#The Book of Vision 2020

[forest-enchantress]

Here is a #89 gifs of Isolda Dychauk in The Book of Vision. All of these gifs were made by me from scratch, so do not redistribute or claim them as your own. If using, please give this a like and reblog!

[uwmspeccoll]

Wood Engraving Wednesday

SARAH VAN NIEKERK

English artist Sarah Van Niekerk (1934 - 2018) was an award-winning Illustrator and wood engraver, a member of the Society of Wood Engravers (SWE), and the Society's chair, 1995-1998. This print, Rams, was printed from the original block in 2020 Vision: Nineteen Wood Engravers, One Collector, and the Artists Who Inspired Them, printed in 2020 by Patrick Randle’s Nomad Letterpress at the Whittington Press in Cheltenham, Gloucestershire, in an edition of 340 copies for the 100th anniversary of the Society of Wood Engravers. Unfortunately, Van Niekerk died during the planning of the book and her daughter Jess wrote the text for mother's entry and helped select the block to be printed.

Sarah Van Niekerk attended the Central School of Arts and Crafts (1951-1954) where she studied with wood engraver and sculptor Gertrude Hermes who greatly influenced her work. She continued her education at the Slade School (1955-1956) and much later taught wood engraving at the Royal Academy of Art (1976-1986) and the City and Guilds Art School (1979-1998), and for many years was a tutor at West Dean College. Besides being a member of SWE, she was also a Fellow of the Royal Society of Painter-Printmakers and a Royal West of England Academician.

View another post with work by Sarah Van Niekerk.

View a post with work by Van Niekerk's mentor Gertrude Hermes.

View other posts from 2020 Vision.

View more posts with women wood engravers.

View more posts with wood engravings!

[tenth-sentence]

By the 2020s middle-aged folks in the developed cores might see farther, run faster, and look better than they did as youngsters.

"Why the West Rules – For Now: The patterns of history and what they reveal about the future" - Ian Morris

[mindfulldsliving]

Apostolic Christianity Restored: How the LDS Church Revives Christ's Original Teachings

What if the Christianity practiced today wasn’t quite what Christ Himself established? For many, this idea sparks curiosity. The Church of Jesus Christ of Latter-day Saints answers this question by claiming to restore the original Apostolic Christianity, complete with Christ’s teachings, ordinances, and priesthood authority. Grounded in scripture and revelation, this restoration offers a…

[wickedhawtwexler]

looks like i'm having my yearly second guessing my nanowrimo plot freakout several weeks early this year!!!

[robertreich]

Project 2025: The MAGA Plan to Take Your Freedom 

A second Trump term would be more dangerous than the first — in part because of something called Project 2025, a plan to extend Trump’s grip into every part of your life.

Trump’s gross incompetence in his first term wasn’t all bad. It kept some of his most extreme goals out of reach. That’s why his inner circle, including more than 20 officials from his first term, have written a step-by-step playbook to make a second term brutally efficient.

At nearly a thousand pages, it’s longer than most Stephen King novels, and a lot scarier. The Associated Press wasn’t kidding when they called it “a plan to dismantle the US government and replace it with Trump’s vision,”

Project 2025 is a road map to ban abortion, give greedy corporate oligarchs everything they want, and strip Americans of our most basic freedoms — all without needing any support from Congress.

There’s more to it than I can get into, but here are three things I want you to know.

#1 How would Project 2025 work?

Every nonpartisan government agency would be turned into an arm of the MAGA agenda.

Some of the worst things Trump reportedly tried to do as president — like having the military  shoot protesters or seize voting machines to overturn the election  — were only stopped because sensible leaders in the military or the professional civil service refused to go along with it.

In a second term, there would be no sensible leaders in the military or professional civil service because Trump would fire anyone more loyal to the Constitution than to him.

Trump started the process in October 2020 with an executive order that would have let him fire tens of thousands of civil servants and replace them with MAGA henchmen. I’m talking about traditionally non-political positions, like scientists at scientific agencies and accountants at the IRS.

Trump could not act on the executive order then because he lost the election. If he wins now, he’s pledged to pick up where he left off and go further…

TRUMP: …making every executive branch employee fireable by the President of the United States.

#2 Project 2025 is about controlling Americans’ lives & bodies

Restricting abortion is such a big part of Project 2025 that the word “abortion” appears 198 times in the plan.

Trump largely made good on his campaign promise to ban abortion.

Thanks to Trump’s Supreme Court justices, 1 in 3 American women of childbearing age live in states with abortion bans. Project 2025 would make that even worse, without needing new laws from Congress.

Page 458 of the playbook calls for a MAGA-controlled FDA to reject medical science and reverse approval of the medications used in 63% of all abortions, effectively banning them.

Page 455 plans “abortion surveillance” and the creation of a registry that could put people who cross state lines to get an abortion at risk of prosecution.

Another way around Congress is to enforce arcane laws that are still technically on the books. Page 562 plans for a MAGA-controlled Justice Department to enforce the Comstock Act of 1873, which bans the mailing of “anything designed, adapted, or intended for producing abortion.” This could be used to block the shipment of any medications or medical instruments needed for abortions.

But Project 2025’s control of American families goes even further. It plans for government agencies to define life as beginning at conception — a position at odds with the process used for in vitro fertilization.

Page 451 declares that “Families comprised of a married mother, father, and their children are the foundation of a well-ordered nation and healthy society,” thereby stigmatizing single parents, same-sex couples, unmarried coparents, and childless couples.

Project 2025 even takes a stand against adoption, declaring on p. 489 that “all children have a right to be raised by the men and women who conceived them.”

#3 Project 2025 would turn America into a police state.

Maybe you live in a blue city or state, where you think plans like arresting teachers and librarians over banned books (which is on p. 5) could never happen. Well, guess again.

Trump has said one of the big things he’d do differently in a second term is override mayors and governors to take over local law enforcement.

Page 553 lays out how to do this, and even plans for Trump’s Justice Department to prosecute district attorneys he disagrees with.

Immigration enforcement is to be conducted like a war, with the military deployed within the U.S., and millions of undocumented immigrants rounded up and placed into newly constructed holding camps. This is outlined starting on p. 139.

Members of the Project 2025 team also reportedly told the Washington Post about plans to invoke the Insurrection Act to deploy the military against anti-Trump protests.

There is much more to Project 2025. There are more than a hundred pages of anti-environmental policies that would help Trump make good on what he reportedly promised to do for oil executives if they contribute a billion dollars to his reelection. It would make drilling and mining a top national priority while killing clean energy projects, barring the EPA from regulating carbon emissions, and replacing all government climate scientists with climate deniers.

There are even cartoonishly cruel plans like slaughtering wild horses. Yes, that’s really in there on p. 528.

I thought I understood the stakes of this election, but reading this plan… Well, it gave me chills. If Trump gets the chance to put this plan into place, he will. The country it would turn America into would be hard for any of us to recognize.

[biancabelairs]

in other news. not enough has been said about how triple h's obsession with relitigating the sad last days of nxt black and gold is fucking over bianca

[bobnichollsart]

My 25 years of palaeoart chronology...

In 2020 I illustrated DINOSAURS: NEW VISIONS OF A LOST WORLD, written by Prof Mike Benton. Here's my painting of Anchiornis.

This book would make a great Christmas gift!

https://www.thamesandhudsonusa.com/books/dinosaurs-new-visions-of-a-lost-world-hardcover

[charlott2n]

Charlotte Genre Guide

My top 5 favorite/recommended albums from each of my favorite genres!

Stoner/Doom Metal

Master of Brutality by Church of Misery (2001)

Variations on a Theme by OM (2005)

Blood Lust by Uncle Acid and the Deadbeats (2011)

Soma by Windhand (2013)

Book of Rituals by Saturniidae (2023)

Dream Pop/Shoegaze

Love Songs for the Chemical Generation by Daniel Land and the Modern Painters (2009)

The Glow by Gold Celeste (2015)

Lucid Express s/t (2021)

Daydream Twins s/t (2022)

A Fusion of Two Hemispheres by Sphere (2022)

Vaporwave

无限渴望 by Virtual Dream Plaza (2016)

一人で by desert sand feels warm at night (2019)

Soul Visioning by MindSpring Memories (2021)

Dream Desert by desert sand feels warm at night (2022)

Desert Memories by desert sand feels warm at night & MindSpring Memories (2023)

Psychedelic Pop

The Satanic Satanist by Portugal. the Man (2009)

Multi-Love by Unknown Mortal Orchestra (2015)

Skiptracing by Mild High Club (2016)

Jinx by Crumb (2019)

Raw Honey by Drugdealer (2019)

Psychedelic Rock

Parachute by The Pretty Things (1970)

In the Mountain in the Cloud by Portugal. the Man (2011)

Nonagon Infinity by King Gizzard (2016)

High Visceral Pt 1 by Psychedelic Porn Crumpets (2016)

Face Stabber by Thee Oh Sees (2019)

Progressive Rock

Shine on Brightly by Procol Harum (1968)

Lizard by King Crimson (1970)

Crime of the Century by Supertramp (1974)

Hope by Klaatu (1977)

blomljud by Moon Safari (2008)

Hard Rock

Black Sabbath by Black Sabbath (1970)

The Man Who Sold the World by David Bowie (1970)

Restrictions by Cactus (1971)

Satori by Flower Travellin' Band (1971)

Pieces of Eight by Styx (1979)

Rap

Licensed to Ill by Beastie Boys (1986)

3 Feet High and Rising by De La Soul (1989)

The Low End Theory by A Tribe Called Quest (1991)

6 Feet Deep by Gravediggaz (1994)

Shade of Blue by Madlib (2003)

Funk

Hot Pants by James Brown (1971)

Fantastic Planet Soundtrack (1973)

Standing on the Verge of Getting it On by Funkadelic (1974)

Hustle With Speed by The J.B.'s (1975)

Directstep by Herbie Hancock (1979)

Jazz Rock

Chicago Transit Authority by Chicago (1969)

Aja by Steely Dan (1977)

Junta by Phish (1989)

A Thoughtful Collapse by Vathaken (2020)

Middle Hand by Tytus & The Left-Handers (2024)

Jam Band

Rhythms From a Cosmic Sky by Earthless (2007)

Summer Sessions Vol. 2 by Causa Sui (2009)

Solar Corona by The Machine (2009)

The Doomsday Machine by Electric Moon (2011)

299 by Bull of Heaven (2013)

Disco

I Remember Yesterday by Donna Summer (1977)

Dazzle by Dazzle (1979)

Hills of Katmandu by Tantra (1979)

Tako Tsubo by L' Impératrice (2021)

Chorus by Mildlife (2024)

[dalishious]

A BioWare Guide on How to Murder a Fanbase

I have been a Dragon Age super-fan for almost fourteen years, now. I have played every game, with every DLC. I have read every novel, lore book, and every comic — yes, even the terrible ones that are better off forgotten. I have seen the anime film, the animated series, and the web mini-series. I have enjoyed all of these pieces of the franchise over and over, more times than I can count. So, make no mistake: the negativity you’re about to hear comes from a place of love for this fantasy world, developed by many creative people over the years. I would love nothing more than to see the resurrection of passion in the Dragon Age fandom again. But the unfortunate truth is, that resurrection is only needed because BioWare took the fandom out back and shot it in the first place.

In December 2018, three years after the release of Dragon Age: Inquisition’s Trespasser epilogue DLC, BioWare first announced the then-untitled next Dragon Age game with a teaser trailer. At this point, most fans were anticipating this would mean within the next couple years, we would see the game. This assumption was based on the fact that Dragon Age: Inquisition was first announced in 2012, and released in 2014, with an extra year of development added last minute.

There have been dribbles of extra content since then, adding to the franchise. This was enough to keep some fans still breathing and interested. 2020’s Dragon Age: Tevinter Nights was a lovely anthology. 2020’s Dragon Age: Blue Wraith and 2021’s Dark Fortress were wonderful comics tying up the story started in Knight Errant. And 2022’s Dragon Age: Absolution was a well-animated series with an interesting cast of characters and story. But all these still left the fandom with a major question: What was going on with the next game? It was untypical of BioWare to be so secretive, in comparison to how they handled sharing information of the past games in the franchise. The only form of updates fans still have to go on is mostly just concept art and short stories, hinting that something must be in production. But why was the wait so long?

In 2015, the first version of the next Dragon Age began with a clear vision, clear scope of practice, and a reportedly happy developer team. Most gloriously in my book, there was no multi-player… but this did not align with the Electronic Arts typical money-mad schemes. EA’s push for “games as a service” meant they wanted to monetize all their games as much as possible, and therefore, they wanted them to be a live service — as Anthem demonstrated, that meant sacrificing things that are staples of good RPGs, like narrative and character choice. So in 2017, version one of the next Dragon Age was scrapped and replaced. This new version would have, in total or to at least some degree, an online portion of play.

There is one part of Schreier’s article, “The Past and Present of Dragon Age 4,” that really sticks out to me, regarding this:

“One person close to the game told me this week that Morrison’s critical path, or main story, would be designed for single-player and that goal of the multiplayer elements would be to keep people engaged so that they would actually stick with post-launch content.”

The idea of splitting up components of a game into single-player and multi-player is a terrible idea, because it means that there would be a large bulk of content only accessible through online gaming; something many fans, like myself, are repulsed by. Even if I did enjoy it, I spent most of my life growing up with either no internet or shoddy internet incapable of playing online games. I know many rural people who are still in that position, losing more and more of their favourite gaming pastimes because they are locked out of the ability to play them. It is a disservice to hide content behind a wall like this, especially in a world that is so lore-heavy like Dragon Age. The news of multi-player in Dragon Age understandably upset many, and this is when I first noticed a large drop off in excitement over the next game.

However, in 2021, the failure of Anthem (multi-player) and success of Star Wars Jedi: Fallen Order (single-player) led the executives at EA to bend to the wishes of BioWare leadership and allow them to go back to the drawing board yet again on the next Dragon Age. This meant removing all multi-player content!

While I am very happy that there will reportedly be no multi-player in Dragon Age: Dreadwolf, I can’t help but feel bitter and a little disgusted over the ridiculous development time spent on something no one but EA wanted in the first place. If it weren’t for this foolishness, Dragon Age: Dreadwolf would be in our hands right now. Instead, it’s been in development hell for nearly nine years and counting. Nine years is a long time to expect fans to carry a torch for you through radio silence, but it’s no wonder BioWare has shared barely anything about the next game; it’s been in flux for so long, they likely haven’t had anything concrete to show.

BioWare hurt its reputation even more when the news broke that the studio very suddenly laid off 50 people who were working on Dragon Age: Dreadwolf. This is pretty damning on its own, but BioWare took it a step further. Former developer Jon Renish shared a statement revealing that the studio was only willing to offer laid-off employees two weeks of severance per year of service, and denied health benefits. The denial of health benefits in particular is a pretty wild move for a studio with a reputation for “stress casualties”. The latest news on this is that BioWare has still so far refused to negotiate better severance packages, leading to a lawsuit. The lawsuit originally had 15 former employees, but this dropped due to the fear of not being able to afford to pay their bills. So now, while EA sits on $400 million net income, the laid-off employees are struggling to buy holiday presents for their children. These horrid business practices are not to be ignored when accounting for a lack of faith in a studio. What kind of monsters reward workers who make your games special with vaguely reasoned lay-offs?

The latest news on the Dragon Age: Dreadwolf front from BioWare came early this month, December 2023, with a trailer… announcing a trailer that will come next summer… that will announce the release of the game. Supposedly. Maybe. We’ll see. But by this time, BioWare is something of a laughing stock of their own fandom. Reactions to the video released with a pretty map graphic and a few rendered locations were, from what I personally observed, mostly sardonic in nature. People have commented on the vapourware nature of the game, and like all vapourware, that leads to disintegrating trust.

Despite all this, people like Mary Kirby, (one of the veteran Dragon Age writers who was a victim of the layoffs,) said, “it’s bittersweet that Dreadwolf is my last DA game, but I still hope you all love it as much as I do,” encouraging fans to still support the game when it eventually is released. But after every misstep BioWare has taken, that’s a tough sell now. Fans are finicky, RPG fans more so than others, one could argue. We have our favourites, and many of us stick to those favourites for life over our appreciation for the artistry — but that relationship between studio and fan should go both ways. EA and BioWare has betrayed that relationship, and it will take a hell of a lot to build it back up again, now.

[This piece is also available on Medium!]

[harvardfineartslib]

“Could it be that human beings—whether Indian or Japanese—are like fishermen who cast their nets to fish but can only reach relatively shallow waters? We know a lot of things and are constantly learning more, but maybe what we have most in common with each other is what is unknown to us. The depths of the ocean, and our relationship to that world, still remain hidden and mysterious.” - Mayur and Tushar Vayeda

Brothers Mayur and Tushar Vayeda made this artists’ book.  They are from the indigenous Warli community in Maharashtra, western India and grew up in the village of Ganjad. After studying animation and business management in Mumbai, the brothers taught themselves the traditional art of Warli painting.

Warli art is traditionally created by the women in the community, who decorate the walls and floors of their homes, as well as community spaces and for festivals. As such, Warli paintings were temporary, constantly renewed and recreated.

Today, both women and men make Warli painting, and they are also made more permanent on paper or canvas. The Vayeda brothers incorporate traditional Warli painting style but create a new vision.

In this book, the Vayeda brothers tell their journey from Ganjad to a small Japanese island called Awashima, connecting the village stream they knew from their childhood to the deep oceans they encountered in Awashima.

The deep for the text Arun Wolf and Gita Wolf from an oral narrative by Mayur Vayeda and Tushar Vayeda. Chennai : Tara Books, [2020] Vayeda, Mayur [artist] Vayeda, Tushar [artist] HOLLIS number: 99157144381803941

[forest-enchantress]

Here is a #89 gifs of Isolda Dychauk in The Book of Vision. All of these gifs were made by me from scratch, so do not redistribute or claim them as your own. If using, please give this a like and reblog!

[uwmspeccoll]

Wood Engraving Wednesday

HOWARD PHIPPS

This wood engraving of Eggardon Hill in Dorset, England by British artist Howard Phipps (b. 1954) was produced in 2019 for the publication 2020 Vision: Nineteen Wood Engravers, One Collector, and the Artists Who Inspired Them, printed in 2020 by Patrick Randle’s Nomad Letterpress at the Whittington Press in Cheltenham, Gloucestershire, in an edition of 340 copies for the 100th anniversary of the Society of Wood Engravers. In the book, Phipps identifies Edgar Degas, John Nash, and Eric Ravilious as strong influences. Phipps himself started off as a painter in the 1970s, making only occasional prints. His development as an engraver coincided with the revival of the Society of Wood Engravers in the 1980s. About this print, he writes:

I was interested in the ancient signs of humanity apparent in this landscape, and I like to use light to reveal the underlying sculpture of the striking hill forms, where chalk trackways draw the eye into or around deep combes.

Phipps was born in Colwyn Bay, North Wales and was raised in Cheltenham, England. He studied Fine Art at Gloucestershire College of Art in the early 1970s and taught in Plymouth for a while before settling in Salisbury in 1980. He was elected Royal West of England Academy (RWA) Academician in 1979 and a member of the Society of Wood Engravers in 1985.

View other posts with work by Howard Phipps.

View other posts from 2020 Vision.

View more posts with wood engravings!

[staydandy]

The Lost Tomb 2: Wrath of the Sea (2019) - 盗墓笔记2 - Whump List

List by StayDandy Synopsis : The group of heroes are pulled into another tomb-raiding expedition that takes them beneath the sea. In an ancient Ming Dynasty ship, they encounter monstrous creatures and puzzling traps. Wu Xie opens the box that he obtained from the Seven Star Coffins of Lu Wang's Palace to discover a snake-browed copper fish. Uncle Wu San Xing recounts the strange occurrences over ten years ago when they went on an archaeological expedition to Paracel Islands. Wu Xie leads a team down to the same place to explore a sunken ship where hidden dangers await. (MDL)

Whumpee : Wu Xie played by Neo Hou (center right) • Zhang Qi Ling played by Cheng Yi (center left) • Wang Pang Zi played by Zhang Bo Yu (2nd from right)

Country : 🇨🇳 China Genres : Action, Adventure, Mystery, Supernatural, Bromance

Notes : This is a Full Whump List • Adapted from books 2, 3 and some of 4 of "The Grave Robbers' Chronicles" (Daomu Biji) by Kennedy Xu • Suggested watch order of series (not including movies & spin-offs) : -- 1. Mystic Nine (2016) -- 2. The Lost Tomb (2015) >> 3. The Lost Tomb 2: Wrath of the Sea (2019) -- 4. The Lost Tomb 2: Explore with the Note (2021) -- 5. The Lost Tomb 3: Ultimate Note (2020) -- 6. Adventure Behind the Bronze Door (2024) -- 7. Tomb of the Sea (2018) -- 8. Reunion: Sound of the Providence (2020) -- 9. Reunion: Sound of the Providence 2 (2020)

Related Lists : The Lost Tomb (2015) - Full List • The Lost Tomb 2: Explore With the Note (2021) - Full List • The Lost Tomb 3: Ultimate Note (2020) - Full List • Adventure Behind the Bronze Door (2024) - Full List

Episodes on List : 25 Total Episodes : 40

*Spoilers below*

01 : Wu Xie shocked awake, sweating, from a layered nightmare (nightmare within a nightmare within a nightmare) … Wang Pang Zi knocked out

02 : [nightmare] Wu Xie choked

05 : Unsteady … entrapped in a trance, strangled, broken out of it … Pang Zi knocked over from an explosion … Wu Xie attacked, thrown to the ground, Pang Zi thrown into a wall, Zhang Qi Ling fights; choked & lifted off the ground

06 : [flashback] Passes out

07 : Wu Xie dizzy, entranced … [flashback] head pain, pushed into water … [present] Zhang Qi Ling head pain, recalling forgotten memories … Wu Xie, Zhang Qi Ling, & Pang Zi escaping a collapsing underwater building, stuck on the way out.. Wu Xie unconscious, receives chest compressions, spits up water, knocked to the ground

08 : Recovering from fever (not really shown) … [flashback] cut his own hand

09 : Shocked awake, sweating, from nightmare

11 : (near end) Wu Xie & Pang Zi captured, tied up

12 : … continued from previous ep. ...Wu Xie still captured, tied up … imprisoned.. dehydrated, breathing hard, unsteady.. passes out.. helped to walk

17 : Pang Zi attacked, Wu Xie attacked.. attacked again, knocked out, drowning.. spitting up water … Pang Zi bit by insect

18 : Wu Xie Hit with the butt of a gun, knocked out.. wakes tied up … Pang Zi having a reaction to bug bite; unsteady, arm in hives & paralyzed, passes out … Wu Xie falls, nightmare; wakes trapped in a casket, choked

19 : Drugged, unsteady, passes out, arm nicked & blood taken

21 : Falls, knocked out briefly … Pang Zi entranced into almost killing himself … rolls down a slope

23 : Wu Xie cuts his own hand … dizzy

24 : … continued from previous ep. ... Dizzy … unsteady, holding his head … attacked, choked

26 : Blown back by an explosion, briefly knocked out … falls, hits head, blurry vision, unsteady … cuts his own hand … blown back by an explosion, drowning … wakes in hospital (comedic: with a high-pitched voice from concussion)

28 : Pang Zi's arm in a cast (tho I'm confused as to why)

30 : (near end) Wu Xie knocked out from an explosion … falls into a pit

31 : Pang Zi found unconscious

32 : Found unconscious, head sore from being knocked out

35 : Wu Xie & Pang Zi in a fight; Wu Xie coughs up blood … head pain from noise

36 : Digs out from being buried in snow, head pain.. [flashback] buried in rubble from collapsed tomb, unconscious … [present] rolls down hill, arm hurt.. exhausted, passes out.. headache, collapses … headache … drugged asleep … caught in a trap, hung upside down

37 : Headache … captured … Pang Zi captured, tied up, mouth gagged … Zhang Qi Ling head pain, drugged unconscious

38 : Drugged unconscious … Zhang Qi Ling & Pang Zi trapped in a net, both tied up & hooded

39 : (near end) Wu Xie exhausted, collapses, hypoxia (not enough oxygen), slaps himself, passes out … hallucinating

More Whump Lists for this show: love-me-a-lotta-whump

[tremendouskoalachild]

anybody remember the lucasfilm panel at disney inverstor day 2020? how they announced more shows than anyone knew what to do with, and everyone was speculating which ones would even end up being made? i member

Rangers of the New Republic - didn't get made

Ahsoka - getting a second season

Andor - getting a second and final season

Obi-Wan Kenobi (technically announced earlier at D23) - didn't get renewed

The Bad Batch (animation) - 3 seasons

Visions (animation) - 2 seasons

Lando - hasn't gotten made, creator left the project, might become a movie instead

The Acolyte - didn't get renewed

A Droid Story (animation) - didn't get made

Willow - not only didn't get renewed, was entirely erased from disney+

The Book of Boba Fett was announced indirectly, only as a "next chapter" for the mandoverse, because they wanted to hold off for the announcement at the end of The Mandalorian season 2, airing at the time. that show also didn't get renewed.

(while we're here. movie releases announced at the same panel:

Indiana Jones 5

Children of Blood and Bone - didn't get made, lucasfilm got rid of its rights to the property

Taika Waititi movie - didn't get made (yet?)

Rogue Squadron - didn't get made)

that's around 6 abandoned projects and 4 shows cancelled after their first season. 2 live action shows got a renewal, outside of The Mandalorian, which was an established show, and still got just one more season after this. 2 animated shows got renewed, one of which wasn't even made by lucasfilm. great job everyone

[urbeautifulandiminsane]

my intro 👼🏼🐇🫶🏻🏹💌

i’m always open to dms + moots

i’m isabelle, i’m fifteen, i’m from england and i’m a massive theatre nerd. i’m a catholic but i respect everyone’s beliefs, i’m also autistic so please take that into account if you’re messaging me

music taste 🎀

lana del rey’s my favourite singer but i also love jazz, rap and show tunes

my favourite singers are: lana del rey, clipping., laufey, frank sinatra, ethel cain, jeff buckley and remy bond

fav films 💐

. scarface - 1982 (my no1 foreverrrr)

. marie antoinette - 2006

. little women - 2019

. heathers - 1989

. the love witch - 2016

. in the heights - 2021

. hamilton - 2020

. warriors - 1979

fav musicals 🍬

. hamilton

. falsettos

. book of mormon

. mean girls

. in the heights

. ride the cyclone

. 21 chump street

fav shows 🩰

. south park - 1997-now

. the dick van dyke show - 1961-1966

. brooklyn 99 - 2013-2021

. liberty’s kids - 2002-2003

fav books 💒

. the metamorphosis - f. kafka

. violet bent backwards over the grass - l. del rey

. lolita - v. nabokov

. valley of the dolls - j. susann

. meditations - m. aurelius

. the godfather - m. puzo

. the bell jar - s. plat

my special interests 🎊

. alexander hamilton

. amrev

. fashion history

. the tudors

. mormonism

. warriors 1979

fav albums 💫

. visions of bodies being burned - clipping.

. blue banisters - lana del rey

. ultraviolence - lana del rey

. paradise - lana del rey

. folksongs and ballads - tia blake

. grace - jeff buckley

. seven nights in chicago - rafael casal & daveed diggs

. warriors - lin manuel miranda

. songs - adrienne lenker

. preachers daughter - ethel cain

. jolene - dolly parton

. strangers in the night - frank sinatra