#TIME COMES AROUND

[reachingfortheday]

i just think seeing hozier sing work song live would fix me

[noknowshame]

why is religious Christmas imagery all so joyful and pleasant? where is the inherent horror of the birth of Christ? A mother is handed her newborn child, wailing and innocent. Her hands come away sticky. Red. Simply by giving her son life she has already killed him. He is doomed from the beginning. Her love will not save him from suffering. Because the thing cradled in her arms is not a baby, it is a sacrifice: born amongst the other bleating animals whose blood will one day be spilled in the name of what demands it. the night is silent with anticipation. Mary, did you know? That your womb was also a grave?

[egophiliac]

was this anyone else's first thought, or

[aalghul]

once again thinking about jason as duke’s robin. he’s ~4 years younger than jason, and that puts him at 8-12 during Jason’s time as robin. that’s prime time to get attached to your local kid vigilante before your own life goes downhill.

and if we try to keep duke’s meeting with bruce in zero year + duke’s age (so he can remember the meeting and hold that conversation with bruce), he has to be around 8. if he starts following batman through the news at that time because of the mess that just happened, the robin he sees is probably jason. I’ve literally connected the dots

[luyo-mi]

🐙❤️

[luxaofhesperides]

the lost brother - damian

There is static in his ears.

There is a baby in his arms.

His niece. His niece from a brother dead before he was born. The daughter of Danyal, his mother's greatest regret, the ghost haunting his childhood, the brother he never got to have.

She is so small in his arms. Still. Quiet.

It frightens him, cradling such a fragile life in his arms. He's not good with most people, let alone a baby.

Danyal must have been truly desperate to leave her with him.

"Robin."

The voice makes the world come rushing back into place. Damian moves before he thinks, turning his body to shield his niece from danger, but it's only Red Robin standing before him. He stares, wide eyed, until Red Robin pushes his cowl back and Drake stands before him, expression carefully neutral. He doesn't look at the baby in Damian's arms. He only looks at Damian.

"Robin, come on. The Batmobile is right below us."

Damian hesitates, then follows Drake to the edge of the roof. He takes the fire escape down, landing carefully so he doesn't jostle the baby in his arms, and Drake grapples down a moment later, carefully maintaining the distance between them.

He knows it's to keep Damian from feeling trapped, and he's stupidly grateful, though he'll never say so.

The rest of the family will be a pain to deal with. They will demand answers he doesn't have, invade his space, insist on taking his niece from him. At least Drake is quiet and willing to observe without interference beyond getting them all home.

As promised, the Batmobile waits for them in the alley. Drake holds the door open and Damian slides in, adjusting his niece to make sure she's comfortable. She blinks up at him with dark blue eyes.

How strange. He had expected them to be green.

Drake drives them, speaking in short bursts into his comm. Damian brings a hand up to his own, realising rather belatedly that it's muted. Oracle must have grown annoyed at the barage of questions heading his way and silenced them for him.

He'll have to thank her later, once things have settled down.

For now, all his attention is on his little baby niece. What did Danyal say her name was?

Ellie.

Ellie Ellie Ellie.

She reaches up with a small hand, curious, and Damian offers a finger for her to latch on to. Her grip isn't strong, and her hand is small and barely warm.

He holds her closer for the rest of the ride home.

Father wants to take Ellie away for tests. Damian refuses to let go of her, going as far as leveling a sword at anyone who tries.

Drake is the only one who offers to only draw the barest minimum amount of blood for a DNA test, all while Damian holds her.

This, he accepts.

The others hover in his periphery, muttering amongst themselves, but Damian cares little for their thoughts and judgements. He was given Ellie for the sole purpose of caring for her. He will not fail in his duty. If it comes to it that he has to hide away with Mother for the rest of them to calm down, then he will. Surely she'll want to be involved with her granddaughter.

He'll have to tell her about Danyal, anyways.

Father stays at the computer, watching as the results load. He does not look away from the screen to even greet Ellie.

Damian pushes down his bitterness. He knows well the kind of man Father is, now. This is expected of him.

It's Richard that stays by him, hurrying across the Cave with an armful of diapers and baby clothes.

"I wasn't sure what to get, so I got a bit of everything," he explains, setting everything down on the cot where Damian sits with Ellie. Richard cut his patrol short as soon as Danyal left and made an emergency run to the nearest store with baby supplies, pulling sweatpants and a jacket over his Nightwing suit. The collar of the suit peeks out from beneath his jacket, and Damian is sure that it's only the late hour that kept anyone from asking too many questions while Richard was shopping.

"Thank you," Damian mutters. He sets Ellie down carefully, and she blinks up at him with tired eyes. Her face is round with baby fat, but not by much. "How do I…?"

"I think I know how to change a diaper," Richard offers, already pulling a fresh one out of the pack. He gets a small pack of baby wipes out of his pocket and quickly undoes the diaper on Ellie, wiping her down. Damian watches carefully, committing each step to memory as Richard changes her diaper and makes sure she's comfortable.

They're all out of their depths, Damian realizes. Have any of them actually cared for a baby? Pennyworth might have had some idea, and though he died a few years ago, the loss of him aches sharply even now.

"We'll have to figure out how old she is before we get any food for her," Richard murmurs, reaching out to brush a finger against her cheek. His eyes are soft, sad, and Damian lets out a slow breath, relived to know he can trust Richard with Ellie. "What happened?"

It's the question everyone's been asking him, and Damian has refused to answer each time.

But he will answer Richard.

"I saw a person on the edge of the roof as I patrolled. I went down to bring them to safety. He was… I had an older brother who died before I was born. But I know what he looks like. It was him, on that roof."

"You think he came back to life?"

"He must have. He was placed in a Lazarus Pit, but Mother said it didn't bring him back. Perhaps it just took time."

"What made you think it was him, if you've never met him?"

Damian thinks back. The man on the roof was a few years older than Drake, thin and worn-down. His eyes caught Damian's attention first; al Ghul's have very distinctive eyes, and it seems they both inherited that trait from Mother. Beyond that…

Lazarus Pits have magic in them. They wouldn't be able to do what they did without it. Those revived by Lazarus Pits carry some of it with them; it's not Pit Rage, which fades within an hour, but something else that leaves them on the boundary of inhuman. Damian grew up around the Pits and people who used them. He knows what the magic of the Pits feels like, and he could feel it in Danyal.

"I just knew," Damian answers. "Should Mother ever meet him, she'll be able to tell you the same thing: that was Danyal. And this is his daughter."

"Do you know why he left his daughter with you?"

"He asked if Batman was a good father. If I was safe here. Only then did he give Ellie to me."

"He could have stayed to," Richard says, sadness coloring his tone.

Damian doesn't respond. What could he say? Yes, Danyal could have stayed and joined them. He chose not to, for whatever reason. They have not found him yet, and Damian doubts they will find him any time soon.

Danyal is the first son of Talia al Ghul and Bruce Wayne. He will not be found until he wants to be.

Damian will have to wait until then.

The DNA results come back after eight rounds of testing.

Ellie is indeed Damian's niece.

The closest matches to her in the database are Damian and Bruce, which all but confirms that Danyal is indeed the first blood son of the Bat.

Father stares down at Ellie with an unreadable look on his face. He doesn't try to hold her; Damian doesn't know if he should be grateful for this or not.

"I have another son," he says. "And neither you nor your mother ever told me."

"He was dead," Damian answers, "What use would a dead child be to you? Even I never met him until tonight. He was gone long before I was born."

"He's still my son!"

"He's a stranger," Damian bites back. "Why do you pretend to care now? He has never been a part of our lives before. You won't even hold his daughter."

Father flinches back, just slightly, but it's enough to know that the barb hit. Damian gathers Ellie up into his arms and heads for the stairs. "I will be going to sleep now. Ellie will stay with me. You are welcome to stay down here to search for Danyal, or you can get some rest to join me in shopping for Ellie. I will call Mother. Good night."

The others don't have the decency to wait until he's completely out of the Cave before they begin shouting amongst themselves. Damian clicks his tongue and looks down at Ellie, who's sleeping peacefully.

"Let's hope you grow up to have more sense than them," he says to her.

He lays her on top of the blankets, then curls up next to her. It's a long time before he's able to fall asleep.

Mother calls first thing in the morning. Damian's barely had time to brush his teeth before his phone is ringing, and he has to rush to catch it before the call ends.

"Is it true?" she demands as soon as he answers, "Was it Danyal?"

Damian bites back a curse. He said he'd call her. It would have been best if he had been the one to break the news, rather than anyone else, but it doesn't surprise him that no one listened.

"It's true," he says. "Danyal was in Gotham last night. He left his daughter in my care before disappearing. I was unable to speak to him more."

"How can that be," she says, breathless, "It's been decades since his death. The Lazarus Pit never returned him to me."

"It was him. That's all I know."

There's a pause as his mother gathers her composure. Then she says, "I will be in Gotham in a week. I will not be kept out of my granddaughter's life."

"I will make sure we have a room ready for you."

"Good. Take care, habibi."

The call ends without any other fanfare. Damian drops his head with a sigh and tosses his phone back onto his desk.

On his bed, Ellie is sitting up, watching him curiously.

"You and your father have caused a lot of trouble already," he tells her, and she claps her hands together.

When he goes downstairs, he immediately makes note of Drake and Brown's presence with displeasure. His hopes for a quiet morning are dashed before he even reached the kitchen.

"There you are!" Brown says far too loudly. She bounds up to him, ignoring his scowl, and peers at Ellie. "Hm, I'd guess around nine to eleven months, accounting for FTT and some malnutrition."

"FTT?" he repeats.

"Failure to thrive. If infants aren't care for properly, which includes cuddling, then they just… don't grow as they should. They end up smaller and weaker than is expected for their age."

"I imagine she was not taken care of properly, wherever she was before. She wouldn't have been left with me otherwise."

Brown looks troubled, but she blinks it away and smiles when Ellie reaches up to grab at her nose. "Hello there," she says in a soft voice, "I'm your favorite aunt. Don't forget that, alright! I'm your favorite."

Damian pushes her away. "She has no favorites."

"Not yet, but it'll definitely be me when she does!"

"Don't you have anything better to do than bother me?"

"No. But, in all seriousness, me and Tim are here to help. He gave me a rundown and what happened and I still have a bunch of stuff from my pregnancy classes that can help you. We also got some baby food and milk and formula for the baby, since she'll need to eat and be burped. I can walk you through all of that so you can start getting some experience in baby care."

Ah. He had forgotten that Brown had once been pregnant. That she gave away her own baby.

It must be hard for her to be on the other end of that situation, to watch someone take in a baby whose parent couldn't properly care for her, to muster up a smile and all the information she has to make things better.

"I would… appreciate that, Brown."

"Good! Well, lesson one starts now."

She throws open the door to the kitchen, where Drake is pressing the tip of a feeding bottle against the inside of his wrist. "Come here," he says to Damian. "Hold out a hand."

Curious, Damian does as told, and watches as Drake pressed the warm tip of the bottle against his wrist, where liquid splots out onto his skin. "That's about how warm it should be when you feed her. Here." He presses the bottle into Damian's hands, and it takes some adjustment before he can feed Ellie, who starts off slowly, then with more energy.

Brown tosses a rag over his shoulder, and instructs him on how to burp Ellie once she's finished eating. She coughs up some formula, then settles back into his arms, eyes closing as she begins to doze.

"I'll handle shopping," Drake says. "You need a crib, right? Maybe some toys… Just text me a list, I'll get everything."

"Why are you doing all this?" Damian can't help but ask. "We are not exactly… close."

Drake blinks at him, as though he's confused. "Because a baby is a big responsibility. And just because we don't always get along doesn't mean we're not family. She's my neice too. Doesn't she deserve to have more people in her corner?"

Damian can't argue with that, so he nods and lets Drake go to buy whatever he thinks is necessary. Brown lingers in the kitchen, making breakfast for them both in between sneaking glances at Ellie. Usually being watched so obviously would have him on edge and snappy, but he understands the urge to keep looking; he also can't take his eyes off of Ellie.

For someone so small to go through such hardship already… he doesn't understand how anyone can look at her and not want to keep her safe.

He wonders if anyone is keeping Danyal safe.

As much as he wants to go after Danyal, search for his resurrected brother, Ellie takes priority.

She's the one who's here to stay, after all.

Father doesn't come up from the Batcave all day.

Damian tries not to hate him for it.

He doesn't think he succeeds.

(masterpost for all parts)

[tzarrz]

i listen to fog lake too much

[captainjonnitkessler]

The second you start talking about some mysterious "they" that are controlling society in some fashion, you are engaging in dangerous conspiratorial thinking even if you're being woke about it. "They" did not institute the 40 hour work week specifically so you would be too tired to revolt. "They" did not invent the sleek minimalist aesthetic in order to crush the spirit of art in the common people. "They" are not pushing mediocre media into the mainstream in order to poison people's critical thinking skills.

Your best case scenario after that is you talk to someone who actually knows what the fuck they're talking about and you get embarrassed because you can't answer basic questions about your own ideology because you never learned anything past "the ruling class/capitalists/politicians are making things bad and if we got rid of them the bad things would all go away!"

Your worst case scenario is obviously the woo-to-fascist pipeline and you end up believing Jews are poisoning American food supplies with GMOs in order to turn us all into beta cucks, so like . . . maybe just stop blaming "them" before you fall down that route.

Obligatory round of disclaimers: Yes, sometimes people do bad things. Be specific about exactly who is doing what instead of ascribing it to some vague group of shadowy elites. Yes, sometimes things in society are bad. Learn to identify the root causes of complex social issues instead of assuming that they're actually extremely simple to fix and we're just not doing it because of some vague group of shadowy elites. Yes, minimalism isn't for everyone. Learn that some people don't share your tastes and get the fuck over it for the love of god.

[dead-body-in-the-basement]

Write a card to the birthday bastard

[mimimar]

finally completed my comic based on the song ivy by taylor swift!✿ please zoom in to read the text and see the details~

✿.✿.✿

you can get the digital zine pdf here! it includes extras like character profiles, costume design, more art of willow and ivy, zine-exclusive sketches and an illustrated guide to the symbolism of all the flowers in this comic.

you can also get prints of individual pages here!

✿.✿.✿

[aunmenosheteroenespanol]

2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered

Tommy's family arc

[lucabyte]

i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.

i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.

anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.

[corpsentry]

pick your battles

[risestarkiss]

Orange, Baby!

Rise Ramblings #316

When I think about Mikey, this scene always comes to mind.

As soon as they step foot in the library to save Mayhem, Angelo instantly disqualifies himself…hilariously.

On first watch, I found it interesting that he made this decision with no hesitation, especially given the stakes.

At the time I just resigned to him being a silly silly boy, but now I know better.

Yet, before we get ahead of ourselves, let’s explore who Mikey is.

Michelangelo Hamato is the youngest turtle in the family, and it shows.

Consequently, he seems to possess a certain “youngest brother privilege" that his other brothers just can’t help but reinforce. This is the role that Mikey was born into. Therefore, he doesn’t have to push himself to be the smartest, or cleverest, or strongest turtle.

Instead, he decides to be the artist of the family. He’s a creative! He expresses himself everywhere, from stickers on his own shell, to tagging the lair, as well as on paper. The world is his canvas!

Michelangelo also expresses himself in virtually everything he does, so it’s easy to understand why he’s the most open, honest, caring, and emotionally expressive turtle of the bunch. To some it could be seen as a weakness, yet Mikey uses his emotional intelligence as a pillar of strength, of which he utilizes to uphold his brothers when they need support the most.

In the show, Michelangelo often takes on certain personas; Doctor Feelings and Doctor Delicate Touch. (For some reason, they are all doctors, but that’s beside the point.)

At first glance, the personas could be seen as silly bouts of make-believe. But I think that placing these roles upon himself for his brothers' sake is Michelangelo’s way of helping them cope with the world by offering them what they each individually lack.

For instance, Raph, Leo, and Donnie have trouble voicing their discomforts when someone does something they don’t like.

In other words, they have trouble putting their foot down.

But here is Mikey to the rescue!

Dr. Delicate Touch has no such hang-ups.

Similarly, when Donatello runs into trouble, as he is unable to recognize his own emotions, it’s up to Doctor Feelings to help his desperate client in need.

Through taking on these roles, Mikey is able to support his brothers and fill the emotional gaps in his teammates, which, inevitably makes them all stronger.

How is Mikey able to do this and how does he have the strength to take on these roles?

You could think that it’s just in his character, meaning, it’s just how he is. I don’t think so, though. He’s a free thinker, and a creative, but there’s something about these roles that is specifically catered to the needs of his family.

Then I realized, the only reason that Mikey is able to help his brothers in this way is because they first helped him.

Let me explain.

All four of the boys grew up in the same household. Although Splinter tried his very best (there is no Splinter hate here), a single depressed parent doth not a stable child make. Raphael struggled with the burden of his responsibilities as an ad hoc leader (see Being Big Red), Leo struggled with expressing his natural talents as a middle child (see Being Baby Blue), all while Donnie struggled with carving out his place on the team and his feelings of uselessness (see Being Purple Part One and Part Two).

Well, what does Mikey struggle with?

In my humble opinion, nothing.

The struggles of his brothers all related to each turtle coming to terms with themselves and coming to terms with their place on the team.

Yet, due to the love and support of his brothers and father, Michelangelo never had to ask himself if he belonged, struggle with his role on the team, or make huge life-changing decisions that could affect everyone.

Michelangelo is free to just be Michelangelo.

And as a free spirit who is completely in tune with his own emotions, he is able to do things like this:

and this,

and this.

Let’s get back to the scene in the library.

Angelo sees the high stakes of his friend’s pet disappearing forever if they fail but makes the decision to disqualify himself anyway. Why? Because he knows that no matter what he does, it will all be ok.

He has complete faith in his brothers and their ability to solve the problem at hand, so he might as well have some fun.

This not the first time he’s come to this conclusion.

Through out this entire scene, Michelangelo plays in the background.

It’s scenes like this that makes me believe that Mikey’s faith in his family knows no bounds.

Altogether, his brothers and his father were everything he needed to become who he is. Reciprocally, he is free to be everything that they need him to be and more. Over…

and over,

and over again

he trusts them completely.

And through this unwavering trust in his family, he is able to trust himself and his instincts. He knows that with everything they’ve poured into him, he can save them from, well, everything. Over…

and over…

and over again.

Hence, due to all of this evidence, I believe that through the collective love of his family, Michelangelo became the best version of the Hamato spirit, and thus, the best Mystic Warrior of all time.

All because, he’s Orange, baby!

○○○○

Previous | Being Big Red • Being Baby Blue • Being Purple ○ Part One • Being Purple ○ Part Two

Finale | Being Hamato Yoshi

[quietwingsinthesky]

im just saying that if i had been in charge of s6 of doctor who, i would have fully leaned into the horror of amy's pregnancy, the loss of her own agency in it, the way she was used as a vessel to create a child she would never hold again, amy pond who never indicated once that she even wanted a child and was made to have one anyway against her will, and once they were done using her, they even took away any choice she might make about it in the future.

and i would have had this be a factor in amy and river's relationship going forward. how do you interact with a child you never knew, never got to decide if you wanted to have, and she's also already your friend, you love her as this miraculous, insane woman who has saved your life more than once. she's always known more about you than you could about her, but now you know exactly how much she was keeping from you. it's not like she could have told you, could have stopped it, but all this time, she was your friend and she was your daughter, and how do you learn to live with her?

[tofixtheshadows]

Id love to hear ur interpretation and analysis on falin! She’s one of my favorite characters and and I was wondering what ur thoughts on her are

Man, I struggle to think of anything I could say about Falin that others have not already said. But she's one of my favorite things about Dungeon Meshi too.

So much of the story revolves around Falin, and she's not even there. Tumblr loves to talk about haunting the narrative, but Falin might be one of the best examples of it ever put to page. She's dead. She's alive. She's dead. She's alive. She's alive but she's missing, she's alive but she isn't herself. She's dead but she might wake. She's dead but she's frozen in ice. She's alive but she's sleepwalking. They chase her ghost and they chase her body all through the story.

I think what Kui does with her is fascinating. Not just as character with a personality we can analyze, but as an object in a narrative- that's why I say she's one of my favorite things about the story, because I also mean it in a mechanical sense. As a writer, Kui's really good at misdirection- that is, setting you up to believe or expect something about a character or a plot, and then turning that on its head. It's most apparent with Kabru, but it works really well with Falin too.

Because the precious little sister is a very well known character archetype, right? So is the gentle healer. The heart of the party. The white mage girl. The damsel in distress. The martyr.

And this isn't a Laura Palmer situation, where we find out that beneath her wholesome surface there's something dark and troubled. No, Falin truly is a kind and gentle person. That isn't where the misdirection leads (and that, too, I think, is another misdirection- it's not "Plot twist, she isn't as nice as you thought!", which would almost be too easy).

The misdirection here is more about structure than about character (but also, yeah- a little about character).

What I mean is, with these archetypes firmly in mind, along with a whole other host of fantasy genre expectations, I think anyone who goes into Dungeon Meshi un-spoiled probably expects Falin's rescue to be an endgame event; at least on a subconscious level, where you're not really thinking about it but in the back of your head you're already stretching out the story to place Falin firmly in the distance. Fire breathing dragon at the bottom of the dungeon is perfect final boss material, right? Slay the dragon. Rescue the princess.

And Falin is the perfect prize in the traditional old school fantasy that the concept of the titular dungeon is a send-up to. Blonde (white), soft-spoken, sweet-natured, beloved by everyone. An angelic figure.

Maybe that's why Ryoko Kui gave her white wings.

It is sort of jarring when chapter 23 rolls around and it's already time to fight the red dragon. And it takes a few chapters, but they succeed. And then Falin's impossible resurrection succeeds. But by then you guess that this is not going to be the story you expected it to be.

I want to point out that Falin spends a lot of time getting, well, babied, post-resurrection. Marcille washes her in the bath, despite Falin stating that she's capable of washing herself. Marcille schools her about her mana use despite Falin demonstrating that she is not hurting for mana, and brushes aside Falin's explanations. Both Marcille and Laios refuse to actually tell her what happened. Laios scruffs up her hair like she's a little kid and scolds her for something she can't remember doing. Marcille explicitly calls her a little kid when Falin tries to talk about how much she's grown.

Of course I'm not saying that Laios was wrong to act like a big brother, or that Marcille shouldn't be worried about taking care of her shell-shocked friend in the bath. But the framing of it clearly shows a Falin who is struggling to be heard.

If you'd like to address the big gay elephant in the room while we're here, I want to state for the record that- whether you read her as gay or not -I think Marcille is completely oblivious during this. Because Falin is her little friend from school. Her best friend, yes, but also the young tallman student she, in her infinite elven wisdom, had to mentor and look after. Marcille has not yet accepted that Falin is an adult now, nor has she accepted that she, herself, is only barely past teenagerhood developmentally and is not nearly as mature as she believes. Of course she'd scrub Falin in the bath and fuss over her.

Falin, meanwhile, seems more than aware of her own adult body and the inappropriate way Marcille is treating it.

The mana-sharing scene is, I think, Falin trying to get a little of her own back. How do you like it, Marcille?

And she tries again in bed.

Maybe she's wondering if their relationship will change now that they're grown ups. If Marcille prefers her as a little girl, or at least as a woman who lets herself be guided like one; if Marcille will react badly if Falin keeps trying to assert herself. She also might be subtly trying to signal to Marcille that bed sharing, like bathing, carries a different weight to it when you do it as adults rather than as children.

With all this in mind, the decision to turn Falin from the precious prize they rescued into to the vicious dragon they have to slay, hits a lot harder.

Falin with a powerful, monstrous, destructive body. Falin, who couldn't even stand to cause people pain from using healing spells, slaughtering half a dozen people in brutal ways. And that's not her, she's being mind-controlled, but as an object in the story she has completely flipped. From damsel to threat.

And I love that she carries a little bit of that with her when she's resurrected again.

Because she's no longer the girl who's going to let herself be stifled by her brother's and her best friend's co-dependency, no matter how much she loves them. She's different now: stronger, eyes open, forging her own path instead of following in their wake. Falin is still going to come back to them again, but this time it won't be because they chased her. It'll be because they let her go.