#The Seeds of the Past

[ponysongbracket]

MLP Song Tournament

Please listen to both songs before voting.

Say Goodbye to the Holiday

The Seeds of the Past

[waltermis]

Y'ALL THIS SONG SHOULD NOT MAKE ME CRY AS MUCH IT DOES........ ❤️‍🩹

Starlight's little part just ❤️‍🩹 she had one little verse and she nailed it

"the seeds of the past, we grow up so fast, some hurts never go away."

[fuckyeahchinesefashion]

mooncakes for mid autumn festival (happy zhongqiu

[swagliostro]

Me kissing evil supercomputers because I want them and I know I have the power to fix them tbh

[hooned]

riki when he saw a child engene in the crowd ⭐

[halloawhatisthis]

[the-holy-ghosted]

congrats 2 henry peglar for being the only bitch confirmed as to be Fucking That Old Man

[rookisaknight]

Lrb relevant something about the way each brother is constantly reiterating their trauma in an attempt to subdue it.

Jacob, most direct and long-term recipient of their father's abuse, surrounds himself with people he's conditioned to become violent at the drop of a hat.

But its ok, because he controls the trigger this time.

Joseph, left abandoned by the splitting of their family, creates conditions for his new Family that are so untenable it's only a matter of time before any given member tries to leave him.

But it's ok, because being forced to constantly negotiate, gaslight, and threaten people into sticking with him makes him feel like he has power over his isolation this time.

John reliving his childhood torture every goddamn day, carving himself up when he can't carve up others and having his fear of damnation dangled over his head by his brother god. Constantly repenting, constantly atoning, never forgiven.

But it's ok, because he holds the knife this time. When you hold the knife, you get to say when it stops, and you get to extract sin from others rather than have it extracted from you.

[buffetlicious]

We didn’t buy from Bee Cheng Hiang (美珍香) this year, instead sis made use of her NTUC Linkpoints to redeem one piece of White Lotus with Bakkwa Mooncake (肉干白莲月饼) for free. They are selling this single piece of mooncake without egg yolk for a shocking price of $25.50!!! The baked mooncake is filled with velvety smooth white lotus paste, crunchy melon seeds, and delectable bits of Gourmet Bakkwa. Somehow, I still preferred their Bakkwa Mooncake (肉干月饼) which is filled with melon seeds, nuts and bakkwa but no lotus seed paste.

InterContinental Singapore’s Man Fu Yuan (满福苑) unveils four innovative snow skin mooncakes, featuring citrusy and tropical flavours with vibrant hues, alongside a series of low sugar variations of their beloved baked mooncakes. The exclusive Snow Skin Mooncakes: Blossom and Botany (芬芳馥郁) are inspired by the vibrant hues and exquisite flavours of tropical fruits; the innovative creations promise an enchanting experience for the senses; all delicately paired with a chocolate truffle centre. Choose from Mangosteen and Flax Seeds with Pomegranate Chocolate Truffle (红紫山竹亚麻籽伴石榴松露球冰皮月饼), Coconut and Black Sesame Seeds with Passionfruit Chocolate Truffle (雪白椰子黑芝麻伴百香果冰皮月饼), Jackfruit and Quinoa with Lime Chocolate Truffle (青绿 菠萝蜜藜麦伴香柠檬松露球冰皮月饼) or Golden Peach and Pumpkin Seed with Lychee Chocolate Truffle (辉煌黄金桃南瓜籽伴荔枝松露球冰皮月饼).

For those who do not like their mooncakes too sweet, Man Fu Yuan (满福苑) is proud to introduce low sugar variants of their baked mooncakes, retaining the authentic flavours of the beloved classics while offering a more health-conscious option for the festive indulgent. Received this Low Sugar White Lotus Seed Paste with Double Yolk (低糖双黄白莲蓉月饼) from one of our office’s suppliers. The mooncakes came in a Blush Elegance Leatherette Box featuring a delicate blush pink exterior with a sophisticated soft grey interior complemented with coral packaging that hold individual mooncakes, while Ivory Opulence Leatherette Box showcases a pristine ivory finish with a striking red interior that complements the radiant gold packaging.

Finally sliced up this Low Sugar White Lotus Seed Paste with Double Yolk (低糖双黄白莲蓉月饼). Without knowing the yolks placement within, I just blindly sliced it into quarters. As the knife reached the bottom of the mooncake, I can see the orange-coloured oil from the salted egg yolk staining the kitchen towel. A sign that the yolk is properly prepared and not dried out. The glistening yolks are a uniform orange and the lotus paste smooth looking with a thin crust around it. The lotus paste is smooth and velvety with gentle sweetness while the lightly salty yolk crumbled and melted away in the mouth. Overall, it is a nice snack to pair with my cup of less sweet milk tea.

Selected images courtesy of Man Fu Yuan.

[helyeahmangocheese]

guys do you know how absolutely cracked the british!Grace siblings dynamic is... punk british Thalia who is so anti establishment bc look at the fucking monarchy and the british empire.... BLACK JASON GRACE, SON OF THE KING OF GODS, GRAPPLING WITH THE HISTORY OF THE ROMAN EMPIRE, THE BRITISH EMPIRE, AND THE EMPIRE OF THE UNITED STATES OF AMERICA. the implications... and yet they're just kids who want to fit in... the family story, yall, fucking ouch.

[thewertsearch]

@bladekindeyewear asked: Quote asker: "Feferi is the one who set up the dreambubbles" -- Mild correction there, what she said was, "CC: Soon I will go to sleep and speak to t)(e gods. CC: I will convince t)(em to establis)( a series of stable dream bubbles, w)(ere we can meet in our sleep!" Emphasis on "stable" and "meet" - the dead might end up in the dream bubbles regardless for all we know, from what Aradia said, but their respective bubbles likely wouldn't have INTERSECTED as frequently without Feferi's request.

I think the key word here is stable.

We've occasionally seen more fluid, abstract dreamscapes, such as WV's shared dream with Vriska, or Jade's chaotic post-death nap. These, I think, are the Dream Bubbles as they naturally occur, without the Horrorterrors keeping them coherent. They're unstable, liable to mutate or collapse without warning.

The Bubbles might always have existed - but, thanks to Feferi, they're solid now, and can be used as a medium for consistent communication.

[ponysongbracket]

MLP Song Tournament

Please listen to both songs before voting.

Pinkie The Party Planner

The Seeds of the Past

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

--

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 

[josephslittledeputy]

"It's just fiction, it can't hurt you." I tell myself as I get ready to watch my fave die (again)

[carnivalcarriondiscarded]

the artblock be hitteth Harder than normal, for tis not normal artblock. woe. Wally be upon ye

[fullcravings]

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