#Su-Yong Jeong

[movie-titlecards]

Defenders of Space (1984)

My rating: 6/10

Oh Joseph Lai, you wonderful ridiculous man... this isn't quite as fun as some of his other Totally Original Anime Movies, but it's still pretty entertaining, and you'll never guess what the robot turns into at the end.

[sunnymimis]

TONEGAWA x OGBAEM MAFIA 🐍 Kozo and Tae-yong belong to @burukaji! The others belong to me!

[giveamadeuschohisownmovie]

Unlisted:

1) Nam-gyu (124)

2) Se-mi (380)

3) Im Jeong-dae (100)

4) Kim Young-mi (095)

[hyperfixation-goes-brrr]

Poll results: who's your least favorite season 2 character(s)??

(Sorry this took so fuckin long; yesterday was a day, so I literally just now finally had time to sit my ass down, and work on this shit)

Total number of results: 42

Gyeong-su (player 256): 1 (2.4%)

Im Jeong-dae (player 100): 30 (37.2%)

Kim Yeong-sam (player 226): 1 (2.4%)

Nam-gyu (player 124): 18 (42.9%)

Park Mi-hwa (player 006): 3 (7.3%)

Seon-nyeo (player 044): 8 (19.5%)

Thanos (player 230): 6 (14.6)

Cho Hyun-ju (player 120): 1 (2.4%)

Hwang In-ho (player 001/the front man): 10 (23.8%)

Jang Geum-ja (player 149): 0

Kang Dae-ho (player 388): 2 (4.8%)

Kim Jun-hee (player 222): 1 (2.4%)

Kim Young-mi (player 095): 1 (2.4%)

Kwon Byeong-su (player 047): 2 (4.8%)

Lee Myung-gi (player 333): 8 (19.5%)

Park Gyeong-seok (player 246): 0

Park Jung-bae (player 390): 1 (2.4%)

Park Min-su (player 125): 7 (16.7%)

Park Yong-sik (player 007): 4 (9.5%)

Se-mi (player 380): 1 (2.4%)

Seong Gi-hun (player 456): 0

Choi Woo-seok: 0

Hwang Jun-ho: 1 (2.4%)

Kang No-eul (soldier 011): 3 (7.1%)

Kim Jeong-rae: 0

Sea Captain Park: 24 (57.1%)

The recruiter: 4 (9.5%)

MasterList

[salanaii]

Learn Korean with me - Week 28

Day 1 - 3: Let's Speak Korean Ch 8 - Visa & Immigration (31 - 62)

** Don't forget your journals and of course Netflix.

공증을받아야합니다.

Gong jeung eur bad a y ani da

You need to have it notarized.

인터뷰를해야합니다.

In teo byu reur hae yah ab ni da

You need to do an interview.

변호사가동행해도되나요?

Byeong ho sa ga haeng hae do doe nay a

Can a lawyer/attorney accompany me?

귀화를신청하고싶습니다.

Gwi hwa reur sin cheong ha sip seub ni da

I’d like to file (for) naturalization.

귀화절차는어떻게되나요?

Gwi hwa jeor cha neu neo tteoh ge doe nay o

What’s the process (for) naturalization?

이중국적이허용되나요?

I jong gug jeog I heo yong doe nay o

Is dual citizenship allowed?

여권이만료되었어요.

Yeo gwin I man ryo doe eoss eo yo

(My/Your) passport has expired.

사진이필요합니다.

Sa jin I pir yo hab ni da

You need a photo.

수수료가얼마죠?

Su su ryo ga eor ma jyo

How much is the fee?

검색대를통과해야합니다.

Geom seag dae reur tong gwa hae yah ab ni da

You need to go through the scanner.

소지품은여기에맡기세요.

So ji pum eun yeo gi e mat gi se yo

Please leave (your) belongings here.

나가실때찾으세요.

Na ga sir ttae cha jeu se yo

Find them (pick them up) when you leave.

함께들어가도되나요?

Ham gge deur eo ga do doe nay o

Can I go in together?

서류가처리되었습니다.

Seo ryu ga cheo ri doe eoss seub ni da

Documents have been processed.

승인/거절되었습니다.

Seung in/geo jeor doe eoss seub ni da

It’s been approved/rejected (=denied).

한국에서하시는일이뭐죠?

Han gug e seo ha si neun ir I mwo jyo

(Literal)What is the work you do in Korea?

어디에서일하고계시죠?

Eo di e seo ir ha go gye si jyo

Where are (you) working at?

한국에얼마나머무실예정인가요?

Han gug e eor ma na mu sir ye Jeong in ga yo

How long do you plan to stay in Korea?

면세한도를초과한물품이있나요?

Myeon se han do reur cho gwa han mur pum I iss nay o

Do you have items that are over the customs limit?

금지된품목이있나요?

Geum ji doen pum mog I iss nay o

Do you have prohibited items?

한국방문목적이어떻게되시죠?

Han gug bang mun mog jeog I eo tteoh ge doe si jyo

What’s the purpose (of your) visit (to) Korea?

한국에서는어디에머무르시죠?

Han gug e seo neu neo di e meo mu reu si jyo

(At) where are you staying in Korea?

관광목적으로왔습니다.

Gwan gwang mog jeog eu row ass seub nl da

I came for the purpose (of) sightseeing.

한국호텔에머무릅니다.

Han gug ho ter e meo mu reub ni da

I’m staying at Hanguk hotel.

짐은이게전부입니다.

Jim eun I ge jeon bu ib ni da

This is all (for my) baggage.

홍대에서공부하고있습니다.

Hong dae e seo gong bu ha go iss seub ni da

I’m studying at Hangdae.

약6개월머무를예정입니다.

Yag 6 gae wor meo mu reur ye Jeong ib ni da

I plan to stay (for) about 6 months.

보증인의편지입니다.

Bo jueng in pyeon ji ib ni da

(This) is a letter (from my) guarantor.

2차심사실로가주세요.

2 cha sim sa sir ro ga ju se yo

Please go to the secondary screening room.

이제다되셨습니다.

I je da doe syeoss seub ni da

(Literal) It’s all set now.

가보셔도좋습니다.

Ga bo syeo do joh seub ni da

(Literal) It’s fine for you to go. =You may go now./You are good to go.

즐거운여행되세요.

Jeur geo un yeo haeng doe se yo

Have a pleasant trip.

[cosmosbeelover]

The History of Korean Female Soloists from the 20th Century: Episode 5/?

The fifth episode of 'The History of Korean Female Soloists from the 20th Century' examines prominent Korean musicians who gained recognition during the early 20th century, a period overshadowed by Japanese occupation. The historical documentation surrounding these artists is largely obscure, particularly concerning one specific singer, for whom only a solitary photograph exists. This lack of comprehensive records is largely due to the nearly one hundred years that have elapsed since their contributions, predating the Korean War, which led to the loss or unavailability of essential documentation. Consequently, the limited information available on this singer positions this episode as a (2nd) mini-sode within the larger series 'The History of Korean Female Soloists from the 20th Century.'

It is important to highlight that this information is not accompanied by a photograph of the singer, and the sole link between the image and the information is their name, indicating that they may or may not be the same individual.

Kim Chae-woon (김채운)

Kim Chae-woon is referenced solely in the Gisaeng Photo Collection, which features numerous gisaengs, various buildings, and several images of students.

Kim Chae-woon (김채운), also known as Kim Sae-un (金彩雲) or alternatively spelled as Kim Chae-un, was a prominent vocalist specializing in folk music during the Joseon era, associated with the Gisaeng of Gwonbeon and Hanseong Gwonbeon (Also known as Joseon Kwonbeon). In the 1920s, she gained recognition through her performances on the Gyeongseong Broadcasting Station (경성방송국; 京城放送局), where she showcased various musical forms, including Gyeongseong Jwachang and Gyeongseong Japga. Between 1926 and 1932, she collaborated with fellow artists Han Seong-jun (한성준; 韓成俊) and Ji Yong-gu to perform a diverse repertoire that featured gayageum byeongchang, gayageum Sanjo, and numerous folk songs, such as "Gogocheonbyeon" (고고천변; 皐皐天邊) and "Baettaragi." Notably, her recordings of "Seodo Sokyo" (경기좌창; 京畿座唱) and "Kite-catching Girl," accompanied by orchestral arrangements, were released by the Japanese Victor record label. Additionally, she participated in the 2nd Paldo Myeongchang Competition (팔도명창대회; 八道名唱大會) alongside Kim So-hyang (김소향; 金小香), Kim Su-jeong (김수정; 金水晶), and Kim Yeo-ran (김여란; 金如蘭) from September 21 to 23, 1931, and continued to appear on Gyeongseong Broadcasting Station throughout the 1930s, where she performed gayageum sanjo on multiple occasions.

Gogocheonbyeon (고고천변; 皐皐天邊)

One of the songs that she collaborated with.

Gogocheonbyeon Album (Park Joong-geun's composition)

The song 'Gogocheonbyeon' (皐皐天邊) originates from the pansori performance 'Sugungga' (水宮歌), where the character Byeoljubu emerges onto land and expresses his observations of the surrounding landscape. This piece is frequently performed as 'Heoduga' (虛頭歌) and is recognized as a significant and widely appreciated lyric within various renditions of 'Sugungga.' Over time, 'Gogocheonbyeon' has evolved, taking on multiple forms such as a brief song, lyrics, a miscellaneous piece, a gramophone recording, and a folk song. Notably, the esteemed singer Song Man-gap (송만갑) is renowned for his interpretations of 'Gogocheonbyeon,' having recorded it multiple times alongside 'Byeoljubu Taryeong.' Other notable artists who have also recorded this song include Im Bang-ul (임방울), Kim Chang-hwan (김창환), Kim Hae-seon (김해선), Gib Chae-yeon (깁채연), Kim Mae-hyang (김매향), Ju Ran-hyang (주란향), and Kim Yeon-su (김연��).

Detail about the album

"Gogocheonbyeon" is an extensive composition that integrates the recurring phrase "Gogocheonbyeon Ilryunhong" with lyrics drawn from the "Saetaryeong," "Yusanga," and "Manhakcheonbong" series. The song typically commences with the line "Gogocheonbyeon Ilryunhong" (杲杲天邊日輪紅), depicting imagery such as the cyclical nature of Bujang (扶桑) and the return of Yanggok's (陽谷) Jajin. It also evokes scenes of a fishing village and the transformation of Nohwa into snow, alongside references to Buyeong (浮萍) as water.

Notably, the reading version of "Gogocheonbyeon" features an extended narrative at its conclusion, which elaborates on specific details and facts. This addition reflects the dedication of the creators to enhance the work's completeness as a reading material, aiming to provide a richer and more luxurious experience for the audience.

The lyrics of "Gogocheonbyeon" primarily depict mountainous landscapes and are associated with the "Yeongsan-ga" series of diverse songs, as well as the independent genre of "Yeongsan." (靈山) This song is categorized within the "Yeongsan-ga" (令山歌) collection, which celebrates natural beauty while reflecting the nuances of life's transitions. A notable feature of "Gogocheonbyeon," particularly for Gyeongseong Broadcasting Station, is its classification as a short song. During the 1930s and 1940s, numerous artists performed "Gogocheonbyeon," and such brief compositions were often transformed into miscellaneous songs, eventually becoming part of the folk music tradition.

As a folk song, "Gogocheonbyeon" was predominantly gathered from the southern regions where pansori enjoyed significant popularity. This context is integral to its identification as a southern folk song, highlighting the cultural and regional influences that shaped its development and dissemination.

Features & Significance

'Gogocheonbyeon' exemplifies a succinct musical form characterized by its refined essence. This piece, imbued with a distinct Yeongsan quality, upholds the dignity associated with aristocratic traditions, distinguishing itself from other pansori narratives and shorter compositions that may lack such decorum. The song's performance, utilizing the relatively light Jungjungmori jangdan, creates a dynamic yet reverent ambiance. 'Gogocheonbyeon' has been interpreted in various formats, including original pansori narratives, short songs, and folk adaptations, reflecting its versatile nature. This adaptability highlights its significance in bridging high culture with popular culture, although the precise origins of 'Gogocheonbyeon' remain a topic of debate.

Recent studies indicate that short songs, previously recognized primarily as components of pansori, were performed independently as a vocal genre known as 'Yeongsan' prior to their incorporation into pansori heuduga. This revelation prompts a re-evaluation of the classification of dan-ga, suggesting it may not merely be a subgenre of pansori as traditionally believed. Such findings contribute to a deeper understanding of the evolution of Korean musical forms and their cultural implications.

References

Kwon Oh-kyung (권오경) from Busan University of Foreign Studies has contributed significantly to the field of Korean language and literature. His research includes a comprehensive study on Gogocheonbyeon, published in Eomunhak, which explores its existence and functions within the context of Korean literary traditions.

In addition to his scholarly articles, Kwon has collaborated on various publications, including a single-volume collection co-authored with Kim Jin-young (김진영) and Lee Ki-hyung (이기형), as well as the complete works of Rabbit Tales, which spans five volumes. His academic pursuits also encompass the introduction of Korean music, particularly focusing on Yeongsan and Danga, as detailed in a publication by Lee Hye-gu (이혜구) from Seoul National University Press.

[papaya2000s]

Photo collection of kisaeng's - Part 2

All photos below have been AI enhanced for a more clear viewing (there may be some errors in the pictures), i will be listing there names in both English and Korean below the photos.

There names go from top left to bottom right.

English - Kisaeng List - Kim Jin-sook, Kim Ok-sim, Kim Geum-seon, Kim Su-wol, Kim Nam-hong, Kim Gyeong-ju, Kim Ik-hong, Kim Chun-jo Korean - 기생명부 - 김진숙, 김옥심, 김금선, 김수월, 김남홍, 김경주, 김익홍, 김춘조

English - Kisaeng List - Lee Il-gi-hwa, Lee Dong-hwa, Lim Chun-hong, Kim Chun-hwa, Lee Wol-seon, Lee Hwa-seon, Lee So-hee, Lee Geum-hwa Korean - 기생명부 - 이일기화, 이동화, 임춘홍, 김춘화, 이월선, 이화선, 이소희, 이금화

English - Kisaeng List - Kim Wol-hyang, Lee Hyang-sim, Lee Song-wol, Lee Chae-seon, Lee Sook-deok, Lee Iran-su, Lee Seon-bok, Lee Iran-hyang Korean - 기생명부 - 김월향, 이향심, 이송월, 이채선, 이숙덕, 이란수, 이선복, 이란향

English - Kisaeng List - Lee Ok-ran, Lee Yong-ju, Lee Dan-gyu, Lee Jeong-suk, Lee Dam-hong, Lee Hee-sook, Lee Jang-young, Lee Ok-ryeon Korean - 기생명부 - 이옥란, 이용주, 이단규, 이정숙, 이담홍, 이희숙, 이장영, 이옥련

[chillingcinemachronicles]

Top 5 Sci-Fi Movies on Netflix

5. Predestination (2014)

Genre: Science Fiction, Thriller

Actor: Alicia Pavlis, Annabelle Norman, Arielle O’Neill, Ben Prendergast, Carolyn Shakespeare-Allen, Cate Wolfe, Christopher Bunworth, Christopher Kirby, Christopher Sommers, Christopher Stollery, Dennis Coard, Dick York, Elise Jansen, Eliza D’Souza, Eliza Matengu, Ethan Hawke, Felicity Steel, Finegan Sampson, Freya Stafford, Giordano Gangl, Grant Piro, Hayley Butcher, Jim Knobeloch, Katie Avram, Kristie Jandric, Kuni Hashimoto, Lucinda Armstrong Hall, Madeleine West, Maja Sarosiek, Marky Lee Campbell, Milla Simmonds, Monique Heath, Noah Taylor, Noel Herriman, Olivia Sprague, Paul Moder, Raj Sidhu, Rob Jenkins, Sara El-Yafi, Sarah Snook, Sophie Cusworth, Tony Nikolakopoulos, Tyler Coppin, Vanessa Crouch

Director: Michael Spierig, Peter Spierig, The Spierig Brothers

Rating: R

One of the most original time-travel thrillers since 12 Monkeys. A brilliant subversion of the Time Paradox trope, with enough plot twists to keep you entertained until well after the movie is finished. Predestination is an amazing movie with great performances from Ethan Hawke and Sarah Snook. It’s a movie that will feel like Inception, when it comes to messing with your mind and barely anyone has heard of it. It is highly underrated and unknown, sadly.

4. Train to Busan (2016)

Genre: Action, Adventure, Drama, Horror, Science Fiction, Thriller

Actor: Ahn So-hee, An So-hee, Baek Seung-hwan, Cha Chung-hwa, Chang-hwan Kim, Choi Gwi-hwa, Choi Woo-shik, Choi Woo-sung, Dong-seok Ma, Eui-sung Kim, Gong Yoo, Han Ji-eun, Han Sung-soo, Jang Hyuk-jin, Jeong Seok-yong, Jung Seok-yong, Jung Young-ki, Jung Yu-mi, Kim Chang-hwan, Kim Eui-sung, Kim Jae-rok, Kim Joo-heon, Kim Ju-hun, Kim Keum-soon, Kim Soo-ahn, Kim Soo-an, Kim Su-an, Kim Won-Jin, Lee Joo-sil, Lee Joong-ok, Ma Dong-seok, Park Myung-shin, Sang-ho Yeon, Seok-yong Jeong, Shim Eun-kyung, Sohee, Soo-an Kim, Soo-jung Ye, Terri Doty, Woo Do-im, Woo-sik Choi, Ye Soo-jung, Yeon Sang-ho, Yoo Gong, Yu-mi Jeong, Yu-mi Jung

Director: Sang-ho Yeon, Yeon Sang-ho

Lights, camera, VPNaction! Elevate your movie nights with NordVPN. 🎥🔒secure your connection and Download NordVPN . Click now to unlock global cinematic thrills!

A zombie virus breaks out and catches up with a father as he is taking his daughter from Seoul to Busan, South Korea’s second-largest city. Watch them trying to survive to reach their destination, a purported safe zone.

The acting is spot-on; the set pieces are particularly well choreographed. You’ll care about the characters. You’ll feel for the father as he struggles to keep his humanity in the bleakest of scenarios.

It’s a refreshingly thrilling disaster movie, a perfect specimen of the genre.

3. Serenity (2005)

Genre: Action, Adventure, Science Fiction, Thriller

Actor: Adam Baldwin, Alan Tudyk, Carrie ‘CeCe’ Cline, Chiwetel Ejiofor, Colin Patrick Lynch, David Krumholtz, Demetra Raven, Dennis Keiffer, Elaine Mani Lee, Erik Weiner, Gina Torres, Glenn Howerton, Hunter Ansley Wryn, Jessica Huang, Jewel Staite, Linda Wang, Logan O’Brien, Marcus Young, Mark Winn, Marley McClean, Matt McColm, Michael Hitchcock, Morena Baccarin, Nathan Fillion, Nectar Rose, Neil Patrick Harris, Peter James Smith, Rafael Feldman, Rick Williamson, Ron Glass, Ryan Tasz, Sarah Paulson, Sean Maher, Summer Glau, Tamara Taylor, Terrell Tilford, Terrence Hardy Jr., Tristan Jarred, Weston Nathanson, Yan Feldman

Director: Joss Whedon

Rating: PG-13

Lights, camera, VPNaction! Elevate your movie nights with NordVPN. 🎥🔒secure your connection and Download NordVPN . Click now to unlock global cinematic thrills!

Serenity is a futuristic sci-fi film that serves as a feature-length continuation of the story-line from the TV program Firefly (2002–2003). The story revolves around the captain (Nathan Fillion) and crew of the titular space vessel that operate as space outlaws, running cargo and smuggling missions throughout the galaxy. They take on a mysterious young psychic girl and her brother, the girl carrying secrets detrimental to the intergalactic government, and soon find themselves being hunted by a nefarious assassin (Chiwetel Ejiofor). The first feature-length film from Joss Whedon (The Avengers), Serenity is a lively and enjoyable adventure, replete with large-scale action sequences, strong characterizations and just the right touch of wry humor. An enjoyable viewing experience that stands alone without demanding that you have familiarity with the original program beforehand.

2. Sorry to Bother You (2018)

Genre: Comedy, Fantasy, Science Fiction

Actor: Armie Hammer, Danny Glover, David Cross, Ed Moy, Forest Whitaker, James D. Weston II, Jermaine Fowler, John Ozuna, Kate Berlant, Lakeith Stanfield, Lily James, Marcella Bragio, Michael X. Sommers, Molly Brady, Omari Hardwick, Patton Oswalt, Robert Longstreet, Rosario Dawson, Steven Yeun, Teresa Navarro, Terry Crews, Tessa Thompson, Tom Woodruff Jr., Tony Toste, W. Kamau Bell

Director: Boots Riley

In the year of the Netflix TV Show Maniac, another absurdist title stole critics’ hearts. Sorry to Bother You is a movie set in an alternate reality, where capitalism and greed are accentuated. Lakeith Stanfield (Atlanta) is a guy called Cassius who struggles to pay his bills. However, when at a tele-marketing job an old-timer tells him to use a “white voice”, he starts moving up the ranks of his bizarre society. A really smart movie that will be mostly enjoyed by those who watch it for its entertaining value, and not so much for its commentary. It is like a Black Mirror episode stretched into a movie.

1. Ex Machina (2015)

Genre: Drama, Science Fiction

Actor: Alex Garland, Alicia Vikander, Chelsea Li, Claire Selby, Corey Johnson, Domhnall Gleeson, Elina Alminas, Gana Bayarsaikhan, Oscar Isaac, Sonoya Mizuno, Symara A. Templeman, Symara Templeman, Tiffany Pisani

Director: Alex Garland

Rating: R

Lights, camera, VPNaction! Elevate your movie nights with NordVPN. 🎥🔒secure your connection and Download NordVPN . Click now to unlock global cinematic thrills!

Ex Machina is the directorial debut of Alex Garland, the writer of 28 Days Later (and 28 Weeks Later). It tells the story of Caleb (Domhnall Gleeson from About Time), an IT developer who is invited by a billionaire CEO to participate in a groundbreaking experiment — administering a Turing test to a humanoid robot called Ava (Alicia Vikander). Meeting the robot with feelings of superiority at first, questions of trust and ethics soon collide with the protagonist’s personal views. While this dazzling film does not rely on them, the visual effects and the overall look-feel of Ex Machina are absolutely stunning and were rightly picked for an Academy Award. They make Ex Machina feel just as casually futuristic as the equally stylish Her and, like Joaquin Phoenix, Gleeson aka Caleb must confront the feelings he develops towards a machine, despite his full awareness that ‘she’ is just that. This is possibly as close to Kubrick as anyone got in the 21st century. Ex Machina is clever, thrilling, and packed with engaging ideas.

[wavehq]

( ANONYMOUS ASKS ) ——- hi! mw characters/fandoms from kdramas?

hi! i got quite the list for you: kim bom, yong soo-chul, park ki-joon (swedish laundry), kwon jihyuk, im soo-ah, lee hyunsoo, jang do-il, kim hajin, seo kyong-jong (flower band), vincenzo cassano, hong chayoung, jang jun-woo (vincenzo), cha hyunsoo, yoon jisoo, jung jae-hoon, lee eunhyuk, lee eunyoo, park yuri (sweet home), kang tae-moo, shin hari, cha sunghoon, jin youngseo (business proposal), na bora, poong woonho, baek hyunjin (20th century girl), nam on-jo, lee cheong-san, choi nam-ra, jang hari, yang dae-su (all of us are dead), lee yeon, ryo hongjoo, lee rang, cheon moo-young (tale of the nine tailed), so mun, ga mo-tak, do ha-na, cho mae-ok (uncanny counter), jin jung, shin a-ra, oh do-hwan (bad prosecutor), kim dogi, jang sung-chul, ahn go-eun (taxi driver), kim shin, ji eun-tak, wang yeo, kim sun (goblin), lee ikjun and ahn jeong-won (hospital playlist), and jayoon (the witch)!

admin dream is… mobile! ——- 15-45 minute replies.

[perspectivaglobalnews]

"Estación Fantasma": El nuevo clásico del terror psicológico que arrasará en México

La llegada de una película de terror siempre genera expectativas, pero pocas veces se presenta una propuesta tan prometedora como Estación Fantasma, el más reciente trabajo del aclamado director Jeong Yong-ki. Con la colaboración de dos gigantes del J-Horror, Hiroshi Takahashi (responsable del aterrador Ringu) y Koji Shiraishi (Noroi: The Curse), esta película promete ser una joya que cautivará a los fanáticos del género en México.

Estrenada en renombrados festivales como el FrightFest en el Reino Unido y el Festival Internacional de Cine de Busan, Estación Fantasma ha generado opiniones muy positivas en todo el mundo. Desde el 16 de enero, está disponible en las salas mexicanas, distribuida por Tulip Pictures, para llevar a los espectadores en un viaje alucinante hacia lo inexplicable.

La trama sigue a Na-young (Kim Bo-ra), una periodista que busca redención tras un escándalo profesional. Su vida da un giro cuando un amigo le habla sobre extraños sucesos paranormales en la estación de tren Oksu, lo que la lleva a investigar una tragedia del pasado: un acontecimiento ocurrido en una comisaría abandonada bajo la estación, marcado por dolor, muerte y maldiciones. A medida que la historia avanza, Na-young se adentra en el misterio de un niño que no puede encontrar descanso, desatando una espiral de terror psicológico.

El filme destaca por su atmósfera opresiva y su mezcla de realismo mágico, creando una experiencia única que no solo aterroriza, sino que también emociona. A través de una dirección minimalista, Jeong Yong-ki logra utilizar los efectos prácticos y el maquillaje de los espectros de manera brillante, evitando exageraciones y logrando un terror genuino y profundo. Cada escena está pensada para sumergir al espectador en un ambiente cada vez más angustiante.

El guion, coescrito por Takahashi y Shiraishi, es otro de los puntos fuertes de la película. El equilibrio entre tensión narrativa, sustos inesperados y una justificación emocional para los elementos paranormales hace que cada momento en la pantalla se sienta auténtico y necesario. A lo largo de la película, los personajes se ven atrapados en una lucha constante por sobrevivir, enfrentando un mal que ha atormentado a generaciones.

Si eres un amante del cine de terror y buscas algo que te mantenga al borde de tu asiento, Estación Fantasma es, sin duda, una cita obligada. ¡Atrévete a adentrarte en la estación más aterradora del cine contemporáneo!

[pletnet]

Estación Fantasma: Misterio Imposible de Olvidar

Explora el misterio y terror de Estación Fantasma, la nueva película coreana que promete cautivar a los amantes del horror con su trama intensa y visualmente impactante. #CineTerror #EstacionFantasma #TulipPictures

Estación Fantasma, una experiencia aterradora y única Una trama que entrelaza maldiciones y tragediasUn elenco y producción de talla internacionalEl auge del cine de terror coreanoTu opinión es clave El cine coreano continúa ganando terreno en el género de terror, y Estación Fantasma, la nueva película dirigida por Jeong Yong-ki, promete llevar a los espectadores a un viaje escalofriante y…

[k-star-holic]

Se-won Seo, Kim Jung-ryul's sunggu-ria state party ... daughter Seo Dong-joo

Source: k-star-holic.blogspot.com

[soksokgood]

On the other hand, Kim Min-young

(Woori Financial Capital), who advanced to the finals in the previous tour, was eliminated early as she was caught up by Choi Hye-jeong. Defending champion Ayako Sakai (Japan, Hana Card) also finished the tournament early 해외배팅사이트리스트as she lost 18-19 to Choi Ji-sun. Kim Min-ah (NH Nonghyup Card), Yong Hyun-ji (High1 Resort) and Kim Se-yeon (Huons) also failed to make it to the round of 64.

In the round of 32, Kim Ga-young will clash with Hwang Min-ji, while Han Ji-eun and Cha Yu-ram, Throng and Jeong Su-bin will also face off. The winner of the group Kim Ga-young and Hwang Min-ji will 해외배팅사이트KRWmeet Han Ji-eun and Cha Yu-ram in the round of 16.

The competition will start in earnest starting with the opening ceremony of the competition at 12:30 p.m. on Thursday. The PBA 128th round match will be held from 1 p.m., and the LPBA 32nd round will be held 메이저사이트from 6 p.m.

[salanaii]

Learn Korean with me - Week 6/Day 1

Day 1: Let's Speak Korean Chapter 4 - Shopping (1 - 50)

어서오세요. Eo seo o se yo Welcome.

무엇을찾으시나요? Mu eos eur cha jeu sin a yo What are you looking for? 

혹시반바지있나요? Hog si ban ba ji iss na yo Do you have shorts by any chance?

모자를 / 신발을찾고있어요. Mu ja reur / sin bar eur chaj go iss eo yo I’m looking for hats/shoes.

찾으시는스타일이 / 브랜드가있나요? Chaj eu si neun seu ta ir I / beu raen deu ga iss na yo? Is there a style/brand you are looking for?

도와드릴까요? Do wa deu rir gga yo? May I help you?

사이즈가어떻게되시나요? Sa I jeu ga eo tteoh ge doe si a yo? What is (your) size?

입어봐도되나요? Ib eo bwa do doe na yo? Can I try (this) on?

이사이즈있나요? I sa I jeu iss nay o? Do you have this size?

제사이즈는30입니다. Je sa I jeu neun 30 ib ni da My size is 30. = I’m a 30.

조금큰 / 작은것같아요. Jo geum keun / jag eun geos gat a yo I think it’s a little small/big.

딱맞네요. Ttag maj ne yo It fits perfectly.

얼마예요? Eor ma ye yo How much is it?

세일하나요? Se ir ha na yo Is it on sale?

재고있나요? Jae go iss na yo Do you have (it) on stock?

확인해주시겠어요? Hwag in hae ju si gess eo yo Could you check, please?

반품가능한가요? Ban pum ga neung han ga yo Is it possible to return? = Is it returnable?

얼마동안에반품할수있나요? Eor ma dong an e ban pum har har sui ss nay o (Literal) Within how long can I return? = How late can I return it?

환불가능한가요? Hwan bur ga neung han ga yo (Literal) Is a refund possible? = Can I get a refund?

반품하고싶습니다. Ban pum ha go sip seub ni da I’d like to return.

게품에문제가있나요? Ge pum e mun je ga iss na yo Was there a problem with the product?

아니요,사이즈가맞지않아요. A ni yo, sa I jeu ga maj ji anh a yo (Literal) No, the size isn’t right. = No, it doesn’t fit.

아니요,스타일이맞지않아요. A ni yo, seu ta ir i maj ji anh a yo (Literal) No, the style isn’t right. = No, I don’t like the style.

다른색상이있나요? Da reun saeg sang I iss na yo Do you have different colors?

이게마음에들어요. I ge ma eum e deur eo yo (Literal) This is to (my) liking. = I like this.

그냥둘러볼게요. Geu Nyang dur reo bur ge yo I’ll just look around.

구경해도되나요? Gu Gyeong hae do doe na yo May I look around?

탈의실이어디죠? Tar ui sir I eo di jyo Where is the fitting room?

남성용 / 여성용인가요? Nam seong yong/ yeo seong yong in ga yo Is (this) fir men/for women? = Is this men’s or women’s?

여기흠이있어요. Yeo gi heum I iss eo yo There is a scratch/nick/defect here.

원래이런가요? Won rae I reon ga yo Is this usually like this? = Is this normal?

할인해주실수있나요? Har in hae ju sir sui ss na yo (Literal) Can you discount it for me? = Can you give me a discount?

신상품있나요? Sin sang pum iss na yo Do you have the latest products?

정���맞나요? Jeong pum maj na yo Is this an authentic product?

매니저를만나고싶습니다. Mae ni jeo reur man na sip seub ni da I’d like the meet the manager.

계산해주세요. Gye san hae ju se yo (Literal) Please calculate (it) for me. = Please ring it up for me.

쇼핑백을주세요. Syo ping baeg eur ju se yo Please give me a shopping bag.

포장해주네요. Po jang hae ju ne yo (Literal) Please wrap (it) for me. = I’d like to have it wrapped.

영수증을백안에넣어주세요. Yeong su jeung eur baeg an e neoh eo ju se yo Please put the receipt in the bag.

영수증은저에게주세요. Yeong su jeung eun ge ju se yo Please give the receipt to me.

카드되나요? Ka du doe na yo Is (credit) card okay? = Do you take credit cards?

현금도되나요? Hyeon geum do doe na yo Is cash okay, too? = Can I pay with cash?

현금으로사면할인받나요? Hyeon geum eu ro sa myeon har in bad na yo Do I receive a discount if I buy with cash?

택스리펀드되나요? Taeg seu ri peon deu doe na yo Is it eligible for tax refund?

택스리펀드는어디에서하나요? Taeg seu ri peon deu neu neo di e seo ha na yo (From) where do I do (=file) tax refund?

이렇게작성하면되나요? I reoh ge jag seong ha myeon doe na yo (Literal) Is it right if I fill out like this?

배달도되나요? Bae dar do doe na yo Can it be delivered as well?

홀드해주실수있나요? Hor deu hae ju sir sui ss na yo Can you hold (it) for me?

다시찾으러올게요. Da sic haj eu reo or ge yo I’ll come again to pick it up.

수선가능한가요? Su seon ga neung han ga yo Is alteration possible?

[abbyandhanako]

A grandfather’s regrets

My name is Mark Jeong, This is about my grandfather Lord Ju-won, the 17th Count of Jeong.

This is in his words as he can’t really read or type English well, this is the only time I’m doing this as I’m in low contact with him.

“I wish I hadn’t pressured my family for a grandson, When I only had granddaughters and after the second one, I told my sons (my eldest was disowned for being gay, I regret it and my daughter was disowned for marrying a man my family didn’t like)

When my second older son’s wife had another daughter after a miscarriage and two granddaughters, He angrily disowned her and I stood by and watched this and nodded, She took her two eldest daughters and was forced to leave Yo-jong behind…

Yo-jong grew up to be fanatical to a family that doesn’t even give a damn about her….

My youngest son Yong-il’s wife Eun-min who is now estranged from him told me she didn’t want kids and wasn’t ready to be a mother, Like an idiot I ignored her, she ended up giving in and having a daughter named Mi-hee who tragically only lived to seven years old.

Mi-hee died from DIPG when she was 7 years old and her death emotionally destroyed Eun-min and her family, Mi-hee was their first grandchild and their ‘little princess’, Dae-su, my best friend and Eun-min’s father became senile after she passed away.

And all I cared about was having a grandson that I disregarded my own granddaughter’s death and the effects.

On-jo, My son In-su’s wife was later cut off along with her daughter Seo-yeon after she gave birth to a stillborn son who would have been my heir, the heir who never will be….In-su screamed insults at her and Seo-yeon and I sat and watched….

A year after Mi-hee died, Eun-min fell pregnant and when an ultrasound was performed, we found out she was having a boy, in June, the baby was born, he was named Jeong Ma-keu, the now 19th Count of Jeong.

Even though I was overjoyed at me finally having a grandson, all was not what it seemed, Eun-min had bad postpartum depression and had trouble bonding with her newborn son, she did have PPD after Mi-hee was born but it wasn’t as bad as she had help from her family…

I even overheard her stating to her mother even though she does love Mark, she feels little for him and her life was better before she and the late Mi-hee were born.

Yong-il was not a good father by any accounts and treated Mark like an object to show off, heir first, person second, and betrothed him to a emotionally and physically abusive rich girl from a wealthy family he had business with, This led to Mark suffering permanent damage to his throat.

Mark eventually ran away at 15 years old and ended up in Team Plasma, his employer Ghetsis and Eun-min hates me and for good reason, I ruined the lives of several people because I wanted a grandson.

I see Misapinoa’s children and grandchildren and I feel like this could have been my family if I wasn’t so selfish….

These are letters from Seong-su and Yun-hee:

‘“No, “Father”, you’re NOT sorry, you’re only sorry because your ‘traditions’ and son preference ruined your family, You ruined Hwa-young, On-jo and Eun-min’s lives because YOU only cared about having a grandson and not when On-jo had a stillbirth and when Eun-min lost her daughter, the way you reacted to my now husband was vile that even your own second wife was disgusted with you, Don’t you ever contact me again!” - Yun-hee’

‘“It’s been….47 years, 47 years….you turned my youngest brother who was only two when I last saw him into a cruel misogynistic monster, I can’t even recognize him anymore and all I see now is an abusive monster of a father who has no regard for his dead daughter and a son that he abused so badly he screams at the sight of him, Mark looks like Yong-il when he was younger and it makes me sick knowing that, You’re only sorry because your family’s in shambles, what have you done to my brothers….?” - Seong-su.’

And this is one from Mark:

‘“할아버지….(Grandfather….), Do you even deserve that title? I had fond memories of you when I was younger but you ruined the lives of my aunts and mom because of your selfish behavior as well as that of my uncles and ‘father’, I resent you, My mother openly talks about how her life was better before she became a mother and is now living someone else’s life, I couldn’t even see my other hal-abeoji because my halmeoni and mother thought he would become violent in my presence until he died when I was five….

My life was in shambles before, during and after I was born to a couple that had no love between them….” - Mark’

This one from On-jo

‘“Never contact me again, I lost my son before I got the chance to hold him and you tore him from my arms and you sat and watched as he kicked me and my daughter out, I still remember the look on your husband’s face when I won the right to my son’s ashes three years later, I struggled to survive with my daughter as a single mom because of you, My daughter who now has a granddaughter the same age when she herself was disowned doesn’t want anything to do with you either….she wishes she was there for Mark…the heir you let your son abuse….”’

From Hwa-young, Sook-mi and Na-ri:

‘“I hate you, pure and simple, Our youngest daughter and sister was only kept to get back at us because of the complications relating to her birth, Yo-jong became fanatical and doesn’t even recognize us as her family members…..You wanted a grandson, You got your grandson, the grandson your own son broke into pieces….”

This one from Eun-min:

‘“I hate you, There is not beating around the bush, I never wanted children, yet you were too stubborn to care, the result was a granddaughter you didn’t care even when she was dying and a grandson that you wanted yet you barely did anything when your son treated him harshly, I was just a babymaker to produce a male heir, You and Yong-il did nothing for me when I had intense PPD after Mark’s birth, You treated Mi-hee after she died like she never existed.

I had nightmares about Yong-il destroying every little things I had of her, I still can’t sleep well at night most nights….

You even tried to make her death all about my deceased nephew when you disowned his mother and sister….

You destroyed nearly three decades of my life, I feel like I lived someone else’s life that wasn’t my own, Don’t contact me again, I wish my father never knew you.” - Eun-min.’

I regretted everything, If I could turn back time I could….

- Ju-won, 17th Count of Jeong.”