#THIS IS NO MAGAZINE GET OUT

[duncanor]

WHY IS THERE ADS INSIDE MANGA NOW 😭

What in capitalism is this..

[ifyoucandaniel]

ummm so have y’all seen that GQ photo shoot…?

this is sort of a joke for @bluelotuswrites fic The Hellblazer’s Apprentice on a fun way for bruce to find out jason is in fact alive and well. it’s also just an excuse to draw all blades jason shirtless bc i’m a hoe 😔

edit: now with fic!!! please go check out blues fun fic about model jason!

[zu-is-here]

Studio Magazine #2 ft. the bday boy ♡

[10/10] Cross from xtaleunderverse by jakei95

[froggtogs]

rockin’ out!!

[ultravioletbrit]

“ball” - Jegulus microfic - @into-the-jeggyverse - 305 words

Regulus is sitting on the couch with one foot tucked under him and James’ feet in his lap and he’s absentmindedly playing with the hem of James’ joggers. He’s reading a fascinating book Pandora got him about the interconnection between Greek philosophy and mythology; James is reading a magazine that Regulus has never heard of. Regulus is getting lost in the moment until he hears Sirius snickering from across the room, he tries to ignore it, but Sirius doesn’t stop.

“What?” Regulus looks up, annoyed.

“You guys are the literal embodiment of ‘you know how to ball, I know Aristotle’.” Sirius chuckles.

“Did you just compare us to a Taylor Swift lyric?” Regulus raises an eyebrow.

“I mean…” Sirius gestures between Regulus and James.

“You mean what?” Regulus narrows his eyes.

“What are you reading?” Sirius asks instead of answering.  

Regulus reluctantly looks at his book about Greek philosophy then just glares at Sirius who cackles in response. “So? James is also reading?” Regulus tries to justify.

“James, what are you reading?” Sirius asks.

Regulus looks at James who’s trying very hard not to giggle when he says, “FourFourTwo.”

“I don’t even know what that is.”

“It’s my football magazine, love.” James tells him with a chuckle.

“Face it, Reggie. Your relationship is a walking, talking Taylor song.” Sirius leans back with a smug smile.

Before Regulus can respond, Barty and Evan walk in the living room and throw themselves on the other couch. “Hey, Sirius? You want to play video games with me and Ev?” Barty asks, unaware of the current conversation.

James and Sirius look at each other and burst out laughing.

“Oh, for fuck’s sake.” Regulus mumbles and rolls his eyes.

“What?” Barty looks between the three of them.

“It’s Taylor’s world, Barty. We’re just living in it.” Sirius tells him.

“Well, obviously.” Barty rolls his eyes.

[sol-consort]

Easy to forget that Jaal IS living his fantasy of "hot aliens come knocking at your door to whisk you away on space adventures in their technologically advanced alien ship"

Like we're the aliens this time around, coming to his home planet, getting him on a spaceship with a variety of hot aliens. In a single day, Jaal's life took a turn for the harem anime protagonist road.

This is a full on monsterfucking fetish to him, we are the monsters he wants to fuck.

And he's an alien enthusiast. He was writing "alien x reader" on angaran Wattpad since he was a teen.

[fatehbaz]

patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.

this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.

the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.

so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.

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ok, found some

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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.

Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.

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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?

Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]

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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.

Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]

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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.

Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.

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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).

Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.

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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].

Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]

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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.

Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]

[pouletpourri]

happy halloweenies y'all :p

[bottombaron]

just me thinking abt the insidiousness of the Familiar Clinic

a place where every familiar is recommended to be put down

not because of any injury or disease

but because their vampire cared about them enough to take them there in the first place

[charmac]

Danny did a little interview for AARP Magazine in December. I haven't seen it copied anywhere past the paywall and I enjoyed reading it, so wanted to repost here

(Article is pasted as text below the cut)

Noisemaker I was born in Asbury Park, New Jersey. I was the baby, my sister Theresa was 10 years older, my sister Angie was 16 years older, my mom had two sisters, and none of them shut up, ever. It’s an Italian family, so the decibel level is out there. A little smart aleck I went to Our Lady of Mount Carmel School, because if your mother and father didn’t know what to do with you, they gave you to the nuns. … and still a smart aleck I remember when Peter, my nephew, was born. I was 7 years old, and I went over and looked into the bassinet, and the first thing he did was pee on me. It was great! I don’t think there’s a conversation I’ve had with the guy over all these years where I don’t bring up the fact that he peed on me. Also an old softie Do anything you can to keep on an even keel with your family and friends, no matter what happens in your life. That’s all we have. Don’t hide things. You’ve got to get up every day thinking about how you’re going to make it easier for the people that you’re working with or that you love or that you eat breakfast with. Because it’s infectious; everybody starts feeling good. Falling into the business Growing up, I’d spend the weekends at the movies, but I actually wasn’t even thinking about doing it. I got introduced to the American Academy of Dramatic Arts in a roundabout way, took a couple classes, and I got the bug. And I thought, I’m not like Cary Grant, but I got a feel for this thing. So I studied, and then I went and started looking for jobs in New York, like every other actor does. I didn’t care what the description was—“male, 6 foot 4, 250 pounds”—I’d go out for the audition. Once I got in the room, I’m going to do what I’m going to do. Becoming Louie I wanted that part, Louie DePalma [in Taxi]. I walked into the room to audition in front of the four guys who created it, and I said, “One thing I want to know before we start. Who wrote this shit?” And I threw the script on the table. And I had a nanosecond of, did I screw everything up? Then they fell on the floor. Louie walked into their lives. Sudden fame I went to the market the day after the first episode aired, and people are stopping me on the street: “Hey, Louie!” They weren’t calling me Danny. After a couple of days of this, I called my publicist, and said, “This is really crazy. People are chasing me down the street.” He says, “Danny, you don’t have to worry until that stops happening.” Now it’s all, “Frank, Frank, Frank!” because of It’s Always Sunny in Philadelphia, which is good. The fans are all you have. Still evolving I think I’m bolder than I’ve ever been—I don’t monitor myself as much. I do say things that are, like, pretty far out, that are really weird, and sometimes I’m inappropriate. But I am always respectful, and that’s because of my two sisters, I swear to God. You have to respect other people’s space.

My happy place Since my two grandbabies have been born, I am just in- corrigible. You gotta tamp me down in the joy department, you know what I’m saying? I’m just so lucky. Blessings have been showered down on me. I wish that for everybody.And the thing is to be aware of it. Don’t let it go. Rhea [Perlman, DeVito’s wife, from whom he is separated but with whom he still spends a lot of time] and I were always able to see those little, incremental changes when our kids were growing up. And I tell my kids that, with their babies: Don’t miss a thing, don’t look away. A sudden case of holidays I’m in the movie A Sudden Case of Christmas with my daughter Lucy, who plays my daughter. It’s just a real warm, wonderful movie, and I loved doing it. As far as the actual holidays go, we have family dinners. Basically we’re Italian, so you know, anybody who’s around, we grab. We get to celebrate all the holidays, because Rhea’s parents were Jewish, so we did all the Jewish holidays, and we do all the Catholic holidays or Italian holidays. My mantra It’s always a good thing to be positive about life, and always get out of bed thinking today’s the day you’re really going to kick its ass. That’s the way to do it

[welcometoteyvat]

Teyvat Style: magazine mockups (1/?)

insp: 1 2

[forgottenkirbyfacts]

forgotten kirby facts 51 - in the 2018 nintendo dream june interview, kumazaki expanded on some information about hyness that was only lightly touched upon in the main game:hyness' worship began out of wanting for his clan to be saved from ending, but began to fall into obsession with worship quickly, neglecting the clan and deciding to seek revenge rather than their survival, additionally, it seems his corruption by the heart wasnt like previous cases of corruption, being more aware and willingly, and possibly from him never being much of a good person.

(from DREAM june 2018 interview, scans and translation r a courtesy of @desultory-novice , ty!)

[ouroboros-hideout]

RABBLE ROUSER MAG ISSUE 01

Alyona "Aon" Petrova 06/???

[nguyenfinity]

Presenting EnSeason, a monthly release magazine featuring ES idols! This inaugural January issue is Trickstar following the announcement of their TRIP album :]

Image without text below the cut:

rendering got my ass on this one

[oshaskell]

Gay semiotics (1977) by Hal Fischer (Buck and Eddie edition)

[ritz-regrezzez]

25 days of moodboards day twelve! (nostalgia)