#Stone warriors
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kydv404 · 3 months ago
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I don't think any secondary antagonist has ever NPC'ed as hard as Kozu did
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cyber-geist · 3 months ago
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Stone Warriors from the fic Idolatry, by Tashacee and TwoDumbasses on ao3. This fic is so good and just oughhhh, living stone is such a brilliant concept and Wars is having a rough time in this fic. Poor mate. Link to the fic below
https://archiveofourown.org/works/57248686/chapters/145620478
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master-jarrus · 5 months ago
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Chapters: 9/? Fandom: LEGO Ninjago Rating: General Audiences Warnings: No Archive Warnings Apply Characters: Lloyd Garmadon, Mystake, Sensei Wu (Ninjago), Kai (Ninjago), Jay Walker (Ninjago), Cole (Ninjago), Misako (Ninjago), Zane (Ninjago), Nya (Ninjago), Lord Garmadon (Ninjago) Additional Tags: Sassy Lloyd, Grandmother Mystaké, I’m actually doing an organized timeline kind of, Oni Mystaké, Dragon-Oni Hybrid Lloyd Garmadon, Oni Wu, Oni Lloyd Garmadon, Oni Lord Garmadon (Ninjago) Summary:
Mystaké never liked the idea of raising children. However she wondered if being more involved with her son would have been better for him. When given the chance to raise her grandson she decides not to make the same mistake twice. After all what could possibly go wrong in raising Lloyd Garmadon?
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Went to Legoland
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ninjakitten1699 · 2 years ago
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Anyone ever ask what dialect the Stone Warriors speak in?
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lolbitninjago3 · 1 year ago
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velo-cats · 2 months ago
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Stone Song
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gray-thistleclan · 4 months ago
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THE FIRST CURSE (Part 4)
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plum-pudding-everywhere · 2 months ago
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komaeda in a shirt i saw on pinterest
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mammoth-clangen · 2 months ago
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Next
Previous
First
Sorry for the delay, on top of The Horrors I got concussed u-u
Not sure when the next page will be bc I only have 1 buffer left aaaaa
Me: Kindred will have a simplified style so i can be fast
Also me: *slowly drawing closer and closer to White Cat Gold Plains level of detail bc i can't control myself*
.... also this page Literally has two white cats in gold plains oh my god art imitates art
Oh yeah, Smilodon time!
I have been having fun working out ways to differentiate the Fleet Fangs and Ice Fangs, besides just "one has bigger teeth". So they get more bearlike shapes and lips + the hypothesized extended gumline down the sabers (they also use boar and sow like bears rather than tom and molly like cats)
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yourdarlingwarrior · 2 months ago
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I thought it'd be good as any for my first post to be this edit I made! I love them, if you couldn't tell
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clanborn · 11 months ago
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Origins of the Bay Clans: Stone and the Lynx (Part 2)
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The tracks led inland, further than the cats of Stone’s little clan had yet dared to travel. She followed the river upstream, skirting the thrashing current as it threw itself against the banks. The forest grew denser, the hemlocks thicker, the sharp peaks of the mountains taller, casting the valley in deep shadow. All was silent but the river, and the sound of strange, buzzing bird calls that rang eerily through the trees. Though her heart trembled, Stone trekked on, her pawsteps guided by purpose and the tracks that still sat unmistakable in the mud.
Stone had never followed a river to its origin, had never even thought of it as a possibility. Water–rivers, oceans, rains–lived outside the boundaries of a lifespan, within birth and death. Rivers weren’t something that just began, or ended, they simply cycled–at least, that’s what she had believed. 
After hours spent unceasingly hiking through the valley, Stone emerged from the edge of the treeline. The pebbled ground spread flat in front of her, before abruptly spiking upward to form the range of mountains. Two peaks pierced the sky, and nestled between them was a landform unlike anything Stone had ever seen. The river rushed forward from the base of a giant white slope, a crystalline mass carved deep with blue crevices. 
The wall shone like a piece of the moon itself, bleeding into the valley, its essence spilling into the forest before winding its way to the Bay. As Stone drew closer, she realized with a shock that the structure was made of ice, frozen solid despite the warmth of late spring.
She halted at the river’s edge, looking upon the structure in wonder. Was the moon made of ice? Had a shard of it fallen from the heavens upon the mountains? What else could create a fortress so massive, so imposing yet nurturing, whose icy waters fed the land and the bay?
These questions swam through her mind, but she tossed them to the side with a flick of her ears. For now, the answers were unknowable, and she must remain focused on her task.
She shook out her pelt and continued her path: the ground now had turned to gravel, and she tracked by scent instead of footprints. The slope turned steep, then rocky, a gray mountain face broken only by patches of unmelted snow and determined shrubs. Below her, the mass of ice gleamed, stretching out beyond the peaks like a blinding white sea. 
As she continued along the mountainside, she noticed an opening in the cliff face, a dark entrance where the ice field met the mountain. She quickened her pace until she reached the cave entrance, standing on the barrier of darkness. Here, the scent she was tracking hung in the air, strong as ever, leading her into the blackness. She slipped into the cave without a second thought
Inside was a large cave, and she quickly crossed the open stretch of ground to the back, where a darker shadow lay. A tunnel.
Curiosity drove her forward, driving away any fear she might have felt. Down into the tunnel she tread, deeper and deeper into the veins of the mountain. For ages she was guided by scent alone, and the narrow tunnel walls pressing on all sides. An eternity of darkness. 
Finally, Stone saw light, a blue glow that softly spilled into the end of the tunnel. Her footsteps quickened, and the cat entered into a cavern. Her breath hitched as she stepped into the light, awed by the sight before her. A medium sized cave rose around her, walls of smooth, layered stone arcing above her. The stone was washed with blue, for one wall was made not of rock, but entirely of ice. It was a deep, rich blue, as sunlight filtered down into the fragment of icy moon.
Within the ice wall’s bubbles and cracks hung an even stranger sight. A giant skeleton, ancient and fragmented, was trapped frozen in the ice, the remains of a creature Stone had never seen before. Though it’s thick bones and long, curved fangs were utterly unfamiliar, something in Stone knew it had once called itself catkin. A forgotten ancestor.
In front of the ice, sitting still and gray as the rocks around it, was a towering feline silhouette, its tufted ears outlined by the cold light. Stone’s fellow, wild catkin cousin. The Lynx.
The Lynx turned its gaze towards her slowly, expectantly, like it had known about her presence even before she did. Stone approached it, wary. 
“I admire your tenacity, cat” Its voice was a gravelly purr. “I thought you’d stop at the treeline.”
Stone skirted the wall carefully, keeping several pawsteps of distance between her and the creature. “Why did you assume that?”
The Lynx wrinkled its nose in a wry smirk. “Well, look at you. You’re an imitation of a cat. This wilderness is unfit for your kind.”
Stone flattened her ears, attempting to keep her voice level. “What exactly do you mean?”
“You call yourselves ‘cats’, yet your kind feeds by human hands. You have grown small and thin-furred, distant from your nobler origins. You can only survive in little packs, reliant on the work of others, unable to face nature with your own merit—A true ‘cat’ walks in solitude, you know nothing of the sort.”
Stone looked beyond the Lynx to the ice wall behind it, where the massive bones of their great ancestor lay suspended in time. “You say my kind has fallen, but have yours not? Have you not also grown smaller than this god, your fangs short, your bones thin? It too lived in solitude, yet here it lies, dead, its life unremembered by its catkin. You mock my community, but we have lived this long despite this lands’ harshness, and will continue to do so.”
The Lynx’s smug expression faded, and its gaze grew intense as it stared at Stone. “Even gods die, housecat. The only thing life guarantees is an ending.” It curled its lip. “Your ‘community’ is not exempt from this.”
Stone met its eyes, unwavering. “If we are catkin, what bars me from the same powers you possess? Surely I can learn to survive by your means, surely I can find access to your blessings.”
The Lynx almost laughed, but the scoff caught in its throat. It narrowed its eyes, suddenly thoughtful, the smirk creeping back up its muzzle.
“Maybe I can offer you a taste of godhood, little cat. The lives of my predecessors run through me, from the tip of my tail through all ten of my claws.” The deity sat back on its haunches and held up its massive paws in demonstration. For a brief moment, its claws twinkled with a faint light, like stars plucked straight from the sky.
“One of these is mine, of course. But I have nine to spare.” It tilted its head down at her, its fangs gleaming in the blue cavern light. “Provided I deem you worthy of them.”
Stone raised her head in challenge. “What would make me worthy?”
The Lynx paused to consider, eyeing her up and down. 
“To you alone I will grant these lives, thus you alone must face me.” The lynx narrowed its eyes. “Prove to me your will and strength, and defeat me in battle. If I submit, I grant you these lives, and the chance to explore this bay with greater distance between death and yourself.”
“Your loss, of course, will cost you your life.” It dipped its head towards her. “Is it a deal?”
Stone paused, hesitant, her heart fluttering in her chest. How could she face this creature in her state, small in stature, weary from her climb, completely alone? Despite her apprehension, her curiosity was stronger. There was only one chance for an opportunity like this, and even if she declined, what would stop the Lynx from killing her anyway?.
She nodded once. “I accept your terms.”
The lynx nodded back. Its fangs flashed. It stretched its claws. 
They leapt into battle.
Stone was swift, but the Lynx was strong and skilled. It battered her with massive paws, slamming her into the cold rocky floor. Stone dodged and weaved through its attacks, but the cavern was small, and every leap Stone made seemed to send her into another faceful of claws.
Her opponent threw a powerful swipe, tossing her against the ice wall with a thud. Back against the blue glow, Stone crouched low, struggling to catch her breath. Her strength was waning, and Stone knew with every moment her chances of victory grew slimmer. Her paws shook slightly. The Lynx had noticed her waver, and began to pad towards with calm, sure steps. It smiled–it was eager to finish her off. How could she win this?
She thought of the cats–the clan–she had left behind, who likely waited anxiously for their wayward leader’s return. Would they falter without her guidance? Would the glimmer of hope she had lit in their hearts snuff out with fear? If only she could lead them to the majestic moon glacier, show them the ethereal ancient glow of the blue cave, renew their spirits with wonder at the wilderness they were trapped in. Stone suddenly stiffened, steeling herself as she lifted her gaze back toward her foe. Though she fought alone in the cavern, her mind conjured the presence of her clan behind her. She would not die here. She would die among the cats she had befriended, who had banded together in their time of need. The cats she needed, who needed her to return alive.
With a burst of vigor, Stone launched herself toward the lynx’s head, her weight and confidence catching it off guard. She clung to its face, slashing its ears, her momentum sending it crashing hard into the floor. It flailed its huge paws, but Stone stood steadfast upon its chest, pressing her own paws down forcefully against its throat. Her claws dug in, blood welled up around her toes. The lynx grew more panicked, struggling wildly, its breath stuttering in strangled gasps. Stone pressed harder.
“St–Sto-”
Stone leaned close into its face. “Do you yield?”
The Lynx thrashed its head, attempting to nod frantically. “Yg-Yes!”
Stone slowly lifted her paws, releasing pressure off the creature’s throat. It gasped for air, then shoved her off its chest, throwing her to the floor. She scrambled to her paws, watching the Lynx heave. After it had caught its breath, the Lynx pressed its paw deep into the stone floor. It did so with strange power, impressing into the rock like it was mud, leaving the crisp outline of its giant pawprint. It beckoned her over. Its breath was hoarse. “Come.”
Stone approached the Lynx. She eyed it warily, nervous that it would decide to ignore the deal and kill her anyway. But it didn’t move as she stood above it, her paws settling on the edge of its pawprint, which seemed to sparkle slightly in the dim, cold light. 
The Lynx glared up at her, its cool demeanor vanished, its eyes blazing with controlled fury. “Touch your nose to the floor,” it growled. “You will receive your reward.”
Carefully, Stone dipped her head down, until her nose brushed against the floor’s icy chill. For a brief moment, all was still.
Suddenly, she was blinded by overwhelming light. The force of the glare threw her head back, and her vision was assaulted by an oppressive blur of color and noise. Images flashed in her mind, landscapes, memories, creatures she has never seen before. Each streaked by, too fast for her to fully process the scenes. Waves of emotion crashed in her, sending her reeling, thrown into a raging sea of grief and joy and fear and wonder. She felt all of time as it had crept by, millions of years of the past and future stretched out infinitely, lived all at once in a single instant. She felt everything. She felt nothing. It was the most agonizing pain she had ever experienced, swept in a flood of sheer euphoria. She knew places and beasts and times she had no name for, all lived through and known by the catkin before her. It was the longest moment of her life, but as she crouched, trembling, blinking her eyes back to the sight of the blue cavern, she realized only seconds had passed.
The Lynx had stood, and had begun moving toward the cave’s exit. It turned to look down at her, and Stone returned its gaze, panting heavily, her fur on end and buzzing with strange energy.
It was silent for a moment. “You now have eight more lives to live along with your own. More than any little cat has had before. Your blessing and your curse.” It lulled thoughtfully, its expression had settled back into its neutral stare. 
Its voice was cold, though laced with an undertone of contempt–and perhaps, Stone thought, respect. “Do not treat this victory lightly, Stone. Every day you live here will be another test, another gamble with your life. Living here is a game with no winners, and you and your fellows can only stall the march of nature for so long.” 
The lynx turned, padding toward the exit. “The gods here will meddle where they like, and though you have bested me, I can not guarantee my kin will be deterred from entertaining themselves with playthings like you.”
The god stopped in the entrance, then glanced back toward her, its face in shadow.
“Good luck, Stone. You will need it.”
It disappeared.
For a moment, Stone stood alone in the blue cavern.
She was not Stone anymore. Something had changed within her, the Lynx’s stars sat heavy in her chest, glittered on her whiskers. Just as an icy piece of the moon had fallen to the earth and become one with it, fragments of the stars had melded with her being. She was Stonestar, and her pelt glowed with the new (old?) lives that settled under her fur. 
And she was alive. More than she had ever been before. 
And it was time to return to her clan.
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weepingtalecowboy · 6 days ago
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Phonecall gone wrong
You know what ..,
the slate-stone communication is rarely used
When it is one of the funniest plot devices ever
Especially with shitty connection
Like imagine the chain separated during a portal and then half of the chain is trapped in a cave in or something
And the Point of view is all from the slate team just listening to the other group as they hear very concerning things
Like Warriors, wind, legend are trapped
Wind is talking to Wild while Wild is trying to figure out where the others are and time and sky are next to Wild
When suddenly Wars drops some insane stuff from wind's side like, "I think...
Legend ?... he is just starring at me... I think I took it too far... it's making me feel very unsate ... Legend...LEGEND..PLEASE...he..chasing..oh, DEAR HYLIA ....
(DISTORTION)...WTFFF,,. HELP...WTF.,.RUUN!!"
Then it's followed by mic distorted screaming something that sounds like a collapsing cave... more screaming and crying... something that sounds like a stabbing sound... something that sounded like frantic running, then quiet wailing then more vocal noise,
"He went.... We are...-dead ... shit.., (DISTORTION)
…... Is he alright"
All while the slate side has absolutely no context or explanation
Except a single ominous comment from Wind, "I think he is dead..?"
Which is not making anything better
Who the fuck died right now ... a monster, Legend . .., Warriors !.!.
What the heck is happening over there
Who is killing who...
And freak the fuck out
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luthanraels-bignaturals · 25 days ago
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the real tragedy of stone ocean is that the line “when I’m with Jolyne, I want to cry as hard as I possibly can” is the most romantic, devastating and homoerotic thing ever said during the series, but it will never be acknowledged by the fandom because it’s about two women
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ileaveclawmarks · 2 years ago
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An interview with Leslie Feinberg appearing in the Oct/Nov 1998 issue of On Our Backs.
Please click on image to read or find the transcript below:
Feinberg and hir activist peers have transformed the landscape of current queer politics: they have introduced "trans" (even into the mission statement of the National Organization for Women) as an umbrella term for transgender and transsexual persons. "Transgender" refers to any person whose gender expression appears at odds with his or ber biological sex, including transvestites, drag queens and kings, intersexed persons, "passing" men and women, feminine men, and masculine women. "Transsexual" refers to men and women who challenge the sex they were assigned at birth, whether they choose sex-reassignment surgery or not. Feminism popularized the distinction between "sex" (as biological sex) and "gender" (as the social expression of masculinity, androgyny, and femininity); the trans movement took this distinction to the streets.
Feinberg and hir activist peers have transformed the landscape of current queer politics: they have introduced "trans" (even into the mission statement of the National Organization for Women) as an umbrella term for transgender and transsexual persons. "Transgender" refers to any person whose gender expression appears at odds with his or ber biological sex, including transvestites, drag queens and kings, intersexed persons, "passing" men and women, feminine men, and masculine women. "Transsexual" refers to men and women who challenge the sex they were assigned at birth, whether they choose sex-reassignment surgery or not. Feminism popularized the distinction between "sex" (as biological sex) and "gender" (as the social expression of masculinity, androgyny, and femininity); the trans movement took this distinction to the streets.
Feinberg discusses her struggle with the health care system in hir new book, Trans Liberation: Beyond Pink or Blue. Released in October, Trans Liberation chronicles Feinberg's career as a public speaker and collects the addresses s/he delivered to a variety of groups, from Gay Pride organizers to straight male transvestites. We spoke with Feinberg about why sexual freedom is impossible without freedom of gender expression.
On Our Backs: Trans Liberation was released this fall. Can you tell us about what you're working on now?
Feinberg: I'm deep into a novel titled Drag King Dreams. It's about a working-class, Jewish trans person who has a foot in both the diverse trans communities and also the lesbian, gay, and bi communities. It's a book about figuring out what "home" means and who your people are. I'm also trying to write a fable titled "Tale of Two Hearts." it's really a love song to Minnie Bruce Pratt-my wife, my lover, and my friend. It's just one chorus of the love song I write to Minnie Bruce every day of my life.
On Our Backs: Your relationship with poet Minnie Bruce Pratt, thanks in part to her book S/he, is well known. What is your advice to those of us seeking a long term relationship as loving as yours?
Feinberg: I just know that for me, this is a relationship unlike any other I've ever had. I wasn't looking for a lifetime commitment when I met Minnie Bruce. I°d been dating nonmonogamously for quite a while, nothing serious. Minnie Bruce and I both did a lot of work individually to grow up, get sober and work hard at developing our political consciousness and activism. We were ready for each other. Ready to be loving, to communicate, and to listen.
On Our Backs: Pat Califia once wrote that she wishes there would come a time when we don't pick a sexual partner by his or her gender, but by other criteria, such as whether the person is a top or a bottom. In your ideal world, what would attract people to one another?
Feinberg: It's hard for me to hypothesize. In the world we live in, individuals do organize their preferences around gender expression. But a spectrum of sexuality existed in ancient societies that predated state. sponsored repression of human love. That leads me to think that these preferences might continue to exist in future societies in which no form of sex or gender is outlawed or demeaned. I don't think the problem today is preferences so much as prejudices. For example, I read personal ads in which people say "no druggies or butches need apply." Wow! That's preiudice. If you say in an ad that you're looking for someone feminine or androgynous or some other form of preference. that's very different from saving "no butches." As more and more prejudices are defeated, and in a world freed from divide-and-rule bigotry, people will be freer to explore their preferences about gender and about individuals.
On Our Backs: Do transgendered persons have sexual representation-pornography, erotic fiction, videos made for and by themselves?
Feinberg: Right now, there are many people trying to write erotica that bends gender. And I think it's very important. For many of us, it's very hard, never being able to identify with the sexuality we see everywhere in the dominant culture. [So] it was very important for me to write about sexuality in Stone Butch Blues. In the novel I'm working on now, I've been thinking a lot about how to write about sexuality that's not necessarily masculine or feminine, or gay or straight.
On Our Backs: What do you mean by "sexuality that's not necessarily masculine or feminine"?
Feinberg: I see masculinity and femininity as forms of gender expression. But a person's gender expression doesn't necessarily determine their sexuality. It doesn't determine whether you'll be attracted to someone of a similar gender expression or a dissimilar one. It doesn't mean you'll be sexually aggressive or submissive or both. That's what makes me so angry when I hear people derisively refer to someone as "thinks she's so butch but she rolls over in bed." It's an assumption that masculinity translates into being a top sexually. It limits the range of sexual expression of masculine females. And it's a sexual attack on someone who is, by virtue of their social oppression, already sexually wounded.
On Our Backs: Both sex scenes from Stone Butch Blues were excerpted for collections of lesbian erotica. Did you intend the scenes to be sexually arousing for readers - to be erotica - when you wrote them?
Feinberg: That's such an interesting question. I have to say that when I set out to write the sex scenes, I began to be aware of internalized censorship: "Can I or should I write about this or that?" So I consciously blocked out any thought of readers with this odd mental trick: I told myself that whatever I wrote, I didn't have to publish it. First write it, then decide. By doing that, I discovered that I could write about the kind of sex that i thought was true to the emotional makeup of the characters. If it was erotic for readers, I think it was because I was true to the characters themselves, so the sex was "real," if you know what I mean.
On Our Backs: Can sexuality exist without gender? Or is gender an essential component of sexuality?
Feinberg: Certainly everyone is gendered - quite complexly. And we infuse much of who we are, as gendered people, into our sexuality. But sexuality is so complicated by oppression right now that it's really hard to study it removed from its social soil. Jesse Helms defeated funding for a study that would have backed up much of what Kinsey revealed decades ago: that human sexuality is not two opposite poles- one normal, one not. Sexuality is on a spectrum, and many individuals move along that continuum during their lives. But lesbian, gay, and bisexual love is outlawed in the majority of states in the United States. So how can a truly objective, intensive study of sexuality even be conducted? It's like doing a study on religious beliefs and affiliations during the Nazi regime in Germany. So much of what we will learn about the relationship of gender and desire, as well as unraveling other questions about the matrix of sexuality, will be tied to the victories of our liberation of humanity from oppression altogether.
On Our Backs: In Trans Liberation you wrote about how frustrating it is voting for a two-party system when both parties are backed by big business. Do you vote? Should poor, queer, and trans people even bother voting?
Feinberg: Well, politics is about more than voting. It's also about finding ways to move people to action. In a particular situation, voting on an issue in an election or a candidate could help advance the movement. In general, though, I don't think voting for Republicans or Democrats - both supported by wings of corporate America, as are their parties - advances our struggle. I believe we need to build an independent liberation movement that's not tied down by waiting to see what happens in the next election. Everything our movement has ever won, including progressive legislation, has been won based on the strength of our struggle.
On Our Backs: Lesbians who accept transgender liberation in theory often balk at making alliances with transsexuals. Why is this so?
Feinberg: First and foremost, transsexual men and women helped build the modern lesbian, gay, and bisexual communities and movement. I know of at least one transsexual sister who fought the cops at Stonewall. They haven't always been recognized for their valuable contributions. But I believe strongly that those in the lesbian communities who are opposed to building coalitions with the diverse trans communities are just one current, and very often a minority current. The question is: Which current of any movement will lead? Those who seek to narrow the movement, or those who seek to broaden and strengthen its collective power?
*In this interview, On Our Backs refers to Feinberg with the pronouns "hir" (pronounced "here") and "s/he." We choose to do so because Feinberg has stressed that if society is to accept transgendered people, our language must expand as well. S/he gives as an example Ms., a common term now, but unacceptable before the women's movement.
Source.
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avocados-of-law · 9 months ago
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Some Fire Emblem Dragons for the Year of the Dragon
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