rick riordan fans who hated the sun and the star when they realize it’s literally a book for elementary/middle schoolers AND had a new coauthor instead of just rick so of course it’s gonna have cringe tiktok jokes to stay hip/cool with the kiddos and have a different writing style
i’m not disrespecting people’s opinions on it, i’m completely fine with it if you didn’t like the book!! it’s just all the reasons i’ve seen why people are hating on it seem so… shallow.
like yes i was disappointed we didn’t get any apollo stuff, but otherwise i think it was good? it wasn’t amazing stunning incredible wow rick’s best work, but it was still a good entry to the riordanverse!!
it’s also like i just said, this is a middle grade book. don’t expect it to age with you and become more serious. the target audience is still technically middle schoolers. not sure if i’m wording this all right but yea :/
idk that’s all i just had some things on my mind after seeing some anti TSATS takes that made me feel uncomfortable. :P
lov u all mwah
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Got any fluff for your au? maybe hcs?
Vox and Sir Pentious end up being pretty good friends in RAM. Pentious was NOT anticipating this at all, since the information he was given about the situation before going in was so grim, but he finds himself actually having fun with Vox and enjoying his company more often than not. It's also a bit of an ego booster for him that the former leader of the Vees thinks he's interesting and funny and competent. Vox helps him with his inventions and Pentious becomes the go-to person to help keep Vox on track when he needs to fix things around the hotel. It's honestly a surprisingly sweet little friendship.
I don't know how Vox would react when Pentious is killed by Adam.
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[ID: an uncoloured drawing for a panel next to the publicized version. They're both from the comic Batman: Legends of the Dark Knight #194. In them, Batman is shown from the waist up. He's looking at Jim Gordon, who's off panel, with a penitent expression after being accused of something he secretly did do. He has his palm pressed against his chest and is blocking the bat emblem as his other hand is clasped ontop of it. In the initial drawing, there's a halo floating above his head as well as several tiny hearts mixed in with the lights that surround him. In the publicized panel, the hearts and halo has been removed and two speech bubbles have been added. He's in front of a terra rose background and is starting to say, “Jim, I don't even know what you're...” But Jim cuts him off, saying, “Stop it. I'm tired of this.”
The third photo is a description of the drawing from the artist's (Seth Fisher) website. It reads: This is another page that the DC editors changed: no halos or hearts around Batman, no matter how (disingenuously) contrite he is. In the final edition, the halo and heart in the center bottom frame have been excised.]
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I do find it interesting that ATLA managed to use a very black and white narrative (stop Evil Empire) to tell several character stories with some nuance, while TDP claims it has a nuanced conflict and flattens everything to try and make up for that, ultimately leading to protagonist centred morality more than anything. And if they didn’t want me to compare the two then they should have let go of the ATLA references right away.
you're right and you should say it.
the constant and shoehorned references to ATLA do not really do this show any favors. honestly might be part of the problem (why are there 7 primals with color-coded elves? to follow ATLA's pattern of marketable separable elements. why is it an adventure story with a core crew? because ATLA was like this too. etc etc.)
but anyway. yeah. ATLA had a very simple main conflict to provide a constant source of tension throughout the show (even if they dropped the ball at the last season re: the plot), and this structure allowed for episodes that explore other aspects of the setting and characters while still making everything feel relevant and tied together by said conflict. it's not some arthouse show by any means, but it has good compelling story work into it. genuinely great show.
tdp immediately opens up with the nuance and it never really delves deeper. you'd think that opening with characters being aware of the cycle of violence stuff would be interesting and the show would explore that more, but it just... flatlines there. there's no progression or graduation or exploration of themes as the seasons go on like in ATLA. very rarely are there new questions being asked or arcs that feel sensical.
honestly the main characters having to be perfect in every situation is the biggest problem with tdp. the mains are not allowed to have shortcomings or mistaken judgements or anything to meaningfully interact in any way with the nuanced set-up. they emotionally exist entirely outside it, which ends up making them the Messiahs of Peace Who Can Do No Wrong. good for fandoms i guess, people bitched and whined about bato and the water tribe for years. but it's not very good for storytelling.
and also, they're just bad characters and the writers can't put two and two together while still asking you to take their world very seriously.
anyways i'm just rambling at this point. good observation.
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A Gale of Wolves, Chapter 4: Jon
"I think she's come to take back Winterfell, Your Grace," he answered, then dared to add, "just as I think she'll be wanting you to call her Lady Stark."
The king looked doubtful, even as he grasped Jon's meaning. "Lady Stark of Winterfell? A woman as Warden of the North?"
"A woman whose mother rode with her son through every one of his victories," Jon pointed out, though not without feeling the irony of his own admiration for Lady Stark. While she'd lived, her hatred of him had been like the noonday sun: too bright to note any detail of her beyond the outline. Now with her safely dead and gone he could see her more clearly, and in some of King Robb's success he suspected more of the mother's political maneuvering than the son's military brilliance. "A woman who survived King's Landing when stronger men all around her were dropping like flies, including our own father. I haven't seen Sansa since she was a child, Your Grace, but I'd not underestimate her."
"You think the lords will rally to her?" asked Stannis, clearly still skeptical. "They were failed badly by her brother, and she has no call on their loyalty except her maiden's name."
"It's a powerful name, Your Grace. The direwolf has flown its banner over the North for centuries; the Boltons can't wipe out that memory no matter how much blood they spill. If Lyanna Mormont and all the rest of them want a King in the North whose name is Stark, well." He tucked Sansa's message into his breast pocket. "It seems you've found her."
*note: chapters will be posted once a day from April 18 to May 11. Some will be shorter than others, but hopefully this schedule will work for people who a) like to know when they can read the whole thing in one go and b) like to read chapter by chapter as they come.
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an underrated funny bit from a christmas carol is when the ghost of christmas future is taking scrooge around to see everyone's reactions to the death of this unnamed guy (later revealed to be himself ofc), and it turns out that pretty much no one cares. scrooge, increasingly distressed, is like, "can you please show me someone who feels any emotion about this person dying?"
so the spirit takes him to the home of this family. the husband walks up to his wife like, "babe. youre never gonna believe this. that old asshole who we owed an insane of money to just died" and theyre both like YAAAAAAY THIS IS GREAT!!! MERRY CHRISTMAS!!!!
this bit is like. darkly funny but also so poignant:
[...] and it was a happier house for this man's death! The only emotion that the Ghost could show him, caused by the event, was one of pleasure.
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