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cosmosbeelover · 11 days ago

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The History of Korean Male Soloists from the 20th Century: Episode 3.5/?

This section explores the ongoing journey of Kim Saeng-ryeo, focusing on the orchestras he established and participated in throughout his career. In the first part, I discussed his life and professional achievements.

Kyungsung Welfare Chamber Orchestra

Gyeongseong, which can also be spelled as Kyungsung, refers to the same Welfare Chamber Orchestra.

The Kyungsung Welfare Chamber Orchestra (경성후생실내악단; 京城厚生室內樂團), originally established as the National Music Popularization Corps (국민총력조선연맹; 國民音樂普及挺身隊), aimed to disseminate quality music and its artistic values to the public. This pro-Japanese ensemble was created to support the welfare initiatives of the Government-General of Korea (朝鮮總督府), performing in diverse settings such as educational institutions and various production areas, including agriculture, industry, and fishing, to provide uplifting music to the community.

Members of the Gyeongseong Chamber Orchestra in the 1930s.

This chamber orchestra, established in 1942, comprised musicians who had previously performed with the New Beijing Symphony Orchestra, which originated in Manchuria. At its inception, the orchestra was conducted by Kim Saeng-ryeo, with notable members including Kim Seong-tae, Kim Cheon-ae, Lee In-beom, Kim Tae-yeon (김태연), Lee Yu-seong (이유성), Lee In-hyeong, Park Pyeong-su (박평수), Lee Yong-cheol, Ahn Seong-gyo, and Lee Kang-ryeol (이강렬). Following its reorganization in 1944, Hyeon Je-myeong took on the role of chairman, while Kim Won-bok, Yun Ki-seon, Lee Heung-ryeol (이흥렬), Jeong Hee-seok (정희석), Lee Gyu-yong (이규영), Na Un-yeong (나운영), Jeong Yeong-jae (정영재), Kim Yeong-ae (김영애), and Lee Jong-tae (이종태) continued to contribute as active members.

He performed at the Music Patriotic Concert organized by the Joseon Music Association under the Japanese Government-General. In 1944, he travelled to Manchuria to help integrate the Welfare Chamber Orchestra into the New Symphony Orchestra. As a result, he was listed in the music section of the Dictionary of Pro-Japanese Figures compiled by the Institute for Research in Collaborationist Activities in 2008.

In February 1943, the orchestra, backed by the National Mobilization Association of Korea, organized a national music concert at Bumin Hall (부민관). During its inaugural year, the orchestra conducted a total of 152 performances over eight months, which included 36 general concerts, 46 school concerts, 19 consolation concerts for industrial soldiers, 44 consolation concerts for the military, and 7 additional concerts. In acknowledgment of its contributions, the Gyeongseong Welfare Chamber Orchestra was awarded the 5th Joseon Arts Award (朝鮮藝術賞) by Shin Taiyosha (新太陽社) in Japan in May 1945.

Lee In-beom, Kim Seong-tae, Kim Cheon-ae, and Lee In-hyeong appearing in the advertisement for the Gyeongseong Welfare Chamber Orchestra. 경성후생실내악단의 광고에 나오는 이인범·김성태·김천애·이인형

Activities

The Kyungsung Welfare Chamber Orchestra has a rich history of performances, beginning with its inaugural concert on June 11, 1942, followed by a second concert on December 24 of the same year. The orchestra continued to showcase its talent with a third concert and a Japanese National Music Concert on February 24, 1943, and a solo performance by Kim Cheon-ae in April 1943. Notable events included a patriotic chamber symphony night dedicated to a battleship on June 29-30, 1943, and participation in the Song of the Peninsula Liberation Day Concert on August 3, 1943. The ensemble also organized an open-air music and film night to commemorate the conscription system on the same day. In 1944, the orchestra toured mines and factories in North Hamgyong Province at the invitation of Cheongjin University, followed by concerts aimed at uplifting fishing villages and mining communities in Gangwon-do from August 12 to August 19. The Jeollabuk-do Industrial War Memorial Concert took place from August 22 to August 29, 1944, and the orchestra held its 11th concert from October 2 to 4, 1944. The year concluded with a Grand Concert from January 20 to 22, 1945, and a Hope Concert from March 23 to 25, 1945. The orchestra was honoured with the Joseon Art Award on May 8, 1945, and performed in China from May 5 to May 7, 1945, culminating in an evening of literature and music on August 1, 1945.

The National Music Popularization Corps/ Total Mobilization Federation

A pro-Japanese organization identified "When We Go to the Sea," "Battleship March," "The Power of Asia," and "National March Song" as key selections for the National Song Collection, promoting their performance across various regions. They established a singing guidance team known as the National Song Singing Movement Volunteer Corps, which was mandated to tour and perform these songs. The National Mobilization League, influenced by Western-oriented figures such as Hyun Je-myeong, Kim Seong-tae, Go Jong-ik (고종익), and Lee Heung-ryeol, played a significant role in advancing the Japanese name change policy implemented by the Government-General of Korea. This pro-Japanese entity was ultimately dissolved in July 1945, merging into the Korean National Volunteer Corps.

1977 Broadcast 50th Anniversary Commemorative Performance. In 1927, Gyeongseong Broadcasting Station was established and began radio broadcasting. This is generally considered to be the origin of broadcasting in Korea. This is a photo of the 50th anniversary commemorative performance in 1977.

Chosun Symphony Orchestra (조선교향악단; 朝鮮交響樂團)

The orchestra was established in 1940 through the reorganization of members from the Gyeongseong Orchestra and the Gyeongseong Broadcasting Orchestra. Directed by Park Gyeong-ho (박경호), it held its first concert in 1940 at Bumin Hall, featuring works such as Schubert's "Unfinished Symphony" and Beethoven's "Egmont Overture." Additionally, it premiered the dance drama "Heungbu and Nolbu," composed and conducted by Kim Seong-tae, which marked a significant development in dramatic music inspired by folklore. Shortly thereafter, the orchestra presented Kim Seong-tae's original work "Heungbu and Nolbu" under his direction, engaging in ambitious performances. However, the onset of the Pacific War ultimately led to the disbandment of the Joseon Symphony Orchestra.

People who led the Western music of Gyeongseong Broadcasting Station

In the photo is says Hong Jae-yu (Left) and Park Kyung-ho (Right). Below it says Gyeongseong Broadcasting Station (In Red) and Central Musicians Association 1927 (In Blue).

Kim Saeng-ryeo (김생려), along with Hong Nan-pa (홍난파) and Park Gyeong-ho (박경호), played a pivotal role in introducing Western music to Korea during the Japanese occupation and in the subsequent periods, including the Korean War. These three individuals endured one of the most challenging eras in Korean history, and despite facing censorship, destruction, and loss of their works, their legacy endures. Kim Saeng-ryeo was the last to continue his musical career until his death in 1995. Although their contributions are not widely recognized, many Koreans today continue to honour their achievements, particularly through performances of orchestral works created by them, highlighting the significant impact these artists had on the cultural landscape during a tumultuous time.

The inaugural broadcasting station in Korea commenced operations on February 16, 1927, following preliminary test broadcasts initiated in December 1924 by the Governor-General and the Chosun Ilbo. These early broadcasts included a test by Yangak, although detailed records of the Governor-General's broadcasts on the 9th and 10th remain scarce. Notably, Hong Nan-pa participated in the Chosun Ilbo's test broadcasts on the 17th and 18th, with documented evidence and photographs showcasing his violin performance.

The photo says ‘Special broadcast of the launch of the second broadcasting station with the Gyeongseong Broadcasting Station Orchestra and Isu’.

The introduction of Western music to Korea can be traced back to the 1910s, particularly through the efforts of Hong Nan-pa, aligning with a broader cultural exchange during that era. This music, referred to as Gukak or Changga, distinguished itself from children's songs, pop songs, and folk songs, appealing not only to Koreans but also resonating with Japanese audiences, indicating a successful integration of Western musical influences. In 1919, the Gyeongseong Music Friends Association was established, marking the inception of an orchestra. By 1926, prior to the country's opening, the Central Music Association was formed, which performed a celebratory piece for the inauguration of the Gyeongseong Broadcasting Station. During this period, Hong Nan-pa was studying in Japan, while key figures such as Park Kyung-ho and Mrs. Boots from Ewha Woman’s University (이화여자대학교; 梨花女子大學校) played significant roles. The Central Music Association was comprised of approximately 15 members, including notable musicians like Kim Hyeong-jun and Choi Ho-young, who contributed to its leadership. Mrs. Booth, a graduate of the Pittsburgh Conservatory of Music, was proficient in multiple instruments and significantly advanced the local music scene.

The trombone on the left was Park Geon-won (박건원), and the trombone on the right was Baek Byeong-gon (백병곤). The photo above is a performance scene taken when the group was first formed and broadcast.

The JODK orchestra made its debut on April 13, 1928, initiating a new era of music broadcasting. This ensemble, which began as an amateur group, was notable for being the first professional orchestra in the region to compensate its members. Among those involved were Park Kyung-ho and Hong Nan-pa, with around 18 musicians participating in performances two to three times monthly. In 1929, after returning from his studies in Japan, Hong Nan-pa witnessed a flourishing Western music environment. He dedicated himself to education at the Central Day-care Centre and revitalized the jazz band, which subsequently engaged in active broadcasting efforts.

The initial volume of Hong Nan-pa's extensive collection of 100 children's songs from the Joseon era was published, coinciding with a surge in music broadcasting activities at Gyeongseong Broadcasting Station. In 1931, Hong Nan-pa travelled to the United States for further studies, yet the foundation of his work remained intact, allowing him to return in 1933. During this period, a second Korean language broadcasting station was established, contributing to a more vibrant musical landscape.

From right to left of name shown in the photo -> Baek Myeong-gon (백명곤), Lee Jil (이질), Lee Byeong-sam (이병삼), Kim Won-tae (김원태), Hong Sae-yu, Hong Nan-pa, Choi Ho-young (최호영), Kim Seong-sun (김성선) and Park Won (박원). Below it says -> ‘1929 Summer JODK Broadcast – Jazz broadcast in Seoul for the first time’ - From Mr. Nayoung Yoon's home page.

A trio of violinists, including Hong Seong-yu (홍성유) and Lee Young-se (이영세), emerged during this era, alongside notable musicians such as violinist Jeon Su-rin and clarinetist Kim Kyo-seong. These artists, along with drummers and other instrumentalists, were not only prominent composers but also integral members of broadcast orchestras and jazz ensembles. The distinction between classical music, popular music, and children's songs was increasingly blurred, reflecting a unique cultural moment where the categorization of music was less significant than the enjoyment it provided.

It is often believed that Hong Nan-pa exclusively performed children's songs and classical music; however, he also released popular songs under various stage names. Actively involved in both broadcasting and academia, he played a significant role in the establishment of the JODK Orchestra at the Gyeongseong Central Broadcasting Station, which was formed on April 13, 1935. This orchestra marked the beginning of extensive musical activities, enhancing the breadth and depth of the station's musical offerings. Notably, in 1985, the Korean music history published by the Korea National University of Arts acknowledged Hong Nan-pa's contributions alongside those of Chae Dong-seon (채동선) and others, highlighting their performances of orchestral works by Im Dong-hyeok and the emergence of creative music in Korea. His composition "The Heart of a Traveler" was particularly significant, as it was made possible through the efforts of this orchestra.

From left to right - > Hong Seong-yu, Lee Young-se and Hong Nan-pa Gyeongseong Broadcasting Station’s 1st performance – August 1933

A photograph capturing contemporary musicians, including Hong Nan-pa, Hong Seong-yu, Kim Won-bok, Hong Jae-yu, Hong Eun-yu, and Park Gyeong-ho, showcases their collaboration with Hyun Jae-myeong and Dokgo Seon at the broadcasting station. Hong Seong-yu and Kim Won-bok, a couple united by their passion for the violin and piano, gained fame as a duo through numerous concerts and activities. After studying in the United States, they adopted their current name in 1929. Hong Nan-pa also served as the first chairman of the Joseon Music Association, established in 1930 while he was a professor at Yeonhui University, and he earned a doctorate in vocal music in 1937.

From top left to bottom right -> Dong Ko-seon (독고선), Hyeon Je-yeong (현제명), Park Kyung-ho (박경호), Hong Eun-yu (홍은유), Hong Jae-yu (홍재유), Kim Won-bok (김원복), Hong Seong-yu (홍성유) and Hong Nan-pa (홍난파). Musicians who attended the Yunim Budda Concert – Na Woon-young’s Hall (홍성유님 부처 연주회에 참석한 온악인 나운영 선생님 홈에서). There is also another translation of this –> ‘At the home of Na Woon-young, a musician who attended Hong Seong-yu's Buddha concert ‘

Although Hong Nan-pa passed away prematurely, his legacy continued to flourish after Korea's liberation. He was instrumental in the founding of the Seoul National University College of Music and remained an influential figure in the music industry until his death in 1970. His connections in broadcasting extended to notable figures such as Chae Seon-yeop, Lee Heung-ryeol, Park Tae-hyun, and Hong Jong-in, further solidifying his role as a pivotal figure in the development of Korean music.

Gyeongseong Broadcasting Station Orchestra and Wang Su-bok (경성방송국 관현악단과 왕수복)

The musical endeavours of Gyeongseong Broadcasting Station were significantly impacted by the outbreak of World War II, coinciding with the death of Hong Nan-pa. Following his passing, Kim Saeng-ryeo, who had been assisting Hong as a conductor, assumed leadership of the Broadcasting Orchestra and appointed Gye Kye-sik as a temporary conductor. However, the arrival of Japanese conductor Eiji Nakagawa led to complications in the conducting process, reflecting the broader turmoil of the war, which rendered the activities of Gyeongseong Broadcasting Station increasingly futile during this tumultuous period.

The legacy of Hong Nan-pa looms large, overshadowing many contemporaries whose contributions remain less recognized, yet numerous individuals forged connections with Gyeongseong Broadcasting Station. Notably, figures such as Park Kyung-ho and Kim Saeng-ryeo played pivotal roles in this narrative. Park Kyung-ho was particularly influential in the station's musical landscape, especially during Hong Nan-pa's absence abroad, and he was instrumental in significant events such as the station's inauguration in 1927 and the celebratory concert for the second broadcast in April 1933, highlighting his central role in the station's history.

From left to right -> No Jeong-pal (노정팔), Park Kyung-ho (박경호), Ahn Ik-tae (안익태), hwa Jae-gyeong (활재경), Choi Chang-bong (최창봉). Park Kyung-ho's VOA days - 1957 – (박경호님 VOA시절 -1957년-)

Following the liberation in 1946, KBS assumed its current programming responsibilities, with Kim Saeng-ryeo serving as the planning manager. In June 1949, he made history as the first individual in broadcasting to undertake a six-month training trip to the United States, subsequently working with the Voice of America during the 1950s. Born in 1912, Kim was a student at Yeonhui College in 1939 under the direction of conductor Hong Nan-pa. After Hong's death in 1941, Kim took over the leadership of the Broadcasting Symphony Orchestra at Gyeongseong Broadcasting Station and continued to oversee the KBS Orchestra until after the liberation.

From left to right -> Lee Gye-won (이계원) and Park Kyung-ho (박경호). Park Kyung-ho's VOA days - 1957 – (박경호님 VOA시절 -1957년-)

Kim Saeng-ryeo's Memoir (from the 1977 edition of Korean Broadcasting System)

In the spring of 1939, during the JODK period, he assumed the position of conductor for the broadcasting orchestra, which initially comprised around ten members. Hong Nan-pa, previously known for his accompaniment work, was appointed as the music director of JODK. Following his appointment, he initiated an expansion of the orchestra by acquiring instruments from Japan, which led to an increase in membership to twenty-five. This development culminated in the live broadcast of the Haydn Mozart Symphony, marking a significant milestone as it was also transmitted to Korea.

The formal establishment of the professional orchestra is recognized as occurring on May 16, 1940, under the direction of Hong Nan-pa. The orchestra's repertoire included notable works such as "Spanish Night" by Bizet, "Humoresque" by Dvorak, "Golden Wedding Anniversary" by Marie, "Little Toy Soldier" by Rosey, "Dancing Doll" by Poldini, and "Objects of the Desert" by Zamenik.

Kim Saeng-ryeo (김생려)

Shortly thereafter, Mr. Hong Nan-pa fell ill, prompting my engagement as a contractor in 1944. I assumed Mr. Nan-pa's responsibilities and transitioned into a permanent role. Following his passing, I was appointed as a temporary conductor and subsequently became a full-time member of the broadcasting station. Additionally, we expanded our team by recruiting approximately 20 new members and sought opportunities for external performances, culminating in a 40-member orchestra supported by a budget for 25 full-time positions, which proved advantageous for JODK.

At that time, Onoda, a Japanese individual leading the business department, had studied conducting in Vienna under Eiji Nakagawa and was invited to serve as the chief conductor around 1942. Although we held high hopes for his leadership, our initial rehearsal left us disheartened. Nevertheless, around 40 musicians rallied behind Mr. Gye Jeong-sik, who endeavored to facilitate international performances. However, Onoda's nationalistic tendencies hindered these efforts, as he was reluctant to engage in public appearances, possibly due to personal sentiments.

Negotiations with Onoda occurred multiple times, with around 20 unpaid members participating in broadcasts under Eiji Nakagawa's direction. Despite his willingness to continue, he insisted that external performances be managed by an accountant, a request that was consistently denied. This marked the initial attempt to cultivate the Korean orchestra movement, which was initiated by a Japanese individual named Han, yet it faced inevitable challenges due to prevailing prejudices.

Double Broadcast Commemorative Performance - Sogong-dong Gyeongseong Public Hall - (2중방송 기념 공연 - 소공동 경성공회당-)

Ultimately, with the exception of approximately ten exclusive members, all individuals departed from JODK, leading to his resignation and withdrawal from the organization. The former members who left attempted to unite and establish a new orchestra; however, their efforts were unsuccessful. Consequently, the JODK Orchestra reverted to a ten-member ensemble, transforming into an accompaniment orchestra before ceasing to exist after August 15th, maintaining its current form since 1949.

The Seoul Symphony Orchestra, which served as the precursor to the city orchestra, was situated at the Jeongdong Broadcasting Station during this period. Under the guidance of American advisor Rolf Jacobi, a genuine broadcasting initiative commenced, marking the beginning of the symphonic movement.

The War of National Foundation (Movie)

This section discusses President Syngman Rhee, featured in a 2024 Korean independent film directed by Kim Deok-young. The documentary explores the historical significance of Rhee, the first to third President of the Republic of Korea, highlighting his efforts to rescue classical musicians from abduction by founding the 'Naval Military Music Band.'

Following Korea's liberation from Japanese rule in 1945, the peninsula was divided by the United States and the Soviet Union at the 38th parallel, leading to divergent ideological paths for the North and South. North Korea, influenced by Soviet communism, evolved into a repressive dictatorship that violated human rights and stifled freedom. In contrast, South Korea embraced liberal democracy under American influence. This film examines how two nations, sharing a common language, history, and culture, became polarized into vastly different states, emphasizing Rhee's pivotal role in shaping the Republic of Korea over the past seven decades.

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1st Trailer

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2nd Trailer

Evaluation

The film occupies a unique space between a biographical portrayal and a documentary focused on a historical event, presenting a nuanced interplay of broader societal changes and individual experiences. It diverges from the typical binary of good versus evil often found in Korean political narratives. Given its exploration of political figures and events, it inevitably elicits varied interpretations influenced by viewers' political affiliations, irrespective of the film's artistic merit.

Syngman Rhee, a figure marked by both significant achievements and controversies, has sparked polarized assessments; some argue the film prompts a reassessment of his legacy, while others contend it distorts historical facts. Critics have labelled the film as one that undermines Rhee's contributions, alleging it misrepresents the spirit of the March 1st movement and unduly glorifies pro-Japanese elements associated with the New Right, despite Rhee's clear anti-Japanese stance.

The discourse surrounding the film reveals a spectrum of opinions, from those who find merit in its message to others who deem it overly simplistic and biased, resulting in a stark division in public reception, as evidenced by emotional responses from viewers.

Establishing the 'Naval Military Music Band'

The film 'The War of National Foundation' is said to have exceeded 820,000 viewers by the 22nd, merely three weeks after its February 1, 2024 release. While it is customary to pay tribute to the founding president, discussions regarding President Syngman Rhee among Koreans are just beginning to emerge. However, an important narrative remains untold in the film; few are aware that President Rhee played a significant role in the advancement of high-level classical music, which is now celebrated by Koreans as a 'K-classic'.

This is a photo taken by the Jeonghun Music Band, which was founded during the war, during its Jinhae tour in December 1950. All members are wearing navy uniforms as naval personnel, which is unusual. Courtesy of Jeong Seong-yeop, Executive Director of the Republic of Korea Military Song Commemoration Association.

The outbreak of the Korean War in 1950 led to the fall of Seoul, forcing musicians to flee amidst the turmoil. In this chaotic environment, there was little support for these artists, compelling them to navigate their own paths. Conversely, Kim Il-sung recognized the strategic value of music for propaganda and invited Jeong Yul-seong, a member of the Chinese Communist Party, to North Korea, granting him the rank of Major in the North Korean Army. Jeong Yul-seong subsequently recruited and forcibly abducted musicians who remained in Seoul, resulting in the capture of many, including baritone Professor Kim Hyung-ro, who was married to Professor Kim Soon-ae, the composer of the Korea Military Academy's school song and known for "Because of You."

In response to these developments, conductor Kim Saeng-ryeo of the Seoul Symphony Orchestra and the era's leading soprano, Kim Cheon-ae, proposed the establishment of a military music corps to President Syngman Rhee. Despite resistance from various military branches due to operational priorities, Chief of Naval Operations Son Won-il, who understood the significance of music as his wife was an Ewha Womans University music graduate, successfully advocated for the initiative, leading to the formation of the 'Naval Military Music Corps' on October 1, 1950.

President Syngman Rhee meets with the Children's Press Corps in 1957. Courtesy of the Ministry of Patriots and Veterans Affairs.

A total of 130 musicians, both male and female, resided in the 'Bupyeong Inn', a distinctive three-story building shaped like the letter 'ㅁ' in Bupyeong-dong, Busan. This group was responsible for operating a symphony orchestra, a choir, and a creative department. Notable figures among them included composers such as Kim Dong-jin, Kim Seong-tae, Na Woon-young, and Yoon Yong-ha, along with conductors Kim Saeng-ryeo and Lim Won-sik. The ensemble also featured prominent musicians like violinist Ahn Byeong-so, cellist Jeon Bong-cho, pianist Baek Nak-ho, and vocalists Kim Cheon-ae, Lee In-beom, Kim Hye-ran, Hwang Byeong-deok, Oh Hyeon-myeong, and Ahn Hyeong-il. Their performances provided comfort and morale-boosting support to both troops and civilians.

Many of the musicians rescued from potential abduction by North Korean forces under President Rhee Syng-man have become foundational figures in the classical music scene of Korea, contributing to its rich heritage. This location was also the birthplace of Korea's first mixed professional choir. In 1957, the 'Navy Symphony Orchestra' rebranded itself as the Seoul City Symphony Orchestra, continuing its tradition as a leading musical institution. Additionally, it launched 'Jeonghun Music', Korea's inaugural music magazine. Following the recapture of Seoul on November 11, 1950, the 'Jeonghun Music Band' commemorated the Navy's fifth anniversary with a series of six concerts over three days at the 'Sigongwan' in Myeongdong, aimed at uplifting the spirits of UN forces and local citizens affected by the war.

The upcoming year will mark the 80th anniversary of the Republic of Korea Navy, established on November 11, 1945. This milestone raises the question of whether there will be a celebratory performance to honour the Navy's role in founding the Seoul City Symphony Orchestra. The unprecedented policy of safeguarding musicians during wartime is a significant aspect of history, and it serves as a reminder of President Rhee Syng-man's contributions to the arts and culture during a tumultuous period.

#south korea #history #korea #Korean Music #Korean Music History #Music History #Kim Saeng-ryeo #김생려 #photography #korean history #Youtube

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papaya2000s · 5 months ago

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Photo collection of kisaeng's - Part 2

All photos below have been AI enhanced for a more clear viewing (there may be some errors in the pictures), i will be listing there names in both English and Korean below the photos.

There names go from top left to bottom right.

English - Kisaeng List - Kim Jin-sook, Kim Ok-sim, Kim Geum-seon, Kim Su-wol, Kim Nam-hong, Kim Gyeong-ju, Kim Ik-hong, Kim Chun-jo Korean - 기생명부 - 김진숙, 김옥심, 김금선, 김수월, 김남홍, 김경주, 김익홍, 김춘��

English - Kisaeng List - Lee Il-gi-hwa, Lee Dong-hwa, Lim Chun-hong, Kim Chun-hwa, Lee Wol-seon, Lee Hwa-seon, Lee So-hee, Lee Geum-hwa Korean - 기생명부 - 이일기화, 이동화, 임춘홍, 김춘화, 이월선, 이화선, 이소희, 이금화

English - Kisaeng List - Kim Wol-hyang, Lee Hyang-sim, Lee Song-wol, Lee Chae-seon, Lee Sook-deok, Lee Iran-su, Lee Seon-bok, Lee Iran-hyang Korean - 기생명부 - 김월향, 이향심, 이송월, 이채선, 이숙덕, 이란수, 이선복, 이란향

English - Kisaeng List - Lee Ok-ran, Lee Yong-ju, Lee Dan-gyu, Lee Jeong-suk, Lee Dam-hong, Lee Hee-sook, Lee Jang-young, Lee Ok-ryeon Korean - 기생명부 - 이옥란, 이용주, 이단규, 이정숙, 이담홍, 이희숙, 이장영, 이옥련

#Kisaeng's #History #photography #Korea

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chillingcinemachronicles · 1 year ago

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Top 5 Sci-Fi Movies on Netflix

5. Predestination (2014)

Genre: Science Fiction, Thriller

Actor: Alicia Pavlis, Annabelle Norman, Arielle O’Neill, Ben Prendergast, Carolyn Shakespeare-Allen, Cate Wolfe, Christopher Bunworth, Christopher Kirby, Christopher Sommers, Christopher Stollery, Dennis Coard, Dick York, Elise Jansen, Eliza D’Souza, Eliza Matengu, Ethan Hawke, Felicity Steel, Finegan Sampson, Freya Stafford, Giordano Gangl, Grant Piro, Hayley Butcher, Jim Knobeloch, Katie Avram, Kristie Jandric, Kuni Hashimoto, Lucinda Armstrong Hall, Madeleine West, Maja Sarosiek, Marky Lee Campbell, Milla Simmonds, Monique Heath, Noah Taylor, Noel Herriman, Olivia Sprague, Paul Moder, Raj Sidhu, Rob Jenkins, Sara El-Yafi, Sarah Snook, Sophie Cusworth, Tony Nikolakopoulos, Tyler Coppin, Vanessa Crouch

Director: Michael Spierig, Peter Spierig, The Spierig Brothers

Rating: R

One of the most original time-travel thrillers since 12 Monkeys. A brilliant subversion of the Time Paradox trope, with enough plot twists to keep you entertained until well after the movie is finished. Predestination is an amazing movie with great performances from Ethan Hawke and Sarah Snook. It’s a movie that will feel like Inception, when it comes to messing with your mind and barely anyone has heard of it. It is highly underrated and unknown, sadly.

4. Train to Busan (2016)

Genre: Action, Adventure, Drama, Horror, Science Fiction, Thriller

Actor: Ahn So-hee, An So-hee, Baek Seung-hwan, Cha Chung-hwa, Chang-hwan Kim, Choi Gwi-hwa, Choi Woo-shik, Choi Woo-sung, Dong-seok Ma, Eui-sung Kim, Gong Yoo, Han Ji-eun, Han Sung-soo, Jang Hyuk-jin, Jeong Seok-yong, Jung Seok-yong, Jung Young-ki, Jung Yu-mi, Kim Chang-hwan, Kim Eui-sung, Kim Jae-rok, Kim Joo-heon, Kim Ju-hun, Kim Keum-soon, Kim Soo-ahn, Kim Soo-an, Kim Su-an, Kim Won-Jin, Lee Joo-sil, Lee Joong-ok, Ma Dong-seok, Park Myung-shin, Sang-ho Yeon, Seok-yong Jeong, Shim Eun-kyung, Sohee, Soo-an Kim, Soo-jung Ye, Terri Doty, Woo Do-im, Woo-sik Choi, Ye Soo-jung, Yeon Sang-ho, Yoo Gong, Yu-mi Jeong, Yu-mi Jung

Director: Sang-ho Yeon, Yeon Sang-ho

Lights, camera, VPNaction! Elevate your movie nights with NordVPN. 🎥🔒secure your connection and Download NordVPN . Click now to unlock global cinematic thrills!

A zombie virus breaks out and catches up with a father as he is taking his daughter from Seoul to Busan, South Korea’s second-largest city. Watch them trying to survive to reach their destination, a purported safe zone.

The acting is spot-on; the set pieces are particularly well choreographed. You’ll care about the characters. You’ll feel for the father as he struggles to keep his humanity in the bleakest of scenarios.

It’s a refreshingly thrilling disaster movie, a perfect specimen of the genre.

3. Serenity (2005)

Genre: Action, Adventure, Science Fiction, Thriller

Actor: Adam Baldwin, Alan Tudyk, Carrie ‘CeCe’ Cline, Chiwetel Ejiofor, Colin Patrick Lynch, David Krumholtz, Demetra Raven, Dennis Keiffer, Elaine Mani Lee, Erik Weiner, Gina Torres, Glenn Howerton, Hunter Ansley Wryn, Jessica Huang, Jewel Staite, Linda Wang, Logan O’Brien, Marcus Young, Mark Winn, Marley McClean, Matt McColm, Michael Hitchcock, Morena Baccarin, Nathan Fillion, Nectar Rose, Neil Patrick Harris, Peter James Smith, Rafael Feldman, Rick Williamson, Ron Glass, Ryan Tasz, Sarah Paulson, Sean Maher, Summer Glau, Tamara Taylor, Terrell Tilford, Terrence Hardy Jr., Tristan Jarred, Weston Nathanson, Yan Feldman

Director: Joss Whedon

Rating: PG-13

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Serenity is a futuristic sci-fi film that serves as a feature-length continuation of the story-line from the TV program Firefly (2002–2003). The story revolves around the captain (Nathan Fillion) and crew of the titular space vessel that operate as space outlaws, running cargo and smuggling missions throughout the galaxy. They take on a mysterious young psychic girl and her brother, the girl carrying secrets detrimental to the intergalactic government, and soon find themselves being hunted by a nefarious assassin (Chiwetel Ejiofor). The first feature-length film from Joss Whedon (The Avengers), Serenity is a lively and enjoyable adventure, replete with large-scale action sequences, strong characterizations and just the right touch of wry humor. An enjoyable viewing experience that stands alone without demanding that you have familiarity with the original program beforehand.

2. Sorry to Bother You (2018)

Genre: Comedy, Fantasy, Science Fiction

Actor: Armie Hammer, Danny Glover, David Cross, Ed Moy, Forest Whitaker, James D. Weston II, Jermaine Fowler, John Ozuna, Kate Berlant, Lakeith Stanfield, Lily James, Marcella Bragio, Michael X. Sommers, Molly Brady, Omari Hardwick, Patton Oswalt, Robert Longstreet, Rosario Dawson, Steven Yeun, Teresa Navarro, Terry Crews, Tessa Thompson, Tom Woodruff Jr., Tony Toste, W. Kamau Bell

Director: Boots Riley

In the year of the Netflix TV Show Maniac, another absurdist title stole critics’ hearts. Sorry to Bother You is a movie set in an alternate reality, where capitalism and greed are accentuated. Lakeith Stanfield (Atlanta) is a guy called Cassius who struggles to pay his bills. However, when at a tele-marketing job an old-timer tells him to use a “white voice”, he starts moving up the ranks of his bizarre society. A really smart movie that will be mostly enjoyed by those who watch it for its entertaining value, and not so much for its commentary. It is like a Black Mirror episode stretched into a movie.

1. Ex Machina (2015)

Genre: Drama, Science Fiction

Actor: Alex Garland, Alicia Vikander, Chelsea Li, Claire Selby, Corey Johnson, Domhnall Gleeson, Elina Alminas, Gana Bayarsaikhan, Oscar Isaac, Sonoya Mizuno, Symara A. Templeman, Symara Templeman, Tiffany Pisani

Director: Alex Garland

Rating: R

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Ex Machina is the directorial debut of Alex Garland, the writer of 28 Days Later (and 28 Weeks Later). It tells the story of Caleb (Domhnall Gleeson from About Time), an IT developer who is invited by a billionaire CEO to participate in a groundbreaking experiment — administering a Turing test to a humanoid robot called Ava (Alicia Vikander). Meeting the robot with feelings of superiority at first, questions of trust and ethics soon collide with the protagonist’s personal views. While this dazzling film does not rely on them, the visual effects and the overall look-feel of Ex Machina are absolutely stunning and were rightly picked for an Academy Award. They make Ex Machina feel just as casually futuristic as the equally stylish Her and, like Joaquin Phoenix, Gleeson aka Caleb must confront the feelings he develops towards a machine, despite his full awareness that ‘she’ is just that. This is possibly as close to Kubrick as anyone got in the 21st century. Ex Machina is clever, thrilling, and packed with engaging ideas.

#netflix #movies #film #top 5 #sci fi #science fiction

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iamthinkingaboutvariousthings · 2 years ago

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I posted 1,496 times in 2022

That's 1,496 more posts than 2021!

16 posts created (1%)

1,480 posts reblogged (99%)

Blogs I reblogged the most:

@absolutebl

@heretherebedork

@poetry-protest-pornography

@lelephantsnail

@bengiyo

I tagged 1,493 of my posts in 2022

#the eclipse - 375 posts

#big dragon - 308 posts

#the devil judge - 155 posts

#bd yaimangkorn - 132 posts

#eclipse ep 6 - 119 posts

#bd yai - 111 posts

#eclipse akkayan - 110 posts

#eclipse akk - 104 posts

#bd ep 5 - 84 posts

#eclipse ayan - 74 posts

Longest Tag: 113 characters

#i guess this is where they go when kurosawa is feeling vulnerable and adachi is feeling strong enough to help him

My Top Posts in 2022:

Master List of The Eclipse Tags

the eclipse

eclipse akk eclipse ayan eclipse kan eclipse thua eclipse wat eclipse the world remembers (Nong, Nun, and Nian) eclipse nong nun and nian eclipse dika eclipse teacher sani eclipse teacher waree eclipse chadok eclipse namo

eclipse akkayan eclipse kanthua eclipse ayan and thua eclipse teachers eclipse prefects eclipse friendship eclipse love eclipse flirting eclipse queerness eclipse diversity cafe eclipse activism eclipse communication eclipse courage eclipse tenderness eclipse vulnerability eclipse kiss eclipse ayans mission eclipse self expression eclipse jewelry eclipse hoodie eclipse pro democracy movement eclipse antiauthoritarianism eclipse duty eclipse responsibility eclipse suppalo eclipse curse eclipse mystery eclipse homophobia eclipse fear eclipse power eclipse class and privilege eclipse parents eclipse grief eclipse pressure cooker eclipse rules eclipse cult

[remainder of tag list removed because it made the year in review post too long for tumblr 😂]

3 notes - Posted September 11, 2022

behind the scenes of the photo shoot for The Devil Judge

youtube

7 notes - Posted August 23, 2022

oh god, i finally watched the preview for the next episode. how can i possibly wait a week?! 😭

edit: opps this was supposed to be in my main blog. guess i'll just double post because it's that true.

9 notes - Posted September 16, 2022

List of The Devil Judge Tags

the devil judge (everything The Devil Judge)

(links take you to the archive)

Themes & Plot

tdj morality tdj structure (arcs and pacing of the show) tdj mystery (what was Yohan's plan?) tdj christianity tdj gothic (gothic themes and genre structures) tdj ending tdj power games tdj gender tdj literary influences

Behind the Scenes Production

tdj creators tdj script tdj translation tdj production design tdj language tdj music

Relationships

tdj romance (YoHan and GaOn's relationship) tdj triangle (dynamics among GaOn, SuHyeon & YoHan) tdj family (Elijah, Yohan, GaOn & the housekeeper) tdj elijah & yohan tdj seonah & yohan

Characters

tdj gaon (Kim Ga On) tdj yohan (Kang Yo Han) tdj seonah (Jeong Seon Ah aka Sunah) tdj suhyeon (Yun Su Hyeon aka Yoon Soo-hyun) tdj elijah tdj isaac tdj prof min (Min Jeong Ho aka Min Jung Ho) tdj mysterious assistant (YoHan's assistant "K") tdj jae hui (SeonAh's assistant) tdj judge oh tdj attorney go (also tagged tdj lawyer ko, aka Ko In Guk) tdj minister cha (Cha Gyeong Hui, aka Gyung-hee) tdj housekeeper (Ji Young Ok) tdj pres heo (President Heo Jung Se) tdj chaebol reps (Min Yong Sik & Park Du Man) tdj bamboo spear (Kim Chung Sik or Kim Ju Won)

tag list for general BL meta & and recommendations

13 notes - Posted August 25, 2022

My #1 post of 2022

youtube

translation by LAZYMOODZ from the video comments. they also translate other moments.

Starting @ 27:02 *Rough translation* About (THAT) kiss scene in ep.6 (: Host: For Phayu & Rain cp, their kiss scene was screen capped a lot and it shows that it wasn't just a kiss only when it's zoomed in. There were some details. So let's talk about it, was there that much detail? Boss: Uh..... Host: Just a moment. Nong Rain first... You were the one who initiated it. You're the one giving him a reward. How do you feel seeing the screencaps that show a bit more than just a kiss? Noeul: You mean... Host: Every scene that we all were screaming about with you two. Noeul: Yes so... Host: Did you see what I saw? Noeul: Yes, I know which screencap it's about. (5555555) If you're talking about THAT screencap... it's not in the script everyone. It's what Boss and I improvised ourselves. Because like I mentioned, at that moment they are two ppl crazy in love who is sharing intimacy. And at that moment, they love each other. Boss: Yes... and I want to explain further... Host: Were you surprised? Boss: (To Noeul) Were you surprised? Host: Just think that Boss isn't here... Noeul: So actually, I can't even remember what I did. Because at that moment, I was focused on him. I wasn't thinking like... we didn't have anything in the script that says we have to, 'touch here or touch there.' I just felt that I love this person and I love him very much. He also loves me too. And I was in a happy mode. I was enjoying it. So I put everything into it. He's mine. I acted with those feelings at that time. And, I can't remember the things I did. When I watched it again... it's like what everyone saw. Host: When you saw the UNCUT did you realize what you did? Noeul: Oh, it was clear. (555555) End around 29 : 00

15 notes - Posted October 2, 2022

Get your Tumblr 2022 Year in Review →

#tumblr2022 #year in review #my 2022 tumblr year in review #your tumblr year in review #Youtube

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wavehq · 2 years ago

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( ANONYMOUS ASKS ) ——- hi! mw characters/fandoms from kdramas?

hi! i got quite the list for you: kim bom, yong soo-chul, park ki-joon (swedish laundry), kwon jihyuk, im soo-ah, lee hyunsoo, jang do-il, kim hajin, seo kyong-jong (flower band), vincenzo cassano, hong chayoung, jang jun-woo (vincenzo), cha hyunsoo, yoon jisoo, jung jae-hoon, lee eunhyuk, lee eunyoo, park yuri (sweet home), kang tae-moo, shin hari, cha sunghoon, jin youngseo (business proposal), na bora, poong woonho, baek hyunjin (20th century girl), nam on-jo, lee cheong-san, choi nam-ra, jang hari, yang dae-su (all of us are dead), lee yeon, ryo hongjoo, lee rang, cheon moo-young (tale of the nine tailed), so mun, ga mo-tak, do ha-na, cho mae-ok (uncanny counter), jin jung, shin a-ra, oh do-hwan (bad prosecutor), kim dogi, jang sung-chul, ahn go-eun (taxi driver), kim shin, ji eun-tak, wang yeo, kim sun (goblin), lee ikjun and ahn jeong-won (hospital playlist), and jayoon (the witch)!

admin dream is… mobile! ——- 15-45 minute replies.

#kdrama rp #netflix rp #multifandom rp #discord rp #fandom rp #crossover rp #panfandom rp #whq.answer #whq.mw #mw.fandoms #mw.characters

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abbyandhanako · 23 days ago

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A grandfather’s regrets

My name is Mark Jeong, This is about my grandfather Lord Ju-won, the 17th Count of Jeong.

This is in his words as he can’t really read or type English well, this is the only time I’m doing this as I’m in low contact with him.

“I wish I hadn’t pressured my family for a grandson, When I only had granddaughters and after the second one, I told my sons (my eldest was disowned for being gay, I regret it and my daughter was disowned for marrying a man my family didn’t like)

When my second older son’s wife had another daughter after a miscarriage and two granddaughters, He angrily disowned her and I stood by and watched this and nodded, She took her two eldest daughters and was forced to leave Yo-jong behind…

Yo-jong grew up to be fanatical to a family that doesn’t even give a damn about her….

My youngest son Yong-il’s wife Eun-min who is now estranged from him told me she didn’t want kids and wasn’t ready to be a mother, Like an idiot I ignored her, she ended up giving in and having a daughter named Mi-hee who tragically only lived to seven years old.

Mi-hee died from DIPG when she was 7 years old and her death emotionally destroyed Eun-min and her family, Mi-hee was their first grandchild and their ‘little princess’, Dae-su, my best friend and Eun-min’s father became senile after she passed away.

And all I cared about was having a grandson that I disregarded my own granddaughter’s death and the effects.

On-jo, My son In-su’s wife was later cut off along with her daughter Seo-yeon after she gave birth to a stillborn son who would have been my heir, the heir who never will be….In-su screamed insults at her and Seo-yeon and I sat and watched….

A year after Mi-hee died, Eun-min fell pregnant and when an ultrasound was performed, we found out she was having a boy, in June, the baby was born, he was named Jeong Ma-keu, the now 19th Count of Jeong.

Even though I was overjoyed at me finally having a grandson, all was not what it seemed, Eun-min had bad postpartum depression and had trouble bonding with her newborn son, she did have PPD after Mi-hee was born but it wasn’t as bad as she had help from her family…

I even overheard her stating to her mother even though she does love Mark, she feels little for him and her life was better before she and the late Mi-hee were born.

Yong-il was not a good father by any accounts and treated Mark like an object to show off, heir first, person second, and betrothed him to a emotionally and physically abusive rich girl from a wealthy family he had business with, This led to Mark suffering permanent damage to his throat.

Mark eventually ran away at 15 years old and ended up in Team Plasma, his employer Ghetsis and Eun-min hates me and for good reason, I ruined the lives of several people because I wanted a grandson.

I see Misapinoa’s children and grandchildren and I feel like this could have been my family if I wasn’t so selfish….

These are letters from Seong-su and Yun-hee:

‘“No, “Father”, you’re NOT sorry, you’re only sorry because your ‘traditions’ and son preference ruined your family, You ruined Hwa-young, On-jo and Eun-min’s lives because YOU only cared about having a grandson and not when On-jo had a stillbirth and when Eun-min lost her daughter, the way you reacted to my now husband was vile that even your own second wife was disgusted with you, Don’t you ever contact me again!” - Yun-hee’

‘“It’s been….47 years, 47 years….you turned my youngest brother who was only two when I last saw him into a cruel misogynistic monster, I can’t even recognize him anymore and all I see now is an abusive monster of a father who has no regard for his dead daughter and a son that he abused so badly he screams at the sight of him, Mark looks like Yong-il when he was younger and it makes me sick knowing that, You’re only sorry because your family’s in shambles, what have you done to my brothers….?” - Seong-su.’

And this is one from Mark:

‘“할아버지….(Grandfather….), Do you even deserve that title? I had fond memories of you when I was younger but you ruined the lives of my aunts and mom because of your selfish behavior as well as that of my uncles and ‘father’, I resent you, My mother openly talks about how her life was better before she became a mother and is now living someone else’s life, I couldn’t even see my other hal-abeoji because my halmeoni and mother thought he would become violent in my presence until he died when I was five….

My life was in shambles before, during and after I was born to a couple that had no love between them….” - Mark’

This one from On-jo

‘“Never contact me again, I lost my son before I got the chance to hold him and you tore him from my arms and you sat and watched as he kicked me and my daughter out, I still remember the look on your husband’s face when I won the right to my son’s ashes three years later, I struggled to survive with my daughter as a single mom because of you, My daughter who now has a granddaughter the same age when she herself was disowned doesn’t want anything to do with you either….she wishes she was there for Mark…the heir you let your son abuse….”’

From Hwa-young, Sook-mi and Na-ri:

‘“I hate you, pure and simple, Our youngest daughter and sister was only kept to get back at us because of the complications relating to her birth, Yo-jong became fanatical and doesn’t even recognize us as her family members…..You wanted a grandson, You got your grandson, the grandson your own son broke into pieces….”

This one from Eun-min:

‘“I hate you, There is not beating around the bush, I never wanted children, yet you were too stubborn to care, the result was a granddaughter you didn’t care even when she was dying and a grandson that you wanted yet you barely did anything when your son treated him harshly, I was just a babymaker to produce a male heir, You and Yong-il did nothing for me when I had intense PPD after Mark’s birth, You treated Mi-hee after she died like she never existed.

I had nightmares about Yong-il destroying every little things I had of her, I still can’t sleep well at night most nights….

You even tried to make her death all about my deceased nephew when you disowned his mother and sister….

You destroyed nearly three decades of my life, I feel like I lived someone else’s life that wasn’t my own, Don’t contact me again, I wish my father never knew you.” - Eun-min.’

I regretted everything, If I could turn back time I could….

- Ju-won, 17th Count of Jeong.”

#letters #mark jeong {{the unusual visitor}}#tw: stillbirth #tw: racism #tw: abuse #tw: homophobia

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