#Still water mind

[zytes]

this manatee looks like it’s in a skyrim loading screen

[389]

[turtleblogatlast]

Every day I’m haunted by the fact the boys happily swim in sewer water

Even if it’s filtered somehow there’s no way it’s not still nasty 😭 Bet they can defeat any of their villains just by accidentally giving them diseases I swear

[sysig]

Strictly professional showering (Patreon)

[where-the-water-flows]

ok so I keep coming back to an au where like.

Instead of faking his death, Shan Gudao fakes Li Xiangyi's death, and still blames the Jinyuan alliance for it.

(and, because, y'know, what's the point of winning if you don't have anyone to see it, stashes poor Li Xiangyi in a convenient dungeon somewhere. if you don't start with your own captive audience, a shidi is fine.)

Shan Gudao thus becomes the head of the Sigu Sect, bc...like, he is second in command, and now he's got 1)prestige and 2)time to work on his ultimate goal of Becoming Emperor Of Everything Ever. Probably does the occasional 'expedition' to 'search' for his beloved shidi's 'missing body', by which I mean go and update poor captive Li Xiangyi on whatever new terrible step in the 'take over the world plan' he's up to, and/or do a bit of torture, psychological or otherwise.

Di Feisheng, on the other hand, is fully losing his shit trying to work out what in the actual fuck happened to Li Xiangyi, because someone has clearly murdered him. And on the one hand, he's now, kinda, the top of the jianghu, and on the other, he hasn't exactly earnt that, has he, and winning by default doesn't fucking count, that's not skill, that's random luck.

And sure, literally everyone in the damn world is out for his head because of the whole ' "murdered" Li Xiangyi' thing, but that's 1)more fights to test his skill in 2)not the point, he has to find out who Really murdered Li Xiangyi, if that means mowing through every idiot stupid enough to get in his way when he can't just lay low, so be it. (A surprising number of people are thrown off by a mask.)

all of which is to say: in this world the kinda sketchy and mysterious guy wandering the jianghu on a quest to find a corpse that Fang Duobing latches onto is Di Feisheng, who-- is initially tolerating this idiot in part because he's Li Xiangyi's disciple, which means he has just as much interest as Di Feisheng does in working out what the fuck actually happened a decade ago, and in part because --

well. ten years of looking for a dead man, let alone a famous dead man like Li Xiangyi, is an awful long time to find nothing at all. a suspiciously long time, really, like there's not actually a dead man to find.

like Li Xiangyi is still alive.

[cheese-water]

my favorite part of all this is cjack has just become an avid gambler. like go off king lmao

[texaschainsawmascara]

Jennifer Connelly, 2000

[fatedroses]

Tank-on-Tank violence.

[lynaferns]

About that sun swimming post like what if he just tilts his head to use as a board cause the water keeps clashing with his head and makes him slow down so he just tilts his head whatever direction he's going moon too btw

(late response, sorry)

He was already looking up like animals do when they swim, Moon and Eclipse where just floating.

I drew the faces round, they aren't flat so it wouldn't slow them down much anyways.

I just wanted to draw the boys swimming and pulling their rays back like puppies do because I thought it was cute. (I'm talking about the other post, Sun isn't pulling back his rays here because Moon is carrying him).

[zeb-z]

I know it’s played as a bit at first, but Chip struggling to wield Destiny’s Blade in Gillion’s absence is so important, because that’s just it, isn’t it. The weight of his destiny is something so great, so heavy of a burden, but there hasn’t really been insight into that until recently, and now both Chip and Jay are getting a look into just how hard it is to carry such a destiny. To raise the sword that Gillion does seemingly with ease.

But despite its weight, Chip keeps it close. He uses it when he’s out of ideas, when he needs options. He holds it tight to summon water, so Pretzel will have something in her bowl. He lifts it up to summon a shield when he needs protecting from a thousand different blades that would otherwise kill him. And there’s something too about how it’s Gillian’s blade, left behind without it’s wielder, protecting his friends despite his absence. How the manifestation of this magic is an imitation of Gillian’s - the shield protecting Chip as a swirling sphere of water, the shape water spell a Gillion classic of course. Even when he’s gone, his influence, what he’s left behind in both possessions and memory, are protecting Jay and Chip.

Maybe there’s something there about how whatever destiny Gillion has felt the weight of, it will always include protecting his friends - his family. Or about how their destinies are now forever intertwined, because Chip is using this Destiny’s Blade to find Gillion and it’s now his burden to bear. And it’s hard, and it hurts, and he feels the weight of his own actions now more than ever - but Jay promises he won’t bear it alone. And even while he’s lost, and unable to protect himself - Gillion still has a hand in protecting them.

[sluckythewizard]

FIIIINALLY almost nailed my designs for lizzie and caspian can i get a HEEEELLL YEAAH???? i think these two make a vvery cute duo and i cannt wait to see them again. i also hope they both get hurt reaaaallly really badly. togeter

[heartorbit]

SPARKLE ON ✨✨✨

[dyna-myght]

Going to be thinking about this for a very long time.

[kamenridergaysex]

that rude ass bird that i hate

[stop-breaking-my-heart-telltale]

I think for all the discussions we have of "everyone hears the jokes and the piano; after that, they stop listening" surrounding Louis, we tend to still simplify his connection to the piano.

Yes, it's very cute that he sings Clementine a little song when they first meet, and it's very cute that he plays a little prank on her while "tuning" the piano. It's super cute that they carve their initials into the piano and Clementine carves a heart around them. It's mega cute that he names his song he wrote after her when she confesses her feelings. Louis playing Don't Be Afraid at the party is, in my opinion, one of the best moments in all of TFS.

But here's the thing: That piano is Louis' heart.

I don't mean to go all metaphorical on you, but I'm dead serious—the piano is Louis' heart, and when you think about his arc and his romance route with that in mind...?

That piano is his one comfort in a world where the dead walk. It's been with him from the beginning of the outbreak. We know from his backstory that Louis wanted to take singing lessons so he could be a real musician, and his father denying him of that was what set him off to be a "vindictive fuckhead." Louis never got those singing lessons, and it's a very real possibility that Louis taught himself how to play.

Sure, others could've taught him; we know Minerva was musically talented, perhaps she showed him a thing or two. But learning piano, or any instrument, is brutal even with professional guidance. It takes hours of practice until numbness wears fingertips raw; dedication to memorize every key and finger placement to make music pleasing to the ear; self-discipline to keep going through every fumble, every failure, every single cruel thought of self-doubt; intelligence and a creative ear to write his own songs.

And yet, it's severely under-appreciated by everyone. It's annoying. It's distracting. It's unimportant. It's an excuse for Louis to mess around and not do any real work. He doesn't have any actual talent. The music and the piano are brushed off, unheard.

Yet, Louis keeps playing. He keeps singing. He keeps making jokes.

Creating music, the one thing he wanted so badly as a kid that he destroyed his parents marriage, was possibly the greatest comfort he had... a welcome distraction to disassociate from the horror and death happening around him.

It's bittersweet, like a purpling bruise that you can't stop pressing on; it hurts, but there's something else below the pain. The piano is out of tune and it's something that brings him joy... but will always act as a constant reminder of who he was and what he did, why he's at Ericson to begin with.

We first meet him while he's playing; Louis' heart is exposed, but is it really? Is he playing to his true potential? Louis hides behind the mask of a charming, charismatic goof. It's what is expected of him, so he plays a silly song intended to poke and prod at Clementine, to gauge a reaction. That's something we see him do at multiple points in episode one. In fact, we can consider a majority of episode one to be like the song he's playing when we meet him; it's mostly cheery or fast-paced.

Louis is able to soothe AJ with his "alluring" music after the kid bit Ruby is an indication that the two of them will share a bond. Louis is a natural at communicating and bonding with the younger kids [another talent that's overlooked] so it's interesting that he praises AJ for being a natural at piano, as well.

But the song stutters just a bit when Louis and Clementine are in the woods together, though; "There's only one guarantee: this moment. That's the only you got, only thing any of us got. Might as well enjoy it." ...Only for Louis to compose himself and send her away.

It's only when Clementine has a gun in her face, held by Marlon, that the music isn't fun anymore; it's rainfall and thunder and the words "I thought you were more than that" sung through the wind in a melody only Louis can hear.

Then Marlon's dead. The song is over, and reality has arrived.

I've talked at length about Louis in ep2 and his vote in the past. It's one of the most compelling things about Louis' arc and romantic route. It's a tragic mistake driven by trauma and guilt. It's people simultaneously telling him to shut up and telling him to be angrier than he is. Telling him to stop burying his head in the sand when he's never been more aware of everything happening. It's AJ peering up at him with pleading eyes that Louis can't stand to look at. It's Clementine wrapping his heartstrings around her fingers and tugging just enough to hurt, but not break.

Louis missed Clementine. He says as much when Clementine admits she missed him first. I don't even know where to begin with that! I can think of no other way to describe it other than they are half agony, half hope over this... and if you get that reference, you get a gold star. I just- the ache, the tension, the conflicting feelings of finally having a quiet moment to talk but Louis not being ready yet.

Y'know how someone carved "you suck at playing" in the side of the piano? It's something you might not initially notice while playing the game, just as Louis' insecurities aren't apparent at first.. but they're carved in him; never fully healed, still scabbed and bleeding... Until Clementine offers him a bandage.

She won't clean the wound for him, but she'll be there. She'll help him figure out how to do it himself so he can heal. She'll listen to him, not belittle his feelings or pain. She'll make an effort to know his keys and notes and practice playing his song until she understands.

When Clementine chooses him to spend time with him, it's a mirror of their first time meeting... but this time, Louis plays something real: a song he wrote, one that I believe he crafted during the two week time skip... a song he wrote with Clementine on his mind, for better or worse.

If the piano is Louis' heart, he literally asks her to sit there and try to tune it, which ends up being a joke but I say she's already tuned your heart, my guy. It's there before them, changed in the warm candlelight. He plays for her and opens up about how no one actually listens, but Clementine did.

And remember, this is the night of the raid. They don't know it's coming, but they know it'll be soon. Louis understands that he could very well die, so what does he do? He carves his initial into the one thing he's always had, and he asks Clementine to do the same.

I'm sorry, how are we NOT more feral about this? Prior to this scene, the only thing we see carved into the piano, into Louis' heart, is an insult. This thing that Louis cares so deeply about, this instrument that's become so intertwined with who he is... he wants to leave his mark on it just in case he dies. A reminder that it was his and he belonged to it just as much. Something so important, and he asks Clementine to carve herself into his heart where no matter what, they will be immortalized together in this moment.

And when Clementine carves a heart around their initials? Yes, his reaction is very cute and that's great... but she's not ashamed of him, or her feelings for him. She wants everyone who looks upon his heart to know that. She tells him how she feels and Louis is so giddy, and warm, and he names the song after her and I am going to start biting anything that moves, I can't-

Oh, and let's discuss the party scene in episode three, shall we? Y'know, where the heart covered initials are on full display? Where Louis tells the story of why he was sent to Ericson to everyone?

Louis is so... vulnerable. Sincere. Ashamed of what he did. This is the exposed nerve, the one he was so afraid of showing Clementine but there it is... and she doesn't reject him. Sure, she can say it's fucked up if you choose to, but she doesn't break up with him over it.

Also the fact that everyone sitting around him finally listens when he's at his most unshielded only for Tenn to ask him to play Don't Be Afraid for them after...? How do you not see the connection? Are you trying to make me cry? In that moment, Louis' heart was heard and appreciated and beautiful and strong and-

Listen. I am fine. I'm so normal about this. And fine. I'm fine.

But I also have to add that during the walk in episode four, if you let Louis choose what to add to the imaginary house, he picks a brand new piano because he wants a new heart to reflect the confidence and growth Clementine helped him achieve and because he loves her and AJ so much that wants the new heart to not just be his but also theirs and I am so fine with this, okay.