#THAT problem needs to be fixed first

[katboykirby]

For me, it's not so much a belief that "making the three undateables into dateables will 'steal' attention from the main cast" because you're right, that's not really the issue.

For me, it's much moreso that "adding three more dateable characters to the pool of 11 that already exist is just going to make a bad problem even worse"

Because the writers simply cannot handle the 12 characters (11 of which are romances) they already have, plus the story, plus Pop Quiz events, plus everything else. I won't go into detail about the story/plot problems, or the characterisation issues, or anything else of that nature right now because there's already plenty of info out there breaking all that stuff down. I just wanna focus on the issue that presents itself when we start talking about the three undateables (Thirteen, Mephisto, and Raphael) and the problems that come along with making them dateable.

Because OP is right - if your name isn't Lucifer or Mammon, good luck ever getting any significant screentime, good luck ever getting nearly as many (or any at all) Spotlight events, good luck getting anywhere near as many UR and SSR cards, etc etc. The writer and devs biases for these two characters at the expense of everyone else in the cast has been prevalent since the first season of the original game all the way back in 2019. Also, OP, Mammon has had four Spotlight events now (not three) even though Beel, Belphie, Diavolo, Solomon, and Luke still haven't even had one.

The problem with making the undateables into dateables is that it's just going to add three more characters for the writers to juggle, when they can't even handle the 12 characters they already have. Lucifer and Mammon will continue to get a full 60-70% writers and devs attention at all times, while the entire rest of the cast (now 14 characters in total, including the player) all get shoved together into the 30-40% of the story and screentime still remaining. Thirteen, Mephisto, and Raphael won't "steal" that screentime from the other boys, they'll just be forced to share it while it gets spread even thinner and thinner

Something that bothers me Is that everytime one of the "trio" Is given spotlight, the same old discourse happens of "do you want them to be dateable?" And Some people answer that No, because "they will take Time of the other cast" I'm sorry but having more or less characters isn't part of the problem. Look at season 1 of OG, and any event before the side characters became dateable. The problem Is the devs playing favorites, even If w still had 7 characters, the same problem would still be there.

Giving Thirteen a kiss scene will not rob of Beelzebub of an spotlight or giving Mephisto a hug of Asmodeus having screentime. The problem Is Mammon having 3 spotlights this year when we still have characters that haven't had one. The problem Is the devs pushing Lucifer as the center of the universe in the Main Story of NB. Why do you blame the characters that barely appear of robbing you of something that they aren't giving you anyways?

[writer-room]

Obsessed with Lloyd never mentioning his grandfather is the First Spinjitsu Master, apparently to the point even Arin didn't seem to know, because "eh, it never came up". Cause like, yeah, sure, my grandfather is God, what of it? Normal day for me. Shit happens. My dad is also evil, you wanna talk about that? I sure don't.

It's also funny from a character arc perspective. Here's itty bitty baby first season Lloyd, loudly proclaiming he's the son of Garmadon, and probably also making sure everyone knows he's God part 3 electric boogaloo. And then one Tomorrow's Tea and a few more years later and he's doing everything physically possible to NOT care about his heritage. In fact he'd probably rather his parentage was literally anyone else. Dude could care so less he forgets about it most of the time. King behavior.

[reachhforthestars]

Sonic 3 spoilers!!! Talking about the mid credits scene/what people have been saying about it under the cut

feeling like the only one who doesnt want reverse sonamy for the movies </3

or more accurately, fine sonic can have an obvious crush on her but i dont want ‘reverse sonamy’ to mean ‘amy doesnt have a crush on sonic.’ she can be lowkey about it or whatever (like sonic is sometimes in the games/other media) but to me part of Who She Is is that shes this super cool, super strong, intelligent fighter but shes also still a young girl who has crushes and believes in fate and is guided by her compassion, not by her strength or her mission or her love of adventure.

shes such a good character because while she is physically strong and possibly slightly magic, those are equally as important as her love and compassion and care for the world and people around her. preserving amys girlhood is important to me like loving sonic isnt her single defining character trait bc she ‘has to have a crush on a guy’ but it is a main character trait because thats just who she is. a loving person who sees the good in the world and wants to protect it and loves sonic because she sees him as the embodiment of that

[dykeyaoi]

I feel like a lot of fanon tends to miss what seem to be three pretty crucial things about Teru, and it's weird because they are easy to miss, but they're also so important that without them he's very superficial. it's part of why he gets so yassified almost every time he's adapted (see: manga into anime into fancontent)

one is that this kid is smart. on my first watch of his debut arc I assumed he was psychically cheating to be one of Black Vinegar's top students. now though I don't think so: firstly, I'll admit, because he doesn't actually seem to have a way to do that except blackmailing other kids for answers or something; but secondly because throughout the series he's just good at figuring stuff out. he picks up complicated psychic techniques more quickly and frequently than anyone else, including Mob. he was the one who almost beat Shimazaki. he figured out that Psycho Helmet was Dimple from the fact that he was a spirit who knew Teru's name, not a lot of info to go on. he draws conclusions in the somewhat haphazard but very clever way a detective does.

two, he's motivated so much by anger. this one's something of a hot take but it's so there to me that I can't leave it out if I'm Teruposting. before meeting Mob yeah he thought he was special and important for having powers but he was also extremely lonely and subconsciously mad at everyone else for not having them. he's the only one who has to deal with Claw he's the only one who has to live alone because his powers make it dangerous for his parents, he's the only one strong enough to be the shadow leader. he'll do it because he's the Protagonist but god he's gonna be pissed the whole time. it's not what he wants (we only get to see what he wants later with Mob and Reigen and everyone else) but it's all he has for a long time. seventh division shows the intersection between I Should Be Satisfied Now Teru and I'm Better Than These Guys Teru very nicely

last and kind of most important is his thing for Mob. I absolutely believe ONE wrote Teru to be queer and he definitely had or has a crush on Shigeo, but I also think that at least part of said crush is him misconstruing his adoration and the pedestal he's put his friend on. until after the Confession Arc, the two of them getting together would be really tricky and probably not good. Mob still feels bad about what he did at Black Vinegar for most of the rest of season one, and the only reason Teru changed in the first place was because of the cavernous gap in power between the two of them. until he declares Shigeo his rival and realizes that he has faults and any destruction he causes isn't perfectly righteous, Teru can't love him.

there's as much to his character as there is to the other main characters, and I get the easy appeal of the flattened version of him but when he's flanderized into this sparkly gayboy who's also sad sometimes, it makes me sad.

[lemongogo]

[the-hilda-librarians-wife]

An aspect of Hilda the series that I feel isn’t talked about enough is the colonizer’s guilt and how it affects the main character.

What made me write this was watching the third episode of the new season, but honestly, it’s something we see throughout the whole series. Starting out with the elves in the northern counties, and moving on to trolls and now giants. Every season that came out gave us a chance to see Hilda deal with the feelings that arise from living in a society she knows is built on the occupation of another people’s native land and the oppression of those inhabitants.

She knows it’s not her fault, she knows she’s not the colonizer, but she’s well aware that she’s in the privileged side of her society. Seeing her grapple with the fact that her very existence in these spaces is only possible because someone else is getting the short end of the stick, to me at least, makes her that much more interesting of a character.

Because it’s not a matter of fixing what she’s done, but the privilege is still there and not even well hidden when she sees the day to day life of the people whose land has been occupied by humans/trolbergians. So whenever we see her rush to aid them, her borderline desperation to fix what’s been broken, it’s even more captivating because it’s not just the usual “I love helping people and having adventures” gist, there’s always this undertone of guilt for something she hasn’t personally done but still knows has to be held accountable for.

Hilda knows the type of oppression that people like her get away with. And she wants no part in it.

[nightmare-foundation]

Yknow, I feel like part of the reason why people don't understand Ozpin as well as they probably could is because they... don't understand how the merge works. Let me explain.

The fandom has this expectation that Ozpin will take over Oscar when the merge is finished, and that Oscar will just disappear. Honestly, I think this is an extremely inaccurate reading of the merge based in bias and listening to unreliable narrators.

"But Oscar says he's afraid of disappearing, and expects it to happen. Isn't this reliable?" <- good question. No, I don't believe it's all that reliable. Oscar is experiencing the merge for the first time, and has no clue how it'll end; because of this, and his personal fears, he draws conclusions, and that conclusion is "I'm going to disappear into the collective of lives that is Ozpin." I also don't believe that this specific sentiment has been said by Oscar since v6, but it's been a while, so I can't remember.

Meanwhile, though, Ozpin himself never said that he was going to take over Oscar and that Oscar would disappear. When it comes to talking about the merge, Ozpin always frames it as Oscar gaining, rather than losing to him. Oscar will inherit my memories and muscle memory, you're recollecting my longest held memories and gaining control over my remaining magic, etc. It's almost framed as if OSCAR is taking from Ozpin, rather than the other way around.

"But Oscar has been changing throughout the volumes, if Oz isn't taking over, why is he changing?" <- another point. Oscar IS changing, but it's more superficially. His vocabulary is widening ("plummeting immediately" for example), his mannerisms have changed a little but mostly in the confidence department, and his voice has lowered, plus the inherited magic and memories. But his actual personality and deepest parts of his identity hasn't changed; he's still wise in his own way, notably different from Ozpin; he's optimistic but still realistic, for one, and he's very contemplative, and expresses importance in the individuals, vs the many as Ozpin does. He also still has his own unique brand of sass, his unique strategies and planning (how he handled the situation in Monstra), etc. He still identifies as Oscar, and the biggest change is definitely the gained confidence.

But, harder to notice, especially if you're not insanely obsessed with them like me, Oz has also changed, arguably more than Oscar. At this point, his entire voice has changed; the cadence of his voice, the timbre, his vocabulary and how he words things, etc. If you compare Ozpins current voice and Oscars, both Aaron Dismukes version and Shannon Mccormicks, they sound nearly the exact same. There's VERY little difference- at times, Oscar seems a little more formal than Ozpin! Oz's mannerisms and facial expressions have changed a lot as well, adopting more of Oscars (wider eyes, softer looks, lots of movement with his hands without their cane, honestly likely more that's escaping me rn). He also talks to the other characters as peers now, though it's hard to tell if that's from the merge or character development. I'd also mention how Ozpins worldview has drastically changed, but that's from character development and canonically, Oscar inspired him, but basically he's completely picked up Oscars views and beliefs (even if he's a little hesitant at times, he still trusts Oscar).

But basically... they've both changed, arguably Oz more than Oscar, both from the merge and character development. And it seems to me that it's more likely that Oscar won't disappear? Especially when you consider Ozpin saying "I understand. I went through the same panic and confusion you are." <- this is talking about the merge in v4, when Ozpin just appeared in Oscars head. Obviously, he'd have to be referring to being an ordinary person (likely a teenager) suddenly having a voice show up in your head. Ozpin identifies AS Ozpin- not as any previous incarnation (though he identifies with the memories too), so I doubt he identifies as Ozma. Thus, this implies that they change.

Also, soul in rwby IS identity. Aura is your soul but tangible. Thus, if two different souls merge- that inherently implies a change of identity. The souls change, thus the identity changes. Plus, Ozpin literally says IN v5 that "I am the combination of countless men, living, dying, and reincarnating, and i am changed- but my memories stay with me." It seems that the only constants are their memories, magic, and immortality. Everything else changes- "I am changed."

So I definitely don't think that Ozpin just takes over and absorbs his hosts. Everyone who thinks that's how it works in-universe are unreliable narrators; Ironwood, Leo, Qrow, Salem, even Oscar himself (though atp I think he might have an idea that he won't disappear, but he still doesn't want to change, which is reasonable). Oz's inner circle members wouldn't know in-depth how the merge works, bc a) Oz tended to lie to them and b) i doubt that's something he wants to discuss anyways. Salem wouldn't know because when Ozma told her, he'd only reincarnated once, and he only had the God of Lights really vague, cryptic words to go off of, and Salem herself has likely only been informed by people who wouldn't know how the merge works anyways (Leo). And i already explained why Oscar is also an unreliable narrator about it too.

Light and Jinn are also hints as to how it works too; they imply the hosts don't disappear by saying "Until then, you will reincarnate, but in a manner that ensures you are never alone." And "As the centuries passed, he learned to live with the people in which he had been paired." So naturally, the hosts don't disappear, and everything else says that Oz changes.

Another, smaller note, but you can tell with the other Oz's seen in The Lost Fable that they all act differently. It's more obvious with Ozma and Ozma 2.0, but you can tell with the rest of them (and even the hermit in the story of the seasons), since they all have different mannerisms and, for those who speak, they kinda speak differently as well. They're also vastly different from how Ozpin acts, both from the beginning of rwby to now, and they act differently from Oscar.

TL;DR: the merge isn't a takeover on Oz's part; they both change and, at the end, identify with whoever the host is (hence the name change).

[onthemeander]

I would like to see Verosika and Stolas become closer friends.

At first it built on a foundation of getting over Blitzø together. hasn’t been confirmed but they seem to be the only two who tried to say “I love you” to Blitzø and Blitzø it blow up in their face.

But even then I think they could do a lot for each other. Verosika gives advice on confidence and generally extends Stolas’ social network. Stolas could give Verosika insight on how to not be so angry all the time, let that sadness breathe, and find a quieter place to hide, in his home, away from parties and drinking that she already went to rehab for.

Do I think it would be a perfect friendship, nah but I think they could really help each other in some unique none Blitzø was.

Edit: when they do get back together Verosika can offer Stolas some of her succubis techniques that drove Blitzø wild.

[jackass-jones]

I know my ass says this every time there’s a new season but god DAMN, heartstopper is such a good show for teenagers

[svampira]

I’m so sick of thissss I feel like I just can’t find colors that I like and I keep procrastinating from working on this cause I’m so not enjoying it

[gender-luster]

i need a spinoff of dead boy detectives about all the sad lonely gays the dbda left in port townsend (jenny, monty, the cat king)

[gayaristocrat]

“Aliens are in the ocean! There are UFOs flying in the sky. Blah blah blah” Ok but the real question is, are they here to fix human suffering? Are they going to stop the genocides? Will they fix the food shortage crisis? What about fixing health care? Will they solve the problem of increasing homeless rates? Because if not then I don’t care, sorry. There’s bigger issues going on in the world and people are dying. They should abduct a couple corrupt politicians, do some probing or dissections on them idc just get some of them out of here please!

[bigskydreaming]

The thing that kills me about the Star Wars prequel trilogy and why I will die on my hill that my problem is not that Star Wars is a tragedy, its that its a badly written tragedy, is that Anakin Skywalker was at his closest to being a good Jedi when he was ten years old.

[iunpackmyadjectives]

Okay hear me out

What if Skybound, but Jay was the one who opened the teapot in the first place, so that he could wish for Nya to be in love with him

[katiekatdragon27]

People sleeping on this hypothetical tbh.

Oh, First King you grump and unaware old fart. You have no idea how scary and cool you look to these kids <33

Notes n stuff below cut:

I get all the jokes about FK being a zombie and evil n stuff, but like, not really?? He's just the FIRST KING OF THE GLADE that's all. He's probably been unjustly necromanced into today's world when he was just chilling with being dead. He would be the last thing from evil. Maybe kinda rude to other species, but that's normal for older people.

Idk, I just want grandpas in the world who actually want to help care and raise the next generation (cuz peepaw Polokus is doing daedally-shit)

Since I'm self-indulgent and biased to my own ideas, I had this silly idea that when FK was resurrected, he and Markus (the name for the Grand Minumus always hanging with Rayman for me), got into some arguments about just general stuff regarding the Glade and it's management. It might've gotten violent, and this got FK banished to the Livid Dead for a couple years, hanging out in the upper levels with Romeo, Shadi, and Goth (kinda).

When Big Mama found him there, she quickly brought him back to the surface and showed the Fairy Council. Betilla is very conflicted about him being back (cuz daddy issues), but she makes a decree that nothing harmful shall be bestowed upon him. So, he can do whatever without being sent back down to the Livid Dead.

Now, onto the school-related parts:

FK has a had a liking for kids ever since he was known as Aurthr Grandur (shameless The Sacred Dream plug sorry-not-sorry). So, when he was allowed back into the royal ranks, he began basically being everyone's royal babysitter when he wasn't listening in on Fairy Council meetings. That's where someone proposed for him to be a teacher, to which he took up the offer.

History has a tendency to be kinda skewed in the Glade, often neglecting the stuff predating Rayman and the rise of the Limbless race along with every other group in the Glade. Stuff that FK went through first-hand. He was not really vibing with the lack of diversity in the schooling.

As the magic school's history teacher, he always makes an effort to share all kind of history, not just Rayman's. This consists of every kind of creature in the Glade and of course his own. He even talks about the fairies as "kids" on occasion too. He is very well-liked amongst his students of all ages. Also, he doesn't give homework and does live-acting demonstrations of certain events with crazy swordsmanship, so bonus points there.

Many adults were wary about what they thought to be a nightmare teaching their kids but grew to appreciate him more b/c of his old-school "fuck around and find out" methods of teaching and discipline. Kids got better when in his class, which was something not that seen prior to him.

And in the background, he tutors students that show an interest in hand-to-hand combat. He loves seeing younger people actually using sharp weapons and learning the powerful method of channeling magic. He's an actually good PE teacher, I always thought those weren't real

Here is his full drip:

Enjoy the essay and have a good one fellas ✌️✌️✌️✌️

[iniquity-fr]

i'm the first to agree that the 523498234 different ancient gene scrolls are ruining many functions and areas of the site but i don't know whyyyy people keep jumping to the marketplace as the first example of how they're clogging up pages when the marketplace is in fact the one and only place where you actually can filter out ancient genes?

marketplace has had filtering since march 2021! you just click the magnifying glass to search & filter! (the same revamp also very helpfully split the old specialty tab up into the 3 different specialty, genes, and scenes/vistas tabs, which the AH and hoard all still DESPERATELY need on top of the ability to filter ancient genes out)