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Support My Family Journey to Safety and Peace
🚨Urgent Appeal 🚨
My name is Jaber Al-Haj. I am from Gaza, married to my wife, Menna, and we have a little son named Hashim, who is less than two years old. Like any Palestinian family, we dreamed of a simple and stable life. But the recent war turned our lives upside down. The sounds of explosions never left us, and fear has become part of our daily existence. My son Hashim suffers from health problems that urgently require treatment, but the war has destroyed everything, including the healthcare system, making access to necessary medical care nearly impossible. With each passing day, our suffering deepens, and the fear for Hashim’s health and future consumes me.

Alongside my small family, I used to work with my brothers, Aboud and Bilal, on our joint project—a small lab for producing essential household cleaning products. We started this project with modest resources, dreaming that it would become a source of income to support us and provide job opportunities for our community. But the war left us with nothing. Our lab, which was once filled with life and hard work, was reduced to rubble under the bombardment. We lost our equipment, our livelihood, and with it, a part of our dreams for the future.





Even our home, our only refuge, did not escape the destruction. It was severely damaged and is now uninhabitable. We were forced to flee and live in a tent under harsh conditions unfit for human life. The cold, the heat, the lack of resources, and the absence of privacy have made life nearly unbearable. We try to cope, but every day brings new challenges and suffering.




Today, what worries me the most is my son Hashim's condition. His health is deteriorating, and he desperately needs treatment abroad. However, under the circumstances we’re living in, I lack the means to secure his travel and medical expenses. As a father, there is nothing more heartbreaking than watching my child suffer while being unable to help him.


This campaign is a lifeline for my family in our darkest hour. With your generosity, we can bring hope back into our lives and secure a better future for my son, Hashim. Every contribution, no matter how small, makes a world of difference.
Please support us through the links below:
👉Donation link
👉Paypal Link
Thank you for standing with us and helping us through this difficult time. Your kindness means more than words can express.
With heartfelt gratitude, Jaber AlHaj
✅ My Campaign ✅ 🔍Vetted by @90-ghost here 🔍Vetted by association in this post
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#gazaunderattack#gaza strip#free palestine#gaza genocide#free gaza#gofundme#humanity#freepalestine#gaza fundraisers#palestine gofundme
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Satin Pillows To Cry On
CW: coercion with money, age gap(7 yrs), transactional marriage, obsessive/yandere behavior
gn! reader
﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀﹀
You’ve got nothing else, no one else to rely on.
‘You’re something he bought to keep from growing old.”
Your clothes are worth small countries. Your cars stacked in 3-level garages. Diamonds, emeralds, pearls hanging from your wrists and ears, satchels made of endangered animal skins, different shoes for each day of the year.
Your boyfriend of three years spat at your feet when you told him what you were doing.
“His money can’t love you, not like I can.”
The wedding was only two months away when you broke up with him, told him you couldn’t live in his broke-down apartment anymore, that you couldn’t live with debt trailing wherever you went. You went so far as to make him hate you, to tell him that you never wanted to see him again, that you never loved him, that he better not bother showing up to the wedding. You didn’t want him there, you never wanted to see him again.
“You’re lying to me; he’s making you say these things, he’s using you against me! You’ve known him what-- two seconds, and you’re going to marry this man?! He’s nearly a decade older than you!”
Seven years of an age gap or not, he was still a thousand times more independent, wealthy, and a safer choice than your boyfriend. You weren’t some fresh college student new to the world, you had graduated over two years ago, still finding no luck in getting a stable income-- forget about whether or not it was in the field of your degree.
You left in a single day, fitting all of your scavanged belongings into one of your fiance’s awaiting cars. You left anything worth of value with your ex-boyfriend, knowing he’d find more use out of it than you would. You would even leave the rest of your things there if he could find use for them, but you knew they’d just be one more painful reminder of your betrayal.
He did as you said, not showing up to your wedding, staying clear, never appearing in your line of sight since the day you left. It made it easier…. For both of you that way.
And now you were happy-- well, maybe not happy, maybe not even content, but you were… safe. You had everything you needed: a working car, a stable job that you felt productive in, a clean and comforting house to come home to, a spouse. Sure, maybe you didn’t get your new job yourself, or your house or your car-- but did that really matter, in this economy? Who wouldn’t trade their life and their independence for this kind of wealth?
And your husband… he wasn’t all bad. He might have only wanted you for the sake of having you at first, like a new jewel or the latest technological invention. But he was doting and caring in his own way. Maybe just a tiny bit too invested in you, in your schedule and who you talked to. A little too hateful towards your ex-boyfriend, the one who had you before he could. But everyone had character flaws, and on good days you could distract him from his grumpy mood and stress and obsessive behaviors by being the loving and oh so perfect spouse you had trained yourself to be ever since he asked to marry you.
“Colder than all that gold…” You repeated in your mind, the words your family whispered to each other at your wedding reception only a few feet away from you.
That was over six months now, though… the honeymoon phase never existed, you rarely saw your husband except for his midnight appearances back from the office, and whenever he would whisk you away for a weekend vacation to savor the time he had with you. For someone more sophisticated, much wealthier, and dare you say handsomer than the average man-- you were surprised to find he didn’t have a line of divorces behind him.
No; he said, he had been “waiting for you.” whether you or he knew it, he understood right from the moment of meeting you that you were the one he’d have for the rest of his life, even if it killed him. That severity… scared you. But in a sick sense, it made you feel relieved. Forever? This could be yours, forever? Your family would never have to struggle again, you would never have to worry where your next meal came from?
“I cleared your schedule until tuesday; we’re going to the isles. A mini vacation, you might call it. Get your things.”
He was cold, that was for sure. But, was he any worse than your ex-boyfriend, especially when he was offering you an expensive experience on top of that?
“All right..” You acquiesced.
And now, you lied sunken into the bed feeling his loving, hot breath on your navel. Going so sweetly slow, so oddly and uncharacteristingly lingering with his touches as he gazes into your eyes. You didn’t like this; didn’t like that when he was cherishing you, making love to you, holding you so intimately, he was appearing… like a husband should. Where did he get the nerve to ignore you everyday, to have hardly any time for you, only to come back and beg for your love when it was convenient for him?
But you keep your mouth shut, like you should, if you want to keep eating breakfast in bed, keep wearing silk robes while watching the view of the ocean outside your window.
“So beautiful…you’re like a work of art, the kind no amount of money can buy.”
That was funny, hilarious even. Enough so to make you cry.
A familiar face passes by the slightly ajar door to distract you, likely one of the housekeepers leaving for the night. But you swear the man’s figure reminds you of someone from your past, someone you loved and left for good.
Your husband brings back your attention by placing a gentle kiss to your temple, blindly undoing the clasp of the necklace he bought you.
“I’m so lucky… so lucky to have been the one to catch you, forever. No one could’ve done it, not without what I have.”
He wanted you to kiss and caress back, but sometimes lying still was just enough. It was enough for him to witness you, basking in the glow of everything you wore from him, lying in the Egyptian cotton sheets he paid extra for, your body molded to the diet his personal chefs cooked.
Even as he pushed a knee between your legs, traveling from your navel to your stomach with open-mouthed sucks and kisses in the rawest form of affection, you couldn’t help but turn your face deep into the pillow. So soft, the soft purple shielding your eyes from his tender gaze.
You might’ve given up love, given up everything familiar and those who you’ve cared for-- but at least you had satin pillows to cry on, and the finest jewelry to wipe your tears with.
#Yall this song is so buss... you dont know#kn1ves rants#knives rants#writing#x reader#reader insert#yandere imagines#male yandere#yandere x reader#yandere#self insert#yandere writing#yandere boyfriend#yandere male#yandere boy#yandere oc x reader#yandere scenarios#yandere x y/n#yandere x you#yanderecore#soft yandere#tw yandere#yandere x darling#yandere aesthetic#yandere husband#satin pillows to cry on#yandere thoughts#yandere community#yandere blog#yandere smut
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Cafe au where sqh is the owner of a bookcafe after he finally gets all the money he was owe in loyalties with the help of sy's lawyer. Now that he has a stable income, he comes to his cafe to write his novel.
Mbj is a regular at the cafe only because the cute boy is always working there. He's a director at Northern Desert Co. And is set to take over after his father. He started coming to Melon Seed and Read Cafe because it was the closest to the company.
They started talking one day after sqh spilled coffee on him, and the whole time, mbj was nitpicking things about the Cafe that could be improved and he gets pleasantly surprised when the things he complains about get fixed soon after. Similar sqh complains about the workers from northern desert being mean to the workers and other customers, then suddenly they came in to apologize for their behavior.
The reveal that mbj is the heir to Northern Desert and sqh is the bookcafe owner would be epic. Like Northern Desert wants to work with local stores, including sqhs, to advertise some of their product. Sqh goes to the meeting and sees mbj there. They both freeze and realize that they have been talking shit about the company/cafe to the owner. The meeting is awkward, but sqh accepts the deal after his lawyer reviews it.
Mbj stopped coming to the cafe, and sqh thinks that it was because of what he's been saying about Northern Desert. When he finally comes back, sqh avoided him because it's clearly what mbj wants. Until one day, mbj pretends to walk into sqh spilling his coffee on sqh.
Being the gentleman he is, mbj offers sqh a change of clothes, and his apartment isn't too far from here, so they can go get it. What do you think happened when sqh gets to his apartment? 😏
#svsss#shang qinghua#mobei jun#moshang#shen yuan#shang qinghua deserves love#cafe au#fanfic ideas#im in my cafe au era again#i spent my day reading textbooks when i really wanted smut
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Northopalshore's 24/25
Solar Return Observations



It's my birthday! (21 dec), I thought about writing predictions for myself based on my SRC every year just as a marker that the year is ending & a new one will commence shortly. Are you finally the person you've been striving to be?
₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑
𝄞 Capricorn rising (17°)
I'll be busy this year, focused on my work and goals. I'll aim to be very productive this year! To be more responsible & act more mature. Taking in a lot of responsibilities. Though, with that Leo degree I may be gaining a lot of attention for my work or competence. An "examplary" character.
𝄞 Pluto (0°) & venus (15°) in 1st H aquarius
Another glow up! I could lose a lot of visible weight this year, and I could refine my aesthetics or perfect my makeup as well. Since they're in aquarius, it's likely I'll be standing out with the way I look or dress this year. I've been really itching to get a tattoo too. I don't give a fuck that we aren't supposed to lol.
𝄞 Aquarius 2nd H, Saturn in 2nd H/Uranus in 4th H
Venus aquarius (gemini) square uranus Taurus (aquarius °)
• unusual spending habits (i.e being very stingy with something yet spending a lot on other stuff)
• finances could be quite unpredictable this year i.e I won't be able to expect when I need to use money/ unexpected events. I'll could earn a lot of money for something unexpected, or just work odd jobs/online, by doing something I don't usually do or have never expected to do
• stable or restrained income
• dressing differently than others around me
• people talking about how I look very 'unique'
𝄞 Venus 1st house square uranus in 5th house
An unexpected relationship? Or an unexpected love interest. I could be attracting a lot of borderline unwanted romantic attention. (Venus in aquarius squaring uranus in taurus)
𝄞 Fama (10° Capricorn), saturn (13° Aries) in 2nd H pisces
• gain more attention through aesthetics
• getting attention for care in expenses
• being frugal/ disciplined with finances
• spending/earning money on/from esoteric stuff
• hard time controlling money ʕ´• ᴥ•̥`ʔ
• if I start offering my services, I might get a lot of traction/clients, but it might be more than I can handle if I don't put up any limits/restrictions
𝄞 Neptune (27° gemini) in 3rd H pisces
• talking on social media
• speaking with a dreamy gentle tone
• I might lose my train of thought quite often TT
• talking about esoteric knowledge/ metaphysical
• bursts of creative writing
𝄞 Neptune (27° gemini) trine mars in 7th house
Working on or creating art, music, writing with a partner. Could also mean learning or talking about the occult with someone closely. Could be creative projects with partners/coworkers/friends. Working well in collaborative projects.
𝄞 North node (2°taurus), chiron (19°) in 3rd H aries
• focus on communication/learning
• communication & mental fatigue
• feeling burdened by the amount of work that has to done
• feels like I have to juggle my intellect between a lot of events
•. feeling rushed with projects or events concerning writing or speaking
• having a lot of ideas, offering a service related to writing, thinking, communicating (literally signaling that I'll be starting private readings lmaoo)
𝄞 4th H in aries, mars (r) in 7th H
• living situation feels rushed, combative, competitive
• independent home life, living alone, switching housemates
• arguments amongst the people I live with, being outside more often
• visits to a significant person (?), constant moving around
• visiting people I work with /clubs/organizations a lot & being at home less
• reflecting approach to relationships
₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ .₊๋‧₊



𝄞 Uranus retrograde (23° Aquarius) in 5th H taurus
• rethinking what brings excitement to me
• thinking of picking up strange hobbies
• unexpected love interests
𝄞 Jupiter retrograde (14°taurus) in 5th H gemini
• reshaping what truly brings value and joy especially in love life, being more careful with love interests
• getting a lot of new experiences
𝄞 6th H gemini, mercury in 11th H:
• making a lot of new friends online
• popularity amongst coworkers
• gaining a lot of diverse friends
• doing daily activities w friends
• talking a lot during work
• creative collaborations
• working online more, posting more
𝄞 Groom (4° cancer) retrograde in 6th H cancer
Working with future spouse but it also counts if I'm doing something related to him on a daily basis. In my case, I think I'll be writing about him but also longing for him (hah!). Longing to be next to him. Even if I meet him this year, I don't think we'll be able to spend much time face to face with eachother because of distance or work. Our routines may clash.
𝄞 Descendant in cancer (17° leo), moon in 8th H
• feeling safe & comfort within relationships
• harmonious relationships
• changes in relationships
• possible crushes, secret relationships
𝄞 Briede (8° Scorpio) in Sagittarius 11th house squaring moon (8° Scorpio) in Virgo 8th house
I could learn (realize) something quite hard about my love life (more specifically life as a wife). Perhaps it will be harder than I thought it would be. I might have to sacrifice a lot for it.
𝄞 Briede (8° scorpio) conjunct mercury in 11th house
I could be learning more about myself as a wife online, or through purchasing esoteric services. People could also gossip about me or my relationship this year. Could be online, could be my social circle as well. However, it's likely I'll just be the one yapping about the Briede (19029) asteroid/persona chart a lot next year.
𝄞 Mars (4° cancer) retrograde in 7th H leo
Getting secret admirers, my love life could be quite difficult. Perhaps my future spouse and I will be butting heads or have a few arguments. However, since it's retrograde I think rather than being mad at eachother we'll be frustrated with our situation. That is, if we do "meet".
On the other hand, it also means indirect confessions, or having to take the leadership role/compromise a lot in joint collaborative work i.e assignments.
𝄞 Mars opposite pluto in 1st house
If this concerns my FS, we could have disagreements on whether our relationship should be public or not, our relationship could also effect our images greatly whether good or bad, or both.
If not, then this means I'll be taking on more work than I'm supposed to this year, finding it difficult to let things go as is, or some group members may be rather negligent of their tasks, forcing me to decide what to do.
𝄞 7th house ruler in 8th house
A secret relationship? Something scandalous could be happening in my love life. Since it's Cancer/moon, I could be keeping a lot of my feelings about this person a secret. Our relationship could be kept a secret as well. Could be a karmic relationship.
𝄞 8th H in leo, sun in 12th H (29°leo)
• nightmares could be possible perhaps due to exhaustion
• deep introspection of self
• reshaping how I attract attention
• choosing to be alone, do my own thing
• having to keep a lot of secrets
• I might travel on my own this year
𝄞 Moon (8° Scorpio), vertex (15° gemini) in 8th H virgo
• the way I think & process emotions will be transformed
• fated transformation/death/rebirth
• feelings are more intense this year
• lots of fast, sudden, "unexpected" new beginnings
𝄞 9th H in virgo, mercury in 11th H
• travelling with friends
• travelling for studies
• documenting travels
• planning travels
• working with friends
𝄞 POF (26°Taurus) in 9th H virgo
Perhaps I'll have good luck with my assignments. I'll be very focused and lucky when it comes to my studies. I'll be very hard working, and that hard work will be paid off.
𝄞 Lilith (19° Libra) 9th H in libra
There may be some issues with traveling alone. I might have to be moving around alone a lot even if I'm not comfortable with it. There might be some disagreements or slight dissatisfaction when it comes to studies or friendships.
𝄞 10th H in libra (23°aquarius ), venus in 1st H
• harmonious work
• popularity in work
• self focused work
• attracting more attention in general
• something about my relationship/love life could be highlighted or very prominent, a relationship could be revealed as well
• being an "IT" girl
• working on social media? Doing something I've never done before, getting attention for it
𝄞 Union (24° pisces) & Juno (15° gemini) Scorpio in 10th house:
Working with future spouse. Meeting through my work..? Meeting through my blog? Lmao. Honey are you reading this?! I don't see myself working with him on his career (at least not yet), perhaps he'll be reading my posts (writing) online and not notice it's me at first. This makes the most sense to me at the moment but it's just a theory though.
Note: SRC union conjuncts my natal union, SRC Pluto conjunct natal Juno, SRC Uranus conjunct natal Briede in the 3rd house, SRC Chiron (retrograde ) conjunct natal Boda.
There seems to be something significant about my love life but it looks like I'll also be rather weary of it at first. Perhaps I'll be contemplating on what I truly need or believe about my FS, things may feel rather rushed, and I might start having second thoughts about how things will progress. I think so especially because both SRC Chiron & natal Boda are in Aries. A lot of second-guessing may occur. A lot of procrastinating for some reason.
𝄞 Vesta (24° pisces) Libra 10th house:
I'll be making a lot of new connections, friends and relationships. Most of my new friends/acquaintances are ( and will be) from different states & even countries. Our relationship will likely be very harmonious or mostly harmonious. We will share the same goal or drive. Meeting new acquaintances through my blog perhaps?
𝄞 11th house in scorio, pluto in 1st house
• posting more online
• being more popular online
• transforming online identity
• transformation social circles
Something shocking about me could be revealed to my close circles, or even on my blog. The blog might come under scrutiny this year as well, with people suddenly flocking in to either disagree with my posts or just people looking into my blog more (usually with an intent to dig some dirt or information about me). This could also cause a lot of discomfort or discourse trying to continue something I've been doing or even cause a shift in the way I approach something.
• could be related to my face reveal hoho
𝄞 12th H in Sagittarius, jupiter retrograde in 5th H
Education being draining or tiring. I could be rather burdened by school work or assignments, perhaps I'll be doing most of my work alone or may not truly feel connected to my work. Uni life will grant me a lot of opportunities to do things I wouldn't normally do. Perhaps I'll have a lot of fun doing assignments & learn to love my life here.
I'm also really close to the capital city of my country so I'll be able to go to many, manyy events in & out of uni on my own. Since it's in retrograde it's still going to be quite overwhelming. A little bit of a culture shock for me as well.
𝄞 Boda (24° ) conjunct Eros (26°) in 12th H Sagittarius
• thinking/dreaming of marriage feeling more connected to the future, being more laid back about love, marriage, and connections, going with the flow

₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ .₊๋‧₊ ˚ ⊹ ࣭ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ ⭑
Thank you for reading ily!! ♡
@northopalshore
@northopalshore SRC 2024 all rights reserved.
#solar return chart observations#solar return chart interpretations#solar return observations#solar return chart#solar return notes#solar return#src#astrology notes#astrology observations#astro notes#astrology blog#astrology content#astrology#astro observations#astrology ramblings#astrology community#northopalshore#love predictions#love life predictions#predictions#src predictions#solar return predictions#solar return analysis#solar return astrology
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Hi! Just wanted to ask. How can I give my students assignments that are chat-gpt proof? Or that they won't just copy the answer without at least doing some editing?
Hi! So, I don't think anything is ChatGPT-proof. You fundamentally cannot stop people from using it to take a shortcut. You can't even stop them from copying the answer without editing it. However, I think you can work with this reality. So, you can do three things:
Don't be a cop about it.
If you make your objective "stop the children from using the thing to cheat," you are focusing on the wrong thing. You will be constantly scrutinizing every submission with suspicion, you will be accusing people of cheating--and some of them will not have cheated, and they will remember this forever--and you will be aiming at enforcement (which is trying to hold back the sea) instead of on inviting and supporting learning whenever and wherever possible. (I'll come back to this under item 2.)
Regarding why enforcement is holding back the sea: It is fundamentally rational for them to do this. We, who "love learning" (i.e. are good at what our academic system sees as learning, for various reasons have built our lives around that, happen to enjoy these activities), see everything they might cheat themselves of by doing it, because we know what we got out of doing this type of work. Many students, however--especially at the kind of school I teach at--are there to get the piece of paper that might, if they're lucky, allow them access to a relatively livable and stable income. The things that are wrong with this fact are structural and nothing to do with students' failings as people, or (tfuh) laziness, or whatever. We cannot make this not true (we can certainly try to push against it in certain ways, but that only goes so far). More pragmatically, chatgpt and similar are going to keep getting better, and detecting them is going to get harder, and your relationships with your students will be further and further damaged as you are forced to hound them more, suspect them more, falsely accuse more people, while also looking like an idiot because plenty of them will get away with it. A productive classroom requires trust. The trust goes both ways. Being a cop about this will destroy it in both directions.
So the first thing you have to do is really, truly accept that some of them are going to use it and you are not always going to know when they do. And when I say accept this, I mean you actually need to be ok with it. I find it helps to remember that the fact that a bot can produce writing to a standard that makes teachers worry means we have been teaching people to be shitty writers. I don't know that so much is lost if we devalue the 5-paragraph SAT essay and its brethren.
So the reason my policy is to say it's ok to use chatgpt or similar as long as you tell me so and give me some thinking about what you got from using it is that a) I am dropping the charade that we don't all know what's going on and thereby making it (pedagogical term) chill; b) I am modeling/suggesting that if you use it, it's a good idea to be critical about what it tells you (which I desperately want everyone to know in general, not just my students in a classroom); c) I am providing an invitation to learn from using chatgpt, rather than avoid learning by using it. Plenty of them won't take me up on that. That's fine (see item 3 below).
So ok, we have at least established the goal of coming at it from acceptance. Then what do you do at that point?
Think about what is unique to your class and your students and build assignments around that.
Assignments, of course, don't have to be simply "what did Author mean by Term" or "list the significant thingies." A prof I used to TA under gave students the option of interviewing a family member or friend about their experiences with public housing in the week we taught public housing. Someone I know who teaches a college biology class has an illustration-based assignment to draw in the artsier students who are in her class against their will. I used to have an extra-credit question that asked them to pick anything in the city that they thought might be some kind of clue about the past in that place, do some research about it, and tell me what they found out and how. (And that's how I learned how Canal St. got its name! Learning something you didn't know from a student's work is one of the greatest feelings there is.) One prompt I intend to use in this class will be something to the effect of, "Do you own anything--a t-shirt, a mug, a phone case--that has the outline of your city, state, or country on it? Why? How did you get it, and what does having this item with this symbol on it mean to you? Whether you personally have one or not, why do you think so many people own items like this?" (This is for political geography week, if anyone's wondering.)
These are all things that target students' personal interests and capabilities, the environments they live in, and their relationships within their communities. Chatgpt can fake that stuff, but not very well. My advisor intends to use prompts that refer directly to things he said in class or conversations that were had in class, rather than to a given reading, in hopes that that will also make it harder for chatgpt to fake well because it won't have the context. The more your class is designed around the specific institution you teach at and student body you serve, the easier that is to do. (Obviously, how possible that is is going to vary based on what you're teaching. When I taught Urban Studies using the city we all lived in as the example all through the semester, it was so easy to make everything very tailored to the students I had in that class that semester. That's not the same--or it doesn't work the same way--if you're teaching Shakespeare. But I know someone who performs monologues from the plays in class and has his students direct him and give him notes as a way of drawing them into the speech and its niceties of meaning. Chatgpt is never going to know what stage directions were given in that room. There are possibilities.) This is all, I guess, a long way of saying that you'll have a better time constructing assignments chatgpt will be bad at if you view your class as a particular situation, occurring only once (these people, this year), which is a situation that has the purpose of encouraging thought--rather than as an information-transfer mechanism. Of course information transfer happens, but that is not what I and my students are doing together here.
Now, they absolutely can plug this type of prompt into chatgpt. I've tried it myself. I asked it to give me a personal essay about the political geography prompt and a critical personal essay about the same thing. (I recommend doing this with your own prospective assignments! See what they'd get and whether it's something you'd grade highly. If it is, then change either the goal of the assignment or at least the prompt.) Both of them were decent if you are grading the miserable 5-paragraph essay. Both of them were garbage if you are looking for evidence of a person turning their attention for the first time to something they have taken for granted all their lives. Chatgpt has neither personality nor experiences, so it makes incredibly vague, general statements in the first person that are dull as dishwater and simply do not engage with what the prompt is really asking for. I already graded on "tell me what you think of this/how this relates to your life" in addition to "did you understand the reading," because what I care about is whether they're thinking. So students absolutely can and will plug that prompt into chatgpt and simply c/p the output. They just won't get high marks for it.
If they're fine with not getting high marks, then okay. For a lot of them this is an elective they're taking essentially at random to get that piece of paper; I'm not gonna knock the hustle, and (see item 1) I couldn't stop them if I wanted to. What I can do is try to make class time engaging, build relationships with them that make them feel good about telling me their thoughts, and present them with a variety of assignments that create opportunities for different strengths, points of interest, and ways into the material, in hopes of hooking as many different people in as many different ways as I can.
This brings me back to what I said about inviting learning. Because I have never yet in my life taught a course that was for people majoring in the subject, I long ago accepted that I cannot get everyone to engage with every concept, subject, or idea (or even most of them). All I can do is invite them to get interested in the thing at hand in every class, in every assignment, in every choice of reading, in every question I ask them. How frequently each person accepts these invitations (and which ones) is going to vary hugely. But I also accept that people often need to be invited more than once, and even if they don't want to go through the door I'm holding open for them right now, the fact that they were invited this time might make it more likely for them to go through it the next time it comes up, or the time after that. I'll never know what will come of all of these invitations, and that's great, actually. I don't want to make them care about everything I care about, or know everything I know. All I want is to offer them new ways to be curious.
Therefore: if they use chatgpt to refuse an invitation this week, fine. That would probably have happened anyway in a lot of cases even without chatgpt. But, just as before, I can snag some of those people's attention on one part of this module in class tomorrow. Some of them I'll get next time with a different type of assignment. Some of them I'll hook for a moment with a joke. I don't take the times that doesn't happen as failures. But the times that it does are all wins that are not diminished by the times it doesn't.
Actually try to think of ways to use chatgpt to promote learning.
I DREAM of the day I'm teaching something where it makes sense to have students edit an AI-written text. Editing is an incredible way to get better at writing. I could generate one in class and we could do it all together. I could give them a prompt, ask them to feed it into chatgpt, and ask them to turn in both what they got and some notes on how they think it could be better. I could give them a pretty traditional "In Text, Author says Thing. What did Author mean by that?" prompt, have them get an answer from chatgpt, and then ask them to fact-check it. Etc. All of these get them thinking about written communication and, incidentally, demonstrate the tool's limitations.
I'm sure there are and will be tons of much more creative ideas for how to incorporate chatgpt rather than fight it. (Once upon a time, the idea of letting students use calculators in math class was also scandalous to many teachers.) I have some geography-specific ideas for how to use image generation as well. When it comes specifically to teaching, I think it's a waste of time for us to be handwringing instead of applying ourselves to this question. I am well aware of the political and ethical problems with chatgpt, and that's something to discuss with, probably, more advanced students in a seminar setting. But we won't (per item 1) get very far simply insisting that Thing Bad and Thing Stupid. So how do we use it to invite learning? That's the question I'm interested in.
Finally, because tangential to your question: I think there's nothing wrong with bringing back more in-class writing and even oral exams (along with take-home assignments that appeal to strengths and interests other than expository writing as mentioned above). These assessments play to different strengths than written take-homes. For some students, that means they'll be harder or scarier; by the same token, for other students they'll be easier and more confidence-building. (Plus, "being able to think on your feet" is also a very good ~real-world skill~ to teach.) In the spirit of trying to offer as many ways in as possible, I think that kind of diversification in assignments is a perfectly good idea.
#teaching#chatgpt#posting this on my first teaching day of the semester!#this is probably a lot longer than what you asked for but it is the answer i know how to give. hope something in it helps!
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Sometimes I think it's underrated how much of Westeros we see during wartime. Amidst all of the discourse back and forth over whether the brutality of ASOIAF has a "realistic" basis in real-life feudal history, I think the fact that we're seeing Westeros in a very atypical and specific circumstance should not go overlooked, and I think in that regard there are parts that are "realistic" to modern history, let alone feudal.
For instance, in regards to the complaints about how many women are sex workers in ASOIAF—I think that has more to say about the nature of the wartime economy.
War breaks out; as a result, the regular economy halts. This is the result of various blockades, as well as from the workforce being redirected away from production and towards standing armies—fewer farms are being maintained, and fewer still are making it across wartime boundaries. Another side effect, then, is the trouble when this economic situation interacts with the practical existence of a standing army: massive amounts of young men, either single or separated from their families, drawing disproportionately on the limited resources of the farmland around them (which is being worked at a less-efficient rate than usual to begin with).
The army—comprised of young men—creates a demand for sex that interacts with the overflowing supply of young women without stable income (since this is an incredibly patriarchal society and the men in their lives have been taken away from work for military service). Without better jobs available, and with the market right there, these women turn to sex work, which syrockets. But of course they would, and of course it seems like every smallfolk woman we meet in ASOIAF is doing it: because people have to eat and feed their families, and the fields to plow have been burned by war, and the people who would work them have either been taken for military service or killed by war. It's exceedingly likely that sex work wasn't as widespread before the war so the increase in the need for sex workers represents the failing economy—consider the overabundance of sex workers in ACOK King's Landing, which was under a trade blockade from almost all fronts.
Then, the pendulum swings back the other direction: this is an unsustainable economy and an unsustainable way to live, so there is a reactionary religious response demanding a return to the way things were before (pre-war, in effect, but never separating this from the "social ills" that war results in). The women are blamed for their behavior, despite being demanded by the men around them and made necessary by the economy, and so this reactionary response leads to a religious condemnation of the "wanton" behavior of women.
The religious response in particular gains traction because organized religion offers several very meaningful things that otherwise solve these problems. We see from Septon Meribald toting his goods that the Faith offers charity to the starving. We see with the Sparrows, and personally with Lancel how the Faith offers a sense of meaning to those disenchanted by this strife. We see from the Sparrows and the rise of the High Sparrow how the organized religion of the Faith also offers a means of returning power to the disenfranchised.
So GRRM is achieving something unnervingly realistic here, showing what happens to local economies under wartime and the lingering horror that is left behind—a scenario that is still true of modern war, even if Americans don't have to see it personally. GRRM lived through Vietnam, and the influence is obvious in how the invading American military practiced rape and forced dubiously-consensual sex work onto the local economy.
It's also realistic how organized religion gains traction in scenarios where disenfranchised peoples need sources of hope and methods of organizing to regain what little power is available to them, and how organized religion can leverage a desire for better times into moral condemnation that fuels its rise to increasing levels of de jure power. It will be interesting to see in TWOW and beyond where the trajectory of the High Sparrow leads these people (and what that says about GRRM's observations and interpretations about modern historical parallels).
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I've been wondering what the difference is between commissions and commercial work is for an artist, since I have seen several artists also with that preference.
Is it mostly an issue of pay? Of portfolioability? Ability to be confident the client will treat you professionally?
No pressure to explain! Feel free to just delete this ask if you're not up for it.
Sure!
To clarify, commercial work is when a client is expected to use the commissioned artwork to gain monetary profit directly or indirectly. Examples of direct profit would be using the artwork to produce a product like a print for their own business and selling it. Indirectly would be something like to use the art for their brands website banner, book/album covers, packaging, etc.
My own example: I was commissioned by There Skateboards to design a skate deck for their Spring 2022 collection.
There's multiple reasons why an artist might choose commercial over personal commission work:
clients typically pay a higher rate for commercial work compared to someone who is only using it for personal use
potential for a stable income if the client keeps hiring you for future work
diversifying your portfolio and showing future clients that you are capable of working on time sensitive projects and are professional
wider audience visibility on your work that you might have not been able to reach otherwise
The list can go on but I feel like these are the main reasons. However, there are some drawbacks like not being compensated reasonably, not enough creative freedom, too tight of a deadline, company doesn't align with your values, etc. I think it really depends on the artist and what they personally enjoy doing and what they would rather deal with since both have pros and cons just like with any type of work!
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I'll be selling trigun phone charms soon !! I'm currently without a stable source of income and would appreciate the reshares
These charms are 2 inches and come with a holographic finish!! :D go ahead and follow my ko-fi account for production updates and information.
#trigun#trigun maximum#knives trigun#trigun vash#trigun wolfwood#nicolas d wolfwood#vash the stampede#millions knives#trimax#charms#vograce#my art#digital art#fanart#art
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Giving you money on patreon doesn't encourage frugality
We've addressed this a lot over the years, so just to recap:
All labor deserves compensation. Even ours. And yes, the work we put into the blog, podcast, YouTube channel, Patreon, and Tumblr is, in fact, WORK.
If we have helped someone save money, get a raise, increase their income, or otherwise win financially, it is not unreasonable to request a small optional donation to thank us for that help.
If someone is NOT winning financially, we don't expect or require them to donate to support our mission. Their first priority should be getting financially stable, not donating to creators.
We could be making a lot more money by promoting a bunch of shitty predatory financial products. This is how most of our competitors make money! But we have chosen NOT to spam our followers with ads and marketing for shady products we don't believe in or that don't serve our followers' best interests. We have a small handful of affiliate marketing partners we truly like and believe in. And the money that they bring in does not amount to enough to pay our producer a fair wage.
We're giving away almost everything for free. If you don't want to contribute to our Patreon or PayPal in exchange, then you don't fucking have to. You also don't need to send smug "gotcha" asks on anon.
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I know this is a little out of nowhere, but I'd like to thank everyone for the love and support on my art. The likes, reblogs, comments, follows, asks, it all means so much to me! I tend to not reply as I'm somewhat nervous with online interaction, but I've seen every kind thing you've all left on my posts. I never thought I'd be able to reach past my small circle of mutuals and it amazes me that I have over 4,000 people who care enough about my art to follow along.
I'm still trying to get through all of my ask box, so if you've submitted something and haven't seen me respond yet, don't worry! I've seen them all and I'm just thinking up good responses for the moment!
I'm also still working on creating affordable fandom knickknacks for you all to enjoy! I've been waiting for a stable income to continue selling on my etsy, but once I've got it, I will come up with more designs to become stickers and keychains! I'm still just dipping my toes into the water right now when it comes to selling products, so expect that this may take awhile. Eventually, I'd like the shop to be self sustaining, where each sale covers the cost of production and shipping, but right now I haven't quite figured it all out-
Okay rant over thanks you all fror listeninf im 🥺🥺🥺
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Writing an oc that's a streamer?
Writing Notes: Streamer Characters
Live Streamer
Also livestreamer or online streamer
Someone who makes videos that show them playing computer games, talking about products, or doing other activities, and streams them (i.e., puts them on the internet) at the same time as they are being made.
An individual who broadcasts real-time video content over the internet, engaging with an audience through online platforms.
Transmits live or on-demand audio or video content while users listen or watch.
Livestreams are deployed over various platforms, including social media platforms like YouTube Live, Facebook Live, Twitter, Instagram Live, and TikTok, as well as through professional business services, such as Kaltura and Dacast.
Unlike pre-recorded videos, live streams occur in the moment, allowing viewers to interact with the streamer through chat functions and other interactive features.
This immediacy creates a dynamic and engaging experience for both the streamer and the audience.
Live streamers cover a wide range of content:
playing video games,
hosting talk shows,
conducting interviews,
cooking,
crafting, and
live vlogging daily activities.
The versatility of live streaming content means that streamers can find their niche and build a community around shared interests.
Successful live streamers often cultivate a loyal following by maintaining a consistent streaming schedule, engaging directly with their viewers, and creating a sense of community.
What your Character does as a Live Streamer
Content Creation: Live streamers plan, prepare, and execute engaging live broadcasts. They choose topics or activities that resonate with their audience, maintain a consistent streaming schedule, and ensure that their content is entertaining and relevant to their viewers.
Audience Interaction: Interacting with viewers in real-time is a key responsibility. Streamers engage through live chat, responding to comments, questions, and feedback during the stream. They foster a sense of community by acknowledging and involving their audience, using interactive features like polls, Q&A sessions, and shout-outs to enhance viewer engagement.
Technical Management: Managing technical aspects is crucial to a successful stream. This includes setting up and maintaining streaming equipment such as cameras, microphones, lighting, and streaming software. Streamers must ensure a stable internet connection, troubleshoot technical issues promptly, and optimize stream quality to deliver a seamless viewing experience.
Monetization: Monetizing their channels is an important aspect for many streamers. This can involve receiving viewer donations, earning subscriptions (e.g., Twitch subscriptions), securing sponsorships and partnerships with brands, and generating revenue through advertising. Streamers may also leverage merchandise sales, affiliate marketing, or exclusive content to diversify their income streams.
Community Building: Building and nurturing a community around their content is essential. Streamers cultivate a loyal following by creating a welcoming environment, engaging with viewers regularly, and participating in community events or collaborations. They may also moderate chat and ensure a positive and inclusive atmosphere during streams.
Continuous Improvement: Successful streamers constantly strive to improve their content and grow their audience. They analyze viewer analytics to understand audience preferences and trends, experiment with new content formats or streaming techniques, and stay updated with industry trends and platform changes to maintain relevance and competitiveness in the streaming space.
What Type of Live Streamer is your Character?
Live streamers can be categorized into various types based on the content they stream and the communities they engage with. Here are some common types:
Gaming Streamers: Gaming streamers focus on playing and broadcasting video games live to their audience. They may specialize in specific genres such as first-person shooters, role-playing games, or multiplayer online battle arenas (MOBAs). Gaming streamers entertain viewers with their gameplay skills, commentary, and interactions with their audience through live chat.
IRL (In Real Life) Streamers: IRL streamers share their real-life experiences and activities in real-time. They broadcast everyday activities such as traveling, exploring new places, attending events, or participating in challenges. IRL streamers often engage their audience by interacting with them while showcasing their daily routines or special events happening in their lives.
Talk Show and Podcast Streamers: Talk show and podcast streamers host live discussions, interviews, or debates on various topics of interest. They invite guests or panelists to join their streams, engaging with them and their audience through insightful conversations and debates. Talk show streamers may cover topics ranging from politics and current events to pop culture and entertainment.
Creative Streamers: Creative streamers focus on showcasing their artistic talents and skills live. They create art, music, crafts, or digital designs while interacting with their audience. Creative streamers often provide tutorials, share their creative process, and take viewer suggestions or requests for their next project.
Music Streamers: Music streamers perform live music sessions, DJ sets, or music production sessions for their audience. They may cover popular songs, perform original compositions, or engage in interactive music creation with their viewers. Music streamers often use platforms that allow them to receive song requests and interact with their audience in real-time.
Fitness and Sports Streamers: Fitness and sports streamers broadcast live workouts, training sessions, or sports events. They provide exercise routines, fitness tips, and motivation to their audience while demonstrating exercises or participating in sports activities. Fitness streamers may also engage in challenges or competitions with their viewers.
Educational Streamers: Educational streamers conduct live tutorials, lectures, or workshops on topics such as science, technology, languages, or academic subjects. They share knowledge, answer viewer questions in real-time, and provide interactive learning experiences through demonstrations or experiments.
Cooking Streamers: Cooking streamers broadcast live cooking sessions where they prepare recipes, share cooking tips, and engage with their audience while demonstrating culinary techniques. They may also take viewer suggestions for recipes or cooking challenges, creating a community around food and culinary arts.
What Would your Character's Workplace Look Like?
The workplace of a live streamer is typically centered around creating a conducive environment for broadcasting engaging and interactive content.
Unlike traditional office settings, live streamers often work from home or a dedicated studio space that they have set up for streaming purposes.
This space is vital for maintaining control over the streaming setup and creating a comfortable atmosphere conducive to content creation.
At home, live streamers often have a designated area or room where they set up their streaming equipment.
This might include a high-quality camera, microphone, lighting rigs, and a powerful computer or gaming console capable of handling streaming software and gameplay simultaneously.
The setup is tailored to their specific streaming needs, ensuring optimal audiovisual quality and reliability during broadcasts.
Beyond the physical setup, the digital workspace of a live streamer involves managing streaming software, interacting with viewers through chat functions, and monitoring analytics in real-time.
This requires multitasking skills to engage with the audience while focusing on gameplay, discussion topics, or other content being streamed.
Streamers also use this digital space to collaborate with moderators, manage community interactions, and coordinate special events or collaborations with other content creators.
Some Streaming Strategies your Character Could Use
Makes their livestream unique
Focuses on their livestream audience’s needs
Surprises their livestream audience
Promotes their livestream
Interacts with their viewers
Tells viewers what to do at the end of a livestream (e.g., see more content, attend an event)
Sources: 1 2 3 4 5 ⚜ More: Writing Notes & References
Hope this helps with your writing!
#streamer#writing reference#writeblr#writing notes#literature#writers on tumblr#dark academia#spilled ink#writing prompt#light academia#creative writing#character building#character development#writing resources
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⋆ ˚。⋆୨ Roommate!Luke Headcanons ୧⋆ ˚。⋆
- moving in with Luke happened by chance
- he was pretty keen on staying with Liz for longer, but seeing as he was moving away to London to continue making music with the band, he couldn't do that.
- it didn't help that the label he was signed to, though the band was getting popular slowly, didn't have enough money for an apartment for the boys. they could only provide the studio.
- so he started looking online and around bulletin boards of the coffee shops he went to for adverts
- and lucky you— he saw yours ;)
- he didn't catch the name on the sign, just quickly taking one of the numbers from the bottom of the poster
- he reached out very kindly, saying that he was working in the area and he would have a stable-ish source of income
- and you, desperately needing some company and someone to help pay the bills, immediately suggested you get together over coffee to get to know each other better
- but he didn't expect you to be a girl— let alone a hot one.
- "hello, sorry to bother you, but do you mind if I sit with you? i'm waiting for someone." "oh of course, I am too, anyways!" "oh, neat!.. who are you waiting for?" "i'm meeting someone who is looking to room with me." - "....me too." - he just stares silently, blinking every once in awhile until you have to ease the awkward energy in the air, "are you Luke?" - "yEah." he cringes as his voice breaks
- but instead of making fun of him, you giggle at the red creeping up his neck and tell him it's alright
- and suddenly he's starting to think that taking that number was totally worth it. - he totally finds himself texting the boys groupchat after you two meet like "i just met the love of my life and i'm gonna be living with her 0-0"
ₓ˚. ୭ ˚○◦˚Living with Him˚◦○˚ ୧ .˚ₓ
- he makes a mess in the shower
- he wasn't a "making potions in the bath" kid but he does make them now with your skincare and haircare products in the shower
- his room is relatively clean, but it gets messy occasionally when he finds himself, like all boys his age, getting lazy
- he likes to split chores up evenly but he will try to convince you to do his
- one of his favorite things to do is jam out with you
- he likes having speakers around the house so no matter what time it is or where in the house you are, you two can listen to music and sing along
- he has stuffed animals given to him by fans all around the house because he can't find it in himself to toss them— and about a hundred get donated to you
- like all of the boys, he can be a bit of a perv
- especially when the boys are around and you walk out of the room because you can hear calum call him out for staring at you as you walk away
- but somehow he never gets yelled at by you because he does that thing when he gets caught making a suggestive joke or gesture when he goes all wide-eyed
- but the minute you do the same thing, he's gone completely red and he's rubbing the back of his neck softly as he tries to wrap his mind around the fact that you did that.
- he thinks about it for the next week at night.
- speaking of which, he's a very peaceful sleeper, but if he's really tired, he sounds like a foghorn
- luke is the type to wash his dishes and do yours too, but if he gets mad at you, trust the next time you go to the sink, all you will find is your own plates left to clean
- he's petty like that— especially when you bring home another person.
- he's got a bit of a temper and his reactions to them are more passive aggressive than straight on— and everything is whispered under his breath
- he'll bring it up over breakfast when he's having his bowl of cheerios, "...'saw some new shoes at the door last night..." "yeah, i brought someone over last night." "they looked cheap." "oh!.."
- and he'll do it to them too.
- and he'll interrogate them if he can.
- "so, d'you got a job?" "ah... no." "looks it."
- if he has a moment alone with them, the side eye he gives is INSANE
- "are you happy in your relationship, y/n?" "uhm.. yeah?" "...huh."
- but he's also incredibly sweet if you ignore his pettiness
- if he doesn't have anywhere to be and you have the night off, he'll insist you two do something
- at first when you suggest facemasks and doing each other's nails, he has an internal battle.
- he likes you, of course, and doesn't want you to see him as girly or like just a best friend, but after a bit of convincing, he's got a strawberry peel-off on his face and he's trying to stop the shaking of his hands as he delicately brushes on nail polish over your nails with a chick flick in the background
- but he's holding your hand, so it isn't that bad :))))
- he cannot cook for his life, but if you need help with something, he'll try his hand at anything
- he nearly burnt the apartment cooking soup at one point and from then on you decided he'd just be reading off the directions and cleaning up
- but he could make a mean mac and cheese, so if you ever get sick, trust he'll be making you some
- he's kinda icked out by sick people, but he ignores it because he's got a thing for you, so he comes into your bedroom with tea and mac and cheese while holding his breath.
- "Luke?" "..mmph?.." "are you holding your breath?" ".....mhm." - he isn't afraid to stand up for you though
- if you go to a bar, he'll insist on coming with you.
- he doesn't want a creep making a move on you when you're intoxicated
- if you get up and dance, he's a little more hesitant to follow you because while he might do it at the apartment, dancing in front of so many people his age seems like social suicide
- but seeing a guy coming up behind you and dancing with you has the most pathetic whine leaving his lips as he drags his hands through his quiff and he finds himself dragging a very intoxicated roommate back to the house
- "you shouldn't flirt with people like that, i don't know why you'd do that really." "but they were cute!" "so am i!" - and now he's gotta stop you from stumbling as he walks you to your room and brushes your teeth for you and helps you change— all the while he's staring at the ceiling and you're making fun of him for it. - but he can't leave you— you're drunk! - so now he's curled up at the foot of the bed, fully dressed in jeans and a t-shirt, converse and beanie still on, and laying on top of the blankets because he doesn't want you to get the wrong idea when you wake up.
- btw there's an aspirin and a bottle of water on the bedside table— courtesy of Luke Hemmings
#roommate!luke#5sos fanfic#5sos imagine#5sos preference#5sos smut#5 seconds of summer#long way home#heartbreak girl#sgfg#5sos luke#luke hemmings x reader#luke 5sos#luke hemmings#lip ring luke#5sos#fetus luke hemmings#dr. fluke#5 secs of summer#5sauce#5sos x reader#ashton irwin#calum hood#michael clifford#2014 nostalgia#2014 aesthetic#2014 tumblr#2014 vibes#2014 grunge#2014 revival#2013 aesthetic
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One man’s drudgery was another man’s stability. With some justification, Erich Honecker looked with pride at the changes in living standards that had been achieved under his leadership. Despite continuous problems with supplies and being behind technological standards in the West, the GDR felt like a stable country with comparatively high living standards. By design, there was full employment and the subsidized rents, food, cultural offerings and childcare meant that there were few existential concerns. At a time when West Germany was grappling with around 8 per cent unemployment and job security was a worry to many of those who did have work, East German families never really had to fear a sudden loss of income or not being able to pay the rent. By 1987, over half of all households had a car and all had at least one washing machine, fridge and TV. Products that were difficult to get hold of through regular routes were often obtained with the help of Western relatives who ordered them directly through Genex catalogues or provided the currency for a trip to the Intershop. Friends and family in the right places could also help. All in all, the economic shortcomings of the GDR in the mid-1980s, while reaching crisis level behind the scenes, appeared to many East Germans as nuisances rather than existential threats to their way of life. This lack of existential concerns coupled with a solid life–work balance meant that East Germans had a fair amount of money and time on their hands without having to worry too much about having to make the most of it. As a result, they spent a lot more time socializing and enjoying leisure pursuits. Clubhouses, allotment gardens, restaurants, communal barbecue pits and party rooms in apartment blocks were popular retreats where friends, colleagues and neighbours would meet to relax. Accordingly, alcohol consumption in the GDR skyrocketed. By 1988, the average East German drank 142 litres of beer a year and 16.1 litres of hard liquor, twice as much as their West German neighbours and enough to make VEB Nordbrand the largest Schnapps producer in Europe. The American academic Thomas Kochan has argued that this is not due to a need to escape the dreary realities of the GDR, as has often been claimed, but rather to the ‘existential carefreeness’ experienced by ‘a low-competition collective society’. Most East Germans drank not to forget their worries but rather because they had too little to worry about.
Katja Hoyer, Beyond the Wall: East Germany, 1949-1990
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One way to spot patterns is to show AI models millions of labelled examples. This method requires humans to painstakingly label all this data so they can be analysed by computers. Without them, the algorithms that underpin self-driving cars or facial recognition remain blind. They cannot learn patterns.
The algorithms built in this way now augment or stand in for human judgement in areas as varied as medicine, criminal justice, social welfare and mortgage and loan decisions. Generative AI, the latest iteration of AI software, can create words, code and images. This has transformed them into creative assistants, helping teachers, financial advisers, lawyers, artists and programmers to co-create original works.
To build AI, Silicon Valley’s most illustrious companies are fighting over the limited talent of computer scientists in their backyard, paying hundreds of thousands of dollars to a newly minted Ph.D. But to train and deploy them using real-world data, these same companies have turned to the likes of Sama, and their veritable armies of low-wage workers with basic digital literacy, but no stable employment.
Sama isn’t the only service of its kind globally. Start-ups such as Scale AI, Appen, Hive Micro, iMerit and Mighty AI (now owned by Uber), and more traditional IT companies such as Accenture and Wipro are all part of this growing industry estimated to be worth $17bn by 2030.
Because of the sheer volume of data that AI companies need to be labelled, most start-ups outsource their services to lower-income countries where hundreds of workers like Ian and Benja are paid to sift and interpret data that trains AI systems.
Displaced Syrian doctors train medical software that helps diagnose prostate cancer in Britain. Out-of-work college graduates in recession-hit Venezuela categorize fashion products for e-commerce sites. Impoverished women in Kolkata’s Metiabruz, a poor Muslim neighbourhood, have labelled voice clips for Amazon’s Echo speaker. Their work couches a badly kept secret about so-called artificial intelligence systems – that the technology does not ‘learn’ independently, and it needs humans, millions of them, to power it. Data workers are the invaluable human links in the global AI supply chain.
This workforce is largely fragmented, and made up of the most precarious workers in society: disadvantaged youth, women with dependents, minorities, migrants and refugees. The stated goal of AI companies and the outsourcers they work with is to include these communities in the digital revolution, giving them stable and ethical employment despite their precarity. Yet, as I came to discover, data workers are as precarious as factory workers, their labour is largely ghost work and they remain an undervalued bedrock of the AI industry.
As this community emerges from the shadows, journalists and academics are beginning to understand how these globally dispersed workers impact our daily lives: the wildly popular content generated by AI chatbots like ChatGPT, the content we scroll through on TikTok, Instagram and YouTube, the items we browse when shopping online, the vehicles we drive, even the food we eat, it’s all sorted, labelled and categorized with the help of data workers.
Milagros Miceli, an Argentinian researcher based in Berlin, studies the ethnography of data work in the developing world. When she started out, she couldn’t find anything about the lived experience of AI labourers, nothing about who these people actually were and what their work was like. ‘As a sociologist, I felt it was a big gap,’ she says. ‘There are few who are putting a face to those people: who are they and how do they do their jobs, what do their work practices involve? And what are the labour conditions that they are subject to?’
Miceli was right – it was hard to find a company that would allow me access to its data labourers with minimal interference. Secrecy is often written into their contracts in the form of non-disclosure agreements that forbid direct contact with clients and public disclosure of clients’ names. This is usually imposed by clients rather than the outsourcing companies. For instance, Facebook-owner Meta, who is a client of Sama, asks workers to sign a non-disclosure agreement. Often, workers may not even know who their client is, what type of algorithmic system they are working on, or what their counterparts in other parts of the world are paid for the same job.
The arrangements of a company like Sama – low wages, secrecy, extraction of labour from vulnerable communities – is veered towards inequality. After all, this is ultimately affordable labour. Providing employment to minorities and slum youth may be empowering and uplifting to a point, but these workers are also comparatively inexpensive, with almost no relative bargaining power, leverage or resources to rebel.
Even the objective of data-labelling work felt extractive: it trains AI systems, which will eventually replace the very humans doing the training. But of the dozens of workers I spoke to over the course of two years, not one was aware of the implications of training their replacements, that they were being paid to hasten their own obsolescence.
— Madhumita Murgia, Code Dependent: Living in the Shadow of AI
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do you really think sam is a "not like other girls" white feminist?
I don't think Sam is an "I'm not like Other Girls™" white feminist. She is an "I'm not like Other Girls™" white feminist.
Her "fuck you I got mine" mentality is prevalent as early on as the very first episode when she forces the school board to adhere to a vegan menu for an entire week as a massive middle finger to any low-income student that relies on the food at school for their only stable meal, and can't really afford to just forgo fats and proteins for a week, as if your average person can just go vegan at the drop of a hat with no dietary set backs.
"This is what I get for thinking like an individual!?" No, this is what you get for trying to force everyone around you to adhere to your personal quirks.
I wouldn't have as big of an issue with these aspects of her character if they were treated as the character flaws that they are, but they're not. Sam's self-centred "I want rights and freedoms for me and people who think like me, but everyone else can fuck off and die" attitude is basically glorified throughout the show, and I don't like that.
Of course this is, primarily, a product of the show's time, bit still. It irks me.
#Danny Phantom#Sam Manson#again these traits are not inherently bad to give your character#provided you do it right#you can absolutely have an ''I'm not like other girls'' type of character but this should not be glorified#these traits should have been portrayed as the flaws they are and they simply are not portrayed that way#also I'm saying ''vegan'' because that's pretty clearly what the ''ultra-recyclo vegetarian'' thing was supposed to be#the term ''vegan'' just wasn't as widely spread yet
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