#THIS EPISODE WAS FUCKING GLORIOUS

[justkeepwalkingnothinghere]

Spoiler warning for The Owl House episode ‘For The Future’!

HOLY SHIT THIS EPISODE!!

I’m still having to process it! Everything! Everything happened!

Everyone got turned into puppets, King is adorable AF, Luz’s palisman hatched (finally!), I FREAKING LOVE STRINGBEAN, more chaotic gremlin Collector, Mattholomule jumped into my top 10 and now I want him in the hexsquad, more adorable Lumity moments (Luz smiling at Amity using abomination magic again will live in my head rent free for the rest of time), Boscha and Kiki were both hilarious, Eda and Lilith are looking great, Camila once again proves herself to be mom of the century, Raine got to see Harpy Eda finally (Raine’s face will also live rent free because it’s adorable AF), Willow’s arc was handled amazingly, HUNTLOW BECAME CANON HOT DAMN, AND BELOS POSSESED RAINE IM GOING TO KILL THAT MAN ON SIGHT.

Also Eda saying that she just likes to see Raine along with everything else in this episode has broke me, so I’ll be in my bedroom screaming. Cya!

(And yes, Raine is hot with the mullet, thank you for asking)

100/10, will watch again.

[shirozora-draws]

It's WHAT day today!? Not me already feeling weird about working on two sketches to post the same weekend as that sketch I posted for the first time in months only to find out that Today is the Two Year Anniversary of The Day Dinluke Took Over My Brain.

(It's not 12AM yet, this still counts as a 12/18 post)

Anyway.

Been dying to do some nice proper "the staircase fic is firmly on my mind" sketches. This version of Luke actually shows up later in the fic and the shape/cut/color of his robes are also influenced by Padme's wardrobe. Din's look has appeared on this blog before and is super duper influenced by what we saw of Aq Vetina's residents in the flashback scenes. The, uh, holocron plays a smaller part than it looks but I bought a holocron at Disneyland and wanted to have fun with my new reference.

Have I posted about the staircase fic on the art blog? It is live and currently posting as Gravity Well on AO3.

[nyxi-pixie]

if your ship has never said anything unbelievably suggestive to each other that the mainstream audience somehow can ignore like it didnt happen or sound like that then are they even your ship?

[queerdiazs]

tease tidbit tuesday 🫧

hi friends, i'm procrastinating doing my fema courses in favor of watching season 4 <3 have a lil bit of eddie vs the hoa

It’s just—Buck is big and it kind of drives Eddie a little crazy.  Like? God, okay. He’s a little stupid over it. You’ll have to forgive him.  He is so big, right, larger than Eddie and Eddie isn’t a small guy. He’s filled out since finishing his probationary year, settling in his career and getting comfortable in the life he chose for himself and Chris. He’s more functional muscle than big gains; his stomach’s soft, protected by a sweet layer of fat, but his core’s solid and his arms are twice the size they used to be when he was twenty-seven.  See? He isn’t small.  But, like, Buck’s just bigger, wider and broader and thicker, and there’s something so delicious about having somebody that large at his mercy, at his every beck and call. Buck has this quality about him, no matter his size, like he’s always ready to drop to his knees and let himself be taken care of, and it has Eddie’s head buzzing in a way that most definitely isn’t from the beer. 

tagged by @wikiangela, @jeeyuns, @devirnis, @disasterbuckdiaz, and @daffi-990 <3

tagging @spagheddiediaz, @puppyboybuckley, @evanbegins, @honestlydarkprincess, @exhuastedpigeon, @thewolvesof1998, @theotherbuckley, and @monsterrae1 if any of you wanna share!

[wickedwitchofthesouth]

"Its just a burden, nothing glorious about it"

"Its just a burden, nothing glorious about it"

"Its just a burden, nothing glorious about it"

"Its just a burden, nothing glorious about it"

"Its just a burden, nothing glorious about it"

"Its just a burden, nothing glorious about it"

[chaoticvictorianspirit]

Actually, I like codependency in fiction. Let people love each other exactly in the way they long for and need. Just because they are capable of functioning seperately doesn't mean they have to when all they want to do is spend their days together and share the tiny blip of existence they have left with one another. And I'm sorry but I'm tired of screenwriters pretending that learning to be miserable on your own is somehow a superior story arch as well as a moral virtue somehow. Maybe you want realism in your fiction but I for one want my comfort characters to morph into a singular entity. I want to treat them the way I did gummy bears as a child and just leave them out in the sun until they melt together into one solid block of sweetness. Reality is already depressing enough. Friendships end. Love fades. Life gets in the way and seperates people who aren't ready for their journey together to be over yet. Loved ones leave us all the time and sometimes there's no good explanation and it's unfair and painful and too often there's nothing you can do about it. And sometimes the one person you wish you could talk about it with the most is the one that's leaving and it fucking sucks. [And I get that this is precisely why we need these themes in fiction to confront these feeling and cope with them in a setting removed from reality but that's not what this post is about damn it.] I just wish this weren't the only angle we got. I wish we also got the "easy" happy endings, the unrealistic friendships, the kind of closeness that isn't portrayed as weighing you down but rather lifting you up. I wish fairytales weren't only for children and I wish adults didn't take such pride in forgetting they were children once, too. Can't we at least have the nice things in our little made up worlds?

TL;DR: Girls should get to have their little escapist delusions. As a treat.

[calebs-hangout-corner]

Thinking about Brooke again

[rragnaroks]

any time i walk in the woods these days i'm liable to have outwardly random bursts of mirth. smiles, giggles, full on chuckling alone in the middle of a forest. i'll move on and a bit later the same will happen again, until eventually i will have to stop and lean on my knees to have a proper laugh. all because of a branch i've seen out of the corner of my eye reminded me of a covert werewolf park ranger and his very reasonably presented concern about eye-level sticks

[starsplit]

Watching his dark materials ep 3 and the ending on Pan being all 'Lyra wait' as she charges towards the land of the dead? Oof next episode is gonna HURT when I get a chance to watch isn't it?

[ap-trash-compactor]

I might also be biased in favor of TAZ Graduation not only because I am shocked by how misplaced, unfair, and just ridiculous the complains I have heard sound stacked up against the actual content, but also because I fucking love Fitzroy Maplecourt. Absurd boy. Best character.

[mr-and-mr-pendragon]

Balinor: You hear that shit, son?

Merlin: How did you know I was your son?

Balinor: What

Merlin: What

Arthur: hmmmm ueueueueu merlin.....

[neko-naruto]

me when i have five gigabytes free and want to unload a torrent of yuri on ice so i can transfer it to a usb stick so i can watch it on the ps4

[hanaaria]

OH MY FUCKING GOD BRENNAN LEE MULLIGAN IS A FUCKING EVIL GENIUS

[tobiasdrake]

*deep breath* Okay. Here we go.

I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.

But the way it handles its female cast is troublesome.

Katara

So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.

They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.

And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.

Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.

This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."

"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.

Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.

In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.

But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?

No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.

And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.

In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.

Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.

Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.

The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.

Suki

Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.

They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.

Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.

Yue

Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.

"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."

Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.

They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.

Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?

June

June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.

Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.

She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.

Kyoshi

And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"

She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.

Azula

Awkwardly, they do not seem to want you to despise Azula.

There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.

This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.

They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.

This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.

Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.

Conclusion

The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.

Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.

But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.

The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.

"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."

The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.

[choas232]

G/N Chatty reader x Steb 𓆝 𓆟 𓆞

Summary: In which you grapple with feelings you don’t yet understand by talking a certain enforcer’s ears off. Forced proximity makes everything worse, as it tends to.

CWs: Profanity. Canon typical violence. Reader has some bias about Zaunites they probably need to work on. I wrote most of this at 10pm at night, so be warned.

No use of Y/N, neutral terms and they/them are used to refer the reader. Set in episode three, season 2.

Word count: 2.9k

𓆝 𓆟 𓆞𓆝 𓆟 𓆞𓆝 𓆟 𓆞𓆝 𓆟 𓆞𓆝 𓆟 𓆞𓆝 𓆟 𓆞𓆝 𓆟 𓆞𓆝

“God. I’m starving. And tired. I barely slept at allllll last night. Do you think the Grey’s keeping us awake? Our glorious leader Kiramman sure wants it to, dragging us along at this cracking speed. It’s been a whole week, too. I’m gonna drop dead, at this rate.” You lament. Your fellow enforcer does not comment from his place behind you, his footsteps echoing around the pipe.

Graffiti crowds the metal surface, amateur artworks, declarations of love, violence, and scripts you don’t recognise cramming themselves over one another, space sparse and sought after. It’s not Jinx’s work. Still, there’s a chill on your back you choose to attribute to the profanities.

The people of the underground sure know how to decorate, that’s for sure.

You two have been chosen to scout out a fairly low-danger area in search of a Zuanite’s sighting of Jinx. He did say it after a hefty heaping of Grey was funnelled into his lungs and a gun was held to his head, but Caitlyn is paranoid enough to bark at shadows, and you will oblige, if only to keep her happy.

It’s not like any of you are much better. Loris is quieter than ever, Maddie jumps at the smallest sounds and of your companion… you have no idea. You never have. Steb’s inner workings remain a mystery to you.

You turn. “Are we there yet? We should be there soon, right?” Steb nods distantly, more focused on the setting around you.

This part of the pipes is yet to be flooded with grey, so you can see him clearly without the obscuring mask.

His light teal skin, thin lips, nose, sharp, angular features. His neat uniform. His polished posture. He is distinctly and utterly out of place amongst the chaos that surrounds you. His eyes are so blue. So opalescent, shining like pearls in his eye sockets. Is that weird to notice? How much detail is it normal to notice about someone? You should probably stop looking.

His ribbed ears flick back, ever so slightly, eyes flicking to meet yours for a brief moment.

You look away. “Uh.” His eyes. His blue eyes. Blue. “God. I’m sooo hungry. Hah. I haven’t eaten since this morning. The rations are running out, and all the Zaunite stuff Vi is bringing in is uhm, questionable.”

You don’t look behind you again, your mouth moving quicker. Your breath is tight, probably because of the steady stream of words flowing from your mouth. You think. “I would kill for a good sandwich. Or two. I might have to resort to cannibalism—”

Hands enclose around your collar and yank you back with force.

Below you, a human sized-hole lined with rusted, broken metal grating, a slowly, ever spinning fan—

Your heart staggers in your chest like a drunkard. Images of your empaled, scraped, body twisted and pressed beyond recognition cram into your skull, rattle and scream.

“Fuck.” You mumble, quietly. Steb’s hand releases your collar. “C-close one. Thanks. Fish-sticks. How didn’t I see that?” You laugh. He doesn’t. It isn’t funny.

He brushes the shoulder pads of your uniform off, carefully but hastily looking you up and down. He keeps a respectable distance between you, but you can still see his adam’s apple bob as he swallows. You mimic him. Your mouth feels dry.

He fixes you with a look as his hands drop to his sides, and although his face usually retains some semblance of ambiguity on it, you know exactly what he’s thinking. Watch where you’re going.

“Sorry doc. I…” You trail off. You should stop talking. You probably talk so much around him because he makes you nervous. Why does he make you nervous? Your usual slamming of thoughts trickles dry. You have no idea.

Carefully, you two traverse over the great gaping hole in the pipework. How did you miss it? You don’t sure don’t miss how Steb watches you hawk-like though, and the following guilt is low and prickling in your gut. He goes first, and every small unprompted movement of yours has him stiffening, arm moving to steady you.

“Jeez. Don’t mother hen me, I’m all grown-up, I assure you.” You bat him away, landing with a clang! of the metal against your boots as you leap across the last segment. His frown is resounding.

A corner stretches before you, now. You let him go first with a swing of your arm just in case the metal of the pipe opens up to attempt to swallow you yet again. “All yours,” He obliges.

It’s an open space. Milky green light filters through the roofing, painting the graffiti stained flooring monochromatic and hazy. Two other pipes adjoin to the room, and a mural of Janna clad in white laced with metallic armour bounds over the walls. It looks exactly like what was described, which is worrying, because hey, Jinx!

The sniffling child is even more worrying, though. Looking up, she brushes away dark locks  from her face and bursts into prompt tears. “Please, m-my-my… my leg. it really hurts.” She wails.

Sure enough, one of her legs is crushed under a slab of tin, making itself known as the cause of the light filtering through the roof. “Please. Please.” Snot dribbles down onto her ragged shirt, her big brown eyes blown wide.

Steb is already gone before you can access the situation, bounding over.

Poor kid. You wince, tapping your fingers against your lips. Probably just playing with the ball you see perched nearby when shoddy craftmanship led to tragedy. Still… “Jeez. Think to consider a trap? No? Just me.” You mutter.

“Just you.” The voice from behind you amusedly whispers, and then you feel the cool rim of the gun pressed against your skull.

Fear makes a mockery out of you. Your thoughts accelerate, snapping at each others heels, but you cannot think. You aren’t really the brawlers of the team. He’s the field medic, for fuck’s sake, and while you can handle yourself in a fight this is more of a Vi job. You regret mocking her cuisine choices. This is probably some kind of sick karma. Sick? You feel sick. God, your stomach is writhing, your insides eating each other up.

Steb, still blinded by his tunnel vision, hauls the tin off of the girl. His ears flick down as he peers down at the clean space beneath, clean of blood and gore. Her leg, unblemished and by all means healthy looking, curls back into her body, and then she bursts outwards like a spring, down the nearest tunnel.

Too late, he looks back at you.

“I’m sure they require you topsiders to rattle a few braincells together to wear that fancy uniform. They don’t need allll of them, do they?” The man holding the gun to your head calls out to him. Flesh drips from his arms, lanky and lean, pressing against your neck as he holds you into him. You smell the shimmer on his breath before you see his blood lined eyes.

Steb jerks forwards. Bruisingly, the gun slams into your skull. “Move and their brains go BOOM! Hands in the air. Now.” He snarls, and Steb freezes in place, slowly raising his hands. You can see him breathing, hard, heaving breaths.

More people clamour their way out of vents, behind slabs of wood. You count at least four. Shit.

Shit.

This is bad.

“Woah! Talk about dramatics, huh?” You start, and almost in shock, the man holding you to himself grip loosens. From Steb’s place, you can see the wrinkle that lines his mouth when he gets stressed creep into existence. (That’s normal to remember. You should know when your coworkers get stressed. Part of the job, and all.) He slowly shakes his head. You mouth, trust me. He shakes his head harder. “Maybe we should talk this out? Civilly, tea and biscuits? …No?”

“It stopped being civil when you went for one of mine.”

Of course that guy you beat the shit out of gave you the location of an ambush. He was all too eager to speak, and when you go poking your hand down foxholes, it’s going to get bitten off. You feel both incredibly stupid and incredibly self-satisfied, you knew it, and you went here anyways.

“One of yours? I mean, we probably didn’t mean to? It was probably a mistake—” he shoves the gun down your throat. Spittle drips down the barrel. You taste dirt and gunpowder. You taste the blood leaking from your tongue.

You taste fear.

“Well? Your bag.” He gestures loosely to Steb.

Steb locks eyes with you as he gently tugs the straps off of his back, letting the hefty bag land to the floor with a thump. Carefully, he steps back, raising his hands in the air once again.

One of the hovering goons quickly snatches it, tugging it open. Medical supplies, bottles, all-the-like clatter the ground, but she continues shifting through hastily, eyes slowly narrowing. The last of our food supplies…, you mournfully think, quickly followed by Caitlyn is going to kill us, and she’s probably right to.

“You told us there would be hex tech, you fucking liar.” She drops the bag carelessly, starting towards the man holding you. “Well, do you think I’m some sort of prophet? You knew that it was an estimate.” He snaps back, grip on you loosening, the gun shifting out of your mouth to point towards the soft flesh of your cheek, spreading out your blood clouded spit as it does.

“I think you set us the hell up. You promised we’d split the money, but where’s the money now, huh? I gotta family to feed, hired work is dropping like flies with the chem barons at each other’s throats, which means I missed on any number of begging clients for this shit.”

You get an idea.

“Oh, for fuck’s sake.”

It’s a terrible idea.

Steb tears his gaze from the arguing pair to meet your eyes, perhaps on some precognition of the mistake you are about to make.

You wink, grab the gun pressed to your cheek and then you yank.

It comes as cleanly as expected, the man’s adrenaline rattled, drug loosened reflexes nothing for the shock you give him when you take the gun from his hands, and than run. Surprise gives you the upper hand, yells clouding your soundscape. You still manage to pick out Steb’s footsteps, clean and even behind you as you barrel down the nearest pipe.

You run harder than you’ve ever run, past graffiti, with only your breath, the calls behind you, your heartbeat and the echoes of his and your boots slamming against metal to guide you.

You turn the corner so hard you slam your side against it, feeling your already bruised cheek cry out in pain in time with your yelp, and you stumble. Steb catches your shirt and yanks you right back up, and then you’re in another wide-open space.

Your head swings around, fear hammering around your ribcage like a desperate songbird.

Steb grabs your shoulder, gesturing with his head. You follow his gaze. There’s a smaller pipe in the wall, covered by a draping of torn fabric, and you rush towards it before you have any time to think, the fabric draping over your hair, the surface cool under your fingers.

He follows, your pursuer yells barrelling into your ears as the curtain draws shut.

The space is tight, circular, not even big enough for you to stretch out an arm and not brush the opposite end. Your back is pressed flush against the concrete and plaster. Your legs cage Steb, as do his, looping over one each other, his knee bent at an angle that’s for sure going to hurt later. His arms clutch the walls of the tube, yours resting bent in your lap.

He leans down, and his fingers gently grasp that stupid beret of his and tug it down onto his lap, before he pulls his head back up, his head scraping the roof. He’s a least a head taller than Maddie, and although you’d like to think of yourself as average, you are now grateful for the height you lack.

“OVER HERE!” Did they see you? Is this it? What can you do, two against at least five or so. You mean, counting has never really been your strong suit under pressure, and who’s to tell? Are you going to die? Are you going to die, your legs pressed into his midriff?

The gold smattering across Steb’s undereyes and nose adjoins with the darker turquoise scales lining the cavities his eyeballs are strung into, carving out little gold, blue, orange stripes, like the ones on the fish you and your parents used to gawk at the aquariums had.

Are they going to cart out your body to your parents, after your fellow enforcers find you, crammed into a hole in the underground? What would you had died for?

His eyes are so blue.

He blinks, smooth, deep lapis overtaking the gleaming surface of his eyes before his eyelids do. He has a second eyelid. How did you never notice?

His lips, perpetually downturned as they are, his steady line his eyebrows carve themselves into, his perfect posture, even as you are cramped within the pipe, the smooth, angular frame of his cheekbones all of it make him look like one of those forever uninconvenienced paintings the councillors hang from their mansion walls. He looks calm. His stupid snooty resting face cannot fool you. You know he isn’t.

His lips are parted, the gap between his front teeth visible as he stares down the opening of the tunnel like a loyal family dog. His little giveaway.

Maybe his inner workings aren’t such a mystery, after all.

He makes you nervous. He makes you so nervous. He makes you into a wreck.

You think you might be in love with him.

—and your pursuers are rushing past you, all until you can’t hear their voices and you’re alive. You’re alive and you’ve never been so happy to tomorrow eat shitty Zaunite food and have Caitlyn yell at you for loosing supplies and talk and talk and talk until your throat is raw.

You don’t. Talk. You don’t talk.

He’s looking at you.

You feel like a fool.

You sit there, just looking at him too. His eyelids slip halfway, letting you count the short lashes that frame them. His expression relaxes, loosens, ever so slightly, his arms moving from the wall of the tunnel to his lap.

You could sit here with him for hours, death inches from you both, and you could be happy. You could be suspended in disbelief and plausible deniability; you could allow yourself to lie. Your heart is pounding from the adrenaline, of course. Your face is pink because of overexertion, and you kind of want to kiss him because you’ve never kissed anybody and you may as well as get it over with before you die, right?

He points to his face. You blink, and then he points to yours. You brush your finger cheeks against the flesh and feel the sting of injury, spittle and blood on your fingers. Right.

Right. He’s looking at you because you’re injured right?

Of course he is. (Disappoint is still food, and you swallow it.)

Gently, he reaches into his breast pocket, pulling out a handkerchief. Instead of sparring you and handing it to you, he merely carefully holds your head, one hand on your jaw and the other gently patting down the mess on your cheek. His head is tilted. You feel your heart slam up your throat, a throbbing, horrible pain that lets you part your lips to let the breath escape you before it can choke you.

The hand cradling your jaw moves a careful finger up to brush your lower lip.

Accident, of course. He’s not even looking at them, rather, the mess, taking his sweet time as he does, so very gentle.

You think he might be the danger, not the hell that is the pipework, nor the Grey, nor not the man with the gun

He pulls back, tucking the handkerchief back into the pocket and shallowly inclining his head towards the opening.

With a long look back at you, he crawls out of the hole first. You follow, dizzily. Ever the gentlemen, he offers you a hand as you push your way out of the hell that made you. You take it and feel incredibly guilty for doing so, stumbling to your feet.

He fastens his beret, usually a sign from you to inwardly (or outwardly) mock his silly hat, still watching you. You do not, in fact, mock him. You might be shaking, in fact, and that thought makes you hate yourself more than you could ever despise that ugly navy piece of fabric.

He frowns, and then he gestures to your mouth. You flinch without meaning too. “Huh?”

He mimes speaking, shallowly opening and then hastily closing his mouth

He's right to be concerned.

You haven’t spoken since you two trapped yourselves in the tunnel, after all.

𓆝 𓆟 𓆞𓆝 𓆟 𓆞𓆝 𓆟 𓆞𓆝 𓆟 𓆞𓆝 𓆟 𓆞𓆝 𓆟 𓆞𓆝 𓆟 𓆞𓆝

Notes: Thank you for reading!! :)))) STUPID. IDIOTS IN LOVE. Him under the guise of medical assistance letting himself touch you... bro isn't slick whatsoever. If you have any ideas, be sure to drop them in my ask box, there is lack of fic on him holy hell. As a side note, we all need the comfort after season two part two holy cow…

[petralvr]

HII little dump pls scroll:

Lukas sorta screenshot redraw but it’s not rly the same pose

Redraw of jesse screenshot because I love the picture sm he looks so polite

my glorious goats

and wgat probably happened in episode 1 I think (I genuinely hate this and the anatomy is fucked but I wanted to include something that’s not just a character standing in the white void 😭😭)

guys!!! I promise!!! I will post actual scene drawings with backgrounds soon pls