#Sony 28-70mm F/2

[liamphotoatl]

(Liam Photography Podcast)

[sirfrogsworth]

What lenses do you use for photography? Got a favourite?

I'm actually rebuilding my lens collection at the moment. I sold all but one lens years ago in a very depressive state and I have been regretting it as I've begun taking photos again.

So I've been doing a lot of thinking about what I would need to do the kinds of photography I enjoy most.

I do a lot of product or still life photography which requires a lot of detail. Especially when I get into the close up and macro realm. So I have been considering doing all primes rather than zooms, since those tend to be sharper at lower price points. Sharp zoom lenses can get crazy expensive.

My first lens that a lovely follower gifted me was the Sigma 50mm f/1.4 Art lens. This will be my primary portrait lens. And I can throw some extension tubes on to get some near macro shots.

I also have a Sigma 18-35mm f/1.8 lens. This is probably my favorite lens of all time. I call it my puppy lens. It was primarily what I used to capture photos of Otis. It only works on APS-C bodies, so if I upgrade to a full frame camera, I will have to replace it. Which I have mixed feelings about. It covers the 28-56mm range on a full frame body.

I want a wide lens for landscapes, so I was considering the Samyang 14mm F2.8.

And I want a proper macro lens at some point, and I'd like to have a more tele portrait lens, so the Sigma 70mm f/2.8 Art Macro lens could pull double duty.

Both are pretty affordable, especially used.

That would probably be all I need, but if I ever get my disability settlement figured out, I might look into a telephoto lens and maybe something in the 24mm range to fill in the gap between the 14mm and 50mm.

And if I ever come into a lot of money, I'd probably get the Sony A7R V with the holy trinity zooms. 16-35, 24-70, and 70-200.

Plus a macro lens... obviously. Laowa just released a macro lens kit that basically takes microscope objectives and mounts them on a camera. Those would be nuts to play with.

My 2 paragraph rule has gone completely off the rails.

[miya716tienda]

Sony FE 28-70mm F2 GM Review

Sony can’t claim to have the world’s first 28–70mm zoom lens with background-blurring f/2 optics — Canon beat it to the punch by a few years — but that doesn’t detract from the stellar job the company’s optical team has done designing the FE 28–70mm F2 GM ($2,899.99). It matches the Canon RF 28–70mm F2 ($2,999.00) in angle and aperture but is smaller and a whole pound lighter. Its bright optics are ideal for creators who want more background blur and better results in very dim light, so wedding and event photographers may find good reason to prefer it over the stellar FE 24–70mm F2.8 GM II. The FE 28–70mm F2 GM earns our Editors’ Choice award for its ambitious optics and the gorgeous photos they bring to life. If you’re turned off by its price, don’t count out the $1,349 Sigma 28–45mm F1.8 DG DN Art as an alternative — its zoom range isn’t as expansive, but its photos are just as pretty.

Sony’s recent trend has been toward smaller, lighter zooms, and versus those others, the FE 28–70mm F2 GM qualifies. It measures 5.5 by 3.7 inches (HD) at 28mm, weighs a comparatively meager 2.0 pounds, and supports 86mm front filters. The 2.0-pound weight is made possible by Sony’s use of some of its exotic optics in the 20-element/14-group formula, which includes three extreme aspheric (XA), three standard aspheric, three Super ED, and one ED element. The lens extends slightly to zoom but maintains its center of gravity throughout the range, which is good news if you plan to use it with a powered gimbal for video.

It’s up to you to decide if your photo and video work requires an f/2, though I’ll speculate that it’s useful for creators who cover weddings and events, work in concerts or clubs, or are interested in night sky photography. The plusses for low-light work are obvious. When used at maximum aperture, the FE 28–70mm F2 GM gathers twice as much light as the FE 24–70mm F2.8 GM II (4.7 by 3.5 inches, 1.5 pounds) and other f/2.8 options, and four times that of an f/4 zoom like the FE 20–70mm F4 G (3.9 by 3.1 inches, 1.1 pounds).

[ericlwoods]

A So... Sony Twofer: A1 II and 28-70mm f/2.

A So… Sony Twofer: A1 II and 28-70mm f/2. Do I think these two new offerings are cool? Yes. Do I want them? In a “money tree in hand so sure” way, yes. Here in reality? I am good. Not that there is anything wrong with these new releases. There is not. For those who are looking for these cutting edge capabilities here you go. I am happy for you. Me? If I am honest the camera gear I have access…

[lokuhapuarachchi]

Transitioning Gear: From Canon to Sony - A Journey of Adaptation and Savings

Preparing for an upcoming event in Leicester City, I decided to introduce a new addition to my camera gear. Before diving into the shoot, I wanted to familiarize myself with this latest equipment to ensure it seamlessly integrated into my setup.

My journey with photography spans across several iconic camera brands, starting from Minolta, Yashica, Practica, Olympus, and Pentax cameras from 1984 to 1991, transitioning to Nikon cameras from 1991 to 1998. However, the landscape shifted in 1998 when Canon stepped into the scene, bidding adieu to the familiar camera room. Canon swiftly became my preferred brand, solidifying that connection in 1999 with the Canon 400mm f2.8 L IS lens.

This lens became a staple, accompanying me to photograph international cricket matches for the Sri Lankan cricket team during my tenure at Reuters News Service. Its recommendation stemmed from multiple factors—excellent image quality, minimal optical distortion, a rapid aperture, image stabilization, and an agile autofocus system. While this lens thrived in sports reporting, my repertoire expanded to include everyday news, even extending to covering conflicts, utilizing three lenses: the Canon 16-35mm f2.8, 35-70mm f2.8, and 70-200mm f2.8. With a surplus of cameras matched to these lenses, I seamlessly interchanged cameras during shoots, minimizing lens changes.

However, as time progressed, my photographic needs underwent a metamorphosis. Weight reduction in equipment and a streamlined lens collection became paramount. Deliberating on this, Sony cameras emerged as a plausible option due to their lightweight build. Additionally, capturing bustling scenes without frequent lens changes became an appealing prospect.

Yet, I wasn’t prepared to compromise on lens quality or sacrifice the minimum aperture of f2.8. While lenses like Tamron 18-400mm f3.5-6.3, Canon EF 28-300mm f/3.5-5.6 L IS, and Sigma 28-300mm f/5.6-6.3 offered a range, the varying aperture and potential compromise in image quality didn’t align with my standards.

Contemplating a transition to Sony while retaining my Canon equipment, I stumbled upon the 35-150mm 2-2.8 lens—an intriguing find. Among the options like Samyang AF 35-150 f/2-2.8 FE and Tamron 35-150 mm f/2-2.8 Di III VXD, I found subtle performance differences despite a significant price gap and that feverable to Samyang. Opting for the Samyang, priced attractively on Amazon at £854.00 while Tamoron price £1486.00, seemed like the right choice after thorough research.

Thus, with the Samyang 35-150 f2-2.8, a Sony A7 Mark II, and a Godox Xpro at an Amazon special price, I made the purchase using allocated funds for new camera equipment.

Adapting from my Canon gear to Sony, I sought solutions for flash equipment. I found that using the Godox XPro to employ flash strobe lights for Sony, alongside the Godox SX 400 Studio Flash for Canon and Godox V1Hot Shoe, proved more cost-effective than purchasing new flash equipment. The entire conversion from Canon to Sony, inclusive of accessories, totaled £1585.00. This transition meant relinquishing the focal range of 35-16mm and 150-200mm, which I deemed acceptable given the substantial savings.

Considering the Amazon prices, the total expense for the Canon lenses (16-35mm f/2.8 = £1599.00, 24-70mm f/2.8 = £1947.00, and 70-200mm f/2.8 = £1624.00) would have amounted to £5170.00. Thus, by completing a full Canon to Sony conversion, I managed to meet my requirements while saving £3585.00.

With my setup primed, I am now geared up to capture the event in Leicester City next weekend, all with the convenience of a single lens.

by - Anuruddha Lokuhapuarachchi

[capicturestudioes]

What is the best lens for wedding photography?

Wedding pictures are particular in that it encompasses numerous genres of pictures: fashion, portrait, architectural, product, macro, family, and every so often even journey pictures. Few genres call for extra from photographers and their gear. 

Here is a subjective listing of 6 must-have lenses for any given wedding ceremony that the best wedding photographers in Madurai recommend.

1. 70-200mm

This is my preferred lens. It creates lovely bokeh (blur) at f/2.eight, and the compression you get while you’re zoomed in from 150-200mm offers your photo a glance that’s tough to gain with some other lens. It additionally lets you get in near the motion without disrupting the moment.

DSLR Options

Canon 70-200mm f/2.8L IS III USM Lens

Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR Lens

Sigma 70-200mm f/2.eight EX DG APO OS HSM Lens for Canon EF

Tamron SP 70-200mm f/2.eight Di VC USD G2 Lens for Canon EF

Mirrorless Options

Sony FE 70-200mm f/2.eight GM OSS Lens

Canon RF 70-200mm f/2.eight L IS USM Lens

Nikon NIKKOR Z 70-200mm f/2.eight VR S Lens

2. 50mm

This is some other one in all my preferred lenses. The 50mm focal duration is terrific for portraits, and it may store the day while the mild begins off evolved to drop; the broader aperture lets you rely much less on for your flash and it creates a softer, extra herbal search for your subjects.

DSLR Options

Canon EF 50mm f/1.2L USM Lens

Nikon AF-S NIKKOR 50mm f/1.8G Lens

Sigma 50mm f/1.four DG HSM Art Lens for Canon EF

Mirrorless Options

Sony Planar T* FE 50mm f/1.four ZA Lens

Canon RF 50mm f/1.2L USM Lens

Nikon NIKKOR Z 50mm f/1.2 S Lens

Sigma 50mm f/1.four DG HSM Art Lens for Sony E

Rokinon AF 50mm f/1.four FE Lens for Sony E

3. 24-70mm

The versatility of the 24-70mm zoom lens is crucial for smaller spaces. For example, a tea rite at a Vietnamese wedding ceremony is typically held in a dwelling room. The 70-200mm might be too compressed for this situation, and the 50mm might now no longer offer sufficient versatility, as you usually don’t have lots of room for movement.

DSLR Options

Canon EF 24-70mm f/2.8L II USM Lens

Nikon AF-S Nikkor 24-70mm f/2.8E ED VR Lens

Sigma 24-70mm f/2.eight DG OS HSM Art Lens for Canon EF

Tamron SP 24.-70mm f/2.eight Di VC USD G2 Lens for Canon EF

Mirrorless Options

Sony FE 24-70mm f/2.eight GM Lens

Canon RF 24-70mm f/2.8L IS USM Lens

Nikon NIKKOR Z 24-70mm f/2.eight S Lens

Sigma 24-70mm f/2.eight DG DN Art Lens for Sony E

Tamron 28-75mm f/2.eight Di III RXD Lens for Sony E

4. 100mm Macro

If your bride and groom are spending hundreds of bucks at the info of a wedding ceremony, they may be positive to comprehend you taking pictures of the occasion in element. With the 100mm Macro, you may seize distinctive pictures with the equal best element as product classified ads in magazines. Add your contact of lighting fixtures and creativity, and also you get ring pictures just like the one below. Contact Capicture for best wedding photography in Madurai 

DSLR Options

Canon EF 100mm f/2.8L Macro IS USM Lens

Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED Lens

Sigma 105mm f/2.eight EX DG OS HSM Macro Lens for Canon EOS

Tamron SP 90mm f/2.eight Di Macro 1:1 VC USD Lens for Canon EF

Mirrorless Options

Sony FE 90mm f/2.eight Macro G OSS Lens

Tokina FiRIN 100mm f/2.eight FE Macro Lens for Sony E

5. 16-35mm

Sometimes the 24-70mm lens simply isn’t extensive sufficient to seize the whole lot you want. The extremely extensive perspective facilitates you to seize the environment. Venue and panorama pictures additionally offer a terrific addition for your wedding ceremony day coverage, as they set the scene for the day and let you take complete benefit of the scenery, in particular at lovely venues.

DSLR Options

Canon EF 16-35mm f/2.8L III USM Lens

Nikon AF-S Nikkor 16-35mm f/4G ED VR Lens

Sigma 18-35mm f/1.eight DC HSM Art Lens for Canon EF

Mirrorless Options

Sony FE 16-35mm f/2.eight GM Lens

Canon RF 15-35mm f/2.8L IS USM Lens

Nikon NIKKOR Z 14-24mm f/2.eight S Lens

6. 85mm

When this newsletter turned into first posted in 2009, the 85mm f/1.2 turned into in our honourable point-out category, however, we’ve fallen in love with this focal duration. The 85mm lens is a real portrait lens that doesn’t distort the photo the manner that a few wider-perspective lenses do (together with the 24mm or 35mm), in particular alongside the rims of the frame. This lens additionally gives terrific compression and historical past bokeh at wider apertures.

DSLR Options

Canon EF 85mm f/1.4L IS USM Lens

Nikon AF-S Nikkor 85mm f/1.8G Lens

Sigma 85mm f/1.four DG HSM Art Lens for Canon EF

Tamron SP 85mm f/1.eight Di VC USD Lens for Canon EF

Mirrorless Options

Sony FE 85mm f/1.eight Lens

Canon RF 85mm f/1.2L USM DS Lens

Nikon NIKKOR Z 85mm f/1.eight S Lens

The authentic article additionally covered the 15mm f/2.eight Fisheye lens which we now no longer use. Funny how speedy developments can change!

What do you think? What are your must-have lenses? If you haven’t executed so already, test out our Lens Wars series, the closing visible manual to actual international variations among an entire host of Canon expert zoom lenses and primes. In total, we examined 25 Canon lenses worth over $40,000 greenbacks beginning from 17mm to 300mm focal duration. For more information visit Capicture and contact us for wedding photography in Madurai

[kenhchiasethongtinhay]

Góc nhìn của máy ảnh (Phần 2)

Góc nhìn và trường nhìn phụ thuộc vào độ dài tiêu cự và kích thước cảm biến. Một vấn đề xuất hiện tại góc nhìn rộng nhất của ống kính là ảnh sẽ bị méo. Để khắc phục tình trạng này, chúng ta có thể dùng phần mềm chuyên chỉnh sửa ảnh (Đọc thêm bài viết “Méo hình và cách khắc phục”). Hiểu được bản chất và vai trò của góc nhìn, chúng ta có thể vận dụng vào việc lựa chọn ống kính cho từng trường hợp chụp ảnh.

Trong trường hợp này, bạn sẽ cần phải nắm bắt được phạm vi lớn của cảnh để chuyển tải đến người xem một không gian rộng lớn. Do đó, bạn phải cần một ống kính có góc nhìn rộng với tiêu cự ngắn. Một ống kính góc rộng với độ dài tiêu cự nhỏ hơn 25mm trên APS-C là một lựa chọn được khuyến khích. Ống kính có thể dùng cho mục đích chụp phong cảnh, kiến trúc, cảnh quang đường phố có thể kể đến: Canon EF 16-35MM F/2.8L II USM, Nikkor 12-24MM F/4 G IF-ED, Sony 10-18mm f/4 OSS, Sigma AF 8-16mm f/4.5-5.6 DC HSM…

Đây là thể loại nhiếp ảnh rất linh động và phức tạp vì người chụp luôn luôn phải di chuyển nhanh chóng theo đối tượng. Bạn cần một ống kính với tiêu cự thay đổi, cho phép linh hoạt hơn so với khi bạn đang chụp chân dung trong một studio, nơi bạn có thời gian để thay đổi ống kính. Nếu ch�� thích sử dụng ống kính prime và có điều kiện, bạn có thể mang theo hai thân máy với ống kính tiêu cự khác nhau trên mỗi camera. Một ống kính gắn vào máy ảnh sẽ cho tiêu cự 23mm và máy kia sẽ có tiêu cự từ 80mm đến 200mm. Danh sách các ống kính phù hợp để chụp ảnh sự kiện, đường phố là: Canon EF-S 18-135mm f/3.5-5.6 IS, Nikkor AF-S DX 18-105mm f/3.5-5.6G ED VR, Leica Elmarit-M 28 mm f / 2.8 ASPH …

Bạn thường cần phải tập trung sự chú ý của người xem vào nơi hành động cụ thể đang diễn ra. Nó tạo ra nhận thức rằng bạn đang ở gần các hành động trong khi thực tế, bạn có thể chụp từ một khoảng cách xa so với chủ thể. Một ống kính 70-200mm hoặc 70-300mm là lý tưởng trong tình huống này. Tránh xa các ống kính siêu zoom như các ống kính 18mm-200mm. Trong khi bạn có thể tránh việc phải thay đổi ống kính, ảnh của bạn sẽ bị nhiễu và bạn sẽ hy sinh chất lượng quá nhiều cho sự tiện lợi. Để chụp ảnh hành động, thể thao trong nhà nên dung các ống kính: Canon EF 70-200mm f/2.8L IS II USM, Sony FE 70-200mm f/4.0 G OSS,  Nikkor AF-S 70-200mm 1:2.8G ED VR II…

Các môn thể thao như bóng đá, ô tô đua,…đòi hỏi ống kính có chiều dài tiêu cự lớn. Các khoảnh khắc như tàu lượn trên không, cú sút phạt thủng lưới hay xe máy ôm cua, với những ống kính thích hợp bạn có thể bắt dính nó một cách dễ dàng. Tùy vào ngân sách, bạn có thể mua một ống kính có chiều dài tiêu cự từ 100mm đến 600mm hoặc ống kính 70mm - 300mm zoom để chụp linh hoạt hơn. Các ống kính dùng để chụp ảnh thám hiểm, thể thao ngoài trời là Tamron 150-600mm f/5-6.3, Nikkor AF-S 600mm f/4E FL ED VR, Sony 70-300mm F/4.5-5.6 G SSM, Olympus 70-300mm f/4-5.6 Zuiko ED…

Tất cả các loại ống kính macro có sẵn với độ dài tiêu cự khác nhau đều hữu ích tùy thuộc vào đối tượng bạn định chụp. Nhưng khi chụp hình các loại côn trùng nhỏ như bướm, ong, ruồi… bạn nên sử dụng ống kính có độ dài tiêu cự 60mm vì nó đảm bảo rằng đối tượng sẽ không phát hiện ra bạn và bay ra khỏi khung hình. Danh sách các ống kính phù hợp với chụp ảnh macro/sản phẩm bao gồm:  Nikkor AF-S 60mm f/2.8G ED, Canon EF-S 60mm f/2.8 Macro USM, Sigma 105mm f/2.8 EX DG OS HSM, Laowa STF 105mm F2.0, Tamron SP 90mm f/2.8 Di VC USD…

"QC" Dịch vụ quay video chuyên nghiệp, quay phim sự kiện, quay video clip, quay phim HD, tất cả các dịch vụ về quay phim…

Hotline + Viber + Zalo: 0972.123.018 (Cameraman)

Mẫu tham khảo : www.heytv.vn

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[earthstory]

Original caption:

Experience a beautiful timelapse journey through the amazing landscapes of Norway.

Photographer, editor and sounddesigner: Casper Rolsted Music: Peter Nanasi

FOLLOW MY WORK YouTube.com/CasperRolsted?sub_confirmation=1 Facebook.com/CasperRolstedVisuals Instagram.com/CasperRolsted Twitter.com/CasperRolsted

FILM LOCATIONS IN "NORWAY in motion" 0:00 Sognefjorden, Balestrand (July) 0:06 Trollstigen (July). Shot early morning at 4 o'clock from the top of the Trollstigen. 0:11 Forest at the Hardangerfjord (May) 0:17 Trollstigen (July) 0:22 Geiranger (July). Shot from Dalsnibba Mountain Plateau. 0:33 Geiranger (July). Shot from Ørnesvingen viewing point (eagle road). The cruise ship Marella Explorer (formerly "Mein Schiff 1" with TUI Cruises), build 1996, length 262 meter, width 32 meter. 0:44 Strynevatnet (July) 0:59 Aurlandsfjorden (July). Shot from Stegastein viewpoint. 1:06 Geiranger (July). The popular Flydalsjuvet Rock is to the right. It is now protected with a fence after several accidents on places like these, please don't climb the fence. 1:09 Nærøyfjord (July). This beautiful fjord which is part of the Sognefjord is on the UNESCO World Heritage list. Nærøyfjord is 17 km long and the narrowest point is only 250 m wide. 1:14 Hardangerfjord (May). The famous Appletrees are blooming at the Hardangerfjord in the end of May. 1:17 Rondane (July, April). Seen from Sohlbergplassen at Atnsjøen lake. First part is shot in July 2017 and second part is shot in April 2018. 1:28 Valdresflye (April). The road is closed in the winter and usually opens for traffic in April. 1:39 Sognefjellet (May). The road is closed in the winter and usually opens for traffic in May. 1:44 Dalsnibba (July). Shot from Dalsnibba Mountain Plateau. 1:50 Oldevatnet (May) 1:55 Mountains at Geiranger (July). Shot from Dalsnibba Mountain Plateau. 2:01 Sognefjellet (July) 2:06 Leknes (April) 2:14 Urke (April) 2:28 Ålesund (April). Shot from Byrampen Viewpoint. 2:33 Sunnylvsfjorden (April). Shot close to the town Hellesylt. 2:55 Sykkylven, Aure, Ikornnes (April). Sunnmørsalpane in the distans. Sunnmørsalpene is a collective term for the mountains range in the Sunnmøre region of Møre og Romsdal county. 3:01 Oppstrynsvatnet (April) 3:06 Oldevatnet (April) 3:11 Sognefjellet, Fannaraaki (July) 3:17 Valdresflye, Vinstr (July) 3:23 Myrheim (May) 3:26 Nes (May) 3:28 Oldevatnet (May) 3:29 Folgefonna (July) 3:31 Aurlandsvangen (July). Shot from Stegastein viewpoint. 3:32 Gamle Strynefjellsvegen (July) 3:33 Sognefjellet, Fannaraaki (July) 3:35 Nigardsbreen (May). Kayaking at the glacier lake. 3:39 Sunnmørsalpane. Shot from Ålesund (April). 3:44 Sunnmørsalpane. Shot from Solavågen (April). 3:50 Solavågen and Sunnmørsalpane (April). Shot from Eidsnes. 3:54 Hardangerfjord (May) 3:55 Sognefjorden (July) 4:00 Geirangerfjord (July) 4:06 Gamle Strynefjellsvegen (July). The road is closed in the winter and usually opens for traffic in the middle of June. 4:10 Hardangerfjord (May) 4:11 Sognefjellet (July) 4:17 Norheimsund (July). Town at the Hardangerfjord and close to Steinsdalsfossen. 4:22 Ålesund (April). Shot from Byrampen Viewpoint.

CAMERA EQUIPTMENT USED Sony A6300 Mirrorless Digital Camera Body Samyang 12mm f/2.0 NCS CS lens Samyang 21mm F1.4 ED AS UMC CS lens Samyang 50mm F1.2 AS UMC CS lens Samyang 100mm F2.8 ED UMC MACRO lens Carl-Zeiss Vario-Tessar T* E 16-70mm f/4 ZA OSS Edelkrone SliderPLUS Medium with Action & Target Module Digislider 2 Axis Auto-Pan Video, Time Lapse & Stop Motion Camera Slider

[jason-lanier-photography]

Canon Project Part #2- Creating Color with Off Camera Flash- Canon EOS R with the RF 28-70mm lens by Jason Lanier

Welcome to Part 2 of the Canon Project, a series of videos related to our time using the Canon EOS R. In Part 2 we showcase a workshop and shoot we did in Helen, Georgia in conjunction with an event we were doing for PPA (Professional Photographers of America) for their Georgia Chapter (GPPA).

**Links to Gear Used in This Shoot**

*Canon EOS R- https://bhpho.to/2U8W4Cd

*Canon RF 28-70mm lens- https://bhpho.to/2FCH9pI

*Godox AD 600 Pro- https://bhpho.to/2FH9gnu

The location for this video was the Bus Graveyard which is a REALLY cool place to shoot. This was Day 3 of our 4 day workshop that I was teaching for the PPA members and on this day the group asked me to demonstrate a shoot from start to finish as well as give them a heads up on how I recorded my Youtube videos.

So, that’s what my Assistant/Muse Emily and I did! You can follow her on Instagram at www.instagram.com/em.explores

For this shoot we used the Canon EOS R with the RF 28-70mm lens. A lens that quickly found it’s way into my creative heart. It’s one of my favorite lenses on the planet at this point.

But we just didn’t shoot in a cool location with a great model and a new camera/lens. We also wanted to illustrate the difference that using flash can make when shooting in conditions that aren’t ideal for lighting. There is nothing better than the best natural light. But that' only exists for about 1 hour a day. And that’s only if it happens to be facing the direction that you want to shoot.

So sometimes you need to have the ability to ADD light to your scenes to be able to capture what you or your clients want or need to create. Sometimes we don’t have the luxury of picking the time when we shoot. Sometimes we have to make our own light.

In this video I show the difference between the two, demonstrating images side by side showing images taken with flash vs. images taken with natural light. Take a look for yourself by checking out the images below:

The images with flash have much more light and color. Because color = light in the world of photography. I purposely chose to make this Part 2 of the project because Part 1 shows a natural light shoot done correctly which has plenty of color and light. But that’s only because it was shot at the ideal time of day.

Below are images from the shoot:

For this shoot I have to say the Canon EOS R did exceptionally well. Focus wasn’t as fast as I’m used to with my Sony cameras, but for a portrait session like this one it was more than fine. The color rendering and effect on skin tones is really nice.

And that LENS. WOW, the RF 28-70mm f/2 is just a pleasure to shoot. There will be people who complain about it’s size and weight. But for me if you want awesome results you shoot awesome glass. And that’s one thing that Canon has done right with their mirrorless system. They are bringing out ultra professional, high grade glass. Far better than the offerings made by the Nikon Z system and far better than what Sony brought out when it first rolled out it’s mirrorless cameras.

The Canon also did much better shooting flash than the Nikon Z. It didn’t require me to do anything special to shoot in HSS (High Speed Sync) mode which was great since all of these images were taken in HSS with the exception of the natural light shot.

I truly hope you enjoy the content. If you missed Part 1 of the Canon Project which is a Natural Light Shoot done in Death Valley using the RF 24-105mm lens, you can check it out now by clicking below:

Thank you so much for watching and make sure to check out our upcoming parts of the Canon Project where we explore things like Black Light, LED, LED flash and more! We thank you for joining us and invite you to click on NOTIFICATIONS and the SUBSCRIBE button on my Youtube Channel.

See you next time!

Jason

[weddingtqk229]

12 Best Canon Lenses For Wedding Photography

Best Lenses For Shooting Weddings

The color making is saturated and contrast. At f/2. 8, the lens is sharp in the entire zoom diapason and has a low distortion level. Vignetting shows up only at an open aperture, flare defense is at a high level. Photographed with Canon 24-70mm f/2. 8L II Wide-angle lenses for wedding event photography need to be treated with extreme care due to the fact that many of the lenses of this type have geometric distortions, which are unacceptable for weddings.

At f/1. 4, vignetting is visible. The lens comes from the line of expert optics and varies from the more youthful variation with the f/2 technically enhanced construct, which has advanced optics. The lens speed is a whole action above, but it is 3 times more costly, half longer and weighs twice as much.

Best Nikon Lenses For Wedding Photography

The lens is heavy however not large, and it is an advantage. Comparing To Tokina AT-x 16-28 mm f/2. 8, which does not fit in any bag, this one is of a compact size. There are particular drawbacks, concerning sharpness, which is absent at an open aperture and the corners are fuzzy at f/8.

If you shoot with crop matrix, you don't need to eliminate the blend. The lens is advised for indoor shooting, but you will require to raise the ISO to get enough lens speed. A macro lens isn't the type of lenses that you must have if you wish to shoot a wedding.

Best Lenses For Wedding Photography

In spite of a certain specialization (macro photography), the lens can have a more universal application, for instance, in still-life photography, when you need to be more mindful with small details. That's why it can likewise be called the very best Sony lens for wedding photography. Easily, the lens can be advised to shoot reportages and other footage.

The peak of resolution falls on F4. In the center of the shot, the lens may surpass the sensing unit limitation in some camera models. The edges of the shot are very sharp, though they aren't as great. At F5. 6, the maximum level of even detailization is achieved all over the frame field.

Best Lens For Wedding Photography

I've already informed you about the pros and cons of every one. The is, the better results you get. However not constantly you can get a lens with the essential focal length and large lens speed. Zoom lenses often have lower lens speed than fix lenses. That is why you need to decide, whether you want to take delightful pictures blurring the background and drawing bokeh, and constantly transfer to get closer or approach the subject just by moving your hand with the lens speed of 2-3 levels less.

However, now there is rather a big selection of wide-angle lenses with minimal distortions. You should, specifically in group pictures, because if there are people, who are very near the edge of the frame, there is a possibility that they can be extended. Focusing speed depends not only on the lens but also on the cam itself.

Best Nikon Lenses For Wedding Photography

It all together will weigh 7 pounds. But usually, good optical instruments and gadgets weigh a lot, and it isn't reasonable to take 5 lenses if you do not have a second shooter. It is better to take a number of lenses that will have an average weight but which will not cause much discomfort.

Evolving your design, keeping your abilities up, and remaining on top of market patterns are all part of continuously working on becoming a much better professional photographer. When it concerns buying the very best lens for shooting wedding events, it's likewise essential to think of the elements surrounding the particular wedding event you're shooting.

The Best Canon Wedding Lens For 2022

If the couple employed you to work for less than 4 hours (essentially https://photograpyqti570.shutterfly.com/27 simply wedding event portraits and the ceremony), it may not make sense to bring a bag loaded with lenses. On the opposite side of the spectrum, if you're shooting a full day of 12 hours (or longer), you'll wish to have more choices.

In some cultures, a wedding can last several days. This could require you to utilize a variety of lenses for the dozens of mini-ceremonies that happen throughout the period of the wedding. Purchasing the best lens for wedding event photography isn't as simple as walking into the closest video camera shop and purchasing the most expensive or most popular lenses.

My Wedding Photography Gear

Before we dive into selecting lenses for wedding events, let's go over some of the essentials of the types of lenses out there. If you want your wedding to be the Top Wedding Event Video of the year, have a look at our ultimate list of wedding videographers to assist you get the refined item.

This broad to medium zoom lens covers a strong series of focal lengths and still crams in an intense aperture. The lens is wide enough to record the entire event in one shot. You can adjust the telephoto end for closer shots and even portraits, so it likewise comes in useful for those family formals.

The Two Lenses You Need For Wedding Photography

The longer the lens, the more vital the image stabilisation is. If you can just manage to get stabilisation on one lens, get it on the longest one in your bag. Numerous wedding event photographers utilize both a 24-70mm and a 70-200mm to catch the wedding. These work especially well during parts of the day where the rate of events isn't ideal for lens swaps.

[whileiamdying]

Experience a beautiful timelapse journey through the amazing landscapes of Scotland. In this film about the Scottish Highlands you will experience places like Glencoe, The Storr, Quiraing, Fairy Pools and many other places on the Isle of Skye. The shots are made in May 2019 where I had the pleasure to travel around the Scottish Highlands for two weeks. I had the pleasure to experience the spectacular Isle of Skye with a sunrise at the Storr, a long hike and lot of mist at the Quiraing and the beautiful Fairy Pools. In Glencoe I experienced the lakes Glencoe Lochan and Lochan Urr, Glen Etive with amazing still water, had an interesting and demanding climb to the top of Ben Nevis which is the highest mountain in UK and finally made a timelapse at the Glenfinnan Viaduct with the steam train known from Harry Potter. FOLLOW MY WORK YouTube.com/CasperRolsted?sub_confirmation=1 Instagram.com/CasperRolsted Facebook.com/CasperRolstedVisuals Twitter.com/CasperRolsted Photographer, editor and sounddesigner: Casper Rolsted CasperRolsted.com Music: Peter Nanasi peternanasi.bandcamp.com FILM LOCATIONS IN "SCOTLAND in motion" 0:00 Eilean Donan Castle. Shot at sunrise. The rising and falling tide reveals that the water here is connected to the sea. 0:14 The Storr. View over the Isle of Skye. 0:18 Elgol. View to the mountains from the harbour. 0:23 Quiraing. The wind-blasted tree is a particular favourite of photographers. 0:28 Quiraing. The walk is a 7 km circuit with an ascent of 374 meters. Allow approximately 3 - 4 hours for this hike. 0:32 The Fairy Glen. The Fairy Glen is one of the Isle of Skye's most enchanting attractions. It is a delightful miniature landscape of grassy, cone-shaped hills. 0:37 Ben Nevis. The view from half way to the top. The trip to the top and back is 17 km and takes 7 to 9 hours. There is 1352 metres of ascent. Be very careful in misty weather and bring a map since the route is not very clearly marked. 0:42 Quiraing. Misty weather is not unusually in the Highlands. 1:05 Fairy Pools. Beautiful rock pools of crystal clear spring water fed by a series of waterfalls from the Cuillin Mountains. 1:15 The Storr. Sunrise from the top with view over the Isle of Skye and to the Old Man of Storr. 1:28 The Storr. The view after a short walk towards the top. The round trip is about 4.5km and 288 metres of ascent. It takes about 2 hours to walk. 1:37 Buachaille Etive Mòr. Pyramidal formed mountain at the head of Glen Etive. Shot in the morning from the Buachaille Etive Mòr Waterfalls. 1:41 Glencoe Lochan. Beautiful waymarked trails through ornamental woodland. The picturesque and serene woods contrasts with the wild and dramatic mountains. 1:45 Kilchurn Castle. The castle which today is a ruined structure was constructed in the mid-15th century. It is open to the public in summer. 1:50 Lochan Urr, Glen Etive. Beautiful small loch. The two mountains in the background are Buachaille Etive Mor and Buachaille Etive Beag. 1:58 Skyfall scene. This location is know from the James Bond movie Skyfall (2012). But instead of shooting towards Loch Etive I have made this timelapse towards south. 2:07 Mountains at Loch Lochy 2:12 Mountains at Lochan na h-Achlaise 2:16 Glenfinnan Viaduct. The viaduct is features in several of the Harry Potter movies. 2:25 Portree. The capital town on the Isle of Skye. I have here shot the rising tide which is over 3 meters. 2:33 Eilean Donan Castle. The same castle as the first shot in the film. Here it is shot at sunset from the hill. CAMERA EQUIPTMENT USED Sony A6300 Mirrorless Digital Camera Body Samyang 12mm f/2.0 NCS CS lens Samyang 21mm F1.4 ED AS UMC CS lens Samyang 50mm F1.2 AS UMC CS lens Samyang 100mm F2.8 ED UMC MACRO lens Carl-Zeiss Vario-Tessar T* E 16-70mm f/4 ZA OSS Edelkrone SliderPLUS Medium with Action & Target Module Digislider 2 Axis Auto-Pan Video, Time Lapse & Stop Motion Camera Slider

[artwalktv]

Experience a beautiful timelapse journey through the amazing landscapes of Scotland. In this film about the Scottish Highlands you will experience places like Glencoe, The Storr, Quiraing, Fairy Pools and many other places on the Isle of Skye. The shots are made in May 2019 where I had the pleasure to travel around the Scottish Highlands for two weeks. I had the pleasure to experience the spectacular Isle of Skye with a sunrise at the Storr, a long hike and lot of mist at the Quiraing and the beautiful Fairy Pools. In Glencoe I experienced the lakes Glencoe Lochan and Lochan Urr, Glen Etive with amazing still water, had an interesting and demanding climb to the top of Ben Nevis which is the highest mountain in UK and finally made a timelapse at the Glenfinnan Viaduct with the steam train known from Harry Potter. FOLLOW MY WORK YouTube.com/CasperRolsted?sub_confirmation=1 Instagram.com/CasperRolsted Facebook.com/CasperRolstedVisuals Twitter.com/CasperRolsted Photographer, editor and sounddesigner: Casper Rolsted CasperRolsted.com Music: Peter Nanasi peternanasi.bandcamp.com FILM LOCATIONS IN "SCOTLAND in motion" 0:00 Eilean Donan Castle. Shot at sunrise. The rising and falling tide reveals that the water here is connected to the sea. 0:14 The Storr. View over the Isle of Skye. 0:18 Elgol. View to the mountains from the harbour. 0:23 Quiraing. The wind-blasted tree is a particular favourite of photographers. 0:28 Quiraing. The walk is a 7 km circuit with an ascent of 374 meters. Allow approximately 3 - 4 hours for this hike. 0:32 The Fairy Glen. The Fairy Glen is one of the Isle of Skye's most enchanting attractions. It is a delightful miniature landscape of grassy, cone-shaped hills. 0:37 Ben Nevis. The view from half way to the top. The trip to the top and back is 17 km and takes 7 to 9 hours. There is 1352 metres of ascent. Be very careful in misty weather and bring a map since the route is not very clearly marked. 0:42 Quiraing. Misty weather is not unusually in the Highlands. 1:05 Fairy Pools. Beautiful rock pools of crystal clear spring water fed by a series of waterfalls from the Cuillin Mountains. 1:15 The Storr. Sunrise from the top with view over the Isle of Skye and to the Old Man of Storr. 1:28 The Storr. The view after a short walk towards the top. The round trip is about 4.5km and 288 metres of ascent. It takes about 2 hours to walk. 1:37 Buachaille Etive Mòr. Pyramidal formed mountain at the head of Glen Etive. Shot in the morning from the Buachaille Etive Mòr Waterfalls. 1:41 Glencoe Lochan. Beautiful waymarked trails through ornamental woodland. The picturesque and serene woods contrasts with the wild and dramatic mountains. 1:45 Kilchurn Castle. The castle which today is a ruined structure was constructed in the mid-15th century. It is open to the public in summer. 1:50 Lochan Urr, Glen Etive. Beautiful small loch. The two mountains in the background are Buachaille Etive Mor and Buachaille Etive Beag. 1:58 Skyfall scene. This location is know from the James Bond movie Skyfall (2012). But instead of shooting towards Loch Etive I have made this timelapse towards south. 2:07 Mountains at Loch Lochy 2:12 Mountains at Lochan na h-Achlaise 2:16 Glenfinnan Viaduct. The viaduct is features in several of the Harry Potter movies. 2:25 Portree. The capital town on the Isle of Skye. I have here shot the rising tide which is over 3 meters. 2:33 Eilean Donan Castle. The same castle as the first shot in the film. Here it is shot at sunset from the hill. CAMERA EQUIPTMENT USED Sony A6300 Mirrorless Digital Camera Body Samyang 12mm f/2.0 NCS CS lens Samyang 21mm F1.4 ED AS UMC CS lens Samyang 50mm F1.2 AS UMC CS lens Samyang 100mm F2.8 ED UMC MACRO lens Carl-Zeiss Vario-Tessar T* E 16-70mm f/4 ZA OSS Edelkrone SliderPLUS Medium with Action & Target Module Digislider 2 Axis Auto-Pan Video, Time Lapse & Stop Motion Camera Slider

[motekawa]

相互フォロー向けレンタル品一覧

相互フォローさん向けのレンタル可能品一覧です。 使わないともったいないし。基本無料です。

撮影用／乗用車として

Audi A5 Cabriolet

※撮影用に供する場合、撮影場所まで配送可。

カメラ本体

CANON EOS 6D mark II

α7III

交換レンズ（いずれもEFマウント）

SIGMA 50mm/F1.4 DG HSM PL-Cフィルタあり、NDフィルタあり

TAMRON SP AF 28-75mm F/2.8 XR Di LD Aspherical (Model A09) PL-Cフィルタ、NDフィルタあり

TAMRON SP 15-30mm F/2.8 Di VC USD (Model A012)

TAMRON SP 24-70mm F/2.8 Di VC USD G2 (Model A032E)

交換レンズ

Carl Zeiss Jena DDR Flektogon 35mm/F2.4 (M42マウント) M42->Eマウントコンバータあり

FUJINON 55mm/F2.2 (AXマウント, バブルボケレンズ） AXマウント->Eマウントコンバータあり

その他カメラ備品類

ストロボ YONGNUO YN-560 IV x 2台（ディフューザー付き）

ストロボリモコン YONGNUO YN-560TX

ストロボ NISSIN i40

ストロボ GODOX V860II-C x 2台

ストロボ GODOX X1T-C( CANON用リモコン )

ストロボ GODOX Xpro-S( SONY用リモコン )

カラーキャリブレータ（液晶モニタの印刷の色合わせ用等）

大型レフ板（150mm x 100mm程度の楕円形タイプ、銀/白/金/黒)

三脚 x 2

小型三脚 x 1

ライトスタンド x 1

イベント用備品類

エンゲルス（硬貨収納器）

ポスター立て（こんなの）

小型イーゼル白（A3ぐらいまで飾れる）

USB扇風機（バッテリー/AC併用可能）x 2台

例の布

おうち

東中野東口から徒歩1分、リビング12畳、ボドゲ、ホムパ等に快適

75cm x 120/150/180cmに伸縮できる座卓が2台

クッション10枚

46インチTVとAppleTV、fire TV Stick

Wi-Fi(802.11ac/n/g)完備

[slrlounge1]

Deal Dash – Weekly Roundup for April 19, 2019

Welcome to our weekly Deal Dash, your source for the best deals, sales, rebates, and announcements of the week on photography and cinematography related gear, accessories, and software!

This week, we have deals & announcements from companies like Topaz, Westcott, Adorama, Creative Live, B&H, Spider, Skylum, Fundy, Agency Access, Lowepro, and Borrowlenses, as well as the continuation of Nikon rebates.

B&H Deals Of The Week

Save Big on a huge selection of items from Microphones & Laptops to Camera Bundles & Game Consoles at B&H Photo this week! Be sure to check out all the deals on Sony ending TONIGHT (April 20, 2019) to save $50-$500+ also!

    Save $30 on SanDisk 2TB Extreme Portrable USB 3.1 Type-C External SSD – $349.99

          Save $120 on Lexar 512 GB 633x UHS-I microSDXC Memory Card with SD Adapter – $79.95

          Save $600 on Sony Alpha a7 II Mirrorless Digital Camera with FE 28-70mm f/3.5-5.6 OSS Lens – $998.00

      Click Here To See All The Additional Deals from B&H

Deals Of The Week with Adorama

    Save $150 (27%) on CLAR Maxin Series MX-B15 2 x 1 Bi-Color 3200-5600K Aluminum LED Light with V-Mount battery plate. – $410

        Save $10 (10%) on CLAR 3-Axis Handheld Gimbal Stabilizer for Smartphones & GoPro’s – $89.95

        Save up to $38.40 (15%) on  Glow Grand Box 4 Pro 14×60″ Strip Softbox (35x150cm – $217.60

        Friday Only!! Save $50 (10%) on the SLR Magic MicroPrime Cine 12mm T2.8 for Micro Four Thirds Mount – $449

        Click here to see all the additional incredible offers from Adorama

Save On Spider Camera Holsters & Accessories

Enter our special SLR Lounge code (SLR25) when checking out at spiderholster.com and save 25% off all gear.

  Save 20% on Vimeo Plus, PRO, Business or Premium Annual Subscriptions! Use PROMOCODE: EASTER20. Ends 04/30/19.

    Get all 40 Classes for Creative Live Photo Week for just $99

Get the complete Sue Bryce Bundle for $99 & own it for life!

  Save On Rentals With Borrowlenses

Rent more, Save more with Borrowlenses. This week get 15% off rentals $100+, and 20% off rentals $250+ with the code: STEPUP19

Save $79 on your purchase of any Fundy Suite.

Spring Into Motion with Some Great Deals On MOVi

10% off Movi Cinema Robot with code ILIKETOMOVI

Free Counterweight with Movi Purchase with code WEIGHT

10% off Movi XL and select bundles with code EXTRAXL

Save $805 on the all new Movi Pro Solo Bundle

15% off accessories for all systems with code ACCY

10% off Movi Pro Comprehensive Checkups with code CLEANMYMOVI

Click here to view all the deals from Freefly Systems

Miscellaneous Offers

Save $30 on the 40″ 9-in-1 reflector from Westcott until April 22

Save $20 on Topaz DeNoise AI – $59.99

Get free shipping and free gear on orders over $50 from Think Tank Photo

Get 10% off ColorChecker Digital SG from X-Rite

Free ELB 400 HS Kit when you buy any ELB 1200 kit from Elinchrom

Save 87% on the Corel Creative Mac bundle – $39.99

Lots of Special Offers from Focus Camera

Lock in your first 3-months for $29 per month with the Creator Pass for Creative Live

Get $50 off Drobo 5C and 5D3 with code TAXDAY19

Get a free upgrade to Travel Kit when buying an Interview Kit from Spiff-y Gear. (Use Code NAB2019)

Save $10 on Nik Collection by Dx0 $59.99 until April 23

Tiffen Osmo Pocket Filters – $49.99-$79

Save about 20% and get a free gift when you purchase a Rogue Expo Disk 2.0 from Expo Imaging

Get $15 off GripTight ONE GP Magnetic Impulse by Joby

Skylum launches Luminar Flex Plugin $59

Bundle Up & Buckle Down – Save 20% – 30% on Marketing Bundles for Photographers & Illustrators from Agency Access.

Upgrade to ON1 Photo RAW 2019.2 and Save! Only $63.99

Get the Salvatore Bug Out Bag for only $99

Get 25% off each Printed Backdrop from Backdrop Outlet with Code PRINTED25

Save on prints from Bayphoto – Save 15% on Framed Prints, (Use Code 15FRAME), and Save 25% on Favorite Wood Products (Use Code 25WOOD)

Save on Select Certified Pre-Owned Phase One systems through Digital Transitions.

$50 Cash Back on select Camera Backpacks from Lowepro

Get up to 40% off Select bags from Lowepro from April 18-29th

Get the Viral Personal Branding paperback by Mike Allebach for only $9.99

Bundle & Save on Westcott Rapid Box Switch Systems.

Sign up to save $500 on Adobe Max 2019

Free Shipping on Domestic Orders from Freefly Systems

Tenba Launches new Cineluxe Pro Gimbal Backpack – $449.95

Big Nikon Rebates Continue

These were mentioned previously, but here’s a reminder that Nikon is  still offering Instant Rebates from $70 to $300 + 4% Rewards for select Nikon lenses on B&H Photo.

Click here for all the details.

Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED V – $2796.95

Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR – $2396.95

Nikon AF-S VR Micro-NIKKOR 105mm f/2.8G IF-ED – $896.95

Nikon AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR – $946.95

Nikon AF-S NIKKOR 50mm f/1.4G – $446.95

Nikon AF-S NIKKOR 14-24mm f/2.8G ED – $1896.95

Nikon AF-S NIKKOR 85mm f/1.4G – $1596.95

Nikon AF-S NIKKOR 24-70mm f/2.8G ED – $1796.95

Nikon AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR – $2296.95

Nikon AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED – $1246.95

Nikon AF-S NIKKOR 35mm f/1.4G Lens – $1696.95

Nikon Landscape & Macro 2 Lens Kit with 10-20mm f/4.5-5.6 and 40mm f/2.8 – $546.95

  SLRLounge LIGHTROOM TUTORIALS

Browse our industry-leading Lightroom education. Whether you’re just getting started and need to learn Lightroom basics or you’re a seasoned pro looking for advanced Lightroom techniques, we have the right workshops for you. SEE LIGHTROOM WORKSHOPS

from SLR Lounge https://www.slrlounge.com/deal-dash-weekly-roundup-for-april-19-2019/ via IFTTT

[nordischscapture-blog]

Good morning my friends. ☀️ Today I wanted to change the perspective on seeing things. 🧐 I made this macro around 2 Weeks ago and recognized it when I surfed through Lightroom. 🏄 I like frozen looking things. Reminds me of good winter days. What about you? Did you have a good winter season? ❄️ have a nice Sunday! ✌️ ——————————————————— 📸 Sony A7 Lens: 28-70mm ISO: 400 Focal length: 28mm Aperture: f/7.1 Exposure: 1/160sec ——————————————————— . . . . . . . . #Earthescope #nature_brilliance #EarthVisuals #artofvisuals #welivetoexplore #natureaddict #naturediversity #ourplanetdaily #earth_deluxe #instanaturelover #nature_prefection #allnatureshots #top_macro #fingerprintofgod #macroshot #macro_secrets #macro_mood #macromood #macroworld #macro_highlight #igbest_macros #bns_macro #macrolove #meindeutschland #germanytrip #deutschland_greatshots #unlimitedgermany #sonyimages #sonyalpha #sonyalphasclub (hier: Germany) https://www.instagram.com/p/BsSde-oAapn/?utm_source=ig_tumblr_share&igshid=1ftaeut8s3dnm

[gridfiti]

Creator Spotlight: @nickle90 Style: Urban photography and travel videos Camera Body: Sony A7 Camera Lenses: Sony 28-70mm F/4, Minolta 50mm F/2 Insta Inspirations: @sam_kolder @mattjkomo @brightong Advice: Create and build consistently. • Starting a new segment on @gridfiti where we showcase up and coming creatives. We will be mixing up content between grids and visuals. Let us know what you think, we’re always looking to showcase creatives so reach out to us if you’re interested in being featured. https://www.instagram.com/p/BTFWynYB2ki/