#Super C-17

[juridical-angel-blog]

Special Poster Dragon Ball GT ''Enemies Goku SSJ4''!

[thebusylilbee]

this weather is insane, I'm already in full december gear (thick dressing gown, winter pyjamas, socks on inside, winter slippers) and it's not even october yet...

[deathsweetblossoms]

"On the Hogwarts Express journey to school for their sixth year, Pansy and Draco sat together, with Draco's head in her lap as she stroked his hair. They were clearly affectionate."

I will probably never read Harry Potter again, but this is some cute shit.

[littlebirdy0301]

guess who’s finally gonna really try so super hard to learn how to drive :)

[gay-dorito-dust]

Homicipher ending 17 spoilers:

what abt mc clinging onto Mr Crawling after getting kidnapped by Mr Stitch bc they’re still shaken up but super relieved that Mr crawling came to save them

That route is so 🥹🥹🥹

You hasn’t stopped clinging onto Mr Crawling since he saved you from Mr Stitch, fearing that if you’d let go of him that you’d only get kidnapped again and taken elsewhere where you wouldn’t be so lucky. It also didn’t help that your mind kept wandering back to that moment where you were being hauled away, hand outstretched as you called out to Mr Crawling in desperation, before finding yourself in a room with Mr Stitch and fearing what he might do to you before the feeling of relief flooded your body when you saw Mr Crawling.

You were so relived that you didn’t hesitate to throw yourself into his arms, clinging onto to him as he rubbed your back as soothingly as he could, hoping to bring you some sort of comfort while trying to reassure himself that you weren’t going anywhere nor that anyone was going to try and take you away from him.

‘You pain have?’ He asks as he cradles you against his chest and looking you over to make sure Mr Stitch didn’t bring you any harm. ‘Me worry.’ He adds.

‘I’m fine thanks to you, just still a little unnerved is all.’ You replied as you tried to smile at him but it came across as forced and you instead just cling onto him even more, just wanting to get it into your head that you were safe, that no harm would come to you when Mr Crawling was there to keep you safe like he did moments prior; Unfortunately it seemed that no matter what you did your brain was leas to believe that you were still in danger somewhat and it made you unable to feel Mr Crawling’s attempts at comfort and reassurance which you absolutely hated.

Mr Crawling lets out a mournful sound from the back of his throat as he burrows his head into your neck, taking one of your hands and placing it atop of his head and gesture for you to stroke his hair with it, albeit it was a little clunky and clumsily but it did manage to make you smile a little as you began to stroke his hair on your own accord while he purred. ‘Keep you safe. It okay cry.’ He said softly as he made sure to keep a look out, daring anything to try and pry you from his hands and if they do, he’ll make sure to make it hurt however he can if it meant keeping you safe and sound in his arms like you were now.

You chuckled tearfully as you burrowed your head into his shoulder, breathing him in and ignoring the fact that Mr Crawling didn’t smell so pleasant, but in this moment you didn’t care as it was what you connected him with in means of calming yourself downs an regaining composure. ‘You did keep me safe, you really, really did. Thank you Mr Crawling.’ You said while your fingers became entangled in the long black tresses of his hair, toying with them at your own leisure, not feeling the need to escape his embrace just yet when it’s done nothing but bring you back down to reality and back to him.

‘You okay. Happy.’ Mr crawling utters as he shifted a little but as he does so he feels your grip on his tighten and your breath hitch in your throat, almost as though you were scared that he was leaving you when he would never dare entertain such a thing, and he lets out a sound akin to whimpering as he nuzzled your neck in reassurance. ‘Not going.’ He adds. ‘No leaving you.’ Mr Crawling felt you relax in his arms once again and your hand went back to fiddling with his hair and trying to even out your breathing.

‘Im sorry.’ You muttered against his shoulder. ‘Me seem weak.’ Mr crawling frowned as he was the one to tighten his hold on you this time, wanting nothing more then to infuse every ounce of affection and love he has for you into the embrace , letting you know that he was always going to be with you whether you wished for his company or not but in this moment in time you needed him more then ever and he wasn’t going to throw the opportunity to show how capable of a partner he could be away.

‘You strong brave. No weak.’ Mr Crawling reassured as he kissed you lightly on the head, keeping you close, keeping you protected and safe while he kept guard as you felt relaxed enough to fall asleep in his arms though not before saying one final thank you to Mr Crawling and pressing a sleepy kiss to his neck.

[dreamertrilogys]

ik i’m over him bc i’m like disgustingly happy for them + if they ever got married i’d want to be a best man or something i’m so serious

idk like i don’t begrudge x & c their happiness rn in fact i think they’re rly cute + i’m happy for them both BUT if they ever got married i would 100% for real shoot myself in front of them

[animusrox]

TOP 10

Past Lives

Spider-Man: Across the Spider-Verse

How to Blow Up a Pipeline

Poor Things

Oppenheimer

Barbie

BlackBerry

The Holdovers

The Iron Claw

Killers of the Flower Moon

MY LETTERBOXD Grade A 11.    The Killer 12.    Beau Is Afraid 13.    Dream Scenario 14.    Guardians of the Galaxy Vol. 3 15.    Godzilla Minus One 16.    American Fiction 17.    They Cloned Tyrone 18.     Evil Dead Rise 19.    Eileen 20.    The Artifice Girl 21.   Teenage Mutant Ninja Turtles: Mutant Mayhem 22.    Talk to Me 23.    Reality 24.    Leave the World Behind 25.    A Thousand and One 26.    Mission: Impossible – Dead Reckoning Part One 27.    Are You There God? It’s Me, Margaret. 28.    Theater Camp 29.   Carmen 30.    Merry Little Batman 31.    Priscilla 32.    Society of the Snow 33.    Infinity Pool 34.    Enys Men 35.    Sanctuary 36.    Rye Lane 37.    Skinamarink 38.    Monster 39.    Anatomy of a Fall 40.    Landscape with Invisible Hand 41.    Reptile 42.    Sisu 43.    Pinball: The Man Who Saved the Game 44.    No One Will Save You 45.    Tetris 46.    May December 47.    The Zone of Interest 48.    V/H/S/85 49.    Dumb Money 50.    El Conde 51.    Arnold 52.    Maestro 53.    Napoleon 54.    20 Days in Mariupol 55.    Influencer 56.    The Creator 57.    Origin 58.    Thanksgiving 59.    Next Goal Wins 60.    The Boy and the Heron 61.    Bottoms 62.    Wonka

[Press Keep Reading For The Full Graded List]

Grade B

63.   God Is a Bullet 64.    No Hard Feelings 65.    Joy Ride 66.    Fair Play 67.     Cocaine Bear 68.    NYAD 69.    Asteroid City 70.    Nowhere 71.    The Angry Black Girl and Her Monster 72.    Divinity 73.    The Equalizer 3 74.    The Last Voyage of the Demeter 75.    Venus 76.    Butcher’s Crossing 77.    Somewhere in Queens 78.    The Persian Version 79.    Boston Strangler 80.    Polite Society 81.    Miguel Wants to Fight 82.    The Color Purple 83.    The Royal Hotel 84.    Saw X 85.    All of Us Strangers 86.    Fallen Leaves 87.    Ferrari 88.    Elemental 89.    Peter Pan & Wendy 90.    Renfield 91.    Cat Person 92.    Scream VI 93.    The Hunger Games: The Ballad of Songbirds & Snakes 94.    BS High 95.    Blue Beetle 96.    Huesera: The Bone Woman 97.    When Evil Lurks 98.    Dark Harvest 99.    A Good Person 100.    Final Cut 101.    Knock at the Cabin 102.    Quiz Lady 103.    Leo 104.    Air 105.    The Super Mario Bros. Movie 106.    Batman: The Doom That Came to Gotham 107.    John Wick: Chapter 4 108.    Beaten to Death 109.    The Wrath of Becky 110.    Passages 111.    Transformers: Rise of the Beasts 112.    Gran Turismo 113.    65 114.    Sick 115.    Sister Death 116.    The Blackening 117.    Please Don’t Destroy: The Treasure of Foggy Mountain 118.    Flamin’ Hot 119.    Nimona 120.    Cobweb 121.    Totally Killer 122.    What’s Love Got to Do with It? 123.     Sharper 124.    Unseen 125.    Dunki 126.    Bird Box Barcelona 127.    The Marvels 128.    Shazam! Fury of the Gods

Grade C

129.   Wildflower 130.    Freelance 131.    M3GAN 132.    Strays 133.    Sympathy for the Devil 134.    Creed III 135.    Chevalier 136.    The Marsh King’s Daughter 137.    A Haunting in Venice 138.    The Little Mermaid 139.    Silent Night 140.    Master Gardener 141.    The Flash 142.    Fast X 143.    The Pope’s Exorcist 144.    Saltburn 145.    Kandahar 146.    Stand 147.    Plane 148.   Indiana Jones and the Dial of Destiny 149.    Fingernails 150.    Quicksand 151.    Fool’s Paradise 152.    Migration 153.    Rustin 154.    The Covenant 155.    Good Burger 2 156.    The Pod Generation 157.    Alice, Darling 158.    Insidious: The Red Door 159.    Missing 160.    Shotgun Wedding 161.    You Hurt My Feelings 162.    The Boogeyman 163.    Showing Up 164.    Aquaman and the Lost Kingdom 165.    Champions 166.    Consecration 167.    The Nun II 168.    Biosphere 169.    House Party 170.    The Exorcist: Believer 171.    Big George Foreman 172.    Dungeons & Dragons: Honor Among Thieves 173.    Children of the Corn 174.    The Beanie Bubble 175.    Ant-Man and the Wasp: Quantumania

Grade F

176.    Anyone But You 177.    Marlowe 178.    Paint 179.    Extraction 2 180.    It Lives Inside 181.    Deliver Us 182.    Trolls Band Together 183.    Finestkind 184.    Corner Office 185.    Wish 186.    Prisoner’s Daughter 187.    Pain Hustlers 188.    Foe 189.    The Mother 190.    Old Dads 191.    Ghosted 192.    Ruby Gillman, Teenage Kraken 193.    Haunted Mansion 194.    Mafia Mamma 195.    Five Nights at Freddy’s 196.    The Machine 197.    Justice League: Warworld 198.    We Have a Ghost 199.    What Comes Around 200.    Legion of Super-Heroes 201.    The Boys in the Boat 202.    Attachment 203.    Operation Fortune: Ruse de Guerre 204.    About My Father 205.    You People 206.    Meg 2: The Trench 207.    Pathaan 208.    Rebel Moon - Part One: A Child of Fire 209.    Assassin 210.    Dalíland 211.    Vacation Friends 2

Bottom 10

212.    Sound of Freedom 213.    Winnie the Pooh: Blood and Honey 214.    When You Finish Saving The World 215.    Heart of Stone 216.    Family Switch 217.    Expend4bles 218.    Sweetwater 219.    Hypnotic 220.    80 for Brady 221.    Spinning Gold

[juridical-angel-blog]

Super C-17 ''Poster Power Game Dragon Ball AF''!

[star-girl69]

Love Song

Clarisse La Rue x Fem!Demigod!Reader

—-

a/n: just needed to do some general hc’s to get all my thoughts in order i hope you all enjoy!!

Love song - Lana Del Rey

warnings: the formatting is weird idk why i can’t fix it but y’all will live, swearing, a little itty bitty bit of violence, every facet of clarisse finding its way here and i love them all, tell me if i missed anything!!

—-

i’m sure we all agree on this

but clarisse is very protective of you

even if you’re a very capable fighter, even if you’re even better than her, clarisse is still so protective of you

i mentioned this in one of my fics (maybe so it goes…????) but like the reason behind this is the fact that clarisse is just SCARED

she is terrified of losing you bc you are the only one she feels like she can be herself with

like clarisse is insane!!!!! in a good way!!!!! but also she’s a 17 year old girl…. she wants TO BE LOVED

she tries to talk to you about how she feels about her dad and about everything else in her life, but even though she doesn’t want to be, she’s locked up like a vault

she knows her emotions are always super intense and she has big reactions

major anger issues but they’ve gotten better with age

the problem is she spent her entire life being told that she needed to calm down, that she couldn’t feel like that all the time, and she just tried to shut down

obviously that did not work

but it still makes it virtually impossible to talk about her feelings

when it comes to you tho she’s an open book

she’s a daughter of ares she’s headstrong she’s proud and her fatal flaw is PRIDE

i mentioned this before but she wants everyone to know that you’re hers and she’s yours

your relationship is partly very public

she’s not afraid to touch you or kiss you

she’s not afraid to show you off and (needs to) show everyone that yes your beautiful self belongs to HER

so naturally she gets very jealous

even when you’re like clarisse you are INSANE

there’s been a few times when you first started dating and you were still getting comfortable and weren’t that public yet so like someone would flirt with you

it went like this

boy: hey what’s up you’re kinda fine

y/n: oh! oh yeah no….. no…..

clarisse: WHAT THE FUCK DID YOU JUST SAY IM GONNA FUCKING KILL YOU—

then she started attacking him

lost dessert privileges for a month, she proudly declared that it was worth it (besides you would sneak her bites of yours like)

now that everyone knows you’re hers her jealousy is rooted a lot more in delusion and insecurity

you’ll be like in a group talking someone and she’ll pull you closer and be like “i think that guys staring at you a little too much.”

“clarisse no the fuck he’s not what”

b/c of the fact that she isn’t a son for her father she gets insanely jealous if specifically a MAN gets even an inch too close however innocently

she doesn’t want to think it but she thinks you’ll eventually realize her father is right and she’s not as useful or good bc she’s a girl

most of the time when she gets jealous bc of her insecurities she just becomes extra clingy

but also any emotion she feels she gets extra clingy to you so sometimes it’s hard to tell LMAO

she isn’t really a big hand holder but that’s only because she’s actually holding you CLOSER to her by your waist

also one more note about your relationship publically

everyone gets whiplash bc like she’s a BULLY fo everyone else and then you walk over and she’s all heart eyes

i hate everyone but you trope save me

save me i hate everyone but you trope

THIS HAPPENED IN IN A GOOD WAY

clarisse: pushes percy over

you: nuh uh clarissseeeeeeee

clarisse: omg hi beautiful gf

you: touches her shoulder, looks at her disapprovingly

clarisse: fine i’ll go, *scares percy*, bye bye beautiful ily

like she’s just being a bitch and then all of a sudden you come around and she’s like hiiiiiii babyyyyy how is my gorgeous gorgeous girl today??

so outwardly clarisse is just very proud and touchy

privately she lets herself be a little more chill

this is where she really touchy you thought before was worse nah

idk if y’all have noticed but in my fics clar’s always holding on y/n’s hips and that’s just me self projecting bc i have the most horrid hip dips but my point still stands

SHE LOVES YOUR HIPS

would totally call them “love handles” IM SORRYY

but she just likes having a place to hold where she can just like kinda actually physically grab you with her hands

like yeah she can wrap her arms around your waist but she likes to GRAB you

cuddling w her is fun bc like this girl cannot get ENOUGH of you there’s only like three ways you cuddle

you on top of her whether just like completely on top of her (one of her favs) or just with your head on her chest

this is what happens whenever you feel scared

like there was a monster attack just near the barrier and you’ve all been feeling uneasy all day

TRUST you are sleeping in her bed tonight

wraps her arms around you so tight it’s like she’s crushing you

also she’s running your back or caressing your head whichever you prefer

she keeps her spear right next to her bed and makes sure you can see it so you know however subconsciously NOTHING can hurt you bc she’s right there (nothings gonna hurt you baby vibes)

or she’s on top of you this one usually happens when she’s feeling a little extra insecure and jealous and it’s like no one can see you if she’s on top of her so then you’re hers

she isn’t the smartest one in the bunch but she has good intentions!!!!

also she lays on top of you if you get hurt

like after so it goes for example when y/n got that little cut on her hand

you’re like “clar pls you’re crushing me”

“um ok you scared the shit out of me today tho you need to LET ME do this fuck”

third option

you’re both laying on your side and facing each other legs tangled together and she’s probably whispering to you

she’s a big whisperer i feel it in my heart

like tracing her hands on your face and saying your so beautiful or telling you how you make her feel

oh lord take me now

also she loves you the way hozier loves

“someone asked me in the end i’d tell them ‘put me back in it’ // darlin’ i would do it again // if i could hold for a minute”

“when my time comes around lay me gently in the cold dark earth no grave could hold my body down i’d crawl back to her”

like she BREATHES for you

if she died and then you were like “i miss you” trust she would find a way to come back to life

totally daydreams about going on such a fantastical quest that the gods offer both of you immortality so you can be together forever and ever and ever and ever and ever

like if the world ends y’all would still be there having a little picnic date

devotion is the only word that comes close

anyways

ok nicknames she calls you:

baby, angel, gorgeous, pretty thing/girl, beautiful, lovely, dummy (lovingly)

(recently saw a few posts abt clarisse saying mama/mamas i may be swayed)

dates she takes you on:

forces you to train w her even if you don’t like it but she lets you win OBVIIIII, under the stars in the woods, take your dinners to go and sneak back to either hers or your cabin to eat together, secret makeout sessions in the bathroom her cabin your cabin anywhere she can get her hands on you

this is so random but i get horrible migraines and i am ADDICTED to these like headache relief frequency sounds on youtube i swear they work and i was like omg you can’t have electronics at chb I WOULD NOT SURVIVE

so if you are a real one like me and get horrible migraines but this goes for being sick in general she’s like a little puppy pretending to be a wolf barely holding it together

she’ll be like at the foot of your bed begging you not to go into the light while shouting at someone at the same time to refill your water

you like have a cold

she would rub your temples if you had a headache and she would literally be like a doll for you to move around like oh you wanna lay on her chest? by all means

you wanna lay upside down with your feet in her face? as long as you get better you can do whatever you want!

you don’t wanna touch her at all? that’s where she draws the line

you’ll be like “ugh i’m hot get away from me”

“okay ☹️☹️”

“why are you touching my feet with your feet”

she places you above everyone else

like yeah other people are ok…….

but you 😍😍😍😍😍😍

this is slightly cringe but she would fr burn the whole world down and not let a flame touch you

LIKE HAVE YALL SEEN THE ANONS IVE BEEN POSTING AND THE CAPTURE THE FLAG THINGS 😱😱😱😱 (y’all always check my blog im always posting the funniest shit bc i’m funny)

“you’re one opposite teams blah blah blah you get hurt clarisse drops EVERYTHING to help you even if just a paper cut” (i have no chill fic coming soon)

THEN THEN the other one that was like “ok but what if you ACTUALLY get hurt like broken leg”

clarisse just goes crazy when you’re hurt

in so it goes: “what if that cut gets infected?”

you’re her WORLD she literally can’t stand the thought or something happening to you or else she starts literally shaking in anger and sadness

but when clarisse gets hurt it’s a whole other story

LIKE FUCK YOU JUST WANNA CARE ABOUT HER AND SHES ALL LIKE “it’s chill.”

NO ITS NOT YOURE GONNA BLEED OUT 😭😭

clarisse never let’s anyone but you see her true emotions

like yeah when you’re in public and you’re being cutesy she starts smiling and everyone is SO confused

but still

she never lets anyone see her as WEAK

so she always downplays her injuries in terms of how much they hurt, but flaunts them off proudly at the same time?? yeah that makes sense

after a capture the flag game you march her to the bathroom with a first aid kit “ok baby take off your shirt”

she always makes some flirty comment like SHUSH NOT RN

then she has all these bruises and every once in a while a cut from someone’s sword

you’re like 😔😔💔

you’re the only one she will let clean her up

unless she like breaks a bone or needs stitches (which has never happened) no way in hell she’s going to the healers

if you’re a child of apollo or smth she’s like “i literally have my own person healer right here…..”

anyways i think that’s all but i will probably be updating this when i think of more stuff bc as we know i have no chill

thank you all sm for reading and reblogging and liking and commenting and sending all of your WONDERFUL asks they make me so happy i’m always giggling when i get one

anyways bye bye 😘

—

taglist:

@lvrue @t-wylia @laughingcheese037 @kroumi @urdeadpoet @colezb @rey26 @harmzilla @elliewilliamsbae @amberfreemansburntface @kyuupidwrites @neverwaakeme-up @shark1008 @liballer @heyimadison @nvirskies @pnsteblnme

[xzaddyzanakinx]

what do you think stalker!anis body count is?

i can’t work out if he’s had a “fuck everything that walks” phase or not

I’ve thought about this a lot actually, cause I’ve also had trouble deciding that lmao. I originally intended for stalker!ani to have BPD, but as he developed as a character I think antisocial personality disorder fits him much, much better. Both disorders experience hypersexuality.

In this essay I will…

Stalker!Anakin has never had a girlfriend before reader. Unfortunately he was painfully awkward and strange during his elementary school years:

Exhibit A: tying nettles together with worms (a beautiful bouquet if you ask me) and giving them to a girl he thought was pretty.

Exhibit B: staring and unapologetically eavesdropping on any conversation.

Exhibit C: starting conversations with “I am Anakin Skywalker, I am seven years old and I like to collect Hot Wheels. Do you like to collect Hot Wheels?” (Bc his therapist said he should try to be ‘relatable’ by finding people with similar interests. How is he expected to do that unless he systematically goes through his entire class list and initiates/interviews his classmates??)

Moving onto his middle school years were even worse bc he found out that girls are hot and hot girls make him horny. Everyone remembered him as the weird kid, told the other sixth graders and ruined his chances of winning people over with his new, carefully crafted personality/mask.

So when he asked his crush to the homecoming dance he bought real flowers (sans worms!!), and his mom helped him find a cute sign on Pinterest to copy… She refused the flowers and said “ew”, thinking there were prob bugs in it (she’d heard the gossip). Anakin unwrapped the flowers and shook them out to prove they were indeed wormless, made a joke and then the girl reconsidered her refusal and decided ‘hey maybe he’s not so bad, all kids are weird anyway so he’s probably fine now’.

Turns out he was in fact trying to be fine & normal. But ended up in a ‘Carrie at prom’ situation at the homecoming dance bc the guy who also liked Anakin’s date was there. Anakin ended up with a suspension and the other guy ended up with the girl.

Then the summer of 7th grade he wacked a grown man with a table.

That didn’t bode well for his highschool conquests of course! So he got his rocks off with the occasional use of the good ol’ ‘hide in the bushes with binoculars and hope Becky from Algebra changes in front of her window again’

Anakin got his first job at the Hot Topic when he was 17. This is where he tried out everything he’d learned over the years and he realized he was actually very decent at speaking to girls as long as he kept up his masked personality. Anakin stayed a virgin until a pretty girl with a nose ring (she worked at Claire’s, he was getting his ear pierced) complimented his Suicidal Tendencies t-shirt and he smooth talked his way into getting her in his car after his shift. Then… continued to do that for a while, strictly fucking. She thought it was strange that he never really wanted to talk before or after.

He was just trying to perfect his sex game and she was just a body. She wasn’t his dream gal, so she was perfect for making mistakes and learning from them. He didn’t have to worry about appearances or properly apologizing for accidentally not doing super great at something, he could just move on and keep going. After all, she was just a body to practice on.

Unfortunately for Anakin he had a brand new court appointed therapist at the time who didn’t think promiscuity was good for the healing and reconditioning process (it wasn’t).

So Anakin put a stop to fuckin’ the girl from Claire’s. He was very confused that she was so upset when he just completely ignored her. The next time they both worked, she waited at his truck like usual and he walked right past her and got in his truck, locked the door and backed out of the parking spot without waiting for her to move (she was fine just really mad).

Claire’s girl confronted him about it, thinking she’d done something to upset him and asked if that was his way of breaking up with her. Anakin’s like??? Break up?? We were never dating!!?? (This is how he found out that when you fuck someone weekly for over four months they will more than likely form an emotional attachment)

To avoid a repeat of that incident when he moved to the city for college (he dropped out obvi), he got a job as a bartender for the sole purpose of people watching for research and practicing being a normal dude. Being a normal dude includes learning how to pick up chicks, so I think he probably took a girl home once or twice a month just to keep sharp on his pretending and fucking skills so he’d be on his best game when he found the right girl.

So in conclusion, yes he did have a ‘fuck everything that walks’ phase. Just not for the sex. For research.

me reading the DSM-5 and diagnosing him. [im a doctor you can trust me]

Tag List:

@wickedtactics @tsugumiholic @kingdomhate @burnthecheshirewitch @exquisitcorpse @arzua10 @bby-imasociopath @depressed-kay @aliciaasky @naty-1001 @mrsmikaelsxn @bunnylovesani @ausskywalker @angelsadmired @chocolatepalacecloudhoagie @starkiller419 @hearts4mitski4 @lethargic @allhailbuckybarnes-blog @shadowhuntyi i @mortalheartache @fallinlovewithevil @sythethecarrot @chaoticantihero @vadersslut @luvvfromme @anakinsbaee @sweetcheesecakesblog @luvskywxlker r @angelsadmired @kaminokatie @anakin-pilled @graveyard-stray @chiaraanatra @jediavengers @zapernz @lunalitva @salted-snailz @queenofchaos99 @ellie-luvsfics @dazednstars141 @hopesworlld @lonaah @guiltycherries @syralix @doblasftcisco @demieyesore @hemmoxloser @ahano

[linkspooky]

Dr. Venture vs. Enji Todoroki: How to Write Bad Dads

This is a post comparing two shows about two abusive dads who are the main characters instead of their children. My Hero Academia is a Shonen jump manga that takes inspiration from American comics and shonen manga. Whereas The Venture Bros is an adult swim cartoon that started out as a parody of Johnny Quest, and grew into a seven season long character study of former child star Rusty Venture.

The idea for this post came from the fact that I've noticed a common hot take from MHA fans that Endeavor's redemption arc is bad because it's wrong to make an abuser the main character.

I've always disagreed, and used The Venture Bros as an example of a show where making an abuser the main character works. Rusty is actually a well-liked character in the venture bros fandom. So my question is if these characters are both abusers why is one of them generally accepted and the other one so controversial?

Before we begin I want to say this is a story with fictional characters. Don't bring real life into the equation. We are doing literary criticism here and only talking about the events that happen in the story.

Anyway, My Hero Academia and The Venture Bros seem like the weirdest shows to compare but they are actually pretty similar. They are both comic book shows that are commentating on the comics they're inspired from.

What My Hero Academia is to Spiderman and Dragonball Z, Venture Bros is to Tom Swift Novels, the Hardy Boys, and old Hanna-Barbera Cartoons. They also make the decision to focus on the characters as people rather than heroes. They are telling the stories of real people that exist in a world overflowing with both heroes and villains.

1. Meet the Venture Brothers

If you've heard of the Venture Bros then you've probably heard of the premise that it's an adult parody of Johnny Quest. Johnny Quest for those of you who have a life and therefore haven't seen every old Hanna-Barbera Cartoon like I have is a show where eleven year old Johnny Quest travels around the world with his super scientist father Dr. Benton C. Quest and their bodyguard Race Bannon, going on adventures in Jungle Ruins or fighting villains.

In the Venture Bros the main character Dr. Thaddeus Venture is an emotionally abusive and neglectful father who constantly exposes his sons to danger in his trips around the world. Their bodyguard Brock Samson is a ultra violent and is basically a thirteen year old's idea of what a cool manly man is. The titular Venture Bros, Hank and Dean Venture are sheltered children who are constantly being chased around by men in costumes trying to kill them.

So the basic premise of the show lies in it's dark deconstruction of shows like Hardy Boys, Johnny Quest, these Tom Swift-esque stories where young boys go on adventures by showing the real dangers that children would be exposed to in that kind of life.

Between Johnny Quest, the Hardy Boys, and Tom Swift, what is up with these pie-eyed youths chasing pirates and international diamond thieves and stuff like that? They would get their throats cut the minute that stumbled upon a hideout. And that would be the gag. - ART AND MAKING OF THE VENTURE BROS.

The show does explore Hank and Dean's trauma, but despite the title of the show they are not the main characters. The protagonist is Doctor Thaddeus Venture who himself is other victim of the Boy Adventuring Lifestyle.

Dr. Venture: "Who was, for 43 years, the only son of Dr. Jonas Venture? Who, from the ages of 3 to 17 accompanied him on hundreds of adventures the chilling memories of which rouse him from sleep in a cold sweat to this day?"

Thaddeus used to travel around the world with his father the super scientist Dr. Jonas Venture who was a far more successful super scientist and hero. He's the former star of the "Rusty Venture Show" a cartoon based off of his travels with his father.

Jonas who continually neglected and gaslit him throughout his childhood to the point of not allowing him to go to therapy. He gaslit him so hard there's a scene where he literally pretends to be Rusty's therapist to tell his son to stop complaining.

Rusty: "So I don't know. Sometimes I wish I could just be a normal kid and go out and play with kids my own age and stuff. The only people I get to hang out with are grown ups. The only time I get to leave the compound is to go someplace creepy, like the Bermuda triangle, and then I get kidnapped, by grown ups. And I'm not even sure I want to be a super scientist when I grow up anyway, but I feel all this pressure because of my fa-It feels weird telling you this stuff." Jonas: "Remember Rusty, in here I'm your doctor not your father. Now let's get back to it shall we. You were telling me how you're ungrateful for all the opportunities your father's given you and you blame me for all your problems."

Rusty is both a washed up child star, and a faiilure to his father's legacy. He never formed an identity outside of being the star of the Rusty Venture show or the son of Jonas Venture. He drags his kids all around the world on crazy super science adventures because that's what he knows.

The central premise of the Venture Bros is that Rusty is basically stuck and cannot meaningfully grow up into an adult and his own person, despite the fact he is now a single father trying to raise two sons. The central theme is about three generations of one family, and what it says about the complicated nature of family itself,

As Rusty is both the victim and the perpetrator of the abuse it makes sense he is the main character the story centers around because he's the central link between Jonas and the Twins.

The themes can be summarized in one line said towards the end of the show:

BEN "Just a watch. Tells the time in two time zones. That fourth hand there? Little date window? Those are called complications. Complications make a watch special. More complications the more value. Read the engraving Jonas put on the back there. Elige Tua. It's Latin for Choose your family. Blood doesn't make a family, love does. Choose your family and remember that complications make it special."

In other words it's a seven season long show on how family is complicated.

2. Keeping up with the Todorokis

My Hero Academia is about a lot of things, but the central premise is that in a society where he quirk you were born with can determine a lot about your life, one boy without a quirk sets out to prove that anyone can be a hero.

If Complciations make it special is the central theme of Venture Bros, then the central theme of My Hero Academia is two sentences. "All People are not created equal" and "Anyone can become someone's hero" both said at different points in the story. The story itself is about Deku's attempts to overcome the first statement, that he was not born equal but he deserves to be a hero as much as anyone else because he represents the true spirit of heroes. That heroes don't just show up to beat the big bad, a hero saves people.

The story isn't just about Deku though. We're not even going to talk about Deku in this post, but rather the Tritagonist Todoroki Shoto.

Todrooki is introduced as a foil to Deku someone who is born with an extremely powerful quirk, but who's been groomed from childhood to be a hero.

Shoto's father Enji Todoroki is All Might's ultimate rival. In the world of MHA hers are highly commercialized and ranked by popularity and achievements and Enji has been number two his entire life. He decided to conceive of an heir that could surpass All Might instead.

He purchased a wife with an ice quirk for an arranged marriage to selectively breed for a child with a fire and ice quirk. When Shoto was born he raised Shoto up as a hero, forcing him through grueling training sessions from a young age, and beating his wife when she tried to intervene for Shoto's sake.

That's a lot and I didn't even cover all of it. After this reveal of Shoto's backstory, Enji seems like he's only going to be a one note abuser to give Shoto a tragic backstory to angst over.

However, later on in the show Enji ifinally becomes the number one hero only to realize how empty his lifelong dream has been. He feels remorse for the family he destroyed in pursuit of that dream and starts wanting to make ammends. After this , Enji basically becomes the second most important character of the "Todoroki Family" arc. . A lot of focus is put on Enji's attempts at atonement to the point where some accuse him of stealing the spotlight from his victims.

These two families have a lot in common. They are basically families who are not allowed to have normal lives because the patriarch of the family is a costumed hero. The hero is also someone who is generally well-respected and is considered extremely successful in their chosen career, but are terrible to their family members. They are a hero to the world and a villain to their own family.

If there is a central premise to the Todoroki Family outside of MHA's analysis of what exactly makes a hero, it's this:

Todoroki Shoto: "As a hero this endeavor guy is pretty darn amazing. But it's just like Nasu said. I'm not ready to forgive you... for abusing mom. So, heroics aside. What sort of dad are you going to be? That's what I want to find out?"

The challenge is if Endeavor can choose his family over being a hero.

You can se the parallels in Venture Bros, as Rusty's main struggle is to try to be a father to his twin sons and help them grow up while at the same time struggling in this dangerous worlds of super science. Rusty is a super scientist constantly getting chased around by guys in costumes, but he's also a normal father trying to raise two sons into adulthood with basically no idea what he's doing because he doesn't have a frame of reference for how fathers are supposed to act or what a normal childhood would even look like.

The comic book super scientist, and the comic book hero are expected to act like real fathers to their sons.

However, as I said above in Rusty's case it's pretty uncontroversial that he is the main character of his story, whereas Enji starts fights within the fandom very time he appears onscreen.

Why is this exactly?

It's not because it's offensive to have an abuser be the main character, but rather how these characters are written and how well they fit into their stories. As I said Rusty is naturally the main character of his story because he's the central link in the chain of abuse, but should Enji be the main character of the Todorokis? Does he fit as well as Rusty?

3. Who's your Daddy?

So as stated above Enji and Rusty simultaneously exist in worlds where heroes exist and yet they are also normal people who are expected to provide for their families and raise their kids. They both exist in what is basically the marvel universe, though in the case of Venture Bros it's the Marvel Universe fused with old Hanna-Barbera cartoons.

Because of this world some of the things both Enji and Rusty do are things that have no real life parallels. For example Rusty once created a machine using the soul of a dead orphan as a power supply. You can't do that in real life so I'm not going to use that as an example.

Both of these stories are drawing on real life parallels of parental abuse I'm going to be talking about those to tell what kind of neglectful parent each is.

Rusty raised Hank and Dean Venture as a single parent with the assistance of their body guard Brock Samson. They live on the Venture Compound and only leave when Rusty needs to take a trip around the world. Obviously, there's not many real life examples of parents taking their kids into egypt to fight mummies.

However, Rusty's main flaw as a parent is how much he shelters his children not allowing them to make their own choices. They are homeschooled until they are eighteen and almost never allowed to leave their home unsupervised. Rusty could be compared to a helicopter parent that feels the need to micromanage every aspect of their child's lives, sheltering them so much they're unprepared for the real world.

Rusty is a weird combination of controlling and neglectful, because while he doesn't let either of his childre go to public school aor interact with kids their own age, he constantly exposes them to danger. He is often disinterested in his kid's lives and puts most of the burden of protecting them and raising them on his bodyguard Brock, while he chases after whatever super-science project is occupying him at the moment. He's neglectful to dangerous extents too considering they're always getting cahsed around by crazy men in costumes.

Also, he lets them die a lot.

Hank and Dean have died several times over, only to be replaced by clones that Rusty grew in a lab with all the same memories. Once again there's no real life parallel to this, but it's interesting in the context of the show itself.

How do these children survive being chased by villains and constantly kidnapped? The answer is, they don't.

They die, and then Rusty just clones a new pair of boys. That in itself should make Rusty irredeemable but the show presents it in a more ambiguous light.

Dean: "You're telling me I'm a clone, that I'm not even Dean, that I'm some stupid science experiment." Ben: "No, no, no. You're Dean. There's no other Dean, you're it, flesh and blood. Look I was conceived in the back seat of a packard, you were conceived in a tank. So what?" Dean: "So I have no mommy? No nothing!?" Ben: "Dean, you have it all wrong. You have a mommy, and your dad is your dad. They made you by getting drunk and forgetting to wear a condem like everybody else, and your dad loved you so much that when you got a boo-boo, he kissed it and made it all better and made it go away." Dean: "You brought me back to life." Ben: "Yeah okay, well you and your brother had some pretty big boo boos. Have a kid one day, Dean. Hold it's lifeless body in your arms, and then tell me how wrong it is. Jonas, me, and yes your dad, saw it as nothing more than a fucking band-aid for a really big boo boo."

In the story itself it brings up the argument that if any parent was holding their dying child in their arms they'd want to bring them back somehow. That in the logic of the show it's the same as using magic to revive someone from the dead. At the same time it's not because Rusty's let his sons die multiple times and never changed his lifestyle because he can just keep replacing them with clones.

Super-science aside, it is kind of a metaphor for Rusty's parenting as a whole that his sons have been cloned and replaced so many times they're perpetually sixteen and never allowed to grow up. Rusty's so neglectful he's never taken an interest in raising them and this is the result, they literally do not grow up.

It's also probably relevant to mention that Rusty himself is a clone and died and was replaced multiple times much like his sons, and the technology for cloning Hank and Dean was invented by his father Jonas.

However, after season 3 the cloning lab gets destroyed, and the body guard Brock leaves the family. With the safety net removed Rusty actually starts taking a more active role in both of his child's lives. This is basically a mirror to Endeavor's moment of realization after getting number one hero that his entire family has grown up without him and they all resent him.

Season four onwards Hank and Dean develop into their own people outside of Rusty. He responds to them in different ways but he's actually parenting them this time instead of shoving them away like annoyances. Hank becomes rebellious and fights back against Rusty for a long time after Brock leaves because he no longer has a role model and Rusty's response is to always get strict and punish him.

Whereas when Dean rebels not only does Rusty tolerate it, he also spends a lot more time in Dean's life trying to push him into the direction of being a super-scientist like him, supporting his efforts to go to college, while basically ignoring Hank. It's a running gag in the show that Dean is obviously Rusty's favorite, but even when playing favorites Rusty by this point in the show has reasons for why he's making those parenting choices.

Rusty: "Dean believes in this crap! He should have been Rusty Venture, Boy adventurer. Hank got this life thrown at him. And he fights against it. Just like I did."

Rusty playing favorites comes from an attempt to overcorrect for both children. He rejects Hank because he believes Hank doesn't want to be a boy adventure and therefore pushing Hank away from his family and the Venture lifestyle is what he needs. Whereas, he believes that Dean embraces the super scientist lifestyle and he tries to mentor Dean into another scientist like himself therefore he gives Dean most of his attention because he thinks Dean needs that guidance from him.

Of course, Rusty is totally wrong about his sons. If anything Hank is the one who wants to be an adventurer whereas Dean just wants a normal life away from his crazy family but parents often misunderstand their children. He's not actively malicious, he's just misguided in what he thinks is best for each of his sons. He's not really even playing favorites in this case he's choosing to parent his sons differently based on what he thinks is best for each of them, it's just in this case father doesn't know best.

Rusty isn't a stagnant character, but also there's no big redemption arc for him the way there is Endeavor. Rusty never narrates about how he needs to atone for his past mistakes. The result is Rusty is a far more amoral character than Endeavor because he's not trying to atone but the narrative also isn't trying to spin Rusty in any way. It's just showing you Rusty as he is, and with all the bad things he does he's still capable of loving his sons.

The question isn't really "Is Rusty redeemable?" but "When is Rusty gonna grow up?"

Then there's Endeavor (everyone starts booing) who is simultaneously a much better, and far worse person than Rusty.

Enji is honestly more comparable to Jonas, an incredibly successful hero who built a career and an empire in heroics and fame and then tried to force his son into that same lifestyle.He's the exploration of that same idea a supposedly great man with skeletons in his closet. Enji technically has saved thousands of people (such as Hawks one of the other main characters). A person who is so good at playing the role of a hero no one would ever expect there are skeletons in his closet.

"Rusty's father was more successful than you could ever imagine. Jonas Venture Sr. was a manipulative narcissist admired by the world for his scientific accomplishements and his hyper-masculine James Bond meets Doc Savage public persona. He's a geniuine villain who was able to take everything he wanted from the world by seamlessly fitting into the role of everyone's hero." [Source]

Jonas is like showing everything nasty about using someone like James Bond as a male power fantasy. He treats women like objects, he thinks he's aboe good and evil, he's effortlessly charming and suave and uses that to get what he wants out of people. Enji similiarly is everything that is wrong with the ideals of hero society. A society that glorifies flashy, strong quirks that are the best for taking down villains. The only person who even seems to care that he's number two is Enji himself, beause Enji is otherwise rich and succesful, a pillar of the hero community, and allowed to get away with a lot because of his position and influence.

Enji is at least a better hero than Rusty, because Rusty is an incompetent mad scientist who does stuff like mutate college interns into four armed freaks and build death rays.

However, as a parent strip away his status as a hero and Enji is little more than a show parent, pushing his children into a life they don't want in an attempt to live vicariously through them. Once again, resembling Jonas more than he really does Rusty. As Jonas forced Rusty to be a boy adventurer, and then made a cartoon out of it to make money like any show parent.

It's also the idea that generation put that kids into films and it was a very horrible selfish thing to do, they were doing trying to live out their own lives through their kids. That didn't exist before that was something that boomers brought to the world. "Oh I can't be these fun new things I'll make you be it." I think Jonas was a pioneer of throwing his kid at the world. I think Jonas was something of a boy adventurer himself, and made his kid be it. But also put his kid on TV to cash in the residuals. Jackson Publick, DVD Commentary

As stated above Enji gave up on his ambition to be the number one hero and so he decided to create a son with the right quirk to surpass All Might. He then pressured a woman into an arranged marriage, basically purchasing her from her parents and conceived four children until he got his designer baby.

Chapters 301-302 the wrong way to put out a fire, detail the slow descent of the Todoroki Household from Enji entering an arranged marriage with bad intention to create an ideal child to be heir to his legacy, into a full on child abuser. Enji is written like a normal person falling into a cycle of abuse, he never intended to hurt his children at first. Abusers aren't evil monsters, they're just people. Most abusers don't even think of themselves as abusers.

In fact he's shown positively bonding with his first born son who seems eager to learn to use his fire based quirk. He even mentions that he was alright at the time with the idea of Toya being the one to succeed him and letting go of his quirk experiment.

Enji only had kids to carry on his legacy, and only bonded with Toya because Toya was eager to participate in the training and become his heir. However, to give Enji some backstory it's quite clear the death of Enji's own father at a young age left him with no idea on how a father should act.

At a young age Enji witnessed his father attempt to save an innocent girl only to end up a burnt up corpse, and probably at that point conflated strength with being a good father. If his father had been strong enough he would have survived and continued to be a father to young Enji. At that point it's almost understandable that Enji thinks in his mind that earning his keep as the patriarch of the family, and being a powerful hero who will come home alive is the same thing as being a good father.

So Enji conflates masculine ideals of strength and heroism with being a good father, all the while not actually showing up to parent his kids. When Toya seemed like he could live up to Enji's expectations and be strong as a successor everything seemed fine.

However, Toya turned out to be disabled at which point everything in the household began to spiral out of control. After learning Toya could not use his quirk without burning himself, Enji tossed Toya aside and left raising him entirely up to Rei and then pressured her to have more children until one with his ideal quirk would be born.

Toya did not like his father ignoring him and began acting out for his attention. The response of everyone in the household was to politely tell Toya to shut up, because Enji while not being a parent is the money maker and authority in the household no one can stand up to him. When Toya's acting up got too out of hand, Enji would even hit Rei instead of just personally dealing with his son.

At the same time Shoto was finally born and being given his perfect heir after four attempts, Enji eagerly began training him. When Shoto resisted him, Enji stepped up to threats of physical violence and long grueling training sessions to force him to learn. All the while Toya continued to mentally spiral.

One day after his flames turned blue Toya asked his father to meet with him on Sekoto Peak. However that day Enji didn't show up, and Toya lost control of his flames starting a massive forest fire that killed him. Rather than changing anything after his firstborn's death, he doubled down and pushed Shoto even harder.

While being a far worse person, as a parent Rusty is far less malicious. He neglects his kids similarly to Enji at first, but when the safety net is removed and he can't keep cloning them anymore he actually does start taking a personal interest in their lives. Maybe it's too little too late because it's the 14th version of Hank and Dean but he does hear the wake up call and change his ways as a parent.

Enji always doubles down on ignoring his sons in favor of heroics when given the chance to be a father.

Even post redemption arc Enji behaves in the same way. There is no point in the story so far where Enji actively chooses to help or be a parent to one of his sons, when he can choose to be a part of a big important battle instead. Let me break out the list:

In the Pro Hero Arc Shoto sets the challenge for Enji to show what he can be like as a father rather than a hero.

In the internship arc Enji trains Shoto up as a hero but not a father. When he brings the family home to dinner they're attacked by a villain and Enji stands and watches as his son Natsuo gets kidnapped y a villain because he felt like it would be too awkward if he saved Natsuo because then Natsuo might feel inclined to forgive him.

In the War Arc aftewards Toya is revealed to be alive the entire time, and when given the chance to see his dead son come back to life, Enji not only does nothing but he sits and watches as his oldest son tries to kill his youngest without trying to talk to or appeal to Toya.

After the war arc, Enji doesn't bother looking for Toya and goes back to his job as a hero hunting down AFO. He also makes a promise to Shoto that they'll search for Toya together, only to break that promise multiple times.

In the second war arc, when Enji is given a chance to face Toya face to face, he instead sends his other son Shoto to fight him, while Enji fights against the big bad instead as the number one hero.

When Toya is literally dying and about to burn himself alive in front of him, Enji who has chosen to run away from Toya too many times by this point picks the murder suicide option and chooses to try dying with his son in a heroic sacrifice.

Every single chance he is given to act like a father, he acts like a hero instead. Enji Todoroki never steps out of the role of the hero Endeavor. Internally he's changed, yeah. He's remorseful now and realzies what he's done wrong. However, externally he hasn't. He doesn't do anything different. He neglected his family for his job his entire life so his way of making it up to them is... to keep going to his job.

The problem isn't whether or not he deserves to be redeemed, but rather that there's no change in his actions. Endeavor at the beginning of the story would have shown up to fight AFO in the war arc too, because being the hero is what he does. It's the only thing he does. The story never asks him to be anything other than a hero.

Which is I think a fundamental difference in Rusty and Enji in how they're written. Rusty is a flawed parent, but he's still a parent.

He does favor Dean over Hank, but that favoritism takes the form of him giving Hank more chores when Hank acts out, but when it's time for Dean to rebel giving him space and letting him have his own separate room in the attic. It's Rusty letting Dean have access to the family checkbook so he'll have spending money at college, but cutting Hank off from the checkbook because they agreed if Hank didn't want to go to college he needed to find a job to support himself.

Rusty is parenting these children. He's parenting them very badly, but he's still their parent. Enji never wanted to be a parent to begin with, he wanted to be his kid's abusive gymnastics coach. He wanted a prodigy that he could push and push until they won gold at the Olympics.

If you ignore the fantasy elements then you're left with how these men are shown interacting with their kids in their day to day lives.

Rusty has absolutely no idea what he's doing, so even when he has good intentions he screws up. However, he is making an effort to guide these kids.

Enji was an intentional manipulator more in line with Jonas. He controlled everything in the household, and was actively trying to groom Shoto into someone who would obediently carry on his legacy. He made the choice to isolate Shoto from his siblings so he'd have more control over him. Rusty keeps Dean and Hank away from kids their own age and from having a normal life because he never had a normal life. He doesn't even know what a normal life looks like.

Enji for most of his life didn't want kids, he wanted heirs. He even purchased a woman so his heirs would turn out with the right genetics, and tossed aside the ones that were disabled or born with the wrong quirk.

Rusty made the decision to become a parent on his own. In the last twist in the series it's revealed Dean and Hank had no mother. They were conceived in a test tube, raised in an artificial womb by Rusty himself. He is both their father and their mother. Kids were a deliberate decision on his part. He wanted to have a family, probably because his own childhood was so deprived of any familial love.

Dean: Okay, so who is our mom? Rusty: Seriously, Dean haven't we had enough family history for one day? I don't even know who my mom is. All you need to know is that the person who gave birth to you. I promise they do.

Remember as stated above the central thesis statement of Venture Bros is "Elige Tua - Choose your family". Rusty chose to bring those kids into the world because he wanted to be a father, it's an active choice his character makes.

Whereas the central statement of Endeavor's arc is "So, heroics aside. What sort of dad are you going to be? That's what I want to find out?" but we never witness Enji doing anything outside of being a hero.

Even post-redemption the only time he ever spends with Shoto is when they're either doing quirk training or working as heroes together. Toya as a character presents this challenge to him, because he's Enji's son, but he's also a villain who's killed innocent people. If he's acting as a hero he has to put a stop to Toya, but a father is supposed to put the safety and well-being of their children above everything else.

We never see Enji make that choice to be Toya's father over a hero. Which is why in story he comes off as a worse father than someone like Rusty, because he never makes any attempt to emotionally bond with his children.

Rusty will sit Hank and Dean down and tell them stories from his childhood. He'll find common ground with his sons to bond over because they've both been subjected to the boy adventurer lifestyle.

Rusty: Dean what are you doing? Dean: Hyperventilating into my knees. That smell a little like spit up... because I spit up a little. Rusty: Dean, you just baby burped onto a speed suit. Not a super scientist alive that hasn't coughed a little acid onto his speed suit. Dean: Really? Rusty: Why do you think these things are like 95 percent polyester? You can clean off fear-vomit with a wet nap. Dean: I thought you were used to this. Rusty: Dean I remember when the action man would wake me up with a gun pointed at my head. He'd just hold it there and pull the trigger. I'd hear the click really loud because it was right against my forehead. Dean: So it echoed. Rusty: Right, it sounded like he snapped one of my teeth out. Click! Then he'd go, "Not day Rusty. Not Today." Dean: Golly, and you took it because you had to? Rusty: No Dean, I took it because I was Rusty Venture. Boy adventurer. I didn't ask for this life, Dean, but it's mine. Sure, I fall down in the Speed Suit but I get up and Wet-Nap my puke off.

We never get any moments like this with Endeavor and his kids.

He only goes so far as apologizing for his past abuse. Yes, maybe it's cathartic hearing an abuser apologize for what they've done but that's not the question the story was asking. It wasn't asking "Can Endeavor be forgiven?" It was asking "What sort of dad are you going to be?"

The narrative challenged him to learn to act like a father to his family, and he never did. He stayed in the role of hero from beginning to end. It might be cathartic for his victims to hear him say sorry, but it's not good for Endeavor as a character because he hasn't changed and we've learned nothing about him. We already knew he was sorry at the beginning of the arc. Endeavor is sorry and knows he's done something wrong has already been established, but by Endeavor stepping out of the role of hero and acting like a father we could have learned something new about him or his character but no he stays the same from beginning to end.

They're both awful people but at the end of the day Rusty is a father, and Enji is not.

Stories are kind of like essays your English teacher used to force you to read. You need to make a thesis statement in the story itself, and then have evidence to support that thesis statement. The theme of Venture Bros is choose your family, and family is complicated, and in support of that theme we have Rusty choosing to connect with his sons. Jonas is basically nothing more than Rusty's biological father. Rusty's chosen a different way to connect with his sons, and he is their dad, and they can bond about the complicated lifestyle of being a Venture together.

The actions Enji takes in his story don't line up with his thesis statement. The Todoroki Family subplot is supposed to be about how one family was messed up because Enji only chose to have a family to further his career as a hero, and choosing his career again and again made things worse. The thesis statement was that Enji needed to choose to be a dad, but he's never shown doing that in the story.

So Enji as a character seems like he doesn't fit in with his narrative. Which is what I said at the very beginning about Rusty and why he works as a main character. Rusty is the center, because he's had this horrible life inflicted on him by his father, and he's in the process of raising his sons but he still has a chance to choose to be better.

Enji could also work as the center of his story, he has a chance to choose his family over his work as a hero, but he's ultimately not the one who does that, it's Shoto. Which yes Shoto is the main character of the Todoroki plotline, but by the end Enji's gotten as much screen time as his son. If the plot was going to focus on Shoto and his choices to begin with then he should have been the central point. You spent a lot of in story time asking this question with Enji on whether or not he's going to be able to choose to be a father over a hero, and who Enji is outside of being a hero only to not give the audience any answeres.

This again has nothing to do with Enji the person and whether I think he's likable or not, because Enji's a fictional character. He's an idea. If writing is communication, then a writer is trying to communciate some idea with every character in their novel. We're asking what is the author trying to say with Enji, and do they do a good job of getting that message across?

4. What's the Big Idea?

So the above section was mainly about the personal arcs of each characters: How do both of them fail at fatherhood and do they learn to be better fathers over the course of their narratives?

However, these characters are part of a much bigger world. How a character interacts with both the world around them, and the extended cast of characters is another way a story relates it's theme.

Venture Bros and My Hero Academia both exist in comic book worlds. There are people running around in costumes calling themselves heroes and villains and fighting each other on the streets.

In My Hero Academia heroes are basically professional athletes who sell sports drinks and pose for ads and compete for rankings on a big board, and heroics for the most part has been reduced to a day job for people with particularly powerful quirks. Heroism is an entire industry that's for profit, and run by the shadowy hero council who has far more power over their society than they let onto. You could compare Endeavor being the top hero to him is like a combination of being the best pro athlete, and also the best salaryman ever.

Ironically, the worldbuilding of Venture Bros is pretty similar. In Venture Bros. the villains are all unionized. There is a super villain trade union. It's a secret organization known as the guild of calamitous intent, which makes villainy into a bureaucracy.

All villains in the world have to register with the guild. If you're a part of the guild you receive the protection that the guild offers, as long as you follow the guilds rules and regulations. There's lots of small rules, like you can't torture someone who's having a medical issue, and if you're fighting a good guy and they have a doctor's appointment you have to let them go.

They even rank heroes and villains by their threat levels called "EMA LEVELS (equally matched aggression) and then assign you a hero who's about your equal so you won't get killed by someone way stronger than you. The guild basically decides who you're allowed to fight as a villain and picks a hero for you. The act of being someone's arch villain is called "arching" you show up to harass them once a week like a Saturday morning cartoon villain, fight them, then do it again next week. You're not allowed to kill your hero and you're supposed to follow specific rules. The tradeoff is the heroes won't kill you either, because you have guild protection.

The Monarch: I don't know, just keep it cat and mouse not cat and missile. JJ:: So it's a game? We fake fight? That's ridiculous. The Monarch: No, it's like fencing, it's about the art of the fight. JJ: Well, I'm about to deliver my killing stroke. Then what? Dr. Girlfriend: Then the guild steps up their game. You throw a rock, they throw a knife. You throw a knife, they come to your house when you're sleeping and murder your family. The Monarch: Look Dr. Venture you call the guild and you get the damn rulebook, I'll be waiting.

The justification for why the guild exists is that in world if you didn't give the villains a system with a bunch of rules, then you'd have a bunch of crazy people in costumes running around causing havoc.

Brock: You wanna what? Shoot him? And all his men and his wife? You could steal his cattle, too. Maybe burn his village down? JJ: It's an antiquated system. I mean my father did this fake arch enemy nonsense in the sxities. Maybe my brother is good with this namby pamby guy in a costume chases you around nonsense, but I'm not. Brock: Hey no disrespect Jonas, but it isn't so easy. These guys like their system. It's what they do. You take that away and you're looking at a bunch of pissed off nut bags with ray guns, and giant -- i don't know, a giant octopus / tank with laser eyes.

The villains and the OSI (who are like the GI JOE) of this world have signed a very long and detailed treaty that keeps both sides in a cold world stalemate and lets them fight every week like how the good guys and bad guys fight constantly while maintaining a status quo where neither side wins.

In MHA heroics is a commodity. It's commercialized and sold to the public. Heroes are like professional athletes selling you sports drinks, it's a spectacle to the public, and it's even intentionally made to be that way by the Hero Commission who use heroes as a bright shining light to distract the public while they do shady things like assassinate antigovernmental protestors from behind the scenes. The entire of hero society in MHA is built on the spectacle of heroes.

In Venture Bros heroes and villains are a spectacle too. It's just a job to them. Heroes and villains both show up to work, get in their costumes, fight each other and then go home. In Season 6 of Venture Bros, a parody of the Avengers is actively charging people to provide their services as heroes in the city of New York and you have to sign up for a protection plan if you want to get saved. Then the local mob boss takes a cut of the protection money they're charging.

In both settings the ideas of heroes exist, comic books exist, but the heroes themselves are incredibly mundane, they're just people showing up to jobs and making money for the most part. The only difference really is that in MHA the villains are societal rejects and trauma victims, whereas in Venture Bros they've unionized. In Venture Bros the villains and heroes basically fake fight under strict rules. Even in MHA though the villains need to exist in order to give the heroes someone to fight in front of the public. "Villain" is an actual legal term for a certain kind of quirk criminals with more than three strikes who gets sent to a super max prison if they're caught.

Both of these works are making comic book heroes and villains seem a lot more mundane by deconstructing them with this layer of realism. By making the roles of "hero" and "villain" seem much more mundane, and therefore more human, it also asks us to look at the characters who call themselves heroes and villains as human beings.

The Venture Bros like many richer takes on superhero stories really likes to play with the concept of identity. It's the idea that Good and Evil, Heroes and Villains, are just roles we play. They're not something fundamental or innate they're constructed by the world around us. In the show the main villainous organization the GCI is really just a bureaucracy of larpers sustaining their violent rolelplaying through organized crime. Rich and powerful lunatics who built the world around a game they wanted to play. There's really nothing of substance keeping Rusty on the "Good Guy" side. The good guys are also a mix and match. Shield, GI JOE, FBI. Another exmaple of people who never grew up. Only these people are running things, playing out their childhood power fantasies. They're barely less insane and blood thirsty than the bad guys. So what's even the point of being a good guy in the first place? That's the world Rusty is caught between...[x]

MHA and Venture Bros are both works that feature societies that divide people into two distinct categories "hero" and "villain" and then go on to show that these two categories are not as black and white as they would like us to believe.

Venture Bros features Brock Samson, a character who is ostensibly on the side of the good guys who also highest body count of nameless henchman who we see him gleefully kill onscreen over and over again. There are members of the OSI who are just as trigger happy as the guild so what's the difference between them besides what they've decided to personally identify as? On one side you have the Larpers who are roleplaying villainy, and on the other you have the military soliders who think they're real life GI JOES.

In My Hero Academia you have heroes who are essentially state sponsored peace keepers who suppress anyone who disrupts the status quo with violence, and villains who are rejected from that status quo who eventually turn into violent terrorists. While yes heroes have the responsibility of protecting innocent civilians, most of what heroes do is fight villains, in fact heroes with quirks suited to rescuing people aren't nearly as famous as ones with flashy violent quirks like Endeavor.

You have two sides and one calls themselves villains and the others heroes, but they both use extreme violence as a way to accomplish their goals.

Rusty and Enji are two characters who are caught between these two categories which aren't as distinct and separate as we'd like to believe they are.

Enji is basically the first deconstruction of heroes in MHA. He's a hero who's not interested in saving people, but instead wants to be the strongest and does everything in pursuit of selfish glory.

He's simultaneously the hero with the single most resolved cases in history, but at the same time he's always number two to All Might because he's not "super" enough of a super hero. In a manga where Deku's natural desire to save others make him a candidate to b ahero even without a quirk, we have a character who's a hero for purely selfish reasons. One that only cares about having the strongest quirk because being the best is all that matters to Enji.

In many ways the way Enji treats his family is more like a villain than a hero. Main villain AFO himself comments at one point he wasn't able to manipulate Toya, because his father did too good of a job manipulating him already. In fact you can draw a parallel between his actions of manipulating and grooming Shoto to be his heir, to how AFO raised orphaned child Shigaraki Tomura as his successor.

This is a good use of Enji's character, because making it hard to label him as hero and villain makes us think about who he is as a person instead.

There's an entire episode of Venture Bros dedicated to a villain Mentor named Dr. Henry Killinger, showing up and basically mentoring Rusty Venture when he's at a low point. He gives Rusty money, workers, gets his business up and running again and at the very end reveals that he's setting Rusty up to be a villain to arch his brother as a hero. Rusty is tempted with the idea that he'd make a much more successful villain than he ever would be a hero (because as a hero he's kind of just a loser) but he still chooses to be a hero at the end of the story because he doesn't want to fight his brother.

At which point his mentor, all his hired men, all just walk off and he loses all the money he would have gained and he goes back to being a mediocre super-scientist.

"Doc has the whole thing laid out for him clear as day. This role is here for you. Waiting for you to claim it. You have your nemesis. You have your means. You have the ability and the pain. You can do this and you'd be good at it. And Rusty can look at all of that, everything he's been through and say, "Yeah... but I don't wanna be evil." [x]

Rusty walks away from the chance to be a villain, but he's not exactly a hero either. He runs illegal cloning farms, he does lots of unethical scientific stuff and he's not even remotely the hero his father was considered to be.

Because he doesn't fit well into the category of hero or villain, the show instead asks you to evaluate who Rusty is as a person. He's one of the few characters in the show that's capable of stepping out of those categories.

"That's the great thing about him. Sometimes being disillusioned just means you can see through the whole thing. Sure the whole super science villain game feels stupid. It's not going anywhere. No one's accomplishing anything. It's all violence and roleplay. But at the end of the day it's still real. And it still means something to us. Choosing to be a villain means choosing to be a bad guy. It means relinquishing the premise that you could ever do better, ever actually help anyone. And that's not who Rusty is. He's a scum-bag, but he's a grown up. Even in a show with brilliant characters, old pros, and actual supermen, Rusty is the adult. And adults don't put on rubber masks and terrorize people for fun because that would be fucking silly." - [x]

Rusty spent his entire childhood being terrorized by guys in costumes, so he's now the cynical straight man pointing out how ridiculous this all is. He's the one normal person among the crazies.

Rusty is just too incompetent to ever be like his father. Jonas Venture is scum bag, but he's also a well-respected scientist and a world wide hero. Everyone in the scientific community thinks that Rusty is a joke, and his friends just barely put up with him

Jonas gets away with it because he perfectly fit what society's idea of a hyper masculine strong hero was, and no one questioned it or how he treated his son, whereas because balding, impotent, pathetic Rusty falls so short of toxic masculinity's standards he doesn't get the same respect or leeway that Jonas did. Jonas Venture continually got away with murder, and Rusty can't get away with anything.

He's a pill-popping, middle aged man who ran his father's business empire into the ground who continually gets laughed out of any scientific conference he tries to attend.

He can't be a hero. He can't be his father. He fall short of toxic masculinity's standards. He falls short of everyone's standards. The only way in which he's better than Jonas is that he's a much better father to both of his sons. His greatest triumphs as a character come from bonding with Hank and Dean. Jonas for all his accomplishments wasn't capable of bonding with Rusty because he didn't really care about anyone but himself. Jonas Venture is someone who perfectly fit society's standards of toxic masculinity, but he wasn't a person outside of that.

"Jonas Sr realized this too, but to him, it was a joke. To him it meant being above everyone. Rusty can't be above everyone so he has to meet them at eye level. Part of the bitterness of growing up is realizing that we're all just chidlren who got old. No one knows what they're doing and when you come to terms with that you can look down on people or give them the respect everyone deserves. How you treat children says a lot about how you treat people which in turn says a lot about you." [x]

Now returning to Endeavor we run into the same problem that we did earlier. This whole post is comparing Rusty and Endeavor because they are the protagonists, but Endeavor is far more like Jonas. He's someone who sees through the hero system and only cares about climbing to the top out of his own self interest. He knows it's a game, but he wants to win at the game.

Enji even sort of looks like Jonas.

They're both extremely bulky men at peak levels of physical fitness. Meanwhile Rusty is a balding, short and out of shape middle aged man.

In story Jonas is still widley beloved by the public and is constantly praised, while no one but Rusty is aware of his faults, but there's a reason for that. Jonas is someone who is basically allowed to do anything he wants, because the patriarchy means all of society is built around letting men like Jonas succeed.

Jonas is also someone who literally uses his position as a hero to manipulate people into getting what he wants and glorify himself.

Jonas can casually destroy people's lives, all while still believing he's the good guy because in his world being good guy is just a role to play and he plays it well. One of the best three episodes of the series is the Morphic Trilogy, the opening to season 7 where some of Jonas's past crimes are revealed.

In the past he tricked a married man into making a sex tape with him, and then when that man Don Carraldo aka the Blue Morpho turned out to regret that, he used the tape to constantly blackmail him into doing his dirty work. Killing people in secret while Jonas Venture remained Squeaky clean. After years of being forced to act as a mercenary for Jonas, the Blue Morpho died in a plane crash. Jonas then revived his best friend as a cyborg. He got bored of his new cyborg within a few months and reassigned him to babysit his son Rusty. The cyborg glitched and started to strangle Rusty and then he snaps his friends neck, and throws the cyborg away in the garbage.

Jonas can just completely destroy a man's life because he can. Because everyone around him enables him and no one is going to stop him. Because this is how people in power act when they're given too much power. Because might does not make right.

He's the gold standard. He's the ideal. Who would question him?

Enji occupies a similar position in the story, where he fits the role of a hero so well that even when his family abuse is revealed to the public basically every character and their mom is tripping over themselves to defend him.

Jonas is constantly praised in story years after his death and every bad thing he's done is swept under the rug, but that's because number one Jonas was a manipulative monster, and number two it shows toxic masculinity is a false ideal. This is how Jonas who everyone thinks is the ideal man's man, really acts. This is what he gets away with it, because the thing society glorifies are toxic and bad.

When people bend over backwards to defend Endeavor what does it say exactly? Because we're supposed to believe that Enji's willing to work for redemption even if people don't forgive him. We're not supposed to think Enji is a manipulative monster intentionally twisting people around his finger like Jonas was.

There are some ways Enji is like Jonas, especially in his backstory. He did use his money and influence to buy a woman. Rei was definitely not going to get the option of divorcing him if she actually wanted to leave.

However, in the present time we don't see Enji doing the kind of manipulation that Jonas does, because really he doesn't have to. Hawks does it for him. There is a character in the narrative named Takami Keigo / Hawks who is a little boy that Enji indirectly saved as a child by putting his father in prison. Because of this he is obsessed with making Endeavor live up to the hero he imagined him to be when he was young, and does everything he can to prop Enji up behind the scenes and make him look like that hero to the public.

Hawks is a whole other can of worms, but in effect what this means is there is someone manipulating public opinion in favor of Endeavor so he'll be able to shine in spite of the numerous skeletons in his closet, it's just not Endeavor himself. Hawks also takes away a lot of the active decisions on Endeavor's part. When Endeavor chooses to ignore Toya in the latter part of the story, it's not Endeavor's choice, he's just following Hawks plan to fight AFO. When Endeavor makes a public apology, Hawks is the one who wrote it for him.

The result is that Endeavor comes off as less of a Jonas, after all Hawks is the one manipulating his public image. On the other hand, he's also less good of a character because he's not making choices anymore. It'd be better If Enji was trying to manipulate the public into forgiving him in the wake of his scandal, because that'd be an active choice on his part. When a character makes a choice it tells us something about who that character is.

Horikoshi doesn't want us to think that Enji is the kind of selfish monster that Jonas is, but then who is he supposed to be?

The entire point of this post is to compare Enji to Rusty, but Enji's far too successful to be Rusty. Rusty is a failure in basically everything he set out to do in life. He's the butt of the series jokes. He's the victim in as many ways as he's the perpetrator. He had a lot of money and then wasted it all. None of his inventions are succesful. The scientific community thinks he's a joke, or they don't even know who he is. Women won't even go near him. No one ever defends him. At no point in the story does someone stop and say "Hey, Hank I know your dad's an asshole but he's really good at science so that makes it okay."

Rusty's such a failure at being a hero that he's forced to be a person. He's as equally narcissticic and toxic as his father, he treats women like objects for sex and comfort like his father does, he just doesn't get away with it. You can't point to some heroic feat of his that justifies his toxic behavior because he doesn't have any.

The story however can't stop singing Enji's praises for what a good hero he is. He's never forced to step out of the role of hero and be a person like Rusty is, and because of that the message of his character becomes confused.

Are we supposed to think he's a manipulative narcissist like Jonas is? Are we supposed to think he's an incredibly flawed individual trying to figure out how to be a father late into his kid's lives like Rusty?

Rusty has a clear role in his story, and what the author wants to say with Enji is unclear.

Everyone praises Jonas to death and no one can see him for the terrible purpose he is, because that's the point. Venture Bros is about failure. It's about the death of the space ag optimisme. It's about how much the boomer generation sucked.

From the Radiant is the Baboon Heart Commentary. Question: Did Jonas only keep Rusty around for the press and his cloning tech or did he actually care about him? Answer: . The show has a villain called the monarch, but if you watch all the show the villain is Jonas Venture Sr. He is a bad dad. What you need to realize is that in this kind of baby boomers gen x millenials kind of thing we are of the generation that had bad parents. For the good and the bad of it. The good was we were all left alone by our parents, and we had a freedom in our thought that I don't think the millennials have. Because we made the millennials, and we were like You know what Our parents suck and we're gonna be great parents." And they helicoptered them and they gave playdates. [...] I did hate the boomers, they were awful fathers they were terrible people they did horrible things to our world, and at the time they were celebrated as good people. They were a bunch of hippies and they failed and they did everything wrong that they wanted to fix [...]. You and I are lost people we observed our generation. We are fully aware of it. We observed our parents generation. My actual father was a classic distant father, very bright had a lot of work to do, but I observed that generation and the way that toxic masculinity was set in stone. Just branded onto their tombstone. Toxic masculinity. Our generation grew up wanting to be adults, childhood was something that was not examined. When people were growing up we wanted to be grown ups, we wanted to wear suits, it was something you guys don't have. It was a very different way to grow up. So we wanted to be like this generation that immediately we looked at and went oh my god they're monsters. So Jonas Venture Sr. is a monster.

Jonas is a commentary on how much the boomer generation is glorified, and how much they suck if you look at them critically at all. It's written by authors who were observing basically three different generations of parenting, the way boomers parented, the ways Gen-Xers did in response to that and now the way millennials act as they reach adulthood. Rusty can't escape Jonas' shadow because Toxic Masculinity is set in stone.

The role of Jonas in the story is to serve as an antagonist to Rusty and be the cause of Rusty's struggles, and also his impetus to change because Rusty doesn't want to be like his father. Rusty and Jonas both exist as characters to show the author's observations on parenting through the generations, and yeah it's a very american idea of parenting and family but it's you know... a cartoon made in america.

What is Endeavor's role of the story? If he's a criticism of toxic masculinity he's not criticized enough, because the story spends just as much time glorifying him his obsession with strength and power as it does criticizing him. There's no scenes like this for Rusty to show off how cool he is, or how determined. The story wants you to believe that there's something redeeming in the fact that Enji is always struggling to be the greatest, even though his obsession with being number one is what caused him to abuse his family in the first place

It's criticizing and praising Enji's obsession with power in the same breath, because My Hero Academia can't fully deconstruct toxic masculinity the way that Venture Bros can. It keeps trying to find something redeemable in Endeavor's toxic pursuit of power, but that's the whole point. Toxic masculinity isn't redeemable, because toxic masculinity is toxic. There's nothing wrong with masculinity itself, or the values people traditionally consider masculine but the kind of hyper-aggressive pursuit of physical strength Endeavor chases after is toxic masculinity. In Endeavor's mind men are warriors, protectors and providers and nothing else, and he never learns to be anything else either.

MHA would never treat Endeavor the way Vbros treats Rusty, constantly humiliating him or making him the butt of jokes. It would never make Enji out to be weak or pathetic the way Rusty is.

The central concept of Endeavor is struggle. His chosen hero nae "Endeavor" means to try hard to achieve something. His entire character is based around the concept of struggle. His central struggle is that he's a normal guy trying to compete with a superhero like all might, and everything he does he struggles with even if that struggle is pointless.

However, in the actual narrative itself he doesn't struggle. He definitely doesn't struggle the way Rusty does. Rusty's a lazy, incompetent, and entitled man sitting on a pile of money he didn't earn who thinks he's entitled to more who fails at all he sets out to achieve. Rusty never gets what he wants, and even when he does get what he wants like when his brother leaves him a billion dollar corporation in his will, he bankrupts that company in two seasons. Struggle means that the world isn't going to give you what you want and you keep trying anyway.

Endeavor's never subjected to nearly the same amount of narrative punishment that Rusty is. He's still well-respected. People defend him. He fights in all the major battles of the series and gets victories. No one's disgusted when they hear that he's a wife beater. We are told that he struggles, that the central concept of his character is struggle, but the narrative keeps handing him wins and cool moments.

As I've said above several times, Enji's never really forced to step out of the role as hero because he's not a failure the way Rusty is.

My Hero Academia hits some of the same notes as Venture Bros. It's criticizing apanese hegemonic masculinity, specifically that of salaryman masculinity and the way men in japan completely put their careers over their families. Read about it here in this convenient power point presentation. Enji is essentially an incredibly successful salaryman who has completely disappeared from his kid's lives in order to earn money and success and believes that he's still entitled to be a father because he's performed adequately in his role as earner of the household.

The story does show how giving too much power to the patriarch of a household can cause a house to fall apart. It shows that traditional family roles aren't all they're cracked up to be. Enji is assigned the role of father but he doesn't live up to it. The very rigid and traditional Todoroki Household crumbles because basically everyone fails to live up to their roles. The father isn't present. The mother isn't a good caretaker. The first born is defective. The youngest is given all the responsibility of the first born. No one is able to live up to those roles because maybe those rigid set in stone roles shouldn't exist in the first place.

Once again though, that's all in the backstory. Enji never changes from the Pro Hero Arc to his last showdown with Toya. The story never tells us anything about who Enji is as a person. Therefore, it also never comments on Enji's role as the patriarch. What is Horikoshi using Enji to say about patriarchy besides... it exists?

The story shows you how destructive the idea of patriarchy that Enji represents can be in the backstory, but because Enji doesn't do much for 90 percent of the story it never says anything about how Enji can learn to be a father or if it's even possible for him to be a father this late in the game. Because Enji's story isn't about fatherhood ultimately, it's about him becoming a less selfish hero.

Which might just be a problem with the whole of MHA. Venture Bros is about who the characters are outside of their identity as heroes and villains, but MHA is ultimately more about the optimism of heroes and what it means to be a hero than these characters personal lives.

Rusty is never going to be as sucessful as his father. He's always going to be mediocre, ad even if he's sympathetic he's still a scum bag. However, Rusty has one thing his father doesn't have which are his two sons who he made a deliberate decision to get closer to. Unlike a serial user of people Jonas, Rusty has the ability to actually love and care for people and he chooses to make those connections.

Endeavor never chooses to be a father. He didn't choose to go to Toya's side. He was too busy being a hero and fighting the big bad. As a result of that we never learn anything about Enji as a character outside of being a hero because he never chose to be anything other than a hero.

He also never failed. As I said the narrative kept handing him wins. You'd think never choosing to see Toya would mean he can't save Toya in the end, but in the end of the story Toya's just fine. There are no consequences to his choices. He's revealed to be an abuser to the public but he gets to keep being a hero. Enji never really fails in some big way that forces him to rfelect and change on his actions, so he just keeps doing the same thing from beginning to end.

Which is why Enji doesn't work as a character compared to Rusty. He doesn't fail. He's supposed to be a flawed protagonist struggling against himself, but he never really loses. He's too much like Jonas and not enough like Rusty.

"I think Jonas was something of a boy adventurer himself, and made his kid be it. But also put his kid on TV to cash in the residuals. He was just a shitty parent. When he went to bed he was just, he was moral, and he was fighting the good fight. When he woke up he ignored his son and made his son do terrible things. He voted for nixon like a good american. He was a winner and our show is not about winners. Our show is about losers and people we love." Jackson Publick. n

[longwuzhere]

My Adventures with Superman Season 2 Easter Eggs

Welcome to another week of My Adventures with Superman! My hunch about the what happened last week was true and things are not going too well for the gang...

My Easter eggs lists for season 1 is here if you haven't seen it!

My season 2 episode 1 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 2 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 3 Easter eggs and references in My Adventures with Superman post is here

My Easter eggs and references in My Adventures with Superman comic issue 1 post is here

My season 2 episode 4 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 6 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 7 Easter eggs and references in My Adventures with Superman post is here

My Easter eggs and references for My Adventures with Superman comic issue 2 post is here

My season 2 episode 8 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 9 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 10 Easter eggs and references in My Adventures with Superman post is here

My Easter eggs and references for My Adventures with Superman comic issue 3 post is here

Spoilers if you haven't seen the episode

To start things off we meet Kara on Earth! I talked more about her here. Shes's dressed similarly to Android 18 when she, 17, and 16 drive to Goku's house in episode 147 of Dragon Ball Z. While watching the episode I was wondering why does Kara's hair look so familiar? Then it hit me. Kara's got Sakuya Kumashiro's hair from Tenchi in Tokyo!

Shout out to recent DC characters enjoy ice cream for the first time like Wonder Woman in the live action movie and Justice League animated movie, and the new DC Super Hero Girls cartoon. As a mint chocolate chip ice cream fan, good first choice of ice cream to enjoy!

Perry puts Clark and Lois on a new beat for the Metropolis "Most Eligible Single" contest because Superman was chosen to be one of the five up for that title. Cat Grant self-invites herself to join the duo to figure out who Superman is through his love life. Lois is sweating bullets at this point. At the contest we meet the potential people for winning the title, Hank Henshaw, Chandi Gupta, Byrna Brilyant, and Silver St. Cloud. I talked more about Hank Henshaw here. We see a darker more bigoted side to him this time around. Will we see him get his cyborg body and become Cyborg Superman in this season or season 3? Who knows. Season 3 is confirmed though.

Dr. Byrna Brilyant is a very deep DC universe cut dating back to 1946, the golden age of comics. Back then Byrna Brilyant was an enemy to Wonder Woman going by the moniker, Blue Snowman.

Byrna in the 1940s makes her first appearance in Sensation Comics #59 (1946) [W: Joye Hummel, P&I: H.G. Peter], where she was a teacher who's father created this compound called blue ice, after his death, she uses it as a way to extort this town after freezing it over for monetary gain.

Byrna makes another appearance in 2010 in Power Girl #7 (2010) [W Justin Gray & Jimmy Palmiotti, P&I: Amanda Conner, C: Paul Mounts, L: John J. Hill] where Dr. Mid-Nite and Power Girl are trying to stop Byrna from committing a robbery but the main bad guy, Vartox shoots a seduction musk rifle at Power Girl but the smell knocks out Dr. Mid-Nite and it works on Byrna, but not Power Girl. This all makes more sense if you read the comic.

Byrna's next appearance post-New 52 was in Superman/Wonder Woman #4 (2014) [W: Charles Soule, P: Paulo Siqueira, I&C: Hi-Fi, L: Carlos M. Mangual] where we see Wonder Woman and Hessia battling the Blue Snowman robots.

Byrna's latest appearance post-DC Rebirth is in DC: Love is a Battlefield #1 (2021) [W: Crystal Fraiser, P&I: Juan Gedeon, C:Ulises Arreola, L: Marshal Dillion, where Byrna is now gender fluid after interrupting a date between Wonder Woman and Steve Trevor. Good on Wonder Woman for letting them go and hoping the realization there is a word for what Byrna was feeling would make them feel much better. So going forward if we meet Byrna again, I'll be referring to them with they/them pronouns, but if its New 52 continuity and before, Byrna will be referred to with she/her pronouns with the continuities to help clarify the pronoun usages.

Chadi Gupta is also another deep cut from the DC universe because she's reference to her comic counterpart from Justice League Europe.

Chandi makes her first appearance in Justice League Europe #47 (1993) [W: Gerard Joes, P: Ron Randall, I: Randy Elliot, C: Gene D'Angelo, L: Willie Schubert] where she's escaping her family and comes across the the JLE and wants to join them. Her energy projection and construct creation powers came in handy for the JLE in issue 50 where she and the rest of the JLE were able to fend off Sonar's attack and that earned her a spot on Justice League Europe as the superhero Maya.

Silver St. Cloud is probably one of the more prominent characters from the DC universe who showed up in MAwS. She got into the pop culture zeitgeist through the Gotham tv show when it aired.

Silver St. Cloud makes her first appearance in Detective Comics #470 (1977) [W: Steven Engleheart, P: Walter Simonson, I: Al Milgrom, C: Jerry Serpe, L: Ben Oda] where she meets Bruce Wayne at a party on his yacht. She eventually becomes one of Bruce Wayne's more prominent love interests and one of the few who were suspecting Bruce to be Batman thanks to his constant disappearing.

She shows up in post-new 52 in the maybe possibly out of cotinuity anthology, Legends of the Dark Knight (2014) digital comics, specifically as a cameo in issue #50, Dr. Quinn's Diagnosis [W: Jim Zub, P&I: Niel Googe, C: Kathryn Layno, L: Saida Temofonte], where Batman is getting psychoanalyzed by Harley Quinn.

If you want to read a comic with a fun appearance of Silver St. Cloud give Batman/Elmer Fudd Special #1 (2017) [W: Tom King, P&I: Lee Weeks, C: Lovern Kindzierski, L: Deron Bennet] a read cuz goddamn is it noir AF and beautifully drawn (a while back DC superheroes crossed over with Looney Tunes characters and its very good. They have also done it with Hanna Barbera characters as well. Give those a read too! They're all fun!)!

The charity that MAwS Silver mentions was first mentioned in Superman #152 (1967) [W: Bill Finger, P&I: Al Plastino] where Superman is accepting a clock medallion for a charity event. In the comics Silver St. Cloud isn't usually working for charities, shes mostly a Gotham socialite.

At the event, the MC (who gives off Funky Flashman vibes imo), asked if anyone has questions and the first to jump on that was George Taylor of the Metropolis Star. I talked about the Metropolis Star here, but for George Taylor...

he actually makes his first appearance here in Action Comics #1 (1938) [W: Jerry Seigel, P&I: Joe Shuster, C: Strauss Engraving Company] where he is the editor-in-chief of the Daily Star.

In the silver age, George Taylor makes his first appearance in Superman #366 (1981) [W: Bob Eozakis, P: Kurt Schaffenberger, I: Frank Chiaramonte, C: Adrienne Roy, L: John Costanza] where he assigns Perry White on the Superboy scoop to see if he's active in Metropolis. In post-Crisis on Infinite continuity, George makes a cameo appearance in Adventures of Superman #451 (1989) [W,P,&I: Jerry Ordway, C: Glenn Whitmoore, L: Albert DeGuzman] where we see George's office door.

In the New 52 continuity, George Taylor makes his first appearance in Action Comics #8 (2012) [W: Grant Morrison, P: Rags Morales, I: Rick Bryant, C: Brad Anderson, L: Pat Brosseau] as editor-in-chief for the Daily Star where in the comic he's proud of Clark and encourages him to take the job at the Daily Planet.

Kara and Jimmy make it into the studio where Lois, Superman, and Cat Grant are and Kara confronts Superman showing off that she's the one in the armor. She is on a two-way radio communications with someone named Primus. Whether that is Brainiac's designation when Kara is on the field or its a different character all together, there is a Primus in the DC universe, not just in the Transformers universe. Btw this isn't Kara's first time siding with an evil faction, she was part of Darkseid's Female Furies in the 2004 Superman/Batman series, specifically in issue #11. You might have also seen it happen in the Superman/Batman: Apocalypse animated movie too.

Primus aka Pren makes his first appearance in Green Lantern #141 (1981) [W: Marv Wolfman, P&I: Joe Stanton, C: Carl Gafford, L: John Costanza] where he is the leader of the alien group, the Omega Men from the Vega star system. They jump Hal when he and Carol Ferris were on vacation thinking Hal is part of the Citadel, an extraterrestrial empire that is conquering the star system the Omega Men are in.

Primus/Pren NuParr makes his New 52 first appearance in Deathstroke #9 (2012), but gets a more prominent role in the Omega Man limited series from 2015 [panel from The Omega Men #1 (2015) W: Tom King, P&I: Barnaby Bagenda, C: Romulo Farjardo Jr., L: Pat Brosseau]. In this continuity, the Citadel is now a corporation that was exploiting Krypton's destruction by by selling stabilized planet cores to other worlds. This comes at a cost where the Vega star system is enslaved by them and those who resisted we killed and the survivors formed the Omega Men.

And with that another episodes Easter eggs and references are done! Come back next week to see what episode 6's Easter eggs and references are! In case you missed it:

My Easter eggs lists for season 1 is here if you haven't seen it!

My season 2 episode 1 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 2 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 3 Easter eggs and references in My Adventures with Superman post is here

My Easter eggs and references in My Adventures with Superman comic issue 1 post is here

My season 2 episode 4 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 6 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 7 Easter eggs and references in My Adventures with Superman post is here

My Easter eggs and references for My Adventures with Superman comic issue 2 post is here

My season 2 episode 8 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 9 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 10 Easter eggs and references in My Adventures with Superman post is here

My Easter eggs and references for My Adventures with Superman comic issue 3 post is here

[sundays-sims]

S E N C H A . (early access, patreon)

Hi all! ♥

New set is here, it's super cozy & part of another beautiful collaboration SimspirationBuilds and I created. It contains 17 new meshes, including a tea set with all its clutter, cozy seating options, a beautiful antique table & a cute bamboo plant. Most of the swatches are inspired by natural materials, like wood, old stone, antique ceramic and soft linens. As usual, the full collab can be downloaded on our respective patreon pages, if you'd like to download SimspirationBuilds content and amazing build, you can find it on her page, here: [♥]  

↓ details & download link under the cut ↓

D O W N L O A D  L I N K : [X] (patreon, early access)

S E T   D E T A I L S :

Antique Wood Coffee Table - 5 swatches

Triangle Pillow Daybed - 13 swatches

Linen Square Pouf - 15 swatches

Bamboo Plant - 12 swatches

Wooden Pedestal - 6 swatches

Antique Tea Tin Can (3 Versions) - 12 swatches in total

Tea Pot - 14 swatches

Tea Pot Heater - 12 swatches

Empty Tea Cup - 13 swatches

Green Tea Cup - 13 swatches

Bamboo Matcha Wisk - 1 swatch

Wooden Tray - 4 swatches

Coasters (2 Versions) - 8 swatches

Tea Spoon - 8 swatches

** sencha will be released (free) on April 6th**

→ terms of use / TOU ← / / → instagram ←

[only-lonely-star]

hiii! Could you do some sodapop headcanons?

Sodapop Curtis Headcanons!! 🥤⁠♡

Warnings - Mentions of death, some are a bit sad but these are general headcanons! These are mostly just little details, fun facts, and little scenarios I think would be accurate when diving into his character.

Author’s Note - Ask and you shall receive 🤲🏻. I have an entire list of headcanons for each character (each character means each character) that is at least a mile long in my notes app 😭. So ask away! Thank you so so much for the request, I hope you enjoy!! 😽😽

⋆˚｡ ⋆ ⋆ ˚｡ ⋆ ⋆ ˚｡ ⋆ ⋆ ˚｡ ⋆ ⋆ ˚｡ ⋆୨♡୧⋆ ˚｡ ⋆ ⋆ ˚｡ ⋆ ⋆ ˚｡ ⋆ ⋆ ˚｡ ⋆ ⋆ ˚｡⋆

It’s a popular headcanon that he has ADHD (which I totally agree with), and I personally think that’s exactly why he believes he’s ‘dumb’. It’s hard for him to focus due to his ADHD, and his grades were never really the best because of that. He’s a straight C student. (Me too, Soda, me too 🙁💔)

He got his Southern drawl from his dad and has the most noticeable one out of the entire Curtis family.

He gets along with literally everyone. He can make friends wherever he goes. He’s the type of person to create ‘small talk’ at the grocery stores and continue to blab for ten minutes straight.

Ponyboy is his little pride and joy. He sees the way Pony looks up to him and finds himself feeling worthwhile having an influence on someone so important to him.

Soda was one of those people who couldn’t tie his shoes up until about fourth grade.

Soda is a natural empath, but when Johnny and Dallas pass, he can’t empathize for Ponyboy like he usually does. He can’t do it solely because he couldn’t fathom losing Steve. He has no clue what losing your best friend would feel like, so he can’t necessarily help Pony except for sharing a few reassuring words that they’re okay now. Obviously he grieves over them too, but he was never as close to them the way Pony was. Especially Johnny. He just doesn’t understand the pain of losing both your parents AND your best friends so he feels horrible he can’t be much help for Pony.

He’s a very ‘go with the flow’ type of guy and doesn’t have a set plan for his life yet. 16-17 is still young to have your entire life planned out, but even then he just takes it one day at a time.

He’s so skilled when it comes to fighting, but he stays out of them unless absolutely necessary (like at a rumble) or when he’s fighting one of the members of the Curtis gang.

Kinda piggybacking off of the last one, he’s just not a very angry person. He only really gets mad when things get serious. Situations like when the socs pulled a blade on Ponyboy. Best believe he was PISSED.

Soda was such a momma’s boy ☹️

I honestly think the countless compliments he receives make him feel like his good looks could get him somewhere in life. Like Ponyboy said - he’s ‘movie star handsome’. He totally believes he could be some heartthrob.

He’s so patriotic. On the 4th of July this man will have a sparkler in hand at all times decked out in his red, white, and blue. He’ll try to fuck up some fireworks with Two-Bit and become so disappointed when the ‘big explosion’ is some rip off. (Honestly, I think all of the boys in the Curtis gang would be super festive on the 4th.)

Soda tries to hide the fact he uses chapstick religiously because he’s scared he’ll get teased. (This makes me think of how Ponyboy said in the novel that Johnny would be the only one to think of bringing soap 😭.) I just feel like Soda would assume someone like Dally or Steve would say “That’s so feminine 😒” or something similar, so he just hides it.

Soda is a blanket thief in bed. It aggravates the shit out of Ponyboy, but Soda can’t help it because he’s such a heavy sleeper and doesn’t even realize he’s hogging it.

Soda has always looked up to Darry because he’s the ‘cool older brother’. He wanted everything Darry had growing up (toys and clothing wise), and would try to be his little shadow. Darry ended up giving him a lot of his hand-me-downs and whatnot as the years went by, which Soda still owns/uses. He looks back and realizes that now and thinks “Oh that’s so cool how Ponyboy looks up to me the way I did with Darry.” SIGH 🥲

Whenever the Curtis brothers save up enough to go eat out, Soda settles for his typical chicken tenders meal. It gets on Darry’s nerves so bad because he did NOT work his ass off for Soda to order something he eats every other day. “Don’t you eat anything else? Try some pasta or something, I could easily make some damn chicken tenders at home.” *big, dramatic sigh with the death grip on the fork*.

He can tickle Ponyboy all he wants but he can’t handle being tickled back. The giggling turns to yelling within seconds as a look of discomfort takes over his entire face.

He’s so used to his own scent that he doesn’t realize he reeks of pure gasoline. People can smell him a mile away, but he’s literally immune to being able to smell it.

People liked him in high school solely because he was handsome. I just know he was such a troublemaker and couldn’t go ten minutes without trying to talk to someone near his desk. He was told he caused too many distractions and was deemed ‘annoying’ by most.

Corny ass. I know he practices his smile in the mirror before seeing Sandy.

His hands are super strong because he’s constantly handling cars and whatnot at work. They’re also never clean. He constantly has all kinds of oils or lube (for cars…) on his hands from working on them so often.

His laugh is this really cute giggle, and his cheeks turn bright red when he smiles the tiniest bit. He’s just so 🤏🏻

I HAVE A MILLION MORE BUT I THINK THIS IS A GOOD STOPPING POINT. THANK YOU ALL FOR READING, I HOPE YOU ENJOYED! 🤗🤗

[st4rb3rries]

the main 4 meeting you for the first time

pairings; stan, kyle, kenny, cartman x fem!reader (all aged up 17-18)

summary; reactions and meeting you

warnings; cussing and suggestive language

a/n; hopefully you guys understand the kyle and stan one😭

how kyle and stan met you:

you met them senior year. they saw your fine ass in class and were like "gawd dayum 😍😍🔥❤️" NAH JK kyle and stan secretly talked shit about you because you were the smartest in class. (they haven't even talked to you once) it was mostly kyle because he was jealous of your academic intelligence.

kyle: "who does she think she is acting like a goody two shoes and she shouldn't even be talking with that big ass forehead her calculations aren't even correct dude i'm totally way smarter than y/n🙄"

stan: "ong bruh like her forehead is bigger than my relationship with my dad😭 and no one can outsmart my super best friend dude🤨"

y/n: ....

like y'all sit close by each other in class and they still have the audacity to talk shit😭. they weren't even slick either you could clearly hear them but they thought you couldn't.

but one day things changed. they were struggling in algebra so you decided to help them. out of the kindness of your heart? no. the teacher told you to help them. this was the moment that would change everything.

y/n: "hi do you need some help it looks like you guys are struggling"

kyle: "no were fine we don't need your help"

stan: "yeah dude you can go away, kyle is way smarter than you we don't need you"

kyle: "yeah that's right i'm smarter than you punk so you can go away now🤓"

y/n: "ok kyle why did you pick 'd' instead of 'c' for number 1🥱"

kyle: "WHAT I THOUGHT IT WAS D HOW COU-"

stan: "DUDE WHAT THE HELL ARE YOU TRYING TO MAKE US FAIL"

y/n: "ah look at that so you need my help after all"

stan and kyle: "smart ass"

y/n: "what was that hm?"

kyle: "smart class"

stan: "y-yeah we have a smart class����"

y/n: "i know you guys talk shit about me don't think your so slick"

stan and kyle: 😮😮

they stopped talking bad about you. since you found out you started "helping" them more and they both started getting to know you better. even though they still had their attitude. and with all that helping there formed a friendship<3.

how cartman and kenny met you:

you also met them senior year. you however only met them because you decided to ditch class and do your business under the bleachers. both of them have seen you in class and they know your smart. they just didn't really care about you though.

*you walk over to the bleachers*

cartman: "oh shit teachers, RUN KENNY'

y/n: "im not a teacher wtf😭 "

they got scared there for a minute. but they weren't anymore until they recognized your annoying voice. cartman and kenny also thought you would never ditch class because your so smart🤨. (they were generally surprised)

cartman: "sorry there's no nerdy bitches allowed😘"

kenny: "you can be my nerdy bitch😏"

y/n: "and that's why your moms should've swallowed both of you when she had the chance."

cartman: 😮

kenny: "HAHAHAH" *bros tryna get into them baggy jeans💀*

cartman: "what the hell are you even doing here"

y/n: "no what are you doing here🤨"

cartman: "ditching class duh you dumb slut🙄"

y/n: "ok tubby well i need both of you to leave"

kenny: "why🥹"

y/n: "don't worry about it"

kenny: "YES MA'AM😍"

unfortunately they stayed because they're nosy as hell. anyways after they both saw you make money by doing peoples homework. they had mad respect for you. cartman was even a bit jealous that you came up with so much money. kenny on the other hand was wondering if you provide other types of services🤔.

cartman: " here y/n take this why don't we talk for a bit"

y/n: "are these crushed up smarties🤨"

kenny: "ya you can smoke em' or snort em' "

y/n: "y'all can't afford the real stuff💀?"

cartman: "so about your services, i'd like to be your manager i can make you stronger and smarter"

y/n: "do you have a gpa of 4.0"

kenny: "does 2.8 count"

cartman: "kenny stfu im tryna make us some money here"

cartman: "anyways so-"

after talking with them you agreed. but little did know that agreement was gonna be a long one. both of them truly admired your hard work and at some point it wasn't about the money. they really just liked hanging out with you😭.

[juridical-angel-blog]

Special Poster ''Dragon Ball GT - The Personages''!