#So that turned into a rant

[nanomooselet]

Little but Fierce III

I love Meryl so much. Imma talk about all the ways she's terrible.

First watching the show, I had her clocked pretty much from the moment she opened her mouth and the moment she first appeared on the screen.

Oh Lord. This child is insufferable.

She's twenty-three, just out of college, from a sheltered background, and determined to solve all the world's problems, but she'd have a much easier time of it if she weren't such a scold. She's prissy. She's judgemental. Because nothing in the world lives up to her standards, she's going to shout at it until it does. It's endearing now because she's so little and cute, but she will encounter someone unwilling to put up with it sooner or later, and she had better hope she survives that encounter to learn from it.

Reminder that her first appearance in the manga is striding onto the panel like a queen and then whipping out a megaphone to announce she's from the insurance society, like any of the people she's talking to have any reason to care. She's, uh. She's a real woman of conviction.

What makes this Meryl seem so young is that she still has a lot of faith in the rules, and that the way things should be is indeed the way they are. Why wouldn't she? Her family is wealthy, she just got out of school and this is her dream job. Her whole life so far has kept her cushioned from pain and consequences, as well what exists on the edge of society - violence, poverty, corruption - as well as the edges of her own reality - the truth about the Plants, the existential terror of a being like Knives, who so virulently hates her species and has the power to crush them at will, for any reason, at any time. And of a being like Vash, whose power is even greater, but whose appearance is so purposefully soft.

That dude she's yelling in the face of could vaporise the planet they're standing on, if he felt like it. He would never, but that doesn't change having that capacity, or that there are individuals who will do anything to obtain control of his power.

What makes Meryl such a fantastic character despite these flaws is that upon encountering proof of her ignorance, she doesn't double down. She's surprised, and often scared, but primarily she's saddened, or even outraged. Why is the world this way? What can she do about it? What action can she take?

That's the perfect trait for a journalist, and I also think the reason that Vash likes her - and Roberto, too. It's why both of them are determined to protect her, and Roberto comes to adopt (or perhaps reclaim) a little righteousness by her example.

She doesn't belong on No Man's Land, but then none of them do. No one wanted to be here. Nevertheless they are here.

What can they do together to make it a kinder world?

Also, one more thing.

There's an argument for how hard it is write female characters that the audience won't instantly loathe. It's called the Galbrush Problem, after a theoretical genderbend of Guybrush Threepwood from the Monkey Island series. They're point-and-click adventure games, and they're very silly - Guybrush's entire backstory, as far as we learn, is that he washed up on a beach in the Caribbean as a teenager with the burning ambition to be a pirate and no practical skills in the field whatsoever.

Sample dialogue:

Elaine: Ugh, let's face it, LeChuck! You're an evil, foul-smelling, vile, codependent villain, and that's just not what I'm looking for in a romantic relationship right now! LeChuck: Darn yer riddles, ye saucy female! What do ye mean?!

They're engaged in a high stakes sea battle at the time. Elaine is defending the port she governs from LeChuck's skeleton pirate crew. (Hauntingly realistic reaction to a woman's unambiguous rejection from LeChuck, though.)

Anyway the Galbrush Problem suggests that a Galbrush version of these games would come across as offensive, because Guybrush is a comedic protagonist. He's subjected to slapstick, mocked, rendered the butt of jokes. He says and does absolutely ridiculous things. Who'd enjoy a woman being a victim of such humiliation?

I hate the Galbrush Problem as an argument.

Because Guybrush might be hard to take seriously, but he's still loveable - he's quick-witted, charming, and his many failures combined with his unwillingness to let them ever get him down for long actually make him a little inspiring. And we don't just watch him, we embody him - we relate to him. His absurd challenges are ours to overcome and his cracking wise in the face of craziness is something we sort of wish we could do. We'll all look a bit ridiculous at least some of the time. That's not something gender specific.

It's not a problem to write a woman being goofy. Not unless you present that as her only trait, or her as the only woman, or failure as the only outcome of her actions. Meryl completely explodes the Galbrush problem by being hilarious - she and Vash get to play comedic partners pretty frequently early on and it's always great, and her stupid sibling fights with Wolfwood are splendid. It doesn't make her offensive. She's fun! We need levity! That tomas is hauling around a bunch of fricking coffins!

The wonder of Trigun as a story is that everyone in it is so gloriously, painfully human, even the ones who pretend not to be. Is there really something offensive about affording women that courtesy too? Really?

Maybe I get too pissy about it, I don't know, but I've been a fandom cryptid for some twenty years, and was once determined to enter a profession where there was straight up a conspiracy to prevent women being protagonists, or when they are protagonists, having partners or lovers, because it meant they were less appealing and available.

Lookit this silly marshmallow. What about her is unappealing? What about her is offensive? I mean, apart from the fact that at this rate she's going to give that poor man a heart attack.

Part I

Part II

Part IV

Part V

Part VI

Part VII

Part VIII

Part IX

[cowgyaru]

wolverine sevika you are so special to me ….

[bixels]

In the past, people in the Animal Crossing community would make fun of Tom Nook as a sleazy landlord. Since then, he's really rehabilitated his image as this 'heart of gold' businessman (he's the one who puts bells and furniture in trees for you to find! he adopted orphans! he donates to charity!), but New Horizons genuinely paints the most devious version of him.

He's successfully privatized settler colonialism: you pay HIM to move to a "deserted island" (which apparently the oceans in the AC world are just full of) and start a colony that he is directly invested in. At best he's running a weird vacation package scam (you arrive on the island with no money and in debt for "using his services"). At worst, he's using you to set up company towns. For god's sake, he literally has his own fake currency that he forces you to use to pay off your debt. But don't worry, he's repackaged it in a way that definitely doesn't sound like an MLM scam: the Nook Mileage Program!

You're no longer just his tenant or his temporary part-timer, you're his business lackey. The entire tutorial section of the game has you spending actual weeks running around completing tasks and doing hard labor to set up his colony. You're even tasked with preparing his properties and finding buyers for them. No, you aren't a tenant anymore. You work for the landlord. You are directly responsible for finding tenants for him. And he doesn't even fucking pay you. Not for setting up town hall and museum, or his nephew's shop –– which is the ONLY store on the entire island that sells necessities –– or bringing KK Slider to town, or helping populate his town. Not a single cent. No, actually, you have to pay HIM to BUY infrastructure like bridges and stairs and park benches. And all the while, he's telling you're the "resident representative"; you get to call the shots! That the reward is the community's progress. That what you're doing is in everyone's best interest (but most importantly, his).

Since NH's release, people have done a lot of legwork to say that Tom Nook isn't a capitalist while the game shows him at his very worst. He owns the only general store in town. You're forced to use a phone that he modified and branded as his own. Buy Nook-branded furniture and merchandise at the self-serve kiosk in the town hall, a governmental building! There's no conflict of interest here!

But hey, if you're tired of being the landlord/business mogul's goon, you can also find work as a deluxe resort home designer for a company that also pays you in their special company currency that can only be used to buy their products instead of a real salary! Because that's what the Animal Crossing franchise needs! More vacation homes!!!

[nipuni]

Casanova sketches!

[morrriigan]

beautiful games i've played ➤ final fantasy x

"Die and be free of pain, or live and fight your sorrow! Now is the time to shape your stories! Your fate is in your hands!"

[weirdglassthing]

LOA Shiptober Day 4: How They Met

October content month was ambitious..

This one took me. Shockingly long. Whoops! I’ll probably end up jumping around the prompt list and it might extend into November 😋

I’ll try to do day 31 on the actual date of Halloween though 🫡

[secretsimpleness]

Sometimes I want to bring Morrigan but then I remember I play as a face-tanking rogue and I bring Wynne. Warden Cousland, Morrigan, Wynne / Dragon Age Origins (c) Bioware

[sweetieviktor]

jealous! viktor x reader (headcanons + tiny scenarios)

summary: viktor sees you talking with a friend and get jealous.

content warning: idk if it counts as a cw but jealousy?? also, i made with s1 viktor in mind!

author notes: heyyy, so sorry this one is little, im still trying to find motivation after the end of the series but i think it turned out cute! thank u for the request and hope u like it!! :)

» it was a common sight to see you walking up and down piltover’s academy, working or just chilling on lunch breaks, but every time viktor would approach you, you were already with someone. sometimes an unknown person, other times with a friend, laughing and joking, touching them in such a sweet way, side by side in the aisles.

» he looked at you both, blood boiling and shaky hands. if you looked at him, it was possible to see his lips forming a thin line, brows furrowing, his left eye almost twitching. oh, he was jealous.

» he felt angry at himself to feel like this, he didn't mean to be jealous at all, but he wanted to steal you away, just for a second, and be the one by your side, be the one you smiled to, the one you’ve been touching so sweetly.

» he wanted to reach for you, to interrupt your silly conversation about whatever you two have been talking about, he wanted to share his new discoveries with you, he wanted to be in their place so bad.

» but he couldn't complain, not when you waved a goodbye at your friend, and turned your body, recognizing viktor, eyes lighting up immediately, smiling from ear to ear.

“viktor!”, you shouted, voice echoing in the aisle while you walked to him, “i’ve been looking for you all day. you wouldn't believe what happened!”

he looked at you, expression softening, eyes shining, mimicking yours, his thin lips now turning into a little smile, “yeah? tell me."

» soon all the jealousy melted away, now, he is the one walking by your side.

[theimpurelily]

My new ship just launched and one of them doesn't even have a fucking name

For real tho, this un-named Wan Jian Disciple is such a snarky bitch. I love him.

Kudos to @grubus for making such enjoyable OCs

[froggtogs]

rockin’ out!!

[arrowheadedbitch]

New idea: Shinsou is supposed to be babysitting Eri but he has to do something so he leaves Denki in charge for a little bit, he comes back expecting the house to be burnt down but instead he finds Eri begging Kaminari to let her re-dirty up her room so they can clean it together again

[14dayswithyou]

Hi, Howdy! Hey! I really love your novel!! I got a little confused by the 4 day, may maybe you help me please? who is it? why we got the bad end staying the night in Ren’s apartment and he disappear of the home screen? I can’t understand “unset memory” game, sorry if I wrote smth wrong or smth sounds rude, I swear that I didn’t mean it if happened, I’m really a fan of the novel, I’ve been playing the game since day 1 or 2 I guess, probably day 1, english isn’t my first language, but I tried lol

⌞♥⌝ I hope you don't mind me answering these as bullet points!! ^^

"It" will be revealed later in the game! So I won't reveal too much right now.

You can only get the Dead End in Day 4 by staying at Ren's apartment — the rest of your choices before that don't matter. I'd also pay closer attention to the black smoke and Ren's reaction towards it!

Ren disappears from the home screen because he promised to help the player out (and stop them from getting the Dead End again). Try replaying the game again from the beginning for a surprise!

"Unsent Memories" was another visual novel (initially being written by @10chimes / @unsentmemory, though the project has since been dropped and handed back to me /pos) and is set in the same universe as 14 Days With You. Its storyline and characters are completely separate from 14DWY, so you don't have to worry about them while playing 14DWY.

[itscherryterry-again]

yea

[renthony]

I hate our shitty apartment and I can't stand our asshole neighbor, but I do know the names of all the plants growing around our building, and I've been watching the same birds for so long that I recognize specific individuals. There's a male cardinal who I refuse to name (because I won't name wild animals), but who I fondly refer to as "the Loud Boy." He just finished growing his feathers back after molting for the year.

My little container garden attracts pollinators and birds, and it makes this shitty living situation a little bit brighter. It's about the only thing that keeps me going some days, but it does keep me going.

[spearxwind]

i think every game that makes flying the focus (and theres veeery few of those) should have a map with a lot of verticality to it. Yes we all wanna fly a dragon over a vast landscape but when youre high up everything is indistinguishable, the sky is empty, and that gets boring real quick. A flying game should have verticality in a way that lets you explore heights that are really high and places on the map that are overlaid with each other would feel more alive and give you so much more space to work with. In a way, itd be like the inverse of the subnautica map. The original map was amazing because it made the ocean feel so huge. "What do you mean theres five biomes underneath the earth?? what do you mean theres just vast caves under here?" and everything felt super interconnected too. There should be more things in the sky than just you too. Enemies, prey, companions.... etc.

my fave flying game is called 'aer memories of old' and it doesnt really have that verticality but its a good flying game imo because its got a map thats so rewarding to explore, there is a PURPOSE to flying around just beyond what the game wants you to do. The lore of the world is out there for you to find and piece together, and the map is filled with life and details. And recently theres been an uptick in developers trying to make flying dragon games but none feel like flying has any purpose at all other than be really showy and yeah it looks awesome but without a purpose for flying its gonna get boring for the player!!

"This is the dragon game you've always wanted" and its another purposeless multiplayer mmorpg with an insanely huge completely empty map and they focus so much on the five fucking billion dragon cosmetics (and god forbid theyre all free btw) instead of making a game that is fun to play and just put the responsibility of having fun on the shoulders of the player. "omg u can make any dragon in this game the models look so cool!!" ok but what about the game. can you tell me if you game is fun? is there anything to do? oh, just material gathering shit and crafting? and an mmo where you have to play with others for there to be any semblance of life in the world? ok

idk im just sick of seeing games advertised as a dragon survival game where the only survival aspect is like. 'find food' 'find water' 'find a mate to have an egg' repeat. repeat. repeat. surely theres other things?? what about migration? territorial disputes? becoming the apex predator? being a local tyrant or a benevolent protector? there is so much that could be done with dragons but all every dev wants to dip their ass in is multiplayer nonsesne with the most basic hunger and thirst and a basic as fuck combat mechanic and call it survival so that people can choose to kill each other. its so lazy

[bixels]

Splatoon 3: Side Order is good, but not great. I still highly recommend it, but if you care about the story, you're going to be disappointed. Quick review: spoilers ahead.

Side Order was the devs experimenting with Splatoon's gameplay loop. The campaign is a rogue-like, and it works amazingly well. Super fun, super challenging, building my deck and fighting through challenges with the stakes of resetting really scratched an itch in my brain. They did a great job with it.

Unfortunately, I feel like priority went to game design rather than story. Much of the mysterious artwork we saw in the first teaser trailer was completely unused; turns out, all of that was just concept art that never made it into the final product. Side Order failed to make me care about what was happening. I don't know why the protagonist had to be Agent 8; it could've been anyone else and the story would've worked the same.

Octo Expansion was the absolute peak of meshing story and gameplay. The campaign's hook is insanely strong; we immediately empathize with Agent 8 because we know from previous lore that octolings like her have been trapped underground for all their lives. We care about her fight to the surface because it's a fundamentally ideological fight for freedom. The plot stuff about Tartar and the Thangs is just nice set dressing; 8's fight for freedom is the real story.

There's none of that in Side Order. I don't particularly care about Marina's metaverse, even if it's tied to Octo Expansion's story. I don't know why Acht is there other than backstory stuff. It really feels like 8 is just told to do something and she does it because she's the protagonist; she has zero personal stakes or motivations in the conflict. This is a story blunder the devs did in Splatoon 3's default campaign––forgetting to give the protagonist a personal reason to fight––that I hoped would be fixed here, but alas.

What makes it worse is that the gameplay and story progression are completely out of sync. I beat the entire game on my third run in 4 hours. With each run, you get up to two keys to potentially unlock bits of story. That means you'll get about one piece of the story every two runs. There are twelve pieces of the story; I got the first and then beat the whole damn game. Now I have to go back and grind to see the remaining story when I've already beaten the final boss and resolved the conflict. I missed the entire story because I never had to reset because I blazed through the gameplay! It's just a real shame that I experienced everything without knowing... why it's happening. The final boss had me asking myself what the hell is going on because I don't know the backstory at all.

Again, I still really recommend. The devs did a great job, but Side Order remains in the shadow of Octo Expansion's incredible success. Like the default singleplayer campaign, there's just a lot of lost story potential here that, while not necessary, would have really elevated this DLC into something amazing.