#THEY DESERVED THEIR OWN HAPPY ENDING

[hualianschild]

[hauntingofhouses]

Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.

So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.

DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.

Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.

But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."

In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.

When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.

So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.

Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.

And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."

But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.

He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.

*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.

Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.

Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.

Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."

This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.

Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:

"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."

(no screenshot because it's quite a long line but you get it)

Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.

Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.

But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.

Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:

"I thought you had to be something special. Your face isn't even so scary. You're just... angry."

At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")

The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.

That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.

By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.

Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.

But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.

"I want to be great."

This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.

NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.

First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:

Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;

Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.

These are thus two directly contrasting, diverging journeys:

Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.

Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.

Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.

Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.

Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.

In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.

Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.

(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)

And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.

--

Let's talk about Option A: Akemi.

As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.

Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.

With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.

Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!

--

Then, of course, we have Option B: Taigen.

Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.

Therefore, Taigen has very few options here.

And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.

Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.

Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.

While Akemi is red and Mizu is blue, Taigen is green.

Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.

Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.

By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.

It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.

Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.

The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.

Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.

But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.

Or hey, maybe they could both make their own dojo together! I don't know.

(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)

--

Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.

In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.

Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.

--

And finally, there's Option D: Polyamory.

This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!

--

AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)

Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.

[yencirilla]

laudna getting freedom from her abuser and finally getting to live a life where she is her own person who can do what she chooses without wondering how she'll be punished for it later. laudna getting to be comfortable in her own body. laudna getting to be curious without the possibility of delilah taking over. LAUDNA HAPPY! :D

[lord-squiggletits]

Y'know I kind of feel like when Megatron killed Tarn and said 'I want you to spend your final moments thinking of this: that everything you've done has been for nothing' he was kind of self-projecting onto Tarn? Mainly because at Megatron's statue, M and T had a conversation where Tarn explicitly asked if all the Decepticons in service to Megatron died for nothing, if HE did everything he did for nothing. (And I think M even gave an answer along the lines of 'idk I think we basically did'). And then after Megatron killed the DJD and Rodimus teleported in to rescue him, there was that silent moment where Megatron just stared at Rodimus not moving at all before he finally took his hand at the last moment.

It honestly feels to me like for a while, Megatron fully intended to murder-suicide himself. Murder the DJD, his monsters and his creation, and then take himself out alongside them, because he is also a monster. Because he also feels that everything he's ever done has been for nothing.

Goddamn it's no wonder I liked that scene so much LMAO, as someone who thinks villain Megatron > Autobot Megatron, literally one of his key traits is that Megatron basically took his pain/trauma/worldview and used it to lash out at the universe and try to subjugate it to his vision. So the fact that he took his own pain and brutally murdered the DJD while telling them the very same thing that puts him through so much agony is so very deliciously ironic. And a return, however brief, to the Megatron characterization that I know and love.

[whoatemyshoe]

[sylvieserene]

Fixing history using the power of editing and my editing skills!!

For today we have, New Titans (1980) Issue #100

✨ Wedding Special ✨

@robstarblog @robstaryeah pinging yall just in case so that this doesn't get lost in oblivion (It'd be painful since I worked 5 hours non stop on it lol)

I think the most time was taken by the final panel and adding in the finishing touches since I pretty much had to change everything to the pixel level, quite literally lol (I'm serious, I did)

Welp I hope the results were worth it! And with that, another one gets a good ending!!

I kinda didn't add sleeves in the first two panels of the final page because it didn't look good and looked janky with how I was editing it so yeah please ignore that-

[sinful-karateka]

Some random sketches I've amassed in my Procreate file for The Line of Best Fit series. I've drawn both of the boys' faces here and there for years, but for the last few months, I've actively tried to study each of their features to understand how to draw them better.

I'm really glad to be in the position I am right now where I'm capable of both telling the story and illustrating how I see them. For two years, the series continues to occupy mental and emotional space rent-free, and the more I think about the journey these characters will have to embark to get to The End — which is something I've established the moment I said fuck it, I'll write it — the harder the blow is on me (positively). But I love it. I love sharing my interpretation of Separation and Longing, of Reparation and Redemption. If it's my last work for the ship, and I find the courage to move on one day, at least this is proof that the story lives on.

I don't know where this post is headed to; maybe it's a solid thank you to everyone who's stuck around.

[grassoftunnel]

Choice Theft in the second degree, with utter disrespect

“To take the choice of another … to forget their concrete reality, to abstract them, to forget that you are a node in a matrix, that actions have consequences. We must not take the choice of another being. ”

from Perdido Street Station by China Miéville

The way Genji, Kumasawa, and Nanjo constantly refer to the rape as being like…The One Sin that Kinzo ever did in regards to Beatrice 2. As though they weren’t there actively helping him to raise her in isolation, imprisonment, lying to her about the world, about herself. As if that’s not also a nightmarish abusive situation already, just on it’s own. We have so little of Beatrice 2, but it’s an undeniable fact that she was a human utterly devoid of agency in every single way.. They stole from her even the choice to be angry or upset or aware about what was happening to her, what had happened to her. Of the choice to be a human and not a witch. Of the choice to be a daughter and not a wife. Genji’s half-truth phrasings during the games too when dodging confirmation from the siblings about whether Kinzo had a child with his mistress are especially disgusting. Since he’s not just outright lying like Nanjo, but denying Beatrice 2’s personhood as an individual, and slyly using Kinzo’s grooming logic that she was not really herself, but someone else (her mother), even if he did genuinely feel bad for her. I’m sure Genji, Kumasawa, and Nanjo contented themselves by thinking that a bird in a cage doesn’t long for the outside. But that’s a theft in itself. And this choice theft is only continued with Sayo. Robbed of her own unsurgically-altered body. Robbed of the context of her life. Robbed of the ability to make choices based on those two things. And then in telling her, far too late, she is robbed of the mundane, uncomplicated love that had existed in her heart for Battler. Robbed of a lineage not tainted by the most horrific abuse. Robbed even of the ability to look at her own father, at the people who raised her, with respect. Like…HELL IS NOT HOT ENOUGH!!!!

[whatsaudreythinkingabout]

spto coming out has been such a surreal experience bc before it came out i was like. the one roxie kinnie (at least as far as i was aware, i’m not doubting that there were more out there) & now she has like a million stans and half of me is like “FINALLY other people who understand her the way i do” and the other half is like “i liked her before it was cool. my blorbo. mine.”

[mimimar]

page 1 of my ivy comic ✿

<characters  next page>

(prints)

[wildflowercryptid]

in a perfect world, oleana would realize that she deserves better than rose and macros cosmos after the darkest day so she takes up the mantle of the dynamax professor from magnolia and eventually connects with a fellow assistant that had their devotion taken advantage of by their shit bosses.

[jonathanbyersphd]

No you don't understand Jonathan has to break the cycle or else what the fuck was the point

[skunkes]

[beanghostprincess]

A very interesting AU concept would be swapping Sanji and Pudding, hear me out:

It starts with 9 year old Sanji at G€rma. In one way or another, his modifications partially activate. He is still weaker than his siblings, but its enough for J@dge to not imprison him even after Sora's death. (He still gets berated tho) Living like this slowly makes Sanji lose his emotions. He doesn't have a will to to live, yet he can't die.

Meanwhile, at Tottoland Big Mom is furios at a 6 year old Pudding because she just can't awaje her 3rd eye. She calls her a failure, punishes her for nothing, and tells her that she isn't her favourite daughter anymore. Hearthbroken, Pudding decides to run away like her big sister Lola did by hiding in the hold of a ship. She ends up in the east blue and after the ship wrecks, she meets Zeff. They are both stuck on an island fir 80 days, but he sacrifised his leg because he could never let a lady go hungry, its just wrong. Later they are saved and end up opening the Baratie.

Zeff raises Pudding as his precious daughter. She is already great at baking, but he teacges her how to make other dishes and cuisine. Everybody loves her, and anyone who even lays a finger on her will die.

Then Luffy arrives. While Pudding's real dream is to learn about the 3 eye tribe, she tells everybody that is to find the All Blue for her old man (she still covers her eye, Zeff is the only person who has seen it). After the events of the Baratie arc, she joins the crew as the cook.

The rest of the story would be similar. Pudding is now a pirate who uses her leg fighting skills and smarts to get by. (As well as an idden power thats connected to her 3rd eye) The marines gave her the epithet "chocolate leg Pudding". Im not sure if she already has the memo-memo no mi... I'm gonna assume she does and its very useful for her.

The first change in the plot is at Thriller Brak. Pudding notices her sister, but she is scared to face her at first, since that woukd mean telling her friends about her true lineage. For most if the arc, she deribetaly tries to hide herself and even wears a disguise. In a final moment in the arc, she asks Lola to talk to her privately. We don't see what happens yet, but we will one day.

The rest of the story is the same, until Whole Cake Island. When she is kidnapped by the Big Mom pirates. When her bounty poster is changed to "only alive". When the invitation to the wedfing of the 3rd son of the V!nsm@ke family and the 35th daughter of the Charlotte family are handed out. When Big Mom decides to claim her disowned child to give her up in an arranged marriage as part of a coup. Threattening to hurt Zeff and her friends if she doesn't comply.

I love this so damn much you don't even know-- I've always been saying that Pudding's story is basically Sanji's but like, with the bad ending because she never got to escape when she was little but Sanji did. And now that you mention this AU, it's just perfect to show their similarities but also to turn the stories around and,,, It's amazing.

Starting with Sanji, I adore that the approach here is that he's emotionless. I don't think he'd be like his brothers in a narcissistic, egocentric way. I think that after being abused constantly he just loses all will to leave and shuts down completely even if there is still empathy within him. The whole thing with the Vinsmokes is that they were all raised to be powerful killing machines and that's why they act like this, not because they actually are emotionless. And Sanji in this context isn't either, he just seems like he is because he just... Gives up. So I imagine a black-haired Sanji with some blond, completely shut down and just taking the abuse and living with it and serving the family without anything else.

But there is still some type of connection in him to like, animals and women, I think. It's small but it's there. He's not our sweetest boy but he won't harm women the way Niji does and he will help and feed animals because he is strangely attached to them and cooking. But Judge doesn't really say anything about it anymore because at least the kid gets the job done and doesn't seem like he's going to rebel or anything. He's kind of like in a Reiju position? Where he understands their situation and has his own emotions but just shuts down? Except that he's well, extremely depressed and mean and she's concerned for him. I think she still protects him though, she's the only one Sanji doesn't push away. Typical "they sit in silence and she hugs him and even though he stays expressionless it's obvious that he likes it with her".

And Pudding... I love that she gets her happy ending here. I've been saying Zeff has girldad energy and it just makes sense that he'd be extremely protective of her while teaching her to cook and fight on her own!! He raised the most gorgeous, sweetest, and yet ruthless cook of all seas! I think he'd be such a great dad for her because he would help her stand up for herself and also take care of her in their early years together when she is still having trouble adapting to a new, healthy environment. Of course, she still has nightmares and trauma responses when she grows up, and he helps her anyway, but she gets better at some point.

I love that he's the only one who sees her third eye!!! That'd be like, such a good plot point too for her to join the strawhats... Also, her dynamic with Luffy would be hilarious because despite being sweet, I wanna desperately keep her mean personality and she would be SOOO done with Luffy. Their relationship would kind of resemble Lusan's a lot, imo. And Nami would be sooo happy to have another girl in the crew so early!!! I also think she'd hate Zoro but not because of like, parallels with Zosan or anything, I just think their personalities clash too much-- And she'd have a soft spot for Usopp but that's because, you know, everyone does. Also, I like having a girl in the crew that isn't part of the coward trio. She actively fights and I love it. Then Vivi and Robin join them and y'know, I am starting to think another girl in the crew would be literally amazing hahahaha (I've been saying this for so long). So I am guessing everything stays the same except that during Thriller Bark she reunites with Lola but yeah, she doesn't tell the others about it. Because that's what WCI is for!

Then WCI happens... And I am losing it because I really, really, really want her to have the biggest breakdown about it and sacrifice herself Sanji-style (don't you just love how you don't even have to change the plot because they're literally parallels??? I will never understand how some people can hate Pudding lmfao she's literally Sanji). So she's forced to do the exact same thing she does in canon if she wants to save the ones she loves, but she doesn't want to kill Sanji?? Like at all?? And then you have Sanji who literally gives zero fucks about what's going on. I think he'd be forced to act politely and like a gentleman when he literally doesn't care about all of this-- And probably Pudding finds out and he's mean to her, yadda yadda yadda.

And y'know I would absolutely love if Sanji knew they're going to kill him but couldn't care less about it because perhaps dying is better than whatever life he's living, and when Pudding realizes what's going on she makes him want to live just... A little bit. Something awakens inside Sanji and suddenly he's scared and he doesn't want to do this. Sanji sees Pudding's third eye... Pudding finds out about Sanji's mother... They actually won't stop arguing at first, Pride & Prejudice style, and then Sanji sees her with a different perspective and all of a sudden he starts acting more protectively and sweet to her? So she's confused as hell and still tries to argue but uhhhh complicated relationship they've got there, but at least they help each other out.

And idk perhaps we have the Viinsmoke sibs having the same scene they have in canon and helping Sanji out but the crucial part is Reiju paralleling the original scene in which she helps Sanji escape. And he finally does and he leaves with the strawhats because I need them to have a happy ending. So he's still dealing with, you know, trying to express his emotions and wanting to live but he'll get there someday because at least now he's safe. Nobody kisses and forgets anybody because I will not allow a sad ending here, thank you.

[tennessoui]

every day I am HAUNTED by the 11/14 chapter count on all my roads lead back to you bc it implies an ending was fully planned out!!!! I am Begging you pls release the outline I Need to know what you had planned🥺🥺🥺 (/lh I love everything you put out and you don't owe me anything I'm just shooting my shot here)

bestie what is this use of past tense 😭 i promise the story isn’t abandoned I updated it in February of this year 🙏

[crazyhickofftheirrocker]

Carmen's Double Promotion: potential migajas for Season 2 🕵‍♀️ 🧐

Absolutely rooting for nuestra capitana 🥰🥳 after being made store manager. And according to some behind the scenes pictures from when filming took place, it's definitely going to happen.

But what if this ends up introducing the main conflict of season two and puts Carmen in a more central role?

Carmen is ofc married to Tasio, who Damián is clearly trying to incorporate into the company, either to assuage his own guilt or for some other reason (maybe even to make him a scapegoat so Jesús can go fuck with someone else other than the rest of the family)

Since Jesús' true character has been revealed to much more of the family, things seem to be lining up so that it'll turn into a war between Damián and Jesus, versus the Merinos and the rest of the DLRs. No matter Damian's disgust for Jesús now, he's made his bed and will stick with him to the bitter end because it's all he knows how to do with him.

Depending on the outcome of this, I would expect that Tasio's true parentage will be revealed at the end of the season and if that has been made the focus, then Carmen is now in a very complicated and important position.

No doubt her loyalties are with Mafin and she would personally support them and the rest of the family against Jesus. But if Tasio is to take a position as one of the DLR, he will have to go along with the same bullshit his newfound siblings have put up with all their lives and he will feel he needs to prove himself. That will also conflict with her own personal principles, particularly if Fina shares with her the true reason for the Barcelona plan.

I actually don't believe season one will have a positive ending or that Jesús will be killed; in fact, he'd probably end up at worst imprisoned and somehow sneak his way out of it through financial favours or through some ruse. But it could happen in such a way that ostracises his siblings and thus takes them out of the company, leaving a vacuum for Tasio to slot into in some way. This season is probably one that gives Jesús his 'win'; to end up as sole director of the company.

So Carmen's loyalties will be tested; either she supports her husband and she's obliged to follow the agenda set by Jesús at work. Or, she turns out to be the person who keeps her ears to the ground to support the exiled DLRs (and Mafin ofc 🧁) and lays the groundwork for their return and ultimately the downfall of Jesús.

Who knows 😉?