#Superman the movie
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kal8elle · 1 year ago
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georgeromeros · 9 months ago
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Superman: The Movie (1978) dir. Richard Donner
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atomic-chronoscaph · 7 months ago
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Margot Kidder (1978)
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motion-of-love · 1 month ago
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Superman through the Years (1948 to 2025)
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cinemaspast · 2 years ago
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SUPERMAN: THE MOVIE (1978) dir. Richard Donner
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evenstarfalls · 5 months ago
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been a few days since maws s2 premiered... CAN WE TALK ABOUT THE CAN YOU READ MY MIND REFERENCE THAT WAS SO GOOD!!!
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For anyone who didn't get the reference, "Can You Read My MInd" is the love theme from the 1978 movie. The music comes from the score, and while the lyrics were originally intended as a song, in the final film it appears as a voiceover by Lois (Margot Kidder)
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The song went on to be recorded by Maureen McGovern and released in 1979.
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Superman: The Movie is maybe one of my favorite superhero movies and I loved seeing such a fun easter egg in maws!!!
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chernobog13 · 3 months ago
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SUPERMAN THE MOVIE (1978)
"Say, Jim! That's a baaaad out-fit!"
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driveintheaterofthemind · 5 months ago
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Superman
Art by Francesco Francavilla
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goldenvulpine · 1 year ago
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ok here is a helpful guide for Superman fans in Tumblr when referring to different eras of Superman:
Golden Age Superman: Kal-L. The Original. Very cocky. Very charismatic. Couldn’t fly as a kid. Has no solid code against killing. Chaotic Good. Can actually fly now. Has a disturbingly high kill count. Loves Toxic Women (Lois Literally Drugged him one time). Literal WW2 veteran. Not from Kansas. Smallville, East Coast (likely New York). Is now married to Lois. Head of the Daily Star (not Planet). Is Power Girl’s cousin. Is very aggressive. Still saved people from suicide canonically. Canonically religious (Married Lois in a Kryptonian Ceremony). “What trauma?” Seen everyone he loves die.
Silver Age Superman: Kal-El. The Most Popular. Speaks fluent Kryptonese. Total “50’s Dad”. The Strongest. Also the most conformist. Strict Code against killing. Lawful Good. From Smallville. Is canonically Religious (For Rao, his culture’s God). Has multiple cousins. From Smallville, East Coast (likely Maryland this time). Says he wouldn’t hit a woman. Probably has. Sneezed a Solar System Away. Somehow the WEIRDEST one. Also the biggest Prankster. Was Superboy. Was part of the Legion. Saw Pa die. Refuses to acknowledge his trauma. Needs a hug but won’t say it. Works for the Daily Planet. Alan Moore loves him.
Bronze Age Superman: Kal El. Actually just Silver Age Superman but “weaker”. Still the Strongest. Your favorite writer’s favorite Superman. Neutral Good. Originator of the Clex Drama. Met God. Is a pure scientist. Has Three Canon Endings. All of them are literal tragic endings. Is best bros with Batman. Is the Original Nightwing. His cousin is the Second Nightwing. Dick is actually the Third Nightwing. Loves his bro Jimmy Olsen. Smarter than Batman. Made a vow to protect life. Newscaster. Grant Morrison and Mark Waid love him.
Dark Age/Byrne Superman: Clark Kent (Kal El). Still moody. Weakest Superman. Thinks he’s Neutral Good, still Lawful Good. Doesn’t like Krypton. Designer Baby. Best Journalist. Canonically a Porn Star. Died. Came back. Most insecure Superman. Loves ‘Murica. Killed like three people one time. Strict code against killing. “Superman is what I do, Clark is who I am”. Legion who? Superboy who? Supergirl who? Football Star. Pure Sarcasm. Agnostic. People say they hate him but is the reason Smallville, Man of Steel and STAS exist. Literally wants to fuck Jimmy’s Mom. Triangle Era (90’s) Superman: Clark Kent (Kal-El). Is less moody now. Makes more Jokes. Still a drama queen. Smarter. Stronger. Wants to write a Novel. Married Lois. Jimmy is the Best Man. Good Leader. True Lawful Good. The Superman you probably think of the Most. Coolest guy. 90’s Superboy (the best) 90’s Supergirl (Matrix). Was once Gangbuster (Chaotic Neutral). Mind so strong, he killed a psychic in his sleep without knowing it. Christian (Married Lois in a Church). Still knows Kryptonian Kung Fu (Torquasm Vo/Rao). Dick Grayson’s 3rd Dad. Tim Drake’s 4th Dad. Slept with a Mermaid in Collage. Is fun.
Post-Crisis/2000’s Superman: Clark Kent (Kal El) Retcons out the ass. Kara comes back. Knows Boxing now. Knows Kung Fu. Held a Black Hole in his hand. Destroyed Moons. Agnostic. Still Lawful Good. Loves his wife. Loves his adopted son. Chris Kent. His son is Nightwing. His other son is also Nightwing. Walked the earth one time because of war crimes. Saves people from suicide again. Was a Kryptonian general one time. Literal Genius. Smarter than Batman. Is the GOAT. Hates the President.
New 52 Superman: Clark Kent (Kal-El) Very cocky. Very charismatic. Couldn’t fly as a kid. Has no solid code against killing. Chaotic Good to Neutral Good. Lower kill count than Post-Crisis. Loves Toxic Women (Loves the craziest version of Diana). Had a Mid-Life Crisis in his Mid-20’s. Was a Wrestler. Talks like Jason Todd/Wally West/Nightwing/Peter Parker/every mid-20’s white boi in the 90’s-00’s. Everyone hated him. Wasn’t as bad as they say. Is the Andrew Garfield/Spider-Man of Supermen. Killed off without good reason.
Rebirth Superman: Clark Kent (Kal-El). Is literally just Triangle Era Superman. With kids. No Chris tho. Still Lawful Good. Strongest of the Post-Crisis versions. Tries to be a good dad. Is a decent dad. Except for the time where he left Jon alone. So he’s a bad dad. I’m still not over that. Bendis loves him. Says please alot. Watches Anime. Kind of a dead beat. I miss Chris.
if you want summations of other Supermen I didn’t cover you are welcome to ask.
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sundaye-art · 2 years ago
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me, a simp for clark in traditional kryptonian wear???
more likely than u think
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superfan44 · 1 month ago
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Why Sora Should be Treated the Same as Superman (An Opinion Piece)
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As I get older, I'm able to look at various fictional characters more closely, understanding more about why they're so iconic. A few years ago, I gained a renewed interest in the Kingdom Hearts franchise, seeing why so many people love its story, characters, and of course, its crossover element with Disney and Final Fantasy. I want to take a little look at the franchise's main protagonist, Sora, shed a light on him if you will. I feel you could draw some similarities between him and the DC Comics hero Superman (aka Kal-El, aka Clark Kent).
Now, I know this may seem like an odd comparison to some of you, but personally, I think it does kind of make sense when you think about it. Obviously these two have very different personalities, backstories, powers, and motivations that drive them. However, both are kindhearted, optimistic heroes from humble beginnings, with a strong sense of justice and morality. Not to mention a desire to help others and do the right thing.
Their respective actions certainly speak for themselves on that front, as they each go about it in their own unique way. In the comic book All-Star Superman, one issue sees him fighting a group of lizard men invading from the Earth's core. Then, in another issue, we see him stop a depressed teenage girl from stepping off a building, giving her comfort and support. Yes, he's got super strength and godlike powers, but he's also considerate, compassionate, and gentle enough to offer a helping hand whenever needed. Superman is a hero who inspires the best in all of us. He is, as filmmaker James Gunn once put it, kindness in a world that sees kindness as old fashioned. Even though he lives on a planet he wasn't born on, he still aspires to bring hope to that planet, providing them a light to show the way. Krypton made him the man of steel, but Earth made him human.
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There are moments in the Kingdom Hearts series where we see a bit of that kindness mirrored in Sora as well. One minute he would be cutting down Heartless with his keyblade, the next he'll be enjoying good times with his friends, old and new. Whether it's dancing around with Rapunzel in the Kingdom of Corona, visiting Winnie the Pooh and his pals in the 100 Acre Wood, or helping to make Boo laugh in Monstropolis. He protects the world order and fights against the forces of evil, but he's also having fun along the way. There's a playfulness to Sora, a big smile on his face that warms people up inside. He's a brave young man who can easily form connections with anyone he comes across. There are still hardships to face, but he perseveres through it, showing that deep down, there is a light that never goes out. Even when it seems like he's on the verge of giving up, his friends are there to inspire him and lift him back up, just as he had done for them. He follows his heart, which is, and has always been, his guiding key.
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You could say that these similarities are due to the fact that Sora and Superman are very much archetypal heroes. Joseph Cambel's hero's journey cycle (which also heavily influenced Star Wars) can be seen in both of their respective journeys. Individuals from humble beginnings who venture out into the wide world ahead of them, encountering various allies, enemies, and obstacles along the way. The journey ultimately leads to the heroes gaining greater powers and becoming more than who they were before.
It's also worth noting that another thing Superman and Sora have in common is that sometimes they are both willing to take great risks in order to save the people that they love. In Superman: The Movie, the man of steel himself flies around the Earth at great speed, turning back time to save Lois Lane from an earthquake. In Kingdom Hearts 3, Sora uses the power of waking to bring back Kairi after her body was destroyed by Xehanort, sacrificing his own life in the process.
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So, why do I bring all of this up? Because I believe that this is something that writers should keep in mind when tackling Sora, whether it's for fan fiction, comics, novels, etc. I've noticed this trend on the internet of people deconstructing the psychology of Sora and delving into the negative effects that his adventures have had on him. A few of them have even declared his optimism and playful smile as a form of "toxic positivity". While it does seem like an interesting idea, I feel like it's causing people to forget about why they love him in the first place. In some cases, there are those who end up going too far with that notion.
Not long ago, I stumbled upon a Kingdom Hearts fan fiction story titled Keys to the Kingdom. Basically, it reads as an alternate universe reimagining of the events of Kingdom Hearts 3. Even though it was well written, this version of the story gets extremely dark, depressing, and cynical. Not only that, but it also mistreats Sora in a somewhat disturbing way, portraying him as a tortured and tormented soul. While his arc in this does prove to be compelling at times, it was still very jarring, making for an overall unpleasant experience. The fic seemed to be so focused on beating this character down, so intent on having him suffer throughout, that it ends up losing sight of what makes him so endearing and likable. Or, to borrow a quote from the young keyblade wielder himself:
"You're so caught up in finding the shadows, you forgot about the light that cast them."
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This doesn't feel too out of place with the "evil Superman" trend that was around for a period of time. The video game Injustice is a prime example of this, as it depicts Superman as a merciless dictator of a fascist regime, who rules with an iron fist and shows no compassion towards crime or his enemies. Even other creations like Homelander from The Boys and Omni-Man from Invincible are representations of this idea since they are basically evil Superman-types. Admittedly, I do give those two a little more leeway since they were made specifically for the stories they came from. They are not directly related to Superman other than having similar powers. Although this concept can be fun to tackle with an original character, I don't think it feels right to try to do it with the genuine article himself. That's not really who he is.
When making the first Superman movie back in 1978, director Richard Donner took it upon himself to do the big blue boy scout justice. He didn’t want the material to be treated with disrespect, nor to be seen as a joke. There's a word he used to emphasize this as a top priority: "verisimilitude". For those unfamiliar, the basic definition of it is the appearance of being true and real. Not only was that word hung up on the wall above Donner's office (which it was), but it also established the mission statement that many of the great superhero movies made in the years since then have followed:
Be truthful, honor the source material, believe in it, take it seriously.
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This is the type of mindset that should be adopted by anyone who adapts any kind of preexisting work, especially when it comes to something like Kingdom Hearts. If you want a good example of how to write Sora in a way that showcases how great he is while also being faithful to who he is, there's another fan fiction story titled Starbound, created by my friend @skygent. An anthology with an overarching narrative mixed in, it uses the setup of Sora's disappearance at the end of Kingdom Hearts 3 as a way to examine the impact that he's had on all of his friends and allies. In a deeper, meta sense, it offers an analysis of the connection that fans of the franchise itself have formed with him.
The stuff that has been written so far for this fic is absolutely amazing. In fact, it's what led to my renewed interest in Kingdom Hearts in the first place. It has pretty much what you would want in a story like this one. Balancing a sense of scale, mystery, and adventure, but also quiet reflection. Offering some fun little twists, but still retaining the core essence of what the source material is all about. Through this story, we see various characters (including some not featured in the games) learning of and reacting to Sora's disappearance, remembering their encounters with him in the past. Some of them are even inspired to try and figure out where he is, willing to doing whatever it takes to help find him and bring him back home. Here, they demonstrate just how much he means to them, just as they all do to him.
To be clear, I'm not saying that Sora should stay exactly the same. In a series like Kingdom Hearts, we want to see those characters grow and evolve. With the things that Sora has experienced throughout the series, and with where we will find him at in Kingdom Hearts 4, it'll be interesting to see where he goes next. At the same time though, we also should remind ourselves that people love this character for a reason. As this young hero embarks on his newest adventure, he shouldn't lose what makes him who he is as a person. Instead of pulling him apart, I think Sora is someone who deserves to be celebrated. To be treated with dignity and respect, just as Donner did for the last son of Krypton. In the same way we've celebrated Superman over the years for what he stands for and represents, Sora should also be recognized in an equally similar way. Their respective core values and good morals, all the stuff that makes them heroes. It's these things that turned them into pop culture icons who remain with us to this day. It's why they will continue to be icons in the foreseeable future.
Two beacons, shining bright in the darkness. Never forget that.
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ruinedholograms · 6 months ago
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Pater Sato (1978)
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crisisofinfinitemultiverses · 6 months ago
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Superman the Movie (1978) by Stephanie Lavaud
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atomic-chronoscaph · 2 years ago
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Margot Kidder (1978)
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sassylittlecanary · 2 years ago
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Superman (1978) and the Female Gaze
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In honor of Superman’s 85th birthday, I got to see the 1978 movie in theaters (!!!) and I realized how much it appeals to the female gaze, which I would NOT have expected for a male-led superhero movie from the 70s.
To elaborate:
I’ve always cringed a little at Lois’ cheesy voiceover during the flying sequence, but I realized it’s actually a whole scene from Lois’ perspective. It gets in her head and explores her thoughts and feelings. It doesn’t portray her as “Superman’s girlfriend” from his perspective, focused on his viewpoint. The entire scene is Superman from Lois’ perspective.
Even the cinematography (especially in that scene but also throughout the movie) caters to the female gaze. There’s so much focus on their hands — Lois and Superman holding hands, Superman gently cradling her face, etc. There’s a focus on eye contact, on body language. Superman’s muscles aren’t emphasized — instead the camera lingers on his eyes and his smile. Through the visuals, both leads are very humanized instead of gratuitously sexualized like many superhero movies ever since.
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Also, Christopher Reeve’s Superman emerges as such an unexpected example of positive masculinity. In the late 70s, Family Feud’s host was kissing every female contestant on his show, consent be damned. ERA and the feminist movement were losing ground to the New Right. The macho male hero was already a staple thanks to characters like James Bond and advertising campaigns like the Marlboro Man. Men Were Manly.
In contrast, while Superman is held up as a quintessential “manly male protagonist” admired by many, he very pointedly does not fall into the action hero male power fantasy stereotype of “I’m a tough macho man who affirms my masculinity by harassing and sleeping with lots of women and who expresses emotions by hitting things and yelling at people. Wow look at me punch things and shoot guns! I’m so strong!” Instead, he’s always gentle. He smiles brightly, he laughs, he cracks jokes, he waves as he flies off. He’s a huge guy, but he’s not intimidating unless he wants to be because he’s just so kind and down-to-earth. He’s much more in line with a stereotypically feminine fantasy of a “kind, respectful, warm guy who makes me laugh” rather than the male power fantasy more common in this genre.
There’s also the way female characters are treated. Lois is Superman’s love interest, but she’s also more than that. She’s her own character with her own voice. She’s a tough, snarky, take-charge, no-nonsense, competent career woman who goes after what she wants fiercely. She grouches and rants with her signature attitude, and Clark just stands there smiling at her because he thinks she’s amazing exactly as she is. It’s the fantasy of an independent woman with traditionally “unfeminine” traits who’s loved and celebrated for being herself. Clark doesn’t want to tame her — he adores her and supports her.
In addition, Miss Teschmacher is stereotyped as the villain’s “sexy but a bit dumb” girlfriend/sidekick, yet she’s still allowed some depth. Superman’s treatment of her stood out to me because this woman has helped Luthor endanger innocent people and nearly kill Superman himself, yet he’s still kind and respectful toward her. Because he always treats women like that, no matter who they are or what they’ve done to him. She wistfully says “Why can’t I ever get it on with a good guy?” instead of a toxic one, and he touches her face tenderly and gives her a reassuring smile. He has compassion for her, as well as hope that her life will improve.
There’s also the climax. There really isn’t much violence (it’s all natural disaster stuff). The whole “hero does something dramatic to save his love interest” is a time-honored action movie cliche, but this feels different somehow. It feels more like the climax of a romance movie than an action movie in some ways. Maybe it is, again, the focus on tenderness. On the way Superman cradles Lois’ dead body so gently and then cries. On the way he allows himself to feel, to express his emotions, instead of heading out to punch something as an outlet for his grief. Lois isn’t a love interest to be won — she’s a person to be cherished, which is 100% consistent with the female gaze.
Just, 👏 THE FEMALE GAZE AND POSITIVE MASCULINITY Y’ALL 👏
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kal8elle · 5 days ago
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