#The Endless Riddle

[eyeball-freak]

DOODLE DUMP

Here’s some various OC drawings I’ve done this month. Will be posting some complete art real soon!

[iamnmbr3]

So it’s kind of implied that the accidental part of Harry and Voldemort’s connection is one sided - i.e. that they’re both connected but only Harry gets flashes of Voldemort’s life without actively trying to go into his mind but not the other way around. But imagine if it was both ways and Voldemort who has so long been cut off from humanity and from normal mortal life sometimes randomly got to experience Harry going about his daily business and doing normal things like eating and talking to people and feeling the sun.

[ryllen]

♥♥♥

[raven-at-the-writing-desk]

May I ask why you dislike Malleus so much?

[My TWST character tier list is here.]

[For context on why I dislike Malleus: here and here!]

Many of the reasons previously cited above are still applicable presently (though some points may be outdated since those posts were written before book 7). In this post, I will mostly be focusing on why my thoughts on Malleus have not changed despite the new added content of book 7.

I ramble on for a bit, so I put my thoughts below the cut! Ah—but before you read, please be aware that these are my opinions and not meant to be disparaging to any Malleus likers out there.

Me disliking him should not take away any of your joy!! Go out there and love him for me ^^

A lot of the things happening in book 7 were a long time coming, so really I felt as though Malleus finally “losing it” was affirming of all the red flags from before. Since day 1, his loneliness, aloofness, and awkwardness around his peers were key traits of his. What book 7 does is it magnifies the darkest aspects of his character.

We’ve seen several examples when Malleus has fits of rage and his power flares out of control or he at least threatens it. In Glorious Masquerade, he becomes enraged at the realization that the invitation he received was a false one. In A Firelit Sky, he insinuates that he would be upset if people questioned his presence for the trip. He crushes Lilia’s phone in his own Dorm Uniform vignettes, destroying a friend’s belonging because he was upset about not being invited to an occasion. In book 7, we see a flashback of Malleus freezing the whole castle as a child because his grandmother, overtaken by her duties, could no longer dine with him as promised. Malleus’s temper has been a persistent issue since childhood.

We’ve also seen him act callously toward his classmates and misuse magic to force his will upon them. Remember him stopping time during Endless Halloween Night? How he wanted some ghosts to enjoy themselves instead of missing out on being with everyone for the holiday? Now he’s stopping time in book 7 and keeping everyone in their happy dreams forever. Remember how (in his Dorm Uniform vignettes) Malleus thought it would be easier to make the other dorm leaders come to him instead of him coming to them for their meeting? So then he disregards their autonomy and casts magic that’s normally cast on objects on living beings (something which the other dorm leaders take offense to, as it is dehumanizing). He fails to consider their perspective when he returns to Diasomnia (he basically goes, “well, I wouldn’t have been mad if they cast that spell on me!”). Malleus learns nothing from the experience despite Lilia trying to tell him over and over to be more considerate of others and how different they are from him. Now we have Malleus relating his peers to a virtual pet that he never ever wants to leave him.

Malleus can be stubborn and arrogant. He has a very single-minded way of thinking and often does not consider others’ feelings before he makes the decision for them. Malleus can be insecure. He doesn’t even fully realize he is lonely until Yuu suggests it in book 7, but he’s capable of acting on his bouts of intense emotion. He has always had these flaws, and now they are being brought out in full; we’re being forced to confront OB Malleus and all the complicated, twisting feelings of abandonment that come with him.

Let’s make one thing very clear: I don’t take issue with the overblot boys in general; they are meant to be morally grey characters that act in dubious ways. It would be insincere for me to claim “I dislike Malleus because he did bad things!” News flash, many TWST characters have done bad things or at least questionable things that would give you pause. What separates Malleus from the others and makes him egregious enough to earn significant ire from me is the particular actions he takes (which triggers a personal disdain of mine).

Malleus consistently exerts a scary amount of control over others. This is not a new idea; Riddle and Vil are also notorious for being oppressive or controlling, and I’ll be the first to admit that. (You’ll note that those two are low on my tier list too.) The thing is, Riddle and Vil were very overt and open about their demands for obedience. Malleus can be too, but it’s so insidious how he acts within the dreams. He ignores people’s autonomy, gaslights others, and, again, acts like he knows what’s best for them 💀 Other characters have done these things too, but never to the same scale or by exerting this much power. Malleus then resorts to violence when his lies don’t work, even though he’s fully aware of the power disparity between him and his peers. It feels particularly scummy to me because of how Malleus frames his selfish actions and feelings (his wish for Lilia to not leave) as selfless (for the benefit of his peers) and something everyone else would want in order to justify it to himself 💦 I know he is in (or bordering on) overblot so he wasn’t thinking rationally at that point, plus the fact that many examples I listed come from events or vignettes which may not be canon to the main story timeline. Still, there is a concerning pattern of behavior with Malleus misusing his powers or not being considerate of others and failing to grow from those mistakes. You can only go “oopsie” so many times before you harm someone by accident. I expect people to learn their lesson by then and adopt some proper restraint. He keeps claiming his intentions are good as if that’s supposed to dismiss any harm that results from his actions??? No, his actions still harmed people and he has to deal with the consequences of them, not have them hand-waved away or excused. The behavior I’m witnessing is reminiscent of like… having a toxic friend that is constantly told “hey, what you’re doing/saying makes me feel uncomfortable; do you think you could dial it back?” and the friend tells you they’ll try but then never actually changes their behavior or defends their behavior with “I didn’t mean to, so therefore I did not actually harm anyone”.

You can give me a backstory, but a backstory only goes so far as explaining why he is the way he is; it does not excuse him at all. You can say “He’s a fairy! He’s actually a child mentally! He's sheltered!” until the cows come home, but when he relies on magic to quickly fix the problems he caused instead of stopping to genuinely reflect on why people are mad at him, it’s hard for me to sympathize. Because of his immense power and status, the only person that can reasonably hold Malleus accountable is himself, and he has not demonstrated to me that he can do that.

Book 7 is essentially the payoff for allllll the tropes and traits I never liked to begin with coming into fruition. That’s why Malleus has stayed where he is in my TWST character ranking. I did not expect the writing, no matter how good or tear-jerking, to change that. Until Malleus shows that he’s fully apologetic, recognizes the error of his ways, and consciously tries to connect with others and understand their perspectives, he’s staying squarely where he is.

Am I saying a character with flaws is a bad thing? No, absolutely not! Flaws are what make a character interesting, I’m not faulting Malleus or any other characters for having them. Am I saying that he is poorly written? No, I think Malleus is actually quite a complex character and he’s been really fascinating to follow. I love the emotional complexity of book 7–and it was so clever how the devs related his virtual pet to wishing for happily ever afters for people in his real life. This magnitude of danger is also just about what I expect of book 7 and the themes of togetherness that TWST was angling for from the start. But the fact remains unchanged that I perceive his attitude as irritating at best and reprehensible at worst.

My distaste for Malleus is based entirely on my own views and life experiences. The specific flaws Malleus has and how he acts because of them don’t sit well with me and the kinds of things I enjoy in fiction. It’s not anything deeper than that!

[merakiui]

SO WHAT IF I LOST MY MIND!!!!! riddle,,,, he's so cute...... 🥺 so excited to have secured the flag that he's JUMPING AROUND IN THE SAND?!?!?!?!?!

[doitforstamets]

Kiss of the Sphinx

Inspired by Moorishflower's gorgeous fic The Riddle of The Sphinx Reference Christian Behrens' "The Kiss of the Sphinx"

[riktorart]

Twsted Ocean: Set #1 - Ace and Riddle

[twstrhythm]

The Halloween Teams in a few words but without too much context:

Jamil & Silver - Violence is now an option but please apologize later

Riddle, Ortho, & Ruggie - Teaching Riddle how to have fun

Trey, Sebek, & Rook - Trey is with the strange ones

Leona, Floyd, & Ace - Leona’s babysitting services

[rotting-batcorpse]

Aniplex is releasing nuis of the Twisted Wonderland boys with their Halloween costumes. Look how adorable they are in their little attire.

Idia’s nui holding his pumpkin mask. Cater’s nui having his little wink.

I need to hold them so bad.

I wished that they actually give the right skin tones to Leona, Kalim, Jack, and Jamil.

[therosefrontier]

TWST Family Lore: Heartslabyul Part 2

Continued from Heartslabyul part 1, because I forgot doing the whole dorm at once would make this huge... Again, spoiler warning for JP server content! But there isn't anything too story-specific for the events here.

Cater Diamond

And now, following our freshmen duo and their positive relationship with their families, we get to move on to Cater! Whose relationship with them is, uh, mixed at best? Anyways, we have mention of his father and mother, and he has two older sisters of unknown exact age, as well. His father is a banker for a large company, and we learn that because of his job, the family moved frequently, about once every two years, to branches all around the world (Halloween vignette). Cater's homeland is stated in his profile to be the Shaftlands, so that's probably where his family is from and it might be where they are living currently, but he seems to have lived in other countries, as well. This alone appears to have had a negative impact on Cater…with him moving so often, he felt that he was never able to make meaningful connections with anyone, so he stopped trying, instead going for quantity over quality. We also get a little story in Silver's Halloween vignette, when he remembers finally meeting a friend at school only to find out right afterwards that they were going to be moving in a month. He mentions in his birthday boy vignette as well that he "never knew" when they were going to move again, and given the one-month thing, it seems normal that it was on pretty short notice. He talks about this impact on him to his Pop Music clubmates in his Halloween vignette, saying that he met many people from around the world, but the common thread was that "I would always leave, and they would always stay."

(image credit: NightCrow)

Cater talks about his situation in a positive light, saying that it was better that he had all these connections through Magicam and could just socialize casually, on his own terms, but at the end of the vignette, the story goes a little different. Cater watches Lilia have a very family-like moment with the rest of the Diasomnia crew and feels a sense of isolation and maybe jealousy...earlier, Lilia told him he was wise for acting as he did, but Cater sees this and feels that Lilia cannot know the way he feels, because he does have these kinds of bonds, which Cater thinks he can never truly have.

But Cater's relationship with loneliness is, again, is a whole essay in itself! Back to Cater's family!

He talks some about his sisters in his birthday boy vignette, in which he describes how he felt pressed in between the two of them (seemed described a little differently in official vs. fan translations? As the official has him saying "give a guy some space" whereas the original may have been more along the lines of 'squished between them', to reference Mystery Shop), and also, how they'd give him a bunch of "cute" things as a birthday present which was more on lines of what they liked than what he liked. But, he does say that they're better about it now and will actually ask him what he wants. He also assures they didn't mean anything by it.

(translation by Otome Ayui!)

But of course, there's more! Multiple other mentions of his sisters seem to involve them asking him to do stuff...

Will do things like go shopping and leave him with the bags, or get a random craving for ice cream and ask him to go get it (birthday jacket vignette). Cater says they can be "pretty demanding," but he amends this story by saying that they will also treat him to stuff while they're out, like pocket money, food, or clothes.

Asked him for a Scalding Sands body scrub that had been "all over Magicam" since he was there for Fireworks Fest (Silk Adorned voicelines)

Cater would cook for them, making pancakes from a store-bought mix (although this might not have been a request; he could have just wanted to) (Apprentice Chef vignette)

At the start of book 4 (chapter 3), when everyone is going home for winter break, Cater says that "going home is kind of a drag for me, too," talking of how he knows his sisters will "run me ragged," so he makes a weak bid to go to Trey's house instead. When Trey lightheartedly counters that his family would put him to work too, Cater backs out of the idea.

Cater's not wanting to go home slides its way in a couple of other mentions, too... in his dorm uniform voicelines, he asks the MC if they're homesick and gets the question thrown back at him, to which he says that he isn't, citing his "annoying" older sisters as the cause. In slight contrast, in his New Year's voicelines, he says that it’s “not too bad to work during the holiday seasons once in a while” because “sure, it’s fun to go back home, but it eventually gets boring.” So this time, it's just 'boring' and not a family issue, but honestly, with Cater, the shifting story doesn't feel out of place. And definitely, it's up for interpretation...he doesn't seem to hate his sisters, but he doesn't really want to be with them, either.

Now, back to the birthday boy vignette! We get another little story, the reason why Cater doesn't like sweets so much: his mother and older sisters got really into making homemade sweets all the time, and they would feed them to him until he was sick of them. Even if he didn't want any, he felt like he had to eat it because they'd be sad if he didn't.

And then, there's his lab vignette... Cater describes the relationship his family as a whole has with "cute" things: “in the Diamond household, everything's judged by one simple question: ‘But is it cute?’ Day in and day out, no matter what I did, if it wasn't cute, it didn't cut the mustard! Drawings, handicrafts, store-bought sweets, you name it!” And thus, the instinct to make it cute was "burned" into Cater's brain.

So, you could say that "trendiness" runs in the family. But also, this does...raise some questions, I'd think? Again, it really is up for interpretation, but Cater specifically saying "no matter what I did" seems to suggest that he felt like the stuff he bought and things he did, including his own drawings and crafts, would be dismissed if they weren't "cute." Like the reason the instinct is burned into him is because that's what he had to do to earn attention. It also feels a little telling that this is the Cater-tries-to-hide-his-sadness vignette, in which one of the mandrakes he grows in the lab, which are supposed to reflect on the mage growing them, turns out gloomy, and he tries hard to deny that this means anything. But as for what all this says about his relationship to his family...I'd guess that perhaps, he feels a little invisible with them. It's not like he doesn't care about them, or that they don't care about him, necessarily (neglect but not on purpose?), but he doesn't seem to feel like his own wants are ever really seen, and the disconnect is to the point that home is not really a place he wants to be. Maybe, one day, he'll open up more about this, but with Cater, I don't think it'll come easy. But who knows...

TREY CLOVER

And now, Trey's family! He lives with his father and mother, and he has two younger siblings, a sister and brother. His sister is four years younger than him (platinum vignette), but we don't now how old his brother is. His parents run a patisserie bearing their name: Clover Patisserie. They are bakers, and likewise, Trey grew up learning how to cook from them, and in his apprentice chef vignette, he seems to imply that his siblings know their way around the kitchen, too. Also, we do have canon[?] designs for Trey's parents! We get art in the appendix of the last volume of the Heartslabyul manga:

(thanks to Honeyworks on Twitter for the image!)

The illustration is credited to Yana Toboso, whose notes, as run through Google Translate (I do not know Japanese...), describes Trey's mom as an "active woman with short cut, tall" and his dad as having "mild droopy eyes." In this appendix, we also get ages for Trey, Chenya, and Riddle at the time of the incident (that is, the big backstory as seen in book 1 of Trey inviting Riddle to try a tart at the patisserie but then they lose track of time and Riddle gets caught...that whole thing...). Trey is almost ten, Chenya is nine, and Riddle is eight, which seems to suggest that this happened in fall, in between Trey and Riddle's birthdays (Riddle on 8/24 and Trey on 10/25). Trey describes the event in more detail in his dorm vignette: he says that Riddle's mom "stormed" into his house and lectured his "whole entire family for five hours straight." (which is an insane amount of time...how did she come up with that many things to say!?) Also, to clarify, there seems to be a serious translation discrepancy with this? Because in the official English Trey says that it was his parents who lectured him for that time, but that doesn't even make sense in context... The quote I used is pulled from Mystery Shop's translation, and YuuRei has a good post on this, too. Anyways, the scene is also referenced in chapter 17 of the manga with Trey's flashback:

Which is...quite devastating, but anyways! As far as I can see, we don't really have much indication of what Trey's parents felt about all of this, but in the manga at least, they appear to be pretty stressed...maybe even cowed by Rosehearts's laying into them like that, and who can blame them?

But, moving aside to happier times! Continuing with Trey's parents, we get a little mention of what they were like as teachers through his apprentice chef vignette. Trey is doing the Culinary Crucible to better learn how to teach cooking to his dormmates, and he comes to a realization: his parents would watch him cook, but sometimes, they wouldn't correct him when he did something wrong until after he failed, because that way, through failure, he would remember, and he would learn. That was what Trey was not doing with his dormmates: he would always step in to fix things rather than let them have that experience.

Trey also talks of his really beginning cooking days in his platinum vignette: when he was four, he helped his parents bake a fairy cake after his sister was born, which they ate with family and neighbors, that being a Queendom of Roses tradition. Trey says that looking back at the pictures, the cake was pretty terrible, but he was excited about helping and thought the cake tasted great at the time, and all the adults complimented him on it, too. After that day, he would join his parents in the kitchen to help bake cakes, although he said he really just made a mess of flour and probably was a "huge bother" for his parents. That said, from the sounds of it, it seems implied that they were pretty patient with him, though?

Trey gives a different food-related story in his birthday boy vignette: his favorite food is candied violets, and he had one for the first time when he was "really young," before he started elementary school. He was amazed at the idea of flowers being edible, and his parents tell him that he "drove them nuts" via repeatedly trying to eat random flowers and weeds after that. Trey has no memory of this. But he does remember snacking on violets at home that were meant for cakes and his parents getting on his case about it. Eventually, they started setting some aside from him, and now, they send some to him at school in the occasional care package.

(image credit: NightCrow)

Trey also mentions his parents in one of his Silk Adorned card voicelines, saying that they love trying out new ingredients, and that perhaps, they should take a family trip to the Scalding Sands one day. Also, in both his birthday jacket vignette and his outdoor wear voicelines, he mentions that he's gone on camping trips with his family before, during summer vacation.

In Trey's Halloween vignette, we get a little story involving all of his family: he once tried half-rimmed glasses similar to the shape Azul wears, to mixed results. His mother and little sister said that they didn't like the glasses because they made him look "angry," and his dad and little brother said that he looked cool in them... because the glasses made him look like a "movie villain." Therefore, Trey rejected the glasses. He has also considered getting contacts, but similarly, his sister says he looks "sinister" without them.

(image credit: Songstress Studios)

Trey has several mentions of his siblings: they seem to have spent a lot of time together growing up, although also, it seems Trey did a lot of looking after them and taking care of them, too.

It was Trey's "job" to make sure his younger siblings brushed their teeth properly, as them being exposed to sweets so much via the patisserie made it a necessity (school uniform vignette)

Trey would make his siblings' costumes for Halloween. He says he's "not great" at it, but he can sew basic things (Halloween voicelines)

Trey would bake his siblings' cakes for their birthdays (birthday boy voicelines). He also mentions in Ace's school uniform vignette that his siblings would often "pester" him to bake for them, and he says in his birthday boy vignette that he would usually cook dinners for the family back at home, since his parents were busy with the patisserie. His brother and sister would ask for his hamburger steak all the time.

Trey helps his siblings with their homework when he's home (Winter Break Calendar 2023)

Trey and his siblings would often play with fireworks together (Silk Adorned vignette)

Once, Trey took his little brother to a Spelldrive game to fulfill his Starsending wish (Starsending voicelines)

In one of his labwear voicelines, Trey says "you all remind me of my younger siblings. They're always running around and giving me a hard time.” So, it does seem that they certainly tire him out. Again, going back to book 4, chapter 3, as mentioned in Cater's part, Trey responds to Cater's request by saying he's welcome to come to his house, but his family would run him "just as ragged." (but, if he was serious about that, that would suggest that Trey knew that his parents wouldn't mind Cater coming over!) It appears that, with the patisserie family business, it can be an 'all hands on deck' kind of affair, with Trey at least helping out with running things. There's also a little mention in Ace's school uniform vignette, in which Trey says that he's used to carrying heavy things because of shopping for ingredients for the patisserie.

Which is all rather interesting to me, really… both Trey and Cater describe their family as 'running them ragged' in some way and relying on them to do stuff, but with very different tones. For Trey, the 'older brother' instincts are so ingrained in him that he doesn't seem to think twice about it much of the time, such as we see in his school uniform vignette, in which he acts on those same instincts with his peers, Ace and Deuce, in insuring that their teeth are clean, and Deuce notes that he has that "kind older brother" vibe and has a "knack for looking after everyone." Which is interesting in that Trey doesn't really seem to be trying to volunteer for everything, and he certainly isn't trying to stand out, but he will take on everything in pursuit of keeping this ship running smoothly, all the same.

That said, he does seem to have a very positive relationship with his family! Although their busy lives might have led to a bit of a he-raised-his-siblings kind of dynamic. Trey seems to be usually very relaxed when talking about them, thinking back on the stories with a kind of fondness. We don't quite have too much to go on yet when it comes to actually deducing the personalities of his siblings as individuals, but from the general mentions, they do seem quite energetic, for sure! And perhaps, much like so much of the Heartslabyul dorm, will instinctively rely on Trey without a second thought...

RIDDLE ROSEHEARTS

And now, last on the Heartslabyul roster...Riddle. The ever-infamous family of Riddle. A lot of what we know comes from Book 1 of the main story: he's an only child, and both of his parents are medical mages—famous ones, too. Trey says that where they're from, everyone knew their names. Riddle's father is mentioned, but we hear little of his involvement in Riddle's life—the main player on this stage is his mother, who rigorously trained Riddle up to follow in her steps.

In chapter 18 of book 1, Trey first describes what it was like for Riddle: his mother mapped out his schedule to the minute, "from the moment Riddle woke up to when his head hit the pillow at the end of the night," and in the flashback sequence in chapter 25, Riddle describes it in much the same way: "my day was planned, down to the minute." Riddle's mom tailor-made an education program for him and appears to have implemented it herself, and Riddle, in an effort to please his parents, followed every rule they made. He became a prodigy, mastering his signature spell by age ten.

Riddle's mom was very strict with his diet, as well—she kept to very healthy foods, limited Riddle to under 600 calories per meal, and absconded sugar entirely. And thus comes the point of conflict...in the story, Riddle, who was eight at the time, was invited by Trey and Chenya to come outside to play during his one hour of independent study time (in which he was supposed to be studying alone in his room), and then, he started playing with them in secret every day, and it became his favorite part of his day. Then, one day, Trey invites Riddle to try a tart at the patisserie, and they lose track of time...and then, Riddle's mother finds him. She was furious, both at his skipping independent study time and his eating a "mountain of sugar." And then, as mentioned in Trey's section, she goes on to lecture Trey's family for five whole hours.

In this scene with Riddle and his mom, Riddle tries hard to apologize, but she cuts him off, telling him to be quiet, and then forbidding him with playing with Trey and Chenya ever again, and also taking away his independent study time in favor of keeping closer watch on him. In Trey's dorm uniform vignette, he describes Riddle's mom as being "impossible to deal with once she flew off the handle." And so, Riddle was left to just strive to follow the rules she set down, believing that she must be right, for "she was the most accomplished mother in the city, and therefore, the most correct," and he didn't want to lose anything, not again... He also quotes her in chapter 22, saying that "a man who cannot follow rules is a man who cannot achieve anything."

In book 4, chapter 3, we see that Riddle is feeling some dread over going back home for the winter break, but he also does resolve to try to talk to his mother, not that he's confident she will listen. We don't have any mention of how that talk actually went.

Interestingly enough, we don't seem to have that many mentions from Riddle about his family outside of the main story in his voicelines and vignettes, compared to some of the others. He does talk some about his upbringing in his birthday boy vignette: his parents both raised him to take up the mantle and be a medical mage like them one day, which he describes as being a "highly demanding profession." He said that they would tell him over and over "When you grow up, you'll be just like us, Riddle!" Before NRC, Riddle never questioned this path for him, but now, he says that he has developed some interest in law, so he may actually pursue that instead.

In one of his suitor suit voicelines, Riddle mentions that wearing this makes him think of the parties he used to attend with his parents. He also gives a mention in his halloween vignette that his mother taught him social dancing, so it seems like the three of them did go to formal social functions from time to time.

He also mentions his parents in another suitor suit voiceline, talking about how he reads that the Queen of Hearts had an amicable marriage, and he wishes he could share that secret to his parents, which would suggest that their marriage is not doing that great, actually.

Anyhow, social functions aside, it seems like Riddle probably has not had any "real" vacations with his family, or just fun gatherings/outings in general. In one of his Masquerade voicelines, he says "I'm not very accustomed to festivals...especially not ones in other countries. It's difficult to know how to participate and have fun.” And this comes up a lot, it seems, in the 'Lost in the Book' Stitch event, where Riddle is quite unfamiliar with the concept of a vacation at the beach. In one of his beachwear voicelines, he says “Having dinner with everyone while gazing at a sunset on the beach like this… This must be what it means to go on vacation. This is the first time I’ve experienced anything like this.” (Mystery Shop's translation)

In book 6, we get another brief mention of Riddle's mother: upon being invited by Ortho and Idia to play video games to pass the time, Riddle says that his mother told him that video games are "addictive and can hurt academic performance." They had neither a gaming console nor a TV at home. Riddle hasn't read much, if any, fiction aside from classic literature either, from the looks of it. It comes up in the second Halloween event, Spectral Soiree: Ruggie and Ortho, whom Riddle is traveling with, get excited over the prospect of this being like a treasure hunt, with so many tropes coming to life, and they quickly find out that Riddle is wholly unfamiliar with what they are talking about. He says that he has "no exposure" to comic books and video games like the rest of them.

He then goes on to say that he is missing out on absolutely nothing, has read many things, and was reading medical dictionaries by the time he was "Ortho's age." Whether that Ortho's real or perceived age is unclear, as literally, he might be about six? I think Idia finished building him when he was twelve? But Riddle may not know that—obviously, Ortho being what he is gives him a great kickstart in mental development, besides being given memories of the original Ortho, so as far as perceived age goes, he's akin to the freshmen. But saying all that to say! I also wouldn't be surprised if Riddle really was being handed a medical dictionary at age six, honestly.

So, in a general sense, you could conclude that Riddle has a great unfamiliarity with the concept of "fun," which gives a bit of a picture as to his parents and his mother specifically. It was as if everything had to have some sense of necessity; it wasn't enough for something to just be enjoyable. Riddle was put to a strict standard of performance, and in turn, he expects the same of others, in a way he seems to have to take some effort to unlearn. In his dorm vignette, for instance, we see him helping Cater, who was struggling in his practical magic class, with his studying. At first, he makes this insanely long study guide (300 pages), and he gets annoyed when Cater says that this is far too much for him to read, because this is exactly what he is used to doing, thinking that if you don't want to do something, you should just force yourself to (which I imagine is the philosophy his own childhood education took). But then, after a talk with Trey, he realizes that he can't expect everyone to learn like he does, so instead, he makes a plan to teach Cater through pictures and Magicam hashtags so that he could remember them, and it works! And then he goes right back to giving Cater a bunch of textbooks at the end, but hey, it's a start :)

That said, Riddle's development is easily a whole essay on its own! The takeaway here with his parents is that both of them put a lot of expectations on him and are probably very success-driven themselves. In a way, it 'worked' for them, because they are very successful and famous, but their general happiness may be another story. Again, we get little of Riddle's dad specifically except that his relationship with his mom is not great, but with his mom, we get the impression that she is just...very high-strung and obsessive? Her rigorous training of Riddle goes beyond just wanting him to have a good education—she obsesses over his progress in a way that seems to invoke that if anything goes in a way other than what she envisions, Riddle would be hopelessly failed. It's "care" in the worst kind of way... I think that she really does believe that everything she does is for him and his wellbeing, but doing things like that, it becomes a whole lot about herself too, I'd think. Riddle is an extension of her, and therefore, he must be perfect. We know little of what she is like outside of her relationship with Riddle, but it doesn't seem hard to believe that she would have some measure of that strictness and my-way-is-the-only-way attitude with everyone else in her life, although it may be comparatively muted, as it is with some people who will treat their children with a special kind of possessiveness, even if only subconsciously. I do wonder if anyone else ever got the equivalent of the five-hour tirade she gave to the Clover family, but of course, that's all speculation. The silver lining is that it didn't work for Riddle like she wanted it to...he's still his own person, and after he finally came to the point of admitting, at the end of book 1, that he was wrong, and that by extension, the things his mother did to him were wrong (although not so outright), he has become in a better position to grow and move on, although unfortunately, he still has to go back home at the end of the day, and his mom has not changed. It could be a difficult road for a long time yet... but still, I like to think that Riddle is on a better path now, and that, if he ever does become a parent one day, he'll be a better one than his own parents were.

[pinayelf]

i wanna do a fun little project for myself, which is drawing minor da characters that don't have much fanart...

[lightdancer1]

One of the big reasons I think that it's always a bit of a bad thing to forget the Endless really aren't human:

Is because, and I admit here that this is from the POV of someone who does most, if not quite all, of my fanfics from a Death-centric perspective flip both because Gaiman did Dream well and like prequel Anakin there is only so much man pain and mangst I can take before wanting to reach through the screen and strangle the son of a bitch. Disliking Dream as a wangsty jackass who is the architect of almost all of his own problems does not mean being blind to how dysfunctional the Endless as a whole are.

Yet at the end of the day Dream is not your pantsfeels, he's the in-universe true architect of fear and maker of all nightmares, the guy who casually sends a woman to Hell because she told him no. He is inhuman and fickle and dangerous for any mortals that cross his path.......and as a being of story he is also bound by story-logic to pursue the path that makes the better story at the expense of multiple logical and even emotional reactions.

And in terms of this Dream is not really so different to the rest of the family. Even Destruction, when he walks off, very much remains an Endless and is still Destruction. He doesn't become human, he doesn't give up his powers and he goes into a long rambling set of justifications on that and believing simultaneously that the Endless interfere too much in human affairs and turns his group of friends into a minefield to ensure he stays hidden. Destruction, in short, is a flaming hypocrite at best and should not be taken as the reliable one true truth. None of the Seven Endless are that.

So what does all this have to do with Death? Simple. She will outlive the universe and Death of the Endless will be a title and a moment in time. Unlike any of the others she did outright completely quit and walked out and where Dream's captivity and Destruction's hippie moment didn't cause immediate unraveling of reality as opposed to the realm Death did. She is unlike the other six in ways that would and do contribute to why there's so much talking past each other.

The other six, even Destruction, all see their natures as intertwined with their functions, spheres, and all that go with them. Every hundred years for a day Death gives up all that power and becomes fully, truly mortal. She takes the step none of the others can bring themselves to do, and in spite of being the one that outlives the universe, she has died the most of all her kin and the DCU being what it is probably more than a few of those deaths were not pleasant ones. And this is without the equally logical assumption based on Overture that we only see the Earth mortal day, that there were and are such days on all worlds, in all forms of life.

And as I've brought this up before, too, Death's little apartment is not her realm. The realm is only glimpsed partially once, in her second miniseries and it looks every bit as dark as a realm called 'sunless lands' would. With the exception of Destruction all the other realms are seen in detail and not just a partial glimpse. Death has that detachment from that realm, which is as much a part of her as she of it.

In short, unlike the rest of her siblings I think Death is if anything in the comics the least truly focused on duty and much as I consider the 'none of them came for me' to be a good example of Dream's self-serving hypocrisy as he'd hate and scorn and react violently to anyone that actually did and Gaiman is repeatedly on record as noting that, I see the 'our purpose is our function' line as a bit of self-serving hypocrisy in the interest of cheering up her brother. Death couldn't and doesn't take dealing with her function or being an Endless well. She walked out, she keeps trying to turn herself mortal, she will one day continue to exist but no longer be an Endless.

Thus in the end, there is a great irony here. Dream is too rigidly bound by duty to ever truly entertain the idea that he could leave and figure out how to do so short of dying. Death is too frantically eager to discard her Endless status to figure out why anyone would, given the choice, choose to remain one even if it hurts them.

[raven-at-the-writing-desk]

Something that stood out to me as I was going through the new update is that they bring up the Halloween event and how Vil was always surrounded by fans. MEANING that the Halloween events are canon? At least the ones at school. Not sure about the others.. Makes you wonder how many other events will be made canon by the end of all this you know?

I would take it as just the Halloween events that take place on NRC campus may be canon. It could be that they’re not talking about the things that happened in Terror is Trending and/or Endless Halloween Night/Spectral Soiree specifically but rather just referencing the fact that NRC opens its gates every year to host a Halloween thing on campus for visitors. (This is because if these events were canon to the main story timeline, various details do not make sense; Yuu would know who Malleus is by late autumn instead of early spring, Yuu would already know who all the students are, Epel shouldn’t be getting along with or respecting Vil yet, etc.)

I believe Culinary Crucibles/Master Chef is also referenced in book 7 (during a scene where Silver and Sebek are cooking for the nocturnal fae). Again though, it’s not making reference to a specific iteration but rather Sebek commenting that he’s glad he took the course. Silver agrees and says he recommends making the course mandatory. Neither mention their respective cooking partners, Floyd and Riddle. So canonically speaking, Sebek and Silver have taken that particular elective but that doesn’t make Culinary Crucibles/Master Chef canon.

Those are the only “events” mentioned in the main story as far as I’m aware—but I must reiterate once more that the dialogue doesn’t seem to remark on the specifics of the events themselves. This means the Halloween events and cooking events may not be canon after all.

I do find it… suspicious… that events are only now being mentioned, when everyone is put under a magical sleep. It feeds into the idea that events are not just AUs, but potentially the result of the dreams Malleus has granted the cast.

[liminsendhelp]

I don't want to imagine sex with them when I can describe that subtle sense of vulnerability. When that type of piercing emotionlessness in a devilish shell is just watching, supporting you in an embrace. When you're allowed to do anything. To lie naked, to jerk off, to eat, to sleep, the main thing is to be close to him, on his shoulder, with his hand in your hair.

When it's because you asked for it. Even though he was leading up to it.

Even considering that all his focus, control, and asexuality could disappear with ease and playfulness if you just, again, asked.

But you won't ask, because the feeling of tension, anticipation before the attack, is much more interesting than fucking sex.

[littledreamling]

Now on AO3!

"Hob," Dream called out, in that tone. It was a tone that Hob had learned meant that Dream was confused, utterly and entirely, but he didn't want to admit it. Hob was, as always, more than happy to help. It wasn't often that his lover asked for help and while he couldn't exactly call Dream's odd and often ill-timed questions pleas for help, he knew Dream's understanding of the Waking often depended on his steadfast and reliable answers.

"Yes, love?"

"What is this... Goncharov?"

Hob was suddenly very glad that Dream was lounging on the couch, safely out of sight of the kitchen, where Hob was currently questioning every life choice that had led him to this moment. He placed his mug of coffee (thankfully empty enough to have not spilled all over him during his knee-jerk, full-body convulsion of silent laughter at his lover's question) on the counter (to save it from further spillage risks) and, once he had schooled his face as best as he could, popped his head around the corner to glance at Dream, who was engrossed in something on Hob's phone. Scrolling through social media, no doubt, given the topic at hand.

"It's uhh... a movie from the 70's, if I remember correctly," Hob said, as smoothly as possible. "Something about the mafia? It was sort of a cult classic, but I'm not surprised you haven't heard of it. It had it's little blip of fame and then faded back into obscurity pretty quickly. Why?"

"It has gained something of a resurgence, it seems," Dream mused without looking up, a fact that Hob was eternally grateful for. He wasn't sure his facial expression was even remotely close to anything that could be called innocent. One glance from Dream and the game would be up. "There have been many dreams about it in the past few days. Something about clocks and apples and lit cigarettes. I was simply wondering after your opinion on it."

"Oh, it was Al Pacino in his prime. It came out right before The Godfather, if I remember correctly. God, I haven't heard anything about it in years," Hob lied through his teeth, trying desperately to keep the grin off of his lips and the laughter from bubbling up in his chest. "Might be fun to rewatch it. Like I said, it kind of flopped when it came out; I'm glad that it's getting the attention it deserves, even if it is fifty years too late."

At that, Dream did look up, something like affront in his eyes.

"There is no such thing as too late for a story, Hob," he said, not unkindly. "A story always has time to be told. So long as the story remains, its message persists. The revival of a story is an inevitability in its lifetime; they never die, they simply twist and evolve. That this particular story is garnering such avid, new attention after so long is a comfort."

Well, now Hob felt bad. His playful teases shriveled in the face of such a display of sincerity and emotion from his beloved. It burned through Hob's heart, scorching away the last traces of mirth and leaving only soft love in its wake. It must have shown in his face, in the quirk of his fond smile, in the gentle warmth of his eyes, because Dream set his phone aside and reached a hand out, an invitation and demand all in one, and Hob snorted lightly. You could take the Endless out of the Dreaming, but you couldn't take the Dreaming out of the Endless; he was a King through and through. Luckily for Dream, Hob was as devoted as a knight and he went easily, as if pulled by puppet strings to Dream's side.

---

Later, loose-limbed and buried under a veritable mountain of blankets in Hob's bed and embrace, Dream was back to scrolling. Hob didn't hold it against him--being disconnected from the Waking world for so long must have been disorienting, especially with the technological advances of the twentieth and twenty-first century, and Hob couldn't answer every question his lover had. The internet was by far the better source of niche information and Hob was humble enough to admit it.

He could feel the moment, however, that the internet betrayed him. Dream stiffened in his arms and Hob bit at the inside of his lips to keep from chuckling.

"You are many things, Hob Gadling," Dream said lowly, "but I never took you for a liar."

And then Hob really did laugh. He couldn't help it; it rose in his stomach like champagne bubbles, bursting with tinkling joy. By the time he caught his breath, there were tears pricking at the corners of his eyes and Dream was huffing in laughter next to him.

"I'm sorry, love, I didn't mean to," Hob gasped, breathless from the hilarity of the situation. "It was just-"

"A meme," Dream said, all traces of anger gone from his voice. "So this Goncharov, it never existed?"

"I'm afraid not."

"That is a shame," Dream mused. "I had found myself quite looking forward to seeing it."

Hob pressed his lips, and with them, his fond smile, to Dream's hair.

"Perhaps you could inspire its creation," he said. "After all, stories must start somewhere, right?"

And if Hob dreamed of a flickering flame igniting two cigarettes, of bloody hands clenched around a gun, of a clock tower in the snow, well... he had always suspected that his sleeping mind was Dream's testing ground. Perhaps, one day, far in the future, they would reap the benefits of Dream's tests. Perhaps, one day, far in the future, Goncharov would take shape and take hold in someone's mind. Perhaps, one day, far in the future, they would be able to see Goncharov in all of its revived glory.

But for now, it was merely a dream, a whisper of potential in a collective mind. Perhaps, one day...

[randomshenaniganery]

Man I love Jade he’s such a little shit

THE MOMENT Riddle turned around he was immediately like SO WANNA HEAR THE TEA?