#That's what I call character development
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He's never happy
#atla#avatar the last airbender#zuko#katara#atla fanart#prince zuko#atla art#azula art#azula fanart#atla azula#princess azula#atla zuko#zuko art#zuko fanart#katara art#katara fanart#atla katara#katara of the southern water tribe#the gaang#atla meme#agni kai#The Last Agni Kai#sozins comet#From “I'm never happy” to “Am I happy?”#That's what I call character development#Oh Zuzu what are we going to do with you#(It's okay everyone still loves you)#(Except for Lala)#(But she's in the middle of a breakdown so it's understandable)#(She'd love you too if she was in a right place)
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Heiteri gonna heit
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I think it's kinda funny how i went from being so uncomfortable at the sight of a shirtless woman in a show therefore quitting the show to a few years later reading a multi chapter fanfic where a lesbian from the 1800 is fucking her wife for hours while telling her about past sexual experiences with all of her exs..
#that's what i call character development#but seriously I'll definitely watch orange is the new black it looks fun#i still feel a little uncomfortable seeing women naked on tv but it's for different reasons i think i feel uncomfortable for the actresses#also i don't think I've ever read this many fanfics I'm so obsessed with the ann(e)s!!#gentleman jack#the ann(e)s#anne lister#ann walker#orange is the new black#ao3#fanfic#smut#wlw#sapphic#sapphic love#lesbian#sex positive#wlw ship#queer ships#fics
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Rowena in season 10: honestly Fergus you're the king of hell! you can't be doing favors for those Winchesters all the time! just kill them already!
Rowena in season 15: alright demons as your queen I order you to search every corner of hell to get the Winchesters whatever they need. NOW! do not keep my special boys waiting!
#supernatural#how the turn tables#that's what i call character development#honestly she had one of the best arcs on the show#rowena supernatural
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Gaslight, Gatekeep, Girl found dead in a hidden room.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#lan xichen#jin guangyao#jiang cheng#wei wuxian#qin su#EDIT: Tumblr published an earlier draft with only half the notes I wrote so: late entry on my JGY thoughts.#Unlike the mystic powers of the stockmarket (what the OG meme is referring to) I think this situation calls for more active investigation.#qin su is such a deeply tragic character to me and I really wish we got a bit more from her.#Love everyone who sent me messages about her after the last time she appeared.#I think she needs a spin off of her being a transmigrator SO badly.#MDZS has so many interesting characters - but it sometimes fails to give them the proper room to really develop past a role in the plot.#That's just the consequence of writing a story like MDZS. Not every character in a book *needs* to have a rich inner life and backstory!#To do so would bog down the story and obliterate any notion of pacing. It's just not possible.#Jin Guangyao (nee Meng Yao) is unfortunately not free from this leeway rule. He is the culprit of this murder mystery plot#and thus NEEDS to encapsulate the themes of the book. And personally he's a 7 out of 10 at best on this front (in the AD).#MDZS is about rumours twisting reality and working towards truth. And about how people & situations are rarely ever black & white#JGY has his motivations. He's well written in regards to his actions making sense for his character.#What started as good traits (drive to succeed & improve his image) became twisted over time (do anything to maintain his image)#and it's a good parallel to WWX! He has the same arc (with different traits)! Bonus points for IGY in that regard.#but man....by the time we confront this guy for murder there's not a lot of grey morality. He's just...deep in the hole *he* dug.#There's a beautiful tragedy to it! More on JGY in later comics - this is getting pretty long already!
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mining superverser elita-1 would be DISGUSTED to find that she's caressing orion pax's arm in the near future
#she'd recoil in abhorrence#now that's what I call character development 2024!#she grabs his shoulders so much in this film UGH#YES#Oplita#elita 1#transformers#elita one#transformers one#tf one#tf one elita#optimus prime#orion pax#tf one orion pax#Elita-1
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[ B L E A K ] Zombie miku 2024 redraw!
comparisons between all the mikus over the years ( i forgot about this for like 3 years in a row asjfdkl;g)
#hatsune miku#hatsune fanart#miku#miku fanart#vocaloid#vocaloid fanart#art#anime art#artists on tumblr#vocaloid fandom#lowkey what was i on in 2016 and 2017 why she look like that sobbing#zamn zombie miku became less zombie and more zombie hunter call that character development yippee!
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Y'know what'd be morbidly funny? If another plague hit Vesuvia by the time MC and their chosen RO might have a family and the adults have to stay behind to deal with affairs
But obviously, with all diseases, elderly and children are the most vulnerable
So imagine - almost all the parents are sending their kids away in this scenario. Because Nadia is a great leader who's well-aware of the dangers of this plague
But imagine if your chosen RO is Muriel. Let's say you have kids.
How devastated would this man be if he had to send his kids away for their safety, in the same way that his parents did to him when he was young?
Man, that would be really fun to write
(thank you to that one tumblr post I interacted with a while ago - where OP theorizes about Vesuvia and the red plague. It was rlly fun to read + think about it)
#dark AU where MC and Muriel end up dead like Vi and Jinx's parents#poetic irony? idk what to call this#I just wanna break Muriel down and build him up because character development#the arcana#the arcana headcanons#the arcana brainrot#the arcana muriel kohkuri#muriel headcanons#muriel of the kokhuri#the arcana muriel#the arcana drabbles#white plague
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๋࣭ ⭑unexplainable sorrow⭑ .
#toilet bound hanako kun#tbhk#jshk#jibaku shounen hanako kun#jibaku shonen hanako kun#my art#akane aoi#I am so scared for her#the way she clung to Nene was NOT good at all#her character development is probably gone I am in tears#what have they done to you mah girl?#why does she call Teru 'Teru-kun?' is Akane gone from her life too? ToT I have sm questions#I hope she still knows Akane#I am so afraid this asshle is not known from everybody he cares about in this reality#I want her to be important in this arc#and I hope others characters than Nene will have flash of the old present#I doubt it a lot but let me dream#toilet bound hanako kun fanart#tbhk fanart#posting this before the new chapter#jshk fanart#hanako kun#Aoi seems all alone and now Nene is running and screaming about someone she doesn't know
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Musical Touken Ranbu: Michinooku ~ Hitotsu Hachisu (Michinooku ~ A Single Lotus)
Here we go! Only a few days after the archive release and toumyu's ninth anniversary (congratulations!)
Michioku, or Michihasu, is a myu I have many conflicting feelings about, both positive and negative. However, I do believe that with the right amount of care in the next Mika-related story myu, the negative can still be cleared. Plus, I'm glad about a lot of things being re-established. The writer does need to step up her game a little on the plot-writing side of things, as well as the understanding-and-respecting-past-myu side of things, but as long as she does, this can still be given a proper place within what was already established.
Keep in mind that these are only the subtitle files, timed and tled to the DMM senshuuraku and the bluray respectively. The archive version will have a talk at the start, so the starting times of the subs will have to be delayed accordingly.
You can find the subtitles and my TL notes document here!
#touken ranbu#toumyu#water's translations#michioku#michihasu#how do I put this#seeing as myu's director Kayano has said in an interview right before Michioku that Kogi and Mika have a special bond#different from other swords-- and then they try to speedrun *Tsuru* and Mika having a what feels like it was intended to be#even greater relationship using a song called Kage Futatsu where KOGI'S signature song from Utaawase was Futatsu no Kage???#I SINCERELY want to believe it's incompetence rather than the writer deliberately pulling the rug from under Kogi's feet#bc the alternative is just cruel#I don't particularly mind the relationship Mika and Tsuru have in this play but I feel that not for a moment Kogi and kara respectively#were considered in the writing#anyway my final verdict is that this myu is what too many people think tsuwa is: the divorce myu (between Mika and Tsuru this time)#in all cases I hope myu can bring Shirakawa Yuki in again like with Datemyu just to offload myu's already deathly busy writer (she's done#5 myus in a month before which is just insane) because I feel this just isn't sustainable with the amount of carefulness a long-running#franchise like myu demands and the *writing* quality (not the production quality AT ALL Michioku's is great) is suffering for it.#like sure Michioku is loaded with references but they're references that either don't serve *Michioku's own* plot or their treatment shows#a lack of understanding of the work it's referencing-- for example Kashuu calling upon atsu's “This is how the shinsengumi fights!” actuall#goes completely contrary to the lesson he's supposed to have learned from atsuibun: that swords aren't disposable and that he has duties as#both soldier (captain in atsu) and as COMRADE and he makes the (already highlighted in Michioku!) dumb decision of butting in without#thinking-- and with that framed against manba's breaking trauma as well! He's supposed to have learned to stay rational and consider both#duties yet here he is ---BECAUSE of the reference--- completely leaning on the pre-atsu-development side of the scale#as if Ishi's words went one ear in one ear out. And yes the scene by itself could've worked as a subversion to show Kashuu makes the#'irrational' decision against what Ishi taught him to consider precisely because he cares for the people he's protecting but there is NO#groundwork laid at all for that in the rest of Michioku! This is what I mean with the carelessness of the references and the lack of#consideration for what prior myus were trying to SAY and ACHIEVE which is insane because she was the lyricist for those#it's more a collage of feelings provided through a set of characters calling back to the scripts of prior myu rather than#a story that evokes feelings bc the humans in it walk forward and act upon-- interact with-- the scenery on the road as left by prior human
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YOU EITHER DIE LIKE A TRUE HATER
OR YOU STILL DIE BUT END UP BECOMING WHAT YOU HATED
No wonder he didn't speak about yuji.. He was embarrassed... 😭😭
#now this is what we call character development..#i am sad yuji will never get to know this😔#no one does it like yuji#yuji brought sukuna to his level#jujutsu kaisen#itadori yuuji#ryomen sukuna#sukuna#sukuita#jjk yuuji#yuji itadori#jjk
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who am i without my powers?
#also small rant about crystalized nya because like#why did they remove her whole character development????#like call of deep was such a good episode it really resonated with me#and everything was super cool until nya got her powers back#like what????? what was the point#it literally made me so mad like srsly what was the point!!!!!#like why can't she be a ninja without her powers???#and it literally easered her entire character development throughout the seasons like why!!!!!!#and i decided i wanted to rewrite her character arc in crystalized#and this drawing is a cover for the book i'm writing :3#it'll probably be super cringe but i'll share it when i finish it!!!!!#also i can't draw water#lego ninjago#ninjago#nya ninjago#nya jiang#nya smith#art
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So I finished Moominvalley season 4 and here is my review:
Of course, spoilers ahead! It's long. It's detailed. It's a bit much, and I spent hours writing it.
I greatly disliked this season, not just from one particular angle. When Moominvalley first came out, it was advertised as the first narrative-style adaptation. This would imply one concrete story that ran throughout the show. They said the story would take time and required patience, but there was a larger narrative story. What was that story exactly? In the beginning, each character was established with certain flaws that they needed to grow from.
For Moomintroll, throughout season 1, we see him struggle with his father's expectations. He never quite makes his own decisions—either doing what he's told or what other people in his life would do. In the last episode of the season, Midwinter Ancestor, Moomintroll is told by Too-Tikky to not open the closet door. Going against her wishes, he does so anyway. This is the first instance of Moomintroll making a decision for himself. In the end, it was a bad decision, and he regretted it, but it still was a big moment. We understand the importance of this journey when he changes out the picture by his bedside table. It was a baby photo with his parents; now, it's a photo of Moomintroll fully grown. This was meant to denote a journey of independence.
We see him continue with this struggle in season 2. The Hobgoblin's hat adds to the internalized identity crisis. During the lighthouse arc, Moomintroll is mostly doing his own thing, somewhat. Although, I think that cutting out his glade from the book sort of hurt this theme of independence. I hoped that they would revisit that somehow, but they never did. In season 3, Lonely Mountain, we see a sort of regression with Moomintroll. (Ignore how this affected Snufkin, I'll come back to this later.) When Moomintroll unpacks his things, we see a collection of items that represent Moomintroll's past. One of these items was the old baby picture. Aside from this episode, we don't see any notable growth from Moomintroll this season.
In season 4, we watch Moomintroll fall right back into his father's shadow. He continues to struggle to carve his own path. The set up for Comet in Moominland was promising, but ultimately did not deliver. When Moomintroll goes against his friends to make a decision for himself, it turns out to be a bad decision that he regrets later, and someone else has to guide him out of the situation.
Moomintroll ends from the same place he started as a character. All growth is erased and ignored. While this is the most egregious example—with him being the protagonist—he is not the only character that this happens with.
Snufkin probably upsets me the most, as he had so much potential to be the most interesting character in the series. In season 1, The Spring Tune, we see where Snufkin is starting as far as his strengths and flaws go. What particularly intrigued me was his relationship to attachment. We see that Snufkin ultimately fears abandonment, and he copes with this in conflicting ways. He wants to be with Moomintroll out of fear of being left behind, but he is afraid that he feels this way. He tries to create distance between him and Moomintroll in an attempt to ease what he experiences as pain. This is demonstrated further in the next episode, The Last Dragon in the World, when he frees the dragon. We see his struggle with responsibility and commitment in Snufkin and the Park Keeper.
In season 2, The Hobgoblin's Hat, Snufkin is explaining to Moomintroll what the King's Ruby is. The ruby functions as a metaphor for love throughout the season. Moomintroll imagines that the Hobgoblin must love this ruby, while Snufkin argues that he only wants to possess it. While both may be correct in their own ways, they fail to understand each other. As a result, Snufkin decides to leave Moomintroll out of fear of being possessed himself under the false pretense that he is helping with the hat (he did not). We never visit this plot point again.
Snufkin has some large developments in season 3. In the Lonely Mountain, we see Snufkin break down his walls and let Moomintroll in. He acknowledges his responsibility to him and his longing to see him. Unfortunately, this aspect of his character is completely abandoned in season 4.
Back to season 1, Snufkin and the Park Keeper, we get a flashback in which Snufkin is enjoying a party with Moomintroll until he is overwhelmed by the presence of others. He winds up abandoning Moomintroll and the valley. He does this again in season 2, The Hobgoblin's Hat, as discussed above. In season 3, Snufkin and the Fairground, Snufkin chooses not to abandon his responsibility to Moomintroll or the valley. When faced with an uncomfortable challenge, he chooses to stay and support Moomintroll.
In season 4, The Great Cold, when faced with a crowded challenge, Snufkin abandons Moomintroll again. While he appears later in the episode, it felt disingenuous to me. The original problem had already been solved. In Comet in Moominvalley, Snufkin does not abandon Moomintroll. In fact, he makes an active effort to stay by his side. But it feels strange, almost undeserved? We saw so little of Snufkin this season, and when we did, he spent his screen time backtracking his progress.
In season 3, Lonely Mountain, Snufkin has a small monologue about listening to the campfire as the sparks dance and fly. Well, the whole episode was about listening. Anyway, that was a call back to the season 1 episode, The Invisible Child, in which Too-Tikky tells Moomintroll that there are many lost souls in Moominvalley that needed to be heard. The screen then cut to Snufkin leaving the valley. It would have been really cool to find out what that meant!
His abandonment issues never really get addressed. Refusing to let Snufkin meet his father was just baiting the audience. It was also just bad writing! What's his deal—where's his lore?? Who made him like this? Why is he so afraid of intimacy? Why are basic fundamental questions about this main character being left unanswered?
It really is disappointing. Every adaptation (and the books, if we're being honest) treat Snufkin like a stoic hero. He doesn't want to be looked up to, yet he's always painted as a character that you should. This is the first adaptation that gave him flaws. He felt like a character that needed growth and time. He was never given either.
I won't spend so much time on Snorkmaiden, even though she was robbed, too. She never grew to be more independent apart from Moomintroll. In the same vein as Moomintroll and Snufkin, her character ends exactly the way she started. All of her character growth vanished in seasons 3 and 4. I love this version of Snorkmaiden. I certainly prefer it to her other portrayals. But the writers screwed her over so bad, it's heartbreaking.
None of the characters actually learn or change. Everyone sort of becomes a static character, which makes any semblance of a plot impossible to write. For the fun of it, I will try to decode a plot, anyway.
So, you're not crazy. Moomintroll and Snufkin were set up to be endgame. There was a way to make Moomintroll and Snorkmaiden endgame in a satisfying way, but the writers chose against it. It's a very suspicious backtracking that reeks of queerbaiting, but let me explain the narrative romance angles first.
I feel unsatisfied with the ending Moomintroll and Snorkmaiden got. Throughout seasons 1 and 2, they would frequently lie for each other's approval, and jealousy was a common player. They would ignore each other when someone more interesting came along. Ultimately, what led to the break up in season 2, Farwell Snorkmaiden, was the understanding that Snorkmaiden was just more mature than Moomintroll. In her own way, she was ready for a serious committed relationship, and Moomintroll was not.
However, there was never a formal conversation of them getting back together. They just sort of were? And all of the problems in their relationship were never resolved. They still lied to each other and ignored one another for something shinier all the time. It was irritating. These two became no better than Sniff in the end. I'm standing on business with that.
I'm also not convinced that Moomintroll and Snorkmaiden can have a healthy relationship after the finale. They will definitely break up again. They haven't resolved any of the issues that led to their original break.
Okay, so Moomintroll and Snufkin. Let's chat about that for a while. The first three episodes establish Moomintroll, Snufkin, and their relationship together (in that order). We, as viewers, are led to believe that their relationship (either romantic or platonic) is the key to understanding the story. Throughout seasons 1 and 2, every single motif for love (lanterns, fires, the ruby, etc.) that is introduced is done with Moomintroll and Snufkin. Regardless, different expressions of love and intimacy were the focal point of the show. That was almost completely abandoned in seasons 3 and 4. While turning the focus on the greater community could have added depth, it ultimately detracted from the close personal relationships that were driving the narrative.
So, the Groke. She does not just represent fear, she is a reflection of each character's own fears. I loved this! I thought it was a really cool concept, and the ways that she was portrayed in seasons 1 and 2 were excellent. Here's the thing. In her introduction in season 1, Night of the Groke, we are also introduced to lanterns/fires as a motif about love. The Groke is chasing love and craves acceptance. It's not quite something you can catch, and trying to is a failed endeavor. Brilliant episode. We saw what Snufkin's greatest fear was earlier in the season (loving Moomintroll), but we needed to pay more attention to see Moomintroll's fear. I think it was complex. On one hand, with the lanterns, Moomintroll could also be afraid to love Snufkin. However, as we saw at the end of Moomintroll and the Seahorses, he needs to learn independence before he can love someone. This was also reinforced through Snorkmaiden in Farwell Snorkmaiden. The fires and lanterns were constant reoccurring motifs (not just for Moomintroll and Snufkin, though that's where the focus is right now). Rewatch the season 3 episode, Lonely Mountain, and that one monologue that Snufkin gives will start to make sense.
By abandoning these important motifs, the Groke's conclusion feels unfinished. It just felt wrong. In the end, she did just represent fear. This completely erased the layer of depth that she had to start.
For Moomintroll to learn to be more independent and self-reliant, he needed to learn from Snufkin. For Snufkin to learn to accept love and responsibility, he needed to learn from Moomintroll. They were the keys to each other's growth. When they were together, the plot moved. When they weren't, the episodes felt like filler for the most part.
Also, small detail, despite the change in one photo (the baby photo to grown Moomintroll) the photo with Moomintroll and Snufkin never changed. Which narratively makes no sense.
The writers originally set this up for them to be romantically involved. Which, given the context of their dynamic in the books and comics, makes sense. It's not as much of a stretch as people are trying to gaslight themselves into believing. These characters were originally heavily queer coded. However, the original text is sort of a tragedy. No matter what happened, Moomintroll and Snufkin could never truly be together—no matter how much they tried. This mirrored Tove Jansson's relationship to her first fiance Atos Wirtanen as well as her relationship to her own queerness. However, it looked like Moominvalley wanted something different. Queer people had enough tragic stories told already. This one would tell queer kids that it was going to be okay, and that they were going to find love. Tove Jansson's original message about love and freedom was finally going to be understood.
Instead, not only was this potentially beautiful story abandoned, it was mocked. In the season 4 episode, Midsummer Meddling, there was a scene I found quite shocking. Sniff had convinced himself that he was to fall in love with somebody. One of his "love interests" was a male scarecrow. This is the only openly queer semblance of romance that we got and it was played off as a joke. In the final season. They didn't even backtrack Moomintroll and Snufkin, they just completely ignored everything that was set up.
In the final episode, Comet in Moominland, there was an incredibly brief exchange between Moomintroll and Snufkin about who looked up to who. This would have been a fantastic place to give these characters some sort of conclusion, but we don't get that. In all of the 45 minute special, the characters are never prioritized. In the whole season, even. Really, not a single character got a satisfying conclusion, but Moomintroll and Snufkin were the most important.
This is a powerful and historic piece of queer media. Tove Jansson's queer legacy was so iconic that she was directly cited as an influence in the legalization of same sex marriage in Finland. Her work proved to further the queer community. Despite sodomy laws and fear of incarceration, Jansson continued to do what she could to tell her own queer story. That is what Moomin is. That is its legacy.
I was prepared to defend Gutsy if Snufmin didn't go canon. At the end of the day, it's usually TV execs threatening to pull the whole show off the air. The show was too costly to risk any interesting writing. However, the writers didn't recover, and some of the writing just felt downright melicious at times.
Anyway, if you love slice-of-life content, you probably loved this season and the show's conclusion. It is such a shame that the creators promised something completely different from what the show turned out to be. It's no surprise that viewers are disappointed.
I do have one more thing to say ☝️😀. This is going to hurt Moomin's mission to expand to the US. It's been very obvious that they have been trying to expand to North America. Brave and bold writing would have caught the attention of new viewers. Instead, few Americans are going to recommend this show to others. Aside from that, the next logical move is to make an American adaptation. Good luck trying to find a competent YA cartoon creator that won't threaten to walk off the project if they can't have Snufmin. That being said, they'll have better luck making that canon here anyway. (Everybody say, "thank you Rebecca Sugar and Pendleton Ward.")
Well, in the end, I don't think the fight to make Snufmin a real, transparent queer story ends with Moominvalley. I can say, though, that the prioritization of profit over respect and love for others is not at all what Tove Jansson would have wanted.
Seasons 1 and 2 were peak, and season 3, episode 8, was batshit insane. That is all.
#this took me several hours to type out#but im glad i did#i feel like theres so much more to talk about#and theres so many more episodes i can rant about#but i more so want to hear what other people think#homophobia won today#and so did bad writing#sad!#thoughts of dante#moomin#moominvalley#moominvalley season 4#side tangent#the joxter having a song called you keep me warm when we already have a motif about fires and warmth and love#and then we dont do anything with that#they barely did anything narratively with the joxter#i love him so much and i love his voice actor#but hes really representative of the greater problem with that season#huge missed potential#hes there for three total episodes but does not add to a single characters development and least of all the overall plot#maybe ill make a separate post and the motifs and how they were completely abandoned in season 4
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I think the reason that MTMTE remains the most defining, influential, and loved series in the IDW1 run is fundamentally because, despite its many flaws, MTMTE has the power to make you think and wonder about the world beyond what's shown on the page. The character relationships are so strongly developed that it's easy to care about the characters and easy to imagine further adventures they could go on. While the myriad dropped plotlines, underwritten/underutilized characters, and worldbuilding with weird implications are all fucking maddening at times... even if it makes you mad, MTMTE makes you mad because you care and it makes you want to immerse yourself into a world that feels like it's real beyond what's explicitly shown to you on the page. It's a sandbox of a story where there's so much fertile ground for pretty much anyone with any preferred character archetype, storyline, etc to dig in.
It's just... immersive. That's the best way I can put it. It feels like it could be real and it makes you want to spend more time in it than the constraints JRO had. It makes you want to know more about it and come up with theories on how/why things function or happen the way they do. That's why it's loved and that's why it's the best series in IDW1.
#squiggposting#the intense focus on character and heart ties into a post on here that said something like#a story with good characters but a bad plot can still be good bc at least you care about the characters#and a story with a good plot but boring characters sucks because you don't care#and i think that's why like. despite barber having ideas (sometimes storylines) of comparable weight to mtmte his shit isn't as widely read#crossovers aside it's bc barber focuses on plot and The Message to the detriment of individual characters and that's why it's a drag to rea#no time is taken to explore side stories or implications. character relationships are underdeveloped or crammed into the margins#or like there's maybe 3 characters that are developed and one of them is arcee (bless btw that's good shit)#when JRO's writing sucks it makes me go 'he could've done X Y or Z. you know what I feel like writing it myself'#when barber's writing sucks it makes me go 'why did i even bother getting invested in this when nothing matters in canon'#or 'was this written to actively spite me as the reader' or 'this is so stupid i literally don't know how i'd fix it'#unfortunately after like 2 years of coping im forced to admit that MTMTE is indeed the best series in idw1 and there's literally no contest#you can't even call it overrated the way ppl focus exclusively on it bc mtmte literally is as good as ppl say it is. better even
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literally when has another ship given as much as bakudeku has. when has another ship encompassed so many tropes all at once while also having the relationship develop the way it has???? sometimes i’m just like dumbfounding by the depth that exists between them like they’re not just childhood friends, they’re not just rivals to lovers they’re not just starcrossed they’re not just punk x nerd or jock x jock or nerd x nerd or whatever the fuck they’ve gone from best friends to broken to fixed to i would die for you x i would kill for you like????? the nicknames???? the fact that katsuki has never told deku to stop calling him kacchan even when their relationship was at their lowest???? the fact that he was carrying his all might card with him the whole time???????????? the fact that izuku is so defensive he unlocked new powers multiple times because of kacchan and katsuki is so defensive he was willing to die TWICE for izuku?????? even the smaller things, all might rooting for them, aizawa saying his whole thing about how the two of them push their entire class to go above and beyond,, house arrest boys???? ohhh my goddddd like i know we all know but i can’t stop thinking about all of this all the time 😩😩😩
#i still cannot believe that the story has developed to a point where bakugou is so open and honest about his feelings#and dekus still out here ‘controling his heart’ MFER PLEASE TELL US HOW YOU FEEL IN RETURN#BOTH OF YOU SAY IT TO EACH OTHERS FACES#kacchan held izuku when izuku passed out in his arms and now izuku is holding kacchan in his 😩😩#i’m sorry no shade but no other ship in mha is this multidimensional#just the depth of their individual characters combined with their history and the development of their relationship???#UCH I WILL NEVER BE OVER IT#honestly having trouble coming up with another ship in GENERAL that has this much going for them like they’re insane#being a bkdk makes you insane#me whenever someone calls them siblings: what da hell are you talking about#bakudeku#bkdk#dkbk#dekubaku#my stuff
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