#THIS. ISSO STUPID

[jjcocker]

ele vira mortal

[shippy-from-apocalypse]

Meu deus vontade de pegar o filho da puta que inventou que fruta faz mal e comer ele na porrada puta que pariu banana não faz mal pra saúde você não precisa "compensar" por comer a porra de uma fruta meu deus eu tô irracionalmente irritado você não tem que fazer porra nenhuma a pessoa tirou essa ideia do cu só pode

"Ain mas tem açúcar demais" morra mil mortes

[sumlaif]

[cupidhaseul]

Fucked up my oral korean exam

[sallieraptor]

[manifesting] lesbians... sapphics on my screen... characters I like... women... women kissing... lesbians... lesbians making out... yuri... but from the fandoms I'm into... women... for the love of whatever... lesbians... just show up in my tml... is it too much to ask... for the things I'm a fan of to appear to me... please...

[lqnar]

considering relapsing

[moonstruckme]

Olá, adorei sua escrita, peço desculpas por quaisquer erros de digitação (inglês não é minha primeira língua).

Gostaria de solicitar algo com poly!marauders reagindo a eles no meio de alguma discussão, e quando levantam a voz ou fazem alguma movimento repentino ela apenas se encolhe de medo

(só escreva se você se sentir confortável com isso, peço desculpas se for um assunto delicado)

No worries, sweetness! I worry I don't communicate this very well on my requests page, but so long as any abuse is in the past and not still happening while the story takes place, I'm totally good! Thank you so much for requesting, hope you enjoy it <3

cw: implied past abuse

poly!marauders x fem!reader ♡ 1k words

Your face is burning hot, and you’re hoping no one can tell it’s from how hard you’re working to hold back tears. 

“I’m telling you,” James says with a severity that doesn’t suit him, “they’re not good for you. You need to stop hanging around them.” 

“You have no idea what you’re talking about.” You wave him off, relieved that your voice comes out as even as it does. “They’re my friends.” 

“They don’t fucking act like your friends.” Sirius is looking at you like you’re stupid, and you try not to tremble in the face of his anger. Every muscle in your body had tensed at the first show of frustration, an exasperated huff from Remus nearly ten minutes ago, and it’s only gotten worse since. You know, logically, that this situation doesn’t call for fight-or-flight, but there’s no telling your nervous system that. “They left you drunk and completely alone in the middle of the night. They’re assholes.” 

“What, just because you don't like them?” You glower at Sirius from across the room, and James shakes his head disappointedly from the couch. “You don’t get to dictate who I hang out with!”

“You’re completely blind to it!”

“You’re being ridiculous!”

“That’s enough!” Remus roars, and everything else ceases to matter. 

Your shoulders hunch in to protect your middle, one hand coming up in front of your face instinctively as your eyes squeeze shut. 

It’s only an instant of terror, shooting through your nerves like a lightning strike, and then your heart starts beating again, now at double time. You raise your head to find Remus looking cracked open, mouth parted in silent shock and anguish. 

“I’m sorry,” you say quickly, holding up your hands as if to ward off the effects of what you’ve just done. You’re trembling all over. “I’m sorry, that was—I didn’t mean to.” 

“Sweetheart.” James starts to reach for you, then stops, wrapping his arms around his torso like he’ll lunge for you if not restrained. His voice is so quiet you can barely hear it over your own heartbeat. “Don’t apologize, please. Are you okay?” 

You nod, fighting the urge to shake out the adrenaline still working its way through your body. “Yeah, I’m fine. I didn’t mean to react like that. It wasn’t you guys, I’m sorry.” A traitorous tear skids down your face. You brush it away. 

“No.” The word sounds like it’s hooked from inside Remus’ throat and scraped forcibly out. “I shouldn’t have yelled like that. I’m so sorry.” He looks at you, eyes imploring. “Do you wanna sit down?”

“I’m fine,” you say again. 

“Angel.” James’ eyebrows come together in pity. “You’re shaking all over. Come sit, we don’t have to fight anymore.” 

You blow out a frustrated breath, ignoring the warm wetness on your cheeks as more tears escape. “I’m not—I don’t want to stop fighting just because of this. I feel like I’m manipulating you,” you say, tone edged with bitterness. “I’m not trying to, though. Can we just forget that happened?”

“Hey,” Sirius says, uncharacteristically firm, “stop that.” You’d been afraid to make eye contact with him before, but now you turn to find he’s looking at you like you’ve clawed his heart right out. You’re all the more miserable for it, for the pain you know you’re dredging up for him. You both have experience with raised voices and forceful gesturing. Both harbor old and unreliable notions about what those lead to, instincts you can’t shed. “You can’t manipulate us by accident, understand? You don’t always have control over reactions to things like that. Just…” His forehead creases with a helplessness you recognize. “Just take a breath.” 

He waits, eyes boring into yours, until you do. It shakes on the way out, but it feels good. 

“Okay. Do you want a hug?”

Your throat clogs so no words can pass through, but you nod, and Sirius steps toward you. His arms come around you slow but solid, feeling out how much you want. You press your face the juncture of his shoulder and his neck, hands clutching at his back, and he tightens his grip on you. Under your hand, you can feel his heart beating almost as desperately as yours. 

Sirius doesn’t quite release you as he walks the both of you to the couch, folding you into his lap, but you pull away once your tremors ease. James looks miserable with worry, and you take his hand, squeezing reassuringly. “I didn’t mean to scare you guys,” you say. It’s as close to an apology as you expect they’ll allow you. 

“Don’t worry about that,” Remus insists. “I mean it, I shouldn’t have raised my voice that way. Regardless of your history, it was uncalled for, and I’m sorry.” 

You give him the best smile you can offer at the moment. “It’s okay, really.” 

“You’re not manipulating anyone,” Sirius says, hand still tight around your waist, “but let’s save the rest of that conversation for another time, yeah?”

You nod reluctantly, and James gives Sirius a pleading look until he lets you go, nudging you into James' side. “I’m fine,” you insist again as he presses his lips to the top of your head, rubbing your upper arm. “Don’t worry about me.” 

He scoffs lightly, kissing downward to your forehead, the tip of your nose. “I always worry about you. Nothing you can do about that.” 

Some of the tension clears from Remus’ countenance as he watches you. “I agree, let’s pick that discussion back up when we all have clearer heads. Dovey, can I make you some tea?”

“I don’t need to be coddled,” you argue as James moves his attentions to your cheek. 

“Oh, let him,” Sirius says, rolling his eyes, “it’ll make him feel better. You can make me some tea, Moony.” 

“I’ll take some, too,” James says. “If it’ll help, of course. Actually, do we have any biscuits?” 

You laugh as Remus sets off happily for the kitchen.

[vashtijoy]

"why not join me instead?" akechi's "invitation" in conf 7

People come and go on whether this question of Akechi's is genuine or not. Opinions run the gamut from "I hate him for trying to take you away from your friends" to "Akechi wants Joker to be his accomplice".

Myself, I don't think Akechi means this as a serious question, for a number of reasons. I think this question is rhetorical.

Quick summary:

Conf 7 illustrates the similarity between Joker and Akechi, and that they're both committed to the showdown between them;

Rather than being an invitation, Akechi's question again illustrates that parallel—that neither of them will give up the things that matter to them to join the other, as Joker has asked him to do;

"I'll think about it" does not count towards the third awakening—and I can prove it. Rather, Akechi can't conceive that Joker would ever abandon his friends, and uses it as an outrageous example of something Joker would never do;

Joker's loyalty not only to his principles but to his friends is something Akechi values so much that he won't let Joker sacrifice it;

Akechi is not so much offering Joker a way out in conf 7 (there is no way out) as he's confirming for his own sake that Joker is still in the game. Is this still a battle between rivals, or is it an execution?

Let's take a look.

what is akechi really asking?

[long post is long]

Look at this line. Look at the question he's posing:

Akechi いっそ君がこっちに来るってのは?⋯今の仲間を捨ててさ。 isso kimi ga kocchi ni kuru tte no wa?... ima no nakama o sutete sa Why not join me instead...? All you'd have to do is abandon the teammates you have now.

It's very easy to focus on the first half of this question and miss the second. But that second half is the important part, the sting in the tail. The Japanese is a great example of wa building suspense: "Instead, what if you come over to my side, (AND THEN WHAT, AKECHI???????)"

The sentence is left hanging, with the weight of it unspoken (since wa emphasises what comes after it); Akechi is obviously not done speaking. And indeed, when he continues, it's a doozy:

"though, of course, you'd have to dump the friends you have now." (Yes, I think "friends" is often a much better translation of nakama than "teammates", fight me; it's even often translated as "friend" in P5 itself, or indeed, awkwardly, as "teammates and friends".)

Akechi is using the same verb, suteru, that you use for tossing something in the trash; the parallel meaning, "ending a relationship", exists in Japanese too.

Ryuji, Morgana, Ann, Yusuke, Makoto, Futaba, Haru, everything you've all gone through together and everything you've been—Akechi is suggesting you toss them aside like garbage. For him.

Now, I think part of Akechi would very much like Joker to do that. But he also knows better than to expect it. Because he knows Joker so much better than that.

Akechi has seen firsthand how loyal Joker is to his friends—remember on 1/2 how he says he investigated them all? He's seen some of the things Joker will do for them. He expects that blind faith to lead Joker to his death, much as Yaldabaoth does. But he also respects it.

This boy who's never had a friend, who's convinced himself the whole idea is stupid, is still drawn to the loyalty he sees in Joker. Even as he's preparing his own ultimate betrayal, Akechi recognises Joker's commitment to others. He understands treachery is bad, even though he himself is a traitor—just as he understands that murder is bad, and that doesn't stop him, either.

This question of whether or not Joker will betray his friends (and Akechi specifically) comes back on 2/2, of course—and in force.

so why does he ask

Akechi is not proposing that the two of them run off together. He's not asking to see what Joker will say. He doesn't impulsively make the invitation, and then run away when Joker says yes. He is, in fact, not even asking. He poses the idea of Joker abandoning all his friends as a counterexample. It's supposed to be something Joker would never consider, something he will find morally repugnant.

Which is why, if Joker says yes, Akechi is shocked, and essentially tells Joker not to make such stupid spur-of-the-moment decisions. Akechi is making a rhetorical point about what Joker is asking of him.

Remember Joker's statement that leads into Akechi's question:

Yeah. Joker either suggests that Akechi should give up everything he's doing and everything he believes in (even as Akechi confabulates about what those things really are), or he suggests, with the top option, that he's already done it.

And in return, Akechi says that Joker should join him... and throw away his friends and everything he's working for and everything he believes in, of course.

It's the second response to his question, where Joker turns him down flat, that makes it most obvious that this was what Akechi meant:

Joker それは無理だ sore wa muri da I'm not doing that. No way in hell. Akechi だろうね。 darou ne I thought as much. Akechi 分かるだろ、誰だって今の立場を簡単に捨てられやしないんだよ wakaru daro, dare datte ima no tachiba o kantan ni suterare yashinai n da yo I'm sure you understand. We all have our parts to play, and we can't simply leave those behind.

See what he's saying? ima no tachiba o kantan ni suterare yashinai—"we absolutely must not lightly set aside the positions we hold now".

Incidentally, yes, that's that same verb suteru that he used before, for casting aside or throwing away. Akechi is drawing a parallel between Joker's friends and his own goals—between the things each of them holds most dear, which neither of them will sacrifice, even to save the other. (Assuming you think Akechi would even be down to save Joker—but I do think conf 7 suggests that at this point, he might not be opposed to the possibility. It's just that it doesn't exist.)

the phone call

This parallel returns in the phone call afterwards, if you again tell him that you're rivals:

It's a little hard to tell from the localisation what Akechi is getting at, so let's take a close look:

Akechi 僕らにはお互い譲れないものがあって、そのためにも負けられない。 bokura ni wa otagai yuzurenai mono ga atte, sono tame ni mo makerarenai [lit. for both of us, these are things we cannot compromise on, and because of those things we cannot suffer losing.] Neither of us can afford to lose, because we fight in service of our principles. It's the same for both of us. Neither of us can afford to lose, because of these principles we won't concede. Akechi ⋯だからこそ、もしも君が自分を曲げたりしたら絶対に赦さないよ。 ... dakara koso, moshi mo kimi ga jibun o megetari shitara zettai ni yurusanai yo [lit. that's exactly why, if you were to warp yourself [that way], I would absolutely never let such a sin (t/n: note the kanji) pass.] And that is precisely why... I cannot allow you to change. ... And that's precisely why, if you betrayed yourself that way... I couldn't allow it. Akechi だって、僕が負けたくないのは『君』なんだから。 datte, boku ga maketakunai no wa "kimi" nan da kara [lit. it's you as you are now who I do not want to lose to.] As you are now, as you think now... I cannot allow you to win over me. The person you are now, with those principles, and that determination—that's the one I won't ever allow to beat me.

Here's my attempt at a translation again, so you can see it all together:

Akechi: It's the same for both of us. Neither of us can afford to lose, because of these things we won't concede. Akechi: ...And that's precisely why, if you betrayed yourself that way... I couldn't allow it. Akechi: The person you are now, with those principles, and that determination—that's the one I won't ever allow to beat me.

It turns out that this phone conversation, that was originally quite mystical-sounding and hard to follow (what were you trying to say, Akechi?) is quite straightforward. It ties into to his original question. "Will I join you, Joker? Well, what if you join me instead? Just throw away all your little friends for my sake? Of course you won't—because we're the same. Both of us have things we can't give up, no matter what—and if you tried to do that, I wouldn't let you, because I value you as you are...."

This parallel between the two of them is what conf 7 is about, from the text message that opens it to the phone call that concludes it:

It's the same thing again: neither of you can afford to lose, because you're fighting for your principles. The billiard table is the stage for this wider discussion.

The billiard scene, of course, is interesting for another reason—Akechi is giving Joker a chance to back out; he's testing his commitment, and perhaps hinting that he never intended to be quite where he is, either. He states at the outset that he's being indirect, that what he's saying is a metaphor—and then closes that metaphor with a very direct question: "Do you still intend to play this game?"

Akechi それでも君は、このゲームを降りる気はないの? sore demo kimi wa, kono geemu o oriru ki wa nai no? Even then... do you still intend to play this game? But despite all of that, you still won't fold, will you?

The Japanese is even more specific: Akechi asks Joker if he intends to fold—not whether he still wants to play, but whether he means to give up entirely! "This can't be what you expected, so how about it? Will you just give up? Does this mean as much to you as it does to me? Is this a game we both choose to play, or are you just a victim?"

How much of this is Akechi blowing smoke up his own ass?—casting the fact that he's about to murder the boy in front of him in a glowing, romantic light? Pretty much all of it, I'd say. He's dreamed of having a rival, someone to compete with who challenges him, but what he's got is quite a bit more than that.

Again, the rival imagery is what allows Akechi not only to accept this close relationship, but to frame it as a life-or-death contest that only one of them can win. It confirms to him that what Lavenza describes as "a truly unfair game" is actually fair. It's about making Joker's murder seem as much Joker's fault as his own.

but what happens if you say yes?

Despite all of this, you can choose to have Joker consider Akechi's "offer"—to discard Ryuji, Morgana, Ann, Yusuke, Makoto, Futaba and Haru like trash, and assist Akechi instead. It's tempting, I know.

I don't personally get the impression that Akechi likes this response, for a number of reasons. None of the three responses to his offer score confidant points, but there's something else in play: only one of these responses unlocks his third awakening.

See the F code highlighted in yellow? Only one of these three responses has it. "You're my rival" counts towards the third awakening. Rejecting him, with "I'm not doing that", does not—but more to the point, offering to be with him, with "I'll think about it", also does not!

The issue is confused because a number of us have taken option 1 (or indeed option 2, like me) and still got the third awakening on 2/2. It seems like you need some of the flagged responses, not all of them. But it remains the case that "I'll think about it" does not make Akechi more likely to have his third awakening.

What happens if you take this option?

Joker 考えておく kangaete oku I'll think about it. Akechi へえ、考えてはくれるんだ? hee, kangaete wa kureru n da? Oh? So you'll think about it, at least? What? You mean you'll consider it? Akechi ⋯でも、そういうその場限りの情はやめた方がいい。 ...demo, sou iu sono ba kagiri no jou wa yameta hou ga ii ...But I'd advise you don't say these things without their due consideration. ... Still, it would be better if you didn't trust such fleeting sentiments. Akechi 出来もしない約束はするものじゃないよ。 deki mo shinai yakusoku wa suru mono ja nai yo You shouldn't make promises that you can't keep, anyway. Don't be the sort who promises the earth and walks away.

A few grammar points:

んだ n da on a question demands an explanation; Akechi's question could almost be rendered "Why on earth would you need/want to think about it?"

そういうその場限りの情 sou iu sono ba kagiri no jou—"sentiments that only matter here and now". Essentially, "sentiments that won't last"—or that are makeshift or ad hoc; Joker is making a stupid spur-of-the-moment decision.

yes, 出来もしない約束 deki mo shinai yakusoku translates idiomatically as "promising the earth". The point is not that Joker should not promise; the point is that he shouldn't be the sort of person who promises so much—and then doesn't follow through.

Again, this confidant is all about Akechi's expectations for Joker. It's about the weird belief he has in him, like the belief he has in Shido—that Joker has principles and friends and will stand by them, that those things are important and matter, even if they're diametrically opposed to Akechi's principles and the things he wants.

The fact that they foil each other in this way is a large part of what makes Joker such a worthy opponent for Akechi. So if Joker turns around and says, sure, Akechi, I'll dump all my friends so we can make out?

Akechi does not like that. He thinks better of him!—he loses respect if Joker offers this. Even if that little line about "promising the earth" suggests that, actually, yeah, he would quite like for the two of them to run away together—if only they lived in a world where it was possible.

what about "you're my rival"?

I've discussed this line before, but let's go into it for completeness.

Joker 明智は好敵手だ akechi wa koutekishu da You're my rival. Nah, you're my worthy opponent.

Do you see that Joker names Akechi there? He doesn't just say, "we're worthy opponents", or even "you're my worthy opponent", koutekishu da yo.

No, he picks Akechi out by name, and then tells him exactly what they are to each other. Because wa builds suspense. Akechi wa... (what?! what is he?!) koutekishu da. "I can't run away with you, because I need you to be this to me instead".

And this is the line with the F-code. This is the line that, if you choose it, will build towards Akechi's third awakening—which is centred on his trust in Joker, on the fact that Joker is worthy of that trust.

And how does Akechi respond?

He's astonished. He did not expect this at all, look:

On the left, the top screenshot where he's waiting for your answer; in the centre, the moment of shock, where he's pulled away and dropped his hand and his eyes are wide; on the right, a comparative overlay just to demonstrate that he pulled back.

smiles that aren't smiles

I have a half-assed theory that you can tell when Akechi is really smiling—because the model will smile with him. If you watch, for instance, Ryuji, the model's expressions match the sprite's almost exactly. But if you watch Akechi? Nah, not so much.

Here's an example. Akechi appears to smile quite often through conf 7—but if you glance away from the sprite and textbox to the model, the model is pokerfaced. Five smile sprites on the optimal route through conf 7, and not one of them—not even "you truly are fascinating"—matches the model:

But when you pick "You're my rival"? Suddenly the model's face springs to life:

It's obvious from everything else that this moment is of deep significance to Akechi. But this little detail with the smiles suggests we can confirm it.

and what does he say?

It doesn't take long for him to pull himself together:

Akechi 同意だね、僕らにはなれ合いより対等な関係こそふさわしい。 doui da ne, bokura ni wa nareai yori taitouna kankei koso fusawashii I agree. I think a relationship of equals suits us better than being co-conspirators, anyway...

This is another one that I find unclear in the localisation, so let's have at it.

nareai suggests an illicit or unduly-close union. It suggests "being in bed together" in the business sense—cosying up, colluding, conspiring. It suggests they're working together when they shouldn't be. Jisho uses the screamingly-outdated term "common-law marriage" (what we call "living together") as an example. Essentially, it suggests they're too close—or even co-dependent, in a way that corrupts them both.

In short? Akechi's "co-conspirators", nareai, means "accomplices"—what we might call "murder boyfriends".

taitouna kankei—literally, "an equal relationship"—is a set phrase, and we know what it means. It suggests a relationship where nobody is being cheated; where everyone gets out what they put in. Where the two of them compete on equal terms.

That's a very Akechi way to look at relationships. But it's also a relationship where nobody is in charge; nobody is dominant, and everyone has self-respect. Nobody is chasing after anyone or sacrificing unduly, as either would be if they joined the other. Everyone can be who they are and say what they want. Everyone can say no.

It's the sort of relationship Akechi very notably does not have with Shido. Is it the sort of relationship he has with Joker, when the two of them are hiding so much from each other and lying so much, and there's so much, like, murder going on? Nah. But as an aspiration, as a suggestion of the sort of relationship Akechi would like them to have, alongside everything else he's told us about how he sees the two of them—as similar, as equals and opposites, as bound by their principles, as destined to fight—it's almost touching.

and what does joker think?

Akechi ⋯たとえこの先、何があろうともだ。 ...tatoe kono saki, nani ga arou tomo da ...No matter what else may change. ...No matter what might come next. Akechi それだけの事を言ったんだから、逃げないでよ? sore dake no koto o itta n da kara, nigenaide yo? In any case, what you just said carries great weight. Remember what you decided, and don't run from it. All right? [lit. don't run away just because of what [I/you] said, all right?]

I'm not sure about this. It feels like it should be referring back to Akechi's last line—"don't get cold feet and run away just because I alluded ominously to whatever's coming next, okay?". I guess it could be referring to Joker's commitment, with "You're my rival"? IDK, I'm out on this one, so I'm inclined to give the localisation the benefit of the doubt.

But it doesn't matter. Because the significance of what Joker does next doesn't change:

He nods. Akechi spends the whole confidant hinting that something ominous is coming, and that the two of them are heading to an inevitable confrontation, and Joker nods.

I don't think this is really consistent with interpretations where Joker is a meek little sheep in the interrogation room. Joker might not have chosen this, he might not have wanted it, he might have by far preferred to avoid it. He'd happily back out if Akechi would just drop the whole thing and agree to act sane. But he's committed to it. He agrees to fight.

Remember, conf 7 takes place after Joker hears the murder phone call. He knows what Akechi is. He knows what he's planning. He knows the stakes—and he agrees to play, to face Akechi down.

To quote @nardaviel, that's no sheep. That's a full-on "Phantom Thieves win again, motherfucker" smirk. Joker played Akechi's game, with everything he had—and he played to win.

[captainsavre]

Tá achando que vai me deixar pegando fogo e vai ficar por isso mesmo? Valentina & Luiza || Stupid Wife

[deusa-astaroth666]

English:

I did a traditional drawing of our desired Countess Phantomhive, Sieglinde Phantomhive Sullivan and her daughter Charlotte Phantomhive. I wanted to make Sullivan completely outside the Victorian beauty standard, I have the impression that Ciel is more attracted to scary girls who deviate from this standard, he doesn't seem to be interested in cute girls who are always crying and pretending to be weak to be saved. Sullivan has dead and scary eyes that make any small child cry, she has big, full lips next to an elongated face, thick, dark eyebrows, she always wears black and green and has a bored smile on her face, she is called of a witch by other children and they say that she can curse you with just one look, stories made by the youngest.

I already made a post talking a little about this universe in which I created her relationship with Ciel, but I said little about Charlotte.

Charlotte has heterochromia and is excluded by other children because of it, but she doesn't care, in her perception everyone is too stupid to have a long conversation, the person she most likes to talk to is Sebastian, she sees him as a false prince charming from children's books, he always says what she wants and needs to hear and they both have the same opinion about people. This is no coincidence, as Sebastian educated her and took advantage of molding her personality so that he would like to communicate with her.

As not everything is rosy, she has a normal obsession with stalking the butler around the mansion, always keeping him in sight, which Sebastian deeply hates as he finds it uncomfortable and this prevents him from using his demonic powers to finish tasks quickly.

Charlotte also lives close to her mother, Sullivan teaches her science and witchcraft during the girl's studies. In relation to Ciel, she feels a little fear and admiration for her father, since he is a very serious and busy man, difficult to impress, which makes her see him as a challenge to overcome.

Info:

Charlotte Phantomhive Sullivan, she is 11 years old, she was born on October 1st, international bat day, her favorite animal, she writes everything in cursive as few people can read texts like that (I was shocked when I discovered that many foreigners don't know it and don't know read words in cursive). She doesn't know it yet, but she is an intersex person (hermaphrodite), which also makes her have a voice and appearance of both genders.

Português:

Fiz um desenho tradicional da nossa desejada Condessa Phantomhive, Sieglinde Phantomhive Sullivan e sua filha Charlotte Phantomhive. Eu quis fazer a Sullivan totalmente fora do padrão de beleza Vitoriano, tenho impressão de que o Ciel se atrai mais por garotas assustadoras que fogem desse padrão, ele não parece ter interesse em garotas fofas que vivem chorando e se fingindo de fracas para serem salvas. Sullivan tem olhos mortos e assustadores que fazem qualquer criança pequena chorar, ela tem lábios grandes e carnudos junto de um rosto alongado, sobrancelhas grossas e escuras, ela sempre usa preto e verde e tem um sorriso pleno de tédio no rosto, a mesma é chamada de bruxa pelas outras crianças e dizem que ela pode te amaldiçoar apenas com um olhar, histórias feitas pelos mais novos.

Já fiz uma postagem falando um pouco desse universo que eu criei a relação dela com o Ciel, mas disse pouco sobre a Charlotte.

A Charlotte possui heterocromia e é excluída por outras crianças devido a isso, mas ela não liga, na percepção dela todos são muito burros para se manter uma longa conversa, a pessoa que ela mais gosta de conversar é o Sebastian, ela o vê como um falso príncipe encantado dos livros infantis, ele sempre fala aquilo que ela quer e precisa ouvir e os dois possuem a mesma opinião sobre as pessoas. Isso não é por acaso, já que o Sebastian a educou e tirou proveito para moldar a personalidade dela para que fosse do agrado dele se comunicar.

Como nem tudo são flores ela tem uma obsseção nem um como normal de stalkear o mordomo pela mansão sempre o mantendo em vista, o que o Sebastian odeia profundamente já que acha desconfortável e isso impede ele de usar os poderes demoníacos para terminar os afazeres rápido.

Charlotte também vive grudada na mãe, Sullivan a ensina ciência e bruxaria durante os estudos da garota. Em relação ao Ciel ela sente um pouco de medo e admiração pelo pai, já que ele é um homem muito sério e ocupado, difícil de se impressionar o que a deixa ver como um desafio a se superar.

Info:

Charlotte Phantomhive Sullivan, ela tem 11 anos, nasceu dia 1 de Outubro dia internacional do morcego o animal favorito dela, ela escreve tudo em letra cursiva já que poucas pessoas conseguem ler textos assim (fiquei chocada quando descobri que muitos gringos não conhecem e não sabem ler palavras em letra cursiva). Ela não sabe ainda, mas é uma pessoa intersexo (hermafrodita) o que também a faz ter uma voz e aparência de ambos os sexos.

[charlenefrl]

Bucephalus rates Alexander novels

Hollywood pic of Bucephalus, who probably had a cropped mane and looked more like a Spanish pureblood than a Frisian.

Hello mares and foals! These past months, a nice lady read way too many books about Alexander. Here are my advices about which books to avoid and books you should read.

Keep reading below the cut!

MUST READ

I am the great horse (Katherine Roberts): The tale of Alexander told from MY POV so obviously the best book, Five stars.

Bucéphale (Pénélope Jossen): 32 pages of Alexander being very cute with me, that's 100% of the book this author knows her priorities, five stars.

MAYBE

Dancing with the Lion: Becoming: The story of Alexander the Great, before his rise (Jeanne Reames): I have no POV in this and had to read it twice to decide that Hephaistion's horse having a personnality is worth some stars. I am not sure about the part where Hephaistion is riding me, I don't want people to think I can actually be nice. I'll give it two stars because we see a lot of horses.

The lion's cub (L. M. Zorn): I am the one who started the love story between Alexander and Hephaistion so it does deserves some stars, also Hephaistion has named horses and I like to have friends!

Lord of the two lands (Judith Tarr): I have no POV in this and the only horse that shows up has bad manners, but it has a cat and for some reason you humans like cats.

The Lion of Macedon (David Gemmell): One star for me getting an origin story but I'll take it back because it's a FALSE origin story.

The virtues of war (Steven Pressfield): I don't show up a lot but when I do I'm the best, that deserves one star.

AVOID A choice of destinies (Melissa Scott): I have no scene in this and die offscreen at the beginning of the book, NO STAR.

Hisutorie (Hitoshi Iwaaki): This is a manga about Eumenes so of course I don't show up a lot. I am very puzzled by Alexander and Hephaistion being the same person and I have to give zero star to Alexander being the most stupid Alexander I ever carried on my back.

Memnon (Scott Oden): I have ONE scene in this. ONE. No point in reading this book.

The golden mean (Annabel Lyon): A book told from Aristotle's POV who, for some reason, isn't paying any attention to me. To me! He's too busy teaching Arrhidaios to do human things, I guess. Zero stars.

The twin soul of Alexander (Lawrence M. Scheier): The boys spend so much time getting laid they don't have any left for ME. I get that having a herd and grooming your mares is important, but so am I!

Archias the exile hunter (The Issos incident and The Siege of Tyr) (Robert Fabbri): Those are short stories but if the author had time for Hephaistion to look pretty, he had time to make me look good! He didn't, zero stars!

I DON'T KNOW

A fire from heaven (Mary Renault): I don't even remember if I show up in this.

Alexander, child of a dream (Valerio Manfredi): I don't know if I show up in this because the woman reading the book did not finish it, according to her it was "the worst Alexander book she ever read" or at least, the most badly written.

Note from the human who actually read those book: The only book on this list that I DON'T recommend is the one from Manfredi. The others are not always well written, but I found something great in each.

If I had to name one favorite, it would be Dancing with the lion, since it's the only one I read twice from the beginning to the end.

[sunshyni]

STUPID CUPID – WONBIN

wonbin × fem!reader wc. 0.5k

gênero: fluff (?), frenemies to lovers

contém: protagonista cacheada e que usa óculos

📎 notinha da Sun: finalmente respondendo um pedido de janeiro (desculpa, @gabiixalves KKKKK Juro que tô tentando melhorar 🙏), mais um escrito no ônibus e o primeiro texto do Wonbin 🤗

boa leitura, docinhos!! 💌

Wonbin era de longe o garoto mais popular do colégio, enquanto você era a CDF comum, o clichê perfeito. No entanto, você tinha a língua afiada, falava o que vinha à cabeça sem se importar muito com as consequências, e, mesmo dizendo o contrário, Wonbin adorava isso. Ele adorava a forma como você o provocava, encarando-o nos olhos enquanto dizia que jamais se envolveria com ele — o que era um erro. Como já dizia Justin Bieber: “never say never,” certo?

A questão é que naquele dia em específico iria rolar um baile de primavera na escola. O tema? Cupido, grande Eros, e tudo isso se encaixava perfeitamente na estética de Park, que chegou pertinho de você enquanto procurava algo para tirar a secura da boca e da garganta. Uma mão pousou docemente sobre a sua cintura de costas, e os lábios dele se aproximaram do seu ouvido.

— Resolveu sair da sua torre, Rapunzel? — Ele perguntou, e todos os pelos do seu corpo se eriçaram de imediato. Você ajustou os óculos e se virou para contemplá-lo. Ele estava, obviamente, impecável, vestindo uma calça jeans e uma jaqueta branca brilhante. Apenas a jaqueta branca brilhante, então você podia ver também o abdômen definido dele. Até vestia umas asinhas de fada que deviam ser de uma menininha de 6 anos, mas que ficavam perfeitas nele.

— Ai, não me enche, garoto — você disse, mas adorava a atenção. Apontou um dedo para o corpo descoberto dele e tocou perto do coração com o indicador. Wonbin seguiu o movimento como o fanático que era por você. Apesar de vocês esconderem isso um do outro, se adoravam, e sempre havia uma tensão quando se encontravam. — Tá achando que a escola é desfile da Victoria’s Secret, angel?

Ele sorriu enquanto você bebericava a bebida escolhida, uma versão de soda italiana caseira feita com água com gás e suco de uva de caixinha. Wonbin esperou, observando enquanto você desviava o olhar e bebia o líquido. Assim que terminou, ele roubou o copo da sua mão, tomando cuidado para beber também onde estava a marca do seu batom avermelhado. Seu coração acelerou, e provavelmente suas pupilas dilataram, como as de um gatinho ao ver um bom salmão.

— Você gostou, né? — Mais um sorriso fingindo inocência. — Isso pode ser seu se você quiser.

Wonbin se aproximou ainda mais, colocando o copo de soda na mesma mesa de onde você o pegou. Ao lado de vocês, ele colocou um cachinho definido seu atrás da sua orelha, retirou seus óculos devagar e olhou nos seus olhos sem a proteção das lentes.

— Eu amo isso aqui, te deixa irresistível — ele disse calmamente. Parecia que você tinha sido capturada por um feitiço; só conseguia olhar para ele, para a pele exposta, para o rosto lindo dele. Ele segurou uma de suas bochechas com a mão e te beijou suavemente, deslizando os lábios nos seus, te invadindo com a língua com gostinho de hortelã. Quando se separaram, você mal podia acreditar no que tinha acabado de acontecer. Respirou fundo, mas no final deu um sorriso.

— Você arquitetou tudo isso? — Você perguntou, sentindo um friozinho bom na barriga. Wonbin segurou sua mão e sorriu como um menininho travesso.

— Na verdade, é sua culpa. Você me deixa maluco todo dia — ele disse sem hesitar, e beijou o dorso da sua mão como um cavalheiro do século XIX. — Culpa desse estúpido cupido.

@ sunshyni. Todos os direitos reservados.

[theoport]

ㅤㅤㅤADOTE UMA CAPINHA ❀

-> não adote se não for usar a capa! eu não vou colocar prazo para postagem, mas daqui uns 3/4 meses vou conferir se já foram postadas. se não foram, entrarei em contato com quem adotou para saber se ainda tem interesse na capa ou se pode voltar para doação.

-> as capas estarão acompanhadas de um plot sugerido, mas não obrigatório! no formulário tem um espacinho para o plot que você irá usar.

-> caso você use a capa e depois a troque por outra de outro capista, entrará para a minha lista de banidos de doações e pedidos.

-> não farei modificações nas capas além do user!

-> para ver a capa com mais qualidade, clique nela.

FORSAKEN VALSE — Minnie from (G)I-dle

plot sugerido: Os séculos XVII e XVIII carregam um grandioso mistério a respeito dos vampiros. Os céticos dizem que eles não existiram, os cientistas afirmam que foram extintos e os religiosos juram de pés juntos que estão aprisionados no inferno. Minnie, a última da linhagem pura de vampiros, está presa no Vale das Sombras; e, se quiser que a humanidade saiba a verdade sobre a existência de sua raça, precisa reviver o tortuoso caminho que fez séculos atrás.

GUILTY — Taemin from SHINee/solista

plot sugerido: Após presenciar o assassinato dos pais aos 17 anos, Taemin passa a ser atormentado por espíritos malignos na mansão onde morava.

SYRACUSE - Shuhua from (G)I-dle

plot sugerido: O governo dos Estados Unidos costumava fazer parcerias com o governo da China para experimentos contra a lei e os direitos humanos. Na cidade pacata de Syracuse, o subterrâneo era palco do experimento mais extremista já criado: Yeh Shuhua, escolhida pelos governos para ser a vítima, era submetida ao extremo calor e o extremo frio, mas isso a concedeu força e vitalidade suficiente para criar um desejo anormal de vingança, porque, apesar de não ter contato com o mundo externo, sabia que o mundo não se resumia a quatro paredes brancas.

A QUEM ENGANO - Joy & Seulgi e Wendy from Red Velvet

plot sugerido: Amizade. Eu as vi na mais pura teia da vida; e as matei. Da inveja eu vivi, talvez — se quem vence me incomoda, eu venço o dobro.

PULP FICTION - Hueningkai from TXT

plot sugerido: 1850, Inglaterra. A vingança ainda é um prato que se come frio. Hueningkai entrou para a mesma vida que o pai, a herança dos assassinos de aluguel. Mas o que acontece quando lhe oferecem milhões para matar seu parceiro de trabalho?

YOUNG, DUMB, STUPID - Karina e Gisele from Aespa

plot sugerido: A adolescência é o momento mais esperado e mais odiado. Espinhas, skincare, amizades, festas da escola... Tudo isso era parte da rotina de Karina, a somar com seu canal de dicas de beleza no YouTube. Mas uma concorrência aparece para virar sua vida de ponta cabeça: o ícone de beleza japonesa, Gisele, cruza o corredor bem na sua frente. De um país para o outro, de repente! Só tem um jeito de acabar com isso: fazer Gisele desistir do seu canal.

MEAN BOYS - Jake e Sunghoon from Enhypen

plot sugerido: Secretamente, os inimigos da escola, Jake e Sunghoon, são reciprocamente apaixonados — e descobertos quando alguém conta isso no site de fofocas da escola.

THE WITCH - Seulgi from Red Velvet

plot sugerido: Aquela vila no meio do nada tinha um segredo. A ameaça das bruxas crescia, e de repente muitos partiram de doenças misteriosas, ou desapareceram sem deixar rastros. É naquela vila que mora a última Bruxa de Salém.

ME AND THE DEVIL - Jin from BTS

plot sugerido: Do outro lado do vidro da loja de conveniência, Kim Seokjin encara sua própria imagem. Doppelganger, eles se chamam.

THE DEVIL EYE - Jisoo from Blackpink

plot sugerido: Sentada àquela mesa está a desgraça e a fome. Através do olho do diabo, Jisoo controla a humanidade.

[agressivieandrophilia]

Sometimes men, when they are in groups, have aggressive, somewhat violent fun. Some sensitive people consider this stupidity, but it is in this aggression that they have fun and become stronger, more resistant, more brutal. Men seek to increase their masculinity through sweat, through the use of their strength, through overcoming their fragility. That's the fun of a man, he may be stupid, but that's how he becomes more manly every day

Algumas vezes os homens quando estão em bando se divertem de maneira agressiva, um tanto violenta. Algumas pessoas sensíveis por considerar isso estupidez, mas é nessa agressividade que eles se divertem e se tornam mais fortes, mais resistentes, mais brutos. Homens buscam aumentar sua masculinidade no suor, no uso de sua força, na superação de sua fragilidade. Esse é a diversão de um homem, pode ser estúpido, mas é assim que se tornam cada dia mais másculos

[sallieraptor]

I wouldn't dare send an ask without being anon... even to my mutuals. if they know they know

[viajandopelomar]

I get SO pissed off whenever I see a video on tkk about characters who achieved everything vs characters who are just there for a keychain, like Taryn. Then on Taryn's side is NESTA, then on the other side is Aelin, Jude... FEYRE. Like, what would Feyre be in the fairy world without Rhysand "saving" her ass in UTM? What would become of her if he didn't give her an exorbitant salary without her even raising it because she was his partner (and yes, she would be as dependent on him as she was on Tamlin, it's the same shit), because she didn't even have an attitude as an emissary. The one who negotiated the most was Rhysand, her sisters gave up the house and Feyre was even practically humiliated for being an EMISSARY with a crown twin to the male whose reputation is summed up as being a mind destroyer 🙂.

Is this salary really fair or did she only get it because he won her over by showing that he was a good man?? But Nesta, who went to the meeting, didn't get a damn thing. Oh, these people saw it. Take Rhysand's dick away from Feyre and what's left? She doesn't even have the ability to speak on behalf of humans. Nesta would have done better in the fairy world than she did (if Sarah hadn't ruined Nesta to create more books). I affirm and sign below!

Feyre's intelligence is SURVIVAL, other than that, she's stupid. She doesn't do anything on her own, and she hasn't achieved anything on her own that involved anything other than survival instinct. I'm not belittling her, obviously, Feyre from ACOTAR was awesome, but the one in the other books is shit. What did she achieve? If she didn't even get her own power, she received it, and it's such a LARGE amount that Helion compared it to a missing fish scale, that her sisters didn't even notice she was a fairy until she showed it. Does she really have that much power? Get better, Tkk, get better, I hate getting angry. I don't know why this shit comes to me if I don't like any of it 🫠

🇧🇷 Eu fico MUITO puta sempre que vejo algum vídeo no tkk sobre personagens que conquistaram tudo vs personagens que tão lá só de chaveirinho, tipo a Taryn. Ai no lado da Taryn ta a NESTA, ai no outro está Aelin, Jude... FEYRE. Tipo, o que seria de Feyre no mundo das fadas sem Rhysand "salvando" o rabo dela em UTM? O que seria dela se ele não desse um salário exorbitante a ela sem que ela sequer soubesse que era porque era parceira dele (e sim ela seria tão dependente dele quanto foi de Tamlin, é a mesma porra), porque atitude mesmo como emissária ela não teve. Quem mais mais negociou foi o Rhysand, as irmãs dela cederam a casa e Feyre foi inclusive praticamente humilhada por ser uma EMISSÁRIA com uma coroa gêmea a do macho cuja reputação se resume a ser um destruidor de mentes🙂.

Esse salário é mesmo justo ou ela só recebeu porque ele conquistou ela mostrando que era um bom macho?? Mas Nesta que foi pra reunião não recebeu porra nenhuma. aiai, esse povo viu. Tira o pau do Rhysand da Feyre e sobra o quê? Nem capacidade pra falar em nome dos humanos ela tem, Nesta teria se dado melhor no mundo das fadas do que ela (se Sarah não tivesse estragado Nesta pra criar mais livro) afirmo e assino em baixo!

A inteligência da Feyre é a SOBREVIVÊNCIA, fora isso, ela é burra. Não faz nada sozinha, e não conquistou nada sozinha que envolvesse algo além de instinto de sobrevivência. Não é desmerecendo, óbvio, a Feyre de ACOTAR era foda, mas a dos outros livros é uma bosta. Conquistou o quê? Se nem o poder dela ela pegou, recebeu, e é uma quantia TÃO GRANDE, que Helion comparou a uma escama de peixe faltando, que as irmãs dela sequer notatam que ela era fada até ela mostrar. Será se ela tem tanto poder assim?melhore, Tkk, melhore, detesto passar raiva. Não sei porque essas merdas aparecem pra mim se eu não curto nada disso 🫠