#The Orphic Trilogy

[silveragelovechild]

Who needs CGI when you’ve got your imagination?

The Orphic Trilogy dir. Jean Cocteau: Testament of Orpheus (1960) Orpheus (1950) The Blood of a Poet (1930)

[honeygleam]

testament of orpheus (1960) dir. jean cocteau

[dionysusmybeloved]

How to Celebrate Lenaia

The Lenaia was an ancient annual Athenian festival, held during the 15th-17th day of Gamelion (roughly January today) dedicated to Lord Dionysus, the god of wine, theater, and revelry. I know I'm a little bit late but I wanted to make this as a quick informational post for this year's Lenaia and how you could celebrate it, from January 12th–15th :D

🎭 Attend, Perform, or Read Plays 🎭

• Famous for its theatrical performances, of which were primarily comedies but also tragedies, you can read or perform classical Greek theatre as a way to celebrate:

Classical Comedies:

The Frogs by Aristophanes

Lysistrata by Aristophanes

The Birds by Aristophanes

Peace by Aristophanes

The Knights by Aristophanes

The Wasps by Aristophanes

The Clouds by Aristophanes

Classical Tragedies:

The Bacchae by Euripides

Medea by Euripides

Oedipus Tyrannus by Sophocles

Antigone by Sophocles

The Oresteia (Trilogy by Aeschylus: Agamemnon, The Libation Bearers, The Eumenides)

The Persians by Aeschylus

📜 Recite Hymns Dedicated to Lord Dionysus 📜

• As the festival honors Dionysus, reciting hymns is another great way I've managed to connect with him. Here's a list of hymns that are about Dionysus that you could try:

Homeric Hymns: #1, #7, #26

Orphic Hymns: #30, #45, #46, #47, #50, #52, #53

You could also write your own poetry, hymns, or chants :] This can also be said the same with plays, writing your own plays can be a great way to celebrate and honor Dionysus.

🍷Drink and Offer Wine to the Gods🍷

• Wine-tasting or mixing drinks is probably one of the best ways to celebrate. If you’re underage or prefer non-alcoholic options, you could substitute wine with grape juice or any fruit-based beverage. Give a toast to Lord Dionysus and maybe pour a small offering in his honor.

💟 Host a Symposium Gathering 💟

• Symposia was a key part of ancient Greek culture, which often involved drinking, discussions, and entertainment / parties. With this info, you could prepare a small feast, talk and engage in meaningful debates, or even learn a little by deepening your understanding of the festival by reading about stories of Dionysus in Greek mythology or the history of ancient Greek theater, if that's your cup of tea (wine).

🍇 Explore Nature and the Outdoors 🍇

• Since Dionysus is also connected to the nature and the wild, you can always try and take some time to visit a vineyard, park, or gardens. Just going outside is also good enough as well!

🕯️Light Candles and Burn Incense🕯️

• Using candles and burning incense can create an authentic space for celebrating, which can enhance your connection to Dionysus and the spirit of Lenaia itself.

🍾 Celebrate with a Purpose 🍾

• Above all else, Lenaia is supposed to be fun, joyous, and creative! You don't have to do any of these or you could also try doing many other activities that I haven't even included in this post. Even if you’re celebrating alone, with friends, or other fellow devotees, you should embrace the playful and festive energy of the occasion. Just dancing, singing, and enjoying yourself is already enough to honor Dionysus.

With that said, I hope you have a Happy Lenaia!

[anilyan]

Venti is Phanes + on Istaroth and the Primordial One

Not so crack theory: Venti is Phanes and is the androgynous being born from the Chymical Marriage between the Primordial One and Istaroth, before she was betrayed by the Sinners

(I posted this before but now it's properly explained)

I am using this lore in my old mondstadt fic, Nameless (actually soon to turn into trilogy, since vol 2 is about venti rewinding time and vol 3 is present time story and I took so long to plan all the lore with all the canon crumbs and theories we had...)

Yes, a lot of the info about gods is pulled from wikipedia, I’m not being paid to research more, okay? I just want to feed the brainrot. My main sources besides those are the videos listed at the end.

I would love if this theory made its way to some big lore content creator for them to analyse and criticize, because I have been rotating this in my head but I don’t have their capacity or knowledge to tear this apart.

NOTES:

This post contain minimal mentions of 2 leaks, about the rest of the collection of The Pale Princess and the Six Pygmies, and a sus minimal old leak about Venti

This post contains some references to the Penacony arc from Honkai star rail, but no knowledge about the game is required and in fact, I don't even play it myself and those are just sus parallels

0. Summary / main points

Istaroth and the Primordial One parallel Chronos (personification of time) and Ananke (most powerful dictator of Fate and mother of The Fates/Moirai), respectively.

Chronos and Ananke laid down the cosmic / orphic world that created/reshaped the world. In a way, that was an Alchemical Marriage, that also gave birth to the androgynous winged being Phanes/Venti, and to the Abyss,

Venti has many ties to fate, including extensive apple symbology visible even in wisp form. The apples, besides being a symbol of fate, also represent a dream bubble in accordance to the structure of Teyvat. Quoting his most sus birthday art, “It is written that there is a whole tiny world hidden inside an apple core”

Venti has at least some control over 1 half of Teyvat while the other half is ruled by The Night Mother/Nyx. He also offers us half of the apple in the mentioned birthday art.

Ananke was a serpent-like being, and we see a Black Serpent 1) coiled around Phanes 2) coiled around the pearl/cosmic egg in the Gnostic Chorus 3) in the Black Serpent Knights, who also had Ishtar/Istaroth’s star as a symbol 4) In Nibelung, if we consider serpents and dragons the same

Istaroth supported Khaenri’ah (thus why the Nation had her symbol) and both opposed the Heavenly Principles/Celestia, until she was betrayed by the Sinners/6 Pygmies and forgotten

The Primordial One was opposed by Celestia. We also know that Nibelung fought Celestia. They were either allies or even the same being (a black serpent), and their perceived opposition is not too different from how Remus went down misinterpreted by history

1. About the Primordial One

In case it’s not yet clear, this assumes that Phanes =/= Primordial One. After all, the book Before the Sun and Moon simply says that “The Primordial One may have been Phanes*”,* and the fandom just started equating the two.

I am of the opinion that the Primordial One and Celestia are in opposition, while Istaroth is on the side of the Primordial One, or at least opposed to Celestia too. Maybe the Alchemical Marriage was part of a plan of theirs. Read more about it in section 3.

And if the truth about Remuria taught us anything, is that some rivalries depicted in history are false. In the same way Remus went down as a Tyrant when in reality he never wanted to employ force and was even allied with Sybilla (a vishap), I would say that the Primordial One and Nibelung/dragons/vishaps probably found ways to coexist. We do know that Nibelung went to war against the Heavenly Principles/Celestia, but if Celestia and Primordial One opposed each other, that just makes an alliance between PO and the Dragon King more likely.

We don’t know if Primordial One = 1st Descender and Celestia = 2nd Descender, so I will avoid using those terms throughout the post. But if the 2nd who came = 2nd Descender = Celestia, then that would lend further credibility to the idea that Celestia and the PO are on opposing sides, since the 2nd who came basically stole PO’s ruling of Teyvat.

2. About Istaroth AND Khaenri’ah

Like I said above, I believe that Istaroth sides with the Primordial One and that both are in opposition to Celestia

Istaroth has the ability to create alt Looms of Fate through those seeds she gives away - those basically grow into trees that are databases of history outside the control of Celestia. I had already affirmed this for my fic before we got the 2nd Caribert quest, but at this point is practically confirmed.

Istaroth is based on Astaroth and Ishtar, and Ishtar’s morning star is an 8-pointed star just like the symbol of Khaenri’ah. And so the Black Serpent Nights probably served Istaroth in some way.

Khaenri’ah supposedly didn’t have a god, but let’s keep in mind Istaroth was forgotten by time. It’s also possible that, even if Khaenri’ah had a god, they still considered themselves the pride of humankind since Istaroth likely wasn’t associated with Celestia, as I mentioned

Speaking of Black Serpents, other prevalent Black serpents are the one in the Gnostic Chorus, and Nibelung, in a way (not sure if they are or not the same entity). So I would say that Nibelung is/was also allied with Khaenri’ah/Istaroth/Primordial One. Please refer to the section above for an explanation.

The 6 Pygmies and the Pale Princess is a book that is an allegory for the 5 Sinners of Khaenri’ah + Dainsleif and Istaroth. I include, at the end, a video that explains that properly and is very much worth the watch. From there (or at least, from the leaked volumes), we know that the Sinners basically betrayed Istaroth, which might explain why she ended up being forgotten and why Dainsleif is the only Pygmie that didn’t go fully down the Sinner’s path.

3. The relationship between the Primordial One and Istaroth

Like I say above, many things point to them being allied. At the very least, we can quite safely infer they both opposed Celestia/The Heavenly Principles and in turn allied with Khaenri’ah.

The cosmic/ orphic/world egg was created by Chronos (personification of time) and Ananke (most powerful dictator of Fate and mother of The Fates/Moirai). ��Ananke and Chronos are mates, mingling together in serpent form as a tie around the universe. Together, they have crushed the primal egg of creation of which constituent parts became earth, heaven and sea to form the ordered universe.”

Ananke and Chronos have to be the PO and Istaroth - which one is which is a bit debatable, with their genders being a counterargument on its own. But I would say Chronos is Istaroth (due to her associations with time, although she is more a god of moments than of time) while Ananke is the Primordial One (who had the 3 moon sisters/moirai as shades + is probably the Dreamer/HSR’s SUNday parallel who plays the symphony that creates the fates reflected by the moons (read more in next section)).

The cosmic egg that birthed the world, together with the Abyss AND Venti, probably resulted from their Alchemical Marriage. I wouldn’t be too surprised if it was also the Gnostic Pearl depicted in the Gnostic Chorus cutscene, or even if the Black Serpent there was Ananke/Primordial One. In fact, that would only solidify the connections with the Black Serpent Knights and them wearing Istaroth’s symbol. And it would be extra funny if somehow the Primordial One and Nibelung were the same entity (since I already explained why I think they were are least on the same side)… and therefore were a black serpent/dragon.

Okay, but what is an Alchemical/Chymical Marriage? It’s a marriage between a Red King and a White Queen, the Sun and the Moon, gold and silver, sulphur and mercury. It’s sometimes pointed as the source of the Philosophers' Stone, and from that union of opposites is birthed an androgynous being. Btw, that marriage is facilitated by a dove, but this is off-topic and you can see why that is interesting in the last video linked. It’s also a process that sometimes involves ‘fermentation”, which is also off-topic but ties well with the wine-making process and other things mentioned in the last video too.

According to Jakob: "The Seal of Chymical Marriage was an ancient Fontainian ritual meant to seal off the source of life. Now it has been reversed, and all has been set free once more!" So, it can be used to separate the Primordial Sea from the world, which sounds similar to creating a world/pearl/philosopher’s stone/egg/dream bubble that floats in the sea of quanta or wtv is the logic used across Hoyoverse’s worlds. We confirm again this was necessary to create Teyvat's egg, and that the Primordial One couldn’t do it alone because two people are required for a marriage.

And do you know what Marriages also require? A ring. Who was escaping with a golden ring, that is an important figure of Khaenri’ah and the only Pygmy who didn’t act like the others/didn’t become a Sinner? Dainsleif, whose constellation is even a Serpent ring. May I point to the Das Rheinegold music drama, that is part of the series The Ring of Nibelung, and maybe use that as extra merit to associate the Primordial One with Nibelung?

4. About the world of Teyvat

Dragons = Vishaps = Sea slugs = Bees = Seelies. Yes. We already know that the the dragons and seelies in Genshin are based on irl sea slugs, I won’t elaborate on that. As for Bees, that is because we have seelie-like bees in Remuria, connected to the prophet Golden-Bee Sybilla (don’t mistake Sybilla with Sylla, who is a Dragon King, although I guess this is all the same family)

Teyvat is theoretically 2 worlds/halves, the version we know and the mirror world, that is probably the Abyss. Or maybe all of it is a mirror world, idk. We can even see similar world structures in Honkai Star Rail, especially in Penacony, where the world there is literally mirrored and a dream too. Some people say Teyvat is divided in 3 parts: the Light Realm, Void Realm, and the Human Realm. But I think the Pimordial One just transformed the Light Realm into the Human Realm, so there are still 2 parts only, and we know they can overlap anyway.

Cycle: People die » are absorbed by the roots » are supposed to travel to the top of the world tree (inverted, so top is in abyss) to become Irminsul fruit / stars » said stars form constellations that determine people's fate, or more accurately, since they are all in a dream, are data that allows the tree to predict their fates » it’s because people exist as stars that their fates and presence can be summoned in the form of shooting stars

Dainsleif confirmed that the leylines can be woven to determine Fate / have their records changed. The Loom used to weave them is a Symphony, or in other words, Remus’ Symphony of Fate is very similar or the same thing as a Loom of Fate, although maybe not at the same scale. It’s possible that other God-Kings also attempted to create their own Looms of Fate.

Add to that some Penacony’s parallels, and you can infer that the Symphony is controlled in a floating palace, that is actually a Grande Theater, by the Sun(day) (potentially Phanes or the Primordial One, basically the one who Dreams), and it’s reflected by the moons (Aria, Sonnet and Canon, so the musical associations are fitting). Considering that the 3 moon sisters are also probably the mythological Moirai who weave Fate, yeah, that tracks.

5. Finally, about Venti

Addressing the Venti is/isn’t the weakest Archon debate: Idk and I don’t quite care, because regardless of how much power he holds now, this theory is about his origins and role more than anything.

Venti is the one narrating the Gnostic Chorus cutscene, so clearly he knows about the origins of Teyvat and other important stuff. Yes, it can just be because of his ties to Istaroth who had the winds of time and bla bla, but I would say he has a bigger involvement.

In the Gnostic Chorus, there is a Black serpent, and I already mentioned how it ties with Khaenri’ah and Istaroth in the second section. Well, Phanes is a figure that has a serpent coiled around him too, Ananke, to be more precise.

Phanes was believed to have hatched from the egg of Chronos and Ananke (Istaroth and PO, section 3), OR Nyx in the form of a black bird and wind, OR from the cosmic /orphic egg placed in and hatched from Aether, who was the personification of the bright upper sky and another son of Chronos. Regardless, it seems like the egg birthed both Phanes AND the world?

Phanes is described sometimes as male, sometimes as androgynous. I don’t need to explain how that fits Venti. The androgynous part also fits with how a being born from an Alchemical Marriage should be androgynous due to being an union of opposites.

Phanes is also described has having wings and a crown. We are yet to see a crown, but at least the angel wings are there.

Some myths say that Phanes was Dionysus (god of wine… amongst other things), or Eros (god of love, yes I’m simplifying), and oh boy isn’t Venti the god of all of that too? Although this is complicated since it has to do with gods being iterations of past gods and such, you can read more about it here

In a certain play, after Phanes mates with Chaos, he creates flying creatures. It would also fit Venti well, especially given that tale from Amber’s Quest where he taught birds how to fly.

Okay, this gets less obvious now. Phanes is a first-born deity who emerged from the abyss and gave birth to the universe, and is a god of creation, light and goodness. The Abyss part is extra intriguing because the world has an abyss half, and some in-game books even compare wine with the Abyss, and also with the idea that drinking the abyss/wine is a way to acquire Forbidden Knowledge. Please, check the last video I link.

Phanes counterpart is Nyx (Night). In some tales she is Phane’s wife, sometimes his daughter, and in others she creates an egg from which Phanes is born, so wtv. I don’t know who Nyx is (besides being clearly The Night Mother from the book of the Six Pygmies), but it’s pretty clear that the Abyss half is under her responsibility in some way.

Oh, right, this was a sus leak that broke my mind months ago and seemed completely nonsensical, but since I started cooking this theory, I can’t help but look back at it. It claimed that Venti was the guide of the Primordial One. Humm… yeah, if Venti was part of a plan between Istaroth and PO, I can see that, although I don’t know what the goal could be. Maybe he is assuming Istaroth’s role now that she is gone in supporting the PO?

This is a very wild guess, but I really thing Venti has something to do with the Gnostic Pearl. Idk if that pearl is the same one that hatched the world, or something that holds the world together (think Mikha from HSR), but I can imagine him having some responsibility over taking care of it.

And if you think Venti holding Fate in his hands is a stretch… let’s talk about Apples. Especially in anime, Apples are often depicted as the fruit of Fate (look no further than Mawaru Penguindrum), and in Inazuma, the girl giving Fortune Slips is called Gendou Ringo, with Ringo meaning ‘apple’ in Japanese. Well… Mondstadt is a land full of apple trees, Venti loves apple cider and is often asking for apples to pay for his performances, is being given an apple in archon form in one of his birthday arts, created the Golden-Apple Archipelago, and even the top of his head in wisp form resembles an apple stem. Seriously, I go crazy with how many people never noticed that. This is too much in our face to not be relevant.

This sounds like a stretch, but apples are round and so the shape is not too different from a dream bubble. And do you know what the birthday art I mentioned had in the caption? “It is written that there is a whole tiny world hidden inside an apple core. Here, this half is for you. Let's take a stroll in the tiny little world. But remember to keep it a secret because... you're the only one I want to bring there.” If he isn’t holding Fate or a world in some way, then I don’t know what this is supposed to mean.

You know how I said that Teyvat is divided into 2 halves? That also connects well with his quote (when he gives us half of the apple/world), and with the idea that Phanes is the day while Nyx is the night. So maybe Venti is responsible for the half of Teyvat that we know/he gave us while Nyx is responsible for the Abyss side.

So… is there any proof that Venti is Phanes? No. Are there many many sus elements about him and connections with the things I listed? Yes. I could see the Traveler being Phanes and being entrusted the Light/Human half of Teyvat by Venti as a scenario just as likely, especially if The Abyss sibling ends up being/becoming Nyx, but I like this version more xD

But even if the main theory ends up being wrong, I hope people you got some things to think about.

Some videos for extra lore, more a less in order of relevance

https://www.youtube.com/watch?v=VZIR-tfzfd4 » Reinterpretation of all volumes of the Six Pygmies and the Pale Princess in light of finding out about the 5 Sinners of Khaenri’ah + Dain + connections of Istaroth with Khaenri’ah

https://www.youtube.com/watch?v=zK3xYKtUniQ » More about the connections between Istaroth and Khaenri’ah

https://www.youtube.com/watch?v=ePjY4c0Rj0k » Elaborates on how a Loom of Fate is basically another database, as opposed to the Irminsul, and mentios how Istaroth can could create several Looms of Fate

https://www.youtube.com/watch?v=mAm9uElsKd4 » Parallels with the Penacony arc from Honkai Start Rail and list of evidences that Teyvat is a Dream bubble

https://www.youtube.com/watch?v=vhST-fz6Yps » Video is from before we learned about the 5 Sinners, and I’m not fully sold on the chronology, but I still think it does a good job at elaborating n the serpent thing from the gnostic chorus and other things we can infer about genshin thanks to parallels to Penacony

https://www.youtube.com/watch?v=YHCv8KFdL6M&t=1045s » Ties sacramental bread and blood with wine and the way wisdom/abilities can be passed down thrown ingesting parts of gods, and the concept of fairy rings and The Ring of Nibelung, with the concept of a Chemical Marriage.

[false-guinevere]

I've heard there's a medieval "Penthesilead" Cycle. Do you have anything to recommend or suggest?

Do you mean the Posthomerica? I’ve seen the part about her called the Penthesilead before. If not than I hadn’t heard of that one!

In terms of Greek Mythology?

The Theogony is an obvious one but in terms of Hesiod, his Catalogue of Women tends to get forgotten but what we have of it is really interesting for mythological women.

Orphic and Homeric Hymns are good smaller ones that give variations in myth and worship. Also like the Hymns of Callimachus (Bath of Pallas shoutout!) and Pindar. Also Apollodorus

The Argonautica is a personal fav of mine and in terms of Latin literature, Hyginus Fabulae is good.

In terms of plays I can always recommend the Oresteia and Theban Trilogy. Also Ajax and Electra by Sophocles. And Medea obviously.

Theoi.com has a lot of the Epic Cycle fragments listed there. https://www.theoi.com/Text/EpicCycle.html

Medieval wise, I’m honestly not sure. I do want to find more medieval literature focused of Greek myth though.

The Menelaid by John Barth is relatively modern but I really like it. Jason and the Argonauts (1963) is probably my fav Greek Myth movie. Also a bunch of Irene Papas movies (Electra, Iphigenia, Trojan Women, The Odyssey).

Also super modern but I’ve been getting into Epic the Musical recently.

Sorry, list went of bit off the rails 😅 but I hope it was somewhat helpful

[the-stray-storyteller]

you asked for a shitty poem istg this is the only poem ive ever written HEY COME BACK *grabs you and pulls you back* NOW YOU HAVE TO TELL ME ABOUT ALL YOUR NEW STUFF AND SHARE SOME OF YOURS >:(

also literally you don't have to feel pressured to answer this take your time like honestly you don't even have to reply I WANT TO KNOW ABOUT YOUR NEW WIP SACRIFICE!1?1?11??1

AAAAAAAAAAAAA! HI!

*offers you tea*

I sent you an ask a few days ago but my tumblr is acting funny so I don't think you got it. Anyways.....

The poem omigod. It's wow! Is it the complexities of human emotion that we hide with beauty. Or is it about romanticizing the dangerous and falling in love with it. The juxtaposition. The rhythm. The contrast. Holy fucking wow. ITS AAAAAAAAAAAAAAAAAA. ITS SO GOOD. *frothing mouth*

Also you new pfp is so cooot. eeeeeeeeeeeeeee.

Okay now to answer your questions. New stuff, nothing much there. I have been writing Rebel and Havenpoint (I should really post the next chapter) really slowly. Writing more chem notes than stories.

Rebel is a part of a series. I still haven't decided if it is going to be a duology or a trilogy. But there will be another book if I have the energy and will to write it.

And I have been concentrating on making two comic strips for my college scholarship. I finished the first one, one more to go.

Long rant below. Like really fucking long. Not joking.

Sacrifice is a placeholder name for my WIP. I haven't decided what its actual name will be. I am really hoping I don't abandon this WIP.

Like I did with Masque, Woven Worlds, Orphic Academy, Timekeepers, Card Thief, Games of the Astute, Mortal Bound, The Playground, After the afterlife (dumb name), Stolen by Silence, etc.

So Sacrifice is an Indian Dark Academia novel.

25 of the best magic users from all over India will be invited to attend a prestigious and mythical academy after they finish 12th grade. So they take this mysterious train ride to another fucking realm where the school is (nobody knows its exact location cause they all faint in the train). Also the academy's architecture will be based off on Indian architecture throughout the ages, so I am currently researching on that when I get time.

The students have a year to conduct a study in the academy. They will have access to all sorts of ancient scriptures and previous alumni's studies. At the end of the year the Dean will see what they worked on. If the dean is impressed by you project they will tell you the secret of life and death magic. The Dean is never impressed. If they fail to impress the Dean they go home with absolutely nothing and they would forget the place.

However, the people who went back home with nothing went mad after a while and killed themselves. Their minds are not able to process the magical place they had just been to. Being at the academy also manages to mess with the minds of a person. It drives them a bit crazy. Some people have suicided there or have killed somebody else. The students don't know this.

Spoilers after this point.

So a group of six students join together and decide to help each other with their projects so they can get the secret. One of the group finds out about the whole madness thing and tells the others about it.

Now each of the six students has a hamartia (tragic flaw). From jealousy to manipulative. This is actually a small experiment from my side because the main characters are not good people, so I am gonna try and make them likable. Its going to be so hard.

Anyways desperate and power hungry the group decides to find the secret themselves and steal the academy's resources and escape before the end of the year.

The others fearful of dying/going mad start to push the limits of their magic. They experiment with things that they are not supposed to experiment with. 

With every experiment their hamartia takes over. They start going mad. They become a fucking cult. They start to sacrifice the other students to ancient gods (in true ancient fashion) and become more powerful. Once all the students are gone they start killing each other and the last one left ends up destroying the academy along with themself trying to become the most powerful being.

*sobbing* I talk too much.

[falsebooles123]

Finding the First Gay Kiss - Diary of a Big Ole Gay - 3/6/23

Hey Whores, How you been can't remember the last time we talked. Totally not staring into the abyss of fear and shitting myself. Hiiiiii.

(yeah I'm just trying my best right now and or going insane)

so I'm trying my best to get some hours this month so that I can in fact pay my bills and its been stressful. But it turns out that when I'm stressed I watch a lot of movies so heres what's been going on.

Victim (1961) dir. Basil Dearden

A spirtual sucessor to Anders die als Andern this is 2 hours of a crime thriller that just so happens to be about gay people. This film is part of British New Wave which tends to be very focused on british margenilized groups and Dearden manages to be surprisingly sympathetic for the time period. Sure this film features tortured gays who don't even get to fuck a twink but this is a lot better representation then most of the queer rep during the period.

Its important to recognize the effects that censoreship had on the time period. I still have to do some research on british censorship because it is different from american censorship but suffice to say, gays weren't meant to be depicted in a wholesome way so the Tortured Gay Trope stems from that influence. Gays who wanted to stick there dick in some pussy and be "fixed" was the story people could tell with gay people so it was the story they told.

Lust for a Vampire (1971) dir. Jimmy Sangster

The second in the Karnstein Trilogy (yes I watched all three), this one is only slightly lesbian. We have nubile women walking around with there titties out, we have pretty vampire lady being a little interested in the ladies and then .... she fucks a dude.

Yeah they no homoed this lesbian vampire. This is the last in the series that has any lesbian undertones as Twins of Evil is a lot more like a classic folk horror then a lesbian vampire story. There all alright films but I was also very sad when I watched them.

The Vampire Lovers (1970) dir. Roy Ward Baker

Oh Carmilla!

This film is the most faithful to the Carmilla canon. Its a movie where Baker told the Censor board. But Hays Prude's!!!!!! this is based on a classic gothic story, the Lesbanism is like so important to the plot and she has to have her titties out to its like symbolism you know and one they like play with each others tits thats like super hot... I mean like double symbolism. We're respecting the source material.

Yeah this is a movie that centers lesbians for the male gaze and who doesn't like tittys but theres also some aspects that are just gross. Apparently the young coquette was told that her nude scenes would only be for the "Japanese Audience" and the Carmilla Actor encouraged her to go nude despite her misgivings. So its giving double predatory lesbian vibes.

I will say that this is very faithful to the plot despite the fan service and they make a point of making these vampires follow the original rules of the Le Fanu story.

Cat on a Hot Tin Roof (1958) dir. Richard Brooks

Fuck I forgot how hot the two leads were. Fun Fact: This film was in color because the director wanted to show off how pretty the actors eyes were which is absolutely a good reason.

This is another Tenessee Williams play which I feel like I have a relevant quote here somewhere.

Yeah, so as we know local asshole, Will Hays, was like wah wah theres to many coke orgies in my movies about white supremacy myths, think about the children just not the ones in the mines. (yes I understand that it was a multi-person thing and this stamp licker was just the figure head I too have read Hollywood Babylon now shush), so everyone got together to write a wet blanket code to censor shit and some of that shit was THE GAYS. Thats not to say that that inherenetly stopped queer films from happening, (through the gayest Code Film I have is Slyvia Scarlet after that we mostly have a lot of queer subtext and foreign films like Clud de Femmes or the Orphic Trilogy), but as we get into the 50s and 60s the main we began to see films be more about the stigma of gayness. Theres a few different films that act out the pansy scare, (Tea & Sympathy, The Childrens Hour), were people are accused of being little homos, and these types of sexual repression films were if were lucky its something like Victim (1961) or Detective (1968) were these homos are actually gay they just hate themselves, (remember that the Hays Code was like you can have shit they just have to be villanized or shown that its a tormented lifestyle: See the Queer-Coded Villian), and at worse its just implied that this is the reason this person was sad and killed themselves. 

T-Billy plays actually work well on this front which is probably one of the reasons why so many got made during this time frame. The Hays Prudes were loosening the iron grip on queer depictions and T-Billy's Ouvre was already playing with like the specter of queer subtext so it was a match made in some prudes queer-erasasing heaven. I think that its also a testiment to the power of how gay Tenessee Williams is, that when you literally do a hachet job and try to rip out the queerness of his films. The queerness is just felt that more strongly. He was a master of somehow writting negative queer representation. Storys were the missing person in the room is on everyones mind. 

wow honestly I have been popping off with my reviews lately.

So put it simply this movie has a lot of queer subtext but they also take out all of the parts of the original play that was actually super gay. Its still an amazing film but it misses points in the queer catergory due to censoreship.

A Taste of Honey (1961) dir. Tony Richardson

so lets talk about british new wave. basically it was a lot of arthouse nonsense adapting plays about disenfranchise poor brits. This film is about a bunch of british people "That just didn't exist". Namely people like single mothers, interraccial couples and a singuler gay.

I've been writing out full reviews for the last couple films and I'm just been very mentally drained lately. so if you want a bigger description check out my Letterboxd.

This films gay rep is absolutely shitty. This man doesn't even call himself gay his gal pal just insinuates it. he doesn't have a boyfriend hes literally just this artsy domestic sort and it is very lazy rep in terms of writing. Don't get me wrong as a film this disserves the accolades it has but it doesn't get points in the queer films category.

It might explain why I've had a hard time with these films as of late. The 1960s are kinda the low point of the queer movie watchlist as we arn't dealing with the sexy queer subtext, (rebecca is iconic we stan) and we arn't dealing with the bright aggresiveness of New Queer Wave so this decade is like the Queer Truama Porn of Early Queer Cinema (yeah thats what I'm calling it now)

Everything Else I Watched Recently

The Great Train Robbery (1903), The Broken Butterfly (1919), Thelma and Louise (1991), The Blood on Satan's Claw (1971), The Toll of the Sea (1922). Antonio da Silva short films.

Also been watching a lot of television lately

Junji Ito Maniac - Trash

Cunk on Earth - Iconic

28 Days Haunted - absolute trash and iconic.

I'm gonna try to finish watching the staircase at some point this week and I will try to keep up with my gay movie watching i've just kinda burned out on life right now.

[needleanddead]

it's movie night!!!! What movie would you watch with your OCS? I really love fictional romance or dystopian:)))

My favourite movies are musicals, gothic horror and anything with pretty costumes, which I think makes Teddy and Constance the best movie partners for me! As for them, though - I think i have mentioned some of their favourite movies before!! Constance’s is Marie Antoinette. Cass’s are Cocteau’s Orphic Trilogy. Teddy’s is Legally Blonde! As for everyone else; Lucas likes old cowboy movies and westerns, he’s not all that fussy. He’ll really watch whatever his darling wants, though if it’s too modern or fantastic he won’t Get it (and he hates romanticised and glorified war movies). Rose likes pre-1980 horror movies; think silent movies, Hammer Horrors. They have a soft spot for those traditional weird-teen-horrors like Ginger Snaps and The Craft too. Percy loves horror movies, and he especially loves horror movies that tickle at your deepest fears and make you extremely uncomfortable. Alas, for me, that’s Child’s Play (the repressed childhood horror of Chucky is real for me). But he loves a good ‘fucks with your mind for days afterwards’ movie. Thorne is mostly too amazed by how a television works and special effects to care about the movie’s contents. And Van likes documentaries about both the natural world, but also fantastical human achievements. He’s just so so fascinated by mortals and all they’re capable of!

[vsthepomegranate]

Blood of a Poet (1930)

by Jean Cocteau

[cadiacore]

Sooo I did a thing. It’s a quiz for which court you are in in my book that I’m writing! You can find it here! Reblog and tag me with your results! 🥰

[365days365movies]

March 9, 2021: Orpheus (Review)

Man, I really should’ve taken a film class in college.

Orpheus, understand, is a fantastic film...that I am highly unqualified to judge. I man, I’m gonna give it a shot, but this isn’t gonna be a professional film essay on the reflections (ha) of this movie on the French political scene at the time or anything like that. It’s just gonna be what I thought of the movie.

And what did I think of the movie? Well, other than letting me refresh my French language skills a little, I had an excellent time with this movie. It’s stunning, it’s groundbreaking, it’s breathtaking, and it’s a great example of what can be done with clever filmmaking and practical effects. I mean, what would you expect? It’s Jean Cocteau.

I’ve only seen one of his films prior to this, La Belle et la Bête, and that’s a beautiful film in its own right, with equally fantastic effects. Like Aladdin and The Thief of Bagdad, Disney took a lot of that film’s aesthetic and themes from Cocteau’s version of the story. What can I say, they’ve got good taste.

As for me...I’d like to think I have good taste, but that’s technically what this whole thing is for, right? To broaden my palate and further define my taste. Sooooo, what exactly did I think of this one? Check out the Recap (Part One | Part Two) if you want to see my reaction to the movie as I watched it! Otherwise...

Review

Cast and Acting: 9/10

Jean Marais is our star here, and one of Cocteau’s favorites (he was also the Beast and the Gaston in La Belle et la Bête four years earlier). He plays Orpheus like an absolute dick most of the time, which is interesting, since the character is the prototype of a tortured artist, so it makes some sense. However, that portrayal is somewhat on the writing, less so than Marais’ performance. That said, he’s still fantastic in the role. François Périer is also fucking fantastic as Heurtebise, and is genuinely my favorite character (and I still think he was meant to represent Hermes). María Casares intricately plays her complex character, an aspect of Death in love with a poet. Which, yeah, rules. And Marie Déa and  Édouard Dermit were...fine as Eurydice and Jacques. Yeah, they were both very good, but I can’t say that they were perfect, especially Dermit. But still, all of these were strong performances in a strong movie.

Plot and Writing: 9/10

Oh boy, the PLOT. Jean Cocteau’s screenplay is a great example of a screenplay adapted from source material, but doing something completely different with that material. It’s adaptation done...well, right, but also done creatively. Now, obviously, that’s done mostly through the visual rather than the verbal, but it’s still done VERY well. I mean, come on, they turned the tale of Orpheus into a Hades and Persephone love story as well!

 Yeah, I didn’t mention it in the Recap, but think about it! An aspect of Death, referred to as royalty, falls in love with a mortal human. Said mortal is also in love with another woman (allegedly). Now, yeah, that’s basically the whole “even the Gods loved Orpheus” thing, but HE also falls in love with HER. She’s Hades, and he’s Persephone! But in the end, he needs to return to the mortal world for springtime, while Hades must remain in the Underworld...for now, anyway. Maybe that’s e over-reading a bit, but I can see it. In any case, the screenplay’s adaptation of the original story is fantastic. Not the easiest to dissect, maybe (the whole “Death loves Orpheus” thing sort of comes out of nowhere), but still great!

Directing and Cinematography: 10/10

I mean...it’s Jean Cocteau (and Nicolas Hayer for the cinematography). What else am I gonna do, give him a nine and say that it wasn’t perfect? I mean...come on. It was amazing. It’s Jean goddamn Cocteau. The camera movements and shot framing are goddamn spectacular IT IS JEAN FUCKING COCTEAU

Production and Art Design: 8/10

Art design was only really OK, though. Yeah, sorry, sometimes it struck me quite well, but I don’t know that I can say the production and art design was as much of a stand out for this one. The only reason is because the camera and editing really did all of the work here, real talk. Cocteau made this movie look amazing, not as much the movie itself. But don’t get me wrong, the movie does still look amazing. Whomever did the location scouting did a great job in finding an abandoned military school for the Underworld, because it’s great looking. However, again...the way it’s all shot isn’t about the set itself, it’s about the camera work. And one other thing...

Music and Editing: 10/10

MMMMMMMMMMMWAHCHEF’SKISSBABY

Yeah, now, this is an amazing goddamn editing job be Jacqueline Sadoul, and the music by Georges Auric is equally as fantastic. This is a gorgeous film, and the editing is a HUGE part of that. Practical effects is one thing, but clever editing also made this film work as well as it did. There’s so much to unpack with that, it’s genuinely hard to go into. But hell, I don’t need to. Watch this film, especially if you have HBO Max. You’ll see what I mean, because it’s a fantastic looking movie that’s genuinely hard to describe to the unfamiliar.

92%, and I’m not looking back.

Well, one day I probably will, because this movie was wonderful, and DEFINITELY worth another watch. Mostly so I can better figure out what’s going on, and what Cocteau’s trying to say. Although, to be fair, this movie isn’t as experimental as film can get, not by a long shot. It’s still beautiful, without a doubt, and it’s absolutely worth a second viewing.

OK. Now that that’s done, let’s go to another country renowned for its fantasy stylings. Or, to be more accurate...let’s go back. You guys ready to get spooked?

March 10, 2021: Ugetsu Monogatari (1953)

[honeygleam]

orphée (1950) dir. jean cocteau

[der-abschied]

The Blood of a Poet (1930) dir. Jean Cocteau

[angelheurtebise]

The Testament of Orpheus (1960)

[howardhawkshollywoodannex]

The Orphic trilogy is number 250 on Halliwell’s Top 1000.

The Blood of a Poet (1931) was given two stars and Halliwell wrote “An indescribable film full of striking imagery which may, or may not, be meaningful.  Its author claims that it is not surrealistic, but that label for most people will do as well as any other,”

My rating - middling

Orphee (1949) was given three stars and Halliwell wrote “Fascinating poetic fantasy which may have been unintelligible but was filled to overflowing with memorable scenes and cinematic tricks.  The closest the cinema has got to poetry.”

My rating - below average

The Testament of Orphee (1959) was given one star and Halliwell wrote “Rather like a melancholy madman’s Alice in Wonderland, this bizarre jumble has its fascinations, but misses by a mile the arresting qualitities of Orphee.”

My rating - below average

[celluloidrainbow]

LE SANG D'UN POÈTE (1932) dir. Jean Cocteau One of cinema's great experiments, this first installment of the Orphic Trilogy stretches the medium to its limits in an effort to capture the poet's obsession with the struggle between the forces of life and death. (link in title)