#The characters are also kinda similar too

[mellxncollie]

hiiii alex and now i have no choice but to drop all the process info and the outtakes :)

overall impression: very lovely and moody and spooky!! i kinda expected more blood-reds from devlin house but i should've known better, you wouldn't go for something that cliché. as always the shots you chose are SO good, love the combo of very dramatic shots with way more subtle ones!

aaaaa okay okay yes definitely not a lot of 'expected' shots in this one. couple reasons for this:

episode 3 is not one that i can watch very much, there's too many triggers in there for me. it's only very recently that i'm now able to rewatch it in its entirety, and i still have a hard time screencapping for it. so... not too many gifs from inside the devlin house

not a lot of shots in these episode work well for these palette sets. unlike all the other episodes, this one does not have many establishing shots or wide shots, which are the ones i like to use for these gifs. of the few establishing shots that are used, many are relatively static, so they don't look great as gifs. plus a lot of the devlin house shots have flashing lights and/or are very short. this made it really difficult to just find scenes that would work

so, this is a little less of a cohesive set than the other two, and i think the rest of the episodes will have more cohesive palette sets than this one as well. i love how this episode is shot, cheryl dunye's avoidance of 'filler' shots really reminds me of her film the watermelon woman, and while that movie does have more wide shots and more cohesive colors, the focus in on the characters as opposed to the backgrounds is what makes this episode feel so much like her work. it really drives home this episode as a standout in terms of writing, visuals, and direction.

it just also... breaks out of a form that i rely on to make these gifs work. so: less cohesive colors. i'm glad that this didn't exactly come across, and that we still have a kind of moody vibe :)

gif 1: cindy my beloved!! oh my god i need to see edwin laughing like that. i need CHARLES to see edwin laughing like that! and niko is so precious, i love her and her green coat. speaking of! love the way she moves past the colour blocks and almost adds contrast to them until she reaches the green and basically blends in?? SUCH a cool effect. and i love the colours themselves, the green + goldish vibe is everything. the green in the shot is so dramatic that it's like a fun little puzzle to find the rest of the colours! and then you realise, oh wait, that's the majority of the picture. ceiling, chairs, cabinet, niko and cindy's hair. and cindy being represented by the colour palette, drawing her undeniably into the picture because she can actually be seen by everyone around her, the opposite of ghostly, is SO cool. and then the contrast of the bright (blueish?) white?? the way it contrasts so much with niko's coat that at first i couldn't see where you got it from, only when niko moves back it blends perfectly into the window in the background?? olly you are a GENIUS

honestly i didn't really realize how this looks with niko's movement adjusting how the green and the blue all suddenly mix in with the rest of the gif!! but you're right, it's very cool!

this gif was a bit of a challenge, and with all those browns i initially thought it might be on the chopping block. but then i came around to liking it enough to make it the first gif in the set.

here's a before/after of the colors i put on it, and you can see that the blue is basically not even in the original shot, and it was only after i adjusted the blue channel to decrease that yellow tint that the blue really showed up.

gif 2: JENNY JENNY JENNY! this is a wild one because it's such a mundane part of the scene and yet i can't stop looking at the dramatic colouring. SHE!!! also the colours you chose feel very similar to the jenny gif from ep1, which, to be clear, i mean SO positively. i love that it ties them together! also something something jenny in her black clothes being surrounded by so much colour as symbolism to what crystal and niko bring to her life. brb crying

out of all the gifs in this set, this is definitely one of my favorites. mostly just cause the shot is really cool, nothing to do with the colors or anything. but speaking of the colors!! yes they're a lot like the ep 1 gif, and it's so fascinating to me how they pack so many hues into jenny's shop via the lighting.

gif 3: HI SPOOKY SHOT OF ALL TIME 😍😍😍 one of those dramatic ones i NEVER want to look away from. loveeeeeee the red-orange reflections on them, the purple of crystal's coat, the blue of edwin's shirt. also getting into the symbolism again but the way most of the colours are drawn from crystal and the background (even the blue is present in her grey shirt/jacket/whatever that is) and it makes the boys feel even more ghostly. ESPECIALLY CHARLES?? WHO ONLY RECEIVES RED BACKLIGHTING?? AND SPENDS THE EP GRAPPLING WITH HIS OWN HELPLESSNESS?? THE ONLY ONE UNTOUCHED BY BLUE (AKA SYMBOLIC OF HEAVEN)?? I'M MAKING MYSELF SICK WITH THIS OH GOD

yipeee!! one of my favorite shots of this episode, but one of my least favorite shots in the whole series to gif (that i've been making gifs of more and more to force myself to figure out how to do it best) and honestly because of that, i wasn't sure if this would make the final cut either.

here's two recent(ish) uses of this scene in various gifsets, both of which i don't really like how the final gif turned out.

this is because the original shot is....

so aggressively blue/green on their faces and that it is very difficult to make this look good.

i wanted the final gif for this set to be a bit more orange and a bit less red, but i'm glad i kept the more red toned backlight, since that allowed gif 8 to feel different enough. and i'm actually pretty okay with how this one turned out, espeically because you get the purple and the blues in their costumes.

also, just for fun, here's what this gif would look like if i did some normal brightening and coloring, but didn't do anything to fix their skintones 🫠

and yeah. god. thinking about charles 'untouched by blue.' fuck.

gif 4: SUCH a lovely little shot! the blues from edwin's outfit, the greenish-gray i'm guessing from the stripes (very nice and subtle, love the choice to emphasise them!), the white from his shirt. and then BAM, gold for the bracelet of homosexuality. but even then it's a very subtle colour choice for it, i can see some of the background is the same colour, even the darker parts of edwin's shirt cuffs. it's like you, via the palette, are helping him hide the bracelet and. i'm just in love

one of my favorite gifs in this set! it is really fun, and you got all the color sources right! i did want to include another color from the bracelet, but most of the colors i was sampling just didn't look too good with the blues, so i used the white from his shirt and i think that really worked.

gif 5: monty!! the return of niko's green coat!! love the cool (ha!) colours, mixed in with the warmer browns. the blue is so subtle in monty's plaid shirt (and the port townsend sign if i'm not mistaken?) the brown/burgundy in monty's scarf and shirt and the trees in the background really draws it all together! plus the green in both niko's coat and the trees' leaves! also interesting to see here the colours you didn't choose for the palette, like the white of niko's hair and monty's books. not to get too deep into it but it feels like a sign that it's not niko monty's trying to connect to, even though edwin isn't even in the frame! and the darker brown feels sort of similar to edwin's coat but that might just be grasping at straws lmao

the blue is from monty's shirt, yeah! this one was hard to pick colors for, and you totally got it with all the colors i'm leaving out. also because of the 540px x 500px frame size, we're also leaving out edwin from this shot. so maybe there's something there too about leaving out colors. (and now that i'm looking at it again, i do think that off-white would have been a great way to tie this palette together)

gif 6: OH DEVLIN HOUSE WE'RE REALLY IN IT NOW. obsessed with the way you subverted expectations with the devlin house being so blue and monotone, vs how we tend to read it as this dramatic high-stakes situation with so much blood spilled. again with the symbolism but it feels like it speaks so much more to the nature of the thirty-year (!!!) loop and how to the victims of it it's not dramatic but just the same cycle they can't get out of. over and over and over. and crystal and charles' expressions in this one OUGH. crystal trying immediately to find a way to help, to free these women, and charles is seeing his worst nightmare and trying desperately to suppress it. again, charles' helplessness represented by none of his colours making it onto the palette, even though his shirt is still pretty red. his hero colour is represented only as its worst in this house

i wanted at least one mostly monotone gif in this set, and the devlin house is predominantly teal and yellow, so it's such a strong contender for a monotone shot. problem with the yellows is that they're hard to make look good if there's a person in frame, so blues it was! i had a lot of blue shots to choose from, because every time the loop resets the power cuts and they're plunged into darkness. and i think there's something really symbolic there for charles (oh and now i'm thinking about the way that he drops into the water in the next episode when the night nurse forces the flashback)

and yeah, the first two colors are sampled from crystal's clothes, and the final three are from the wall. and now that i think of it, none of these palettes use colors sampled from charles/his clothes, despite this being really his episode. makes me think about what you said for the tube gif in the ep 1 set, how not sampling from them makes them more of a ghost in their own gif. anywayyyysssssssss

gif 7: can i just say. obsessed with the parallels of the last two gifs, showing the pre- and post-devlin house feelings? at first i thought this one was from the end of ep3, after gif 8, but just from seeing charles and crystal's interaction it's obviously not OUGH. love the wide shot of them (and the cinematography lessons!! the focus falloff at the top. i am Looking), the greens of the trees and the brown of the leaves and the purple of crystal's coat (ooh and the sign!). some of the purple even seems to come across in charles' jacket! and the blue of the statue also being in edwin and charles' socks and crystal's shirt. it ties them all together in a way that contrasts so much with the effect devlin house has in breaking them apart. forever emotional about ittttt

so this one is actually post-devlin house. it's right as charles says he's fine and right before niko shows up. it's the last gif in this set chronologically, but i don't really go by chonological order in these sets, since i want the first and last gifs to be strong, and i don't want any two palettes side-by-side to feel too similar.

i am now thinking about how charles and crystal's interaction in here realllllyyyyy doesn't feel like post-devlin house.

anyway. colors. yeah. that purple being the same in crystal's coat and the sign was such a blessing. and every time i throw a surprise blue in to these palettes i think of you. it definitely is the bit that pulls this palette together.

(yes i was also thinking about the focus falloff here, it is soooo wildly intense in this shot)

gif 8: AND FINAL SHOT. devlin house is over (or is it??) the colours nearly blending in with the background and then contrasted against charles' coat. i'd say SYMBOLISM but i'm sure you're sick of hearing it by now lmaooo. the bright lights in the background are SO striking. and the green??? the way it reflects so dramatically against the orange specifically on edwin's face??? i know that's not death's light shining on them but it sure is interesting how often edwin is the one bathed in that colour of light.......... also this might be a reach but the way crystal's jacket/hoodie/whatever seems to be a similar shade of green-grey, tying her and edwin together as having found common ground in the devlin house, vs charles again being the least represented by the colour palette -- devlin house might be over but he still feels helpless. i'm sure nothing bad will come of that!

the first 10ish frames of this gif are some of my favorites in this entire episode. i just love how this shot looks, and if it was a bit longer, i wouldn't have even had them running into frame. but that little bit of the trio that we do get is so interesting to get to hear you talk about. because i was not paying attention to how they blend in (or don't) to the palette.

--

so. what about the outtakes? first we have this one:

really like this shot. couldn't figure out the palette. i wanted some of that green from the interior wall of the attic space, but it doesn't sample as very green (yay for color theory!) and the few pixels that do sample as green do not look very good next to the rest of the colors.

here's the other outtake gif:

now that i'm looking back at the whole set, i think this one would have been a really good addition to make the whole set feel more cohesive, but i'm not sure which gif i would have cut instead to keep it at 8, so that's probably why i cut it in the first place. this one is kind of fun since the green is not from niko at all, but from the grass below. i initially made this gif with a monochrome palette, but right before i exported it, i noticed just how much green is in there, and decided to use some of it. glad i did, and i am really happy with this gif.

i'd say i can never be normal about this but you already know that. love this, love you, thank you forever for blessing us with your gorgeous gifs!!!

i'm so glad that you can't be normal about these because i also can't be normal about making gifs and i love that i get the opportunity to do this kind of breakdown for them. thank you thank you thank you alex. you're wonderful!!

Dead Boy Detectives (2024) 1.03 — The Case of the Devlin House (insp)

[rekino2114]

Cute ways the jjk girls (+ genderbends) use jujutsu in your relationship

A/n:I initially had this ideal with fem!gojo, but then it expanded to other characters. Let me know if you have any ideas for a part 2 or something with other characters

Also I kinda did something similar with fem!inumaki here if you're interested

Fem! Gojo

Lapse blue

Y/n:Hey babe, do you mind grabbing me that glass of water?

Fem!gojo:sure thing sweetie

[She uses blue to make the glass float toward you, but the water splashes on your face]

Y/n:......

Fem!gojo:s-sorry

Infinity

Y/n:Come on, tori, I already told you I'm sorry

[You try to hug her, but infinity stops you]

Y/n:Can you please deactivate your technique?

Fem!gojo:No way! You ate my last mochi. That's basically the same as cheating. I'm not letting you hug me

Y/n:[sighs] I'll buy you some other ones ok? And some more cakes

[Gojo immediately turns off infinity and hugs you]

Fem!gojo:Thanks, y/nnnnn! I knew you loved me

Six eyes

Fem!gojo:Hey y/n, what happened?

Y/n:what do you mean?

Fem!gojo:Your shoulder, it's all hurt and purple

Y/n:.....how did you know? I'm wearing a sweater

Fem!gojo:I have really good eyes remember?

Y/n:oh yeah, I forgot about the six eyes, sorry I got hurt during a mission and just didn't wanna bother you

Fem!gojo:it's never a bother for me, I'll just call shoko and bring you an ice pack

Fem!sukuna

Heian era form

Y/n:Kuna.....is this really necessary?

[It shows you being carried by 2 of sukuna's arms while an other one is stroking your hair]

Fem!sukuna:Of course, are you saying you don't like this?

Y/n:No, I do it's just......why?

Fem!sukuna:uraume said I should try being more affectionate with you. This is how I do it.

Y/n:I guess your arms are pretty comfy

Fem!sukuna:good, I don't want to hear you complain

[She kisses you while you blush harder]

Yuki tsukumo

Star rage

(Tbh I forgot if this is exactly how the technique works)

[You're trying to open a jar, but it's too tight]

Yuki:Do you need some help, baby?

Y/n:Yeah thanks

[You give her the jar, and she opens it without problems]

Yuki:here you go

Y/n:Thanks

Yuki:could I get a kiss for that~?

Y/n:[giggle] sure

[You kiss her cheek, and she smiles brightly]

Yuki[talking to herself] yes! I know using my technique was worth it

Y/n:......what do you mean using your technique?

Yuki:o-oh nothing

Y/n:Wait, did you put mass in the lid so I couldn't open and jar and you'd get a kiss?

Yuki:..........noooooo what are you talking about? Hehe

Y/n:If you wanted a kiss you could have just asked for one you know?

Garuda

Y/n:...........yuki, can you tell your shikigami to stop following me?

Yuki:Why? It's not that bad

Y/n:it wasn't but I think it's taking it a bit too far

[Garuda completely wraps itself around you]

Y/n:see

Yuki:that just means it likes you, just like me

Y/n:....I guess that's nice then, but it's still kinda uncomfortable

Yuki:ok, I'll tell it to stop, we both know you very much prefer my hugs anyway

Yorozu

(I've decided i wanna write for her too, I'll add her to the masterlist now and I chose her instead of mai not only because her creation is better but also just because I kinda like her more)

Creation

Yorozu:y/n! Look what I made for us

[She shows you two rings with your names engraved on them]

Yorozu:it took me a while, but I finally did it! Now we will be bound together even more than we already are

Y/n:Oh thanks, that's so sweet....even if we aren't married yet

Yorozu: Those are just details. What's wrong with thinking ahead

Y/n:hehe, alright

[You start to take the ring with your name on it but she stops you]

Yorozu:Oh no, darling, you'll be wearing the one with my name so that everyone knows you're mine, and I'll wear the other one so that everyone knows I'm yours

Y/n:Oh, that's....sweet

Yorozu:I'm glad you think that, I can't have anyone thinking my darling is free to take, here I'll even put it on you myself

Fem!megumi

Ten shadows:divine dogs (and mahoraga)

Y/n:Please, gumi, I swear I won't ask you anything else ever

Fem!megumi:[sighs] you're really like I love you.....alright

[She does the hand sign and summons the dogs]

Fem!megumi:Go smell y/n and find their hoodie

[The shikigami do what she said and start searching for it]

Y/n:Thanks, you're a lifesaver megumi

Fem!megumi:you're welcome just don't get used to it

[The dogs eventually find the hoodie and give it to you]

Y/n:Oh, thanks so much to you two too. You're such good boys

[You start petting them while megumi gets closer to you]

Fem!megumi:wait minute.....that hoodie isn't it nobara's? Why does it have your smell on it

Y/n:oh no I can explain she just gave-

Fem!megumi:I don't need any explanation. With this treasure I summon

Y/n:wait no stop it!

Fem!geto

Cursed spirit manipulation

Gojo:Hey, geto, what are you waiting for? We're gonna be late for the mission

Fem!geto:don't be so impatient satoru, I'm just waiting for y/n

Gojo:Come on! Your partner can wait, I just wanna get this over with

Fem!geto:if they don't come, I'm not going either

Gojo:fiiiine, you're the only thing that makes missions interesting anyway

[After waiting for a bit geto looks at the sky]

Fem!geto:oh looks like they arrived

Gojo:hm?

[They look up to see you riding rainbow dragon]

Gojo:You made them ride on your curse?

Fem!geto:they were gonna be late and asked me

Gojo:that's so cool you have to make me ride on it too sometimes

Fem!geto:[sighs] I suppose one time is ok

[dammarchy211]

The Think Tank Random Headcanon List

Two people asked for this so that means it happening 👍 your welcome, most if not all of these r prewar/brain tank

-this one’s pretty supported in canon but think Dala likes fashion and dressing up🫶. I love giving her a fun little outfit

Yay

-0 had back pains pre brain tank. Also a lot of fatigue. The certified professional sleeper. When he’s working on projects in his home he tends to do it lying on the floor.

-this one’s basically canon but 8 has arithmomania. I say basically canon bc things in his house in Higgs often come in sets of 8, as well as his house being the 8th house despite there not BEING 8 houses. I think this would also extend to counting to 8 on his fingers when he’s nervous and such.

-tied in I also believe 8 has ocd. Borous has bpd.

-Dala was pretty reserved growing up, as she grew up/especially in the looped personality she became for lack of better terms “bolder and more flirty” as compensation for having been so withdrawn previously.

-I am wishy washy with a lot of gender headcanons for characters, my brain kinda just goes well idk if they’re trans but they’re not Not trans. However I do feel quite definitively that Dala is nb transfem, and Mobius and 0 are trans men.

-I think all of their names have some tie to the names they had pre recursion loop. Canonically both Klein’s name and his prewar last name start with K. I think the other’s names have similar ties.

-on that note, I think Borous’s old name (/just his family in general) has Painfully Russian origins. It makes his McCarthyism thing so hilariously ironic

-I think 8 is Canadian, but he only lived there pre annexation of Canada, he was working at big MT and living at Higgs once it happened.

-0’s old last name used to be “O’something” and people still used to call him Dr. O then and he still hated it. Doomed fate

-re: Mobius being trans, i think his first name was Edward. He named himself after Dr. Morbius from the movie The Forbidden Planet

-Klein is a big wine guy, like obvious there’s wine bottles strewn about his house, but I mean like. He’s the kind of guy to just know things about every kind of wine.

-Klein is probably the best dressed after Dala, I think he just tries to be professional for the most part. 0 thinks he’s fashionable but he isn’t. Already mentioned but Mobius dresses like an old lighthouse keeper. Cableknit sweater and the works. I think he’d also like antique pipes

I’m probably gonna alter the Klein outfit but yeah you get the idea. Doodles

-I feel SO STRONGLY ABOUT THIS. But 0 and Borous went to high school together. 0’s one line mentioning Borous in high school was just way too telling.

-Klein and Mobius need reading glasses. Dala used to need glasses, didn’t wear them throughout her childhood until like college, and then switched to contacts after college

-The think tank are all very close and got along much better prewar than they do at the time of the game. They kinda Jean-Paul Sartre No Exit’d themselves and their personalities are stuck in an endless loop. To say the least they started getting on each other’s nerves after 200 years. But this is to say they didn’t still bicker or anything prewar

-8 never really liked talking much. Possibly having selective mutism. This was mostly fine for him because pre brain tank you have facial expressions and hands and hand gestures that kinda make up for not talking at times. After the brain tanks he was kind just. Forced to talk to relay information. His speech was extremely awkward and stilted, which combined with the above head canon is why Dala made that comment about how they light him better now that his voice modulator is broken.

-they all have autism of some flavor tbh. To me. In my autistic mind.

-dead animal ment.// but I feel like Borous was that kid who like poked at dead squirrels and shit as a kid. It frames the Gabe and cyberdog thing well lol

-I’m an 8/0 head so I think they worked together a lot. Even if it’s not on the same project they would just do thinks at the same time together.

-the mentats on Klein’s bedside table are Mobius’s

-0 used to be a super big fan of House and RobCo when he was in high school. Obviously that is no longer true

-0 excels at making robots that are smaller. He doesn’t want to acknowledge this though. Muggy and his walking eyes (w/ wild wasteland) are both pretty small but they work well. The larger scale securitrons he’s tried to make obviously. Do not.

-I think the lounge music theme for the radio was a collective choice, but I feel like Dala especially likes music like that.

-Klein and Mobius used to play games like chess or checkers or card games “outside” in Higgs old person style.

-post brain tank one (woah) Klein has fleeting feelings of missing someone or something he can’t recognize. Any memories tying it to an image of a person he doesn’t quite remember. His brain just doesn’t connect that it’s Mobius and he usually just pushes the feeling down whenever it happens lol

If I think of more I’ll add them.

[purpdrawsthings]

Introducing...

ASPEN!!!

[ they / them ]

[ credits to @rat-n-atty for the name idea from discord =3 ]

Mr Puzzles crazy assistant who assists him in anything!

You name it! Murder, committing crimes, plotting the crews demise for the millionth time or just making movies and such!

Though they're not always crazy, they're always aware of their surroundings and such.

Nobody is really aware of what they even are. Their appearance always seems to defy physics, for example, they can stretch their hand as long as they want + their body parts can disappear! Yes they're just that weird lmao

Puzzles mostly finds them an annoyance, but at least they're somewhat helpful in his words hehe

They seems to put all of their trust into Puzzles and doesn't really hesitate to follow his orders. They aren't even put off by the thought of overworking and such, they're just fine about it. Kinda sus, maybe backstory reveal soon? Mehehehe...

Fun facts! :-

They're really antagonistic towards the crew, always speaking sarcastically and always seeming to be annoyed by them.

Buttttt on the other hand, when it comes to them with Puzzles, they start to get soft around him, kinda like a kid. They're just that close to Puzzles lmao.

Whenever mad, their edges start to get pointy and all mehehhe

Those 'eyelashes' also switch places =D

Their lil' tophat also starts to fall of to the sides a lil =]

They're easily agitated and pretty short tempered.

Rarely ever keeps their patience.

Snaps way too easily 😭

The nicknames they have for the SMG4 Crew are 'fat blue guy' 'grumpy purple guy' 'stupid fat italian' 'traumatized squid' 'scared blue hair' 'ugly fish' 'weird guy'

They don't usually use those nicknames for the crew, they use it sometimes to annoy the crew for fun =3

The most similar voice I could think of that would fit them best is Affogato Cookie from Cookie Run Kingdom. It's the first thing I thought of 😭

And that's about all I have to say for this fellow lad! I hope y'all enjoy them as much as I do =]

They're a real funny character that I made for the funsies mehehehe!

They toooootally doesn't have any relations to GSP nope nope didn't hear anything lalalalaaaaaa

Anyways, yeetus chat.

[literaryvein-reblogs]

hi do you know how the female character can get kidnapped by a villain? i'm writing about something that has to deal with angels and all, and am kinda stuck with how the female lead can get kidnapped by the male lead's enemy who is the villain. and how he can save her. thank you! love your works.

Writing Notes: Kidnapping

A criminal offense consisting of the unlawful taking and carrying away of a person by force or fraud, or the unlawful seizure and detention of a person against their will.

In all countries, it is considered a grave offense punishable by a long prison sentence or death.

Motives for Kidnapping

The principal motives for kidnapping are:

to subject the victim to some form of involuntary servitude,

to expose him/her to the commission of some further criminal act against his/her person, or

to obtain ransom for his/her safe release.

More recently, kidnapping for the purpose of extortion has become a tactic of political revolutionaries or terrorists seeking concessions from a government.

THE KIDNAPPED

In general terms, the psychological impact of being taken hostage is similar to that of being exposed to other trauma.

TYPICAL ADULT REACTIONS

Cognitive: impaired memory and concentration; confusion and disorientation; intrusive thoughts (‘flashbacks’) and memories; denial (i.e., that the event has happened); hypervigilance and hyperarousal (a state of feeling too aroused, with a profound fear of another incident);

Emotional: shock and numbness; fear and anxiety (but panic is not common); helplessness and hopelessness; dissociation (feeling numb and ‘switched off’ emotionally); anger (at anybody – perpetrators, themselves and the authorities); anhedonia (loss of pleasure in doing that which was previously pleasurable); depression (a reaction to loss); guilt (e.g., at having survived if others died, and for being taken hostage);

Social: withdrawal; irritability; avoidance (of reminders of the event).

Denial - a complete or partial failure to acknowledge what has really happened; has often been maligned as a response to extreme stress, but it has survival value (at least in the short term) by allowing the individual a delayed period during which he/she has time to adjust to a painful reality.

Two Extreme Reactions

Frozen fright - a paralysis of the normal emotional reactivity of the individual

Psychological infantilism - a reaction characterized by regressed behaviour such as clinging and excessive dependence on the captors

Learned Helplessness

May occur during extended periods of captivity.

In which individuals come to believe that no matter what they do to improve their circumstances, nothing is effective.

This is reminiscent of the automaton-like state reported by concentration camp victims (‘walking corpses’).

PHYSICAL REACTIONS

Hostages are likely to have to endure, particularly during sustained periods of captivity, an exacerbation of preexisting physical conditions, such as asthma and diabetes.

Also, the detention itself may generate new conditions due to a lack of the basics of healthy living, such as a nutritious diet, warmth, exercise, fresh air and sleep.

WRITING TIPS: THE ABDUCTION SCENE

Know your readers. Readers have expectations when they pick a novel category or genre. You could lose them with certain content. For the shock element, first construct a world where the victim lives in a secure cocoon with a happy routine and trust in their surroundings.

Be realistic. An abduction is action. There are a myriad of motives as to why someone would be kidnapped, and a thousand possible scenarios. The motives that drive the abduction, and the action sequences themselves, must be realistic. If readers don’t believe the reasoning behind the kidnapping, the scene deflates with no reader engagement. The key to realism is logic. Just as you methodically match puzzle pieces by color, size, or shape, a series of questions must be answered before you can interlock action sequences. Fitted together, the story flows because it makes sense. If it makes sense, the readers will accept and believe it.

Bring in personal dynamics early. As William Shakespeare shared in his brilliant writing more than 400 years ago, emotions—want, love, hate, jealousy, fear, joy—cause people to take extreme actions. Emotion is part of our personal dynamics, the reactive forces that drive us to respond to a situation in a certain way. A tip: Try bringing in the kidnap victim’s personal dynamics with family members and friends as soon as possible. This way, when the abduction occurs, the reader is emotionally invested and will be gripped by the fear and anxiety of the event. With personal dynamics, you control the story’s emotional thermostat.

Read the abduction scenes in your favourite crime novels or screenplays. Learn from other authors [Some Sample Quotes: 1 2]. Alternatively, you may consider researching real abduction cases for inspiration. Read background details of the victims and kidnapper, how it happened, and how they were rescued.

WORKSHEET: THE KIDNAP SCENE

Part I. From whose point of view is the scene? Put yourself in the character’s place and write what they are experiencing.

What do you want the reader to experience?

Firstly, what kind of person is your character? What would their personality permit them to do? How would they react?

Detail in advance who your character is. Are they young? Do they have any disabilities or weaknesses that can prevent them from fighting back?

Next, where is this scene located? A house would probably have to be broken into. Is the character alone? What if the scene is in public? Who is watching? Nowadays people are recording everything on their cell phones. Make sure to state whether there are witnesses or not.

Who is the kidnapper?

Is it someone the victim knows, or a complete stranger?

How do the kidnappers look like/act like? Do they wear a mask and black leather gloves? Or average clothes?

Why are they kidnapping the character? Does he/she plan on asking for ransom? Do they plan on assaulting the character? Killing them?

Detail the speed at which the scene is happening. Emphasise the worry and nerves of the kidnapper too. A great way to do this is by stating that they are sweating, breathing hard, rambling, or just “shushing” the victim.

Part II. Place the focus on the will to escape, dreams and thoughts your character is having about getting free.

Try inserting yourself in their place.

Now, describe physical things (for your character) such as nerves, common signs such as biting of lips, sweating, goose bumps on a person’s skin, the fear of being caught.

Depending on your character, they could manipulate the kidnappers and pretend to go along with their plan and/or pretend to be knocked out until an opportunity comes for them to fight back.

What tools and techniques does the kidnapper use? The scene should be in accordance with what kind of kidnappers (thugs, mastermind) you are describing. Keep in mind, thugs won’t plan a perfect abduction like a cold, calculating criminal.

Gagged, tied, put in a body bag.

Add if the character is blindfolded and if they try struggling to get away but ends up tripping instead and is pushed roughly back onto his/her feet.

Chloroform tends to knock out a person. If the victim is old, too young, not well built then chloroform works faster.

Tape over mouth is common to stop the victim from screaming, esp. duct tape.

Drugging food or beverages is a sly way a kidnapper can be anonymous.

If the victim seems to able to fight back then the kidnapper might use melee to soften them and then use whatever means necessary (e.g., drugs, chemicals).

Part III. Is anyone contacted?

Depending on why you want to write this scene, you must think about the loved ones.

Most likely the victim doesn’t have any way of contacting their loved ones. Therefore, the kidnapper holds the most control in this situation. The victim can try to convince the kidnapper to call their parents and tell them they are okay. In movies this happens quite often, and that’s when ransoms are made.

If they aren’t allowed to contact their loved ones, then the victim stays quiet and refuses to talk to anyone until they can have something that goes their way. But, this is only if torture isn’t involved. Otherwise, the victim will most likely open their mouth and start to talk. Remember, though, they can lie. If this whole thing is about money, they can lie.

Add another threat to heighten the stakes. Does the kidnapper tell the victim that they also have their parents? Or maybe if they tell them all the information they need, they’ll let the character go free? If they keep silent they’ll die? In other words, what is the next dilemma? Yes, they are kidnapped, but then what? What makes this whole ordeal that much dangerous?

How long are they held for? Where at and under what conditions?

The time can be anywhere from five minutes to several days or even weeks. It really depends on the motives behind the kidnapping. Usually, if the timeline is from five minutes to a full day you can write it out in full i.e., in real time. Otherwise, if it expands over several days and weeks, you can just sum it up in a paragraph or two.

Hopefully you stated where they are being located. If not, you can state it here. However, it’s not mandatory to say where. No need to go in detail, either. A simple: ‘The building was grey and old looking, but that’s all I knew’, would do.

Is the victim treated like well? Are they deprived of food or drink? Or, are they treated like royalty? Usually, if this happens, the victim might end up with Stockholm syndrome, where they actually start to like their captors.

Sources: 1 2 3 4 5 ⚜ More: Notes & References ⚜ Worksheets ⚜ Crime Fiction

So glad to hear this, thank you! Hope these notes help with your writing :)

[the-artist-grimm]

Does your version of Baal have other reasons for having touch sensitivity? I’m asking since in my au I’m working on writing out, I ended up giving him sensory issues due to being autistic (Self projection of my own autistic struggles honestly), and I was wondering if you had something similar (After seeing this post https://www.tumblr.com/the-artist-grimm/766796236966805504/petpet-be-upon-they-petpetpetpet)

The twins' touch sensitivity is a mix of reasons! A large part of it is from the trauma of their deaths and ressurections-their bodies broke down into ash and they spent 4 months trapped in the gateway kinda just...drifting without physical forms, only to all at once be ripped free of Narinder's lingering chain which had kept them there and suddenly thrown into a mortal realm so bright, colorful, loud, hot, and cold for the first time. Think being set on fire or electricity over skin-it's a lot of sensations their bodies just are not used to at all, and Anthea, Narinder, and each other are the only one's they're used to/ok with.

But in general the twins were always sensitive to touch, but as comfortable with Narinder and then Anthea (who is VERY good at respecting boundaries-they always work off the twins' comfort terms), were to them, it was rare the two ever showed more major signs of discomfort beyond maybe Baal shivering if a head pat was too light cause I picture him having issues with pressure or Aym getting startled if the touch was unexpected and needing a warning first. The ressurection just dialed it up to 11 because now it's touch sensitivity in a new world where EVEYTHING is a lot. The Gateway was bright but quiet, the sand soft, and everything still-so big change.

It's also drawing from my own experience. I got ADHD (and may be autistic? my twin sure as heck is and of three siblings all of us born to my house are neurodivergent lol) and since I was a kid certain touches basically just feel AGH-if it was sudden without warning, if it was too light, if the pressure was this or the material was that, with most characters I work with they usually end up with neurodivergent traits since I give them pieces of myself.

(Which on that note my Narinder and lamb, Anthea, are also likely neurodivergent considering that just ends up happening with alllll my characters lol, Anthea's likely got ADHD and Narinder's most definitely autistic)

[hetalian-veteran]

Art Styles I Personally Think the Hetalia Characters Looked Their Best In (and Why) Part 2

Link to Part 1, Link to Part 3

Please note that I am referring to the show and not the webcomic. This is primarily because I didn't always have access to the webcomic and thus the show is what I've always been most familiar with. I will also refrain from talking about characters that have only appeared in one season.

Also, please keep in mind that these are just my opinions. And if you have any different ideas of what designs looked better, that's totally okay. At the end of the day, I'm just here to have fun.

America: Seasons 1-4

It was kind of hard to choose which design was best for America, seeing as they are all very similar to one another while also having different qualities that I liked. But I ultimately settled on the one from the first four seasons. I adore the WWII bomber jacket, as well as how the character in general was animated back then. Not to mention that the older art style just fits him so well. A lot of Americans have an "if it ain't broke don't fix it" attitude about things, so I find it fitting that, at least in my opinion, this also works for aph America. He looks great everywhere else, but I won't deny I have a nostalgia for the original. This was an exceptionally close tie with his design for season 5. Not to mention I once drew aph America fanart for an art project in middle school and got an A on it.

England: Season 5

Okay, I'm gonna be real here. This all came down to the eyebrows. Well, not entirely, but it definitely played a large part. I never had a problem with England's design in seasons 1-4, but those eyebrows though. They were so distracting. I understand wanting to give characters a prominent feature that makes you go, "Yep this is (insert character here)." But I think England's eyebrows were too overdone in the previous seasons. However, I also believe they were far too thin and lightened up in seasons 6-7. Season 5 had a good balance. Not too thick but not too thin. Also, I feel like his facial structure and design made him look kinda weird in season 7.

China: Season 5

So... I'm gonna be honest here. All of the other designs for China make him look like a young girl to me. Yes, he still looks sorta feminine in season 5, but not like he appears in seasons 1-4 and 6-7. In season 5 he actually looks more like an adult man to me. Not to mention his hair. Because holy crap that is some of the most beautiful hair I have ever seen put to animation

Russia: Season 6

This was a close tie between all his designs, but it ultimately came down the hair. Yes, I know, I talk about the characters hair a lot. But that really was the deciding factor for Russia. All his designs look great in that the long coat and vertical lines throughout give me the impression of a Russian nesting doll. Now, whether that was intentional on Hima's part or not, I cannot say. But it's a cool detail that I always notice whenever I see him. When it comes to his season 6 design, I like not only how innocent he looks (which is an important part of the design Hima intended from the beginning), but that his hair has some more fun detail too it. It looks so soft and fluffy, not like the previous designs that made it look like he had water dumped on his head.

France: Season 5

What can I say about this design that hasn't been said already? The only other character who had a bigger glow-up than France was Spain (who you can see my opinions on in a previous post). Literally everything here is an upgrade from his design through seasons 1-4. His hair looks so silky and soft, not like that yellow plastic we had earlier. Also, the hair ribbon tying it back looks so elegant and refined, fitting perfectly with the character. I also love the small detail of the ribbon being the same color of his eyes. It's a nice touch. His outfits this season are great as well. They are very simple, but still elegant, with soft, curved lines and balancing both warm and cool colors. Especially in his outfit during the Joan of Arc episode.

Canada: Season 5

I think I'm starting to have a favorite season in terms of character designs here. Canada just looks his cutest here, primarily because of his outfits. He has one of the most adorable and cozy wardrobes this season, and I want to raid this man's entire closet. I love the flannels and cozy jackets and hoodies that he has. As someone who grew up most of her life in northwest Montana (which, if you ask the rest of the US, is basically just lower Canada), I think I have to be a little biased here. Canada's design gives me the feeling of home in a way, and this is definitely a wardrobe that I embrace for a time growing up.

Austria: Seasons 1-4

The hair curl in his cowlick hits harder here, just getting that out of the way. There's more of a curl to it, which is more reflective of Himaruya's art style. And even though his wardrobe in the latter seasons is great, this one all around looks better to me. I like the royal blue lined with the deep red. And the cravat is just a fabulous detail that I love. Now that I think about it, everything about this design just feels very Himaruya. Like, this is one of his best character designs. There's also the placement of the mole on the bottom right-hand side of his face. In other designs, it's not as prominent. But here it's easier to see. I feel like it makes the design all the more unique.

Hungary: Seasons 1-4

THIS. This design for aph Hungary is top tier, and nobody can convince me otherwise. Something that has always intrigued me about Hungary is that she was raised primarily around men. So much so to the point where she saw herself as one growing up. But when she got older and realized she was actually a woman, she ended up adopting more feminine clothing and characteristics. Aph Hungary is a female character who balances both feminine and masculine traits. And her design from seasons 1-4 emulate this balance perfectly. Her long hair is a pale brown color, and her eyes a dark green. Unlike later seasons where she's given long, shiny, elegant hair and sparkling eyes. She's often found wearing either military uniforms or pretty dresses. We even see the evolution of her fashion from child to adult, where she goes from wearing her hair shorter to wearing it longer and with a flower. Her design encapsulates the idea that, yes, she is a woman. Yes, she is feminine. But at the same time, this is someone who has seen war and battle. (I might have to do a separate post about Hungary, because her design and character are honestly fascinating).

[dalishious]

is it just me, or the way trick weekes wrote both of the qunari/vashoth kinda too similar? they both love dragons, have rather "steamy" romances, their quests are both related to whether or not the qun/qunari culture is something they want to follow, they both talk in a similar manner, etc.

like, weekes is probably a better writer than me, so i might not be the person to criticize them, but also i have a feeling that making bull and taash have more difference is not that difficult of a job.

i'd like to hear your opinion and opinions of people following you -- are the similarities i'm noticing minor enough to be brushed off, or is it actually weird they didn't attempt to make their qunari characters less samey?

You don't have to be a writer yourself to judge whether or not you like someone else's writing.

That said, I only just recruited Taash and don't know them exceedingly well yet, so I can't really comment in detail myself. But from what I've seen so far, I don't see a whole lot of similarities to Bull beyond the things related to them sharing a cultural background? Which like. Characters are allowed to do that. I.e. we've certainly had enough Andrastian human characters in the series.

[knight-a3]

Heavenbound AU Masterpost

Alastor Redesign

I've spent an absurd amount of time researching deer, microphones, and 1920s-30s fashion for this. I'm by no means an expert of any of it, but I'm decently confident enough for some fictional depictions.

I'll include some notes under the cut, which does get a little long. I doubt other characters will get this detailed, but Alastor has a lot of design themes and motifs that were a bit too ingrained to remove. Everyone else is either simple in comparison, or much easier to simplify.

Alastor also just catches my interest in ways the others don't.

Design notes (I'll add edits notes as they come, should it be necessary)

My goal was to design him in a way that still felt like the same character, just altering the aspects I thought could be better. So a radical change wasn't what I was going for. That said, I had a logical reason for most of the changes I made.

--Deer-- Quickly, there's some regional terminology to clear up. In Europe, elk often refers to what North Americans call moose. And the NA Elk is sometimes called by an alternate name, "wapiti". I had never heard the term wapiti before researching this. And since I live where NA Elk are native (Rocky Mountain region), I think my terminology takes priority. Alastor would call them elk too. Before anyone says Elk aren't deer; yes they are. The word 'elk' basically means "big deer." They look similar to the Red Deer (Similar looking antlers, but elk are bigger, second only to moose, which are also a species of deer). It used to be believed that elk was a subspecies of Red Deer, but that's apparently been proven false. In NA, there are five main species in the deer/cervid family(listed from smallest to largest): Whitetail, mule deer, caribou/reindeer, elk, and moose.

Deer Sounds If you haven't heard deer sounds, I promise they aren't what you'd expect. Fanfics authors like to describe him making deer noises, but I'm not sure they realize what the sounds are actually like. I'll describe some noises, but search for them on Youtube, for both males and females separately. Using these terms will help you find specific examples. I listened to so many just trying to figure out how to describe them. Snort-They make a huffy blowing sound when alerted or alarmed. Often sounds like a bark. It's basically sounding the alarm. Does often make it when they're being harassed by bucks. Grunts- sounds like a croaky or clicky groan. Sorta like a frog or a pig. Sometimes sounds like cattle's moo. There are casual grunts, curious grunts, frustrated grunts, submissive grunts, low-drawn-out dominance grunts. Bleat- sounds more whiny, sheep-like, and higher pitched than a grunt. But it doesn't sound like a goat or sheep. It's used more by does and fawns. The younger it is, the higher the pitch. Really young fawns will sound like a little meep or maa. Snort Wheeze- sounds like a sniffy huff, followed by extended "F" sound. "sniff sniff Fffffff" There's a lot of air to it. It's basically an insult or challenge. Elk Bugle- much higher pitched than you'd expect from such a large animal. More so than a deer. It's an eerie, high pitched screech. They're basically broadcasting their location, looking for cows. Bulls will bugle back and forth, competing for attention. Elk chuckles and grunts- shorter versions of the bugle. Sounds kinda like monkey hoots. Elk Bark- alarmed or irritated. Sounds like a small dog's bark. Elk Chirps and mews- It reminds me of the curious sounds the dilophosaurus from Jurassic Park made. Or seagulls. They're just chatting.

What deer is he? Based on what I've observed, I don't think he was designed with any specific species in mind. I've seen others say his antler growth is most like elk, but I've found it inconsistent at best. Elk noises are used in the show, but that's because they make a distinct and eerie sound. More impressive than a deer's grunt or snort and wheeze. Personally, I think whitetail makes the most sense for him, since that's the species that would be most prevalent in Louisiana. While I'm basing him primarily off whitetail deer, he is a fictional deer-looking demon man, and doesn't have to perfectly resemble any single species of deer. His bright red color is clearly not realistic, for example. So I will incorporate some aspects of whitetail, mule deer, and elk, since those are the prevalent species in North America. I've given him a whitetail deer tail, but with the white swapped to black. That doesn't make him a blacktail deer, because that is supposedly a subspecies of Mule deer, and the tail does not look like what I am going for. Mule deer have proportionately large ears, and so does Alastor. Fans like to think they're soft and fluffy, but they aren't. I have felt deer hide, and it is NOT soft. I doubt it would be significantly different on live deer. Especially if it's anything like goats or cows(not even sheep are as soft as you'd expect). Deer ears are not positioned as low on the head as domestic livestock, but they aren't directly on top either. I wanted to maintain the upright position, because he didn't quite look right otherwise. I think I managed to get a decent balance. When he's particularly relaxed, his ears aren't as upright, but he rarely lets himself put his guard down like that. So it's basically just when he sleeps that they relax. His antler growth will vary based on a few different factors. When he is feeling confident and composed, the growth will be more typical to either of the three species. Whitetail or mule deer antlers will be more elegant, while elk antlers will be more intimidating due to the sheer size. But the more emotionally/mentally unhinged he gets(anger, fear, desperation, etc), the more nontypical his antlers will become. Which means there will be extra points in abnormal patterns. It's basically an indicator that he's not quite in control. He hates how it basically announces that, but very few people know that detail.

Anyway, here are a few references

--Life and Death-- For simplicity and easy math, I'm putting his birthday around 1900, give or take a year. He died 1933, which means he was around 32-34. Not very old, but not super young either. Lots of fans headcanon that he's biracial. Usually with a black Creole mom and white dad. His dad is often portrayed as abusive. Alastor is often thought to be fluent in French(Creole French). I want to propose an alternative. His mom is half-black half-white, his dad is white, and Alastor is consequently a quarter black. He is distinctly white-passing. He knows some Creole French, but is not fluent. I just think this could make for some interesting dynamics. Just to shake things up, his parents cared about each other and his dad wasn't abusive. But his father died in WW1, when Alastor was a teen. Instead, his uncle(father's brother) was racist and abusive towards them. Without his dad around to fend off the abuse, Alastor ended up killing his uncle in self defense and dumped the body in the woods/swamp/bayou. He had no remorse, and was rather enamored by the experience. Alastor always struggled with empathy. He was the type of kid to kill animals out of curiosity, and was fascinated by it. He felt more alive when watching the life fade from their eyes. His dad taught him to hunt, and he enjoyed the thrill of catching prey. A big part of hunting is understanding the prey's behavior and manipulating them. His parents taught him not to hurt other people, but after killing his uncle that went out the window. He justified it by "hunting" people he decided deserved it, in some twisted sense of vigilante justice. Really, he was just looking for an excuse. He primarily used guns(rifles for a clean kill, shotgun for efficiency, pistols "just in case" an unexpected opportunity presents itself) and knives for a real hands on experience. But in the end, if it got the job done, it could be used. He dabbled in magic and demonic deals while he was alive. He has a pop-culture-voodoo aesthetic, such as dolls that are connected to people and such. But I won't refer to it as voodoo, because I don't want to misrepresent actual voodoo. I will just call it shadow magic and be making up my own rules. More on it later. Radio was a comparatively mundane part of his life. It was his more relaxing pastime. He'd broadcast anything he liked. News, gossip, music, jokes, whatever. He could talk for hours, and his charisma was captivating to listeners. He did live shows too. An open mic was free game. While not aiming to be a musician, he was a decent pianist. He liked saxophone too. He preferred to dance though, and not many could keep up with him, even after some whiskey or rye. He died after being attacked by a rabid dog. He survived the attack, but contracted rabies, which there is no cure for. It attacks the central nervous system and fries the brain. Once symptoms appear, it's a death sentence. He went mad, and a fellow hunter put him out of his misery by shooting him in the head. He thinks it's an embarrassing way to die, so he's told a few alternate stories, sometimes with a grain of truth. He's amused by the gossip and speculation. Nobody knows the true story. These stories include the usual headcanons floating around. Let me explain why I don't like the usual death headcanons Mauled by hunting dogs- Hunting dogs are not supposed to kill the prey, just help the hunter find and catch them. A hunting dog that bites the prey might spoil the meat. To have a whole pack do that means those are horribly trained dogs. I don't buy it. Mistaken for a deer and shot by a hunter- Hunters should not shoot anything if they aren't certain of what it is. Otherwise they risk shooting something they don't have a permit for. At minimum, they should be checking to be sure they are aiming at a buck or a doe. To mistakenly kill a person is absurd. Also, to hit perfectly in the center of the forehead?? That had to have been intentional.

He started killing overlords partly because he could, and partly because they meet his criteria for "deserving it". He remained anonymous about it at first for a few reasons: 1. it was how he worked as a serial killer in life. 2. He enjoyed the thrill of the hunt and getting away without getting caught. 3. Watching everyone panic about the mysterious overlord killer while totally unaware it was him(seemingly unassuming) was amusing. Eventually, the novelty of anonymity wore off(partly because there weren't many consequences to getting caught like there would be in life) and he revealed himself as the mystery killer. Then he enjoyed the reputation and Overlord status. Eventually, being feared bored him too. So now he has to find some new games to play, which is where the Hazbin Hotel comes in.

--Fashion:1920s-30s-- Clothes: Men's outfits typically consisted of a shirt, waistcoat/vest, jacket, trousers with belt or suspenders, and potentially an overcoat if weather permits. If it was cold, I think he'd wear a black overcoat, to reference his earlier designs. I had to shorten the jacket a smidge, because they usually wouldn't be as long as in canon. Unless that's supposed to be his overcoat(in which case it shouldn't be so form fitting) The jacket lapels would generally be pretty wide. The pant legs would also be wide. Some of the pant styles could get rather absurd by todays standards. The basic idea was loose and boxy. The jacket, vest, and pants would be the same color if it could be afforded. But for the sake of visual interest, I've decided to ignore that. Neckties were more common than bowties. But that's more just an excuse for me to reduce the ridiculous number of bowties the show has. Belts were starting to become prevalent, especially in America. Since my research indicated that hunting clothes would use belts, never suspenders, I figured Alastor would favor belts. While hunting, he'd were a buffalo plaid shirt, a hunting cap, and some silly looking pants that were wide at the thighs, reinforcement around the seat and knees, and tight from the knee down, with either boots, gaiters(a shoe/calf cover to help keep clothes clean, similar to spats), or puttees(leg wraps that do the same thing, as well as provide support).

Monocles were used as a portable option for reading glasses, and not worn constantly. They were used to correct farsightedness, not nearsightedness. But they were fading in popularity, in part due to the association with prominent German leaders during WW1. Basically, I don't think the monocle suited Alastor.

Hair: I headcanon that his hair is actually fur. And as I said earlier, deer fur is not soft. It's pretty coarse and wiry. He probably sheds a lot too. His canon haircut is atrocious, so I had to fix it. The look of the time was short sides, long top, and slicked with styling wax. I've styled his hair in what I think would be the closest approximation to 1920s-30s fashion he could manage. Since it's fur, I don't think the wax would do a whole lot for him. He makes do with an approximation of a tousle top, which is basically minimal wax and slightly disheveled. Facial hair was not really in style in the 20s, due to the availability of razors. Cleanshaven was the ideal, especially in America. If a man did sport a mustache, it would be something neatly trimmed, like a pencil mustache. (I'm not totally sold on how I've done his hair in the below image. I may add some wave to it later. Also, don't mind his gun, I just didn't feel like drawing it properly.)

--Microphones-- I think Alastor would actually stay pretty up to date with a lot of things. But most people don't really realize it because he commits to his aesthetic. In regards to technology, if it has improved functionality, and fits his vintage style, he'll go for it. For microphones, he can summon whatever kind he wants. There are a variety of styles and types to choose from. I don't have any practical experience, but I did try to figure it out to a degree. There are three basic types he'd use, and they can look vintage just fine. Dynamic/moving coil: these are durable and less sensitive to background noise. It's the only one you can trust to survive a mic drop. Good for stage. Probably what he'd take out and about, because of the durability. Condenser: sensitive to sounds and capturing detail. Good for recording. Requires some extra equipment to prevent self-noise. Ribbon: Produces natural, smooth, warm sounds. Common in vintage mics. Probably Alastor's favorite, but they're fragile. Pop filters and wind guards help protect it from pressure changes.

--Color-- I tweaked the colors so he wasn't so overwhelmingly bright red. Overall just darkened his palette. His hair is a warmer shade of red than his suit. I also didn't think the green magic suited him. So his magic is more in the red to yellow range, because it matches his eyes and teeth(which glow, btw). Green will be an indication of either something poisoning his magic, or it's a borrowed power. I haven't fully committed to just one, and it might depend on what direction canon takes with his soul owner.

--Magic-- His stitching is an indicator that he's not really as composed as he seems. He's always a few threads away from tearing apart, but when he does he can always pull himself together again. He's in constant pain, but has also become so accustomed to it that he hardly notices anymore. I think he stitched his smile on himself. He wants to be smiling, and sewing it in place is how he can assure it never slips. It's part of his pseudo-voodoo aesthetic. Alastor was known to make overlords disappear, which shouldn't be possible without angelic weapons. But few people knew about angelic weapons before the show(himself included, I'm pretty sure). So I was left to ponder what he could have done to make victims disappear. I'm thinking the little shadow puppet gremlin creatures are the tattered remains of souls he's torn apart. I don't want to refer to them as voodoo dolls, so they will either be called variations of shadow puppets or gremlins. He usually offers fair deals, with or without a soul contract. Souls he owns--like Husk and Niffty--are added to his collection of minions, each minion has a gremlin that represents their contracts with him. But there are some that Alastor feels don't deserve fair treatment, so he tears those souls apart to broadcast their screams of eternal torment, then claims the remains of the tattered souls(whether he had a contract with them or not) and stitches them up into the shadow puppets. That way, they don't regenerate. Husk was lucky Alastor liked him, and offered a deal instead of just tearing him apart. Again, I don't want to misrepresent actual voodoo. So at most, it would be a corrupt version mixed with various pagan witchcrafts. It will just be referred to as either generic magic or shadow magic. If I need spooky symbols, I'll just make up my own. It will probably involve X shapes, to match his death mark. He became a powerful demon so quickly because he's clever, ruthless, and dabbled in magic in life, and was making demonic deals in life. Already having deals and practicing shadow magic gave him a significant boost once he died.

Some examples of his shadow puppet gremlins, plus his personal shadow buddy, which may or may not be the gremlin that represents himself:

--Wendigo-- No, I don't think he'd a wendigo. I personally don't think he was a cannibal while he was alive. He was a hunter who enjoyed the thrill of the hunt and liked venison(deer meat). The people he killed would be those he found disgusting, so I doubt he would have wanted to eat them even if he was so inclined. After death, he became venison himself, which can be perceived as cannibalism, I guess. He was cursed with insatiable hunger, which prompted him to branch out to more cannibalism from desperation. He still favors venison, which gets the closest to satisfying his hunger. Being dead has made him less concerned about cleanliness and hygiene, except when it affects the image he wants to portray. Then he became acquainted with Rosie, who was a cannibal in life. None of this makes him a wendigo. The concept of a man-eating monster or cannibalism isn't exactly unique, and I don't see a reason to apply that specific term to him. The original mythology of the wendigo does not include an antlered creature. I'm pretty sure that was more of a pop-culture addition during the 1900s. They're also more common further north where there are colder winters. Most descriptions say they are essentially ashen-skinned, emaciated-looking people(look at the game Until Dawn for a good example of that). Coincidentally more similar to the people of Cannibal Town. I doubt that was intentional, but the resemblance is still there. If any character was a wendigo, it would be Rosie. But I don't intend to explicitly make her one either.

[mewkwota]

For the character ask meme, what about Vanitas?

Okay so here's where my knowledge of KH anything dwindles, I only have a light grasp on whatever occurs in Birth By Sleep. Or whatever occurs in-between and before. So like... everything then. I see. ;;

Send Me a Character

And I will tell you my:

First impression So he's like an evil Sora, but also like not an evil Sora? I'll take it.

I know he's tied to Ventus, it's just funny to see an "evil Sora".

Impression now There is supposed to be more to him but I am too afraid to ask.

As much as it is funny to talk about how everyone is everyone in KH, it is kinda fun to see how non-blood bonds are depicted by visual similarities. I am admittedly someone who does this too, though I try my best not to make it so obvious-- I'd hope.

That said, this overlap on "Soras" makes me wonder how I can draw the others, like Roxas, Ventus, and even Xion, to show that connection while still showing it's "them". Just start with an "S". ;V

Honestly the rest of my responses aren't anything remarkable. I don't have so much of a history with this guy to say that much.

[dollsome-does-tumblr]

the decameron isn't taking off like tumblr's new bridgerton and i'm being so brave about it

(that's a lie. i'm not. WHERE ARE THE GIFSETS!!!!!!!!)

[blaithnne]

Beakley's final sheet is here! I gave her a new surname because…. I wanted to, but I think she still uses Beakley sometimes. Half as a pseudonym, and half because it’s a little easier in an English speaking country. This, by the way, is the sparknotes version of her backstory, because there’s SO much stuff I didn’t have room for, and I barely had space to talk about her after joining SHUSH.

MORE Beakley content you ask? Say less

Meet the Cast!

╰┈➤ Canon ☄. *. ⋆

→ Scrooge McDuff → Matilda McDuff → Hortense McDuff → Qalhata Duiker → Ludwig Von Druska → Goldie O'Gilt → LÙ Huifen (pre-caseflies) → LÙ Huifen (post-casefiles) → Bradford Butcher

╰┈➤ OCs ☄. *. ⋆

→ Lucrais NicRiada

.ೃ࿐

[lieutenantselnia]

Random appreciation post for TV shows about special task forces that are also oddly endearing (found) families, they just have a very special place in my heart❤️

Hogan's Heroes (1965-1971)

The Penguins of Madagascar (2008-2015)

Star Wars: The Bad Batch (2021-2024)

[tariah23]

:/

[gojooooo]

man i love open endings. the fact that thanks to yuuji there might indeed be the next time sukuna talks about in case some idiot decides to eat a finger again. and we need fics where yuuji is that idiot

[starlooove]

“Fandom isn’t fun anymore fandom isn’t fun anymore” tbh it just feels like white racist “normies” jumped in as opposed to white racist nerds and for me personally u can feeeel it kinda but it doesn’t change much