#THIS DIDN’T GO AS I PLANNED LOL

[bunnisanblog]

“I NEED GOOD DICK!” (but make it suggestive fluff)

Your roommate, Satoru, overheard you (quite loudly) expressing your needs to your friend over the phone. He makes his way to your door that was open just a crack and he leans against the wall and essentially eavesdrops on your rambling about your most lewd fantasies. He finds himself smirking the longer you go on about your ideal type.

“I just want a tall man with light hair. Maybe light eyes too?” You tell your friend, looking at your ceiling fan. You were on your back, your legs sprawled out onto the bed. Admittedly, you already tried to you know, finish yourself off, but it’s just not the same as a man’s touch. Little did you know that the certain man you were subconsciously thinking of was already listening in, taking mental notes on the ways he can drive you crazy and pleasure you in ways you’ve never experienced.

“That sounds awfully like your roommate… Satoru, right?” Your friend snaps you out of your fantasy and fills your head with the moments you’ve looked at Satoru as more than just a roommate. The way his hair goes in every direction when he greets you good morning with his deep voice. Oh god, don’t get me started on his voice. How can such a raspy morning voice sound so smooth and mellow at the same time? You wonder how his voice would sound saying other things besides good morning… or how “good morning” would sound like when he wakes you up with it right next to you after…

“Well, what do we have here?” You’d recognize that voice laced with confidence anywhere. In fact, you were just fantasizing about it.

“Satoru, what are you doing in my room?” You sit up and instinctively close your legs.

“What was that again, about a tall man with light hair and light eyes?” He smirks, walking closer to you until he’s towering over you on your bed.

Your eyes were wide, realizing that he heard everything, from the way you look at him sometimes and check him out to how you’d like to be raw dogged and disrespected (respectfully). You tell your friend that you’d call them back and focus on the situation at hand. “How much did you hear?” You ask him, looking up with those big eyes that honestly makes Satoru melt inside.

“Enough to give me the reassurance to do this,” he says, before leaning down and planting a kiss on your lips. His lips are soft, and the way he kisses was more gentle than you thought it would be. Regardless, he takes your breath away. He cups your face with both of his hands and deepens the kiss. You don’t know what comes over you, but you swipe your tongue at his bottom lip and he gladly receives. You taste the most recent dessert he ate on his tongue, and you can only wonder if he tastes the same dessert of his you may have stolen bites from.

When you pull away from each other, you’re both breathing heavily, looking into each other’s eyes with so many questions. Since when did you feel this way towards the other? How long have you both been resisting the urge to kiss one another and confess everything right then and there?

“I have a lot of questions…” you say, blushing harder the longer he stares at you.

You giggle when he moves his face closer to yours, his bangs tickling your skin. “I have one first,” He playfully flicks your forehead, making you flinch in surprise. “When are you planning to replace my fruit tart you ate more than half of?”

[dovesick]

endless night

[captainmaxatx]

Late Mermay idea!

Orca mer Ghost in an aquarium but he is almost always hiding and quite depressed so the aquarium decide to give him a little more enrichment.

With humans lack of mer knowledge they come to the conclusion that because orcas eat seals then surely an orca mer would eat a seal mer. They decide that during closing hours (to avoid guests seeing the blood bath that will surely follow) they will drop a live seal mer into ghosts tank so he has the natural experience of hunting instead of just being fed slabs of meet.

But mer’s don’t eat other mers, regardless of secondary species.

So when seal mer soap is dropped into his tank, ghost just thinks he’s being given a very energetic handsome roommate.

And the humans are confused as to why ghost hasn’t eaten the seal mer yet

[chez-cinnamon]

ANARCHYYY!!! Everyone wants to be me!~

Thank you PASWG OST I spent three days on this and I’m so exhausted lol /pos

Closeups of the duo!! Honestly excited to work on them more tbh-

Also TikTok process video, idk how to make them feel like I made them but I’m trying-

[nottspocket]

Mermaid AUs are so lovely to see. Are they childhood friends in yours, too?

Maybe, i imagine Katsuki has kept gifts Izuku might have brought to him. Seashells, or nice looking rocks, probably with a few fossils inside them?

Ohoho I’m so glad you see my vision (prev here)

Ramblings in the tags

[leverage-ot3]

hozier starting to sing take me to church and then unfurling a pride flag healed something in me actually

if you listen closely you can hear me yell ‘oh my god’ when he does it

[bestworstcase]

Anything from Volumes 1-3 that is setup that you don't think is given enough attention or respect for good setup?

Sidenote to this:

Open seat with no person in it + Salem having someone looking for the Choice Relic was hinting at Summer Rose. Did we have anything hinting at her pre Beacon's Fall or just things that she fits given additional context?

regarding summer specifically, while i wouldn’t call them hints per se, there are a handful of beats in v1-3 that smell like foreshadowing to me:

the first is “she was right about you; such arrogance.” – cinder might well be referring to salem here, of course. however. what strikes me about this remark is that arrogance is not a characteristic that salem seems to perceive in ozma; rather she describes him, in her soliloquies and songs, as a self-destructive, deceitful, manipulative fool blinded and trapped by his faith in the old gods. cowardly. fallen from grace. think of what she says to oz in 8.9—look how you’ve diminished, how you’ve lessened yourself—she sees him groveling at the feet of tyrannical monsters and sees debasement.

does it follow for salem to characterize ozpin to cinder as, primarily, arrogant? i’m not convinced it does. but summer rose? well… hm. consider, also, that the full line is “this whole time, right beneath our feet… she was right about you; such arrogance…” <- i think it is more likely than not that “she” is someone inside the brackets of “our,” and in context “our” is either [cinder + ozpin] or [cinder + her associates physically present at beacon].

in the event that “she” is not part of “our” the more naturalistic phrasing is “beneath our feet… salem was right about you” – because “she” otherwise has no antecedent. of course, some allowance here for this to be a narrative choice not to name salem yet, but we’re one (1) episode off from revealing her face and by this point we’ve known for a while that cinder works for someone else, so the choice to drop the name here or in the volume credits is of fairly trivial importance. unless of course cinder isn’t talking about salem.

second: “Oh! We've also stopped some bad guys, too! I guess it's like they say: "like mother, like daughter"! I still wonder why Ozpin let me into the school early…” [laugh track] – obv this part of ruby’s address to summer’s memorial headstone foreshadows ozpin’s conspiracy and team strq’s involvement therein. but it also foreshadows this exchange:

RUBY: We don’t have to kill you to stop you, and we will stop you. SALEM: Your mother said those words to me… she was wrong, too.

and i think it bears pointing out that ruby is wrong here, and later in the volume qrow specifically calls attention to this and lays out why she’s wrong. team rwby didn’t stop the bad guys; they cut off one avenue of attack and cinder circled around from a new direction that took advantage of torchwick’s imprisonment, and this also resulted in the public break between ozpin and ironwood which eroded the cohesion of the inner circle. ergo, ruby thinks she stopped the bad guys but in the long run the consequences of the breach all benefited salem.

looks into the camera like im on the office.

like mother, like daughter!!!

further, that sequence of events ultimately leads to the final confrontation between her and torchwick – wherein he declares “if you can’t beat them, join ’em,” and shortly gets eaten by a grimm right after making it clear that he intends to kill her. torchwick’s death is thematically motivated – a narrative rejection of his cynical every-man-for-himself, dog-eats-dog outlook – but consider that:

summer rose, if she is indeed salem’s willing agent, is certainly at beacon tonight – because she’d be the one who stayed behind to hold the fort.

summer is thus the one salem instructs to “reinforce our numbers at beacon,” meaning the grimm; that instruction only makes sense if the person receiving it can communicate with or command grimm. ergo, summer must have some degree of control over grimm.

ruby is disarmed and on the ground getting beaten by a man who fully intends to kill her, and a grimm swoops down out of nowhere to eliminate him faster than he can blinks. and then… the grimm rears up, roaring at her, and comes down with a sweep of its wings that creates a blast of air that pushes her away. that isn’t aggression!! that’s a defensive threat display!! (the feilong in v4 does the exact same thing – trying to push the boat away). it’s ruby who charges the gryphon, and while it lunges forward in reaction to her charge, all that happens is she gets her feet on its head and pushes off to leap over it, and the grimm goes fucking flying so hard it crashes into the ship’s interior and never emerges. the point being,

math.

it’s plausible that the grimm was drawn to torchwick’s murderous rage. but the way it behaves immediately after it swallows him – that very clear “get away from me please” body language, and ruby -apparently- kicking a grimm the size of a goddamned clydesdale dozens of feet and then through the hull of a literal warship? ruby is strong, but she’s not… that strong. but if the grimm didn’t want to engage her and propelled itself under and past her at the same time as she vaulted off its head? that would explain what happens perfectly – ruby’s kick altered its launch trajectory just enough that it crashed.

minutes later, someone loyal to salem scraped a very badly injured cinder off the top of beacon tower and left ruby alive where qrow would find her. salem’s vested interest in keeping ruby alive is VISIBLE throughout the battle for beacon, and notably include a perfect opportunity to capture her while she’s in a coma atop beacon tower that isn’t taken – suggesting that salem makes her singular attempt to capture ruby solely to reassure cinder that Something is being Done.

and if summer rose has command over grimm and was at beacon that night… the gryphon’s behavior is exactly what i’d expect if all the grimm had marching orders to insure this one girl in particular – the spitting image of their commander – doesn’t come to serious harm. there’s a nonzero chance that gryphon did in fact save ruby On Purpose!

…and that happens in the context of a fight between ruby and the bad guy she thought she stopped (but she was wrong), who joined salem because “if you can’t beat em, join em.” (salem voice) she was wrong, too…

also

<- like mother like daughter. summer had a nevermore’s eye view of the battle for beacon, in this essay i will –

third: this one is something i didn’t really Think About until v9 and specifically the v9 ost dropping, but some of the things cinder says in v2-3 strike me as like – she got that from summer im sure of it. for example, in midnight, cinder’s view of huntsmen is that they’re free, they have power, they can go anywhere and do whatever they want, and rhodes never contradicts this. where did she get “huntsmen and huntresses should conduct themselves with honor and mercy”? who taught her the aspirational moral ideal?

summer rose, maybe.

but in the deeper sense,

where did cinder get the ‘destiny’ conceit? her underlying beliefs about how the world is are a product of her childhood, but the overt framing of fate/destiny isn’t present in midnight; nor has salem ever spoken of destiny and her philosophical views are in many ways a rejection of destiny – salem does not believe in fate, she is the woman who dedicated her life to toppling the gods.

and on close examination this looks like yet another suspiciously summer rose shaped hole!! “you’re special, ruby […] special the way your mom was special […] it was said that those born with silver eyes were destined to lead the life of a warrior.” – in after the fall, ozpin gives coco an entire pep talk whose central conceit is embracing and submitting to the turns of fate – sacrifice “show them gods and deities/blind and keep the people on their knees” & guide my way “you were born to hypnotize them all/they all said their prayers/can you hear me up there?”

cinder, of pyrrha: “people assume she’s fated for victory, when she's really taking fate into her own hands. interesting. add her to the list.” & “it’s not about overpowering the enemy; it’s about taking away what power they have.”

<- that second statement is salem’s strategic doctrine, through and through. but the ‘power’ cinder is talking about here is derived through manipulating the perception of destiny; the self-fulfilling prophecy. the invincible girl cannot be touched because she makes subtle adjustments to insure that no one is able to try. it is pyrrha’s belief in destiny that destroys her, as it destroys ozma. ozpin invokes fate to justify and explain his choices. those born with silver eyes are destined to lead the lives of warriors.

summer rose was destined to live and die fighting the grimm – so the world promised her. maybe she believed, maybe she felt like she had no choice but to accept her prescribed fate. until she met salem, and took fate into her own hands. made a choice. broke the chains. it’s about taking away what power they have, like salem did when she tore the scales from summer’s eyes, like summer did when she refused her destiny and joined hands with the grimm instead.

what does summer rose look like through cinder’s eyes? she was a huntress. she was literally destined to be one of the greatest huntresses in history, a hero, the shining pillar upholding the world order that chose the enslavement of children as a fair price for peace. fate dictated that she be the icon, the idol, the embodiment of the system that brutalized and subjugated cinder – she had every privilege cinder could ever dream of, freedom and security and a home, a loving family – and she chose to walk away.

and if they talked about that like, ever, and specifically if summer talked about that warrior’s destiny as a cage, a curse she had to escape – is it any wonder that cinder would adopt that framing to make sense of what happened to her? if summer rose was fated to stand at the pinnacle, then does it not follow that cinder fall was fated to be ground into the foundations? and likewise, if summer rose can shatter her pedestal and fall from grace, then cinder fall can shatter her chains and rise. summer proves that the idea of destiny is powerful but not inviolate. and it is hollow, it is a lie, a fiction, and that means it can be taken away. revealed as a deception. destroyed.

anyway

to the broader question

i think people really, really do not give the jaundice arc enough credit for the long-term set up it’s doing.

(or the very overt textual statement from THE HISTORY PROFESSOR! placing the blame for the violent radicalization of the white fang squarely on human bigotry and persecution of faunus in general; the white fang arc is clunky and hamstrung by the inadequacy of its vocabulary, but the fandom talking point that the narrative perspective on this subject has “evolved” or “improved” is just. not true. v1 is very emphatically clear that 1. terroristic violence is not activism, 2. ascribing the terroristic violence of a few to an entire minority group to rationalize bigotry is bigoted in and of itself and completely unacceptable, and 3. violent radicalization is created through relentless discrimination and hate, which creates a self-reinforcing circle wherein the justifiable outrage of the persecuted outgroup and the extreme violent reactions provoked by the persecution are distorted into a justification for further persecution by those of the in-group who materially benefit from perpetuating this cycle!!! all of this is explained in an almost afterschool special manner by the main character faunus rights activist and the history professor!!! in volume one!!! what changed is that the writers developed the skill and vocabulary necessary to weave these ideas into their storytelling in a more effective and more cogent way!!! literally begging the rwby fandom to start listening to the actual words the characters say)

ahem. the jaundice arc lays so much of the groundwork for jaune’s and ruby’s character arcs reaching all the way to v9 and undoubtedly beyond; it sets up the first pieces of the ozlem fractal; it foreshadows the white fang arc and sets up blake’s character arc of self-reclamation and figuring out how she wants to use her voice as an activist; it draws attention to the misogynistic cultural norms that define and are defined by the history between ozma and salem; it lays the foundation for the scene in v2 where ozpin questions blake, which hits the way it does because we have the context of anti-faunus harassment occurring openly at ozpin’s school and nobody doing anything about it, and by extension is the first stroke of the salem-faunus connection that is almost certainly the keystone holding the entire narrative together because it is her relation to the faunus that provides the key to decipher the lost fable.

the jaundice arc is a crucial load-bearing pillar that supports the entire narrative and people revile it because nobody in this fandom can be fucking normal about jaune. lmao

[akkivee]

better late than never ;w;

HAPPY BIRTHDAY ICHIRO!!!!!!!!!!!! HAPPY BIRTHDAY NEMU!!!!!!!!!!!

[okurrroye]

The wait for percabeth to finally happen is going to be excruciating and I might as well kill myself now because I can’t wait that long

[wavesoutbeingtossed]

Dead dashboard confessional parasocial hours: it’s been so nice to see Taylor kind of reclaim her place in the world and work out in real time what does or doesn’t feel good in terms of being out there, and she’s clearly flourishing on a personal level by taking in all these experiences! And idk if it’s just the late hour or the post-livestream hangover or what, but it just kinda feels like something shifted yet again last week — like she and Travis did their goofy little skit because Theatre Kids and it was fun and felt good and she’s like “YES more of that please!”

And I’m not saying that as in “omg she’s going to publish her entire life online now” at all, but more in like, it’s kind of endearing to see her try these new things and figure out her boundaries and be like “yes this sparks joy and I want more of it in my life” (or on the flip side, cutting out the things that don’t and protecting her peace). I know that ET article earlier today was just a fluff piece to keep stoking the fires until they can actually Say It, but there’s something about Tree’s the quote saying they had fun coming up with it and were glad they got to share that moment together and want to keep having fun like that was just really sweet. And again, I don’t think it means they’re going to publicize their lives regularly by any means, I really do feel like it was like, “hey you know what would be funny?” And they took it from there — almost like that skit was for them and we were lucky to be bystanders to the bit lol. They just have so much fun together and it shows. I don’t think they’re trying to capitalize off their relationship, I think it’s just the pop star on a global stage equivalent of that one couple you have in your friend group that always goes all out for Halloween with the elaborate couple costume and commits to the bit every year.

It just seems like they’re really settling into things and figuring out as they go along how they can do the things they want to do within the parameters of what feels safe and joyful and is less scary than it once was. Taylor got to take part in her own way in something meaningful to Travis (e.g. the Super Bowl) and he’s gotten to take part in something meaningful to her (the show) and it’s just really sweet how they embrace each other’s worlds. And maybe it was “new and defining” because Taylor’s never been that overt before on stage on a tour of this scale, and not only did the world not cave in, she had a blast and got to have a chuckle. For someone who said she always wished she had someone by her side to share her successes with and never did even in her longest relationship previously, it’s got to be wild to literally have her partner on stage with her on her record-breaking tour.

No wonder she’s probably gagged at all this. The universe really did shift and it was all for them etc.

[positivelyghastly]

Tiny reliquary update: not a big update, I just wanted to post a little progress photo now that all the painting is done and I have the couched back plate in. The whole thing should be done on Sunday when I get back from the craft shop with some gold card for the finishing touches! :)

[aredlemon]

We can have a little alcoholic father doodle. As a treat.

[alangdorf]

Sorryyyy for dropping off the face of the earth; got kinda shy after that last post but mostly I’ve just been writing though I cannot guarantee that any of that will ever be finished (also I’m very insecure about my writing AAAH). Figure I might as well post the valentines I had done (like two months late lol); interestingly this turned into more of a hand lettering exercise than I was expecting lol

[simgerale]

me after attempting to get back into sims and realizing i had a lot more to do than play the game

[touyahoedoroki]

friendly reminder that this is an anti-natlan blog

[pallases]

IM FREEEEEE