#THANK YOU anon ask person!!!

[therainbowwillow]

hbomberguy’s latest video on plagiarism has made me completely rethink literature and writing. I have never once so much as considered intentionally plagiarizing anyone or anything, but I think there’s something more that has come out of this: the names of the people who created the works Somerton (and others) ripped off.

Plagiarism isn’t only bad because it is lazy and disrespectful, it’s bad because it buries the truth. If you can’t find a source, the conversation is over. Somerton’s sources are fairly easy to find by simply searching his plagiarized lines, but that isn’t true in most cases. Most of the time, the line from statement to source is a lot less clear.

Today, I was writing a report on English Ivy, which is an invasive species here in the US. I wanted to know when it was introduced and I at last found a source claiming it was introduced to the Americas “as early as 1727” on a .net website that seems quite reputable (it has multiple major universities credited in its home page), but there is no citation for where this date came from. I dug deeper and found a pamphlet created by a city government in Virginia that made the same claim, only to discover the first source linked in their bibliography. Another website (a botanical garden’s page) gave the same date with the same source hyperlinked. Of course, I have classes to attend and things to do and probably not enough time to follow the lines back to where this 1727 date came from, but if I had not just watched this video, I wouldn’t have given that date a second thought.

Of course, it doesn’t matter in the long run exactly what year hedera helix was introduced to the Americas, but it makes you wonder how many facts have been so vaguely attributed that it becomes completely impossible to figure out where they originated (and further, whether or not they’re true at all).

[frenchublog]

Um hello. Hi sorry for absolutely flooding your notes with spam reblogging all over the place. Your absolutely gorgeous Treasure Planet art made my brain short circuit and melt into a puddle. Your art is great and I love it have a wonderful day

why are you apologizing when you've been so entertaining

[codacheetah]

Tell me your opinions on the stuff. Any stuff.

Grins. Smiles, even

I'm using you as an excuse to infodump my theory about the Island because I've had no in to do that, and my theory is pure opinion. Anyways:

THE ISLAND IS STUCK IN THE FUCKING FUTURE

(SCARE CHORD)

Hi so you might ask me. What the fuck do you mean by that. Well. Let's start with what we know about the Island, the King, and Wish Craft. (long ass post under cut. sorry)

The Island was redacted from the perception of outside world, via Wish Craft.

Wish Craft has the power to enable Time Craft. We see this primarily through Siffrin's timeloops, but also through the King's powers.

One of the King's powers is to show the saviors a "vision of the future."

...And this same attack is deflected back at the King by Mirabelle in ACT 5, in which the King is able to see the Island before being frozen in time.

...So. The King's "vision of the future." We're never told explicitly what this vision is. All we know is that it's apparently powerful enough to wipe the party in one hit, hearing it from a distance hurts your head, and that whatever Siffrin (and Loop) saw, they don't seem to actually be able to describe it. Even the King himself doesn't know what his vision entails.

We don't know whether the party all sees the same thing when struck by the vision, and Adrienne's answer to the question about it in the Reddit AMA is. vague? It's not a "no," and the specific wording makes me think the answer might be yes. But that's me reading into it.

Now. What do we know about the Island's redaction? The Island was affected by the wish recently, as in "like a decade ago" recently. We know that nobody in Vaugarde or the rest of the world is capable of thinking about the Island, anything closely tied to the Island's culture, or people on the Island for very long. When they do recall these things, they slip right out of reach. Particularly, the consequence for trying to think about the Island (or, more specifically, break the wish that forces the Island out of perception) is significant pain, localized in the head.

And that said pain is enough to become lethal, if pressed hard enough.

From here forward I'm running with the assumption that the King's "vision of the future" is not personalized to any individual, and is unchanging throughout the course of the whole story. Now. Remember the end of ACT 5, where the King gets hit with the deflected "vision of the future", and instead of dying, he recalls the Island and gets frozen in time? Very odd, yeah? Why wouldn't the King just die like everyone else does? He even does take 9999 damage when trying to say its name, like Siffrin does, and like the party does when they're hit by the attack.

Well. We know that he has a "true wish" that the ability to freeze Vaugarde in time grants. I don't think it's at all a stretch to guess that the King's "true wish" is to be able to remember the Island. My personal guess is that the King (and Siffrin) brought this "true wish" into effect via the "SAY ITS NAME" sequence- he even tries three times, a significant number in wishing.

The King (and Siffrin's) wish breaks, because it can't be fulfilled in this moment without breaking the wish to prevent the Island from being thought about. However. Consider the conditions at the end of ACT 5- the King sees the vision of the future reflected back to him, and what he sees is the Island. He remembers the Island, fulfilling his own wish, and is frozen in time. I consider this a compromise between his wish and the one binding the Island- the King gets to remember the Island, but nobody alive is able to think about it, because he's frozen in time; it's like the Universe is correcting itself (I WILL GET BACK TO THIS). The wish of all of Vaugarde to defeat the King is fulfilled, since he is no longer a threat, and Siffrin's wish wraps itself up soon after.

MY POINT BEING. The King's attack is a vision of the future. This "future" is of the Island, in some uncorrupted state. The saviors see it when he attacks them, and he sees it when it is deflected back to him.

The logical next question is "okay, so the Island exists in the future, but how do you know time shenanigans are even related to the Island?"

Recall a very odd series of interactions throughout the game, in which you try to interact with a piece of equipment that you already own.

The game rewinds slightly, before the item disappears, as the Universe corrects itself.

This is awfully similar to two particular events: looping back without seeing the death screen, and talking to the Daydreaming One about her sister. The latter is more interesting to me for the purposes of this theory.

In both instances, something is misaligned within the Universe (an item existing in two places, someone remembering something they're not supposed to) and it is corrected through some sort of rewind. Also compare the dialogue above to when you try to give Mirabelle the Stylish Bow when you already own it.

The world glitches, but Siffrin defuses the situation before the Universe has to intervene. Omitted from the screenshot is the fact that Mirabelle's portraits switch to happy from "catastrophically anxious" with no transition after Siffrin shows her where the bow is. Important to note is that when Mirabelle tries to recall receiving the bow, her head hurts, much like how trying to break the Island wish causes a headache.

The Universe leads you away from perception, and you can only follow.

My theory that I keep circling around is that through Wish Craft, the Island has been displaced temporally. The denizens of the Island, as well as the Island itself, still exist, but they are in the future. The Island is still loaded into the world, like how equipment is before you try to interact with it, and the Island cannot leave this quantum state, because it never actually went anywhere. The magnitude of the redaction event is so severe with the Island, because it is so much larger as an entity than a sword or a bow. There are of course things I don't really have pieced together, like why somebody would wish the Island into the future, how far into the future it is, or why equipment behaves this way. But it's the only Island theory I've seen that I have some level of confidence in, so I might as well lay out my cards for it.

[ragnarokhound]

I think the best titans tower scenario is one where tim gets a good look at jason in his new and improved robin outfit and gets so hard so fast he’s lightheaded, immediately derailing jason’s plans for the beat down because Jason’s going “what kind of FREAK”

anon, i love this for you, and i like the way you think lmao

like, i'll be real, the OG robin costume is goofy as hell on Jason in the TT sequence, but at the same time? Can we not simply appreciate a well-built man in booty shorts and pixie boots. Let he who is free of sin be the first to condemn Dat Ass. Especially when it's flexing that hard to beat up a guy i, personally, like to headcanon as having a giant mcfreaking crush that unfortunately did Not die with Jason lololol RIP to Tim Drake

(btw i am imagining Jason tearing off his infinitely more sensible Red Hood fit and then upon getting this reaction from Tim, has to pause because 'i'm wearing this to make a statement here. this isn't about that. why is this doing it for you, kid' and Tim just has to sit there stewing in his own humiliation like 'can you just kill me now? let's go back to the part where you were beating me up to teach me a lesson oh god wait no don't do that, fuck--' and Jason's like '🧍i'm gonna go actually, you made this weird. beatdown cancelled' and Tim, with his gloves over his face just muffles out a 'thanks, see you never' and throws himself out the window)

[spotaus]

If you're still accepting requests, you could draw Cross x Lust?

Hello anon! Definitely still accepting requests! And I need you to know that this request literally short-circuited my brain, because I rendered all of these doodles 🙏

Cross X Lust was Not on my bingo board of things I'd draw, but the combo just settled in my head and felt Super Right and I got to sketching and realized I really liked their energy and just... didn't stop drawing! Thank you SO MUCH for the request! (They give me the vibes of Cross being the one who insists on being chivalrous and very protective, while Lust gets some freedom to relax and be himself and get pampered a bit! Idk if I explained it right, but it makes sense in my brain-)

[shadowtraveled]

In your Mithrun analysis, when you say “maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.” who is the ‘someone’ in your mind? Milsiril? Kabru and the canaries? I loved your analysis, so I’m curious

OH kabru absolutely

milsiril spared him and, decades later, helped him with his physical rehabilitation, but it seems like she more or less gave up on his personhood. no more desires -> no more mithrun as we knew him -> no more mithrun. she spared him because he wasn’t completely devoid of motivation to live, and she used the single motivator he had left to eventually get him to keep himself alive, and she briefly even seemed to want to try and instill some of his old mask (even with the understanding that that’s what it was) back into him, but that fell through immediately and i think with it went her optimism that mithrun would ever… be a person again. “too late now, i guess.”

then the canaries are on good enough terms with him, but they’re practically instructed to treat him like a weapon or a tool they’re maintaining. i believe it’s cithis that tells kabru to take care of mithrun but clarifies that really what that is is just making sure he eats. ensuring his baseline needs for survival are met. and really, that’s all she was ever tasked with. when it’s all over and mithrun is cataleptic, the canaries stay physically near him, but they seem to have accepted that he’s gone—without the demon to chase, he has nothing to live for. cithis, though, seems to be closer to mithrun than any of the others, and i don’t think it’s a coincidence that she’s the one who calls lycion off and encourages kabru to try engaging with him when she hears the beginning of what he has to say.

this post caught a lot of my opinions regarding mithrun’s relationships (linking to my reblog of it because i dumped some thoughts in the tags) but tldr i do think milsiril and the canaries fall short of thinking of mithrun as a person, and that’s why their relationships with him fail him somewhat. i don’t think that’s their fault, because it seems like they were taught to think of losing your desires as a complete loss of self and humanity, but it does mean they see mithrun as someone who has already been lost. kabru is demonstrably different in that he’s able to help mithrun see a future beyond the demon, and he’s able to do it because he deals with mithrun like he’s human. because he is. and all of that stems from the specific aspect of kabru’s personality that is his obsession with people

[iridescentmirrorsgenshin]

I have no other place to yap this to so I apologise in advance.

I find it interesting in Alhaitham and Kaveh’s voicelines they tend to talk about each other A LOT in a way of complaining. Such as in Alhaitham’s Good night voiceline where he says that he’d prefer that Kaveh wouldn’t be home at all because all the chaos and noise he makes in the dead of the night. Or in Kaveh’s Good Morning voiceline where he says that he hopes that you don't run into someone who ruins your day first thing in the morning.

I guess it’s what makes other people think that they despise each other’s company. Yet they’re always viewed as a pair and Alhaitham could’ve kicked Kaveh out of the house ages ago. But what’s your opinion on that?

Hiya! there's no need to apologise, this is a safe space for all haikaveh! When I tell you your ask is scratching my brain I mean ITCHING, I have so many thoughts about this part of their dynamic so thank you for enabling me <3 This turned out to be rather long, so I hope it’s helpful to you!

The contention in both Alhaitham and Kaveh’s character stories and voice lines seems to be to create intrigue about the two as individuals, and, in turn, their relationship.

Alhaitham’s ‘good night’ voice line instantly serves as a contradiction to his character. It’s interesting, and telling, that Alhaitham, who is essentially Kaveh’s landlord, and mentions this within his fourth character story, alludes to Kaveh by using ‘roommate’ rather than ‘tenant’. ‘Landlord’ evokes a position of authority over the tenant, whereas ‘roommate’ indicates an equality between two people sharing a house – since it’s Alhaitham who advocates for the term ‘roommate’, it’s telling that, as opposed to what Kaveh believes, Alhaitham wants to establish equality between them.

In terms of what Alhaitham says in this voice line, it explicitly raises a contradiction in the form of a question: if Alhaitham is truly bothered by his roommate’s antics, why doesn’t he simply evict Kaveh?

This is relevant as this question is also posed when we initially meet Kaveh within the Archon Quest, as Kaveh states he dislikes Alhaitham’s personality, to which Alhaitham responds by saying if he bothers Kaveh so much, Kaveh always has the option to move out of the house – to which Kaveh perceives as a threat, only to then dismiss this as Alhaitham ‘changing the subject’, which seems to mean that this ‘threat’ is taken as baseless. As this isn’t called back to, this seems to be the case.

There is no real threat of eviction, and regardless of their disputes, Alhaitham ultimately gives Kaveh no ultimatum to move out. In fact, as discussed here (page 27), as we are meeting Alhaitham and Kaveh for the first time, Alhaitham allowing Kaveh to live with him contradicts his established character of living a life free of inconvenience. This instantly creates intrigue around his and Kaveh’s dynamic – who is Kaveh to Alhaitham for this exception to be made to Alhaitham’s peaceful way of life?

(An additional note of interest is that Alhaitham’s solution to the noise problem seems to be more uncomfortable than calling on Kaveh and telling him to stop his work. Alhaitham says that he’d rather not wear his noise-cancelling earpieces to bed, implying that he does so when noise is a problem at night. However, there’s no mention of Kaveh being stubborn when confronting this issue, which is why he takes to wearing his ear pieces, or any mention of confrontation at all. From this voice-line, it seems that Alhaitham avoids interaction by opting for the least comfortable option, which can be a contradiction to his character. As this is a rather brief voice-line, it’s difficult to ascertain why, but I like the idea that Kaveh is productive at night, and Alhaitham prefers not to impose on Kaveh’s work process – but this is more a headcanon than evidenced interpretation.)

Returning back to the contradiction within this voice-line, at a surface glance, this does appear to be a general complaint about Kaveh, and this can be found in Alhaitham’s lines about Kaveh, and also when discussing Tighnari. Alhaitham refers to Kaveh as ‘overly sensitive’, and ‘constantly making a fuss’.

These can easily read solely as complaints, but when looking to the original CN translation, another interpretation can be found here. Alhaitham describes Kaveh as ‘caring’ or ‘tender’, which is exactly how Kaveh is described within the 3.6 special program (as per minimushiroom on twt), which can allude to how Kaveh is considerate to a fault, in that this serves as a detriment to himself.

This can be seen in Alhaitham’s other Kaveh-centred voice-line, in which he describes Kaveh buying keychains in order to provide meals for sick children, even though healthcare is free in Sumeru. Alhaitham clearly holds the view that this was a redundant action, as Kaveh, being in debt, most likely doesn’t have the money to spend on such investments that are, evidently, dubious.

As Alhaitham provides a rational view here, this contrasts with Kaveh’s act of generosity fuelled by emotion – which highlights the contention Alhaitham has with Kaveh, in that Kaveh places himself in dangerous situations for the sake of others. However, as this can be perceived as a solely derisive line, this essential context is lacking, and can be easily misconstrued. (I think the EN translation here also coincides with this narrative, as minimushiroom notes that the original CN has Alhaitham refer to Kaveh’s sensitivity in a positive way, rather than contemptuously, as the English can be interpreted as.)

Kaveh, similarly, can be seen to complain about Alhaitham in his own voice-lines. This can be seen in the 'Good Morning' voice-line you've mentioned, where Kaveh complains about having to see Alhaitham in the morning, which 'ruins' his day. Additionally, Kaveh's voice-lines discussing Alhaitham refer to Alhaitham as ‘infuriating’ and not wanting to give Alhaitham the satisfaction of thanking him, despite Alhaitham helping him out. However, there is more nuance in these voice-lines than Kaveh simply ‘disliking’ Alhaitham, as this dislike is never stated - rather that he and Alhaitham have a difficult relationship in comparison to the ‘close’ friendship of their past.

Kaveh describes their relationship being a ‘mixed bag’, of both negatives and positives, as well as establishing a thorough understanding of Alhaitham, where other people may misinterpret Alhaitham as they ‘don’t know him well enough’. Additionally, Kaveh notes that he knows that Alhaitham can present himself in a more ‘likeable’ manner, but that Alhaitham refuses to do so, which refers to Kaveh’s contention with Alhaitham discussed within his character stories. This, in turn, generates curiosity, as it appears that Kaveh holds an in-depth knowledge of Alhaitham that the player isn’t privy to.

Referring back to Alhaitham’s ‘Good Night’ voiceline, the question raised is, if Alhaitham has a problem with Kaveh, why doesn’t he just evict Kaveh? And the answer can be found by digging further into Alhaitham’s character stories. Looking to Alhaitham’s fourth character story, it states that he is aware of the dissatisfaction Kaveh may have with their living arrangement but  that ‘it matters not to him’.

This means that he is aware that Kaveh may be unhappy with having to rely on someone else for a stable livelihood, something which his pride doesn’t naturally allow, but that this is also exacerbated due to their previous falling out and the current contentions Kaveh has with him.

At first, this can seem rather abrasive, which does fall in line with Alhaitham’s egoism as this doesn’t directly impact ‘the self’ (discussed further here), however, what immediately follows is Alhaitham’s belief that he and Kaveh are mirrors, in that his own perspective of the world will be enhanced - in the og CN, ‘completed’ -by Kaveh’s own world view.

The implication generated here with the explicit term ‘mirror’, is that, just as Alhaitham benefits from Kaveh, Kaveh, in turn, can benefit from Alhaitham. (As a side note, it is interesting then that the voice-lines in question can be seen to mirror each other – Kaveh mentions Alhaitham in ‘Good Morning’ whereas Alhaitham mentions Kaveh in ‘Good Night’.)

Returning back to Alhaitham’s character story, rather than merely reflecting each other philosophically speaking, I’d say that this also points to their respective progression as people, not just scholars.

To me, this is reminiscent of what Alhaitham says to Kaveh in A Parade of Providence – being ‘correct’, ultimately, doesn’t matter, as there is no ‘correct’ path in life, meaning that there is no ‘correct’ philosophy to shape and guide a person. Rather, Alhaitham asserts that, ultimately, their opposing philosophies are not the issue that exists between them.

The issue that does exist, then, can be surmised from Alhaitham’s actions during the event (discussed further here), in which he researches into Sachin to gauge his influence over Kaveh’s father journeying into the desert, with implicit hopes of providing closure for Kaveh, and potentially assuaging Kaveh’s guilt. This is a personal act with a personal motive; the underlying motive being concern, as opposed to an assertion of ‘correctness’.

In my opinion, I think Alhaitham’s actions during A Parade of Providence are a direct reference, and fulfilment, of Kaveh’s fifth character story. I’ve discussed here that the main reason for the ending of their friendship was them asserting the correctness of a philosophy over the other, and proposing one philosophy as the ‘solution’ to the other’s perceived flaws.

Here Alhaitham can be seen to use Kaveh’s past as the reason for his excessive altruism, implicitly referring to Kaveh’s guilt over being the supposed catalyst for his father’s demise. This final comment of Alhaitham’s appears to be the first time this has been mentioned between them, and it’s enough to be perceived as weaponisation – leading to Kaveh severing their friendship.

In A Parade of Providence, Alhaitham is shown to only have taken the role of commentator to research into Sachin, whose research we are told (by Kaveh), he has no explicit interest in, and it is heavily implied that the only reason he looked further into Sachin, was to prove to link between Sachin and Kaveh’s father. Alhaitham seems to want to absolve Kaveh of this past guilt in hopes that Kaveh will stop placing himself in the cycle of self-sabotage.

For me, when viewing this as a parallel, it highlights that Alhaitham’s motivation in speaking out during their days as students was out of concern for Kaveh, although while holding egoism as ultimately beneficial, and therefore perceivably ‘correct’. The ‘issue’ they’re currently debating is not expressly stated, and although it is unclear if Kaveh understands the implication (as discussed here), as ‘correctness’ has been overturned, there seems to be little left than the personal.

Relating this back to Alhaitham’s fourth character story, for me, Alhaitham referring to Kaveh as a mirror isn’t just referring to Kaveh as a scholar, but a person as a whole. As Alhaitham seeks to improve himself, personally, through Kaveh, it seems that he hopes to be able to benefit Kaveh in turn.

As for Kaveh’s complaints regarding Alhaitham, these can be contextualised within his own character stories. As Kaveh ultimately severed the friendship between him and Alhaitham, Alhaitham offering Kaveh to live with him, despite Kaveh revoking his previous understanding of Alhaitham (as discussed here, page 67), causes Kaveh to be overtly suspicious.

In Kaveh’s Old Sketchbook, it is mentioned that Kaveh believes there to be an ulterior motive for Alhaitham inviting him to share a house, as he believes that Alhaitham wouldn’t do something for someone else without an exchange.

Kaveh, then, openly distrusts Alhaitham due to this unspoken motive, and although he takes on chores to ease his sense of guilt of being a perceived burden, a contention arises here. Due to their previously ended friendship, and with how Alhaitham hurt Kaveh, and how Kaveh may believe he hurt Alhaitham (discussed here), Kaveh sees no reason for Alhaitham to want him around – he treats their relationship as an exchange, asking what Alhaitham could possibly want for him.

Although Alhaitham views Kaveh as a mirror, and therefore, respects Kaveh’s perspectives, Kaveh can potentially view their opposing philosophies as a negative rather than a positive as he had done in the past (as discussed here), as it, perceivably, was what led to the end of their friendship. In this, Kaveh views Alhaitham as disparaging him and his views. As mentioned in his character story, he has no reservations in telling Alhaitham of his debt as Alhaitham has already seen through him in the past, and yet again, upon meeting at the tavern.

Although Alhaitham perceivably views him unfavourably, and his comments and complaints appear to propagate this interpretation, Alhaitham also seems to have no issue with keeping Kaveh around, and interacting with Kaveh, regardless of the problems Kaveh expressly has with him.

To Kaveh, it could be that as Alhaitham has already seen the worst of him, and appears to have no real issue with their stilted rapport, there is no point in donning a front and using niceties. He is open with his issues with Alhaitham, and, in turn, Alhaitham is open with him.

This appears to be a dual negative and positive for Kaveh, as he describes Alhaitham’s constancy as ‘the most unshakable part of one's past is a friend that will never change’. In this sense, his unsteady rapport with Alhaitham is reliable, and therefore, has no reason to change.

Clearly, there is a large disconnect between Alhaitham’s view of Kaveh and how Kaveh perceives Alhaitham’s view of him. As previously mentioned in the discussion of A Parade of Providence, there is an unspoken ‘issue’ between them, and this can be interpreted as dire misconceptions borne from miscommunication.

As discussed, Kaveh and Alhaitham reference each other a lot in their respective voice-lines and their character stories. This alone is enough to connect them, regardless of the cruciality of their mirror motif, as they are key figures of each other’s past, present, and seemingly, future. Despite this, it’s as you say, there’s a common perception to view them as mutually disliking each other, and, to me, this is based upon their first initial interaction, and the way they refer to each other in their own character stories and voice-lines.

It’s notable that Alhaitham refers to Kaveh in his voice-lines when Kaveh is not explicitly relevant, such as in his Good Night voice-line, and, most interestingly, when Alhaitham discusses Tighnari.

This could be because Alhaitham knows of Tighnari through Kaveh, but as this connection isn’t stated, it reads as Alhaitham mentioning Kaveh for no other reason than to complain about his perceived naivety regarding relations with others. But as this is a voice-line designated to discussing Tighnari, it’s interesting, and incredibly noticeable, that Alhaitham then discusses Kaveh instead. It’s similar to what Kaveh can be seen to do, and is observed to do by others, in relation to discussing Alhaitham.

When it comes to Kaveh, however, his complaining of Alhaitham can be seen to link with his process of dealing with troubles in his work. In his Hangout, he states that he takes his work to heart because he cares about it, which is expressed in the same quest in which Kaveh and the Traveller run into Alhaitham in the House of Daena (discussed further here, page 219).

Drawing a parallel here can further contextualise Kaveh’s complaining of Alhaitham – if Kaveh truly disliked Alhaitham, there seems to be no reason for Alhaitham to remain so relevant to him, both in conversation, and in private thought. Additionally, Kaveh is described as an empathetic person, and when dealing with others, he is thusly seen to look for another perspective rather than act on his own subjective perspective.

Looking at his voice-line on Dori, for example, expresses his distaste for Dori pressuring him for Mora due to his debt, however, he also empathises with her, and states that he senses there must be a reason why Dori acts in such a way.

In contrast, this empathy can be perceived as missing in his treatment of Alhaitham, and therefore Kaveh complaining about Alhaitham can be perceived as blatant dislike – which contradicts Kaveh’s benevolence and empathy, which A Parade of Providence particularly stresses.

Kaveh’s treatment of Alhaitham can be seen as deliberately contradictory, as it can cause the player to question why Kaveh reacts in such a singular way to Alhaitham, just as why Alhaitham reacts in a singular way to Kaveh.

In reference to Alhaitham, whilst Alhaitham tends to complain about Kaveh in turn, his actions reveal him. He invites Kaveh to live with him, gives no eviction date, pays for Kaveh’s tabs willingly, (supposedly) buys wine as an apology, and goes out of his way to ensure dialogue with Kaveh – which contradicts his own character stories, in which he appears to favour solitude, and only greets those he considers his friends ‘with a nod or two’.

Moreover, Alhaitham is established as considering Kaveh a necessity to his ‘peaceful life’ he seeks to maintain (as discussed here), and can be seen to implicitly consider Kaveh one of his priorities within his Story Quest.

The idea that Alhaitham dislikes Kaveh seems to stem from Alhaitham being taken literally when voicing an opinion, or an issue, or simply joking, in reference to Kaveh – despite his character stories highlighting that Alhaitham often uses sarcasm in order to subvert expectations.

Alhaitham expressly states that he prefers to be seen as inscrutable, and unknown, by the general public, and uses subversion as a means to do so. In these character stories, Alhaitham openly encourages speculation of his own words.

Without this context, it seems easy to simplify Alhaitham to purely speaking factually when first addressing Kaveh in the Archon Quest – stating that having to explain things to Kaveh is ‘a nuisance’, and yet, it is overlooked that Alhaitham stays in the House of Daena, regardless, knowing Kaveh would find him again.

On the whole, in my opinion, Kaveh’s feelings towards Alhaitham cannot be simplified to ‘dislike’ as this is dually an inherent misunderstanding of his character, and of his and Alhaitham’s relationship, just as Alhaitham’s feelings towards Kaveh cannot be simplified to ‘dislike’ for this same reason.

In the beginning, Alhaitham and Kaveh are not supposed to be perceived as friendly, as Kaveh denies the association of ‘friends’, and Paimon describes them to the Traveller as ‘problematic’.

The reason for this is due to their character arcs being intertwined – the core issue is posed in Kaveh’s fifth character story, in that the question is raised if a compromise can be reached, if both sides of the mirror, can be balanced. At the beginning, they are entirely at odds, but even footing must be found.

I’ve noticed a shift in online discourse after Cyno’s second story quest, as the progression in Alhaitham and Kaveh’s relationship is noticeable – deliberately, due to the flashback scene within their house (which I’ve discussed in detail here, page 122). To me, it’s more common to form the assumption that Alhaitham and Kaveh dislike each other in the Archon Quest, but with recent developments, and, hopefully, future ones, this perception is being overturned in online communities. Perhaps that’s just wishful thinking, but I’m still hopeful!

[fure-dcmk]

Kazuha introducing her polycule: This is my boyfriend, Heiji. This is Heiji's boyfriend, Kudo-kun. This is Kudo-kun's girlfriend Ran, who is also my girlfriend.

they got two hands!!!!

[ananinidraws]

So who would be the first person to discover Bowser and Mario's relationship?

Princess Peach for sure

But not really in a way that she just one day happened upon it. She’s the main spectator of their pining asses, since she observes their battles from wherever she’s being kept (most times the classic lil cell above the arena), and she also spends a good amount of time with both.

I do think, however, that she is the main matchmaker. Like she’d be the one giving both lil hints, without outright saying it, and she probably strikes a deal with Bowser, smt along the lines of:

However, after they do finally get their feelings all sorted out…

…They genuinely forgot she was there

Peach is the personification of this meme to me

[frownyalfred]

and with that, I have ALMOST cleared my inbox for the first time in months and am going to bed

[iliothermia]

Last year you shared a birthday wishlist do you have one this year 🦇

Sorry I didn't respond for a little bit, always get anxious abt my birthday list.. It's here. I mostly wanna make some stained glass this year and combine it with my suncatchers I already make, but we'll see! I don't expect anything. Thank you for asking anon, hope you're well

[luminique]

Lighter with a chubby s/o more flesh for a pillow! (and also to hold...)

i am so sorry anon, i have a smaller figure (on the thinner and small side) so i will try my absolute best to write something but please forgive me if i get anything wrong. if there are any mistakes, please give any feedback so that i can improve. if there are any lighter writers who have a chubby body type, i would be more than happy to reblog their post instead !!

we’ve established that lighter LOVES cuddles, and your body type is absolutely perfect for that. not to say that he has a preference, he loves you either way.

there are times where he wants you laying on top of him and he’s insistent on making it happen. you can tell him 193739370272 times that you’re too heavy for him and to that… he’d just give the dumbest grin because you both know how strong he is. he loves wrapping his arms around you while also comforting you that he is alright. something about seeing you look up at him with your chubby cheeks has him head over heels, wanting to caress them but the thought embarrasses him so much that he fails to so his hand is just awkwardly in the air (we love a boyfailure)

OH I THINK HE’D LOVE LAYING HIS HEAD ON YOUR LAP/THIGHS !! they’re the perfect pillows and especially after a long day…. he’s a simple man, all he needs is to lay on your lap, have your fingers in his hair while he not so secretly gazes into your eyes behind his sunglasses. a sigh escapes his lips, what a perfect way to end the day.

and if ANYONE makes any negative comments about your looks, he’s already challenging them to a fight. as he said, “an issue that can be solved by fists is no issue at all” and he stands by that. especially about his beloved, no one is allowed to throw insults at you or at him and if they do…. well we’ll see if they can rise from the ashes.

[violent138]

Hey I’m rewatching atla what kind of benders do you think the batfam characterss would be?

Oh man it's been such a fun night for asks ♡♡

Bruce -> Water bender. The power to heal, the power to fuck you up, and the most adaptable and curiously overpowered of the elements.

Dick -> Fire (or air really). Hello I'm biased because cool Shaolin style and he's my favourite. But for me it's the moments with Iroh and Jeong Jeong that show another side of the firebending philosophy that he slots into. But he'd fit well into air.

Jay -> Air bender or water... I do lean more to air. Wait what no. He's a Kyoshi type. Ugh. I still see him as air a wee bit. For the principles.

Tim -> Fire bender (cop out but a) the industrial thing and fuck around and find out attitude is very real)

Steph -> Water bender, for lots of reasons, chiefly that she's underestimated, unexpectedly all or nothing (mercurial as water is). Also I think she'd really enjoy splashing people. And healing, that's another reason.

Cass -> Earth bender. The Toph sensing thing is an obvious one but also there's something about the "bluntness". She could also be air.

Dami -> Air bender, so much of Legends of Korra's handling of air can fit neatly into what I think about his development

Duke -> I was gonna say fire but that seems so obvious... Probably earth (it's determination for me, the fact that it held out for centuries, the building something aspect mayhaps). Maybe he's divergent.

[cable-salamdr]

Please oh please good sir will you spare the food some poor? 🥺

(Feed us more Ninjago headcanons)

Why *yes* I can spare some poor for the food. I hope you treat the poor with kindness (what am I even saying). You get four:

- Lloyd really likes to sunbathe on the roof of the monastery (the lizard genes strike again). No one can get him down unless the weather changes for the worse of they physically drag him down.

- Unlike maybe expected, Ray is the one who is strangely In Tune with plants and can always keep like 10 at a time with them living great plant lives, while Maya Can and Will somehow kill cacti. Thrice.

(She gets too carried away thinking they need more water, and when they are spiky she couldn’t touch them to know how much they already had, thus a cactus killing machine was created)

- Scott is actually really short in real life but he made himself tall in Prime Empire. Also Jay has definitely rambled to him about Video Game Jumanji, with Scott being very confused because he only knows Jumanji one (Yes this implies the existence of Lego Ninjago Dwayne The Rock Johnson)

- (This next one is really just appeasement for Crystalized and the fact that the ninja are only crystafied for a few seconds & we don’t even see them doing anything) But basically every single one of the og four has some sort of leftover spiky mark/scar on their body— I have drawings of that somewhere but I’ll need to go find them among my hoard of art posts lol

*Pearl from SU voice* That will be all

[dailyfigures]

u said to send anon hate here on ur personal blog so uhm here i am to send you anon hate. ok. here goes.

uh.

um.

stupid

[tatatale]

Hello.

Please know that you're amazing.

The Undertale community is living a tough time right now, and I feel like the creators keeping it alive and standing don't get enough support.

You are part of that. Your art is amazing. I am not a commited fan of your work as in I haven't been here long and don't interact much, but I know plenty of people who are and that's literally all I need.

People love you and there will always be people thankful to you.

Have an awesome day <3

Thank you anon you're so sweet!! T ω T )♥♥♥

It hasn't been easy for many creators lately, especially due to the group of people who spend all their time harassing creators and trying to harm them as much as possible to protect… non-existent fictional characters.

There are creators who can just block and report these people and simply continue with their lives, but others feel more affected by this and that it's normal, because we are human beings, we do exist.

It's very sad to see creators end up with their health affected, and have to leave from the fandom in order to heal the pain that the toxic people have inflicted on them.

It doesn't matter if you have 10 or 1 million followers. It doesn't matter if you have millions of people supporting you, the fact of getting bad words, lies, threats, and general bullshit day after day, is something that ends up affecting any human being mentally.

We all love fictional characters. But they don't exist, real people are what matters.

So please, I just ask you all to take care of real people.

Thank you for understanding this ´◡`)