#THANK YOU anon ask person!!!

[therainbowwillow]

hbomberguy’s latest video on plagiarism has made me completely rethink literature and writing. I have never once so much as considered intentionally plagiarizing anyone or anything, but I think there’s something more that has come out of this: the names of the people who created the works Somerton (and others) ripped off.

Plagiarism isn’t only bad because it is lazy and disrespectful, it’s bad because it buries the truth. If you can’t find a source, the conversation is over. Somerton’s sources are fairly easy to find by simply searching his plagiarized lines, but that isn’t true in most cases. Most of the time, the line from statement to source is a lot less clear.

Today, I was writing a report on English Ivy, which is an invasive species here in the US. I wanted to know when it was introduced and I at last found a source claiming it was introduced to the Americas “as early as 1727” on a .net website that seems quite reputable (it has multiple major universities credited in its home page), but there is no citation for where this date came from. I dug deeper and found a pamphlet created by a city government in Virginia that made the same claim, only to discover the first source linked in their bibliography. Another website (a botanical garden’s page) gave the same date with the same source hyperlinked. Of course, I have classes to attend and things to do and probably not enough time to follow the lines back to where this 1727 date came from, but if I had not just watched this video, I wouldn’t have given that date a second thought.

Of course, it doesn’t matter in the long run exactly what year hedera helix was introduced to the Americas, but it makes you wonder how many facts have been so vaguely attributed that it becomes completely impossible to figure out where they originated (and further, whether or not they’re true at all).

[frenchublog]

Um hello. Hi sorry for absolutely flooding your notes with spam reblogging all over the place. Your absolutely gorgeous Treasure Planet art made my brain short circuit and melt into a puddle. Your art is great and I love it have a wonderful day

why are you apologizing when you've been so entertaining

[prismatiger]

Tell me your opinions on the stuff. Any stuff.

Grins. Smiles, even

I'm using you as an excuse to infodump my theory about the Island because I've had no in to do that, and my theory is pure opinion. Anyways:

THE ISLAND IS STUCK IN THE FUCKING FUTURE

(SCARE CHORD)

Hi so you might ask me. What the fuck do you mean by that. Well. Let's start with what we know about the Island, the King, and Wish Craft. (long ass post under cut. sorry)

The Island was redacted from the perception of outside world, via Wish Craft.

Wish Craft has the power to enable Time Craft. We see this primarily through Siffrin's timeloops, but also through the King's powers.

One of the King's powers is to show the saviors a "vision of the future."

...And this same attack is deflected back at the King by Mirabelle in ACT 5, in which the King is able to see the Island before being frozen in time.

...So. The King's "vision of the future." We're never told explicitly what this vision is. All we know is that it's apparently powerful enough to wipe the party in one hit, hearing it from a distance hurts your head, and that whatever Siffrin (and Loop) saw, they don't seem to actually be able to describe it. Even the King himself doesn't know what his vision entails.

We don't know whether the party all sees the same thing when struck by the vision, and Adrienne's answer to the question about it in the Reddit AMA is. vague? It's not a "no," and the specific wording makes me think the answer might be yes. But that's me reading into it.

Now. What do we know about the Island's redaction? The Island was affected by the wish recently, as in "like a decade ago" recently. We know that nobody in Vaugarde or the rest of the world is capable of thinking about the Island, anything closely tied to the Island's culture, or people on the Island for very long. When they do recall these things, they slip right out of reach. Particularly, the consequence for trying to think about the Island (or, more specifically, break the wish that forces the Island out of perception) is significant pain, localized in the head.

And that said pain is enough to become lethal, if pressed hard enough.

From here forward I'm running with the assumption that the King's "vision of the future" is not personalized to any individual, and is unchanging throughout the course of the whole story. Now. Remember the end of ACT 5, where the King gets hit with the deflected "vision of the future", and instead of dying, he recalls the Island and gets frozen in time? Very odd, yeah? Why wouldn't the King just die like everyone else does? He even does take 9999 damage when trying to say its name, like Siffrin does, and like the party does when they're hit by the attack.

Well. We know that he has a "true wish" that the ability to freeze Vaugarde in time grants. I don't think it's at all a stretch to guess that the King's "true wish" is to be able to remember the Island. My personal guess is that the King (and Siffrin) brought this "true wish" into effect via the "SAY ITS NAME" sequence- he even tries three times, a significant number in wishing.

The King (and Siffrin's) wish breaks, because it can't be fulfilled in this moment without breaking the wish to prevent the Island from being thought about. However. Consider the conditions at the end of ACT 5- the King sees the vision of the future reflected back to him, and what he sees is the Island. He remembers the Island, fulfilling his own wish, and is frozen in time. I consider this a compromise between his wish and the one binding the Island- the King gets to remember the Island, but nobody alive is able to think about it, because he's frozen in time; it's like the Universe is correcting itself (I WILL GET BACK TO THIS). The wish of all of Vaugarde to defeat the King is fulfilled, since he is no longer a threat, and Siffrin's wish wraps itself up soon after.

MY POINT BEING. The King's attack is a vision of the future. This "future" is of the Island, in some uncorrupted state. The saviors see it when he attacks them, and he sees it when it is deflected back to him.

The logical next question is "okay, so the Island exists in the future, but how do you know time shenanigans are even related to the Island?"

Recall a very odd series of interactions throughout the game, in which you try to interact with a piece of equipment that you already own.

The game rewinds slightly, before the item disappears, as the Universe corrects itself.

This is awfully similar to two particular events: looping back without seeing the death screen, and talking to the Daydreaming One about her sister. The latter is more interesting to me for the purposes of this theory.

In both instances, something is misaligned within the Universe (an item existing in two places, someone remembering something they're not supposed to) and it is corrected through some sort of rewind. Also compare the dialogue above to when you try to give Mirabelle the Stylish Bow when you already own it.

The world glitches, but Siffrin defuses the situation before the Universe has to intervene. Omitted from the screenshot is the fact that Mirabelle's portraits switch to happy from "catastrophically anxious" with no transition after Siffrin shows her where the bow is. Important to note is that when Mirabelle tries to recall receiving the bow, her head hurts, much like how trying to break the Island wish causes a headache.

The Universe leads you away from perception, and you can only follow.

My theory that I keep circling around is that through Wish Craft, the Island has been displaced temporally. The denizens of the Island, as well as the Island itself, still exist, but they are in the future. The Island is still loaded into the world, like how equipment is before you try to interact with it, and the Island cannot leave this quantum state, because it never actually went anywhere. The magnitude of the redaction event is so severe with the Island, because it is so much larger as an entity than a sword or a bow. There are of course things I don't really have pieced together, like why somebody would wish the Island into the future, how far into the future it is, or why equipment behaves this way. But it's the only Island theory I've seen that I have some level of confidence in, so I might as well lay out my cards for it.

[bixels]

I am drunk right now; you are so charming, like a prince with really good taste. Like, c’mon, how am I supposed to compete with this?

Aw, that's very sweet of you.

[ragnarokhound]

I think the best titans tower scenario is one where tim gets a good look at jason in his new and improved robin outfit and gets so hard so fast he’s lightheaded, immediately derailing jason’s plans for the beat down because Jason’s going “what kind of FREAK”

anon, i love this for you, and i like the way you think lmao

like, i'll be real, the OG robin costume is goofy as hell on Jason in the TT sequence, but at the same time? Can we not simply appreciate a well-built man in booty shorts and pixie boots. Let he who is free of sin be the first to condemn Dat Ass. Especially when it's flexing that hard to beat up a guy i, personally, like to headcanon as having a giant mcfreaking crush that unfortunately did Not die with Jason lololol RIP to Tim Drake

(btw i am imagining Jason tearing off his infinitely more sensible Red Hood fit and then upon getting this reaction from Tim, has to pause because 'i'm wearing this to make a statement here. this isn't about that. why is this doing it for you, kid' and Tim just has to sit there stewing in his own humiliation like 'can you just kill me now? let's go back to the part where you were beating me up to teach me a lesson oh god wait no don't do that, fuck--' and Jason's like '🧍i'm gonna go actually, you made this weird. beatdown cancelled' and Tim, with his gloves over his face just muffles out a 'thanks, see you never' and throws himself out the window)

[oceanwithouthermoon]

I like your saiteru posts but I can't shake the idea that Teruhashi only loves the idea of Saiki and not actually Saiki, especially since she hated when he gave her a glimpse of himself when he was competitive during their date.

ive seen this take floating around a few times, this whole "teruhashis mental image of saiki is wrong" "teruhashi wouldnt love him if she got to know him" "teruhashi hated any time she saw his REAL personality" and i just dont get it because like...

this scene?? the scene where hes being inconsiderate, rude, not taking her feelings into account, making her play games she doesnt even want to play, acting like a gooner, etc? THIS is the scene you thought was him showing her a glimpse of what hes really like??? where did you get that from?/genq

hes competitive, yeah, but this… isnt being competitive, its just being an asshole. thats not what hes like when hes trying to win. him wanting to win games and show off with his powers is not equivalent to being an inconsiderate tryhard who wants to make everyone do what he wants with no thought to what they want…

but youre ALSOOOOO forgetting that she actually did end up being like… “hehe i still wuv him 😚” after this…

so.. on THAT note, i need everyone to pay really really close attention to what im about to say…

she loves him when hes rude, inconsiderate, pushy, competitive…

she loves him when hes open, popular, kind, powerful, reading her mind…

she loves him when hes gloomy, monotone, boring, quiet…

she loves him when hes a GIRL.

so why is the conclusion here “she wouldnt love him for the real him”? the logical conclusion here seems to be “she would love him no matter what”

WHAT ABOUT THAT DOESNT SCREAM “LOVE”?

and regarding her "only loving his persona the same way people only love teruhashis", i think everything above disproves that anyway but i have to go more into it because not only have you misunderstood me but this also implies you think none of saiki and teruhashis friends truly love them at all 😭

saikis quiet, boring self isnt completely not him. its still him, just a different side of him than you might be used to as a viewer. you guys have to understand that although, yes, he is masking and putting up a front, that doesnt mean EVERY part of him that people see is fake 😭 its the same with teruhashi, she doesnt have a single tangible "true" self entirely on the inside and a single tangible "fake" self entirely on the outside, its NOT completely black and white! PEOPLE arent completely black and white!

youre forgetting that me saying those guys (the kokomins and all those gross ew men) dont love her because they dont know and see her was accompanied by a picture of them literally asking her to continue validating them immediately after she woke up from passing out 😭 they quite literally dont love or care about her, not even about her image, they just like the idea of her image and want her to make them feel good. the whole "nobody sees and knows and loves her" doesnt apply in the same way to yumehara and their other friends, they may not truly see her with the same depth that saiki does but that doesnt mean their care for her is fake, because they DONT care more about her image than just her and being in her company even if they do still see the parts of her that ARE fake.

you cant just take the idea that they fake a lot of themselves around others and morph that into "every single thing people see of them is fake and every single thing they dont see is an accurate representation of their true selves", it just doesnt work like that 😭 regardless of saikis power and silliness and sweetness and competitiveness, hes still a quiet guy with a gloomy face. and regardless of teruhashis cuntiness (lol) and competitiveness and obsessiveness and silliness, shes still a sweet girl who enjoys making people happy. they can be BOTH and thats okay!

this misunderstanding is like youre hearing someones thoughts and thinking "oh what a blunt person" like well... no because not everything in your head defines your personality or is something youd ever want or need to say aloud. everyone thinks crazy things, had wrong initial impressions, etc, do you see my point?? am i getting this across properly??? saiki still enjoys sitting in his house and doing nothing but eating coffee jelly and playing video games and teruhashi still enjoys when she makes people happy, those things arent fake just because they contribute to their fake personas... saiki also would not have been singing and doing standup or whatever the hell people are convinced he wouldve been doing at the mixer with someone hes "more comfortable" with, he doesnt do that shit around anyone 😭 not around his family and not around the psychickers, so im not sure where people got the idea that her thinking he would sit there and do nothing was her not understanding him or that the way he was making the guys act was how he truly wants to act 😭 he can sing and crack jokes but he never has around anyone so we dont know if thats what he wants to do, i dont even remember him making jokes aloud to the psychickers other than being a little sassy ☠️ the most i remember is him making short silly jokes to tease his dad or toritsuka... you guys just assume that hes the type of guy to stand up and sing and yell and make everyone roll over laughing because idk... maybe you cant stand the idea that your fav might not be a sexy loud confident alpha male and might actually be a little guy who loves video games and watching people and being a little brat on occasion ☠️

i feel like this take is just you guys taking both their insecurities SUPER seriously, because what else could be making you think that ANYONE who doesnt know about his powers doesnt truly love or care for saiki??

anyway... it clearly just doesnt matter to her how he acts because she just loves him and enjoys his company no matter what. thats love.

[spotaus]

If you're still accepting requests, you could draw Cross x Lust?

Hello anon! Definitely still accepting requests! And I need you to know that this request literally short-circuited my brain, because I rendered all of these doodles 🙏

Cross X Lust was Not on my bingo board of things I'd draw, but the combo just settled in my head and felt Super Right and I got to sketching and realized I really liked their energy and just... didn't stop drawing! Thank you SO MUCH for the request! (They give me the vibes of Cross being the one who insists on being chivalrous and very protective, while Lust gets some freedom to relax and be himself and get pampered a bit! Idk if I explained it right, but it makes sense in my brain-)

[shadowtraveled]

In your Mithrun analysis, when you say “maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.” who is the ‘someone’ in your mind? Milsiril? Kabru and the canaries? I loved your analysis, so I’m curious

OH kabru absolutely

milsiril spared him and, decades later, helped him with his physical rehabilitation, but it seems like she more or less gave up on his personhood. no more desires -> no more mithrun as we knew him -> no more mithrun. she spared him because he wasn’t completely devoid of motivation to live, and she used the single motivator he had left to eventually get him to keep himself alive, and she briefly even seemed to want to try and instill some of his old mask (even with the understanding that that’s what it was) back into him, but that fell through immediately and i think with it went her optimism that mithrun would ever… be a person again. “too late now, i guess.”

then the canaries are on good enough terms with him, but they’re practically instructed to treat him like a weapon or a tool they’re maintaining. i believe it’s cithis that tells kabru to take care of mithrun but clarifies that really what that is is just making sure he eats. ensuring his baseline needs for survival are met. and really, that’s all she was ever tasked with. when it’s all over and mithrun is cataleptic, the canaries stay physically near him, but they seem to have accepted that he’s gone—without the demon to chase, he has nothing to live for. cithis, though, seems to be closer to mithrun than any of the others, and i don’t think it’s a coincidence that she’s the one who calls lycion off and encourages kabru to try engaging with him when she hears the beginning of what he has to say.

this post caught a lot of my opinions regarding mithrun’s relationships (linking to my reblog of it because i dumped some thoughts in the tags) but tldr i do think milsiril and the canaries fall short of thinking of mithrun as a person, and that’s why their relationships with him fail him somewhat. i don’t think that’s their fault, because it seems like they were taught to think of losing your desires as a complete loss of self and humanity, but it does mean they see mithrun as someone who has already been lost. kabru is demonstrably different in that he’s able to help mithrun see a future beyond the demon, and he’s able to do it because he deals with mithrun like he’s human. because he is. and all of that stems from the specific aspect of kabru’s personality that is his obsession with people

[maofa]

I have see this headcanon that I love which is:

In every Alive!Kuina AU she is the one to save Hiyori, not Zoro. Ecen if Zoro is alive. ESPECIALLY if Zoro is alive. New ship! It got called Hiyoku (i'm not the one who decides these things tho)

But the funniest part of this is Zoro teasing Kuina about her crush and she just uno reverse it vy bringing up... everything he dies towards Luffy.

They end up fighting over who has the better s/o and she beats his ass every time

oh my gosh hiiii

ok so that’s something I didn’t know I needed in my life so please accept these messy doodles of them being silly ;3

[ananinidraws]

So who would be the first person to discover Bowser and Mario's relationship?

Princess Peach for sure

But not really in a way that she just one day happened upon it. She’s the main spectator of their pining asses, since she observes their battles from wherever she’s being kept (most times the classic lil cell above the arena), and she also spends a good amount of time with both.

I do think, however, that she is the main matchmaker. Like she’d be the one giving both lil hints, without outright saying it, and she probably strikes a deal with Bowser, smt along the lines of:

However, after they do finally get their feelings all sorted out…

…They genuinely forgot she was there

Peach is the personification of this meme to me

[frownyalfred]

I've always noticed in your writing that you don't tell what's happening really, or what exactly their feeling, also that your writing always starts with an action or dialogue, it gives a very realistic feel to it, also how u add so many details in between without info dumping is remarkable, it really does feel real (Also nothing feels exaggerated, it's kind of like casual mixed with whatever theme you're going for,it feels natural to read) love your writing, have you been writing as a kid in other things or you started off writing fanfics from the start?

You caught me! I’m terrified by the idea of info dumping so my writing style is just me frantically trying to write around that. I want things to feel natural, but it does make my writing pretty predictable!

I’m also a big fan of “show, don’t tell” which I know gets a lot of heat these days. Sometimes you absolutely just need to tell, but there’s a beauty and joy in showing, too. Implying.

I’ve been writing since I was a kid, yeah. In a variety of formats. I was a big reader, of course, and really really picky about what I liked to read.

[stupidlittlespirit]

You asked for some cute fun asks, so I've appeared to help!

If you've ever played (or watched someone else play) the Swooning Over Stans game, there's a scene in Stan's route where you go to a 70s dance night with him. It's very fun and flirty~

Ever since then, I've wondered if Ford would enjoy going for a dance like that with his s/o. I can definitely see him getting SUPER nervous about it beforehand because he's having flashbacks of his prom night disaster and thinking he's going to totally bomb it. But maybe his date would coax him to just have a little fun, let loose.

I agree with your thought that he'd be the kind of guy to like old classic crooner music (and now I'm swooning for real just thinking abt it), but maybe some 70s funk can get him going, too. Now every time I listen to that stuff, I can't help but picture Ford trying to teach his date how the dances really went (and possibly failing miserably but laughing over it)

GOD yes, I played Swooning when it first released and it was wonderful. I've played it through on both routes about 10 times each lol. I still can't believe we were gifted such a gorgeous game by all of those talented people for free.

I know exactly what scene you mean. That was such a nice touch.

I daydream about this fucking scenario with Ford a lot. It's so silly but I do it when I listen to that kind of music and it's really nice haha Very normal of me, I know, so expect a long answer to this under the cut:

I'm going to set this within GF, but at a function beyond the town he might struggle a little more unless he knew the people there.

I think Ford would be (naturally) nervous beforehand for the reasons you mentioned. He's not very fond of social interaction that isn't super necessary, though post portal he is definitely better at that than he was, and the thought of doing something that holds bad memories would be very daunting for him, to the point that he'd probably refuse at first. More so with the excuse that he doesn't have time or doesn't care about stuff like that than admitting he's nervous.

Mabel would definitely encourage him to go and Reader would mention that they'd enjoy having some fun/seeing him have fun as well, plus they'd certainly miss Ford if he stayed at home. They would understand his hesitation around the event but a little gentle comforting from them around the knowledge that they'd be there to support him would go a long way, I think.

"There's no pressure to stay if you get there and don't like it," and "We can just go home, you're in control of the situation and I'll be by your side no matter what," kind of thing. I think he'd find that very soothing and helpful, just to be reminded that no one will force him. Eventually, he'd give a little and agree on those terms. Plus, Mabel would guilt him a bit because she wants to see him to be included haha.

Once he got there, he'd be a wallflower to begin with. That's fine, obviously. He needs time to settle in. Maybe a drink or two, as well (I know how he feels LMAO) before he can really get comfortable. He'd look to Reader for comfort but he'd also not want to prevent them from enjoying themselves, so he wouldn't insist they stay with him all the time.

I don't think he'd refuse to engage with other people; he'd be reasonably accustomed with the townsfolk anyway so he'd know them and their demeanours a bit more than if he was at a totally new function or with people he had never met. He wouldn't start general conversation (unless it was with Fiddleford), though.

He'd definitely be more inclined to hover around the edge of the party rather than step straight in like Stan would, but if people came up to see him and say hi (and they would because the family is known and liked) then he'd be able to hold good conversation. Post-Portal!Ford is going to have developed his social skills a great deal from his time away and I think he'd be more willing to hear what other people have to say and engage with them.

When he was younger, I think he might have only really been interested in talking about the topics he knew about because they felt safer for him, they were something he was good at talking about, but obviously when you're that smart it's nigh on impossible to find that level of conversation with others so he would have considered himself a failure in terms of social ability purely because he struggled to connect on that aspect, when really he'd just be expecting a bit too much from the general populous. That, combined with general awkwardness and a lack of knowledge on how to make menial conversation would have made it really hard for him. He does talk about that in TBoB, actually, with the joke he makes about pie in the diner. It doesn't land because the waitress doesn't have that level of understanding. It's a funny joke though! He is good at talking to people, he just comes at it from a unique angle.

So, anyway, I digress. He'd be a bit shy but he'd be open to chatting to others, and eventually he'd warm up. He'd realise he's been overthinking everything a bit too much and getting in his own way, and then start to ease up without even realising.

Reader, meanwhile, would have to strike a balance on making sure he was okay and also giving him the space to bloom on his own. Maybe making eye contact with him from across the room and giving him a little thumbs up-thumbs down gesture to check in, only for him to return a thumbs up and big, warm smile, much to their relief. They'd have known he was capable of it, he just needed to remember his capability himself.

So after a bit of time and a bit of space to find his feet, he might overhear that they're playing the kind of music he used to listen to in his youth. I'm going to project here (because you guys know my affinity for 70's music) and say maybe some Baccara (Yes Sir, I can Boogie is a banger), some Bee Gees (duh), just anything fun.

Ford would know the words by heart and once you'd returned to his side, he'd be singing them under his breath or tapping his foot or whatever, and you'd ask him if he wanted to dance. He'd say no because dancing requires a level of self-humiliation and he'd be too self conscious initially, but again, you would coax him a little.

I think you could ease him into it (I think that's the trick with Ford generally anyway). Maybe Reader would take one of his hands and he'd twirl them around, just indulging them a bit because he'd think it's endearing even if he won't do it himself.

I think seeing someone else be a bit silly puts other people at ease and makes them a bit more willing to be silly themselves, so he'd kind of get a little more into it as the music went on and once things changed to those slower, crooning songs, he might just take Reader's other hand and (much to their absolute joy) slow dance with them a bit. He'd prefer to stay tucked into a corner rather than make a show of being out on the dance floor like his brother, but I think he'd be inclined to sing a little bit, just quietly, privately, and lead Reader in a dance.

He wouldn't be a practised dancer but he'd be able to keep time and count beats (it's math!) and although he'd still fuck it up, as would Reader because I doubt many of us are classically trained dancers, he'd be able to laugh along with you and have fun. He'd forget the room, as would you, and you'd be able to really have an intimate, joyful moment together.

God fuck I am so normal about this old man. This is the kind of shit they put you on medication for if you tell the therapist too much LMAO

Also shameless self plug but here is my playlist for this exact scenario. 'Misty' by Lesley Gore is my personal favourite Ford song. Don't judge me, I beg.

[kwillow]

Your art is jaw-droppingly stunning. Can I ask, how do you render things so beautifully? Can you give any tips? Especially with colored lineart.

Aww thank you so much, that's so sweet of you to say. <:3

I don't think I can give much advice on rendering; I've always been highly dependent on line-art to portray form and any attempt at lighting more complex than "shade with one layer of a desaturated color on multiply" frightens me.

BUT I can share what I do with line coloring!

This is a drawing I've done both with and without the coloring on the lines, to show the difference it makes.

In general, the color of the lines is just a darker shade of the color surrounding it. The more defined I want a feature, the darker the hue.

The interior lines, everything that goes on inside the outermost line-art, is where I put most of my attention. I separate the lines into tiers of importance and color accordingly, with the most important things getting darker (and often thicker) line-art.

Here's a cropped image of Ambroys holding a very expensive future murder weapon to try and show what I mean. The big circles are the base color of his dumb face and ludicrous glove, and the smaller circles are the color of the line-art for each of his features.

The hierarchy tends to go like this:

Important Features: eyes, mouths, hands, forearms, anything that I want to be emphasized or needs to be very clear, etc. gets dark line-art. This separates these features from the rest of the image and makes them pop.

Secondary Forms: joints, noses, the edge of bangs over the face, the lines between fingers, big wrinkles on evil old bastards, cravats etc. get medium line-art. These forms are meant to be distinct from what surrounds them (fingers shouldn't look melted together, the hair is not part of the forehead) but giving them dark line-art would draw attention from the important parts (for example, Ambroys' punchable grin), so they get slightly darker line-art to make the forms clear but not distracting.

Fiddly Little Details: fabric folds, flesh creases, strands of hair, seams in clothing, etc. These add texture, but I don't want them to be making everything look like a mess of scribbles. So these have light line-art, relative to the base color, to allow them to blend more than the important features.

Sometimes I'll make the line color more saturated or a slightly different hue (cooler or warmer), but it depends on the image and how much skill I randomly roll in color usage that day. It just looks more interesting than just going over the lines with a low-opacity brush of the base color.

When it comes to the exterior lines, I have two approaches. If I want a form to be bolder or stand out I tend to leave the outside lines around the form black or a very dark color. If I want something to look softer or blend into the surrounding image, or want the form to appear to glow, I color the outside lines closer to what colors surround the form or a brighter, paler color.

For example, all the characters here have nearly black exterior line-art. The background objects all have pale line-art, so they don't overwhelm the characters. Even objects in the mid-ground have slightly lighter line-art than the figures so that the eye is (hopefully) drawn to the characters instead of my labored attempt at drawing a cash register.

Or here, the parts of Ambroys that are en flambé have orange-red exterior line-art, while everything else has dark exterior line-art.

Like most things with my art, it's not hard to do, it just takes a long time. :P

And of course, this isn't the "right" way to color line-art! My art style is pretty cartoony, heavy on line-art and low on shading and very focused on silly characters making silly faces. A softer, more realistic, more rendered style, or one that is more graphic and focuses more on silhouette, would likely require a different approach. But regardless, I hope this ramble is helpful!

[luminique]

Lighter with a chubby s/o more flesh for a pillow! (and also to hold...)

i am so sorry anon, i have a smaller figure (on the thinner and small side) so i will try my absolute best to write something but please forgive me if i get anything wrong. if there are any mistakes, please give any feedback so that i can improve. if there are any lighter writers who have a chubby body type, i would be more than happy to reblog their post instead !!

we’ve established that lighter LOVES cuddles, and your body type is absolutely perfect for that. not to say that he has a preference, he loves you either way.

there are times where he wants you laying on top of him and he’s insistent on making it happen. you can tell him 193739370272 times that you’re too heavy for him and to that… he’d just give the dumbest grin because you both know how strong he is. he loves wrapping his arms around you while also comforting you that he is alright. something about seeing you look up at him with your chubby cheeks has him head over heels, wanting to caress them but the thought embarrasses him so much that he fails to so his hand is just awkwardly in the air (we love a boyfailure)

OH I THINK HE’D LOVE LAYING HIS HEAD ON YOUR LAP/THIGHS !! they’re the perfect pillows and especially after a long day…. he’s a simple man, all he needs is to lay on your lap, have your fingers in his hair while he not so secretly gazes into your eyes behind his sunglasses. a sigh escapes his lips, what a perfect way to end the day.

and if ANYONE makes any negative comments about your looks, he’s already challenging them to a fight. as he said, “an issue that can be solved by fists is no issue at all” and he stands by that. especially about his beloved, no one is allowed to throw insults at you or at him and if they do…. well we’ll see if they can rise from the ashes.

[iridescentmirrorsgenshin]

I have no other place to yap this to so I apologise in advance.

I find it interesting in Alhaitham and Kaveh’s voicelines they tend to talk about each other A LOT in a way of complaining. Such as in Alhaitham’s Good night voiceline where he says that he’d prefer that Kaveh wouldn’t be home at all because all the chaos and noise he makes in the dead of the night. Or in Kaveh’s Good Morning voiceline where he says that he hopes that you don't run into someone who ruins your day first thing in the morning.

I guess it’s what makes other people think that they despise each other’s company. Yet they’re always viewed as a pair and Alhaitham could’ve kicked Kaveh out of the house ages ago. But what’s your opinion on that?

Hiya! there's no need to apologise, this is a safe space for all haikaveh! When I tell you your ask is scratching my brain I mean ITCHING, I have so many thoughts about this part of their dynamic so thank you for enabling me <3 This turned out to be rather long, so I hope it’s helpful to you!

The contention in both Alhaitham and Kaveh’s character stories and voice lines seems to be to create intrigue about the two as individuals, and, in turn, their relationship.

Alhaitham’s ‘good night’ voice line instantly serves as a contradiction to his character. It’s interesting, and telling, that Alhaitham, who is essentially Kaveh’s landlord, and mentions this within his fourth character story, alludes to Kaveh by using ‘roommate’ rather than ‘tenant’. ‘Landlord’ evokes a position of authority over the tenant, whereas ‘roommate’ indicates an equality between two people sharing a house – since it’s Alhaitham who advocates for the term ‘roommate’, it’s telling that, as opposed to what Kaveh believes, Alhaitham wants to establish equality between them.

In terms of what Alhaitham says in this voice line, it explicitly raises a contradiction in the form of a question: if Alhaitham is truly bothered by his roommate’s antics, why doesn’t he simply evict Kaveh?

This is relevant as this question is also posed when we initially meet Kaveh within the Archon Quest, as Kaveh states he dislikes Alhaitham’s personality, to which Alhaitham responds by saying if he bothers Kaveh so much, Kaveh always has the option to move out of the house – to which Kaveh perceives as a threat, only to then dismiss this as Alhaitham ‘changing the subject’, which seems to mean that this ‘threat’ is taken as baseless. As this isn’t called back to, this seems to be the case.

There is no real threat of eviction, and regardless of their disputes, Alhaitham ultimately gives Kaveh no ultimatum to move out. In fact, as discussed here (page 27), as we are meeting Alhaitham and Kaveh for the first time, Alhaitham allowing Kaveh to live with him contradicts his established character of living a life free of inconvenience. This instantly creates intrigue around his and Kaveh’s dynamic – who is Kaveh to Alhaitham for this exception to be made to Alhaitham’s peaceful way of life?

(An additional note of interest is that Alhaitham’s solution to the noise problem seems to be more uncomfortable than calling on Kaveh and telling him to stop his work. Alhaitham says that he’d rather not wear his noise-cancelling earpieces to bed, implying that he does so when noise is a problem at night. However, there’s no mention of Kaveh being stubborn when confronting this issue, which is why he takes to wearing his ear pieces, or any mention of confrontation at all. From this voice-line, it seems that Alhaitham avoids interaction by opting for the least comfortable option, which can be a contradiction to his character. As this is a rather brief voice-line, it’s difficult to ascertain why, but I like the idea that Kaveh is productive at night, and Alhaitham prefers not to impose on Kaveh’s work process – but this is more a headcanon than evidenced interpretation.)

Returning back to the contradiction within this voice-line, at a surface glance, this does appear to be a general complaint about Kaveh, and this can be found in Alhaitham’s lines about Kaveh, and also when discussing Tighnari. Alhaitham refers to Kaveh as ‘overly sensitive’, and ‘constantly making a fuss’.

These can easily read solely as complaints, but when looking to the original CN translation, another interpretation can be found here. Alhaitham describes Kaveh as ‘caring’ or ‘tender’, which is exactly how Kaveh is described within the 3.6 special program (as per minimushiroom on twt), which can allude to how Kaveh is considerate to a fault, in that this serves as a detriment to himself.

This can be seen in Alhaitham’s other Kaveh-centred voice-line, in which he describes Kaveh buying keychains in order to provide meals for sick children, even though healthcare is free in Sumeru. Alhaitham clearly holds the view that this was a redundant action, as Kaveh, being in debt, most likely doesn’t have the money to spend on such investments that are, evidently, dubious.

As Alhaitham provides a rational view here, this contrasts with Kaveh’s act of generosity fuelled by emotion – which highlights the contention Alhaitham has with Kaveh, in that Kaveh places himself in dangerous situations for the sake of others. However, as this can be perceived as a solely derisive line, this essential context is lacking, and can be easily misconstrued. (I think the EN translation here also coincides with this narrative, as minimushiroom notes that the original CN has Alhaitham refer to Kaveh’s sensitivity in a positive way, rather than contemptuously, as the English can be interpreted as.)

Kaveh, similarly, can be seen to complain about Alhaitham in his own voice-lines. This can be seen in the 'Good Morning' voice-line you've mentioned, where Kaveh complains about having to see Alhaitham in the morning, which 'ruins' his day. Additionally, Kaveh's voice-lines discussing Alhaitham refer to Alhaitham as ‘infuriating’ and not wanting to give Alhaitham the satisfaction of thanking him, despite Alhaitham helping him out. However, there is more nuance in these voice-lines than Kaveh simply ‘disliking’ Alhaitham, as this dislike is never stated - rather that he and Alhaitham have a difficult relationship in comparison to the ‘close’ friendship of their past.

Kaveh describes their relationship being a ‘mixed bag’, of both negatives and positives, as well as establishing a thorough understanding of Alhaitham, where other people may misinterpret Alhaitham as they ‘don’t know him well enough’. Additionally, Kaveh notes that he knows that Alhaitham can present himself in a more ‘likeable’ manner, but that Alhaitham refuses to do so, which refers to Kaveh’s contention with Alhaitham discussed within his character stories. This, in turn, generates curiosity, as it appears that Kaveh holds an in-depth knowledge of Alhaitham that the player isn’t privy to.

Referring back to Alhaitham’s ‘Good Night’ voiceline, the question raised is, if Alhaitham has a problem with Kaveh, why doesn’t he just evict Kaveh? And the answer can be found by digging further into Alhaitham’s character stories. Looking to Alhaitham’s fourth character story, it states that he is aware of the dissatisfaction Kaveh may have with their living arrangement but  that ‘it matters not to him’.

This means that he is aware that Kaveh may be unhappy with having to rely on someone else for a stable livelihood, something which his pride doesn’t naturally allow, but that this is also exacerbated due to their previous falling out and the current contentions Kaveh has with him.

At first, this can seem rather abrasive, which does fall in line with Alhaitham’s egoism as this doesn’t directly impact ‘the self’ (discussed further here), however, what immediately follows is Alhaitham’s belief that he and Kaveh are mirrors, in that his own perspective of the world will be enhanced - in the og CN, ‘completed’ -by Kaveh’s own world view.

The implication generated here with the explicit term ‘mirror’, is that, just as Alhaitham benefits from Kaveh, Kaveh, in turn, can benefit from Alhaitham. (As a side note, it is interesting then that the voice-lines in question can be seen to mirror each other – Kaveh mentions Alhaitham in ‘Good Morning’ whereas Alhaitham mentions Kaveh in ‘Good Night’.)

Returning back to Alhaitham’s character story, rather than merely reflecting each other philosophically speaking, I’d say that this also points to their respective progression as people, not just scholars.

To me, this is reminiscent of what Alhaitham says to Kaveh in A Parade of Providence – being ‘correct’, ultimately, doesn’t matter, as there is no ‘correct’ path in life, meaning that there is no ‘correct’ philosophy to shape and guide a person. Rather, Alhaitham asserts that, ultimately, their opposing philosophies are not the issue that exists between them.

The issue that does exist, then, can be surmised from Alhaitham’s actions during the event (discussed further here), in which he researches into Sachin to gauge his influence over Kaveh’s father journeying into the desert, with implicit hopes of providing closure for Kaveh, and potentially assuaging Kaveh’s guilt. This is a personal act with a personal motive; the underlying motive being concern, as opposed to an assertion of ‘correctness’.

In my opinion, I think Alhaitham’s actions during A Parade of Providence are a direct reference, and fulfilment, of Kaveh’s fifth character story. I’ve discussed here that the main reason for the ending of their friendship was them asserting the correctness of a philosophy over the other, and proposing one philosophy as the ‘solution’ to the other’s perceived flaws.

Here Alhaitham can be seen to use Kaveh’s past as the reason for his excessive altruism, implicitly referring to Kaveh’s guilt over being the supposed catalyst for his father’s demise. This final comment of Alhaitham’s appears to be the first time this has been mentioned between them, and it’s enough to be perceived as weaponisation – leading to Kaveh severing their friendship.

In A Parade of Providence, Alhaitham is shown to only have taken the role of commentator to research into Sachin, whose research we are told (by Kaveh), he has no explicit interest in, and it is heavily implied that the only reason he looked further into Sachin, was to prove to link between Sachin and Kaveh’s father. Alhaitham seems to want to absolve Kaveh of this past guilt in hopes that Kaveh will stop placing himself in the cycle of self-sabotage.

For me, when viewing this as a parallel, it highlights that Alhaitham’s motivation in speaking out during their days as students was out of concern for Kaveh, although while holding egoism as ultimately beneficial, and therefore perceivably ‘correct’. The ‘issue’ they’re currently debating is not expressly stated, and although it is unclear if Kaveh understands the implication (as discussed here), as ‘correctness’ has been overturned, there seems to be little left than the personal.

Relating this back to Alhaitham’s fourth character story, for me, Alhaitham referring to Kaveh as a mirror isn’t just referring to Kaveh as a scholar, but a person as a whole. As Alhaitham seeks to improve himself, personally, through Kaveh, it seems that he hopes to be able to benefit Kaveh in turn.

As for Kaveh’s complaints regarding Alhaitham, these can be contextualised within his own character stories. As Kaveh ultimately severed the friendship between him and Alhaitham, Alhaitham offering Kaveh to live with him, despite Kaveh revoking his previous understanding of Alhaitham (as discussed here, page 67), causes Kaveh to be overtly suspicious.

In Kaveh’s Old Sketchbook, it is mentioned that Kaveh believes there to be an ulterior motive for Alhaitham inviting him to share a house, as he believes that Alhaitham wouldn’t do something for someone else without an exchange.

Kaveh, then, openly distrusts Alhaitham due to this unspoken motive, and although he takes on chores to ease his sense of guilt of being a perceived burden, a contention arises here. Due to their previously ended friendship, and with how Alhaitham hurt Kaveh, and how Kaveh may believe he hurt Alhaitham (discussed here), Kaveh sees no reason for Alhaitham to want him around – he treats their relationship as an exchange, asking what Alhaitham could possibly want for him.

Although Alhaitham views Kaveh as a mirror, and therefore, respects Kaveh’s perspectives, Kaveh can potentially view their opposing philosophies as a negative rather than a positive as he had done in the past (as discussed here), as it, perceivably, was what led to the end of their friendship. In this, Kaveh views Alhaitham as disparaging him and his views. As mentioned in his character story, he has no reservations in telling Alhaitham of his debt as Alhaitham has already seen through him in the past, and yet again, upon meeting at the tavern.

Although Alhaitham perceivably views him unfavourably, and his comments and complaints appear to propagate this interpretation, Alhaitham also seems to have no issue with keeping Kaveh around, and interacting with Kaveh, regardless of the problems Kaveh expressly has with him.

To Kaveh, it could be that as Alhaitham has already seen the worst of him, and appears to have no real issue with their stilted rapport, there is no point in donning a front and using niceties. He is open with his issues with Alhaitham, and, in turn, Alhaitham is open with him.

This appears to be a dual negative and positive for Kaveh, as he describes Alhaitham’s constancy as ‘the most unshakable part of one's past is a friend that will never change’. In this sense, his unsteady rapport with Alhaitham is reliable, and therefore, has no reason to change.

Clearly, there is a large disconnect between Alhaitham’s view of Kaveh and how Kaveh perceives Alhaitham’s view of him. As previously mentioned in the discussion of A Parade of Providence, there is an unspoken ‘issue’ between them, and this can be interpreted as dire misconceptions borne from miscommunication.

As discussed, Kaveh and Alhaitham reference each other a lot in their respective voice-lines and their character stories. This alone is enough to connect them, regardless of the cruciality of their mirror motif, as they are key figures of each other’s past, present, and seemingly, future. Despite this, it’s as you say, there’s a common perception to view them as mutually disliking each other, and, to me, this is based upon their first initial interaction, and the way they refer to each other in their own character stories and voice-lines.

It’s notable that Alhaitham refers to Kaveh in his voice-lines when Kaveh is not explicitly relevant, such as in his Good Night voice-line, and, most interestingly, when Alhaitham discusses Tighnari.

This could be because Alhaitham knows of Tighnari through Kaveh, but as this connection isn’t stated, it reads as Alhaitham mentioning Kaveh for no other reason than to complain about his perceived naivety regarding relations with others. But as this is a voice-line designated to discussing Tighnari, it’s interesting, and incredibly noticeable, that Alhaitham then discusses Kaveh instead. It’s similar to what Kaveh can be seen to do, and is observed to do by others, in relation to discussing Alhaitham.

When it comes to Kaveh, however, his complaining of Alhaitham can be seen to link with his process of dealing with troubles in his work. In his Hangout, he states that he takes his work to heart because he cares about it, which is expressed in the same quest in which Kaveh and the Traveller run into Alhaitham in the House of Daena (discussed further here, page 219).

Drawing a parallel here can further contextualise Kaveh’s complaining of Alhaitham – if Kaveh truly disliked Alhaitham, there seems to be no reason for Alhaitham to remain so relevant to him, both in conversation, and in private thought. Additionally, Kaveh is described as an empathetic person, and when dealing with others, he is thusly seen to look for another perspective rather than act on his own subjective perspective.

Looking at his voice-line on Dori, for example, expresses his distaste for Dori pressuring him for Mora due to his debt, however, he also empathises with her, and states that he senses there must be a reason why Dori acts in such a way.

In contrast, this empathy can be perceived as missing in his treatment of Alhaitham, and therefore Kaveh complaining about Alhaitham can be perceived as blatant dislike – which contradicts Kaveh’s benevolence and empathy, which A Parade of Providence particularly stresses.

Kaveh’s treatment of Alhaitham can be seen as deliberately contradictory, as it can cause the player to question why Kaveh reacts in such a singular way to Alhaitham, just as why Alhaitham reacts in a singular way to Kaveh.

In reference to Alhaitham, whilst Alhaitham tends to complain about Kaveh in turn, his actions reveal him. He invites Kaveh to live with him, gives no eviction date, pays for Kaveh’s tabs willingly, (supposedly) buys wine as an apology, and goes out of his way to ensure dialogue with Kaveh – which contradicts his own character stories, in which he appears to favour solitude, and only greets those he considers his friends ‘with a nod or two’.

Moreover, Alhaitham is established as considering Kaveh a necessity to his ‘peaceful life’ he seeks to maintain (as discussed here), and can be seen to implicitly consider Kaveh one of his priorities within his Story Quest.

The idea that Alhaitham dislikes Kaveh seems to stem from Alhaitham being taken literally when voicing an opinion, or an issue, or simply joking, in reference to Kaveh – despite his character stories highlighting that Alhaitham often uses sarcasm in order to subvert expectations.

Alhaitham expressly states that he prefers to be seen as inscrutable, and unknown, by the general public, and uses subversion as a means to do so. In these character stories, Alhaitham openly encourages speculation of his own words.

Without this context, it seems easy to simplify Alhaitham to purely speaking factually when first addressing Kaveh in the Archon Quest – stating that having to explain things to Kaveh is ‘a nuisance’, and yet, it is overlooked that Alhaitham stays in the House of Daena, regardless, knowing Kaveh would find him again.

On the whole, in my opinion, Kaveh’s feelings towards Alhaitham cannot be simplified to ‘dislike’ as this is dually an inherent misunderstanding of his character, and of his and Alhaitham’s relationship, just as Alhaitham’s feelings towards Kaveh cannot be simplified to ‘dislike’ for this same reason.

In the beginning, Alhaitham and Kaveh are not supposed to be perceived as friendly, as Kaveh denies the association of ‘friends’, and Paimon describes them to the Traveller as ‘problematic’.

The reason for this is due to their character arcs being intertwined – the core issue is posed in Kaveh’s fifth character story, in that the question is raised if a compromise can be reached, if both sides of the mirror, can be balanced. At the beginning, they are entirely at odds, but even footing must be found.

I’ve noticed a shift in online discourse after Cyno’s second story quest, as the progression in Alhaitham and Kaveh’s relationship is noticeable – deliberately, due to the flashback scene within their house (which I’ve discussed in detail here, page 122). To me, it’s more common to form the assumption that Alhaitham and Kaveh dislike each other in the Archon Quest, but with recent developments, and, hopefully, future ones, this perception is being overturned in online communities. Perhaps that’s just wishful thinking, but I’m still hopeful!

[fure-dcmk]

Kazuha introducing her polycule: This is my boyfriend, Heiji. This is Heiji's boyfriend, Kudo-kun. This is Kudo-kun's girlfriend Ran, who is also my girlfriend.

they got two hands!!!!