#Spoilers in further tags
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kedreeva · 6 months ago
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For anyone interested in media featuring rescued sacrificial maidens, Damsel is on Netflix and it is extremely good.
Except the sacrificed maiden isn't rescued by some dude with a sword; she's rescued by the memories of those damsels sacrificed before her, and the messages they left behind in the hopes that even though they might not make it, the women who follow them will fare better because of them.
I don't want to spoil the ending, but the reveals that happen at the end regarding the monster and the maiden are choice, as is the way they handle it after.
Hey anybody going to talk about rescued sacrificial maidens. Like yes a guy with a fuck off sword turned up and so you're not getting fed to the dragon/water creature/mountain spirit/vague embodiment of all things scary and you get to go back home, but is that really home? Your mom hugs you and your dad says he's so happy you're alive and you know that when they said they'll do anything to keep you safe they didn't really mean it. They have a feast prepared and you get to taste what they cooked for your funeral, help wash the dishes after. And it's selfish to think that between the whole village with everyone in it and you they wouldn't pick the lesser evil but it still leaves an emptiness in your chest, knowing exactly how much your life is worth. And the neighbors smile at you awkwardly and the neighbors' kids yell "hey! I thought you died!" because they don't know not to do that yet and maybe you did. Maybe you did.
And the hero with the fuck-off sword rode off into the sunset the way they always do but you're still here and you herd the cows by the cliff where you were tied up in your cleanest clothes waiting to not be alive anymore and sometimes you think that would be easier and when you don't come back one day, you can imagine it's a relief for everyone involved. Maybe you'll be the new thing to haunt the mountain, or maybe you'll follow down the road and listen for cries that sound like yours did. Either way, there's little left to fear. You know exactly how much your life is worth.
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eggdrawsthings · 2 years ago
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a duet in a galaxy far, far away
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dominosecho · 2 years ago
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they’re filler episodes TO YOU. to me they’re little windows through which i watch my favorite characters make the stupidest decisions imaginable
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time-slink · 1 year ago
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oh dear
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salthien · 6 months ago
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you want to hold his hand.
happy pride month isafrin nation
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chipper-smol · 5 months ago
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SHORT HAIR LOOP IS GIVING ME FEELINGS
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steelsartcorner · 1 year ago
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BG3 Comic: Thay's Temptation
Be forewarned: mild horror images (such as would be associated with the Creepy Book, Thay's Necromancy: skulls, creepy teeth, that kind of thing), Cazador mention, mild spoilers for the Act 1 Thay's Necromancy Questline
Click "read more" to see the full comic.
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End
I wondered what kind of images passed through his mind when opening that creepy-ass book with all the spirits trying to drive you mad and telling you to kill the only decent people in your life.
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bacchuschucklefuck · 6 months ago
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okay unironically I love so much that porter is like this world SUCKS its BAD here and it HURTS you why do you care abt it!!! and literally every single bad kid is like ngl we just hate ur ass it does not matter what ur philosophy is
#dimension 20#fantasy high junior year#not art#fhjy spoilers#its!!! gods I will Be My Ass in the tags rn. but thats so like. deliciously setting typical#like porter's desire is to transcend and his contempt for the world he's in feels. idk Real#like he plays the game bc he wants to win and be done with it. how do I word this#yknow. being a god would like. be his win state. when he gets that happening thats it his story is done he checks out#meanwhile the bad kids do actually just like playing the game lmao. like they love adventuring!#theyre so solidly Of This World. they carry the values that can only be born of it and they like having mastery over it#its a meta angle that I think is very fun specifically for d20 being in such a unique position in the zeitgeist when it first started#the rat grinders are from DnD Writ Large. porter wants to escape. but this is the bad kids' home its Their Actual Play Show#which makes it so fucking excellent to me that porter's question is somewhat of merit! its their show and it tries very hard to punish them#and they just straight up dont listen to him here lmao bc they hate him but! since the moment the academic track ended its been clear#that they save the world bc they Like Playing. With Each Others#thats what riz thinks the core of adventuring is! thats why fig stayed! and I also think thats why this hovers over elmville now and#a dead god is coming back in the school gym. porter is a shit evangelist but even if hes a good one I dont think it wouldve worked like he#wants it to. the only way he couldve escaped is if he'd not involved elmville at all. thats where the bad kids met dude#its a shitty place that fucks with them but they all come back here bc they wanna play with each others#and in that regard I think thats what the stress tokens ultimately means. Is This Game Still Fun To Play. ITS A RAGEQUIT LIMIT#Im literally running from one end to another of this conspiracy board Ive pulled out of nowhere#Ill draw after this I just wanna get this out. gods this episode has done nothing but furthering my delusion of grandeur actually#Im the hottest smartest manthing on earth Im king fucking midas over here. anyways uh! great ep!
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verflares · 8 months ago
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some body type + colour practice feat dragon (chicken) zeldie... and of course link my good friend link
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pirategrime · 1 year ago
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crystallizsch · 5 months ago
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happy birthday kalim you will always be famous to me
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also -
THEIR PLATINUM CARDS ARE COMPLETE scarabia duo,,, my beloveds ;;;
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AND I JUST NOTICED THEY'RE BOTH ON A MAGIC CARPET ON THE UNGROOVIED ONES LIKE WHAT
PLEASEEE I AM CRYing i am so obsessed with them i cant
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irisbaggins · 1 year ago
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Spoilers ahead for the finale!
An aspect of the final battle that got lost after Viola's amazing attack, was the fact that Tula nearly killed her son. And that, I think, is something I would really like to delve my teeth into, to properly look at what happened.
The thing that struck me the most during Tula's attack on her son, was that Jaysohn did manage to snap her out of it. In the context of the story, Jaysohn grappled his mom to get her to stop, and even after getting viciously bit by her, he still managed to get her back to herself. He managed to get to his mom fast enough, and used himself to protect the others from the mindless being Tula had become. And, even when faced with near death, this little kid manages to get back up and attack the creature that did this to his mother. Not once did he blame her, having understood enough about the situation to realise his mom was not in control. He knows, he understood, that this was Phoebe, not Tula. And so, the moment he is able to free his mom, still wounded and near death's door, he goes after Phoebe so that his mom won't be taken again.
Tula, however, was aware of everything she did to Jaysohn. She was painfully aware of how badly she hurt her son, how she nearly killed him. And, as Brennan describes;
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She is broken, in a way she has never been before. She nearly killed her baby, used as a puppet because she's alive when she should have been dead. The Blue that keeps her alive is what nearly caused her to kill her son. Tula nearly lost everything, yet, once more, it was hope and love that brought her back once more. Her son brought her back.
However, she was silent for the rest of the battle until Phoebe finally fell, and Jaysohn nearly died. She was quiet, too horrified with what she nearly did. Perhaps, had more time been afforded to that moment with Tula and Jaysohn before he decided to retaliate against Phoebe, there would have been...something...that went on. A focus on the fact that it was Tula who went for another member of their family, whilst Ava went for the ground and the reactor. What would that do to her, I cannot help but wonder. What did that do to her, in the immediate aftermath, when she could slow down and process what happened. She must live with the knowledge she nearly killed her own child, and that, had he been just a little weaker or just a little slower, she would've succeeded. She might have been able to bring him back, like she did with Sybil...but she would have to live with the knowledge that she took her son's life. And that thought is horrifying.
Yet, it makes her gentleness with Lukas later all the more significant. Even with the blood of her son on her hands, she still chooses to hope for a better tomorrow. She still chooses to give Lukas - and herself - another chance, another tomorrow. Bad things could have happened, but they didn't, and they all made it out. The "what ifs" will remain in the shadows, in the nightmares, but in the daylight, she will keep her head high. It doesn't lessen the impact of her deeds or her burdens, but it can make them bearable. And, with the addition of her son's refusal to blame her, it makes it just the little easier. She deserves a new tomorrow, too.
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lucabyte · 4 months ago
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*ignores the frag grenade i just threw at everyone* anyway,
can you believe this is the first time ive managed to draw a fullbody loop whos standing up.
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i can finally express my headcanon-- not that loop has body horror inbuilt perma-heels-- but that they've just got perpetual barbie foot. they just got too used to wearing their little bootsies. a real "hey dude do you like, want shoes or something?" type stance. i dont even think its a concious choice i think if you pointed it out they'd get embarrased.
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wildwood-faun · 3 months ago
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Thinking about how Susanna Clarke takes the idea of lost knowledge and plays with it from the very beginning of Jonathan Strange and Mr. Norrell. From Norrell's (implied) culled books, to the aged magician whose "voice was rather weak and no one had leisure just then to discover what he was saying" (ah but the Narrator remembers his passion), to later events in the book, where knowledge thought lost can be recovered in a variety of ways. Of course, the major lost knowledge is magic itself, but not all examples are explicity magical. Clarke reminds us of how easy it is for knowledge to get lost - perhaps it only ever existed in the mind of one person who is long dead, perhaps a small community held the knowledge but failed to pass it on, perhaps it was written down but later destroyed - and then she offers us a tantalising glimpse of a world where it is possible to recover at least some of it.
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meamiki · 8 months ago
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context: coffee pod holders kinda look like trees
favor tree = f(l)avor tree for the modern-based, reverse entry au
this was funnier in my head
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kitokat-art · 1 month ago
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you should have said sorry before it was too late.
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i made this in 5 minutes ok i need to go to sleep
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