#That doesn't allow for much romance

[thatuselesshuman]

Me acting like my romance adverse character isn't just an excuse to not write romance cause I'm ass at romance

[lloydfrontera]

i think it fucks immensely that bk moon went out of his way to 1) establish rakiel wished to live a long life and eventually pass away of old age, 2) have him very briefly envy an immortal being only to be told very clearly to be careful what he wishes for by that very same person because living forever isn't all it's cracked up to be, 3) make the main antagonist be another immortal being who is so desperate to die he's willing to destroy the universe just to finally rest and 4) have said antagonist psychologically torture rakiel with the threat of making him live for a thousand years as everyone he loves and knows eventually grows old and dies and becomes nothing but forgotten memories.

only to then end the novel by making rakiel also immortal

like. god. it's so fucking good i love it. i'm not being sarcastic i genuinely think it fucks and it's one of the best ways bk moon could've wrapped up the plot.

it's a happy ending by all means but it has consequences and through the entire novel we've been shown and told over and over again just how heavy the consequences are and/or will be on rakiel.

he got his happy ending but it was at a price and by the last time we see him he's only just starting to pay for it.

it's great i love it

[smallblueandloud]

i have to go to bed very soon so instead i'm lying here being overcome by clintasha emotions

[invinciblerodent]

if bloodsoaked killer, avatar of wretched villainy, fetid and rotten, a vile creature to the very core.... why kicked puppy??? why cute round eyes??? why sweet scared girl who just wants to be nice and help everyone????

(in other words it's durge time; monk styles)

(my plan is a Karlach romance, but man, if you deliberately RP as someone who is both very confused and deeply scared, there is something extra reassuring about Gale's confidence. Like I'm trying to lean into Karlach's warmth -both literal and metaphorical- being a source of comfort, and the reason for this character to be drawn to her, but the dynamic of a strong woman who knows nothing and the physically frail man with chronic pain who knows everything IS intriguing...)

(then again, that could just be me being not even just thirsty, but parched for the wizard.)

[allthegoodusernamesaretakenagain]

me, giggling and kicking my feet as i write the next chapter, knowing the slow burn is finally burning, we have hit the Will They/Won't They Era, and the geurdo desert segment is coming up.

49 chapters and 185,101 words later.

[fingertipsmp3]

Ughhhhhhh I hate writing and I hate not writing and I hate myself

[moe-broey]

The Obsession is really important though like. For so long (and I'm still unclear on it, as I sort it all out), I've REALLY wanted to figure out how to portray that Moe Is on the aro spectrum. That, even when it experiences something like "romantic feelings", it's just. Different.

[lilacerull0]

jo march the girl with the burnt dress and laurie laurence the boy with too many neckties...

[baldursgated]

there's  so  much  marriage  talk  on  the  dash  (  i  love  it  ),  but  too  much  for  my  girlie  who  spent  most  of  the  game  not  actually  being  able  to  make  a  choice  on  who  she  wanted  to  be  with  because  she  didn't  want  to  hurt  the  people  she's  grown  to  love. then  she  ended  up  being  with  the  druid  who  doesn't  believe  in  restraining  someone's  heart. 

 it's  not  that  she's  against  the  institution,  or  doesn't  believe  in  being  married  and  poly,  because  she  does,  but  yrenia  doesn't  feel  her  traveler's  lifestyle  is  very  conducive  to  a  commitment  like  that. and  she's,  to  this  day  at  least,  hasn't  found  someone  that  the  commitment  would  make  sense  with  in  the  long  term. she  couldn't  be  with  someone  who  would  judge  her  for  the  lifestyle  she's  chosen  or  would  want  to  settle  down  in  a  village  somewhere. she wouldn't be against it if the situation made sense basically.

[dimiclaudeblaigan]

how to ruin jugdral characters and make them into shitty modern tropes: have two teenage girls cat fight over their romantic feelings for a grown ass man and make them aggressive rivals

[spookiat]

Had allos smugly assume a close silly friendship was romantic: 10,000 dead 900,000 injured, I am exploding them with my mind

[in-class-daydreams]

Imagine you're still furious with ex-husband Gojo over his behavior regarding the flowers from your "secret admirer."

You put on a happy face for the Sister School Exchange Event, however. For the sake of sportsmanship (and safety), your son, Sen, is heavily restricted. He's a great asset to his team all the same and the Tokyo team have two of their strongest students ready to intercept him.

"The brat's showing off too much. His form's sloppy," Sukuna says from the seat beside you.

"He's been telling me how the two of you have been doing some brutal conditioning lately," you comment with your eyes fixed on the screen.

Sukuna scoffs. "Not brutal enough, apparently."

And it's that attitude that secured Sukuna's place as your son's favorite teacher a long time ago.

~

Imagine that in-between the major conflicts of the event, you and ex-husband Gojo get to have a longer conversation without your son jumping to your rescue.

For once, Satoru isn't trying to flirt with you. He's watching the image of his son running through the woods battling curses without breaking a sweat. They may have vicious, gut-wrenching fights at times, but one could not deny how in awe Satoru was of his son.

"He's so talented," he murmurs more to himself than you. He leans back in his seat, gaze hidden by his blindfold. "You did a great job," he tells you softly.

You put your hand over his - the first tender contact you've initiated with him in perhaps years.

"So did you," you reply.

"Please. The kid hates me."

"He doesn't see it now, but I know that you did what you thought was best for him." You give his hand a little squeeze. Romance or not, divorce or not, you and Satoru have always understood each other unlike anyone else. You knew he had to choose between being in Sen's life and keeping him safe.

By the time team battles ended, you'd forgotten what you were even mad at him for.

~

Imagine you and ex-husband Gojo proceed with the Sister School Exchange event on good terms.

Which is why you feel so guilty when while Satoru is occupied with catching up with Yuji during the transition between events, your gaze falls on the man you've been avoiding eye-contact with all day.

You see him tapping away on his phone. When he looks up, he smirks and hits send on whatever message he was typing. Heat creeps up your face and you quickly avert your eyes.

A moment later, your phone vibrates. It feels like it's burning a hole in your pocket, but you force yourself to wait a minute so it's not obvious.

After what feels like ages (but is really only about a minute), you allow yourself to check your messages.

[11:27 am] Hope you liked the flowers, beautiful. Rika helped me pick them out <3

~

Edit: Reader and Gojo are approaching their 40’s in this, Sen is 18, Yuta is approaching 30. Just to make that clear.

Click [here] for more of Sen being mean to his dad | Ask stuff about Sen and the fam [here]

[ravencromwell]

I have to add Archivist Wasp and its sequel Latchkey by Nicole Kornher-Stace. (Both those links lead to Weightless Books, an arm of the incomparable Small Beer Press that sells drm-free versions of numerous small presses' books for ease of reading and to avoid the amazon monster; to tout the awesome of Small Beer and Mythic Delirium, both primarily responsbiel for publishing Kornher-Stace would be a post of its own, but look them up if you're unfamiliar because they've provided some of the most envelope-pushing, queer-heavy scifi of the last decade.) Archivist Wasp is in the "destroyed earth" rather than the space category of scifi and...well, Amal El Mohtar can sell it better than I ever could:

An Archivist has two jobs. The first is to hunt and catch ghosts in order to learn about the precataclysm past from them; the second is to defend her life and position against “upstarts” — the other girls marked by the goddess Catchkeep’s claw-shaped scars at birth — once a year. Wasp has been Archivist for three years, and wants nothing more than to escape a dismal life of killing her sisters and obeying the Catchkeep-priest — so when an unusually powerful ghost asks her to help find his former partner in the underworld, she agrees. But, as is so often the case with the underworld, she finds both more and less than she bargained for. More than anything else, this book is sharp. You could cut yourself on the prose — Wasp’s world is one of thorns, knives, edges of thick, broken glass, a constant background-hum of pain that sometimes swells into a shout. Wasp’s perspective absolutely thrums with tension and violence, but also aches with a fierce, hollow loneliness to break the heart. The longing and gratitude for the smallest beginnings of true friendship make the betrayals more vicious, and the stakes just keep rising. I burned through this book in about three hours, desperately rooting for her. It’s also a brilliantly constructed narrative and world. The gods are cruel and absent. The underworld is a maze in layers, a twisting, turning palimpsest, one that allows Wasp to descend almost archaeologically through time by literally experiencing her ghost-partner’s memories. The pre- and post-apocalyptic worlds reflect each other in shards and fragments, all the more powerful for being subtle, for their resistance to being spelled out. It was also keenly refreshing — especially in something that’s ostensibly YA, where the Love Triangle of Doom is so annoyingly pervasive — to find a book in which all of the strongest, primary relationships are friendships; where friendship has the narrative, motive force usually reserved for sexualized romance. I very much wanted to see the A in QUILTBAG represented in this column, and this is a fine example: while the connection between the ghost and his (female) partner is intense and loving, it is never represented as sexual, and sex is in fact completely irrelevant.

Sci-fi books where a queer woman has the ghost of an annoying dead guy in her head

*Misery is nonbinary (she/they) and who’s in her head is not dead or a guy but I’m counting it, okay

[mrchoppedslefthand]

[SPOILERS] Homicipher Is Actually Romantic, Convince Me Otherwise [Analysis/Opinion] [SFW]

Word count: 3,332

Edit: 11/7/2024

[Feel free to skip to the last objective "Individual route discussion + what made it romantic" if you want to get straight to the point]

Homicipher is truthfully a romantic (or platonic) game. It is a game that has to be looked at from a different perspective when it comes to love/romance. A game where you have to take in consideration of the characters and the nature of their 'other world'. Today's post will discuss into what I believe made Homicipher an oddly, but romantic game, despite its shortcoming and abrupt ends.

⚠️[MAJOR LORE/CHARACTER ROUTE SPOILERS] ⚠️

Discussion Objectives:

Definition of Love & how it plays into Homicipher

The nature of the 'other world' and ghosts

Individual route discussion + what made it romantic (thoughts)

What Is Love & How Does It Play Into Homicipher?

Love has many layers of definition and associations. Maybe, that is why some may deem Homicipher to be "unromantic" and some disagree on that thought. It also varies based on the type of content/exposure you had consume in the category of love [whether romantic or platonic]. Socially, from a common standpoint, love is a strong attachment or affection for someone. Often from a social standpoint associated with dates, affection, and intimacy. However, love is always changing, since it is a social script on what its suppose to be, and changes as society progresses. Some notions stay the same but some begin to change (just like how language and certain concepts begin to change in the other world, a different society from our own). For the sake of a "true" definition of love. I will be using the definition offered by the Oxford Language Dictionary. So, what is love?

Love as a noun is...

"An intense feeling of deep affection"

"A great interest and pleasure in something"

"A person or thing that one loves"

Love as a verb is...

"Feel deep affection for (someone)"

"Like or enjoy very much"

Not long after its release there had been a fair number of comments/reviews criticizing Homicipher for its lack of romance. This claim is NOT entirely wrong. From the expectations of a "normal" Otome/dating sim it doesn't necessarily meet the requirements because of its lack of intimacy, affection and interest from a HUMAN/SOCIETAL perspective. We must remember that romance/love does not necessarily equate to kissing, hand holding, and intimacy especially considering that these are the HUMAN (societal) views on what romance/love is. A concept that had become lost in the 'other world'. So how can we call Homicipher romantic if we have to cross out the influence of our society? The answer is that we can't fully avoid it, HOWEVER, we must be open to a different perspective of what 'their' version of love is (platonic love/or romantic). No matter how lacking, dense, twisted and grotesque the moments we have spent with these ghosts are. In some shape and form it CAN equate itself to love (platonic/ or romantic). I think a lot of people forget that time itself can be equate to some complicated level of love. The fact you spend time with someone, and it develops to something further for worse or better, something that even love may not be able to name, is what this game demonstrates.

Homicipher has a consistent theme, the loss of truth, the acceptance of ignorance and the concept of eternity. Which shockingly is where the romance comes from. When we allow ourselves to rot in that world. When we ignore the exit and choose to stay, is where the romance comes through. Love is complicated. What can I say?

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The Nature of the 'Other World' & Ghosts

Alot of the ghosts we encounter can be friendly, but also just as deadly. We hear it from almost all of the casts warning or discussing about how dangerous a lot of the ghosts (including themselves) roam in this world, and in different endings, succumb to this danger ourselves. The longer we stay in this world, we soon start to become no different. As we, a human, begin to slowly transform into a different entity. We begin to react more violently (though it can be argued that since our MC is a serial killer, she might have just been violent and cruel in general). When angered, or things start not to go her way, she gets filled with bloodlust and takes it out on who she's with. Killing is a common thing to do in this world, especially when experiencing anger, sadness and even boredom. The concept of death is a little complicated as they can easily regenerate themselves back to "life". As the game progresses, we learn that some of these ghosts cannot grasp certain concepts (such as love), remember their own name and self, and don't have exact words (sometimes none) for items.

When sometimes even confessing that you like some of the ghosts they question you, and state that they cannot understand you or that feeling (platonic/ or romantic). We are in a setting that is beyond the mortal realm, there aren't any exactly "ideal" dates in a place different from the moral realm... so you're going to be stuck in a scary place, having a scary "date".

However just because they cannot understand the concept of love, doesn't meant that they can't feel it. It is something that the body may still feel, and the mind not being able to put an identity to that feeling or even situation, since meanings and concepts get lost within this realm. The fact that we are allowed to spend an eternity in this realm, with our handsome casts of ghosts. Is oddly and sadly romantic. For Mr. Crawling it is his devotion and loyalty to you, it is how he worries and cares for you, it is his affection and attempts to soothe you. For Mr. Silvair it is his care for you (as research of course lol), your usefulness (which is why he is attracted to you), but even then, one of his endings he keeps you as a head, when you had become useless to him. For Mr. Gap he finds you intriguing, he wants to play and follow you around, always asking for parts of you with consent, loves to brag about himself to you. For Mr. Chopped it is his want to rely on you, to feel safe with you, to protect him, to spend time with him. For Mr. Hood it his willingness to help you for an eternity, to roam with you forever, keeping you away from danger. For Mr. Machete it is the fact you both spend an eternity searching for a home together, to suffer boredom together, to suffer within each other's presence. For Mr. Scarletella it is his obsession for you and his willingness to spend an eternity with you.

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Individual Routes + What Made Them Romantic

[Not in any particular order]

Mr. Crawling

If I had to rank who had the most "romantic" route overall, it would be Mr. Crawling. With the definition usage of love from the Oxford dictionary, verb and noun he checks all the list. Not only that, but we spend time with him the most out of all the other casts. He was the very first ghost we meet (briefly in the beginning) and got stuck with. We are like a baby bird imprinting on him because we saw him first and spent time with him the most, so of course we might feel the most attached to him compared to the others. As the game progresses Mr. Crawling doesn't fail to let us know that he cares for us and our safety warning us of the dangers that come and explaining how to navigate our way around danger. He expresses his worries when we disappeared. He seems to have some concept of love (platonic/ or romantic) as he admittedly tells us that he likes us and ask us if we like him. He expresses how he wants to follow and protect us. He also has so many cute scenes! Scenes where he pats our head, scenes where we lay together, chat a lot together. He is devoted and loyal to us, never harming us even once.

We even get a scene where he gets jealous when we called Mr. Chopped cute with the cat headband! So, he also makes an attempt to be cute too! We are always together with him, and that makes us BOTH happy. Although we don't have our traditional romantic dates like shopping, movie night. We get a bed scene and get to take him back home with us.

There are many types of romance. Platonic and romantic. You the reader/player is allowed to view it however you want. The game does not punish you for the lack of interactions with the casts. You just end up missing out on certain scenes/moments with them is all. However, for the sake of this post I will be making attempts to talk about the romantic aspect (but platonic romance can also be put into place).

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Mr. Silvair

lt's apparent that Mr. Silvair keeps us as research material and confines us in his lair. He is interested in our body, and also interested in returning our mind/intellect back to its original state. It is this interest in us that makes him "love" us. Does confinement and research count as love? Well...maybe not in terms of human definition but in the Mr. Silvair way, it's the closest thing you can get to romantic (or platonic). Afterall, the concept of love has become lost in this world.

I believe he still has some attachment to us, because in the ending A Head's Life, he still keeps you as a companion along with Mr. Chopped. He claims that you are no longer useful/capable but that it is okay, as long as danger is no longer here. When you choose to ask him why he did what he did and ask if he likes you, he tells you it was for research and that love is something he cannot understand. He also doesn't understand why you get so angry when he helped you return your intellect back. He still though has some sort of concept of empathy, because in his route when you choose to kill him and hide yourself away. He comes follow you and expresses that he's sorry and tells you a little about himself. He allows you free will, at this point, allowing you to leave him or stay with him.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Gap

Mr. Gap always wants a piece of us, literally. Why does he? Because it's just for fun. The most interaction we get with him is through the multiple crevices within this world and the short route he gets in chapter 4. He takes but sometimes may give. However, he doesn't fail to be thoughtful. It's hilarious how in chapter 4 when he offers us a crowbar in exchange for your heart, you can just smack him for it with no consequences. He also likes to brag about himself to you which honestly is a little cute. With his ending Return, we only have him left in the 'other world'. Our comfort lies with him, although he may be a little annoying, he is the only one we have left. We maybe have become a little codependent on him, but maybe he likes that?

God his annoyed/disgusted face is so hilarious, do it again Mr. Gap! He seems to stick around with us mainly just for funsies and being nosy, and honestly, he is so real for that. But it seems he likes to stay around with us at least. In the return end he is with us, and continues to stay lurking, perhaps watching over us until he is needed. Quite handy am I right? Haha.

He is depicted as quite the gentleman, but also just as fun and teasing. There are times where he does help you with no charge, such as barging into his hole (the face he makes in that scene is hilarious). Again, when presented with beating him for your crowbar, he gets a little upset but, honestly still helps you out. He probably thinks violence is funny which is why he constantly still teases you by asking to take away your body parts. It's just too fun!

Someone had brought up to my attention that Mr.Gap tends to ask for parts that can be easy to part with as we progress. Asking for our feet, legs, and fingers instead, when he seems to still clearly prefer the heart over the other parts. He adjusts his request when he realizes we won’t give our heart.

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Mr. Chopped

Mr. Chopped is just a head; how can he possibly be or have anything romantic? Well, not necessarily to the level of Mr. Crawling but, we get to have a few small moments with him and spend some time with him. Since he is just a head, he can't help but need to rely on others. Of course, he has to be selectively about it because falling in the wrong hands devastates him.

Mr. Chopped when he gets forced into playing with the deer child, he seems happy to see a familiar face and calls us out to help him. Our poor baby was in trouble!

His ending head hunt is tragically sad but also bittersweet. MC cares so much about Mr. Chopped that she spends an eternity as an entity searching for a lost head, searching for Mr. Chopped who she failed to rescue.

During his own special route Mr. Chopped does his best to help us, but there is only so much a head can do. To make up for his lack of body though, he seems to be more expressive with his mouth and emotions. We get to take him to get a haircut and wash his hair. This seems pretty date like to me. Although our time was abrupt and short with Mr. Chopped. It makes me happy that we get this small, cute scene with him, which makes him much more lovable.

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Mr. Hood

Mr. Hood protects you from harm, and also heeds your commands. He also carries you around. He means no harm and is there to guide. He cares for your safety and seems to dislike anything dangerous or threatening towards him and others that he protects.

At the end of his route, he states how often you get in danger and takes you with him, telling you that he must protect you since you asked him to (referring to an earlier scenario when you asked him to stay with you, when you reunited with Mr. Crawling and the others, but he leaves). So I would assume he would always be by your side now eternally staying together and protecting you from danger when needed. How cute! Some people are into that. But personally, for me Mr. Hood felt more like a father/brother to me. Maybe it was because he was always willing to guide us? But some people are into the brotherly/fatherly type of men, and hey I don't judge.

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Mr. Machete

At first, I did not see the appeal to Mr. Machete, he seemed like a ghost that killed for boredom and most of the time we just followed him around aimlessly...WELL, after playing his route and letting it soak in my brain. That is entirely the whole point of his character. He is a ghost that had become bored because he had too much time on his hands and continues to search for his home. He is our tsundere dummy macho ghost, and honestly, I love that about him. He could've killed us again like how he tried earlier, but after that first attempt, he reluctantly allows us to follow him. It's funny how much he runs away if the odds are against him, and when he mocks us it's even more hilarious. Mr. Machete likes us if we are strong opponent for him, he even expresses that he thinks we are fun and likes us when we defeat Mr. Hugeface on our own.

Not going to lie, I fell for Mr. Machete right here. We were low on blood, and he just slices his hand, FEEDING us HIS BLOOD. Like OMG that was so hot, he opens our mouth forceful, and we drink his blood. He somewhat cares about us, to be doing all of that for us. After that we get a timed choice to stall or follow him. When you choose to stall he pauses with you and asks if you're okay and to catch up with him. For someone who had been reluctant and annoyed at us for following him, took a moment of his time to wait for you. He WANTED you to tag along with him. We then venture on with him aimlessly searching for his and our home. Torturing each other with our presences. But maybe, just maybe, they can slowly become that home together that they were searching for.

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Mr. Scarletella

I LOVE HIM SO MUCH. At first, he appears to be just any ghost that wants to attack us. It took me a while to warm up to him because of so little we knew about him. I thought he wanted to take our name for fun/or collection, but then it's revealed that he knows us. That he harbors some sort of love and obsession for us and believes that we love him because of all the blood and bodies we "offered" him. In a twisted way, this situation is a cute and romantic misunderstanding. Mr. Scarletella fell in love with us for providing him many blood and bodies. He wants us to spend an eternity with him. He WANTS to spend an eternity with us. He invites us to this other world because perhaps he wants us to become a ghostly being just like him, or maybe he wants to have easier access to us (since his myth that he only appears on rainy days) to meet us. Although we didn't get to have as many interactions with him, that is what makes this love toxic. It is a parasocial love, he fell in love with us from afar. When you piece everything together with your dictionary the words he proposes to you sound like wedding vows when you give your name to him. Which make it all so more lovely, even if he takes our soul away.

(My translation/interpretation of the scene, where he asks for your name)

Chapter 2, Scene 24

Scarletella: "You found your name...?"

Scarletella: "Teach me your name." (ARF ARF WRARF)

Scarletella: "I want you." (YES PLEASE)

Scarletella: "Will you give your name?" (OF COURSE)

Scarletella: "Your name?" (👁️👄👁️)

*You give him your name here*

Scarletella: "I have your name."

Scarletella: "I have obtained you." (YES YOU DID, COME TAKE ME)

Scarletella: "Let's leave together." (ARF ARF WRARFFFFFFFF)

Scarletella: "I love you"

Scarletella: "And you love me."

Scarletella: "You gave it to me...Thank you" (I'LL GIVE YOU IT ALL)

Scarletella: "Forever/eternally together..." (YES SIR)

Scarletella: "Together." (ARF ARF WRARRF ARFA)

He is quite the romancer hehe. It seems like Mr. Scarletella has some form of concept when it comes to love, which is to be together forever, even if you end up as a blood pool. Together is together.

I find it interesting how his two endings: Scarletella and Scarlet Rain parallels each other so well. In the Scarletella ending, we (mc unknowingly) give our consent to being together forever with Mr. Scarletella, but we are still alive. When MC wakes up, she sees a clear umbrella on the floor and picks it up. I believe that we have now embodied or spirited the umbrella, spending eternity with Mr. Scarletella. He owns us now.

However, in the Scarlet Rain end he becomes ours, the umbrella stays red, and we still, eternally are together forever.

[gremlingottoosilly]

Monster!König whose first course of action after the monster uprising was to find his missing bunny wife!Reader who has no idea he even considered them married in the first place. König who is clueless when it comes to societal norms or concepts and learns about marriage through picking up conversations from scientists back when he was locked up. (Still doesn’t have the greatest grasp on it even after getting his hands on human books and media) Reader is just happy to be free from being used as a breeding machine and had no idea her cell?mate thought their relationship ran that deep and wants to get legally married now. :/

Some of the scientists laughed, calling you Konig's little bunny wife. A packmate, someone to get his stress dumped in so their captive monster could be less of a killing machine and more of someone who can actually be controlled and sated. Throw him a bitch with a leaky hole and whiny voice, and he'd be satisfied until the end of time. Konig doesn't like the sound of laughter that comes from the scientists, but he likes the word "wife" forced on you. Wife. Pretty, cute, adorable, small, and fragile thing that needs him to survive - it's basic biology. Needy bunnies like you can't survive in a world filled with humans and certainly can't do it in the new reality, where the strongest are getting all the cards. When Konig eventually gets out, he reads - to his surprise, really, and to the surprise of all of his comrades who would much rather burn everything the old rulers of their world have left. But Konig reads - romance novels, human courting rituals, the true meaning of the word wife and the word husband. He thinks of ways he can put together a wedding worthy of his precious little bunny - when he would finally get her with him, of course. He finds you, of course - it's not that hard to find a bunny in this shrunken world when he has almost all of the power he could have. A colonel in the monster forces, somewhat of a hero waiting for his mate to arrive - you're given to him as a gift from his comrades, a pack of soldiers eager to please their commander. Yes, the little bunny was crying and squirming in his grasp when she was delivered, but it's hardly his fault, is it? Konig just isn't quite sure on how to go about this whole marriage thing and what to do when your pretty wifey is desperately trying to get out of his grasp. He squeezes your throat a bit until you stop trashing in his hold and then spends the rest of the evening exploring your precious needy holes with his tentacles and his hands. God, he missed the feeling of your pussy clenching on his cock, desperate for him to release his seed. You're a bad little thing for denying him, but it's okay, he can work with that. He doesn't care if you're dumb or ungrateful - he will just press further, push his cock as deep into you as possible, squeezing your soft breasts until he swears the milk will come. He will have to breed you for this, of course - as thoroughly as possible until you can't help but cry and moan in his hold. Scientists never allowed him to actually dump his eggs in you, always afraid that he would get too possessive and territorial protecting his clutch and the pregnant mate - but oh, no one is there to stop him now. You would forget all about resisting in a bit - it would be much easier to push you around once you're getting the role of his pretty little wife, just like you were intended to.

[ugly-anarchist]

People are now calling aros homophobic for saying "love loses" and disliking the phrase "love is love"

I don't dislike the phrase "love is love" because I'm aro and I hate the concept of love and I want to trample on queer joy and I don't understand the meaning behind love is love.

I dislike the phrase "love is love" because I don't believe that minorities should have to say "we're just like you!" In order to be accepted. I dislike it because it doesn't apply to all queer people, (including bisexuals, gays, lesbians, etc) but people treat it like it does. I dislike it because it's a product of a sex-negative society that deems queer people to be disgusting sex pests and instead of going "that's fucked up because there's nothing wrong with sex" people go "that's fucked up because we're not like those dirty disgusting predators who want sex without romance (coughalloaroscough)". I dislike it because arophobia is rampant in the queer community and people will throw us under the bus for points and have. (Stonewall UK posted a tweet acknowledging aros during aro week and other queer people called us predators and implied we were cishet invaders) I dislike it because the word love is shoved onto aros and whenever we say "please don't" people just redefine it to force it on us. I dislike it because there are better alternatives. I dislike it because rainbow capitalism has taken it over. I dislike it because it just feels a bit overused and cliche at this point. I dislike it for plenty of reasons, from legitimate to petty. Because I'm a person, not an evil aro who wants to destroy the queer community.

Aros, for a very long time, have had the word love used against us as a tool for our oppression. (Yes, love can be used to oppress people) And a lot of aros are sick of not being represented in queer spaces. The community puts so much emphasis on romantic love in an effort to not be the stereotypical sex obsessed queer but that leaves out aros. And people will be like "it's to uplift gays, bis, and lesbians" but there are aromantic gays, bis, and lesbians! I'm an aromantic bisexual person! I am directly harmed by the whole "we're not dirty sex pests, we can love (romantically) just like you!"

I, and many other aros, dislike the phrase love is love because it leaves us behind in the dirt. We often feel like the dirty side of queerness that no one wants to acknowledge. Saying "queer love is real love" isn't a bad thing, but having that be the one and only thing queer people ever talk about leaves out a portion of the community and we're allowed to talk about it.

"Love is love" doesn't represent me as a bisexual aromantic person. Not everything has to represent or include me but it would be nice if just one thing did. My version of queer joy is not represented by love is love and I just want a fucking alternative that does include it!

[Don't tag as ace/aroace or derail]