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freehawaii · 5 years ago

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KUMU PAUL NEVES - PEACEFUL WARRIOR & AMBASSADOR OF ALOHA

Ke Ola -March/April 2020 - By Marcia Timboy

Kumu Hula Paul Neves is a familiar and esteemed presence to many on Hawai`i Island: a cultural practitioner, community organizer, vocal proponent of Native Hawaiian rights and sovereignty, and a high chief in the Royal Order of Kamehameha I. He has created hālau hula communities on a foundation of aloha with the intent of making a difference in the world, through the practice of Hawaiian cultural arts and values.

Paul was born in San Francisco, California on September 27, 1953, the 13th child of Manuel “Red” Neves and Agnes Kaina Kea. His father, Red, was from Kīlauea, Kaua`i. Paul’s grandparents, Joao Neves and Maria Rodrigues-De Pao, migrated from Madeira, Portugal to Kaua`i as plantation laborers in 1907. Red moved to O`ahu for better employment opportunities soon after high school. He eventually found work with the federal government.

“Papa was a civil service crane operator at Pearl Harbor, in charge of putting fresh water on the battleships. He narrowly escaped death during the bombing of Pearl Harbor on Sunday, December 7, 1941.”

Paul’s mother, Agnes Kea from Palama, O`ahu, was one of 14 children (as was Red). Her father, John Kea Mano was born in Kalaupapa, Molok`‘i. Agnes’ great-grandfather, Mano, originally from Wailua, Kaua‘i, was diagnosed with Hansen’s disease and sent to Kalaupapa leper colony in 1888.

Mano and a Lahaina woman, Nellie Nahiole`a, who also contracted the disease, started a family. Agnes Kea’s grandfather, born in 1892 in Kalaupapa, did not have leprosy. “My maternal great-grandparents’ signatures can be found on the ku‘e document, protesting the annexation of Hawai`i.”

After a quick courtship of two months, Red Neves and Agnes Kea were married in the Honolulu neighborhood of Kalihi in 1933. “My parents began their family in 1934. The war years were challenging for many kama`āina families. My dad did not like martial law in Hawai`i,” recalls Paul. Following WWII, his dad assisted in the cleanup after the Hilo tsunami of 1946. When his civil service job relocated to the West Coast, the family relocated as well.

Growing up Hawaiian on the Mainland

Kumu Paul was born in San Francisco, but he was brought up in the Hawaiian/kama`āina way. The Neves `ohana (family) bought a house and several lots in Bernal Heights in San Francisco, creating a Hawaiian-style homestead. “Dad raised pigs, cattle, goats, chickens, and we had an orchard and vegetable gardens. My folks tried to duplicate old Papakōlea [Hawaiian homestead lands in Honolulu] right above the City,” Paul remembers fondly.

During the 1950s through 1960s, the family was part of an intimate San Francisco community of Hawai`i transplants, hosting entertainers from “home” with backyard kanikapila (music jams) and island-style home cooking. Many of the Fairmont Hotel’s Tonga Room entertainers, and other touring Hawaiian musicians from ocean liners, would find their way up to the “Hawaiian homestead” of Bernal Heights. His mother, always so graciously generous in an innately Hawaiian way, shared whatever the family had.

“Poor is when you don’t know who you are,” Agnes Kea Neves told young Paul and his siblings, and she made sure they knew who they were, grounded in where they came from, Hawai`i.

His parents visited Hawai`i at least once a year on the Lurline or Mariposa ocean liners, to visit family and friends and transport Hawai‘i food and other supplies back to their adopted home.

The turbulent 1960s—with the Vietnam War, racial discord, and social upheaval—brought life-changing challenges to the Hawaiian family. Compelled to move back to Hawai`i after more than two decades away, the family settled in Kailua, O`ahu in 1968.

“They never forgot who they were or where they came from. My dad never considered himself haole,” says Paul, although his dad was Portuguese—of European descent.

Wandering, to Return

Young Paul graduated from Kailua High School in 1971, and left the islands in 1973 to seek adventure and opportunity. He and a friend headed down the Pacific Coast Highway from San Francisco to Mexico.

“We hung out there [Mexico] for around six months, living like hippies!” After driving back to Northern California, he explored living in several cities while working for Air California from 1974–1984, moving from Oakland to San Diego in 1975, and from San Diego to Las Vegas in 1979.

Moving to Las Vegas was a pivotal point in strengthening his cultural identity. He began studying renowned Kumu Hula No`eau Winona “Nona” Desha-Beamer, and kumu `ūniki (given status of kumu hula) from Aunty Nona in 1968. Subsequently, `ūniki was from Kumu Kaho`onei in 1999, after 20 years of study.

Since moving to Hilo in 1984, Kumu Paul has been active and involved in spiritual, cultural, and political issues facing Native Hawaiians. In 1986, he was a founding member of Ka Lahui Hawai`i, a sovereignty initiative. He also served the Catholic community for 21 years as a pastoral associate until 2004. He has given workshops in the Cook Islands, across the US continent, Puerto Rico, Europe, at the United Nations, the World Council of Churches, the United Nations Human Rights Commission in Geneva, Switzerland, and has participated as an official observer for the Royal Order of Kamehameha I in regards to the Hawaiian Kingdom at World Court in The Hague, Netherlands.

Kumu Paul established Hālau Ha‘a Kea o Akala in 1998; Hālau Ha‘a Kea o Kinohi in 2004, jointly based in Hilo, San Francisco, and Kyoto, Japan; and Hālau Ha‘a Kea o Mokihana in Washington, DC. He has judged and participated in hula competitions in Hawai‘i and Japan, including Hilo’s own Merrie Monarch Festival. “Hula people are ambassadors of aloha,” Paul proudly states.

When his parents moved to Hawai`i Island from O`ahu in 1989, Kumu Paul was already an integral member of the Hawaiian cultural community and aware of its concerns—one being the overdevelopment of “crown lands” on Mauna Kea. He asked his mother, Agnes Kea, about lineal ties to Mauna Kea, because of the family name.

“She said there is protection from Mauna a Kea, that it brings about balance. ‘Weʻre Kea people—unblemished.

The mountain without blemish. Itʻs so holy, youʻre not supposed to go up there and if you do go there, itʻs for something really important. You walk very softly; you leave no footprints.ʻ Thatʻs how she explained it.”

Kumu Paul believes he returned home to Hawai‘i for a higher purpose. “We were given a special place to live with God. That’s why the whole world comes here. We cannot replace what it is.”

Kāhea—The Call

On April 10, 2009, Kumu Paul attended the momentous 50th wedding anniversary of Emperor Akihito and Empress Michiko of Japan. He had developed a rapport with the royal family when, as a member of the Royal Order of Kamehameha I, he escorted Princess Sayako to the top of Mauna Kea in 1998 to visit Subaru Observatory. They met with the late well-known astronomer, Dr. Norio Kaifu, then the Subaru project’s director.

During a lunch meeting a few years later, Kumu Paul and his mentor, Genesis LeeLoy, candidly expressed their concern on further development atop Mauna Kea to Dr. Kaifu. “Please do not build more after Subaru,” they implored Dr. Kaifu. Kumu Paul believes that conversation was the reason no observatories have been built on Mauna Kea since 1998. Kumu Paul honored the astronomer’s integrity when he was invited to speak at Dr. Kaifu’s memorial in Tokyo in September 2019 by sharing the story of the lunch meeting to hundreds of dignitaries and scientists. “Dr. Kaifu [an architect of the TMT] didn’t say where to build the Thirty Meter Telescope [TMT]…Would you put it on Mount Fuji?”

The proposal of building the TMT has awakened an activist movement for many Hawaiians and their supporters worldwide.

Kumu Paul believes that Mauna Kea has called out “she that protects, now needs protecting.” He and the Royal Order of Kamehameha I, have heeded the kāhea (call), by establishing an ahu (altar) and a pu`uhonua (place of refuge) at the base of Mauna Kea. They have stood in vigilance since July 13, 2019 to protect Mauna Kea from further development and will do so “until the last aloha ‘āina,” Paul declares.

“The spirit of Mauna Kea is calling upon the Hawaiian people to realign their spiritual past, present, and future. Hawaiians have the kuleana, the privilege, and responsibility to share ‘kapu aloha’ with the world.” Paul believes that the true physical sign of this is: first light at Kumukahi, Puna, aligns with the Naha stone to Mauna Kea’s summit and consequently up the island chain to Mokumanamana in the northwest Hawaiian Islands.

Kumu Paul reflects, “We are all here for a reason. In my vision, Hawai`i is the new Geneva. This is where people come to learn peace. The Mauna Kea movement is firmly grounded in the concept of ‘kapu alohaʻ—to conduct oneself in pono [righteous] and sacred behavior, and many who visit the mauna are touched to practice peace. One must be silent when approaching Mauna Kea, listen to what she has to say, as she is bringing balance and alignment for all of us here.”

#paul neves #we are mauna kea #protect mauna kea #aloha aina #ku kiai mauna #free hawaii #hawaiian kingdom #aole tmt #tmt shutdown

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edsonlnoe · 3 years ago

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Premios ⬤ 21 | Elegibles

#MG #Eligible Films #328 #Personal #MX Opening Dates #The struggle to catch up #Four months in #But here we are #With a rebranding and all #O21 #⬤

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deadlinecom · 3 years ago

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thedoodlezoo · 7 years ago

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Evan Geeking Out Headcannons

(Disney and Harry Potter, for the most part)

- “What do you mean, you don’t like Sleeping Beauty? It’s a classic, Jared!” “Hansen, the protagonist only had 18 minutes of screen time.”

- Sorting everyone into Hogwarts houses, and debating people on why he chose the ones he did.

- “I mean, it’s a common misconception that Slytherin is equivalent t-to evil. Ambition is, well, a-a powerful thing, and can make people do bad things and uh, people interpret-well, I’m gonna shut up now”

- “aaAAAND AT LAST I SEE THE LIIIIGHT” “Evan, sweetheart, please. It’s 8 AM”

- He loves 101 Dalmatians, because it’s cute, but he also really enjoys movies about being strong and independent and pushing the limits. That’s why he loves modern Disney a lot, too.

- “Why does Ron have a rat if they ask to bring a toad, owl, or cat?”

- Constantly slips casual references into conversation (“Let it go, Connor” “I swear to god if you start singing I-”)

- Likes Tinkerbell just for the Big Ass Pixie Dust Tree™

-Only Zoe, Alana and his mom will watch Disney with him, unless it’s Aladdin. Jared loves Aladdin.

- For his eleventh birthday, his mom typed him up a Hogwarts letter

- Connor feebly attempts to make a Weasley sweater for Evan’s Christmas present, and it turns out half decent with Heidi’s assistance.

-“Ohana means family” *gross sobbing*

-Sometimes, Jared and Connor watch with him, betting to see who can find the most innuendos in kids’ movies. Jared usually wins, but a lotttt of them are a stretch. (“Kleinman, saying that there is a big hole in the ground doesn’t mean anything. It’s literally a big hole in the ground” “Or IS IT???” “Yes, Jared, it is. Pay the fuck up”)

-Homemade butterbeer

-Once had a straight movie marathon of all the Harry Potter movies, and was the only one who was awake for more than four of the movies.

#dearevanhansen #evanhansen #connormurphy #treebros #disney #harrypotter #headcannons #god i love this #jaredkleinman #SlushhStuff

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surfandwaveclub-blog · 7 years ago

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WE'VE LOST A TRUE PIONEER & LEGEND IN OUR SPORT OF SURFING. A MAN WHO WAS INSTRUMENTAL IN MOLDING, SHAPING & INSPIRING OUR SPORT. WE LOST JACK O'NEILL @oneill THE MAN WHO TURNED WINTERS INTO ENDLESS SUMMERS FOR SURFERS ACROSS THE WORLD. JACK PIONEERED SO MANY THINGS FOR OUR SPORT & OTHERS. "HE KEPT A LOT OF US HAWAIIANS WARM OVER DA YEARS SAY'S @sunnygarcia " JACK ALSO MADE A HUGE IMPACT ON DON HANSEN @hansensurfboards YOU CAN HEAR DON HANSEN TALK ABOUT HIS FRIEND JACK IN OUR VIDEO. SURFING WILL MISS YOU JACK BUT LEGENDS NEVER DIE. HERE'S A SHORT VIDEO WE PUT TOGETHER HERE AT DA HUI TO HONOR & REMEMBER OUR FRIEND & LEGEND JACK O'NEILL. FEEL FREE TO LEAVE YOUR COMMENTS & MEMORIES & WETSUIT STORIES HERE TO REMEMBER & HONOR BRADDAH JACK O'NEILL. REST IN PARADISE BRADDAH JACK & WE WILL SEE YOU ON DA OTHER SIDE ONE DAY. PRAYERS TO JACK'S OHANA FROM ALL OF US AT DA HUI 🙏🏾🤙🏾 ALO)(A #jackoneill #oneill #wetsuits #pioneer #legend #surf #sup #surfer #california #dive #fish #sailing #gopro #goprooftheday #air #dji #drone #yoga #youth #grom #bikini #swimwear #fashion #sport #bodyboard #athlete #fitness #shark #art #dahui (hier: Santa Cruz, California)

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nwbeerguide · 7 years ago

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Maui Brewing hosts cleanup as part of “Get the Drift and Bag It” and is looking volunteers.

Kihei, Hawaii ... Maui Brewing Company will be hosting a cleanup as part of the month-long "Get the Drift and Bag It" campaign across south Maui beaches from 7AM-11AM on Saturday, September 16, 2017.

Maui Brewing Company is excited to engage in the global effort to collect data on litter and pollution. The "Get the Drift and Bag It!" campaign, spearheaded by local nonprofit Malama Maui Nui, encourages the public to partake in citizen science. Data gathered during the campaign will be added into the Ocean Conservancy's database that will later be used to help solve the issues currently threatening the health of our oceans. Malama Maui Nui reports last year's "Get the Drift and Bag It!" campaign collected almost 9,000 lbs. of litter.

MBC's Marketing Manager, Marsha Hansen, affirmed, "I am proud that Maui Brewing Company is sharing in this event. The company's 'ohana is earnest about decreasing our ecological footprint on both land and sea."

MBC is looking for 45 volunteers, preferably in teams of three, for the upcoming cleanup. Cleanup bags, trash pickers, gloves, and instructions on entering the data of items collected will be provided on Saturday morning at MBC's brewery located at 605 Lipoa Pkwy (Kihei) at 7AM. Those who participate in MBC's cleanup efforts will receive a bracelet to get $4 priced beers at either Maui location and 25% off food at the West Maui pub between 11AM-3:30PM on September 16th following the event. To volunteer, please contact [email protected] or call 808.213.3002, ext.115 to register.

MBC is a fiercely local company and has remained steadfast regarding local production. The MBC team are stewards of their communities and the 'aina, and curators of the craft beer way of life. Their beers have been recognized worldwide for quality and innovation.

For more information on the "Get the Drift and Bag It!" campaign, visit www.malamamauinui.org or call 808.877.2524.

For more information on MBC, visit MauiBrewing.com or follow @MauiBrewingCo on Facebook, Instagram, and Twitter.

#Kihei #Hawaii #HI #Maui Brewing Company #Maui

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lvxehq-blog · 7 years ago

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( DINAH JANE HANSEN | LEILANI KEOLOHA, FAMILY ) LEILANI is looking for her YOUNGER SIBLINGS with AULI'I CRAVALHO, KALAMA EPSTEIN, ANY FEMALE / MALE FC. the mun would prefer you DO NOT contact them before filling this connection.

come bring our local brat some ohana love !!

#leilcni

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revistaceluloidedigital · 8 years ago

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ZOOM, de Pedro Morelli.

Emma (Alison Pill) es una ilustradora frustrada que trabaja fabricando personalizadas muñecas sexuales hiperrealistas y que actualmente se encuentra trabajando en un cómic sobre Edward (Gael García Bernal), un guapo pero frustrado cineasta español que está rodando su nueva película sobre Michelle (Mariana Ximenes), una novelista brasileña frustrada que trabaja como modelo en Toronto mientras encuentra la inspiración para escribir su libro sobre Emma, una ilustradora frustrada que trabaja fabricando personalizadas muñecas sexuales hiperrealistas...

El surrealismo se apodera de principio a fin en esta modesta pero sobresaliente joya coproducida por Canadá y Brasil bajo la dirección del joven cineasta canadiense Pedro Morelli en su primer filme en solitario tras co dirigir "Entre nós" (2013) junto a su padre Paulo Morelli, y con un audaz guión firmado por Matt Hansen. Se trata de una propuesta estimulante que no niega sus influencias del cine experimental de Richard Linklater ("Waking Life" y "A Scanner Darkly") o de las historias tan bizarras como originales de Charlie Kauffman ("Being John Malkovich" y "Adaptation") para configurar de manera original, pero sobre todo auténtica, una suerte de comedia negra existencial y sátira hacia la industrialización de la creación artística. "Zoom" narra tres historias de manera paralela, una contenida dentro de la otra, como una especie de matrioshka cinematográfica infinita en donde los límites de la realidad y la ficción se van desdibujando paulatinamente hasta que los insólitos conflictos en cada una de ellas se convierten en un caótico clímax resuelto de manera ingeniosa.

Morelli presenta una crítica satírica hacia la creación artística subyugada ya sea por los complejos físicos y emocionales –en el caso de Emma, quien busca operarse el busto para sentirse más cómoda con su cuerpo y aumentar su autoestima–, por el infame machismo –en el caso del personaje de Michelle, siempre menospreciada por el imbécil de su novio (Jason Priestley)– o por un mecenazgo castrante –en el caso del personaje de Edward, al enfrentarse a la compañía productora de su película que busca que repita la fórmula de cine comercial en pos de una generosa taquilla.

Con estas tres líneas narrativas que se van empalmando en un eterno loop –y en la que sobresale la historia de Edward con un tratamiento visual con base en la técnica rotoscópica para otorgarle ese look de cómic–, "Zoom" no pierde oportunidad de lanzar una serie de muy inspirados y certeros comentarios sobre la industria del entretenimiento –especialmente la sexual, literaria y cinematográfica– y su cínica maquilación de absurdos productos genéricos; a través de una oscura comedia, las tres sencillas historias de la película proponen reflexiones sobre a la perpetua insatisfacción humana, la búsqueda de una identidad, de una voz propia y de la aceptación de la imperfección como parte de la exactitud del universo. Esta irónica historia de un trío de extraviados personajes en crisis que están en busca de sí mismos seguramente encontrará entre el público un nicho que la adoptará como su película de culto favorita. Recomendable para todos aquellos en busca de algo «diferente».

Antonio Ruiz | @FinbarFlynnXY

ZOOM 2015 | Dir. Pedro Morelli | Actores: Gael García Bernal, Alison Pill, Mariana Ximenes, Tyler Labine, Jason Priestley, Don McKellar, Claudia Ohana, Michael Eklund, Jennifer Irwin, Clé Bennett.

#zoom #pedro morelli #gael garcia bernal #alison pill #mariana ximenes #cine #estrenos #en cartelera #críticas #reseñas #recomendaciones #reviews

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