#Tetsuo: The Iron Man - 1989 - Dir. Shinya Tsukamoto

[circus-sonata]

Tetsuo: The Iron Man / 鉄男 (1989) dir: Shinya Tsukamoto / 塚本晋也 Cinematography: Kei Fujiwara / 藤原京

[closetofcuriosities]

Tetsuo: The Iron Man - 1989 - Dir. Shinya Tsukamoto

[horror-aesthete]

Tetsuo: The Iron Man (鉄男), 1989, dir. Shinya Tsukamoto

[ourlittlesister2015]

Tetsuo: The Iron Man [鉄男] (1989), dir. Shinya Tsukamoto

[soupy-sez]

TETSUO: THE IRON MAN [鉄男] (1989) dir. Shinya Tsukamoto

[pierppasolini]

Tetsuo: The Iron Man (1989) // dir. Shinya Tsukamoto

[slayerbuffy]

‘鉄男’ Tetsuo: The Iron Man 1989 | dir. Shinya Tsukamoto

[finalgirlsamwinchester]

SPN 1.01, 'Pilot' | Andreas Malm & the Zetkin Collective, 'White Skin, Black Fuel: On the Danger of Fossil Fascism' | Titane (2021) dir. Julia Ducournau | SPN 1.20 trans., 'Dead Man's Blood' | SPN 5.08, 'Changing Channels' | | Crash (1996) dir. David Cronenberg | SPN 6.06, 'You Can't Handle the Truth' | SPN 2.02, 'Everybody Loves a Clown' | Georges Bataille, 'Death and Sensuality' | SPN 1.16, 'Shadow' | Tetsuo: Iron Man (1989) dir. Shinya Tsukamoto

[dailyworldcinema]

Tetsuo: The Iron Man dir. Shinya Tsukamoto (1989)

[beingharsh]

Tetsuo: The Iron Man (1989), dir. Shinya Tsukamoto

[bodyhorrorbeatdown]

Body Horror Beatdown Match 3, Round 1

Vote for your favorite:

Propaganda under the cut.

Tetsuo:

"majorly influential japanese cyberpunk body horror with a subtextually queer bent"

"A classic of Japanese horror cinema. It is, like all the best art, nearly incomprehensible. Shot in black and white, a man, for reasons never made clear, begins to sprout machinery and mechanisms, he meets a woman suffering from a similar condition, and it just gets weirder and creepier from there."

"Tetsuo is such a classic and iconic body horror movie that is so delightfully horrible, uncomfortable, and strange, and centers around rust meeting metal meeting flesh. there's so much artistry in all the effects and costuming which are absolutely dizzying. also the soundtrack rules and it was even homoerotic."

The Blob:

Now, terror has no shape.

"It just has some really good scenes and fun practical effects! It also works well as a remake of the original. Almost, if not all, of the blob scenes in the old movie are reworked for this one! And honestly, it's some rly good twists on them Some notable body horror moments would be: 1.Girl's face imploding, and the blob shooting out of it 2. Blob lands on top of a guy. His girlfriend goes to pull him out by the arm, but his arm is instead dissolved off 3. Idk if this counts, but it is my favorite scene, guy gets dragged down sink drain by blob 4. Man is basically reduced to skin and a face spread across a ceiling. His face is still writhing as if in pain"

[circus-sonata]

Tetsuo: The Iron Man / 鉄男 (1989) dir: Shinya Tsukamoto / 塚本晋也 Cinematography: Kei Fujiwara / 藤原京

[closetofcuriosities]

Tetsuo: The Iron Man - 1989 - Dir. Shinya Tsukamoto

[horror-aesthete]

Tetsuo: The Iron Man (鉄男), 1989, dir. Shinya Tsukamoto

[spikedru]

tagged by @slayerbuffy to share my favorite first watches of october! thank u charlie!!

Onibaba (1964) dir. Kaneto Shindō

Someone's Watching Me! (1978) dir. John Carpenter

The Fog (1980) dir. John Carpenter

Tetsuo: The Iron Man (1989) dir. Shinya Tsukamoto

The Bride of Frankenstein (1935) dir. James Whale

[i-watch-too-many-movies]

50 Favorite First Viewings of 2023

All the Beauty and the Bloodshed (2022) (dir. Laura Potras)

Sweet Smell of Success (1957) (dir. Alexander Mackendrick)

Trouble in Paradise (1932) (dir. Ernst Lubistch)

Sex, Lies, and Videotape (1989) (dir. Steven Soderbergh)

Life is Sweet (1990) (dir. Mike Leigh)

Demonlover (2002) (dir. Olivier Assayas)

Le bonheur (1965) (dir. Agnès Varda)

The Age of Innocence (1993) (dir. Martin Scorsese)

Somewhere (2010) (dir. Sofia Coppola)

The Red Shoes (1948) (dir. Michael Powell & Emeric Pressburger)

Menace II Society (1993) (dir. Albert & Allen Hughes)

Sunset Boulevard (1950) (dir. Billy Wilder)

Arsenic and Old Lace (1944) (dir. Frank Capra)

Aftersun (2022) (dir. Charlotte Wells)

Decision to Leave (2022) (dir. Park Chan-wook)

Design for Living (1933) (dir. Ernst Lubistch)

Kamikaze Hearts (1986) (dir. Juliet Bashore)

12 Angry Men (1957) (dir. Sidney Lumet)

Tetsuo: The Iron Man (1989) (dir. Shinya Tsukamoto)

The Hitch-Hiker (1953) (dir. Ida Lupino)

Transit (2018) (dir. Christian Petzold)

Basic Instinct (1992) (dir. Paul Verhoeven)

The Hustler (1961) (dir. Robert Rossen)

Miami Vice (2006) (dir. Michael Mann)

M (1931) (dir. Fritz Lang)

Freaks (1932) (dir. Tod Browning)

Showgirls (1995) (dir. Paul Verhoeven)

Mädchen in Uniform (1931) (dir. Leontine Sagan)

Marie Antoinette (2006) (dir. Sofia Coppola)

The Castle of Cagliostro (1979) (dir. Hayao Miyazaki)

Thirst (2009) (dir. Park Chan-wook)

The Player (1992) (dir. Robert Altman)

Wolf's Hole (1987) (dir. Verà Chytilová)

Yes, Madam! (1985) (dir. Corey Yuen)

The Assassination of Jesse James by the Coward Robert Ford (2007) (dir. Andrew Dominik)

Children of Hiroshima (1952) (dir. Kaneto Shindo)

I Walked with a Zombie (1943) (dir. Jacques Tourner)

Toni Erdmann (2016) (dir. Maren Ade)

Cries and Whispers (1972) (dir. Ingmar Bergman)

Within Our Gates (1920) (dir. Oscar Micheaux)

8 1/2 (dir. Federico Fellini)

Encounters of the Spooky Kind (1980) (dir. Sammo Hung)

Josie and the Pussycats (2001) (dir. Deborah Kaplan & Harry Elfont)

Easy Rider (1969) (dir. Dennis Hopper)

The Prestige (2006) (dir. Christopher Nolan)

Shallow Grave (1994) (dir. Danny Boyle)

New York, New York (1977) (dir. Martin Scorsese)

The Exorcist III (1990) (dir. William Peter Blatty)

Blow-Up (1966) (dir. Michelangelo Antonioni)

Mean Streets (1973) (dir. Martin Scorsese)