#So take this more as Like Concept Art for Now (Even though I most likely will Not Change Thomas' Design)

[sysig]

Moving out of concept art and into what’s Actually Done! Showcased here are a couple expressions for both pets so far with their dialogue balloons - mostly pulled from NPC references, but I did get a screenshot of my pet in-game using it in reply, not just in Kinzchat! So cute <3

They’re both introducing themselves here with the names I’ve given them, but I really wanted the process to be as Webkinz-like as possible, with a few extras :)

Which started with being able to pick pet pronouns! Thinking about it now, Webkinz doesn’t ask for player pronouns, does it? :0 But I wanted that to be an option too! It was...something of a process to go from one set of adjustable pronouns to three, especially as I haven’t played with any Ghosts that give you the option to assign both the character(s)’ and player’s pronouns! I had to give it a fair bit of thought of what to check against and how to not have them interfere with or overwrite each other (which did happen early on lol), but I got it! Only took a couple hours of frustrated-sleepily hammering away haha

These screenshots were taken pretty much back-to-back - the only thing changed here is what shell is being used, and shell-checking has come in soooo clutch here ahh, thank goodness ♥ Many and big thank-yous again to @cherryistired​​ for helping me troubleshoot menu shell-switching! Exactly what I needed, am very grateful :D

My original concept sketch of this process was perhaps a little overconfident in what I could accomplish for my first time playing in code lol; I have seen custom pronoun-setting though! And I think I probably could do that, but multiple pronouns... Again, I think I could, but... The name of the game was limiting my scope (lol) to see how many Different things I could implement in short order, so I’ll gladly take my three sets of pronouns and pet names vs. player name and go haha

It’s also a bit funny to look back on this little Diamond - I really haven’t drawn her much! Kind of loosely following Webkinz’ style, her face looks especially silly I think haha

I’ve also got my main menu balloon looking rather fabulous imo ✨ Technically there’s two - More and Back - and most of the features are Very Much in the Coming Soon To A Ghost Near You phase lol, but they’re all {bracketed} up to be filled in as I get their assets made :D There’s still a few placeholder pieces here and there - especially since I haven’t gotten to inter-Ghost communication just yet. Everything in its own time!

I ended up having a lot-a lot of fun with naming and renaming, I went a little silly with Just How Many reactions the pets could have to their names haha

They’ll refuse to be named after any of the Hosts directly, and they’ll give you a side-eye if the name is Close To but not Quite a match haha

The mischievous expression has gotten an awful lot of use already! Although I’ll probably change the “Nu-uh!” expression to something else once I have an alternative that fits better - I need that gradient-to-mad expression set so bad!

And although they won’t accept NPC names, you can name yourself after a Host, and they’ll react! :D There really is so much flexibility for Easter Eggs like this ahh, it’s fun!

All told, I ended up playing the most in Bootend, Menu, Nameteach (hgh), and String, although I’m realizing now that maybe a lot of the stuff I put in String belongs in Word...? It’s all been OnFunctions anyhow, and it’s organized in a way that makes sense to me but is perhaps not as intended lol - nothing says I can’t go back in and move some stuff around, as long as it continues to function properly haha. I’ve kept my error log neat and tidy!! As many times as I’ve broken something, I’ve fixed it thereafter! :D It’s a very satisfying process ♪

[namedoggo]

I keep forgetting to post this, but OC ART‼️ OC ART‼️

His name is Thomas Anakoni and I Love Him (He absolutely goes Through it)

Here's a Regular Color Version cause I think the colors I used are pretty

[blacktabbygames]

Slay the Princess Concept Art

We shared a bunch of concept art on Twitter today. Sharing it here, too, where you can find it all in one post. Post contains spoilers, so proceed with caution (or just play the game already if you haven't 😉)

Going to start with the first piece of concept art Abby drew for the game.

In the earliest stages of development, we toyed around with the concept of there being multiple "end game" forms of the Princess.

The initial outline, rather than being tied together by an overarching metanarrative, structured a full playthrough as a 5-6 chapter long, self-contained journey down a single route, determined by your decisions in chapter 1. Here's an alternative late-game form:

The idea of deviating end-game forms didn't lost for very long, though. As we explored the game's themes more deeply, it made the most sense for there to be a singular "true" form.

If your reality is shaped by subjectivity and perception, then the "truth" has to be what's left when that subjectivity is swept away. the Shifting Mound's final design feels like that initial truth for the Princess, though there's also another truth if you push back against her and press on into the final cabin.

We really liked this "void" design, and I played around with the idea of it being an intermediary to the final form. The "void" Princess would be what you saw upon encountering the final Princess without understanding your own truth, but once you had that understanding, you would see her as the Shifting Mound, as depicted in the game.

That gave way to the intermediary design of the SM being a sea of disembodied limbs, and we also took parts of both designs and incorporated them into the protagonist (particularly the wings.) You can see the eyes and feathers for this void form in the ending card of the original trailer below:

You can see extremely early concept art for the spectre (top), nightmare (top-right), stranger (left), beast (bottom) and ??? (right) as well!

The eyes became a motif in the Nightmare route (Paranoid's manifestation of the fear of being watched), but I also like to think of them as a part of The Long Quiet's truth. You are space and emptiness, but you're also that which observes those things, and it's your perceptions that give the Shifting Mound shape.

Anyways, on the note of the original original concepts for the game, the Princess was initially going to remain human for several loops before taking on more monstrous forms. Some concepts of that are below. Had to get Abby to tone down some of the more horrifically cartoonish designs because they creeped me out and I didn't want to romance them in a video game.

We had to hold our cards close to our chest in the non-metanarrative early drafts, which is part of why, even in the first demo, the cabin doesn't really change much in chapter 2. More room to subtly play with the concept of transformation over time.

There were a lot of reasons we moved in a different direction for the full release. The branching was unmanageably large to write, and the game felt like a slog to write.

Using an overarching narrative as a framing mechanism in the final version gave us a lot more freedom to explore wildly divergent ideas within routes while still driving the player towards the originally planned finale.

Anyways, now we've got some concept art for individual princesses. There's a lot more than this lying around somewhere, but it's all in sketchbooks, and we'll probably wait until we make an art book to show it off.

First is the tower, who really didn't change much at all. (She got a little thicker, I guess. All of the Princesses did)

Not a lot to say about her, other than the fact that we knew we wanted a set piece where she gets so big that the trees and cabin orbit around her.

The stranger went through many many redesigns over the course of development. Here, she was a "princess skin" filled with a hive of sentient bugs. The script wasn't working for me, though, so instead she became a peak behind the curtains without the necessary context to know her.

A lot of people ask how these earlier drafts of the Stranger route would have played out, and the answer is I can't tell you, because I couldn't figure out something worth writing.

The writing process for individual routes didn't really start with outlines or plot beats. Rather, the routes started from a theme and a relationship dynamic, and I organically found their outcomes by exploring actions within those themes, and then seeing if those passed Abby's editor brain.

Neither of us found actions we wanted to explore with those versions of the Stranger, at least actions that weren't a beat-by-beat retelling of chapter 1, which contained way too much variation to put on a single chapter 2 route.

If each princess examines a relationship formed by perception and first impressions, the Stranger examines one that's fundamentally unknowable. One where you've seen too much, too quickly.

An insect hive-mind pretending to be a person seemed like a good starting point, but it was too difficult to write any interactions that didn't immediately feel knowable, if still strange. So the final version of the Stranger was designed in such a way where her unknowability makes interacting with her on a human level fundamentally impossible, and you don't get to have a real conversation with her unless you satisfy extremely specific criteria.

Anyways next up is the razor's final form. We decided she needed more swords.

Hearts became an accidental motif very quickly in the development process, too. (The fact that it is only strikes to the heart that fell her in the demo was accidental, but it felt poetic so we extended it to the rest of the game.)

So on top of adding more swords, we made her heart visible. This is something we did with the fury as well, as a way of showing their emotional (and physical) vulnerability.

Here's an early version of the Adversary and what would eventually become the Eye of the Needle, back when she was still called the Fury. Originally her hair was going to be fire (as seen on the right), but it didn't feel right in its execution.

She's hit the gym since this concept art. Good for her :)

And we're going to end with the Beast, who at this point was called the Adversary. I think this was before the Witch was added? The Beast was originally designed to be a Questing Beast who lurked in the shadows, where you'd only see glimpses of her, and where each glimpse would make her appear to be a different animal. This was too difficult to execute, though we gave her a more chimera-like appearance in the final game.

This design was from when we still has the Voice of the Obsessed, and the route was going to be a more feral mirror of what eventually became the Adversary, but it felt too thematically similar while being less interesting, so we moved in the direction of making the Beast about consumption as a form of love.

Anyways, that's all we've got for you right now. Hope this was fun!

[bunnywithablog]

Hi! I saw that requests were open, so I wonder... can I request an imagine or headcanons (whatever you're more comfortable doing) about Legosi falling for a carnivore s/o and struggling with that after being so sure to be attracted to herbivores only please??

my writing chops are a bit rusty so please excuse me if this feels a bit off 😭 i had lots of fun writing it though!! if anyone is interested in a part 2, please let me know! i think it's a cool concept to explore and would love to do more with this >:) thank's for requesting and i hope you enjoy!

requests | rules | masterlist

pairing: Beastars - legoshi x carnivore!gn!reader - feeling conflicted over falling for a carnivore hc’s

warnings: internalized ...species-phobia??, brief locker-room talk from bill, implied love triangle if you squint

- now this just threw him for an absolute loop

- i mean, sure legoshi has always been more than capable of recognizing when a carnivore would be considered conventionally attractive

- but to actually FEEL attracted to them himself???

- manages to convince himself that maybe he just really likes you,,,,as a fellow peer?

- why else would he feel so strongly towards you?

- it had to be some pack-mentality science! yeah, definitely! 🤔

- but it's hard to ignore the way his ears perk at the sound of your voice during class

- or the slight wag of his tail when he catches your scent in the hallways

- or how his heart seems to stop whenever you look in his direction,,,, 💗

- it's like you were sent into his life specifically to shake him up, it's so confusing!

- so his best solution to this? avoiding you entirely.

- outta sight outta mind 🫡

- sitting extremely far away from your spot in classes, changing which hallway routes he takes, getting to and leaving the cafeteria way before/after you

- it's a perfect plan, really!

- except you don't leave his mind

- no matter where he is or what he's doing, images and questions about you creep into his thoughts

- 'what do they like to do in their free time? they have a really pretty smile, i bet it attracts a lot of people... are they interested in dating right now? would they even be interested in a grey wolf, for that matter? how do they keep their fur looking so soft?'

- he even makes more time to hang around with haru to try reinforce his established attraction to just herbivores

- the only thing this really achieves is sending him into a spiral about how he's attracted to two different people now

- and when you get scouted into the drama club as one of the dancers, it's even harder to keep you out of his sight

- starts making slip-ups with angling the lighting correctly since his focus can't help but shift to you during rehearsals

- the others in the backstage crew actually start asking if he's alright because he never makes this many mistakes

- he thinks every movement you make is so graceful, controlled and confident,,,

- it's a testament to the way you own your strengths and effortlessly channel them into your skills; it makes it undeniably alluring to watch the way you move

- wait! no! it's normal for most carnivores to be good at the physical arts so it's not attraction, just admiration for how good you are!

- denial is a river in egypt,,,,

- this cycle goes on for quite some time until the first dress rehearsal

- "oh man, did you see how good [name] looks out there in their costume? what a hot bod, especially doing all those poses and bends during the dance routine! heh, what i'd do to get a piece of that... huh? hey, legoshi, what's got you all wound-up?"

- hearing bill talk about you like that and subsequently having to hold back from hurtling a mean punch his way, legoshi finally accepted that this was a feeling he had to address 💀

- despite the borderline obsessive pull toward you, he realizes he doesn't actually know you beyond being classmates and drama club members together

- eventually concludes the best course of action is to formally introduce himself and hopefully spend some time together

- figures it's also a good way to see if these feelings grow or fade the more he gets to know you, maybe it really is just some carnivore pack-mentality thing!

- best-case scenario is that he just really wanted to be friends with you so he can continue pursuing haru without worry, but only time will tell now...

enjoy what i write? consider helping with my transition! 💕

[casino-lights]

so. the thing about Illario and Lucanis.

I don't have the screenshots but somewhere in Lucanis' mind, you hear Illario's voice saying "If I was in charge, you wouldn't have to do this anymore." as far as I can tell, all the other lines in his memories are from the game, but this one is from The Wigmaker Job. the story that took place over a year (probably more) prior to the events of the game. it's referring to a scene where Lucanis comes back from their contract, injured, and Illario, worried about his cousin, says that Lucanis wouldn't have to do Caterina's bidding anymore if Illario was First Talon. so now we know Lucanis still thinks about that conversation, even though it happened so long ago.

two other things about The Wigmaker Job: 1) Illario is a lot different in it and in some ways he seems more competent than the Illario we get in veilguard; and 2) we see Zara Renata at the end, and she already has Lucanis in her sights. depending on how much time passed between that contract and Lucanis' kidnapping, she could've been setting this up for months to years.

in the concept art/storyboard frames that were recently released, Zara is hardcore giving siren in the first image and it almost looks like she's straight up controlling Illario via blood magic in the second (imo)

now imagine if Zara was looking into Lucanis, started with the people closest to him, found Illario, and said all the right things. imagine she said he should be First Talon, Caterina never loved him, Lucanis doesn't believe in him and is secretly just tolerating him, he can save Antiva from the Antaam (or whoever else), he can lead the Crows to their long-awaited unification and make them even stronger, he's the smartest prettiest most super special boy in the whole wide world, etc. (if you give this man an ounce of praise and he actually believes it, he will crumble, I know it.)

now imagine Zara, having successfully sunk her claws into Illario - Lucanis Dellamorte's cousin, the only person closer to the Demon of Vyrantium than the First Talon herself - manages to convince him to let her kill Lucanis. he doesn't have to do it himself so there's less guilt. there's no way Caterina would make him First Talon if Lucanis was alive. and then Illario would be in a position to protect his beloved Antiva because if there's one thing the Antivan Crows are, it's patriots. I think Zara played Illario like a fucking fiddle and the game was just really bad at showing us that. I think when her spirit says "he fooled us both," she means he fooled her by being less of a coward than she thought and straight up killing her.

and maybe this is the Illario apologist in me, but I also think he realized the whole thing was a doomed plan after he was defeated. I mean, he shows up to the final battle to help, at risk of his own life. maybe he's trying to atone, maybe not, but still - he is there, and he sounds more like the Illario we see in The Wigmaker Job than whatever we got through the rest of the game. with his quippy little "was that suitably self-important?" line, he's closer to himself than he was this whole time, and that makes me wonder if maybe he wasn't fully Illario. maybe that was grief and guilt and a shaky sense of self and Zara's manipulation and the feeling of losing his grip on the power he never quite had to begin with, all bundled up into a new, bitter, resentful man. I think he was used like a pawn in Zara's chess game, and that doesn't take away from his agency in this situation or lessen the blow of his betrayal, but it does make it easier for me to swallow the fact that the Obvious Traitor Illario I was immediately skeptical of in-game is not the Illario I immediately loved after one scene in Tevinter Nights where he shaves a single hair because it was uneven with the rest of his five o clock shadow.

I think ultimately, Illario realized Lucanis would forgive him anyway. I think it's because he realized he would forgive Lucanis too.

[cup-o-stars]

Relativity Falls Lore Concept- The Oracle and Bill

The Oracle:

I was initially inspired by the Twitter user @SUwu159's depiction of the Oracle in their take on Relativity Falls, and made my own adaptation as I learned about her in canon.

(Assume she can change colors because I couldn't pick what I liked most)

This version of The Oracle isn't malicious per se, and does not desire the same conquest or chaos sought out by Bill. But she likes universes to be organized and quaint (or answers to another high power that demands it), and finds fulfillment in achieving these goals through any means necessary.

The Oracle and Dipper:

(Sorry if this dialogue tastes like a corndog in your mouth. I just needed to write a semi-resolution to Dipper's side of the relationship, ha.)

Getting into the real struggle with the Pines family. Dipper and Mabel don't fight and hold grudges like the Stans (that we've seen of), so my opinion is that they drifted apart in their late teens and twenties, both feeling pressured to be less attached at the hip. My current belief (though I'm very willing to rewrite this section) is that Mabel and Dipper both poured a lot of energy into pretty niche fields, and being very busy meant very short and rare windows to reach out. Both assumed the other was doing bigger and better things and felt self conscious / childish for wanting eachother's company.

I'm still considering Mabel's backstory, since I think she probably hit lower points than Dipper. You know. Starving artist, lol. But Dipper entered into paranormal investigation, pest control, etc. before his ghost + monster catching went far enough for his name to gain some notoriety. Hell, maybe Pacifica's family reached out to him to take care of "rats" that were actually ghosts, cementing his interest in Gravity Falls and giving him a window inter supernatural work.

Dipper was taken on as something of an apprentice to the Oracle 30ish years before canon as word of his good and dangerous deeds spread. However, what was at first a personal dream come true (saving lives with nerd magic) soon became a personal hell as the Oracle began to overwhelm Dipper with knowledge of various futures and universes where everything he cared about could be destroyed. He's always been over prepared and incredibly paranoid, and became obsessed with protecting the world by acting as a partner to the Oracle.

He ends up doing- or not doing- a lot of morally ambiguous things and gaining a lot of enemies. He is too ashamed to face his family- especially Mabel- with what he's done and burden them, giving the Oracle more to use against him to keep him working for her. Basically "you've already done all this and risked it all, there's nowhere to go if you stop now." Eventually this ends in her seeing him fit for her work and convincing him to hide out in and save other universes, which he gets trapped doing for the next three decades.

Little throw away idea: Pacifica could have been an investor or partner, but left as they uncovered secrets about the Northwest family. Maybe she wanted to undo something (debating making any of the Oracle's powers time related just because I hate time travel) or stop a current show of corruption, but Dipper had to stop her for the "greater good."

In the main universe, Mabel goes to Gravity Falls upon news of her brother's disappearance, searching for any loose end to trace back to him.

I love that in canon, Dipper is willing to do anything for Mabel, and Mabel gives it back. Dipper here spends all of his life keeping as many versions of her as safe as he can, and she spends all her life trying go seek him out- maybe even dropping a larger opportunity outside of Gravity Falls for her art and settling on business at the shack. Dipper wants Mabel alive, Mabel wants them both happy. I like the idea that it's Dipper and Mable vs. The Future but the future is a demon, alien thing.

Which leads me to...

Bill Cipher:

I'm actually gonna cover a couple versions of Bill I think are fitting for this AU, because I initially wasn't sure if I wanted him here at all.

Child Bill:

Pretty straight forward. Bill as a baby, child thing is tempting and this is the au where he'd exist. Personally though, I think Ford's friendship with Fidds would be more enriching to his growth, and Bill's personality is so close to Stan's they would likely be competing to fill very similiar roles. (If Bill behaves differenty as kid, I don't know about it.) Honestly, Bill is super similiar to Ford and Stan, and works better as a kind of foil or antagonist because of that (imo). I do find the mental image of Ford carrying Bill around funny. I do not enjoy human bill like, conceptually, so I'm probably never gonna design one as an adult or child, lol.

It would be cool to see a world where Bill didn't accidentally kill his parents though.

Bill - Reincarnated Original

Technically I guess they could all be reincarneted (especially baby Bill), but this version of Bill experienced and holds memories of the original canon events in GF. Beings like Bill and the Oracle can remember recent/soon approaching lives, and catch glimpses of more distant cycles as well.

What I like about Bill's recent role as an antagonist to Ford and Stan is that he constantly describes them in the terms of their worst traits, and sees them through the lens of the roles the world placed on them. In this AU, Bill is the epitome of the past (in this case a past life) coming back to bite the twins. He rattles their progress in communication as well as their sense of inner peace by bringing old Glass Shard Beach issues into Gravity Falls.

(Depicted here-> moments after Ford summons Bill using the same ritual as Gideon.)

The drawback to this is that it feels a lot like covering old ground.

Simply Bill:

This is pretty much just regular old Bill with the same fresh perspective as everyone else, and also the one I'm going with. He tried and failed to get Dipper's trust in the past and had to lay low at the arrival of the Oracle. Once they left, Bill targeted Mabel. I think it could be very interesting for Mabel and Bill to either have a fresh relationship wherein Bill is actively taking advantage of her desperation to find Dipper, or for Bill to be an old betrayal (not romantic, but not dissimilar to the opportunistic exes Stan and Ford have to be wary of and beat back under the rug regardless).

Either he shows himself to Mable early on, or decides that Gravity Falls is both Oracle-free and worth the time after either Ford or Mable summon him. Afterall, 30 years isn't much to him.

Maybe he exists in the background like he's always done, or the kids (being snoopy and disrespectful of Mabel's secrets) discover what Mabel's doing and run into him on their own.

Whether Bill is aware of the original series or not, I think he could be neat to stick in between Stan and Ford again for conflict. My favorite aspect about Relativity Falls is the prospects of the Stans having a larger support system and better tools to help themselves with. Beating Bill faster and better would be the ultimate testament to Mabel and Dipper's skills as functioning role models, even if Mabel is currently blinded by her focus on Dipper.

Stan and Ford will fight and they will make up, but this time maybe they can overcome it on their own.

I also think a good idea is having Ford and Stan's issues be completely Bill free (outside of like an episode or two's worth of relevance, unless he put them into a particularly stinging situation). It would feel fresher and also streamline the plot, lol.

Overview:

- Dipper is stuck travelling the multiverse with the Oracle and keeps himself sane by thinking of Mabel and protecting various versions of her.

- Mabel is investigating his disappearance in Gravity Falls and is working on a portal/portal equivalent with Bill to bring him back.

- The kids may or may not be aware of this.

Looking at the main series of events, I think it'd be neat go back to the apprenticeship conflict, where Ford could be approached by the Oracle (or something else that makes sense) with the promise of being a "hero," but knows better now because of Dipper and his experiences with Bill. It's kind of a more convoluted version of Ford's proposal to Dipper in canon, and they basically learn the same thing, lol. You can hang out with ghosts if you want, but demons are gonna get you. Maybe being a child with siblings is all you need.

(Stan could also be offered this, given the Oracle already knew he- or at least someone with his face- would beat Bill, but I think it's well established he isn't very interested in doing anything without family.)

All in all, things might be a bit crowded with two antagonists. But I do like the concept of Bill's arrival and subsequent chaos triggering Dipper and the Oracle's return to Mabel's dimension. I also love the idea of Bill, the Oracle, and some secret third thing all trying to pull the Pines family apart, and it's like a Man vs. God turned into a Family vs. Destiny thing, idk. Just trying to make it feel bigger.

Thank you for reading all this. It was a lot to draw. Next time I do anything for Relativity Falls, I'm gonna go back to the smaller things like Mabel bonding with the kids and stuff like that.

[barblaz-arts]

Hi! :) Back when viv was still developing hazbin and making speed draws, she would often draw art of vaggie with these unique eyes surrounding and staring at her, and the art would display vaggie feeling annoyed or uneasy. I find it still very interesting and was wondering if these were eyes that represented all the demons she killed and her guilt? or had to do with something else entirely. We’re still not completely sure if these are still present in current hazbin rn but I was curious on what your take, theories and over all thoughts are on it! Love your comics and AUs on Chaggie sm and can’t wait to see more!

Oh yeah that! I always did find that pretty neat when it came to her earlier arts. Even more interesting, is that this concept was carried over even in one of her trading cards.

I think the eyes are meant to represent a lot of things tbh, especially since eyes in the show had been associated with both Heaven and Hell.

Let's look at Hell's side first.

Your interpretation about the eyes being the demons she killed I think is one of the things it's supposed to mean. I don't know the source, so I dont consider this info canon, but I found out somewhere that the eyes that can be seen all over Hell is supposed to be what remains of the demons the Exorcists have killed. Like being cleansed by angelic steel can't completely erase them but simply make them part of Hell, if no longer sentient.

I have my doubts though, because in the intro backstory, the eyes seem to have already been in Hell before the Exterminations began.

And in the intro, the eyes showed up specifically after Charlie talked about Sin worming its way to humanity because of what Lilith and Lucifer convinced Eve to do. If this timing is in any way relevant, the eyes could be related to Roo aka The Root of Evil instead.

I'm not sure if other characters were drawn with these disembodied eyes as much as Vaggie has been. But at the very least, I think Vaggie's the one drawn the most often with them.

Anyways, considering all this, the more obvious and plausible answer could be that the eyes was just Vivzie's way of foreshadowing her guilt over Exterminating demons. But if Vaggie can be allowed to be more involved with the biggest bad of the show in a more direct way than just her close proximity with the main protag, then maybe it's even meant to foreshadow even more than we already know. I don't have a lot of hope for this tbh. It's not like Vaggie was a very important angel. Exorcists gave me the impression that they could be pretty low in Heaven's hierarchy. So like, idk why this could foreshadow a connection with Roo, but it is a super interesting thought to entertain lol

Now on Heaven's side though, the eyes could also just be for a touch of tragic irony I guess. Angels in the old testament looked a lot closer to this...

... Lotsa eyes and shit. And that's why the seraphs like Lucifer, Sera, and Emily could manifest multiple extra eyes in their "true forms".

But Vaggie was stripped away of everything that physically made her an angel. Lute took away her wings, halo, and even one of her goddamned eyes. Ain't it ironic that she has only one eye when the most powerful angels have been shown with a whole dang lot? Seems to me like it was another cruel way of Lute's to show that Vaggie "has no place in Heaven". And the eyes haunting Vaggie could be a manifestation of her thoughts of it being true.

So to tie this all together(except for the Roo thing), you're right. It could be the guilt over what she did to Hell's denizens. But it could also be an ironic, symbolic reminder that she was an exile of Heaven.

[seiwas]

sellie!! hi!! for the writing exercise.. my first thought was Touya + hands (thought of that one insanely detailed art).. im not sure about the trope but im thinking just taking extra care of them? if there’s a trope that appeals to you feel free to go with it <33

i hope you’re doing well!

scar hello my dearest!! im so sorry im getting to this so terribly late 🥺 thank you for sending this in though 🥺

touya + hands + extra care

contains: talks abt touya's burn scars, can or cannot be set in canon, touya is emotionally unavailable and noncommittal (but we know that), every time i write touya i clutch my chest, established relationship, it's still pretty sweet i think!

touya doesn't think much of it when you slip the silver band on his ring finger.

you're well aware that marriage is a concept he doesn't believe in; forever has a price too costly, and touya is running on a small budget.

if you know him well enough (which, he's confident you do), you'll know that he is unbending in his decisions and even more with his feelings.

the way he sees it, the band can only be decorative at most.

and yet, it is the first to catch the dawn of light when he wakes up next to you—a glimmer resting on the pillow right next to your head. he squints his eyes, opening and closing his palm as if to test the way it feels.

there's little sensation that touya can feel on his hands now that they've been scarred, his nerve endings burnt to crisps. still, with what little sensation he can feel, the metal rests relatively cool against the warmth of his fingers; it feels cooler than your hands did when you put it on him last night, too.

it's the perfect size, he realizes the more he moves his fingers around—a consideration that twists his insides. things like this shouldn't fit him; he shouldn't want things like this to fit him.

you stir next to him, face scrunching as your eyes slowly blink open.

you've made touya ache since the day he first met you.

this morning is no different, with the way you mumble your "good morning" with a small smile; with the way your eyes glint like the glimmer of the ring on his finger.

there must be trouble in his gaze because your eyes follow where he's looking, following your greeting immediately with a calm, "it doesn't have to mean anything if you don't want it to."

and you mean it, sincerely. touya can tell because it's you.

he hums in acknowledgment.

you chuckle, used to the way he speaks (or doesn't) by now. your hand reaches for his gently, pressing your fingers into his palm in the way that acupressure course taught you. something about relieving stress, or something.

"do you like it?" you ask softly.

his eyes meet yours briefly before he fixes his gaze on it again, watching the way the sunrise hits it at different angles. he mumbles, "s'just a piece of metal."

"you're staring an awful lot at just a piece of metal."

he narrows his eyes at you, a piercing turquoise.

"why'd you get it?"

in hindsight, he should have seen it coming. there must have been some reason you started paying more attention to the dry cracks on his hands―why you began massaging them with "ultra nourishing, moisturizing hand cream" every night.

touya knows you, and he knows you don't do things without purpose.

so when you say—

"just wanted to get you something nice."

—a part of him wonders what you really mean.

it's in the way you look at him this morning and every other time he catches your gaze. it's in your smile, in the way your lips curl up in patience despite his tone of speech. it's in every day you show up when it is much, much easier to leave.

he looks at the ring now and thinks it's impossible to see without attaching its meaning to you.

a/n: fully in my feels with proposals and rings rn! so this is how it's manifesting 🥺 but this is kind of like a proposal kind of not? to me (or to touya), i just really wanted the ring to mean the reader (you), that when he'd look at it, he'd remember you and the fact that you're there and aren't going away. i wanted the line: "get you something nice" to mean more than just getting touya a precious metal. i see touya eventually interpreting that he's received you, and the reminder or "promise" that you'll be with him is what he really counts as "nice". something like that!

[mommyownsmee]

About how I learned to love Brats, Pillow Princess behaviour & the Art of Dominance

Recently, I’ve been thinking a lot. Something in the way I think changed.

Every Submissive always talks about being a “good girl”—doing what makes the Dom/me happy, always being obedient and eager to learn. I used to think that is the way it always has to be. Used to. For over ten years as a Domme, I thrived on that concept: A “good girl” has to follow rules and submit without hesitation. For years, I thought that was the pinnacle of submission.

But the thing about power is that it evolves. True power doesn’t stay stagnant—it grows, adapts, and deepens with experience. Over time, I’ve come to realize that submission is more nuanced than a simple checklist of behaviors. It’s raw, alive, and deeply personal. Submission isn’t about perfection. It’s really all about connection.

For years, I believed brattiness in every way always needed to be corrected. To me, it once felt like resistance, a flaw, or a rebellion that threatened the structure of the dynamic. But now, I see it differently. Now, I see it as a form of self-expression. A way for my submissive to show her fire, her confidence, and her trust in me.

Yes, trust. Because it takes trust to push boundaries. It takes trust to tease, to play, and to challenge the person who holds the power. And when my submissive does that—when she smirks and says, “Mommy, I’m the most beautiful girl in the world, aren’t I? Others must have it really hard, not being as perfect as me,” or when she pouts and demands, “Mommy, I want it because I deserve it”—I don’t see rebellion anymore.

I see confidence. I see life. I see a woman who knows her worth and isn’t afraid to own it.

And it’s sexy. Damn sexy.

Bratty behavior doesn’t weaken the dynamic. It strengthens it. It adds layers, complexity, and depth. It turns submission into a dance—a playful, sensual exchange of power where no one is truly in control except for me. And yet, her fire ignites something primal in me. It keeps me sharp, keeps me present, and keeps our connection electric.

Being a Domme for over a decade has taught me that dominance isn’t just about control. It’s about responsibility in a other way than I thought it is. It’s about seeing my submissive for who she is—not just the quiet, obedient girl who kneels perfectly at my feet, but the playful, demanding princess who knows what she deserves and isn’t afraid to say it.

Why should I suppress that part of her? Why should I try to mold her into someone different and docile when her strength and confidence are what make her so captivating?

When she teases me, when she pushes the boundaries, it’s not defiance. It’s trust. She knows I’m strong enough to handle it, to match her energy, to guide her through it without breaking her spirit. That’s the real power of dominance—not in silencing her, but in allowing her to roar, knowing I’ll hold her steady when she’s ready to submit.

That doesn’t mean she doesn’t have to put in the effort sometimes. Of course she does. Submission is a two-way street. There are moments when she needs to kneel, to focus, to give herself fully to me. But those moments don’t need to be constant. Submission isn’t about perfection—it’s about authenticity.

Some nights, she doesn't want to exert any strength. She wants to be my Pillow Princess, indulgent and adored. And why shouldn’t she? Why should she always have to work for my approval when my love for her is unconditional?

I’m the Domme. It’s my responsibility to take care of her.

When she looks at me with that confident sparkle in her eyes and says, “Mommy, I deserve to be treated like the princess I am,” not a single muscle in my face flinches—even though my heart skips a beat every time.

“Oh, is that so, my darling?” I ask, leaning forward, my voice soft but commanding. My thumb brushes over her lower lip, and I lock my gaze on hers. “Then show me how much you deserve it.”

She melts, every time. It’s a game we play, a game of confidence and submission, of power and vulnerability. She knows I’ll always win, but she also knows I love the fire in her eyes when she dares to try.

Her brattiness doesn’t threaten my dominance. It enhances it. It reminds me of why I do this—why I’ve spent over a decade mastering the art of control, not to break someone, but to guide them. To make them feel safe, cherished, and understood.

When I pull her close, kiss her hair, and promise her that she’ll get everything she deserves, it’s not just words. It’s a vow. A vow to build her up, to nurture her, and to remind her every single day that she’s mine.

And tomorrow? Tomorrow, she’ll kneel. Not just because I demand it, but because she craves and wants it. Because submission is her gift to me, and my gift to her is the freedom to express it in all its forms—bratty, playful, vulnerable, and fierce.

That’s the beauty of our dynamic. It’s not rigid or predictable. It’s alive, pulsing with energy, passion, and trust. And as her Domme, I wouldn’t have it any other way.

For me, there’s nothing more intoxicating than that.

[alpaca-clouds]

The history of Solarpunk

Okay, I guess this has to be said, because the people will always claim the same wrong thing: No, Solarpunk did not "start out as an aesthetic". Jesus, where the hell does this claim even come from? Like, honestly, I am asking.

Solarpunk started out as a genre, that yes, did also include design elements, but also literary elements. A vaguely defined literary genre, but a genre never the less.

And I am not even talking about those early books that we today also claim under the Solarpunk umbrella. So, no, I am not talking about Ursula K. LeGuin, even though she definitely was a big influence on the genre.

The actual history of Solarpunk goes something like that: In the late 1990s and early 2000s the term "Ecopunk" was coined, which was used to refer to books that kinda fit into the Cyberpunk genre umbrella, but were more focused on ecological themes. This was less focused on the "high tech, high life" mantra that Solarpunk ended up with, but it was SciFi stories, that were focused on people interacting with the environment. Often set to a backdrop of environmental apocalypse. Now, other than Solarpunk just a bit later, this genre never got that well defined (especially with Solarpunk kinda taking over the role). As such there is only a handful of things that ever officially called themselves Ecopunk.

At the same time, though, the same sort of thought was picked up in the Brazilian science fiction scene, where the idea was further developed. Both artistically, where it got a lot of influence from the Amazofuturism movement, but also as an ideology. In this there were the ideas from Ecopunk as the "scifi in the ecological collaps" in there, but also the idea of "scifi with technology that allows us to live within the changing world/allows us to live more in harmony with nature".

Now, we do not really know who came up with the idea of naming this "Solarpunk". From all I can find the earliest mention of the term "Solarpunk" that is still online today is in this article from the Blog Republic of Bees. But given the way the blogger talks about it, it is clear there was some vague definition of the genre before it.

These days it is kinda argued about whether that title originally arose in Brazil or in the Anglosphere. But it seems very likely that the term was coined between 2006 and 2008, coming either out of the Brazilian movement around Ecopunk or out of the English Steampunk movement (specifically the literary branch of the Steampunk genre).

In the following years it was thrown around for a bit (there is an archived Wired article from 2009, that mentions the term once, as well as one other article), but for the moment there was not a lot happening in this regard.

Until 2012, when the Brazilian Solarpunk movement really started to bloom and at the same time in Italy Commando Jugendstil made their appearance. In 2012 in Brazil the anthology "Solarpunk: Histórias ecológicas e fantásticas em um mundo sustentável" was released (that did get an English translation not too long ago) establishing some groundwork for the genre. And Commando Jugendstil, who describe themselves as both a "Communication Project" and an "Art Movement", started to work on Solarpunk in Italy. Now, Commando Jugendstil is a bit more complicated than just one or the other. As they very much were a big influence on some of the aesthetic concepts, but also were releasing short stories and did some actual punky political action within Italy.

And all of that was happening in 2012, where the term really started to take off.

And only after this, in 2014, Solarpunk became this aesthetic we know today, when a (now defuct) tumblr blog started posting photos, artworks and other aesthetical things under the caption of Solarpunk. Especially as it was the first time the term was widely used within the Anglosphere.

Undoubtedly: This was probably how most people first learned of Solarpunk... But it was not how Solarpunk started. So, please stop spreading that myth.

The reason this bothers me so much is, that it so widely ignores how this movement definitely has its roots within Latin America and specifically Brazil. Instead this myth basically tries to claim Solarpunk as a thing that fully and completely originated within the anglosphere. Which is just is not.

And yes, there was artistic aspects to that early Solarpunk movement, too. But also a literary and political aspectt. That is not something that was put onto a term that was originally an aesthetic - but rather it was something that was there from the very beginning.

Again: There has been an artistic and aesthetic aspect in Solarpunk from the very beginning, yes. But there has been a literary and political aspect in it the entire time, too. And trying to divorce Solarpunk from those things is just wrong and also... kinda misses the point.

So, please. Just stop claiming that entire "it has been an aesthetic first" thing. Solarpunk is a genre of fiction, it is a political movement, just as much as it is an artistic movement. Always has been. And there has always been punk in it. So, please, stop acting as if Solarpunk is just "pretty artistic vibes". It is not.

Thanks for coming to my TED Talk, I guess.

[surplekit]

⋆౨ৎ˚⟡˖࣪. Quiet observations. ⋆౨ৎ˚⟡˖࣪.

Synopsis: You befriend the quiet, nerdy boy in your class and it leads to something more.

Pairing: Izuku Midoriya x black fem!reader

Genre: fluff at the begining, smut towards the end

a/n: Thank you to this anon for this ask. Not only did you give me a great idea, but you gave me a new crush 😻 I hope this is up to your standards and I apologize if it’s not what you were looking for 🙏🏾

Izuku Midoriya.

That quiet, green haired, freckle-faced boy that was in a few of your classes. He usually kept to himself, sitting in the back of the class scribbling down notes or little doodles in his notebook. He’s not very known around, and those that are familiar with him aren’t necessarily fond of his presence.

The boys often made fun of him and his obsession with heroes. And of course, he was incredibly awkward with the girls, leading them to steer clear of Izuku. But he didn’t care, he continued to keep to himself, doing what he loved. That’s what you like about him. He doesn’t let himself be affected by snappy comments.

Him being in most of your classes allowed you to subconsciously pick up on some of his mannerisms. He may not seem like it to most, but he’s actually quite smart, a few rankings above you in your class.

Regardless of everyone else’s opinion on the boy, he interested you, and you wanted to see what he was about for yourself.

“Hey, Izuku! What are you drawing?” You ask him enthusiastically, reaching out. He flinches at the sound of your voice and quickly retracts the book towards his chest, shielding whatever he had written.

“Ah.. uhm.. just some notes, scribbles, nothing important really!” He spits out, not revealing anything.

“But I saw some really cool concepts, were they costumes?” Your compliment seems to mitigate the embarrassment he felt, and he fell into a more comfortable state after realizing you weren’t going to make fun of him.

“..yeah. It’s kinda stupid though.”

“I don’t think so. Can I see?” Izuku hesitates, but eventually opens up, holding the book open for you. He turns away, a light shade of pink blushing across his cheeks.

“Wow.. you drew this..? That’s so cool!” You’re genuinely interested in his art, although you’re not as hero obsessed as he is.

“Really..? You think so?” He says quietly, smiling gently.

“This drawing is so good! I didn’t know you were so talented Izuku.” You exclaim, pointing to the drawing of All Might on the page.

“You like All Might too?! He’s so cool! I wish I was as amazing and strong as him. And don’t even get me started on his quirk! The-“

Ring Ring

The bell indicating the end of the class period rang, interrupting Izuku’s rambling.

“Oh sorry.. got a little carried away didn’t I!” Izuku nervously laughs, rubbing the back of his head.

“Don’t even worry about it. I would love to learn how to draw like you. By the way, my name’s Y/N.” You start to pack up for the day, taking the chance to introduce yourself.

“Y/n..” He says, as if he’s testing out how your name rolls off the tip of his tongue.

“Mhm! Alright, see you tomorrow!” You grab your bag and turn, walking out of the classroom.

See you tomorrow? You wanted to see him tommorow? Nobody has ever wanted to speak to him, but for you, a girl.. to want to see him a second time?

“Y-yeah.. s-see you tommorow, Y/N.” The shy boy says, his voice slightly echoing in the empty classroom.

On his way home, his mind is filled with thoughts of you. Izuku never noticed how pretty you are, with your coiled hair slicked back and held in a cute pink clip. Your eyes are pretty, a deep shade of brown. Kinda like mocha. You were kind too. Not just kind, but kind to him. And you’re smart, funny..

Damn.

He’s full on blushing now. What have you done to him? He’s never been too fond of girls but the way you showed interest in his hobby.. he thinks he’s fallen in love.

It’s the morning of the next day, and you’re walking into the building with a group of your friends when you see Izuku off to the side. He’s walking alone, and you feel the urge to go up and talk to him.

“Kk guys, see you later!” You yell, running off before your friends can protest.

“Hey! Izuku!” You call out, alerting lots of others around.

“Y-Y/N? What are you doing being so loud?!” He whisper shouts. “Do you want people to know you’re talking to me!?”

“Wait what?” You pull back a little bit, confused almost.

“Go to your friends, I don’t want to ruin your reputation.. or something.” He walks off with his head hung.

“Izuku, I really don’t care about that. Besides, I want to talk to you so what’re they gonna do about it?” You assure him, picking up your pace to match his.

He stops in his tracks, and he feels heat slowly rushing to his cheeks. His palms started to sweat and he could feel his heart rate rapidly increasing. He doesn’t think he’s ever been so nervous around one person in his life, other than All Might. There’s no way you actually wanted to talk to him.

“Hey.. you good?” You question, concerned. It was evident he was uncomfortable.

“Y-yeah. I’m fine, just a little hot, that’s all.”

“Izuku I’m pretty sure we have first period, wanna walk together?” He nods, still wondering why you’re acting this way towards him. Walking through the halls, you get some stares, and some even whisper amongst themselves. You notice it and he notices it, but you ignore them.

The two of you walk into the classroom and greet your teacher, Mr. Aizawa, and attendance is taken. Izuke places his stuff down at an empty seat and you pull up a desk right up next to his. Again, he could feel his heart start to beat a little faster, being in such close proximity with you. Once everyone has sat down, the teacher begins lecturing.

“This shit is so boring, like bro just pass out the work.” You whisper to Izuku, enticing a quiet chuckle from him. The sound of his laugher makes you grin and you struggled to hold back your own giggles.

“Y/N and Izuku.” Mr. Aizawa sighs exhaustedly, already tired of your shenanigans. “Do you have something you’d like to tell the class?”

“N-no, sir. I’m sorry.” You manage to choke out, stifling giggles in between each word.

Mr. Aizawa moves on and soon enough, the work is actually passed out. Izuku gets right to it, but you find that you’re having trouble with the work today. Usually, you were able to fly through each worksheet and have extra time to fool around at the end. You place the pencil down and bring your hands up to your forehead, frustrated.

“Do you need help Y/N? Izuku looks over at you, offering help. Your mocha eyes meet with his deep green ones, and he freezes up. You stare for a moment, admiring his face. He was actually adorable, something you’ve never noticed before. Your breathing hitches, and you can feel your cheeks heating up.

“Yeah.. I don’t know why I’m having so much trouble on this. I feel stupid.” You complain, leaning back in your chair.

“Don’t say that. You’re really smart, Y/N. You just made a little mistake here, and then you can solve it from there.” Izuku refutes your statement, and effortless explains the problem to you like its second nature. His intelligence is incredibly attractive, and so was he, to you at least.

The two of you finish up the worksheet with some free time left at the end. He pulls out his notebooks per usual, this time allowing you to see it aswell. You pick up on some new doodles that weren’t there yesterday, and it amazes you how accurate some of his drawings are.

“Seriously Izuku, you need to teach me how to draw like that.” You say in awe, and he blushes lightly at your comment.

“I’ll teach you anytime.”

The class period ends soon after, and you realize that you don’t have any more classes with Izuku today.

“Damn. Don’t think I’ll see you again today.”

“Seems like it. See you tommorow..?” He asks.

“Or… today. I’d love to hang out with you, outside of school of course.” You’re feeling bold in the moment, but the second the words leave your mouth the nervousness settles in.

“..Me too! I mean, I would like to hang out with you too.” He rephrases, not wanting to come off as too eager.

“Let me see your phone really quick.” Izuku grabs his phone from his pocket, and hands it to you.

After a moment, you hand it back, quickly walking off to your next period class. To his suprise, he sees that you added your number into his phone and named your contact “Y/N!!”

He fumbles with his phone before placing it back into his pocket. All the way to his next class, he’s fidgeting with his hands, nervous. The only girl he’s ever had on his phone was his mother. What is he supposed to do? Should he text you? Or wait for you to text first? He tries to focus on his schoolwork, and it seems he’s calmed down until he feels a slight vibration in his pocket.

“Are you free after school?” The message read.

“Yeah. Wanna come over to mine?” His finger hesitated, hovering over the screen, but he sent the message.

“Kk! I’ll find you after school, we can walk together!” He hearts your text, staring at it for a little longer than he should’ve.

After that, the classes seem to fly by at 2x speed. All he could think about was you, in his house. In his bedroom. Good thing he cleaned it yesterday.

The last bell rings, and you shoot Izuku a text.

“Wya?”

“First floor, I’ll wait by the door for you.”

You catch yourself smiling especially hard and struggle to control your facial expressions. From any other point of view you probably looked crazy, flying down the stairs.

As he promised, he was waiting by the door. The two of you walked out together making your way towards Izuku’s house. All throughout the trip, you guys cracked jokes and learned more about each other. Thankfully, it wasn’t awkward at all.

Before walking in, you reapply your lipgloss and check your appearance in the camera of your phone. He smiles at you, shaking his head slightly.

“Y/N, what are you doing?”

“I have to look my best! I want your mom to like me!” He laughs, pulling his key out of the lock and pushing the door open.

“She’s not actually home. She went on a trip but I asked her first if it was okay for you to come over.”

You’re relieved, but for some reason also disappointed..? You place your bag down next to the door along with your shoes. Izuku offers you a snack or drink but you politely decline. You’re a little too nervous you don’t think you can stomach anything right now.

“D-do you want to go to my room.. or we can stay here?” He asks, fidgeting with his hands.

You suggest going to his room and he leads you up there, allowing you to enter first.

“Whoa..” his room is filled with countless posters of All Might and limited edition figurines.

“Sorry, I’ve had them since I was a kid. I hope you don’t find it weird.”

“No, I’m just wondering how you managed to get not one, but all 7 limited edition figures.” You walk around, inspecting each one. He smiled so big at your admiration. He thought for sure you’d make fun of him.

He reached into his backpack, pulled his notebook out, then made his way towards his bed. Of course, you trailed him, flopping onto his bed and laying on your stomach.

“So I like to start with shapes when I draw. Like this.” He sketches a circle.

“And like this.” Then a trapezoid-like shape for the body.

“Izuku I already can’t do that!” You say, and he laughs. The sound of his laughter is so enticing and it makes you laugh. His smile is adorable too.

“I promise it’s really simple!” You watch him sketch in awe, smiling at the thought of him being comfy enough to show you his interests. Your eyes, gravitate to his face, rather than the paper. Subconsciously, you begin counting the freckles on his face.

“Then I-“ all of a sudden, his green eyes meet yours. His cheeks quickly grow pink but you can’t seem to pull away from his gaze. Izuku begins stuttering, and he averts eye contact.

“W-what are you doing.. Y/N?” He manages to spit out.

“Uhm..8?” He furrows his eyebrows and tilts his head in confusion at your response.

“That’s how many freckles you have!” You tell him, laying your head on your folded arms.

“Oh. They kinda look weird a little, don’t you think?” He sighs, almost embarrassed to acknowledge them.

“What?! Izuku I think your freckles are the cutest thing ever. They make you look ador-“ You try, but you can’t take back what you’ve already started to say.

“..able” you kick your legs back and forth, refraining from burying your face into his sheets. No way you just said that.. to his face.

“..cute?” He manage to choke out, in a timid tone, hesitating to say the word. You reach out to play with his green hair, fondling each lock that falls gently over his forehead. You could feel you heart race, threatening to burst out of your chest.

“..yeah. And smart, and you have a good sense of humor. And you’re a really good artist.”

“Y/N I’m still stuck on the ‘cute’ part.. if I’m cute then what are you?” Your eyes shift towards his and you could see the genuineness in his expression.

His face was so close to yours you could feel his breath brushing against your cheek. His eyes were slightly lidded, his mouth slightly open. You batted your eyelashes at him, waiting in anticipation. All of a sudden, he felt the blood rush to his face.

And to his crotch.

He’s never felt like this before, nor has he been in such close contact with anyone. You’re so kind, so gentle with him, and you caused that dull ache in between his legs.

You moved in closer, eyes searching his face, inspecting his lips.

“Can I.. kiss you?” You ask.

He nods, and you cup the side of his face with your hand, pulling him in closer. You carefully place your lips on his and caress his cheek. Izuku gasped and closed his eyes, unsure of where to put his hands to prevent making you uncomfortable. You take note of this, and guide his hand onto your waist. He borderline moans, the dull ache becoming a throbbing pain.

You pull away for a second to let the boy breathe, but pull him back in just as quickly. You refrain from using tongue, not wanting to scare him as he seems inexperienced. In the heat of it, you accidently brush your hand over his crotch.

“mm..HNGH” he cried out, folding over into you. You quickly pull back, worried.

“Izuku..? Are you okay?!”

“..’m s-sorry.. I don’t know why.. it’s l-like that.” He’s out of breath, panting, his eyes full of need and desire.

“Oh.. Izuku. It’s because you’re.. aroused? You know?” He looks at you like a deer in headlights, a look of concern written all over his face.

“Do you want me to help you?” You offer.

“O-okay..” The boy lets you take control, following your movements. You roll the heel of your hand against his dick and unsurprisingly, he was hard.

“A-ah..!” His eyes widen and he looks to you for safety. You assure him that he’s okay, and he seems to relax slightly.

You hook your finger onto the waistband of his sweats, gently pulling them down. You do the same with his boxers, releasing his leaking cock. He shivers at the feeling of your hand touching his tip that was overflowing with precum. He’s not huge, but he’s a little bigger than you expected.

“W-what are you doing.. Y/N!?” He whimpers in between each word, gripping onto your shoulder.

“Have you never touched yourself..?” He stares at you, breathing heavily. He feels like his chest is going to explode with the way his heart is beating.

You knew he was inexperienced but you didn’t think he’d never even masterbated. Damn he was really innocent.

You start with soft, gently strokes up and down his dick. Simultaneously, you pepper his freckled-face with kisses, leaving it coated in your signature lipgloss. You trail your nail over his jawline, pulling whimpers and whines from him.

“Y-Y/N… Y/N stop!” He cried. You halted your movements, asking if he’s okay.

“F-feels.. like something’s g-gonna.. gonna come out..” He whimpers, that rising heat in his stomach cooling down.

“Ngh.. but it.. feels s’ g-good. What.. what are you d-doing.. to me..” You pet his cheek and he leans deeply into your touch. His bright eyes have glossed over, tears threatening to falls down his face.

“You were about to orgasm, or cum, Izuku. It’ll make you feel really good. Do you want me to keep going..?”

“P-please.. Y/N.”

Again, you start with slow strokes. Every few, you stop at his pink tip to roll your thumb over the slit. He writhes in pleasure, whimpering, and begging. Begging and begging you for.. he’s not even sure what.

You place your hand on his chest which is rapidly rising and falling. You can’t help but notice the way his eyelids flutter with each stroke of your hand.

“Ngh.. hah..” he whines, like music to your ears.

“C-cum..! G’na cum.. soon..!” He screams out, his grip on your shoulder tightening. You suck at his pale neck, also littered by freckles, and your other hand fondles his heavy balls, causing him to gasp. He was so overwhelmed with the new feeling all he could do was buck his hips up into your hand.

“Y/N! ‘m cum..cumming! ngh..!” He freezes up, his eyes rolling to the back of his head. All of a sudden, you felt the liquid shoot out from his dick.

“so.. s-so sorry.. jus’ w-won’t stop.. a-ah!” He continued to chant apologies like a mantra. The cum dripped down your hand, staining your shirt and the sheets. You tried to help him ride out his high but he just couldn’t.

“P-please.. p-please no more. c-can’t.” Izuku twitched at any sensation he felt on body, he was just so incredibly sensitive.

As he relaxed, what happened starts to really settle in.

“Oh my god, I got it.. a-all over you. I’m so sorry!” He attempts to clean his mess up with his sleeve but just smears it all over.

“S-shit. I just made it worse. Let me go get you a rag o-or som-“ his cheeks and the tips of his ears dust a deep shade of red.

“Izuku, it’s okay. Just relax for a minute. You must be tired, no?” You can tell he’s ashamed, so you try to mitigate his embarrassment.

“Yeah.. I feel like I could fall asleep. T-thank you, Y/N.” He crawls back into the bed, curling up in your arms, falling asleep in a matter of minutes.

[darqx]

Snakes on a post

Another particularly long answer dump since i, once again, have a backlog of things to potentially answer |D

❗️For commonly asked qs please see my BTD FAQ

Got jumpscared with my own old art for a hot minute there LAUGHS.

(For those wondering, the naga doodle from here was attached to the ask)

That is every other Royal that exists in the Nether and also at least some of the demons that challenged him for his Royal title lol.

Believe me, no one was or is more surprised then me XD;

So, the thing about where Rire's ichor manifests is that it kinda exists and doesn't exist at the same time. Meaning that his upper back is where the manifestation point is anchored, BUT it can still manifest with a bit of space in between it and his back hence why it will manifest over his clothes and not through them.

So if you touch where the manifestation point is sans the ichor, than you are just straight up touching his back. With the ichor, he still gets sensory input from the tentacles to his back but it's a lot more soft and muted esp the further away it gets from him. As you've seen implied though, he would feel a very sharp pain if a great deal of damage was done to the ichor where it clusters at the manifestation point, since he'd DEF be feeling that straight in his back lol.

He is definitely a top and the only way he would bottom for anybody is if they somehow forced him to.

Ah i knew i'd answered this a long time ago [finally found it]! Holy crosses (those that have been blessed) can also burn him but they would need to be in contact with him the entire time. Being a Royal he also has more of a tolerance to these than normal demons.

Well, unless said person actually has the undeniable ability to make good on their words, Rire would just stand there rather genially with that little smile he sometimes has and let them finish.

And then he might use them as reverse suggestions for dealing with said person (why would you give him any ideas!!?)

both

In BTD canon it is quite possible that they actually haven't in person. But we are using creative license here haha.

Rire heals a lot faster than a human. Cain is not my character so I don't know how his stacks up.

I've grouped these asks cos they kind of have similar answers - 360° (jk sorry sorry to the second q that is just a very common spelling mistake and I couldn't resist XD; )

Now, even though we mashed all the characs together in BTD, they all actually come from different storylines and so their canons outside the "BTD canon" may differ. This tends to bleed in. With this in mind:

The rules of Rire's canon (eg the concept of Battle Royales and how to become a Royal) don't apply to Cain. Anyway, they don't live in the same place either.

Cain is canonically the oldest and most OP character in BTD lol so yes he is stronger than Rire - you might've noticed, but Rire is never in the same drawing as Cain voluntarily. I play with this along with the "natural weakness" aspect - which I've also referred to as scissors-paper-rock rules XD Basically; demons beat humans, angels beat demons (purely because demons have weakness against holiness).

It would (be insane) but I hope you are not looking at me to fulfil this :d

Not really

His coronation day is a public holiday in his sector so yes XD

Aww thank you very much for your interest! ≧(´▽｀)≦ It's really cool that some of you guys want to actually fund such a thing - I'd have thought you'd have enough of him killing you in BTD1 XD Unfortunately, I have no plans for a Rire game at the moment as I'm working on a webcomic which looks like it will take up all my free time (that being said, he will be in the webcomic at some point).

Nope! Although i can kinda see why you might think that lol.

Whatever that one is where he doesn't particularly care what someone else identifies as. It really makes no difference to him or how he will act.

There are viruses in the Nether that if contracted could potentially kill you, yes. Part of being a Royal is becoming a lot more robust than normal Demons though. As for if/when Rire dies, I dunno maybe either in a Battle Royale somewhere thousands of years down the line or by old age (which is rare for a Royal but not impossible if you play your cards right).

If you are asking if he has a heat/rut of some sort, he does not |D

[starzgaze]

Just a though rmb that time u made hae-in and Jinwoo fight for y/n? I just rmbered it randomly and I propose:

Hs Jinwoo and Hae-in both regressing and they're pining for Y/N who used to be a mage/healer/support for them.

Ur local hottest boy in school + The it girl and Track Running champion of another school fighting for y/n's hand

this has been living rent free in my head to the point ive unconsciously drawn it LMAO so art down below if u scrolllll

okay but this concept with an extremely mundane [name]?? hello especially someone who's just trying to get past school with average grades and average effort then maybe with a few volunteering here and there where it's coincidentally being the assistant for the coah in the track and field team.

[name] being known for helping a few people and having an affinity when it comes to patching up people and helping them so volunteer work is just light work for them so they didn't mind as much when the things they do during their time in the track and field team is tossing water to the runners and sometimes fixing them up if they trip or break an ankle. being part of the red cross club last year really helps in these situations.

then [name] meets jinwoo who's the new member in the team and someone who just suddenly transferred to the school, saying it was about his father getting a promotion and they needed to move places.

[name] believes this because everyone has their own situations but it was in fact jinwoo finally finding out what school [name] was in after a few years of trying to search for them then he transferred school, not caring if it's the middle of the school year. of course [name] doesn't know this.

then those two gets closer and jinwoo tries to charm [name] with silly jokes and impressive stamina and speed whenever he's on the field, leaving [name] awe struck. it was obvious to everybody else that the new extremely handsome hotshot of the track and field team had a little thing for the stupidly mundane volunteer who only took the job because they needed something for their community service hours.

just as about this man was gonna ask [name] out the coach of the track and field team announces that now on during after class practices another student from a different school will be attending their training program and blow and behold it's fucking cha hae-in much to jinwoo's dismasy.

hae-in isn't much experienced with this whole regression thing so she's less prepared compared to jinwoo but her persistence and determination just to see her sweet little [name] again what helped her pulled through and landed her here.

hae-in took the program through some connections and begging to her coach to let her train under a different school, claiming it will help her grow and the coach believed her because how can you deny your favourite athlete that's stupidily amazing in the sport? anyway hae-in successfully got into [name]'s school without moving in even if it's not the whole day, seeing [name] was more than enough for her.

that is until she saw her number one rival at the corner, hae-in compares him to a cockroach with how he can't leave her sigh and his sense of fashion that's constantly dark themed. she's low-key pissed that he's here, like just leave her alone and her cutie [name] that's not for him.

[name] spends more time with the two, now hae-in is in the picture. they would help hae-in whenever she would get a sprain and give her tips on what to do to alleviate the pain and get better asap before the regionals or take her out to hang out because it was easier being the same gender. jinwoo is fuminggg at this because it took him like months to do that and for hae-in it took like a measly few weeks?? that's so unfair

suddenly the two get into little competitions with eachother trying to impress [name] and of course they noticed but they don't believe that the two most sought after players in the school or even the region would have a thing for them, they're just good friends.

that drives them insane but it's okay one of them will make you realize it's more than that!! it's just a matter of time and effort you'll be in their arms.

btw imagine after school going out with the two and you guys eat at some street vendor spot then they argue who could pay. they get so distracted with arguing you just pay for yourself as you watch with the street vendor the two fighting.

[omorithedreamermod]

JANUARY DEVLOG - 2

The second DEVOLG is here! It's been almost a month since development after the PRELUDE began, and there has been a lot of progress made. Before that...

IMPORTANT INFORMATION:

[Before, it was stated here that saves would not be usable from the DEMO. Doing more testing with this, and now it's pointing to the likelihood of saves being usable after all. Hoping this stays true! Testing, testing...]

Also, this mod is NOT an adaption of my fanfic Endless Dreaming. Although the very base premise, passing out in the good end, and Headspace still existing is the same–the reasons why are different, and absolutely everything else is different too. Those who have read it will have realized this the moment MARI appeared in the DEMO. That is to say, you will not find out any information on the mod by reading the fanfic. It's a brand new story, with new locations, new characters, new interpretations and concepts, new lore–all of that. Just wanted to clarify this since rumors have been continuously spreading despite notes on the mod page. Wouldn't want people to turn away thinking it's a story they've already seen before. Now, onto progress.

PROGRESS:

Majority of the maps are completed, while a couple are active WIPs. Only two more important maps need to be created from scratch! Other additional areas may be added if time allows.

Most general character sprite art has been created. NPCs are also in progress. There's a lot left to do.

Battle assets are still being created. Most of the DREAMER emotions are complete, while both him and STRANGER lack more of the general ones. Enemies also still need to be drawn, but concepts exist. Battlebacks are beginning to be made now that maps are mostly accounted for.

OST for the prelude is near complete. Everyone has been amazing and on top of it!

Writing has fully begun, including the programming of said cutscenes. To avoid spoiling, not more will be said, but a lot of writing/cutscene programming is happening.

Along with battle portraits, DREAMER and STRANGER have a large amount of general portraits now! Many more still need to be made for SUNNY and BASIL in the real world, though. Certain important NPCs also have their own new portraits, so please look forward to those new characters! As shown above, the mirror art is complete. There are still important cutscenes that need to be drawn, and have not been started on. There's also a certain "thing" that needs quite a bit of art, but hopefully that will be simple and quick.

Battle programming regarding attacks and skills are implemented for the main party, but not for enemies. That will likely be done later, as placeholders function well for now.

NOTES:

I believe the March goal is very possible, if I properly balance everything. Work beyond the PRELUDE release will likely start while art continues to be made. I'm still making all the non-sprite art as well as writing everything, and programming the vast majority-and that's where the concern comes in, since including that, I'm also been doing maps, OST, and sprite art, meaning the time spent is split between many tasks.

This also does not factor in the time it'll take to make extra art ahead of time for the trailer. Still, considering the simplicity of the OMORI style, and how each drawing makes me faster/more adept at it, I believe it is possible as long as I stay focused and balance it with my other priorities not involving the mod. I believe consistency with the art is important, which is why I'm doing it all.

The team is reliable even if small, and while I was concerned about NPCs, a new team member recently joined and is really helping out, so I'm extremely thankful and feel less stressed about it. Also, most maps are accounted for, and OST is practically done, so as long as I stay on top of programming/writing, the art will be completed in the remaining time.

CONCLUSION:

There's still a lot to do, but I believe the current pace will lead to success. Even more groundwork has been laid, and now it's being built on top of properly. Certain ideas have been ironed out, and the goal is in sight. Everything will be a lot less stressful once the PRELUDE is complete, as a lot of the art made now will be used throughout! Please continue to root for our continued progress, and look forward to the next DEVLOG!

[thechekhov]

Hello! I'm a big fan of your work. I wanted to ask for advice / thoughts about an art problem I've been struggling with that you seem to have at least some sort of solution for?

So basically I'm an animator and digital artist (hobbyist), and I'm constantly coming up with new ideas for things to make. Only problem is that most of these ideas would take up to or longer than 2 months to make because, yknow, animation isn't quick, especially if you want to take your time to make it good. But with so many ideas that all take so long to complete, I often find myself tied and frozen as I can't decide what's most worthwhile to start first. I passionately want to complete all these projects, but my inspiration for each one waxes and wanes in a way I can't control, and I've just been stuck for several months. You juggle a lot of projects- not all of them art, but it still seems applicable here. This is excluding other life responsibilities like work and stuff, I don't have problems with getting that stuff done. This is purely within my creative hobby.

If u can't say anything thats fine I'm just curious- You have a massive output with great quality. Thank you!

This is a very kind message, and one that humbles me a lot, because although I'd love to bestow upon you some sort of advice that might help, or give words of wisdom..............I feel like that would be fake of me because

I also suffer from this very same thing

That is to say, this part of your message:

my inspiration for each one waxes and wanes in a way I can't control

It rings true for me too! I think it might ring true for many others as well.

There are stories in my head all the time. There are stories, and concepts, and IDEAS and they are all so shiny and new in the beginning, and then they slowly peter out and, since I frequently don't have time to do anything about them, they fade into the background.

I have enough trouble with this in terms of COMICS (also a lengthy medium, though less so than animation, which, OOF, you have my condolences, you are stronger than I) that I have started to just come to terms with the fact that some things are not meant to be.

Which is, I think, one of the small bits of advice I can give.

1. Some things may just be ideas, and that's okay.

I think one of the best ways that I've learned to deal with Idea-Death is making it count towards something in the future. That is to say, using them as compost.

In order for this to work, you have to actively put your ideas into the compost pin instead of the trash. That means maybe investing in either a notebook, or a sketchbook, OR just a discord server for yourself where you organize ideas and dump them all into a channel to scroll back through later.

It may seem useless at first, but honestly, it can be satisfying to PUT them somewhere instead of letting them fade away.

Plus, you may one day scroll through them and rediscover an idea at just the right time. OR you may be inspired to take parts of an old idea and repurpose it for a new idea that you DO have motivation for.

However, there's also this part, right?

I've just been stuck for several months

I.......feel this. Sometimes I, too, feel stuck for several months. There are times when even if I WANT to work on something, I just don't have the time. It takes too long to finish!

.........which is why I recommend the following:

2. Don't finish. Just start.

Now, this is the toughie. I can't exactly say that it would work for everyone. But I have learned that I am WAY more likely to return to a project and work on it again sometime in the future if I actually DO something for it the first time I get inspired.

I have SO MANY things that I have not published in my folders. I have sketches of gifs that are 10 frames long. I have concept art sketches boldly labeled with project names that will likely never get off the ground. I have Googledoc files with summary and plot outlines for stories I'll probably never write. I have discord channels with random ass concepts and a few sketches for characters.

And what I have found is that if I just WORK on these ideas when I feel like it, they are more likely to survive, even if they don't thrive right away.

I'm also a huge proponent of Procrastination Rotation.

That is to say, I have so many projects I COULD be working on, that if I ever feel frustrated or stuck on one thing, I just shift myself slightly to the left and do another thing instead. I almost never force myself to work through a block (save for a few money-motivated deadlines) just to complete a thing.

Stuck on a comic? I'll go write a few lines of fic. Unsatisfied with where the fic is going?

I'll go sketch out an illustration. Incapable of finishing an illustration?

I'll go google some references for another comic project and slap them all into an image file for later, so that I have SOMETHING in place for when I want to do studies.

And so on and so forth.

I have comic ideas, and comic sketches, and 30+ pages of original comics sketched. I don't know if they'll make it. It would take a lot of work.

But it also takes very little work - just a few extra pages sketched while I'm bored for an hour. Or a bit of lineart while I listen to a podcast. Or just a doodle somewhere which I snap a pic of and add to my discord channel for that project.

Will it work for everyone? Probably not. But I think that our creative culture is sometimes too attached to a linear production style. The truth is that art, or illustrations, or animation, or comics - none of it has to be on an assembly line. It can be tinkered with and put aside. And then, maybe, picked apart for scraps.........or maybe made into something new!

I don't know if that helps you at all, but I hope it at least helps someone.

And good luck with your animating!

[erinwantstowrite]

Could you tell me what you like about Stephanie and Cass as characters? I haven't read any of the comics so everything I know about the characters has come from fanfiction and every time they are in a fic they always feel so one dimensional and it really bothers me. Stephanie is always just talking about waffles or pulling pranks with glitter or being super nosey. And all Cass ever does is sneak around and pat people on the head and the only dialogue she ever has is something that feels like the author is infantilizing her. So many people like them and I know there is more to them as characters I just rarely find a fic they are included in where they feel as fleshed out as Dick, Jason, Tim, Damian, etc.

OH BUDDDYYYYYYY i was in the same boat for a while. i genuinely had no idea that they were far more involved in bat stuff than what they were in fics. they're so often overlooked (so is Duke) and it makes me crazy because they have SUCH amazing character concepts!!! they're still on my to-read list so i'm not an expert and this is just what i've gathered from my pre-requisite research, but!!!

stephanie is the daughter of one of Gotham's villains, the Cluemaster. she became the Spoiler because she wanted to be his opposite, wanted to be better than him. he was an abusive asshole, both physically and mentally, and Stephani even hates her blonde hair because it's the same color as her father's. she has a close relationship with her mother, who is still alive. Stephanie is incredibly intelligent and she deserved so much better when she took up the Robin mantle when Tim's father made him put it down. at some point in the comics, she got pregnant as a teen (not Tim's, but they were dating when they figured it out?? i think? she didn't cheat on him). she wanted to be a mom so badly and she loved her baby so much. the panels where she was dreaming of playing with her baby make me feel ill because she deserves the world. she had to give the baby up for adoption because she was so scared her father would find the baby and hurt/kill them, and she didn't let herself see the baby after they were born because she knew she'd want to keep them if she held them. she didn't even know if it was a born or girl. I'm pretty sure Bruce was the one who found the baby a good home somewhere where Stephanie's father can't find them. at some point, she "died" but it was really something she had to fake? for some reason? and she trained with a doctor i think (was it Leslie?) for a WHILE. Tim had no idea that this was faked and it kind of fucked him up but this ain't about him right now. she did actually die at some point and i'm pretty sure Cass was there with her, though i am hazy on if she was revived right away or later on

and Cass. god,,,, she was also a victim of her father, David Cain. her mother is Lady Shiva, who you might have seen mentioned in Tim fics. both are highly trained assassins and considered the best of the best. David raised Cass to not understand any spoken language, so she could not speak it for a very long time. the only language that she did know was the art of body language, and she had the ability to see things that so many other people can't. that's how she's able to pick up on most everything, so she was still incredibly intelligent. one day her father made her kill someone, her first ever kill, and what she saw in the man's dying body was so agonizing that it forever changed her. she was so horrified by what she had done that she refused to kill. (in my opinion, this makes her the best candidate for taking up Batman's position but the writers are cowards.) she either ran away or was sent away by her father? (this is where it starts getting hazy for me because i still have comics to read). i don't know what happened in between for sure, but she did end up learning how to speak and understand words, and i think it's a popular headcanon that it can sometimes overwhelm her so she sticks to one words or sign language for communication, but she CAN speak now. she considers Barbara to be like her mother, as Babs was the one who mentored her and took care of her. she's a very loving person and i think her friendship with Stephanie is sweet. even if you don't ship them, they're soulmates of some kind

that's about as much as i know but i'm still learning!! if any steph or cass fans want to add on to this, feel free to infodump here and mayhaps leave your comic recommendations? :3