#That's essentially what I'm trying to get at

[katya-1917]

This. So much this.

I'm not *quite* old enough to remember command lines as essential computer skills and buggy GUIs that weren't worth the trouble, but I've heard the stories from folks who are, and I *do* remember technology that didn't always work, and took time, and you could hear the computers thinking...

I don't necessarily have any great "under ten years old, trying to fix what you broke in an utter panic before Dad gets home" tech stories of my own, but I do remember breaking shit and having to fix it, I remember getting into settings menus the adults around me didn't know existed and changing shit, I remember when using a computer was fun and involved learning things about how the system worked.

I don't use Linux for any lofty ideological reasons, as much as I like to say stuff in some spaces about freedom or about how avoiding proprietary software is a good choice for the political left.

I use it because the bugginess makes me feel five years old again and reminds me of that beloved old Windows XP shitbox that I learned computer basics on, sitting on the high stool at Mum's desk, and fixing a problem and needing a terminal to do it, takes me back to a time I never lived through but still miss all the same.

So yeah, I do want to see today's little kids experimenting with technology. I missed out on the truly nightmarish world of learning tech in the 90s, and now it seems that kids not much younger than me are missing out on even what I got. Very unfortunate.

[barcaatthemoon]

chills || patri guijarro x reader ||

You really did wish that Patri would listen to you more.

"Ugh, why is it so hot?" Patri complained as she flopped back onto the bed of your hotel room. Spain could get pretty hot, but it wasn't the same heat that you had grown up around. You had assumed that Patri's time spent with you on your little road trip would be fine, but she was really starting to struggle the closer the two of you got to your hometown.

"Patri, you only just turned the air on. It takes a little while to cool the whole room down," you told her. Patri didn't listen and continued to turn the temperature down. "You probably need to change your clothes. That fabric traps in body heat, and you've been sweating a lot."

"Whatever, I'm going to take a shower," Patri told you. You sighed, turning the temperature up a bit so that Patri didn't get cold when she got out of the shower. You felt like the room was at a nice temperature, but you could tell that Patri disagreed by the way she huffed and puffed when she got out of the shower.

"Patri, what are you doing?" you asked as you watched her go for the AC again. "You don't want to turn that down right now."

"I'll be fine." It wasn't like Patri to just dismiss you. You knew that she had expected things to be cooler with the time of year. Still, she was being a bit more snappy than what you were used to.

"Patri don't set that too cool. You just got out of the shower, and you're gonna make yourself sick," you said. Patri just groaned as she flopped onto the bed, not even acknowledging you. "Patri, did you hear me?"

"Yes, and oh my god, I'll be fine," Patri grumbled. You forced yourself to stay calm and ignore her for the time being. You started watching whatever crime show was being marathoned on the TV while Patri watched game highlights on her phone and texted her teammates.

You weren't sure how long had passed before Patri eventually just fell asleep. You were pretty tired as well, but you waited until after you turned the AC off to take your shower. Patri didn't stir, only moving to cuddle with you after you'd gotten back into bed. It was as she began to snore a little that you realized that she was starting to get sick.

To anybody else, it would have seemed like nothing, but you knew Patri didn't snore. The only time she ever snored was when she was sick. You hated that you were right and wouldn't even be able rub it in her face because Patri was absolutely awful whenever she got sick. You loved her, but she turned into the absolute biggest crybaby whenever she came down with a common cold.

…

"Amor? Mi amor, please wake up," Patri whined. You had no idea what time it was, but you could clearly see that it was still dark. Patri was pushing at your shoulder and shaking you out of your slumber.

"Patri stop, I'm trying to sleep," you told her. Your words were slightly muffled, but you knew that Patri heard you.

"Mi amor, I don't feel good. Will you go get me some medicine please?" You didn't have to look at Patri to know that she was pouting at you. Grumbling and muttering angrily under your breath, you shuffled out of bed. "Oh, and something to drink."

"Oh no, I'll be fine. It's too hot, I have to make our room feel like Antartica. Don't tell me what to do, I know what's best. I don't care that I'm wet, it needs to be practically freezing or I'll throw a hissy fit," you muttered as you made your way out of the hotel room. You continued on your rant as you went out to the car. Patri texted you a little list of things that she wanted from the store, but you only really grabbed the essentials.

You grabbed a couple of things for yourself, mainly snacks because you knew Patri wouldn't let you get away for the rest of the day. She seemed to always need twice as much affection as usual whenever she was sick. You knew it was because you wouldn't kiss her, so she tried to make up for it by holding you with a death grip in her arms for most of the day. It was a struggle to get her to let you go long enough to use the bathroom most of the time.

"Did you seriously turn the AC on again?" You felt like you were gonig to lose your mind with Patri. "How the hell do you think that you got sick?"

"I ate that chicken tender off of the floor of your car," Patri guessed. You had momentarily forgotten about that and the small argument that had come from it. In all honesty, it could have been a mix of things, but you were pretty certain that it was from the shower incident.

"No because if that was the case, I'd be sick too. I am not, and that's because I didn't freeze myself half to death after taking a shower," you said. Patri pouted, ready to rant about you being mean to her while she was sick. "I know that it's the morning, but you're taking the PM medicine and we are going back to sleep."

"But I wanted a cup of coffee," Patri tried to tell you. You weren't having any of it. You got her the pills she needed and opened her drink for her as you climbed back into bed. "Thank you for taking care of me."

"You're welcome, now close your eyes and don't wake me up unless you're actively dying until 9," you told her. Patri let out a sad sigh as you turned your back to her. "I can't kiss you, you're sick."

"But then I can take care of you," Patri said sweetly. "You love it when I take care of you when you're sick."

"Baby, I have to be healthy to get us through this trip. I promise that once you're better, you'll get all of the kisses that you want," you told her. Patri seemed happy with that as she took the position of big spoon. You hadn't planned on spooning with her, but it was definitely a happily welcomed surprise.

[xaverie]

So. I love Evan Kelmp. And - imagine that I'm trying to choose my words carefully here.

I've been getting annoyed with him over the last three episodes. Because. I don't like how he tends to impose his beliefs. About what is correct and should happen. On the other characters. And our Black characters, specifically. Which. Was really put on clear display by his interaction with The Qohlye.

Evan seeks to be understood. But I don't think he has.. put in the required effort to reach that same level of understanding with his friends, or in general. Perhaps because they haven't said things in the exact way that he needs to hear them. But he behaves as though he does understand, even though I personally think. That there are things he's missing.

The treehouse conversation. Lots of people seem to get and relate to Evan's side of the convo, which is fantastic! But not as deep an understanding of Jammer's side. Evan decides that the correct thing is for Jammer to come out not hide his magical experiences. He jumps to a few conclusions about the reason - first that maybe Jammer was ashamed, then that he wasn't confident it would go well.

Instead of asking for clarification about what "They need me to be Whitney, you guys need me to be Jammer" means, he had made up his mind. Evan likes that Jammer is magic because that is the way in which Evan feels most connected to Jammer, thus everyone should admire Jammer for his magical abilities the way Evan does. And if Jammer hasn't allowed for that it's some kind of rebuke of Evan, of magic, and of Jammer's own self. Therefore the only correct thing is to merge these identities, but really just be the Jammer that Evan knows.

And I'm not saying Evan is wrong here. But in the same way he's missing the fact that Jammer did try to expose his magic in S2E1, but he couldn't prove it because magic is fucking broken. He's also missing how naturally we, as Black people, fall into code switching. Not just historically as a method of survival, but for practical reasons, privacy reasons, or just to keep our peace. To treat that unilaterally as the same thing as a kind of toxic compartmentalization, or hiding the true self (all of them are true selves), was. Kinda. Sad to me.

Not to take away from Jammer's triumphant success on Galamanis or the freedom represented by growing wings, because this is what he chose and I love that he made those choices. But it also represents potentially giving up fitting into his mundane life and dream career, something he had fought so so hard to keep thus far, and destroying 'Whitney'. This, more than anything before it, might be a fundamental shift in identity.

The same way it made me a little bit sad that Evan had assumed Jammer didn't mean "family" literally, when I immediately recognized that of course he did. There has never been a point in American history where part of being Black and being family hasn't meant - we may have to be apart, but as soon I'm ready (as soon as we're safe), I'm coming back for you, no matter what. It is THE very first promise, the foundational truth, or the only thread of hope that tied so many Black families together through all these generations.

So while everyone recognizes what a sweet moment it was, I also hope people feel the gravity and the history behind "I dream of making that space for you." And the weight of how many people must have said that before him. And what a profound act of love it's always been because sometimes that's all we have.

When Evan tells Sam, "I think you are the most powerful wizard," she instantly replies, "I hope not." Evan's response to this was essentially - who were are is true whether we want it to be or not. Which, to be fair, is both consistent with what he expressed to Jammer and with his own experience. What it leaves out is that our hopes are also who we are. And that maybe the same way he mistook her love toward him for general gregariousness, he is still misunderstanding her a little.

While he deferred to Sam on the matter of whether they should pursue the Qohlye or not, I think it was still Evan's (or Brennan's) idea that not only must all four of them be chosen, but that The Qohlye must be the best choice for Sam.

When the Qohlye says 'I think you're only here because you're convinced you need to be the same as your friends,' is he wrong? When he asks why she needs to be chosen by his magic specifically, she can't answer on her own. When Sam was given the choice between Power and Understanding she immediately chose understanding because of COURSE she did. (She instantly replies, "I hope not." I hope not. My heart breaks.)

And yet. Evan insists that she's given the power anyway. Because that's what fits neatly into what he already believes is correct and should happen. He believes in winning and rewards. He believes she deserves that power and that they need it. So even though I know he does this out of love, he doesn't even consider for a moment that he might be wrong.

Because Sam does get the power, she does thank him, and again not to diminish Sam's accomplishment - once again Evan gets what he wants and is proven right.

Except.

When The Qohlye doesn't give him the answers he wants in the exact form that he demands them. Evan decides that this is a crime for which The Qohlye deserves to die. The Qohlye, who helped return him to life. Who has a strong connection to his friends. (Who chose to be Black, which meant so much to Jammer that he cried.) Who asked each of his friends, in turn, if they thought The Qohlye meant what Evan thought he meant. Who demonstrated that he is not (and cannot be) obfuscating something that is apparently obvious to everyone else.

Evan refuses to accept that yes, The Qohlye can give him information, but cannot understand it for him. And Evan is not ready to Understand because Evan keeps choosing Power. Understanding takes work, even (or especially) when it doesn't come naturally to you. And answers will not always come in a clear and concise way. And this makes him so angry that he wants The Qohlye dead.

While Evan always presents his beliefs and demands as logical and rational, his reaction to The Qohlye's refusal to engage on his terms was simply entitled and immature.

[rootspiral]

Agatha All Along deep dive: episode 3 part 3

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2])

lilia: falling through time, desperately trying to help alice

agatha: bitch I'm trying to save myself!!!!! oh she's so awkward when she thinks lilia's going mad. she's a moment away from grabbing a broom and going there, there like in that 30 rock scene

I know they had a relatively low budget for this show and it was such a blessing in disguise. they invested in great sets and instead of cgi they relied on classic cinema tricks that I find so satisfying?? Idk if it's just nostalgia talking. here they simply move the camera away for a moment, lower the lights and move the actor in position, and it makes for an amazing jumpscare.

baby lilia asking 'vuoi vedere?' do you want to see? because it is a choice for lilia. for a long time she chose not to use her gift- she was simply too powerful, she saw too much, and the knowledge of the future scarred her and made her an outcast among others

alice's smile at seeing a vision of her mom T-T

why inconvenient? what was jen doing? she was an obstetrician and midwife. she was helping women out with herbs and pagan knowledge passed down from mother to daughter. Back in the day midwives were struggling to get their skills recognized in an increasingly male dominated field, they were advocating alternative treatments for women constantly humiliated by condescending modern doctors - from forced bed rest to insane asylums to lobotomy in worst case scenarios. think Charlotte Perkins Gilman's short story, The Yellow Wallpaper. think about everything that happened to Virginia Woolf.

we know that alice was a teenager when lorna died in a fire. she wasn't well, alice says, and we see now that she had a drinking problem. it's equally possible that the demon got to her or that she set herself on fire out of desperation. and if lorna could feel her own mother dying, alice could too.

daang great zombie makeup on the teacher lady

lilia when her incredible abilities made her able to see Death: burdened by knowledge way beyond the scope of humanity she goes into exile

agatha when her incredible abilities made her able to see Death: you know what I'm gonna tap that

I saw people saying that because the Road wasn't real nothing that happened in the show mattered, that they all died for nothing. I disagree completely, and not only because Billy's chaos magic is so astonishingly powerful that he can create a functional Road out of thin air. like, it wasn't a trick, he made it real. But more importantly, what happened to these women, their experiences, their growth on the Road is real. Even if Billy didn't do it on purpose, even if it's fucked up that a teenager can essentially go, you know what would be cool? if they all experienced their deepest trauma! but that's the point, that's the point, that's the whole damn point of the show. life is chaos and nonsense and heartbreak, it's up to you to find a meaning where there isn't any. look at lilia! the lesson is not that you're going to die, but what you choose to do with the cards that you're dealt, with the time that you're given.

while Patti clearly has an american accent, she is speaking correct sicilian, tutti morti su' - they could have had her talk in italian and hardly anyone would have noticed, but they went above and beyond with the details. the latin in the show is also rather impressive, like they actually hired experts rather than relying on google translate

agatha has gotten too used to run leaving a pile of bodies behind. not so easy to consider them just food when you have to live alongside them and witness their feelings, is it?? first wanda and now this!

@perpetualanon pointed out yesterday that agatha also had selfish reasons for wanting to save billy, i.e. she didn't want to risk him being poisoned because who knows what horrors a hallucinating billy could create. Yes! exactly that! it's always worth saying that when agatha has these fleeting moments of compassion and altruism it's in the context of a whole lotta selfishness. i think of her as that drawing of Stitch's badness level, her whole body is almost filled to the brim with awfulness and there's only a thin layer of goodness that she's constantly trying to smother. her actions on the Road are almost entirely selfish, but for the first time in centuries she's surrounded by people, like Lilia here and Jen and Alice and especially Billy, who are accidentally nurturing her almost atrophied good side. and lemme tell you she's pissed about it!

of course these two don't know what a sous vide is, one is dirt poor and the other eats people.

I'm gonna take a stand for zoomers here, he might have never learned what counterclockwise means, but millennials like me would also have hesitated and tried to picture it in our minds. because a lot of us lack spacial intelligence and are generally rather dumb

the shock and terror on her face when she hears nicky crying

another great special effect achieved only with lights and the cast shuffling out of frame

they show the darkhold because they need to mislead viewers and can't give nicky's story away just yet, but doesn't it make sense that agatha would see it? all these centuries blaming rio, and deep down agatha is haunted not by Death, but by her own actions and choices. the way she kept Nicky isolated and unsafe. the way she insulted his memory by going on killing sprees instead of letting herself mourn. the way she used the darkhold to corrupt her soul more and more, because she was never brave enough to confront her guilt.

kathryn hahn really said, do you want Emotional Devastation???? do you wanna see a woman SUFFER? do you want your heart put through a blender??? I can do that in TWO seconds

agatha wants to NOT DIE so badly that she has to drop the clown act and give jen a proper pep talk. because she knows what makes people tick and she can uplift just as well as she can destroy, she can help jen because she knows her so well. there's always that potential there, all of agatha's talent and her intelligence and experience could shape her into a great mother and sister in a coven. a potential that evanora refused to see and that will likely never be fulfilled.

and the irony, the irony of never wanting to hurt jen, to deliberately avoid going after her - because she's a midwife. because nicky was stillborn, because she had to give birth alone in the woods. agatha believes with all her heart that jen's work is fundamentally good and important. and yet she was the one who bound and tortured and violated her. she was so fucking focused on herself that she didn't even realize she was tramping and destroying everything in her path like a mad steamroller. she allied with the enemy, she went against her community's best interests. there's a lot to think about there, I really want to explore it more

patti during that hot ones episode

NOW YOU GUYS REMEMBER HER. and of course it's alice who does

your internalized stereotypes are really testing lilia's patience, billy (and while they consider the oven sharon is writhing and dying on the table)

how it started: jen pushing lilia out of the way

how it ended: "you are my sister in the craft" 🥲

I love you patti lupone

alice is strong! alice is noble! alice is pure of heart!

gee i wonder why

they had to add a goonies poster in billy's room because of this scene, but i guess disney didn't want to buy the copyright so the poster says "the goofballs"

agatha shoving everyone and then kicking jen twice for good measure

my guilty pleasure is watching reactors on youtube (don't judge) and everyone, everyone had my same reaction to sharon's death: she is not really dead. it was too unceremonious, too sudden. you cannot have debra jo rupp unconscious for half an episode and then get rid of her like that, she's too talented, too funny, how can they keep the humor up without her? if sharon is gone they don't want to watch anymore! no, they're gonna bring her back for sure, they're witches, they're going to find a way.

And then Alice dies, and it's unfair, it's too sad, she just had her big victory! that doesn't sit right with you, that the writers would do her so dirty. And then Lilia dies.

Wanda said it from the very beginning: we cannot reverse death, no matter how sad it makes us. Some things are forever. Sharon's death was horrible and uncomfortable and senseless on purpose, because these shows are about the exploration of grief. How can you make peace with the impossible? How can you reconcile yourself with a nice fun lady dying after losing her last shred of agency, scared and alone and forgotten? Didn't she deserve so much more than being just a casualty of witchfolk drama? And how can you reconcile yourself with someone as good and as wonderful as Alice dying in such a cruel way? What about the death of a parent? of a spouse? of a child? What about your own death, as inevitable and inescapable as your birth?

I'm posting this one early cos I didn't sleep last night and I wanna take a nap now 🥲 when I'm tired i ramble, I knew that already. sorry-y!

we get to episode four tomorrow, and y'all know what, or rather WHO, that means!

go to episode 4 part 1

[unpopularly-opinionated]

I can respect that. I myself often struggle with simply existing in between what is and what should be. Ideally yes, the presidency shouldn't be decided based on who is better at selling snake oil, but that's also the reality we live in. So the question becomes: "Do we stoop to the level of making our candidate a showman/woman over an intellectual, or do we keep pushing the intellectual and hope it works one day?" And mind you, I'm using "intellectual" as more of a personality identifier than a compliment. An intellectual can have dumb as rock takes, so long as they talk smartly, they're going to come across as "intellectual". But this isn't an exact science, just my own thoughts on it, I suppose. Don't take this binary too seriously, I sure don't.

My take on why Kamala lost is somewhat of a long one. Since I feel this element of it is all but guaranteed to get me sidetracked, I'll push past the business about how she was unfairly thrust upon us as a candidate, thus proving the primaries are essentially "rigged" and pointless (at least as far as the DNC goes, but for all I know, the RNC could be the same. I'm not a Republican so I couldn't say really). This is a big reason against her though, so it shouldn't be ignored. There was no hand-waving this issue away, and we can sit here and discuss what alternatives did or didn't exist until we're blue in the face, but as I said, that would sidetrack us.

Beyond that, I believe her biggest issue is one that the Democrats have had for years now and that's just a blanket assumption that Dems will just "Vote Blue No Matter Who", the idiotic phrase I will argue against until the day I die it seems. This is most evident by her inability to work her own base to vote for her, and instead she's out parading around Liz Cheney in some feeble-minded attempt to try and win over people who do not want to vote for her.

I mean she had 7,000,000+ less people vote for her than Biden, meanwhile Trump has gained 13,000,000+ since 2016. We consistently hear about how "if everyone who didn't vote voted, statistically most of them would vote Democrat" and yet it never seems to click with Democrats that they should be currying favor from non-voters as opposed to Republican voters. I don't understand why they're so insistent on trying to flip voters when there are tons of undeclared votes just sitting there. There were around 90,000,000 people who didn't vote. Even just a few million of those in the right states would've won her the election.

And to jump back to my point about trying to flip votes, they don't even do that right either, not that there's much hope of it working to begin with. They send out completely mixed messages like sending Liz Cheney out to campaign with Kamala, indicating that yes, even some Republicans are voting for her, while simultaneously telling you that if you don't vote for her, you're an idiot, uneducated, etc.

Like I know this sounds obnoxious, but I also fail to see how it isn't just common sense. You can believe in your heart of hearts that Republicans are dumb backwater hillbilly hicks all you'd like, but when you're in the midst of an election and for some idiotic reason your candidate is trying to appeal to those dumb backwater hillbilly hicks, perhaps you should reserve your opinions of them until after the election. When applying for a job, maybe you shouldn't call the guy interviewing you a dumbass until after you've left the interview, even if he was in fact a dumbass.

I also disagree with the sentiment that Republicans are the only ones voting based on emotion. Did you not hear Democrats leading into, and post-election? They genuinely believe the end of the world was at stake. Republicans may have voted on the hope that Trump will be their savior, but Democrats voted on the fear that Trump would be their doom. Fear is just as much an irrational emotion as hope is.

To summarize because I feel like I probably didn't get my point across too clearly:

Forced on us as our candidate, completely disregarding democracy, proving once and for all the primaries are pointless and it's all rigged.

Blanket assumption that Democrats will vote Democrat regardless of candidate, their platform, or the way they run their campaign.

Complete disregard of their own base, in favor of flipping votes.

In addition to the last point, would rather fail to flip votes than work on getting any of the millions of non-voters involved.

Indecisive attitudes of "we are better than you, Republicans" but also "please vote for us, Republicans".

Scapegoating minorities not voting for them as why they didn't win, on top of just in general lacking understanding as to why they didn't win.

The entire DNC needs to be ripped up from the roots and replaced.

[ashprince-of-bel-air]

Little Dove

I'm hoping to make more than one part as I am getting brain rot for Caracalla now as well as Geta. This is just to set up the tension. @byronking as promised

Part two

Life in the Roman court was tedious, surrounded by withered old men talking about politics that would never affect them, having to smile and fetch them some wine whenever they asked.

Your father started bringing you into court a few moons ago, he told you it was to satisfy your thirst for knowledge, yet after the first few meetings where all he did was introduce you widows and wifeless men, you knew what you were really here for. You were to be essentially sold off to the highest bidder, whoever could grant your father the highest position in the Roman court.

Luckily for you your mind was sharp, where your brother's got to wield a sword you were able to wield your mind. The senators did not want a smart woman, they wanted a loyal servant who they could use as a fuck pig to breed as many heirs as possible. Your intelligence threw off many men, you could see the way they screwed up their faces as you questioned their politics and their theories.

Your father was not happy with your antics, he could see what ypu were doing, even if you tried to play stupid about it at home, yet he had no proof to punish you with, all he could do was keep dragging you to court, forcing you to mingle or even on occasion be the cup bearer and pour wine for men who considered you a second class citizen.

Court was due again today, this was a particularly special one as the emperors would be in attendance as it was nearing an election for new sensors. Your father had specificaly warned you today to be on your best behaviour, that just meant no arguing with anyone. An eye roll as his back was turned is all you responded with, you never sought out the arguments, it was the senators fault for probing your for your opinions.

As ever it was a dull affair, once again as the wine bearer you had to walk around the table filling the cups of lecherous old men that probably couldn't satisfy you even if they tried. You held a smile on you face and kept quiet as you felt your father's gaze on you, waiting for the Emperors to finally arrive.

You were stood quietly in the corner, wine jug in hand when the doors swung open, watching the two figures walk forth. This was the first time you had been this close to the Emperors, you had seen them at the games in their podium but this was different, you would pour them wine and be within touching distance, it made you nervous, scared that you would overfill their cups and be target to their wrath.

The twin emperors took their seats at the head of the table, the tension between them was thick, you could sense that neither wanted the other one there, resenting that they had to share their title. Geta was tall and imposing, clearly trying the be the leader of the two of them, you knew many a girl back home who had dreams about him, fantasies of being his wife. Yet your gaze lingered elsewhere.

The smaller of the two is where your gaze lied, upon Caracalla. He was less imposing yet something drew your gaze to him, it was like magnetism, you could not look away. Caracalla sat there next to his brother, looking no less regal in his golden attire, what did make you smile was the monkey upon his shoulder ruffling up his hair. It was a cute display and the confidence it took to sit there with a monkey making you look disheveled was something else entirely.

Time came once again for you to deploy wine for the decrepit senators sat before you, smiling your best as you did so, trying to ignore the hands that would find the small of your back as you bent forward to pour the wine, giggling at them as if it was all a joke, daring not to upset your father in front of the emperors now.

The walk around the table took some time, you were on your third pitcher of wine by now and you had not even reached the head of the table. You reached for your final pitcher as you approached the emperors, steeling yourself with a deep breath and approaching them cautiouly. Geta's goblet was the first to be filled, he barely acknowledged you, moving himself away from you as you poured his wine so he could carry on speaking down the table.

Next was Caracalla's, he had been mostly quiet this evening for some reason, little did you know it was because he had been watching you in the corner, chuckling at every eye roll you made hearing the senators speak. You bent forth to fill his glass when the monkey upon his shoulder jumped onto your back. You gasped slightly before giggling as she started playing with your hair, picking it up and placing your long locks over her own head pretending to be you.

"You'll have to excuse Dundus my lady, she has always been a cheeky one" Caracalla spoke softly to you, enjoying the joyous display and the smile upon your face as Dundus climbed over your shoulders. You lifted your hand to hold the monkeys own and guided her back to Caracalla with a genuine grin plastered over your face.

"Not to worry my emperor, it is a fine delight from this boring affair" Your statement caught his attention, as did your eye roll that you did not mean to do, it had been a boring affair but never had a woman noticed or cared to comment as such. He held his hand out and took one of your own in his heavy jewelled hands, cradling it as he spoke to you. "And what might your name be my little dove" he spoke as he looked you up and down, the name little dove making your heart flutter and almost rendering you speechless as you looked at him, taking in his handsome form, trying not to be affected by his smile.

This interaction caused you to blush somewhat, unable to refuse eye contact with the emperor you could not hide it from him. "My name is Y/N, your majesty" you bowed slightly before him, custom normally dictated for a full curtsey however it would be impossible with your hand still held in his own, feeling it would be more offensive to remove your hand without permission.

"Well Y/N, you are a delightful change from the bore of these trivial affairs, I hope I can see more of you soon to keep me entertained" Caracalla placed a light kiss on your hand before letting you go. You could still feel the smirk against your skin as you walked away from him, the tingle of his lips lingering.

The court moved on without much incident after that, yet you both kept steeling shy glaces at one another throughout the session. Your father had noticed this, the sly man that he was and kept the information in the back of his mind, especially after he saw Caracalla speak privately to one of his guards, watching how his eyes were on your for the entire exchange. He knew something was afoot and would use it to further his favour in the senate.

[tossawary]

I can't remember if I've posted about this before, but the logistical nightmare of their situation twigs / squicks me out every time that I try to watch "Star Trek: Voyager". They have apparently lost the ENTIRE medical crew of their ship or something??? So all they have is the Hologram Doctor! The only in-universe nod to this at first is to apparently train Tom Paris in first aid as a backup???

And there's this one early episode where something goes wrong with the hologram projector, causing the Hologram Doctor to slowly physically shrink, which limits his ability to do anything. And the rest of the crew and the writing treats this as very funny and not at all urgent. And, to be fair, it IS kind of funny. He gets pretty tiny! It's funny!

But also, HOLY SHIT, your medical bay is essentially nonfunctional now, what the hell is the matter with you people??? Early "Voyager" has the crew going eagerly full-steam ahead into incredibly dangerous situations with a medical bay that has a single point of failure and no real backups, unable to contact Starfleet or reliably resupply ANYWHERE if anything goes horribly wrong. Which seems so irresponsible that it stresses me out a little, which I don't think was intentional on the part of the writers! It's a pet peeve in fiction for me that activates all my ungenerous nitpicky feelings.

And yes, of course, I understand that they want to write "Exciting Space Adventure Show!!!" and not "People Behave Extremely Cautiously: The Series". I get that.

But if I'm meant to believe that these people are space exploration professionals, I would expect... I don't know... the entire crew to be forced to undergo first aid training under the Hologram Doctor ASAP on their off-shifts due to the state of emergency??? (He would hate that. It would be so funny.) If I was on this ship and I understood that my only options for medical care in case of injury or illness were 1) a hologram whose software and hardware could be easily irreparably broken and 2) Tom Fucking Paris, then I would be stressed! That doesn't seem like good preparation for worst-case scenarios when trapped in an entirely different quadrant of the galaxy!

Like, I think someone should have been reassigned immediately FULL-TIME to undergo training as a nurse and field medic. And even if you're going to rely entirely on the Hologram Doctor, there should probably be at least one not-a-hologram person in the medical bay at all times, so they can either 1) fix the hardware or software if anything goes wrong, or 2) physically run for help in case the hardware or software breaks. Apply Murphy's Law to your procedures!

I know that the show quickly puts Kes part-time in the medical bay as well, but I think it would have seemed more responsible and could have been funny if Janeway had immediately reassigned a few ensigns to the Hologram Doctor. She could have given him some ducklings to train up!

Hologram Doctor: "Fine. It seems I have no choice but to go along with the captain's demand that I step outside my programming and... teach. What previous medical training do you have?"

Duckling #1: "I got good marks in the first aid courses at the Academy? I'm an engineer, though..."

Hologram Doctor: "Dear god. And you?"

Duckling #2: "Xenobiologist."

Hologram Doctor: "Well, that's better-"

Duckling #2: "I study plants."

Hologram Doctor: "..."

Duckling #2: "Sorry."

Hologram Doctor: "And you? I suppose you're a communications specialist or something similar, with my luck-"

Duckling #3: "I was a terrorist."

Hologram Doctor: "..."

Duckling #3: "According to Starfleet, anyway. I like 'freedom fighter'."

Hologram Doctor: "Oh. You're one of the... newcomers to the ship. Did you gain a lot of medical experience in... terrorism?"

Duckling #3: "Well, before that, I was a nurse. So, yes."

Hologram Doctor: "...I see."

Hologram Doctor: (flatly, sarcastically) "Wonderful. Just... wonderful."

You could have had some really entertaining (and potentially heartwarming) scenarios by adding in some medical interns! You'd only need one of them in the room on-shift at any given time most times (to save on actors), you could switch out ducklings with the easy excuse that one had quit or been reassigned (if actors leave or whatever), and other junior medical personnel could have given Kes some young friends. You could also have some angsty scenario where the assigned human gets injured and the broken Hologram Doctor can't help for some reason.

I think that the Hologram Doctor is a fun character and he's better when he has other people to play against, rather than being left to lonely devices in an empty medical bay.

It would also help my suspension of disbelief for it not to look like the captain doesn't really care about one of the most crucial departments of the ship, when they're stranded like this. (Tom Paris??? YOUR BACKUP PLAN IS JUST TOM PARIS??? You're going to fly into some potentially dangerous nebula in the hopes of getting stuff for coffee, when your medical bay has a single point of failure before then resting entirely on part-time field medic Tom Paris???) I feel like I'm blowing this out of proportion sometimes, all ST shows tend to have bad logistical arrangements and unsafe operating procedures, but... a fully functional medical bay seems like something that should be one of your foremost concerns after 1) life support systems, 2) food and water, 3) the engines, and so on. It seems important to have it working well before going anywhere!

This small detail twigs me EVERY time I try to watch "Voyager" and the show tries to get me to laugh at no one paying any attention to the Hologram Doctor's requests for attention and alternative arrangements. It is kind of funny! But it's funny in a "oh shit, that situation could really blow up in everyone's face" kind of way. In-universe, as one of the crew I think it would be funny in a "I have to laugh because otherwise I will cry" kind of way.

[rebouks]

Do you have any recommendations for starting a story? Yours is so good and it really inspires me to try and make one of my own but idk where to start

Hmmm a tough question! I think we all just kinda start and learn as we go? It's the best way tbh.. if you look back at the beginning of most simblr stories they've usually come a long way! Here's a couple tips that I think might be handy tho...

Maybe we could start a thread and everyone could reblog this with their own tips?! 🤩

Decide if you want to build your own lots/sets or not. If you do you'll probs wanna start off with the main places you'll use that're full of personality, like a main characters house or place of work etc. you can always download some neat lots and edit them to your liking if you're not a builder, or maybe even download a whole save file!

Start a character page (or make an intro post for em if you can't be arsed with the technicalities) - not essential but useful for you and the readers to keep track of who's who and maybe state a few facts about them etc.

Start collecting some poses and ideally rename them so they're easy to find! I personally like to add smth like [PETS] or [KISSING] etc to mine (in s4s) in conjunction with twistedmexi's pose finder to make things easier to grab.

If you use reshade/gshade, taking the time to find or create a nice preset will save you a bunch of time editing.

For the love of god if you're gonna make a bunch of extras, try and dress them in maxis clothes/hair.. I'm so SICK of having to redress everyone every time I clear out a bunch of cc skjdksj 🙈 you can always give em an extra, fancy cc outfit for specific scenes on the day but yeah, do yourself a solid where possible to save time/pain in the future. Same goes for lots you don't use often, try and limit the cc you use!

Figure out if you're a planner or not! If you can't manage without a plan it's okay to take some time before starting to figure everything out and get a detailed outline going. If you're more of a pantser (like me!) you can always just get going with a rough idea in mind and see what happens!

If you're gonna go with the flow I'd still recommend creating at least a rough outline, you don't have to stick to it like glue but it'll probs help you stay on track and I wish I'd have done this in the beginning, esp if you're gonna have a plot heavy story.

Characters > plot.. (imo!) like.. you could have a super interesting plot in mind but if no one really knows or cares about your characters it's gonna have a limited impact/amount of interest. They don't even have to be likable lmao

Give your characters some flaws! It's fun and it makes them more relatable.

Start with a small cast - not a complete must but it'll be probably be easier for people to get to know your pixels if they're aren't a million of them right off the bat. You can always add more later.

Try not to shoehorn your characters into situations they wouldn't end up in just to further the plot.. a hard one to explain and mostly based on intuition but if a scene feels boring, out of place or forced, it probably is! aka.. be willing to kill your darlings. Maybe you've already established that your character is poor or smth but have this fun idea of a road trip montage or whatever.. like you can't just give them a car and the money to drive a million miles just cos you HAVE to see that scene y'know? Maybe they're gonna have to hitch hike, get the bus, or take out a loan? Probs a bad example but hopefully you get the idea! It can sometimes be more fun to force your characters into a different situation than you imagined anyway, like maybe they meet someone really neat on the bus and they join the trip, or maybe whoever they borrowed money from gets all pissy when they can't pay em back quick enough etc etc.

Let your characters guide you - sometimes characters talk to us! You could've had a whole storyline planned for them, or a romance of whatever, but when it comes down to it, it just doesn't feel right and that's okay! Let them lead you in a different direction now n' then.

Write for you! (ugh becca stfu with this shit) I know, I know but really.. if you're not having fun, what's the point? Don't write what you think other people want and learn to be okay with cutting ideas/scenes/characters/whatever! that you aren't excited about anymore. It should never feel like a chore to create, and if it starts to feel that way, take a break or change it up!

I feel like this is super rambly and I've missed a million obvious things but my brain is mashed potato rn lmao.. pls feel free to add your own tips in a reblog or a comment - everyone has a different take on things! I think it's really important just to start and see what feels natural tho 🤸‍♀️🧡

[chasm-side]

So... when, in ALPOD, Tim says he doesn't want to be Robin, it's pretty clear to me that he's lying.

He's all like, wow, it's so cool that Dick was Robin! Was this the real costume? Whoa! Hey, haha, wouldn't it be great if I was Robin too? But that would be waaaaay too weird! Ahahaha! Crazy, right?? Can I touch the costume? It looks like it's exactly my size... Hahaha ignore me, I don't know what I'm saying! Sooooo weird, am I right??

I'm obviously exaggerating, but that was essentially what I took away from it the first time I read ALPOD, and a couple subsequent readings haven't changed my opinion. Tim is lying about his feelings about the idea of being Robin - though whether he's just lying to Alfred and Dick, or lying to himself, is a bit more of an open question.

And... I thought Tim's narrative unreliability (at least when it comes to his deep-seated desires) was a big part of what the writing and art of ALPOD were trying to convey. Sure, it might be subtext, but like... it does not seem subtle. It did not occur to me until seeing this post that other readers might actually believe Tim when he says he doesn't want to be Robin - or when he says and/or implies that he doesn't deserve it. Just because his first goal is to get Dick to take up Robin again, doesn't mean he's not thrilled when he gets to put on the suit.

the misinterpretation of a lonely place of dying by later retellings drives me nuts because ‘tim finds out who batman is’ is nearly not as much of a big deal as ‘tim doesnt want to be robin’ in the actual origin and it pretty much sums up whats wrong with modern tim drake. ALPOD is a tragic story of a twelve year old boy who had everything and willingly gave it up for a greater good. he is not like dick and jason who became robin to escape tragedy nor bruce who had everything and then lost it. robin was nothing but a curse he accepted to bear and he did so because of his selflessness. that selflessness is his driving rod, his smarts and physical talent are only the tools he uses to achieve his goals. he is not ‘the smart one’, he is a sacrificial lamb for a cause he became an unwilling spectator of. a twelve year old boy thought ‘people need saving, its that simple’ and put on the clothes a dying kid not much older than him wore because of nothing more than his selflessness and everyone he loved paid the price for it. he paid an even greater price for it.

[bengiyo]

Your Sky: It Seems I Wanted a 2gether Retread

I watched this on a whim yesterday evening and enjoyed it immensely. Not to be the Boss Baby tweet, but I enjoyed how this show set up some of the same parameters as 2gether without making key characters unlikable, or relying on mean humor.

Right off the bat they calibrated the Teerak character well. He's essentially an adorable younger brother all the time. He's clearly coddled, and requires a lot of supervision. However, they made sure to confirm that he's actually an extremely kind character, and that most of his adventures result from him maybe going too far to complete an act of kindness. This character has real potential to be annoying, and they're doing a great job with the line.

Additionally, they've given Teerak a great supporting cast around him. I liked the teamwork dynamics between Lee, Joy, and Type. I liked seeing them fulfill different roles in the group, and I'm excited to get to know them more. Teerak's relationship with Babe is also compelling; I'm excited to see what we get from a caring big sister. I especially loved their meeting the laundromat owner. I hope we see more of her, and that they continue the trend of introducing every new character with a beauty zoom.

Thomas Teetut is also doing a great job with Muenfah. He's playing this character so differently from Gun in The Middleman's Love that I didn't even recognize him right away.

Unlike with Sarawat (2gether), they didn't withhold this character's affection for Teerak for multiple episodes. Like Sarawat, they've gone for cool, aloof, and disinterested in women. I'm curious to learn how long he's had this crush, why he hasn't said anything about it, and why his brother (Lee) is keeping the confidence about it.

I also want to know whose ass he kicked years ago that created this reputation about him being leader of a gang. It's intriguing because we watched multiple people running interference on Oh's pursuit of Teerak. I was wondering at first if Teerak needed to properly reject this man, but based on Oh stealing the outdoor reservation at this restaurant, drugging Teerak's friends, and trying to fight Muenfah, I really don't like this man. They did a great job building to the reveal that Oh ain't shit. They made me feel bad for a Mike character at first, and then validated why I instinctively do not like that man's characters.

I really like the impetus for the fake dating in this one. I like that Muenfah pulled Teerak out of a dangerous situation, and also that a drunk Teerak created a major misunderstanding online from people stalking (please stop filming people in public). It's so much better than we know Muenfah has feelings for Teerak already, and has been protective of him. I'm excited to see how Teerak grows into a shared affection, and how the veneer of fake dating complicates the development of their feelings.

Also, this show is beautiful. Sarawut Chuparkpanich shows always look great. However, every single person linked on the crew has been part of projects that I think showed real potential before flopping badly before even the midpoint. I don't want to get my hopes up too much because of the track record, but damn did I really like this first episode. This is the most engaged with initial characterization I've been with a Thai BL in months, so I hope this one works out. I am still fond of 2gether, despite the missteps of that show, so I'd like to have a better version of it.

I'll pick this up as a regular watch and check in after a few weeks to let you know how I'm feeling about it. Thank you to the gifmakers!

[deerspherestudios]

Hi dear donors ! ❤️

I would like to extend my thank and gratitude for the support you have been offering over the last eleven months. ❤️☺️

My family and I have been suffering and going through the hardest days we have ever experienced in our life . Things are very hard to get and and sometimes unattainable.😭😓

Our sufferings and hardship started on the first days of the war when all our possessions were completely destroyed and burned. We have become displaced and homeless , finding ourselves in a small tent in streets with no means of life. We lack every single necessary thing of life; food, water, hygiene essentials, and other necessities have become scarce and rare.

A photo taken to show how incredibly harsh our life has become after the war. We are struggling and facing lots of barriers to obtain the simplest necessities for living. Everything single thing is a complete story.

You can't imagine what difficulties we have been going through all these days of war. No cooking gas , nor cooking tools exist . We struggle to prepare a small meal of food.

No bakeries are available. Everything seems a miracle and unbelievable.😭 The war has stolen our joy and smile, leaving us busy thinking only of staying safe and alive. Our future has gone with the wind and our kids lost their dreams and ambitions.

This is a part of burying the dead. We also face some problems in the process of buying our dead people as no place is there for the family. Tombs aren't enough for the number of people living on a small spot of land.

A photo taken for the morning queue of filling our gallons with drink water. We wait hours to get some water for drink. Our life is full of tragedy and sadness.

All what we need is to survive the war and be safe. We are trying to secure the daily basic living necessities and this can come true with your contribution and support. Please don't spare this moment of supporting the people in need in Gaza in this tough and dire time. You can help us by either donating however small it is or sharing my posts. Your support makes a big difference for families in need.

Link to donate is HERE ! 🍉Listed at #284 on the GazaVetters list. 🇵🇸 At the time I'm writing they're currently at €1,205 / €50,000.

Help the numbers keep going if you can afford it! Share if you can't!

[mad-hunts]

if barton tried hard enough, he thought, imagining himself being literally anywhere else but the warehouse right then was easy. this place was never meant to be lived in for an extended period of time after all; despite the fact that it had appliances that you might see in an every day home like a fridge.

it put him on edge instead of at ease, and it certainly didn't better barton's mood when he stayed in it either, after all. but so long as he was allowed to dream within it to some degree... it was tolerable. plus, he had company here, courtesy of nico, jack, and barton also supposed jervis counted. nico had complicated feelings towards the doctor, though, and spending time around jack whilst in it thus far gave barton an unfortunate impression; which was that his own son was made nervous by him.

and the irony of it all was, barton only gathered that because he could feel cognitive empathy towards him. something that didn't include feeling but reasoning. therefore, the hopes of him somehow patching that up with jack someday were drastically decreased. barton vaguely listened to jervis respond to what he'd said about him being in the warehouse solely because of them; all of the words but one not quite having any actual impact on him, this being 'nightmares.'

the smell of the yuja tea that jack prepared for jervis, as fragrant in the air that it was, seemed to be the one thing keeping him from being sucked down a unpleasant train of thought. for someone who didn't feel human half the time, barton sure as hell experienced his own fair share of seeing 'ghosts' from the past and mourning the way some things had gone in his life. and regret, as well as sorrow, were practically intertwined in every single 'normal' person's life that he'd known.

speaking of regret, once he'd closed the curtains, something from the small cabinet hanging on the wall next to them fell to the floor. barton picked it up and was immediately reminded of why he kept this photo here instead of at his home. hiding it away helped alleviate the pain of not only loving someone and losing them, but also knowing that at the time it was taken, everything seemed fine.

'my 19th birthday party - spent right, with my handsome fiancé!' was written on the back in marcy's handwriting. barton felt like screaming and smashing something simultaneously. the photo was instead placed in his pant pocket, whilst he dragged his hands down his face and thanked his lucky stars that jervis wasn't exactly expecting any big conversations from him. barton's hand flexed by his side before he was changing his shirt, wondering just what the hell he was supposed to do after seeing that again.

grief was a thing he'd never been able to pend down how to deal with 'appropriately,' unfortunately. from marcy, to the momentary blink of an eye that felt like his bittersweet friendship with yves, to his son julien's death - barton thought he'd be destroyed by all of those losses for the longest time. but he supposed he was still here, god willing, or laughing at him more like if such a being did exist. barton noticed the fabric that was splitting on the blanket and how jervis very much appeared to be in his own world.

it was at that moment that he reached for something in that same cabinet he'd opened to change his shirt, finding that sewing thread and needle he'd stored in there long ago. barton kept it there because the shirt he was wearing had actually torn at some point and he'd fixed it. though, he had no use for it now, so he decided to put it on the edge of edge of the cabinet if jervis wanted it. but he didn't really know what he wanted. that night seemed to be a series of gut punches now as the other touched upon how jack was a good person and barton should be proud of him.

he blinked several times as he felt this sensation like something ugly was swirling within him. jack had always kind of gotten the short-end of the stick, and for what? ❝ ahh. well, sometimes i've found myself practicing behaviors towards him that my father used to use on me... but i try to stop myself when that happens. jack has come a long way, as the first time i met him, he was a scared two year old who was on his own with his brother. but now jack's a young man and very brave, despite maybe still being scared sometimes. ❞ barton cleared his throat then, ❝ that's normal though. so yeah, i am proud of him. ❞

barton turned his attention back to jervis and tilted his head at the other's sluggishness. being vulnerable like that surprisingly didn't feel too nerve-wracking, as he added just a bit more to the equation. barton gave the iv bag jervis was hooked up to a good squeeze, ❝ hmm. are you still in pain, jervis? or are you just tired? ❞ he observed the other silently and looked down at the cards before the both of them. that is, before barton heard jervis approve of him reading his fortune.

he drifted a hand along the cards then. choosing one that felt 'right' came without much difficulty to barton, and when he did, the reversed 'wheel of fortune' card for jervis's past. the next card he chose was the reversed 'six of swords' for jervis's present. barton flipped the last one for his future and was greeted by 'the sun,' which made him let out a soft 'huh' and smile a bit. ❝ well... i hate to start off with the past when you got this card, but i guess we have to. ❞ he was about to start interpreting jervis's fortune when jack came back into the room with the breakfast he promised the other. well, talk about convenient timing.

Jervis merely rolled his eyes at Barton’s remark, fingers biting into the fabric of the blanket as he pulled it around his shoulders like an old shawl. The plush material was a little threadbare at the corner; a tear disrupting the otherwise seamless fabric.

Sea-green and white plaid. Utilitarian, impersonal.

It sufficed perfectly; his thin frame was almost terminally intolerant to the cold. 27 years in Gotham had failed to inoculate him against the frigid rains and bone-chilling air sweeping off the harbor.

“Trust me, I’m well aware where I would be, if it weren’t for you both. I see enough of the place in my nightmares… so I don’t require any reminders.” He flexed his fingers around the teacup, feeling the warmth seep into his hands as he cautiously tipped the liquid into his mouth. It had a strange, but not unpleasant consistency, like warm, thin honey that slid smoothly over his tongue in a tangy blend of sweet and sour. Tiny bits of softened citrus peel floated in the syrupy mixture.

Barton’s IV pole scraped slightly along the concrete floor, a sharp metallic sound that mingled with the sudden rasp of the curtains being jerked shut. The room was clean and sparse, a sterile space designed to be free of clutter, yet a faint, telltale mustiness clung to the air—a lingering scent of damp fabric and stale dust that disinfectant alone couldn’t quite mask. Beyond the makeshift partition, the rest of the warehouse stretched out in vast, dark emptiness. The floor was cold, unpolished concrete, marred with cracks that split like spider webs. Dim, flickering fluorescent lights cast a harsh, uneven glow, barely cutting through the haze of dust that swirled in the air.

But, of course, beggars couldn’t be choosers when it came to hideaways—especially when you’ve learned to take shelter wherever you can find it. Or when you were part of the criminal element.

How far he’d come and how little had truly changed.

Jervis glanced across the room at where his coat, shirt, and gloves rested neatly on the desk, carefully folded with almost surgical precision. He flexed his hands again around the teacup, feeling the phantom prickle of sensation where the wool-lined leather should be—an exposed vulnerability that gnawed at him, made his skin itch with invisible grime.

He sank his teeth into a particularly broad piece of yuja peel, the bitter tang releasing as he bit down; meanwhile, Barton’s voice drifted in one ear, out the other like the static hum on a faulty wireless. He chewed slowly, savoring the rind as he turned his attention back to the small tear in the blanket. Nodded intermittently.

Jervis’ callused, scarred fingers found the frayed edge; the fabric was worn thin and splitting, and he traced it absentmindedly, feeling the uneven fibers beneath his touch. For a moment, his thoughts shifted to the sewing kit buried somewhere in his bag, imagining the small spool of thread and the thin, glinting needles; each one ready to pierce the fabric and pull it back together.

As if stitching this small wound would make any real difference, he thought bitterly; like it could somehow soothe the cold reality pressing in on them from all sides… It was a small, pointless task, a flicker of control in a situation that felt like it was slipping away, unraveling faster than he could sew it back together. He knew it wouldn’t ameliorate anything—wouldn’t solve the problems looming larger than this tiny, frayed corner. And yet, his fingers lingered there, desperate for something tangible to fix; something he could make whole again, if only for a moment.

Jervis gave no reply as Barton moved to change his shirt; blinking hard as he gazed down at the floor, but the darkness behind his eyelids refused to stay empty. Flecks of indigo light bloomed in the black, shifting like dust motes that twisted with each beat of his heart. The room swam as he opened his eyes again, the ceiling blurred and murky like the styrofoam cup Alice stored her wet paintbrushes in. He scratched absently at the IV in his arm, feeling the tug of the thin plastic embedded in his skin but barely registering the discomfort. The bright pinpricks danced at the edges of his vision, trailing like little comets whenever he turned his head.

“You ought to be proud of him, I imagine. Your son… he seems like a good lad.” Jervis’ voice was a wisp of silk, smooth and thin, like it might unravel into nothing if he spoke too loudly. He tilted his head slightly, almost resembling a marionette on a slack string, the hint of a smile touching his lips but never quite reaching his eyes. He ran a finger along the rim of his teacup, the motion delicate and deliberate as he pondered Barton’s final query.

“Hmm… can you?” Gray eyes blinked slowly, the lids heavy and sluggish, further dragged down by fatigue. The question lingered in the air, softly innocuous. He glanced over at the tarot cards Jack left behind on the desk—arranged in a rough, careless spread, but somehow feeling deliberate, as though the cards had fallen exactly where they were meant to. The edges were worn, curling slightly; the images esoteric, half-familiar symbols. Stars, sun, moon, cups and swords, animals and human figures rendered in faded colors.

He paused, gaze narrowing, subtly curious despite the exhaustion that weighed down his expression. For a moment, his hand tightened around his teacup; twitched like he might reach out and touch them, as if by brushing the surface he could glean some hidden answer buried beneath the painted ink.

‘Why, they're only a pack of cards, after all.’

His grip on the blanket slipped momentarily, fumbling at the worn edge before he reached for his collar instead. He dug beneath the charcoal fabric of his T-shirt, searching with a practiced motion until his fingers found the tarnished silver chain again. He drew it out slowly, the weight of it comforting against his skin as he absently ran his thumb over his and Sylvie’s rings, threaded side by side on the links.

The metal was dull, no longer shining with the luster it once had, but it carried a certain softness now, smoothed by years of worry. His eyes dropped for a second before he let the chain slip back beneath his shirt. “By all means, if it tickles your fancy…” Jervis gave a short, rough half-shrug, the motion stunted as though his shoulder couldn’t quite decide whether to follow through.

[purpleheartskies]

Yesterday, I made a post about the Cobra Kai subreddit mod controlling the conversation about the SA. They were gaslighting in their comments about why they were stopping fans from claiming that Zara SA'd Robby.

I took down the post this morning after seeing Hayden's tweet:

I and many others have tweeted at Hayden expressing our utter disgust at his claim. He not only denies that this was assault. He gives his narrow classification of what assault is.

Thinking back on my post from yesterday. I stand by every word about that mod. He was trying to control this conversation. He, like Hayden, is an enabler of assault.

Zara SA'd Robby.

This is a fact that so many of us are pointing out to Hayden. He is honestly a disgusting person for saying what he said.

Robby was clearly portrayed as not being able to give consent. It doesn't matter that he blamed himself afterwards, as in that doesn't absolve Zara and make him at fault.

A fan on ig made a story and @ the writers.

Jon viewed their post and had a dm with them:

Although Jon is admitting that he agrees with her definition of consent, which implies that he is agreeing that Robby didn't give his consent, this is a meager step in fixing the damage and hurt that they have caused. It was a private dm that she had made into a story; not a public statement made by any of them about this.

Not only was assault blatantly portrayed. Robby was blamed for it, and it was framed as cheating. Now, Hayden has essentially denied that consent is needed and that this would be assault only if Zara had done one of 3 specific things. Fuck him!

Their entire narrative is framed in such a fucked up way, and now this!

This is a mess. They don't plan to address the assault and claimed it wasn't one. Now, they have to backtrack...

But they still won't fix it in canon. They won't make changes to Part 3 to fix this. It's highly unlikely. The person on ig even said that she is an SA victim who is still seeking justice and is now so upset not only because of Hayden's comments but also because Part 3 won't give Robby justice and Zara will get away with it.

For so long, I've been calling out all the neglect and abuse Robby is subjected to. "See something, say something." I don't care what the writers intended. Like in this SA situation, I hold them accountable for what they portray. It's their responsibility to understand the shit they put out into the world.

As much as I hate all this, this is finally something that those fucked-up writers have to answer for. Fans are pissed off and skewering them for this.

I'm curious what they'll do next. Can they really pretend that this didn't happen? That they can market Part 3 without properly addressing this situation? Or that Part 3 won't be scrutinized for not addressing the assault and maintaining the claim that he is at fault and cheated although he was clearly assaulted?

Hayden's comments make it impossible for them not to address the assault in canon, but they're already done with post-production of Part 3.

This is a shitstorm for them, and frankly, it's about time they be held to the fire about something.

[raileurta]

In the miko in tfa au

As established miko is danm menace, she goes for the kill whenever she can so shes banned from fighting the human villains, (thanks inpart to her telling professor princess to go after the ceos and shareholders of the companies she hates if she really wants to make a difference)

When it comes to the cons however? Well she agreed no murder so they just throw her at the cons and try to stay out of the way. Shes treats fighting them like a game most days so they figure its best to let her do her thing. The decepticons as a whole are obviously freaked out by this nightmare autobot that suddenly showed up. Half of them are convinced she's a former decepticon the rest just think she's straight up insane. I can see megatron trying to recruit her if only to keep her from traumatizing his troops further.

Meanwhile miko has developed a frenemy rivalry with soundwave because she's both immune to his power and really into his music which poor boy has no idea how to respond to other then to declare her his rival and constantly try to destroy her in epic musical battles. He gave her his guitar to male this happen so miko thinks they're friends and that the battles are just jam sessions. That doesn't stop her from casually throwing him around like a rag doll whenever they fight but still.

Hahaha I'm loving everything about this ask. Yeah Miko is definitely eating the rich type person and will try to get everyone on board with her.

Miko is the autobot's feral attack dog and to the cons she's a living nightmare. The dynamic essential is:

Why not both be a former decepticon and insane! Most of them probably think she's both. I bet there's bets going on what the hell her deal is.

The visual of Megatron trying to recruit Miko to prevent trauma™️ is hilarious.

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Megatron: Join us Joyride prime! (Please please please I don't have therapists please)

Miko: I'll eat your skin.

Megatron: 😟

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I'm now just thinking of an anime AMV type thing with rock music playing in the background. Soundwave and her would totally jam out! Their jam sessions would be legendary to witness. They totally fight like little siblings now lol.

[megs-98]

i had to shower without music so naturally i spent the entire time thinking about what the datv companion/rook bathrooms would look like

i'm gonna add my thoughts under the cut but everything will be sfw, there's just going to be a lot of rambling cause i will be talking about every companion and my rook. also i haven't finished the game yet so some thoughts are definitely incomplete

now i don't know if the fade would generate bathrooms for each character or if this place that can seemingly produce anything would just plop down a communal bathhouse. but i like to think the caretaker would make sure each person has a personalized ensuite. i also think that these bath areas would change as you get farther along in that companion's quest, similar to how harding's room gets more and more plants in it as you do her quest.

like

harding, for example, would her shower start off as a waterfall cascading off of rocks. symbolizing her love and appreciation of her ancestors and then by the time you finish her quest would there be a massive leaf coming from the rock side causing the water to cascade down? similar to the giant flower coming from her ceiling, tying in her love of plants

or with davrin. at the start, would he just have a pond? of questionable water? cause those wardens are roughin it for sure. but then as he and assan find their turlum, the water clears and rock walls form so assan can jump into the water from different heights? giving both davirn and emmrich a heart attack cause we know manfred would want to give it a try

would neve have a small area with basically just a bowl of water, a bar of soap, and a cloth? essentially only giving herself a bird bath cause she has leads to follow up on.. but as she continues through her quest and knows she has people to count on and is not alone in the world so she, for lack of a better word, grants herself time to enjoy a relaxing moment bathing, so an actual bathtub with nice soaps and soft towels appear. it doesn't need to be elaborate, she still enjoys things that are practical and get the job done

bellara's could go one of two ways in my head; either her shower would be more akin to rain falling through the tree canopy. or would it start as a small waterfall feeding into a stream. not sure how it would improve on itself from there though. maybe the foresty area comes more and more to life maybe having a calmed relic or two

taash, i think taash's would start as something more qunari centered, but as they learn more about themselves !and especially if rook encourages them to embrace their riviani culture! it would turn into a desert oasis and is just their small patch of paradise to enjoy however they choose to

emmrich i think his would be a practical bathroom but with a flair. i honestly haven't finished his questline yet but i know he's secure with himself and knows what he likes. so of course it would have all his creature comforts, maybe even have a box or something that would warm up his robe for him

lucanis would have a rather grandiose bathroom. he is used to the finer things in life and has an appreciation for style. he would have all the latest items popular with antivans, but he would prefer a small flow of water coming from the ceiling. could you imagine how broody he'd be in the shower, and it would probably cold too so he doesn't fall asleep. but then as he and spite are able to work together, he feels more comfortable to sit in a warm bath, appreciating how relaxing it can be, especially with a good glass of wine, hopefully even spite enjoying it to whatever extend he's able too

now for rook. my main rook is crow!rook, named yaryna (goes by yary) hers would definitely be practical but still have her favorite items. she's knowledgeable about plants, she is a poisoner after all, so she'd have eucalyptus hanging from the walls, some aloe vera, maybe an orchid or two. just a decent amount of high humidity plants, a *mirrorless* vanity table where she keeps her skin/hair care and makeup. and as she progresses through the story, finding more confidence in herself, a mirror would appear. her area wouldn't necessarily turn better, but she'd appreciate what she has, what she has always had, seeing the importance in "average" things, just as she does with herself.

[yukirayu]

RE: Slow Damage Patch

Within less than a week, the Slow Damage patch had already gotten dragged into debate after debate for all kinds of reasons that - no matter how many attempts at debunking, explaining or clarifying are made by others - will refuse be to lived down no matter what.

Though as I've previously expressed in other posts, the simple fact that the patch was declared to be made to change a localization that already gets viciously defended when given any sort of constructive criticism is inevitably going to invite discourse.

Even without that, if not the patch itself, many have taken issue with the patch notes, which I've seen then get used as an attempt to essentially guilt-trip others not to play the patch lest they risk ostracization/accusation, something that's unspoken but definitely there.

But letting all this affect the fans before they can even at least try the patch isn't a good thing, since even the vitriol alone is bound to scare or put them off–an effective example of everything that can go horribly wrong in a fandom.

The patch is already there, free of charge, and there's no royalties to be stolen or lost. I'm someone who likes to check out something first before seeing if what others say about it hold weight or not. And it's normal to like and dislike one thing at the same time. Like with DMMD, I can still appreciate the fan patch itself for letting me play the game, while still having criticisms about certain approaches the team made with the translation.

So the way I see it, what's important is what the patch itself offers, as well as enjoying it on its own merits. Whatever attitude the patch team may have about JAST or whatever they think of other matters isn't something that should be treated like a life-or-death concern. After all, everything online is already a minefield, no matter what any of us say or do or even think.

Which is why I'll share another link to the patch files themselves here: SLOW DAMAGE PATCH.

Of course, also in the link is the instructions on how to install the file. In other words, this link has the essentials, and no more than that.

The most concise summary of what this patch does is that it retells the story of Slow Damage, but from a third-person point of view, which is the narration viewpoint used in the JP version. It also revises the dialogue of the characters and the tone of the narration.

Exactly how this revision is done or carried out in detail is best left to you to see for yourselves. Regardless, I personally recommend the patch to both old and new players alike.

And my advice is that as you play through the patch from start to finish, you don't let anything you see online get to you, and to keep an open mind with what you read.

Whatever your consensus of the patch will be by the end, it's important that your opinion is entirely from your experience from playing it, and isn't one that's influenced or manipulated by whatever you hear or see from others.