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#THEY WERE SO GOOD FOR EACH OTHER IN FUNDAMENTAL WAYS BUT ALSO NOT AND IT KILLS ME
genericpuff · 1 day
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What do you think about Reachel's new redraw?
I feel like the characters look good but the background is too gray compared to the original one 😕
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It's pretty rough, ngl. Not even necessarily because of the art itself, but because it's not a panel she should have ever redrawn to begin with.
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The whole point of that scene was to showcase Persephone bringing life into the Underworld, a place where only death existed, but in this redraw it completely lacks that messaging, resulting in a scene of Persephone and Hades simply hugging each other in the dark with very dead-looking foliage surrounding them.
On a structural level, the composition has gone from vertical to horizontal, giving us way too much empty space around them which, again, is failed by the background being so dull and lifeless; Persephone's somehow become even smaller; and worst of all (though I'm sure some people will think I'm overreacting) her hair isn't tucked up in Hades' arms anymore, it's just sort of falling perfectly over his shoulder as one solid goop of pink, strangely changing shape as if it's resting on something but there's clearly nothing there.
That said, my opinions should be taken with grains of salt because I also have a lot of personal beef with a redraw like this - that original panel was my phone background for like, 2 years, and the episode it came from is still one of my favorites of all time in spite of all the criticisms I now have of the series, with art that originally inspired me to want to learn how to draw like Rachel.
There's been a lot of evidence over the past year or so to suggest that Rachel has "fallen out of touch" with her own work and these redraws that she's been making lately feel like tangible proof of that. The context in which she created those original panels no longer exists so to try and redraw them fundamentally misses the point of why they were so iconic to begin with.
I can understand that feeling of falling out of touch with your own work, to the point of not even seeing the appeal of it yourself anymore, but that's all the more reason to keep moving forward, not back. The fact that she's still just muddling around with LO stuff despite announcing two more projects and seemingly not making any progress with either the TV show or Rachel Smythe Presents... it really does seem like she's stuck in limbo. The deadlines and contractual obligations aren't there to motivate her anymore, and while that may now have freed her from the burden of creating LO in such a cramped and unhealthy space - now being able to create it simply for herself - I think the years of working on it have definitely taken its toll on her ability to create the way she used to and so we're seeing those growing pains now.
The real bummer about it is that it's being celebrated as "growth" but it's about as much growth as the illustrated environment above - dead and bleak.
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muppetears-stuff · 2 days
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It's so amazing to realize just how broken every clique is. They're divided, even within each other. Because they all want something different, they're forced into their roles because they were born into it, like the preps, or their friends are that way, so they have to be too. It is not fun being the odd one out, especially in bullworth. There's so much happening with the fear of being ostracized in this game that shines so fucking well but it's so so subtle,,,,
One of the prime examples I CAN think about is the preps
Justin especially, I talk about him alot but it's obvious he doesn't wanna be a prep. He has many other interests and is genuinely a good student, sure his tastes are expensive and he's just as stuck up as the other preps but we can't be for sure for sure that he isn't faking it like the rest??? He seems to be at his happiest discussing Greek culture and compliments Jimmy, sincerely, on his features being "pleasantly Grecian."
He loves sports and comments on wanting to ally with the jocks and that he doesn't understand why Derby opposes the idea. He doesn't fundamentally understand why everyone's so divided. Why can't they enjoy themselves?? Sure, they're slummish and dumb but they're real, and they love doing what they do as much as anyone else, and Justin wants a taste of how that feels. Freedom.
I love love love knowing that clique members wanna be a part of different cliques or want to he friends with someone from a different clique or want to date someone from a different clique and they aren't allowed to because of how that would ruin their reputation, their cliques and the person/people they want to be with.
Jimmy was a godsend, and I think a lot more students should have helped him. Like one from each clique that had the desire of wanting to befriend other people from different cliques, they could be little spies. But it also shows how devoted they are to their clique members cause they've been through this too much and can't risk it if it doesn't work, and it almost doesn't!! I LOVE THIS GAME!!!@
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thesonicpunk · 20 days
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im gomma vom..... i just watched a satosugu edit on youtube and i..... i have so many feelings about these two. with sns i can imagine a happy ending you know. BUT WITH SATOSUGU THERE IS NO ESCAPE. I feel like geto's actions are unredeemable. even if he hadn't died how could we redeem anything he's done. like he killed his own parents. there is no turning back. i understand him, what motivated his decision, his logic and his journey, but i really struggle with seeing how geto, hidden-inventory-arc-geto, becomes that radicalised (bear in mind i'm a sasuke defender but i think the JJK and Naruto worlds are different in ways that make Sasuke's and Geto's radicalism significantly different). at the same time, because i empathise with him, i respect his decision, and i don't think that it should be taken lightly, or taken away from him (this is something i think gojo feels too, hence never trying to dissuade geto or win him back to his side after that burger king (lol) meeting). so even if Geto was alive, stsg would still be unachievable AND IT FUCKING KILLS ME. sometimes i wanna write fanfic about them being happy and together but then im like... i can't do that without fully denying one of them their wholeness, you know? the decision both geto and gojo make regarding who they are in relation to jujutsu society can't be severed from who they turn out to be as people. please prove me wrong in the tags or reblogs or in the comments or ANYWHERE i need some fucking respite from this hellhole that gege has drawn me into.
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kitnita · 2 months
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i think what's interesting to me about the wyattharls dynamic is that wyatt like. i think he really craves violence guys! i think he's a little shit! but he's also been the Team Baby so he hasn't gotten to engage in a lot of violence. he's been on a line with jbenn pretty much from the jump which has shielded him & also kept him from having to hunt down his own retribution or whatever. but whenever guys push him around he clearly has SO much fun goading them and generally being a little shit. when delly took a hit against the oilers this season wyatt rushed in to shove & manhandle the guy who hit delly; he was so ineffective, but he also wasn't tentative about diving into it. he seems to just like the physical aspects of hockey & also happens to just not be very scrappy. and the team doesn't want him to be scrappy! well, except for harls, who seems to enjoy forcing wyatt to be scrappy with him as a form of bonding. i think all the arguing & shoving is enrichment in BOTH their enclosures. 10/10 dynamic (that i have almost entirely constructed in my head). it's cruel & unusual that they were road roommates this whole past season and we never got a story of them breaking a table or something à la tyson barrie at worlds that one time but i like to believe that it happened, in my heart.
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vraska-theunseen · 6 months
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i keep dismissing societal concepts i think are silly in my head and so i go around being like we made this up it's so pointless... abt like copyright law or whatever but then i kind of lock myself in an echo chamber of my own brain where i go around thinking stuff and then i have a conversation with a friend where i find out they put weight in [concept] i've dismissed like they're talking about how IQ is real and measurable and important for statistics and im like WHAT THE HELL...
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AHHHHHHHH bitches im SAD
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philtatosbuck · 2 years
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the sooner we (read: you people) realize kie’s parents aren’t shitty for wanting better for her the sooner we can be normal
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humanmorph · 10 months
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i really just need to reread no home and catch up properly sometime but i just cantttt it gets me too bad i just read a few random chapters from arcs i never got to and almost teared up. haejoon and eunyung are So. theyre just So. i have no idea why this manhwa isnt way more popular they have the relationship of all time
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eff-plays · 1 year
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Ok so I watched the interview with Stephen Rooney, Astarion's writer, and here are some highlights. (I'm an aspiring writer and current game design student who wants to write for games so I'm sorry if some of these insights aren't as interesting to you as they are to me <3)
He calls Astarion his "horrible little vampire boy"
He loves seeing the fandom around Astarion<3
He did write other characters in the game, but mostly NPCs surrounding Astarion or his storyline, so it mostly revolved around Astarion
Astarion is not as connected to other companions/Origins as, for example, Lae'zel and Shadowheart, or Wyll and Karlach are to each other, but he is still reactive to their stories, even if it's just to stand off to the side and laugh when something terrible happens
He had a clear sense of where Astarion's story would start and end, but it got "muddy in the middle", but those are also moments where the best ideas come from
They write from the general idea that every character has one "good" and one "evil" ending, in order to give the player choice. RIP Ascendant apologists :(
According to Stephen, two of the most important aspects of Astarion's character (to keep consistent when bringing him to Idle Champions, at least) is that he enjoys violence, but is also fun about it
"He has a certain appreciation for violence, I guess? A bit of a murdery streak. [...] He's a vampire, he's all about blood, and he's all about, kind of, those darker sides of humanity. [..] But at the same time, he is ... He is really fun, he's really fun to write, he's really fun to have in your party, and it's very important for me that that is also represented."
"He's gonna stab you, but will have a smile on his face as he does it? I mean, I dunno. That's kind of him in a nutshell."
Larian would not have allowed for Astarion to be a typical brooding Dracula type, and there were scenes that were shot down for not being original enough
The main thing about Astarion was trying to get a "sense of fun." It would be easy to write a character that was very unlikable, and they absolutely did not want to do that
Rooney says Astarion is consistently terrible throughout the game and awful in a whole lot of ways, but he also needed to be charming enough that you could tolerate his presence and wanted him around
Rooney also had a lot of input on Astarion's stats (meaning the 10 Charisma is probalby 100% intentional)
He also had input on how certain lines should be delivered, even though the writers didn't directly work with voice actors
The way Astarion moves and poses is "all Neil"
Apparently, Neil Newbon worked on the character for years and Rooney did not speak to him once, though his voice work did influence how Astarion's lines were written and it became a "feedback loop" (Possible context for "ONLY SLIGHTLY, NEIL")
There were no points where a line delivery drastically changed Astarion's writing; rather it was a constant, slow evolution
However, there was one very spoilery moment where Neil gave such emotion to some "basic" lines that it fundamentally changed the scene (WHAT IS IT OMG)
It's difficult to balance approval, as you don't want to straight up write a monster. Every character needs to have some humanity in them. So if it comes to leaving the party, it needed to be the result of something central to said character. They wanted to be mindful of situations that would cause actual rifts between characters. (I assume this is why most generic disapprovals/approvals are +/- 1 or 2, while character-related ones give +/-5 or more)
However, as they don't write straight up horrible people/monsters, it doesn't come up as often as one might think.
The interviewer makes a point about how characters like Astarion and Lae'zel are good examples of how to play "evil" characters, as they are maybe not the best people but are still eager and willing to stick around the other party members
They worked to make sure the characters would work as a group, no matter the configuration of the group. The characters needed to be on the same path, even if they don't always agree or walk that path the same way.
Stephen Rooney is very proud of the "climactic" scene of Astarion's story. (AS HE SHOULD BE.) He even had to step away from the computer and have an emotional moment. Me too, man.
He's also "extremely pleased" that there's a point where you can punch Astarion in the face. "Actually, that one might be my favorite part" A MAN OF THE PEOPLE!!
Stephen Rooney's tip on what specific thing you should try out with Astarion: When he's trying to get a "sneaky nibble" at night, you should "probably" let him bite you. Way ahead of you there, sir.
No discussion about Astarion's romance unfortunately, but that's that!
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Google’s enshittification memos
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[Note, 9 October 2023: Google disputes the veracity of this claim, but has declined to provide the exhibits and testimony to support its claims. Read more about this here.]
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When I think about how the old, good internet turned into the enshitternet, I imagine a series of small compromises, each seemingly reasonable at the time, each contributing to a cultural norm of making good things worse, and worse, and worse.
Think about Unity President Marc Whitten's nonpology for his company's disastrous rug-pull, in which they declared that everyone who had paid good money to use their tool to make a game would have to keep paying, every time someone downloaded that game:
The most fundamental thing that we’re trying to do is we’re building a sustainable business for Unity. And for us, that means that we do need to have a model that includes some sort of balancing change, including shared success.
https://www.wired.com/story/unity-walks-back-policies-lost-trust/
"Shared success" is code for, "If you use our tool to make money, we should make money too." This is bullshit. It's like saying, "We just want to find a way to share the success of the painters who use our brushes, so every time you sell a painting, we want to tax that sale." Or "Every time you sell a house, the company that made the hammer gets to wet its beak."
And note that they're not talking about shared risk here – no one at Unity is saying, "If you try to make a game with our tools and you lose a million bucks, we're on the hook for ten percent of your losses." This isn't partnership, it's extortion.
How did a company like Unity – which became a market leader by making a tool that understood the needs of game developers and filled them – turn into a protection racket? One bad decision at a time. One rationalization and then another. Slowly, and then all at once.
When I think about this enshittification curve, I often think of Google, a company that had its users' backs for years, which created a genuinely innovative search engine that worked so well it seemed like *magic, a company whose employees often had their pick of jobs, but chose the "don't be evil" gig because that mattered to them.
People make fun of that "don't be evil" motto, but if your key employees took the gig because they didn't want to be evil, and then you ask them to be evil, they might just quit. Hell, they might make a stink on the way out the door, too:
https://theintercept.com/2018/09/13/google-china-search-engine-employee-resigns/
Google is a company whose founders started out by publishing a scientific paper describing their search methodology, in which they said, "Oh, and by the way, ads will inevitably turn your search engine into a pile of shit, so we're gonna stay the fuck away from them":
http://infolab.stanford.edu/pub/papers/google.pdf
Those same founders retained a controlling interest in the company after it went IPO, explaining to investors that they were going to run the business without having their elbows jostled by shortsighted Wall Street assholes, so they could keep it from turning into a pile of shit:
https://abc.xyz/investor/founders-letters/ipo-letter/
And yet, it's turned into a pile of shit. Google search is so bad you might as well ask Jeeves. The company's big plan to fix it? Replace links to webpages with florid paragraphs of chatbot nonsense filled with a supremely confident lies:
https://pluralistic.net/2023/05/14/googles-ai-hype-circle/
How did the company get this bad? In part, this is the "curse of bigness." The company can't grow by attracting new users. When you have 90%+ of the market, there are no new customers to sign up. Hypothetically, they could grow by going into new lines of business, but Google is incapable of making a successful product in-house and also kills most of the products it buys from other, more innovative companies:
https://killedbygoogle.com/
Theoretically, the company could pursue new lines of business in-house, and indeed, the current leaders of companies like Amazon, Microsoft and Apple are all execs who figured out how to get the whole company to do something new, and were elevated to the CEO's office, making each one a billionaire and sealing their place in history.
It is for this very reason that any exec at a large firm who tries to make a business-wide improvement gets immediately and repeatedly knifed by all their colleagues, who correctly reason that if someone else becomes CEO, then they won't become CEO. Machiavelli was an optimist:
https://pluralistic.net/2023/07/28/microincentives-and-enshittification/
With no growth from new customers, and no growth from new businesses, "growth" has to come from squeezing workers (say, laying off 12,000 engineers after a stock buyback that would have paid their salaries for the next 27 years), or business customers (say, by colluding with Facebook to rig the ad market with the Jedi Blue conspiracy), or end-users.
Now, in theory, we might never know exactly what led to the enshittification of Google. In theory, all of compromises, debates and plots could be lost to history. But tech is not an oral culture, it's a written one, and techies write everything down and nothing is ever truly deleted.
Time and again, Big Tech tells on itself. Think of FTX's main conspirators all hanging out in a group chat called "Wirefraud." Amazon naming its program targeting weak, small publishers the "Gazelle Project" ("approach these small publishers the way a cheetah would pursue a sickly gazelle”). Amazon documenting the fact that users were unknowingly signing up for Prime and getting pissed; then figuring out how to reduce accidental signups, then deciding not to do it because it liked the money too much. Think of Zuck emailing his CFO in the middle of the night to defend his outsized offer to buy Instagram on the basis that users like Insta better and Facebook couldn't compete with them on quality.
It's like every Big Tech schemer has a folder on their desktop called "Mens Rea" filled with files like "Copy_of_Premeditated_Murder.docx":
https://doctorow.medium.com/big-tech-cant-stop-telling-on-itself-f7f0eb6d215a?sk=351f8a54ab8e02d7340620e5eec5024d
Right now, Google's on trial for its sins against antitrust law. It's a hard case to make. To secure a win, the prosecutors at the DoJ Antitrust Division are going to have to prove what was going on in Google execs' minds when the took the actions that led to the company's dominance. They're going to have to show that the company deliberately undertook to harm its users and customers.
Of course, it helps that Google put it all in writing.
Last week, there was a huge kerfuffile over the DoJ's practice of posting its exhibits from the trial to a website each night. This is a totally normal thing to do – a practice that dates back to the Microsoft antitrust trial. But Google pitched a tantrum over this and said that the docs the DoJ were posting would be turned into "clickbait." Which is another way of saying, "the public would find these documents very interesting, and they would be damning to us and our case":
https://www.bigtechontrial.com/p/secrecy-is-systemic
After initially deferring to Google, Judge Amit Mehta finally gave the Justice Department the greenlight to post the document. It's up. It's wild:
https://www.justice.gov/d9/2023-09/416692.pdf
The document is described as "notes for a course on communication" that Google VP for Finance Michael Roszak prepared. Roszak says he can't remember whether he ever gave the presentation, but insists that the remit for the course required him to tell students "things I didn't believe," and that's why the document is "full of hyperbole and exaggeration."
OK.
But here's what the document says: "search advertising is one of the world's greatest business models ever created…illicit businesses (cigarettes or drugs) could rival these economics…[W]e can mostly ignore the demand side…(users and queries) and only focus on the supply side of advertisers, ad formats and sales."
It goes on to say that this might be changing, and proposes a way to balance the interests of the search and ads teams, which are at odds, with search worrying that ads are pushing them to produce "unnatural search experiences to chase revenue."
"Unnatural search experiences to chase revenue" is a thinly veiled euphemism for the prophetic warnings in that 1998 Pagerank paper: "The goals of the advertising business model do not always correspond to providing quality search to users." Or, more plainly, "ads will turn our search engine into a pile of shit."
And, as Roszak writes, Google is "able to ignore one of the fundamental laws of economics…supply and demand." That is, the company has become so dominant and cemented its position so thoroughly as the default search engine across every platforms and system that even if it makes its search terrible to goose revenues, users won't leave. As Lily Tomlin put it on SNL: "We don't have to care, we're the phone company."
In the enshittification cycle, companies first lure in users with surpluses – like providing the best search results rather than the most profitable ones – with an eye to locking them in. In Google's case, that lock-in has multiple facets, but the big one is spending billions of dollars – enough to buy a whole Twitter, every single year – to be the default search everywhere.
Google doesn't buy its way to dominance because it has the very best search results and it wants to shield you from inferior competitors. The economically rational case for buying default position is that preventing competition is more profitable than succeeding by outperforming competitors. The best reason to buy the default everywhere is that it lets you lower quality without losing business. You can "ignore the demand side, and only focus on advertisers."
For a lot of people, the analysis stops here. "If you're not paying for the product, you're the product." Google locks in users and sells them to advertisers, who are their co-conspirators in a scheme to screw the rest of us.
But that's not right. For one thing, paying for a product doesn't mean you won't be the product. Apple charges a thousand bucks for an iPhone and then nonconsensually spies on every iOS user in order to target ads to them (and lies about it):
https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar
John Deere charges six figures for its tractors, then runs a grift that blocks farmers from fixing their own machines, and then uses their control over repair to silence farmers who complain about it:
https://pluralistic.net/2022/05/31/dealers-choice/#be-a-shame-if-something-were-to-happen-to-it
Fair treatment from a corporation isn't a loyalty program that you earn by through sufficient spending. Companies that can sell you out, will sell you out, and then cry victim, insisting that they were only doing their fiduciary duty for their sacred shareholders. Companies are disciplined by fear of competition, regulation or – in the case of tech platforms – customers seizing the means of computation and installing ad-blockers, alternative clients, multiprotocol readers, etc:
https://doctorow.medium.com/an-audacious-plan-to-halt-the-internets-enshittification-and-throw-it-into-reverse-3cc01e7e4604?sk=85b3f5f7d051804521c3411711f0b554
Which is where the next stage of enshittification comes in: when the platform withdraws the surplus it had allocated to lure in – and then lock in – business customers (like advertisers) and reallocate it to the platform's shareholders.
For Google, there are several rackets that let it screw over advertisers as well as searchers (the advertisers are paying for the product, and they're also the product). Some of those rackets are well-known, like Jedi Blue, the market-rigging conspiracy that Google and Facebook colluded on:
https://en.wikipedia.org/wiki/Jedi_Blue
But thanks to the antitrust trial, we're learning about more of these. Megan Gray – ex-FTC, ex-DuckDuckGo – was in the courtroom last week when evidence was presented on Google execs' panic over a decline in "ad generating searches" and the sleazy gimmick they came up with to address it: manipulating the "semantic matching" on user queries:
https://www.wired.com/story/google-antitrust-lawsuit-search-results/
When you send a query to Google, it expands that query with terms that are similar – for example, if you search on "Weds" it might also search for "Wednesday." In the slides shown in the Google trial, we learned about another kind of semantic matching that Google performed, this one intended to turn your search results into "a twisted shopping mall you can’t escape."
Here's how that worked: when you ran a query like "children's clothing," Google secretly appended the brand name of a kids' clothing manufacturer to the query. This, in turn, triggered a ton of ads – because rival brands will have bought ads against their competitors' name (like Pepsi buying ads that are shown over queries for Coke).
Here we see surpluses being taken away from both end-users and business customers – that is, searchers and advertisers. For searchers, it doesn't matter how much you refine your query, you're still going to get crummy search results because there's an unkillable, hidden search term stuck to your query, like a piece of shit that Google keeps sticking to the sole of your shoe.
But for advertisers, this is also a scam. They're paying to be matched to users who search on a brand name, and you didn't search on that brand name. It's especially bad for the company whose name has been appended to your search, because Google has a protection racket where the company that matches your search has to pay extra in order to show up overtop of rivals who are worse matches. Both the matching company and those rivals have given Google a credit-card that Google gets to bill every time a user searches on the company's name, and Google is just running fraudulent charges through those cards.
And, of course, Google put this in writing. I mean, of course they did. As we learned from the documentary The Incredibles, supervillains can't stop themselves from monologuing, and in big, sprawling monopolists, these monologues have to transmitted electronically – and often indelibly – to far-flung co-cabalists.
As Gray points out, this is an incredibly blunt enshittification technique: "it hadn’t even occurred to me that Google just flat out deletes queries and replaces them with ones that monetize better." We don't know how long Google did this for or how frequently this bait-and-switch was deployed.
But if this is a blunt way of Google smashing its fist down on the scales that balance search quality against ad revenues, there's plenty of subtler ways the company could sneak a thumb on there. A Google exec at the trial rhapsodized about his company's "contract with the user" to deliver an "honest results policy," but given how bad Google search is these days, we're left to either believe he's lying or that Google sucks at search.
The paper trail offers a tantalizing look at how a company went from doing something that was so good it felt like a magic trick to being "able to ignore one of the fundamental laws of economics…supply and demand," able to "ignore the demand side…(users and queries) and only focus on the supply side of advertisers."
What's more, this is a system where everyone loses (except for Google): this isn't a grift run by Google and advertisers on users – it's a grift Google runs on everyone.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/10/03/not-feeling-lucky/#fundamental-laws-of-economics
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My next novel is The Lost Cause, a hopeful novel of the climate emergency. Amazon won't sell the audiobook, so I made my own and I'm pre-selling it on Kickstarter!
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katrafiy · 2 years
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I think about this image a lot. This is an image from the Aurat March (Women's March) in Karachi, Pakistan, on International Women's Day 2018. The women in the picture are Pakistani trans women, aka khwaja siras or hijras; one is a friend of a close friend of mine.
In the eyes of the Pakistani government and anthropologists, they're a "third gender." They're denied access to many resources that are available to cis women. Trans women in Pakistan didn't decide to be third-gendered; cis people force it on them whether they like it or not.
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Western anthropologists are keen on seeing non-Western trans women as culturally constructed third genders, "neither male nor female," and often contrast them (a "legitimate" third gender accepted in its culture) with Western trans women (horrific parodies of female stereotypes).
There's a lot of smoke and mirrors and jargon used to obscure the fact that while each culture's trans women are treated as a single culturally constructed identity separate from all other trans women, cis women are treated as a universal category that can just be called "women."
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Even though Pakistani aurat and German Frauen and Guatemalan mujer will generally lead extraordinarily different lives due to the differences in culture, they are universally recognized as women.
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The transmisogynist will say, "Yes, but we can't ignore the way gender is culturally constructed, and hijras aren't trans women, they're a third gender. Now let's worry less about trans people and more about the rights of women in Burkina Faso."
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In other words, to the transmisogynist, all cis women are women, and all trans women are something else.
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"But Kat, you're not Indian or Pakistani. You're not a hijra or khwaja sira, why is this so important to you?"
Have you ever heard of the Neapolitan third gender "femminiello"? It's the term my moniker "The Femme in Yellow" is derived from, and yes, I'm Neapolitan. Shut up.
I'm going to tell you a little bit about the femminielli, and I want you to see if any of this sounds familiar. Femminielli are a third gender in Neapolitan culture of people assigned male at birth who have a feminine gender expression.
They are lauded and respected in the local culture, considered to be good omens and bringers of good luck. At festivals you'd bring a femminiello with you to go gambling, and often they would be brought in to give blessings to newborns. Noticing anything familiar yet?
Oh and also they were largely relegated to begging and sex work and were not allowed to be educated and many were homeless and lived in the back alleys of Naples, but you know we don't really like to mention that part because it sounds a lot less romantic and mystical.
And if you're sitting there, asking yourself why a an accurate description of femminiello sounds almost note for note like the same way hijras get described and talked about, then you can start to understand why that picture at the start of this post has so much meaning for me.
And you can also start to understand why I get so frustrated when I see other queer people buy into this fool notion that for some reason the transes from different cultures must never mix.
That friend I mentioned earlier is a white American trans woman. She spent years living in India, and as I recal the story the family she was staying with saw her as a white, foreign hijra and she was asked to use her magic hijra powers to bless the house she was staying in.
So when it comes to various cultural trans identities there are two ways we can look at this. We can look at things from a standpoint of expressed identity, in which case we have to preferentially choose to translate one word for the local word, or to leave it untranslated.
If we translate it, people will say we're artificially imposing an outside category (so long as it's not cis people, that's fine). If we don't, what we're implying, is that this concept doesn't exist in the target language, which suggests that it's fundamentally a different thing
A concrete example is that Serena Nanda in her 1990 and 2000 books, bent over backwards to say that Hijras are categorically NOT trans women. Lots of them are!
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And Don Kulick bent over backwards in his 1998 book to say that travesti are categorically NOT trans women, even though some of the ones he cited were then and are now trans women.
The other option, is to look at practice, and talk about a community of practice of people who are AMAB, who wear women's clothing, take women's names, fulfill women's social roles, use women's language and mannerisms, etc WITHIN THEIR OWN CULTURAL CONTEXT.
This community of practice, whatever we want to call it - trans woman, hijra, transfeminine, femminiello, fairy, queen, to name just a few - can then be seen to CLEARLY be trans-national and trans-cultural in a way that is not clearly evident in the other way of looking at things.
And this is important, in my mind, because it is this axis of similarity that is serving as the basis for a growing transnational transgender rights movement, particularly in South Asia. It's why you see pictures like this one taken at the 2018 Aurat March in Karachi, Pakistan.
And it also groups rather than splits, pointing out not only points of continuity in the practices of western trans women and fa'afafines, but also between trans women in South Asia outside the hijra community, and members of the hijra community both trans women and not.
To be blunt, I'm not all that interested in the word trans woman, or the word hijra. I'm not interested in the word femminiello or the word fa'afafine.
I'm interested in the fact that when I visit India, and I meet hijras (or trans women, self-expressed) and I say I'm a trans woman, we suddenly sit together, talk about life, they ask to see American hormones and compare them to Indian hormones.
There is a shared community of practice that creates a bond between us that cis people don't have. That's not to say that we all have the exact same internal sense of self, but for the most part, we belong to the same community of practice based on life histories and behavior.
I think that's something cis people have absolutely missed - largely in an effort to artificially isolate trans women. This practice of arguing about whether a particular "third gender" label = trans women or not, also tends to artificially homogenize trans women as a group.
You see this in Kulick and Nanda, where if you read them, you could be forgiven for thinking all American trans women are white, middle class, middle-aged, and college-educated, who all follow rigid codes of behavior and surgical schedules prescribed by male physicians.
There are trans women who think of themselves as separate from cis women, as literally another kind of thing, there are trans women who think of themselves as coterminous with cis women, there are trans women who think of themselves as anything under the sun you want to imagine.
The problem is that historically, cis people have gone to tremendous lengths to destroy points of continuity in the transgender community (see everything I've cited and more), and particularly this has been an exercise in transmisogyny of grotesque levels.
The question is do you want to talk about culturally different ways of being trans, or do you want to try to create as many neatly-boxed third genders as you can to prop up transphobic theoretical frameworks? To date, people have done the latter. I'm interested in the former.
I guess what I'm really trying to say with all of this is that we're all family y'all.
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casscainmainly · 2 months
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My Top 10 Batgirl (2000) Moments
This is my list of top 10 Batgirl (2000) moments!! There were so many to choose from, but these are my personal favs :)). Counting down from 10 to my absolute favourite.
10. Volving
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An absolute classic. Perfectly encapsulates what Cass does throughout the entire run, and more writers should play with Cass' use of language like this!
9. Beat Up Every Mob In Gotham
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Perfect encapsulation of the early Barbara-Cass dynamic, and one of the funniest moments in the series. Just love the expressions and the way this shows so much of Cass' character.
8. Choosing to Write
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The entirety of issue #2 builds up to this heart-wrenching moment. After delivering a dead man's final message to his wife, Cass sees the wife's reaction to the written message and decides to learn to write. A foundational moment for her character, and a nice motherly Babs scene too.
7. Alpha Redemption
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Capping off issues 35 + 36, Batgirl unmasks herself to convince Alpha (an amnesiac villain) that he doesn't have to be defined by his past. Brilliantly displays her core belief that people can change, and the fact that her belief pays off makes this moment extremely moving.
6. For God's Sake
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Possibly a controversial pick, but I really like this moment because it underscores some of the fundamental conflict between Babs and Cass. They love each other, but they don't always understand each other, particularly in regards to each other's disabilities. A painful moment that should have been explored more.
5. Fight For Your Life
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My favourite Stephanie and Cass moment in this run. You can feel Cass' grief throughout this hallucination, but there's also so much hope and love (for Stephanie and for herself). It's an amazing conclusion to Cass' initial suicidal tendencies: instead of desiring death, she now actively fights to live.
4. Darknight Detectives
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This interaction sums up a lot of Bruce and Cass' best moments. Cass' unwavering moral beliefs, Bruce's pride, their instinctive understanding of each other; they just get each other in a way few others do. I picked this one instead of the 'instinct/good answer' moment because it also marks Cass' development in her detective ability. From Moment 8 above to here, the confidence in her mental capacities has grown so much. She really volved!
3. Perfect For A Year
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I mean of course this had to be here. These lines literally take up 90% of my brain space, it's an incredibly tense moment that illustrates Cass' desire to be perfect, her need to be useful and good. This issue is also just awesome.
2. You're... Not
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Another absolute classic. Illustrates Cass' compassion and her belief that people aren't defined by their lineage, which is particularly personal to her, given her own dad. This struggle between good/bad, parent/child defines many of Cass' best stories.
1. Who Do You Think You Are? + Father's Day
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What else would number 1 be?? Issue 33 is my favourite in the entire run, and the entire thing is stacked with moments that could fill up this list. I just love 'who do you think you are' because it's all of Cass' rage spilling out, and yet she still loves David Cain in her own complicated way (and he reciprocates, too). Then we have the ending, which is the BEST Bruce and Cass moment ever. The sparse, meaningful dialogue, the expressions, the reveal of the TITLE: comic book writing at its finest.
Honorary mention to the Shiva/Cass fight, which just narrowly missed out.
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x-i-l-verify · 8 months
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Something that I've noticed ever since the Smiling Critters were introduced is that they can so easily be paired off into complementary duos, ones that are specifically designed to teach children fundamental lessons about life and self-care from two different angles. It's really interesting to me.
Like obviously you have Dogday and Catnap, with their sun/moon, dog/cat dichotomy, that stress how important it is to have fun and get things done during the day, but also that it's important to wind down, relax, and get a good night's sleep.
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Bubba Bubbaphant and Craftycorn were introduced as a duo in the Smiling Critter show's intro, and their dichotomy is quite obvious. They are basically the right and left sides of the brain personified. Bubba is the left side of the brain, logical, analytical, focused on math and science. Craftycorn is the right side of the brain, creative and imaginative, focused on the arts and self-expression. They represent learning and academia in all its forms, the different ways people engage with and understand the world.
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Hoppy Hopscotch and Kickin' Chicken form the sportsmanship duo. They are both portrayed as enjoying sports and the outdoors, but in different ways that highlight the different ways sports can be played and enjoyed and also what it entails to be successful at them. Hoppy Hopscotch may be loud and impatient, but she is also a team player, shown in her willingness to slow down her fast pace to make sure none of her friends are left behind. Kickin' Chicken, on the other hand, is laid-back, relaxed, and chill, the described "cool kid" of the group, but he's also described as having a ton of perseverance, more of a "slow and steady wins the race" type of person.
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This leaves Bobby Bearhug and Picky Piggy as the last pair. Fittingly, these two are all about how to meet the fundamental needs of yourself and others. Bobby teaches children how to nourish themselves emotionally through showing and receiving care from others, while Picky teaches them how good food is important to nourish the body and soul. Depriving oneself of either of these things only makes oneself and therefore everyone around one miserable, because those fundamental needs are no longer being met.
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Like fr, this is some pretty genius marketing right here. You have enough characters that every kid will have their favorite, but not so many that any would get lost in the shuffle, because the lessons each one of them would teach would be integral to the group as a whole. It really makes me that much sadder we saw basically nothing of the Smiling Critters during the game itself, because Mob Games struck gold with this concept, only to ultimately do nothing with it. :/
But I guess that's what fandom is for, eh?
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universalitgirlsblog2 · 5 months
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🧼✨️GLOW UP GUIDE🧼✨️
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🧼PHYSICAL GLOW UP
This is inspired from Glow up blueprint video by Dear peachie. Dear peachie will help you to achieve the ultimate physical glow up
.First of all, get to know your features. People who have facial features with accurate facial proportions , stronger symmetry ,brighter colours , defined lines look better in the static image whereas disproportionate facial ratio , poor symmetry , dull complexion , uneven structures can affect how one looks in static image.
Look at the glow up pyramid. Every level is interrelated to each other and is equally important . The elements at each level serves as the foundation which steps towards a higher level. The overall aspects may get affected if insufficient attention are given to fundamental levels.
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Celebrities always appear gorgeous and sophiscated because they play attention they have invested a fortune and massive efforts in the detail that ordinary people never thought of.
There is a Chinese sayings which says one can recognize a beauty from 10 meters away. From a 10 meters distance, we cannot see the beauty looks like , her facial features and make up is blurry. However , we can see her body shape , posture , hair , clothing style. If we maintain 2 to 5 meter social distance , the focus point is skin , face shape and overall proportions. Body type , posture , clothing , hair , skin , face shape and overall proportion forms the impression of the body.
( A) Skin
- maintain a balanced diet
- good quality of sleep.
- stay hydrated lol ( common advice but it works )
- avoid smoking and eating too much sugary foods.
- Build a skin care routine which suits you the best.
- Visit a dermatologist regularly.
- Rub ice on face
- Do facial yoga
- Less is more
- The most simple way - just affirm that you have clear skin .
( B ) Body
- Workout !
- Maintain a healthy diet , don't starve yourself please !
- We can enhance our body proportions by wearing clothes which suit our body type.
- Love your body , don't abuse it by starving yourself or criticising it.
( C ) Posture
- You can do exercises to get a good posture.
- Try to maintain a good posture even if you are doing your daily tasks.
- Walk with a good posture , you will appear more graceful and elegant.
(D) Hairstyle
- Hairstyle is a great way to express oneself. You can choose different hairstyles which suit you.
- Healthy and beautiful hair can enhance your appearance so give some time to yourself and do hair care .
- A suitable hairstyle can draw visual attention towards your best features. For example : Long face framing bangs reduce impression of high cheek bones.
( E ) Body shapes
- Get to know your body type and dress up according to your body type.
👛🧁I didn't go into details , dear peachie has made videos for topics like posture, body shapes , hairstyles etc. I will make notes on those too . Those posts will be more detailed and in depth👛🧁
MORE TIPS BY MOI !
- Try mewing, you will get high cheekbones and sharp jawline.
- Get regular trims and hair scalp treatments.
- Yoga is so beneficial for both physical and mental health.
- Accessories to spice up your outfits !
- Develop a good fashion sense , you can take inspiration from celebrities too .
- Apply Vaseline on eye lashes .
- If you want to appear taller and slimmer, then wear high waist jeans and crop tops . ( This tip may vary from one body shape to another )
✨️MENTAL GLOW UP
- DEVELOP SELF - LOVE. I recommend you to check out these posts - how to love yourself , self-love affirmations by me , self- love affirmations by Alanna Foxx, songs for self-love. Also , read these posts - click me and click me !
- Be disciplined. Care for yourself . Cherish yourself. Love yourself no matter what.
- Listen to Guided Meditations and Podcasts
- Adopt the " OK and ? " or " So what? " mentality . They were talking behind your back , OK and ? They don't like you , OK and ? You tried something new and failed , So what ? They left you on seen and ghosted you , So what ?
- Adopt the " You are You , I am me " mentality.
- Listen to the wizard liz , Tam Kaur , Simone or Alessia.
- Watch good content. You are what you consume. You have control over it. Don't watch videos which are full of drama and negativity . Watch productive and educational videos.
- Meditate ! You will become more mindful and self- aware.
- Become selfish! No , don't use people for your own benefit but put yourself first. Posts you should read to understand it better ! - click me , click me !!
- STOP BEING A VICTIM ! YOU ARE THE CREATOR OF YOUR REALITY !!! YOU CONTROL YOUR REALITY , NOT THE OTHER WAY AROUND !!!!
- Don't seek validation from others , don't listen to other's opinions . Others opinions are irrelevant.
- Watch documentaries. Read books .
- Cut off toxic people ! This is so important. If someone drains you , puts you down , always nitpicking or complaining about you or other things . Distance yourself. It doesn't matter if you know them in real life or if it's online friendship. It doesn't matter if you knew them for a decade .
- You don't need to share everything with your Close friends.
- Say affirmations out aloud while doing skin care infront of mirror or in your mind.
- Act like the person you want to become.
- Don't chase , attract
- Know you are the main character.
- Don't allow others to use you or treat you like a doormat.
- Be more organized.
- Don't compare yourself with others.
- Don't depend on others for your happiness .
- Journal.
- Try shadow work
- Have hobbies
🍥ACADEMIC GLOW- UP
-Being intelligent is hot. Prioritize your education.
- Find a reason to study. Do you want to top your exams ? Do you want to make your parents proud ? Do you want to be the smart kid ?
- Find a role model . It can be a fictional character or celebrity . Check this post to find some inspiration - click me !
- Your reason to study should be bigger than your distractions.
- Watch fayefilms and studyquill , they always have the best study tips.
-Teach your friends , family or even pet . You will be able to revise the concepts better. If you get stuck while explaining , you would know that the topic is not clear to you yet.
- Use Mnemonics
- You can use the SQ3R method. SURVEY. QUESTION. READ . RECITE . REVIEW.
- Romanticize being smart. Romanticize studying.
- I would recommend you to read these posts , I hope they help you to study well !! - click me , click me , click me , click me , click me , click me, click me , click me
I hope this post helps you too - click me !
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the-music-maniac · 2 months
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I get a little annoyed when people's complaints about zosan stray into the "Sanji would never fall for Zoro because of personal hygiene issues" territory. Mostly because I feel like it involves a fundamental misunderstanding about their dynamic and also Sanji as a character.
First of all, Sanji smokes cigarettes and cooks seafood and shit. Even if he does shower daily, there is no way he smells like a rose garden. So there's that.
Second of all, Sanji is a COOK. You literally cannot be a cook if you're afraid of getting your hands dirty, if you're afraid of working up a sweat. He knows the value of hard work in that regard. For his craft, Sanji gets all up in some fish guts, he hunts, he cleans, de-feathers, skins, butchers whatever creature they've managed to hunt - come on y'all. That is not a man that would be a germaphobe. He keeps his workspace and himself clean cause that's the mark of a good cook, but the man would have no qualms about getting dirty. He ain't squeamish.
Third, Sanji's entire thing is that he ACTS like a refined gentleman, but he's a little bit batshit crazy in the same way all the strawhats are. He's one of the monster trio for a reason! They're all freaking unhinged, Sanji's first reaction to seeing sea monsters is to yell that he wants to cook it. He's fought so many battles, I've no doubt that there's blood soaked into the soles of his fancy loafers, caked into some of the hems of his suit pants. My point being that while him acting like he's a gentleman with "refined tastes" is no means deception (he probably has excellent taste when it comes to dining) he also doesn't fit that description entirely. He strives for it, in order to maintain an image, and it also plays into his whole "ladies man" thing as well. But he's not actually a refined gentleman in our traditional interpretation of the word. He's down to slum it if needed, and will kick a person's ass for not finishing a soup that has a bug in it because it would mean wasting food. Also the man has worn orange crocs. Refined my ass.
Fourth, you can deny it all you want, but Zoro and Sanji have always been and will likely always be, two people that match each other's freak. And by that I mean that all it takes is Zoro muttering one little disparaging comment, and Sanji is immediately there, ready to throw down, dirt and sweat be damned. If he were to complain about Zoro's supposed bathing habits and shit, while I don't doubt some of it would be genuine complaint, it probably would mostly be because it would annoy Zoro. But when it comes down to stuff Sanji actually gives a shit about, hygiene would probably not be high up on that list. He is 100% that motherfucker that would get heart eyes over Zoro eating sugar onigiri out of the mud to spare a little girl's feelings.
I get annoyed by people using that argument as if it's a legitimate reasoning for why Zoro and Sanji wouldn't get together. Like what impression of Sanji do you have in your head? You think the dude that constantly knocks foreheads with Zoro during their antagonistic (gay) posturing would get squeamish about Zoro being a little sweaty? Sanji can be your babygirl if you want, but we gotta stop acting like he's the type to get squeamish over stuff like that - there's no way that out of ALL the issues Sanji has yet to work through locked up in that pretty noggin of his, that personal hygiene would be the hold up on a relationship between these two. The zosan dynamic is Sanji complains loudly about Zoro being a disgusting brute and then will turn around and roundhouse kick a man's head off. Like yes, Sanji. That's not the pot calling the kettle black at all.
None of this is a complaint btw. That's literally my favourite part about Sanji, and Zosan as a whole. Sanji wouldn't be nearly as interesting if he was just a gentleman. Zosan wouldn't be as compelling if they weren't two lil peas in a pod, equally as unhinged. The only difference is Zoro puts literally no effort into trying to hide his level of derangement. Which is also very in character for him, btw.
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bobluvbot · 4 months
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someone you loved
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pairing: sirius black x f!reader  summary: your relationship with sirius hurt so much, that the only way forward was to forget. wc: 3k a/n: angst angst angst!!! lots of negative self talk and low self esteem, allusions to a bad childhood (not stated directly), implied emotional abuse & cheating, both sirius and reader are going through it.
snippets of his voice echo in your head like a haunting lullaby that doesn’t seem to end. its funny how the mind is known to block out the traumatic memories, but for some reason, yours kept record of the most painful ones that left his lips.
you’re just too much. 
i can’t love you the way you expect me to.
i’m ending this.
i’m sorry, but i can’t deal with this, with you, anymore.
it keeps repeating like a song once loved, now loathed left on repeat, and a stop button might be somewhere but you can’t bring yourself to turn it off. it reminds you of that habit you secretly developed when you had two large bruises on both your knees after a nasty fall, bone hitting pavement. nothing bled, which was a relief to the new babysitter as no bright band-aids would be blatant proof of her lack of attention on the kid she was supposed to keep watch on. blood kept within the skin, nothing left to do but to watch your body slowly take it back. you were curious of how the color changes each day, the angry reds bleeding into dark purples that resemble galaxies that you’d see on your astronomy books. one day spent examining your bruises again, you pressed on the reddish purple one too hard and tears spring up your eyes when the sting hits. but as it lingered and faded, a strange feeling of satisfaction replaced it, and you felt the urge to press on it again, curious to see if the same unknown feeling makes an appearance again. It does, and the fascination as you play in between the lines of pain and pleasure follows you as you grew up. Curious, you once read up on it from those muggle books, where you learn that the body itself releases pain-killing hormones that help relieve the perception of pain, leading to a temporary feeling of relief. 
you knew thinking about sirius’ words will never not hurt, will continue to bury you in a deepening hole that you have to fight to the nails to crawl out of, but you couldn’t stop. 
It gave deep seated satisfaction to that green monster in the back of your mind, responsible for only seeing the negative in each situation you find yourself in. ‘i told you so,’ it says in a tinny singsong voice, clearly pleased with each iteration of sirius’ words and the raw metal stabbing your heart each time.  
it also serves like a constant reminder of your failure. Failure to love like a decent person, failure to be the person that sirius needed, failure to gauge what was too much that the other person drowned without you knowing, failure to protect yourself and your dignity from being trampled on like nothing, and failure to just simply accept the fact that love just wasn’t made for people like you. 
being friends with lily made you forget a lot of things, fundamental parts that you realized so young. you knew better, should have after everything you’ve gone through, but somehow with her, anything seemed possible, achievable, tangible when you’re a kind person. marlene would always say, doing good things meant you can expect to receive good things back from the universe.
and for the most part it seemed to always work that way. you’d witnessed james nurture the simple appreciation he had on lily’s genuine smile at him that eased his nerves while they were in line to get sorted into houses throughout the years, growing as he’d gotten to know her innate kindness and wit, and finally erupting from him like rays of sunlight until he became brave enough to speak it out loud starting fourth year. 
Even though the marauders had acted questionably during their early years of exploring their pranking abilities, james had always been full of love. Never hesitating to share it to those he truly cared for. it took lily years to accept this, and more to gain courage and let herself experience it. 
by 7th year, you never believed a love could thrive like that whilst cradled with such young hands until you saw james and lily do it effortlessly. 
so what part of this could’ve made you think otherwise? 
were you to blame for believing in that fantasy, that something like this could be attainable for someone like you, too? 
you had always housed deep adoration and awe for sirius black, like many others, despite his wild reputation and scandalous rumors that seem to always follow when his name gets uttered.
why? Because he was once the raven haired boy who slipped the trolley witch a few sickles when he saw you return the pumpkin pasty after realizing you couldn’t afford it. 
it had been a gloomy tuesday. the trolley witch was supposed to go compartment by compartment, but the bumbling first years seemed to miss that memo and started piling up close to the cart to see what was being sold that she had to force them all in a line. you were quiet and unobtrusive as you stood patiently in line; which was nothing compared the boys’ raucous laughters and animated chatter behind you. sirius would’ve accidentally pushed or stepped on you if he didn’t see your figure. the train was loud and so was james’ mouth, so excited to be away from his parents and to have his first official Hogwarts friend, but sirius also stood close enough to you that he could hear your stomach grumbling and see your arms crossed over your midsection. he admitted once that he found the gurgling sounds funny (like an eleven year old would do) but he didn’t have the heart to poke fun at you because he remembered he’d hear the same thing from his own when his parents would send him to bed without eating. 
even before your turn, you were already overwhelmed at the amount of food and candy available, none of which sounds or looks remotely familiar to what you’ve had growing up. your heartbeat picked up when you heard loud sighs, feet tapping impatiently (both James) snorting and shushing (sirius), and just grabbed something that resembled bread, quickly apologizing to the witch that gave you a kind smile. you hadn’t eaten anything as you rushed to pack the mismatched, secondhand supplies that the headmaster had sent you, and you were dropped off to the station just in time before the train left. your fingers trembled in excitement to finally eat and in hunger as you fished out your coin purse. It took a few seconds before it sunk in that you don’t have enough to buy your pasty. How embarassing. 
You swallowed your tears back, willing the hateful voice in your head to keep quiet for a minute or two, just enough time to put back the pasty and run to your deserted compartment, where you could freely go to town beating yourself up for your stupidity. Just quick enough so no one will notice. 
It took three deep breaths before the dam opened, for the tears to run uncontrollably down your cheeks. You couldn’t even wipe it off because your hands were still clutching your stomach, trying to ease the growling, gnawing pain. Pathetic.
The compartment door opened and you didn’t even hear someone clearing their throat, only looking up when a hand dropped three pasties, a chocolate frog, and a bottle of pumpkin juice on your lap. Barely balancing it, you looked up to see who took pity on you, but only caught a glimpse of stark raven hair and alabaster skin.
you’d find him later during sorting, squeezed between three boys that couldn’t seem to shut up about what house they thought the other would go. not used to kindness, much less from a complete stranger, you hesitated approaching him. but fate always had a weird way of showing you it does listen to your wishes once in a while and you found yourself later on, scooting a bit to your left to make space for him on the bench of your shared house. you both exchanged a knowing smile, and you’d always remember him like that. The kind boy who gave you a feast even without knowing who you were. 
you’d remember that boy when the pouring rain had finally soaked through your thick coat as you waited patiently for him at madam puddifoot’s on your first Valentine’s day. Despite the fact that he was already two hours late and the cafe would be closing soon, you chose to wait. 
you’d remember that kind boy when some mean ravenclaw girls in class would pick on you for the most absurd things, embarrassment coursing through your veins as you looked back at him desperately for some reprieve, only for him to avoid your gaze and continue to guffaw at something James said, effectively ignoring your existence. 
You once asked him why. It was embarrassing how quick he figured out what you were really asking. In fact, he knew a lot of things: that he didn’t deserve your love (or anyone’s for that matter), that someone as pure and selfless as you shouldn’t even associate with the likes of him, and that he was aware of every single thing he does that shatters you whole. He knew that he should tread this conversation gently, to not let his claws rip further skin more than he already has, but the Black darkness has its way of slithering out of the deep recesses he tries to bury it in. 
Words leave him exasperatedly, like he’s not spouting words that cut through skin. “I’d been clear to you right from the start, of what I can give you and what I can’t. You knew what you were getting into, Y/N. you put this onto yourself.” 
He storms back into his dorm before he could hear your quiet sobs echo through the empty common room. 
—-
lily knew in the back of her mind that this wasn’t just a simple, silly request now, but more of an obligation to her closest friend. 
it’s been three weeks. three excruciating weeks to be handed and given and filled with so much love she didn’t need to ask for, whilst seeing her best friend chip away with the lack of, like a once-bright porcelain doll that was abandoned and exposed to the direct heat of the sun. 
you had finally gone silent by last week, like a shut door. refusing to eat, go to class, speak—- hell, lily bets, if you could also not breathe by choice, you wouldn’t. It’s like youre keeping everything you once had given to the world thoughtlessly, close. Dorcas thinks you were keeping close to heart the mundane things that make you alive, to remind yourself that you still are. She had said, like air to a balloon. lily cried herself to sleep that night, the thought of losing such a fundamental part of her life, you, inch by inch, day by day, in front of her very eyes was a haunting, damning thought. Something that she and you both thought would come so much more years later, with unsurmountable memories, many glasses of champagne and slices of cake, wrinkles and smile lines, more laughter and loving hugs exchanged. 
she had thought the silence was a welcoming sign of change. A necessary step towards acceptance and moving on. she was relieved when your crying stopped, tremors leaving your fingers, and there was a chance again for the redness to vacate the whites of your eyes. She held hope that she and the girls can start working on instilling your light back, hopeful that a few months from now their star can find its way back to its rightful place in the sky and everything could be okay once again. 
Lily looked forward to nights that were filled by snores and shuffling of sheets, not the unmistakable sound of your feet on the wooden floors, misjudging that everyone was asleep, the muffled creak of the dorm room door opening and closing, and your footsteps fading in the dark. She’d wait fifteen to thirty minutes (the longest was an hour or two on the first night) before she’d hear you return, footsteps still light but she could hear the slight drag in each step, almost as if it was taking so much of your might to even make it to the bed. the quiet whimpers would start, followed by muffled hiccups lily knew only happens when you cry too hard. it took so much of her to exercise self-restraint, to keep herself on her own bed and not lay beside you and hug you as if it’s something that could put you back together. 
She has to turn her back on you even if it felt like raw betrayal. 
Because that one time she didn’t, she couldn’t forget the look of horror, dejection, desperation, and pure unbridled embarrassment on your face when you realized she knew what you were up to late at night. She knew you came up to the boys’ dormitory, crawling into sirius’ bed, where you begged and begged for him to take you back, that you’ll be a better more doting and loving girlfriend this time around, that you won’t be too attached this time and will give him the necessary space and time he needs so he doesn’t feel suffocated, that you’ll be anything, do anything just for him to welcome you back into his arms and whisper sweet nothings in your ear until your throat was raw, and sirius has to physically take you back to the start of the staircase to your dormitory. 
this happened for days and days on end until the boys had to lock their door at night, or whenever sirius is in. 
james couldn’t meet lily’s eyes when he’d ask for her help to keep you apart from Sirius as it would do you no good. they had gotten into a fight because of this, because lily heard nothing but  ‘stop her from making a fool of herself’ and her best friend is the smartest intuitive empathetic kindest witch she had ever met; the farthest thing from a fool. 
But one day those very words came off your lips with a hollow laugh. “But I am a fool, Lily. No one in their right mind would even do half the things I do.” It would be hypocritical for lily to deny sneaking out at night and crawling into your ex’s bed and begging for him to take you back as something of a desperate fool would do. A girl once had chased and pined for Remus during the entirety of fifth year and the things she did to get his attention were laughable at that time. But she didn’t plan to see the same, even worse, done by her best friend, and she still couldn’t wouldn’t call you a fool.
After all, your only fault was that you loved. And that shouldn’t even be a fault because that’s what she did with James, marlene with dorcas, her father with her mother. even someone as selfish as petunia could find love and be loved right back. 
you of all people deserved to love and be loved right back after everything you’d been through, and james would say the same thing for sirius as well. 
but sirius was a complex person, lily could recite this on top of her head from endless times where you stood your ground, defending sirius’ honor like he’d see your great martyrdom and suddenly consider you once again worthy of his love and affection. Before, she knew of sirius as a friend and James’ brother— but she knew more than what she signed up for because you’d fill in the gaps for her when she’d try to beat some sense into you during the unacceptable treatment you’d accept from sirius. 
You’d say with such confidence “he loves me, he’s just going through a lot right now, especially after that howler his mother sent him a few days ago.”
You didn’t have to elaborate, lily remembered that day vividly, not because of the way sirius’ face fell when the howler began its assault had reminded her so much of how she’d react after getting bitter letters from petunia, but because that same day she saw sirius being manhandled by a hufflepuff, both kiss sick and all over each other, into a secluded broom closet. 
It was years worth of push or pulls, of moral dilemmas that would get the outspoken redhead to choke on her words, and dejectedly sweep them under the rug out of your sight. Because the beaming smile and flushed cheeks you’d sport when Sirius murmurs sweet nothings in your ear, the weight on your shoulders dissipating when tucked in his arms, the jump in your step whenever he’d kiss you on the forehead and wish you good luck for the day— Lily couldn’t bear the thought of robbing you with those moments of bliss, even when it’s all done in private. 
So in an empty classroom on a gloomy Tuesday afternoon, she points her wand at you, fingers trembling and tears trailing down her cheeks, but you don’t see any of these. Instead, your beautiful features wear a serene expression that weakens lily’s knees. Oh how she missed her dearest friend. She’d do anything in the world to get you back, hold your hand, and dance with you in the autumn rain. 
So she does the wand movement like she practiced for days and takes a breath. She pictures you and Sirius happily dancing barefoot during the yule ball, your blushed cheeks when you told her about the feel of his lips on yours for the first time, you on sirius’ shoulders as you carried the quidditch cup, both smiling big as remus snaps a picture from the muggle camera, you drifting off to sleep on sirius’ shoulder while your hands were laced as you rode the train back to hogwarts.
Before mumbling the incantation, obliviate.
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