my body developed a tingling sensation. My head started feeling fuzzy, and I could only barely focus on putting the rest of it on. When it was fully put on, I noticed some changes happening to my body.

My narrow shoulders pushed outward, widening as my chest expanded beneath the jersey. My arms, once skinny and lanky, swelled with muscle, biceps bulging. My legs, always lanky and weak, filled out, becoming thick and powerful like those of a seasoned athlete, filling out the pants nicely. My rear became a nice round bubble butt, perfect for attracting any guy I wanted. It was nice, but it terrified me. I wanted to stop it but no matter what I tried the changes kept happening.

"Babe? What's going on?" I yelled out. But Eric didn't hear me, likely on his way through his own transformation.

Next came the mental changes. My interests shifted entirely from nerd to jock. Memories of watching sci-fi movies became watching football games. Playing board games turned into playing all kinds of sports and working out to keep my body in shape. Meeting Eric on a dating app became meeting on the football team, hooking up soon after. My love for Eric became stronger than ever now that we were hot jock bros. After all, isn’t that what we always were? Both me and Eric are wide receivers, that’s right. I remember now. Eric says I’m getting dumber by the day.

Speaking of the broski, that’s when he came out of the bathroom in his uniform, the number 22 showing proudly on the front. “Ready to go to the party bro?”

I smirked at my hot boyfriend, putting the finishing touches on my face. “You know it bro!” I grabbed his ass, squeezing firmly Luke the good boyfriend I am.

“Let’s go show them how the Golden Army parties!”

#golden army #thegoldenteam #male transformation #jockification #male tf #jock tf #golden team #gay

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simpingforheros · 5 months ago

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Bring Me To Life

Pairing: Arkham Knight!Jason Todd x Female! Reader

Summary: Destroy the Batman and get his companion back? Jason almost didn't believe Slade until... Warnings: Usage of female pronouns, Nudity (NO smut), Swearing, Character Death, Angst, Resurrection, Infantization ( I didn't know how to better describe this), Unhealthy relationship dynamics, Kinda Dark/Obsessive! Jason, Mentions Electroshock therapy, Implied Brainwashing, Slade being a creep, Mentions of Drug Abuse, Mentions of Child Neglect, Mentions of Child Homelessness and unsafe situations, SPOILERS for Death in the Family (Comic 1988) and Arkham Knight.

Author's Note: Hiya Everyone, This is the first fanfic I've written in a while and the christianing fic for this account. I may start a casual little series with this, but I don't know yet. Also any comic and game inaccuracies are either because I forgot or I adjusted it to fit the story.

Also while this post is mostly safe for work, MINORS DNF AND PLEASE READ WARNINGS. I DO NOT AUTHORIZE ANYONE TO STEAL MY WORK OR REPOST IT ON OTHER SITES.

+++++++++++++++++++++++++++++++++++++++++++++++++

It was supposed to be him...

Those dark nights he had spent alone on the streets as a child didn't seem so bad looking back on it. Jason understood struggle even when he had lived with his parents who spent grocery money on alcohol and drugs. Living on the streets didn't feel so much worse, especially since he had... "Jason, Mr. Accetta gave me some scraps from dinner rush today! There's even a whole pizza in here!"

Her. His one friend had since he was thrown into this harsh world. She was the only person he knew at the time to never stop smiling or finding a positive outlook on things. He couldn't even remember when they met, but he could hardly remember them being apart.

Whether he was stealing or fighting, she was there as a faithful lookout or a willing accomplice. She taught him how to take tires off of cars like her granddad taught her and he taught her how to throw a punch like his dad used to throw. An unstoppable duo who ran the alley as well as two 11-year-olds could.

The harsh winter nights they spent crowding together were his favorite memories from that time. Even with the bite of Gotham's winds at their toes, his partner would never falter to talk about anything and everything as he listened. She would talk about her dead grandparents a lot and all the stories she had with them before they passed away, but his mind couldn't recall them at all. He just remembers the constant dream that she told him every night.

"One day, Jay, I'm gonna have enough money and get an apartment in Old Gotham..." Jason's nose turns up as he listens to his friend as he bites on his food. "Why Old Gotham? Isn't it just falling apart?"

She giggles as she pulls the oversized coat closer to her shivering body. The jacket was from a relative but the fabric lost those memories as its fibers were now bones. She still had it even after she left the streets...

"Because it's the most beautiful place in the world...I will get an apartment someday and you and I will live there. We can even get like a cat or something."

The familiar burn on Jason's face blooms as he asks, "Why would you want me there?"

"Because it wouldn't be my dream home unless you're there with me."

He wouldn't find out until a few years later that her grandparents used to live in Old Gotham until her grandfather died and her grandmother had to move as she would unknowingly follow her husband not even a year later...

Those nights in the streets melted into nights spent in the warmth of Wayne manor. As the two thieves became kings after a faithful night with the Batmobile, Jason was brought into the world of crime fighting along with his closest friend. As they trained and donned their capes, She would show a new side of herself to Jason. The overly happy young girl from the streets became an anxious teenager as he became angerier.

"Jason..." Her voice woke him up in the darkest of nights. His body ached from the nightly fights from the previous day as he turned to see a familiar sight.

A now 14-year-old Y/N standing in the crack of the door. Her fidgeting figure indicated all he needed to know before he raised his blanket as she scurried to get in the bed. This was a ritual that started when they moved in. Both would grow anxious at night as they went from the open streets to a large, confining manor. Alfred almost had given up on trying to scold the teens as they were found sharing a bed more times than being separated.

As she curled into his side as much as she could without hurting him, he could practically hear her mind tinkering as her E/C eyes stared into his chest.

There wasn't the need to discuss what was on her mind. At least not right now. She was concerned about the growing tension between Bruce and Jason. He was becoming reckless and Bruce was having none of it with her often getting dragged into the middle of the fights.

He hated that he never tried more...

It shouldn't have surprised him when all the conflict had finally caused a break in the family. Especially when Jason began looking for his birth mother. Y/N tried to be supportive of him as he investigated his leads. Those leads eventually led to Jason reuniting with Bruce as he investigated a possible arms trade in Lebanon. The reconciliation and the prospect of finding his mother left him blind to any form of common sense, but what kind of common sense could a fifteen-year-old make in the life they lived?

He should have listened to her concerns when they finally found Sheila Haywood, his real mother. Y/N had a bad feeling from the start but he dismissed her worries. Jason had no clue that the night he was supposed to meet with Sheila was gonna end up being one of the worst nights of his life....

"Jason, maybe you should wait for Bruce to be here so he can come with you." She suggested softly.

His eyes roll as he adjusts his costume. "Because it's none of his business. I'm just meeting with my mom and talking out some stuff..."

He didn't tell her about the blackmailing he witnessed earlier that day between his mother and the Joker. But, he would find out later that she already knew about it through Bruce.

Her hand reaches for his shoulder and pulls him around to face her. "I'm serious. You shouldn't meet with a woman you barely know in some fucking warehouse in the middle of nowhere!"

Jason can remember the hurt he felt when he heard her snap at him, Oh, how angry he got with her when all she wanted was to protect him. He remembers yelling at her the worst thing he thought he could say to her.

Why the fuck did he ever say that to her?

"I'm sorry your parents didn't want anything to fucking do with you, but I'm not gonna let your bitter ass ruin my shot to be with mine."

He remembers the hurt that filled her eyes and the string of regret pooling in his gut. With a fake smile on her face and tears pooling in her eyes, Y/N says softly,

"Okay...I'm sorry," The sharp sting in his neck as she pressed the vial of sedatives Bruce gave her into his veins. "I'm sorry to do this, Jason, but Bruce said you wouldn't go down that easily."

Jason couldn't remember what he said after the spark of betrayal hit him, but he hated himself that the last time he saw those eyes they were clouded with the tears he caused....

"Y/N! Please talk to me!" Jason begs into the coms as he rod on the back of the motorbike with Bruce.

He should have known. Her instincts are never wrong and he doubted her.

When Bruce found him unconscious and told him about how Joker was involved in all of this, Jason should have known that it was all a trap. His mother wasn't a poor blackmailed soul, she was a conniving bitch who profitted.

He also should have known that Y/N was gonna go meet with Sheila instead of him. Where the Joker was waiting for her.

"Y/N, please. Please be okay...." He begged to the coms as he can only think about what he said to her the last time they spoke.

"J...Jason...."

"Y/N!" Relief washed over him like a wave as he heard her voice. Her broken pained moaned of his voice made him sick as he tried to at least rationalized that at least she was alive. "Don't worry, honey. We know where you are and we're coming to help you."

He didn't know that she was laying battered and broken against the locked door as she stared at the bomb that was ticking away on the wall. Her labored breaths blocked out the ticking on the comms as she whispers out.

00:12

"Do you remember the apartment?..."

"What apartment? The one you talked about in the alley? Why are you-?"

She interupts him, he can hear the familiar curl of her smile in her pained voice as she whispered,

"I wanted it to have a window facing the east end...the stars always looked pretty over there..."