The Experiment | Part 2
In case y'all missed it, I asked one of my best friends to watch Stranger Things and here's what she had to say about season 1 and 2 .
Now, here's the updated version of season 3 that she finished so fucking fast and I felt guilty because she told me didn't sleep because she was desperate for answers, my sweet summer child.
This time around she'd update me as she watched the episodes and needless to say I woke up today with way too many messages
She's 100% convinced that Mike is gay because she said and I quote: "What teenage boy takes off the hands of his girlfriend like he did?".She also said that Mike should remember that friendships are important too, she doesn't understand why he's avoiding his friends and focusing too much on El.
She loves Max Mayfield BTW (again, sweet summer child). She 100% agrees that El needs to learn how to be herself without the influence of others.
She said that the biggest problem she has with Mike and El is that El didn't even know what a friend was the first season, how can se be in a relationship? However, she does think that if Mike learns how to listen to her they might work it out but she's not sure they should. "Ok I guess they're not going to work it after all" says her after their break up. Also, she was like: "shouldn't he be more upset about this?
In comes the rain fight scene and I think the conversation deserves to be in a mural somewhere. This is what she said and I apologize for the language and for how she talks about Mike but this deserves to be translated in it's entirety because her rant was epic.
"Why. The. Fuck. Was Mike being such an ass?! He used to be so sweet to Will and now he's treating him like this? Hell nah! Like, I get that he wants to spend time with his girlfriend and that's fine, but that doesn't mean he gets to treat Will like this!
And who the fuck said anything about Will not liking girls? Will didn't! So why the fuck would Mike say this completely unprovoked? Like, this is the kind of shit Will's bullies would say! I don't know who the fuck this Mike is, but it's definitely not the kid from last season.
"Oh se he goes to apologize to Will but doesn't apologize to El?" She asked me after she calmed down from her seething rage. "Inch teresting"
"Oh boy, Billy is gonna die. Am I supposed to want him not to?".
"How the fuck did Soviet Union manage to build this entire lab underground without anyone noticing? And this is I'm thr hight of cold war too, makes no sense but what do I know?"
She absolutely adores Robin, she thinks she and Steve will get together.
"Am I supposed to feel bad for Billy?" Needless to say, she doesn't like Billy.
"What. The. Fuck. Am. I. Watching?" She asked during the people turning into slush scene.
"Oh. So I guess Robin and Steve won't get together after all" lmao I laughed.
"Oh they do want me to feel sorry for Billy, huh"
She had a mental breakdown over Hop's "death". She sent an invoice crying and cursing me for bribing her into watching the show.
She also noticed how unresponsive Mike acted after El told him she loved him and was like: "is this boy ok? Like, I'm sorry Bia (my nickname) but you're telling me he just stood there with his eyes opened while she declared her love and kissed him? Am I watching this right? Answer me dammit!" (She was angry when I refused to tell her anything lmao).
Now, bare in mind that I haven't told her about Byler at all, didn't even tell her I ship it because I wanted her to be as unbiased as possible. She told me she had thoughts/theories and I told them to share them even after she claimed she didn't think she was right.
This bellow are her thoughts and hers alone, translated from Brazilian Portuguese to English.
"I just feel like Hop's letter is telling us something about Mike, maybe? Like, how he's afraid of change, of confronting his feelings, maybe? Like, I know you won't tell me, but I don't think this scene is about El leaving at all, I think it's about Will leaving.
"But I have a theory? I don't know, but the scene parallels the scene from when they find Will's body, right? But he comes home and holds his mom and I think this when he realized he has feelings for Will? Maybe? Or at the very least he realized he isn't straight.
" I didn't think Will was gay until I saw his reaction to what Mike said, and I think Will felt that he was stupid for believing that Mike cared for him at all. He destroyed the castle because he lost his childhood, he lost everything when he wasn't even looking, and I also think he called himself stupid because he thinks it was stupid of him to hope Mike could ever think of Will that way.
"I don't think Mike truly loves El, and he's coming to terms with the reason why he doesn't"
She then begged me for information which I refused to give her, obviously. But this is part 2. Now onto the last season *laughs maniacally *
45 notes
·
View notes
The Lady Whistledown Papers : 1x08 After the Rain (Part 2)
Welcome back, Gentle Readers, to The Lady Whistledown Papers, where I’m taking an in-depth look at Penelope Featherington and Colin Bridgerton’s character arcs and romance within the show Bridgerton!
For previous issues, follow tag : The Lady Whistledown Papers
This is going to be a very musical issue, guys ;)
Boxing Match
So. We're here at this boxing match where Will's going to face an ethical dilemma, Simon's going to be involved, Lord Featherington is going to face some consequences of his actions, and Anthony's going to fuck Siena against a wooden beam in the back.
And Colin... is going to sit and happily chat with Benedict in the background. Apparently, he's not in a moody mood over Marina anymore.
I like the top hats though. There are times when this show veers so far into fantasy that I don't necessarily recognize the 1800s. But the top hats feels very much like 1800s. And I appreciate that.
Well, this scene might not really have anything for me to meta but... I'll bring in a BTS thing...
Apparently, Jonathan Bailey, Luke Thompson, and Luke Newton spent Season 1 harmonizing this little tidbit and it makes me wish that Bridgerton was a musical, because these boys can sing, and this is absolutely delightful. I wish this was better quality and longer.
(Bringing it up here - because I think this was filmed around the time of this boxing match? The costumes look similar.)
Anyway... there should be more singing on this show. Just, there should. That's how I feel about that.
Speaking of more singing...
Family Time
Omg, it took me forever to find this gif.... But I wanted to use a gif here because I wouldn't be able to still Colin because he's moving so much. Anyway...
We've got one of our big family scenes again. And as I've said before, I've always liked these scenes because the family dynamics are always richly on display, and one of the aspects the show does really well. The interplay between all of the different storylines is great here, as each one kind of gets a little nod as they weave in and out of the scene.
So, let's talk about this almost blink-and-you-miss-it Polin moment.
Francesca is back in town, so are Simon and Daphne, and the family is in high spirits (since we're at the end of the season and wrapping this thing all up). And they get Colin to sing in a catchy little tune (which I'll get into in a moment). And, as much as Colin was sulking and in such a bad place in the previous episode, he's bounced back rather well. And while he's not over it (Colin, we're learning, seems to hold onto things -- and the Marina stuff isn't done yet), he's come back from the heartbreak rather quickly.
Which... I think really speaks to the nature of Colin's feelings more than anything -- as they weren't that deep. Do I think Colin cared for Marina? Yes. Do I think he got caught up in a grand fantstical romance? Yes. Do I think he actually loved her? No. Because as his family members mentioned in the previous episode -- he didn't really know Marina. He just liked the idea of her. And those shallower feelings are easier to bounce back from.
So, we have here a Colin who is in better spirits. And the thing that really sticks out to me in this scene is how young Colin looks. He's singing what's essentially a child's play song, like London Bridges or Twinkle, Twinkle Little Star. Colin was pushing himself to be An. ADULT. But he's not fully there yet. And I feel like this scene kind of pushes Colin back to where he was at the start of the season. That sweet, charming young kid. Only he's not that anymore. Not really. Experiences do change a person.
Meanwhile, we have Penelope. She comes into this a little hesitantly. She's clearly there for Eloise. This is the first time we really see her in the family dynamic. Even though we don't see it -- it's implied that Penelope is often over there, and feels pretty comfortable being in the Bridgerton drawing room. She grew up there. She and Eloise's friendship formed there. And there she can be around Colin in an appropriate way. It is a home for her.
So, it's interesting that she comes into this room with that hesitancy. She takes a moment to watch Colin while he's singing - and I do believe in this moment she doesn't regret what she's done with Lady Whistledown. Because she's seeing Colin be happy again. Things are back to the way they were. And Colin feels like /her/ Colin again. And, oh, her longing look for him. Her love is always just radiating through her that it can't be contained.
There is also a small, little detail that I absolutely love. As she comes in, he's in the middle of a line, and his voice wavers and catches when he sees her. And I mean, not only does he see her - which is notable in that she's the girl who hides on the sidelines and doesn't get notice. But the sight of her is enough to catch him off guard. There's an unresolved tension there. And the moment acknowledges it, even if it can't address it.
Eloise, oblivious as usual, is going to jump in and steal Penelope away -- she's got news about Lady Whistledown. And the look of pure panic and terror on Pen's face as she worries that Eloise has discovered her secret...
But Eloise isn't there to unmask her, she's there to say that her sluething has brought her to the conclusion that Madame Delacroix is Lady Whistledown.
Penelope has a myriad of emotions that cross her face at this news. She's relieved that Eloise hasn't figured out her secret. But she's grateful that Eloise is on her and her family's side, and that Eloise's intentions are to have Lady Whistledown make a retraction to restore the Featherington name. It's an act of true friendship -- and Pen is so grateful that Eloise is her bff.
But also, there's a little bit of deflation there, too. It's a hard read, but the conversation takes a turn -- Penelope commenting on the fact that it's impressive that Madame Delacroix can run her business and be Lady Whistledown. And I'm not sure if it's out of a twinge of sadness that she can't tell Eloise that she is Lady Whistledown, or the fact that she's concerned that Madame Delacroix might be posing as LW, or just the fact that even if Penelope is rich -- Delacroix being able to live her life freely is a sad reminder that she can't.
Eloise loves the idea that Madame Delacroix can live life as she pleases, and aspires to be like her -- the unmarried and doing her own thing being the biggest appeals. But Penelope admits she can't be like that. She tells Eloise the fact that she has a sister who is a duchess will make it easier for Eloise to do whatever she likes -- including being a working, unmarried woman.
But Penelope isn't like that. Here she blames it on her family, and it's tattered reputation. Eloise can coast on her family's good fortune, but Penelope will always be fighting against her name and placement in society. But what is unsaid, too, is that while Penelope wouldn't mind making her own money (and, in fact, she already is), she does want to be married -- she does want love. And herein lies the comedy/tragedy of Penelope/Eloise friendship -- each has what the other one wants.
Of course, neither of these issues are going to be resolved here, so Eloise does something she doesn't even want to do with her siblings, and shares her chocolates, which brings a grin to Penelope's face. because they are good bffs.
And, of course, the ending moment is punctuated by the end of Colin's song, where he dissolves into a fit of laughter. And I just adore when Colin laughs, because he's such a sweetheart when he does.
But, okay, let's take a second and talk about the song -- which is called Now We Are Met. And, guys, I tried. I really tried. But I couldn't find much about this song, other than it was written by composer Samuel Webbe sometime during this era? There's not much to meta out of it -- other than it's a fun little song that you sing with your family around the piano, and it's usually done as a round. In case you're unfamiliar with rounds... here is a choir singing it (which, honestly, is really cool)
I would love to know the reason the show picked this particular song. Is it just a children's song that kids in the UK sing? Or is there some other meaning to it? I have no idea. Would love to hear from anyone who knows more about it - as I love discussing the use of music within story.
Yellow
Tying it to the boxing scene, Lord Featherington won a bunch of money, and now the Featheringtons aren't as badly off as they were - (even if society isn't that fond of them, still), and they're able to get bran new dresses for the Hastings' ball. Prudence is excited because she gets to let hers in. Phillipa finds hers to be perfect.
And... Penelope's is yellow.
It's such a great little comedic beat. (and, I mean, the bit with Portia telling Phillipa she can get married now that they can give her a dowry and Phillipa asking when it was lost is so hilarious. I'm so glad they pushed in on the comedy angle during Season 3.)
And, oh Penelope just isn't there yet -- she doesn't have the confidence to push against her mother's wishes. She doesn't have the power to let her clothes reflect the person she really is. She's still going to be that girl stuck in yellow, clinging to the walls of the ballroom for just a while longer. And that's okay. We've got a lot of great story to go!
And on that note, I'm going to end this musical based post with a cover Coldplay's Yellow -- a song, as you know, means a lot to this story, as we'll talk about a lot more come Season 3. :)
22 notes
·
View notes
you should talk about your thoughts on rw fanon (looking with huge eyes)
Oh god, there's a lot of major misconceptions have concreted into fanon, mostly around ancient society and ascension.
First things first! Ascension is not death! They are entirely separate things treated entirely separately by the text of the game. I can see where the interpretation is coming from, but it doesn't really align with how the text treats either subject. Five Pebbles may want to remove the self destruction taboo, but from his reaction to the rot it's clear that he doesn't want to die. Conflation of ascension and death only comes up as an offhand possibility that pebbs makes on iterator 4chan, when he's going into the possibilities of scenarios that even the other sliverists are doubtful of! (let me make clear that I am not a sliverist by any means)
Ascension is more of talked about as a form of transcendence, yeah? A Bell, Eighteen Amber Beads talks about their sitution as being "To have grasped at the boundless infinites of the cosmic void…", not as them seeking an end to life.
The beta dialogue goes into more detail, mentioning the "infinities of time and space" and the "boundless fractal planes of spirit and reality...", though this dialogue was cut and it's hard to tell how much it reflects the concept as in the released game.
As for the cultural misconceptions... there's A Lot to talk about, but the first that comes to mind is the common conflation of the five natural urges and the christian concept of sin.
It is true that the negation of urges is mentioned by moon as an alternative method of ascension, but much of what we know about the culture of the people who the fandom calls the ancients (which makes discussion of the depths a mess but that's something for another post entirely) points towards the urges not being seen as shameful.
Even the first urge does not seem to be particularly scorned! Being a warrior is presented as a cause for bragging in the Shaded Citadel pearl, being comparable with being an artist and a fashion legend. The second urge, also does not seem to be suppressed. Multiple sources attribute some level of honour to parenthood! The aforementioned pearl also mentions Seventeen Axes, Fifteen Spoked Wheel as being a "Mother, Father and Spouse" without any hint of shamefulness. Nineteen Spades, Endless Reflections expresses pride about having progeny, mentioning it alongside their owned land and esteem among their peers.
After some peer review, an esteemed friend has told me to add a section on purposed organisms as well! This is not so much my area, so I might be a bit off on some things.
As moon says, the majority of purposed organisms were tubes in boxes, and that the primal fauna of the world are almost entirely extinct. A lot of the fandom seems to ignore the first part, and i can't say I blame them, but the evolution of the creatures is so much weirder than people think.
Concept art for the creatures has this interesting quality to it, where the organic parts of the creatures have an almost... melty quality to them.
In the concept art, the flesh appears as if it's almost defying the machinery to form an animal shape. It's as if it's conquering its own artificiality the way the foliage grows over the (stone, brick and concrete, not mostly metal as some think!) ruins.
Of course, it's hard to really tell how much of this reflects the finalised concept, most of the integration is much smoother in the game, in line with a seamless kind of biomechanical design. There was always an intention of biomechanical strangeness, as shown in this screenshot of the devlog before the term "slugcat" even existed!
That said, the melty nature of the concept art shows a level of wild change inherent the biomechanical nature of the creatures, as if they truly are the result of these "tubes in boxes" almost revolting against their own boxes.
and considering centipedes... some tubes may not have had boxes in the first place!
397 notes
·
View notes