#So many fantastic creators in one place

[the-tale-of-stingrayclan]

The kitties are here babyy!

It was so much fun finally making one of these, hope to repeat this someday!!

Note to the kitty owners: Hope I didn’t mess up anyone’s design too much :]

Everyone exclusively detailed below, starting from left corner:

First up, Graydrizzle from @nettleclan-clangen. Someone needs to give this guy some weed immediately… Jokes aside, a very funny character, the same with the blog! I love how unhinged it is <3

2. Next, the best girl-boss Lakefrost from @a-song-upon-the-waves-wishclan! She’s just so cool an’ all, and I tried to have as much fun as I could with her heterochromia. What else to say? Great blog with a great person running it

3. Charpaw from @lostkitsclangen! Even if he was supposed to be my Anglerhaze, I just couldn’t resist drawing such a cutie!

4. @echoes-in-echoclan’s Jewelsbeam up next! C’mon it’s echoclan, and in there every character is just purely marvellous ✨. Our precious Jewel cannot be taken away from us!

5. Second to last we have Monkeypaw from @circus-clangen! It was so much fun drawing this beautiful little gentleman, since Lynx has such a unique art style. Hope he doesn’t know what’s happening with his mentor down in that shit show

6. And lastly, it’s @withintheferns turn! Coalnose was the only one requested, but I thought it would be a sin not to draw her with Tinysight <3 You still broke my heart with both of em dropping dead, but what can I do apart from loving them even more😭😭

That’s about it for this round, hope everyone is satisfied with their kitties!

[eevees-hobbies]

How the Hashira sleep with you and your 9-month-old between you

Author's Note: I was up at 2 AM last night writing in my notes app because this idea struck me. This is my first time writing headcanons, but as always, I’m inspired by some of the fantastic ideas of other content creators!

Content Warning: You have a child with your partner, and they sleep in bed with you. There is also a brief mention of breastfeeding. This will not be for you if you’re sensitive to those things. This is pure fluff.

How the Hashira sleep with you and your 9-month-old between you

Contains: Rengoku, Uzui, Iguro, Shinazugawa & Tomioka 

Kyojuro Rengoku 

Kyo was meant for this. There’s no reality in which Kyojuro doesn’t want to be a father to as many kids as you’re willing to give him. His arm is always wrapped around you both—having you and the baby in the same room as you all sleep, being able to provide comfort, body heat, and a sense of protection, brings him so much joy. 

Kyojuro wakes up periodically during the night to look at you both as you sleep. He will also pay extra attention to checking on your child, placing a large hand on their small frame and feeling the rise and fall of their chest; he’ll smile to himself—his child is happy, healthy, and safe. 

Rengoku is also great at soothing the baby when they wake up: “Shhh, little one. Let’s let mommy sleep.” 

Nine times out of ten, he’ll be able to put your baby back down to sleep. The one time he can’t, the child will need to be fed, and Rengoku swells with pride as he watches you nurse them.

Once you’re done nursing, he’ll quickly run to get you some water and a small snack because he knows it takes a lot of energy to breastfeed. 

“You’re a good mother,” he says as he strokes your hair, looking over your shoulder at your milk-drunk child. “I can’t wait to do this again and again.”

Tengen Uzui

Tengen is annoyed when you place the child next to you—you didn’t even ask him! You explain that it’s easier for night feedings, and the baby sleeps better between you both. He admits it’s true, and the change drastically improved his own sleep. 

But Tengen HATES giving up the level of intimacy he had with you and many times ponders if kicking the baby out would be the obvious solution. With venom in your tone, you assure him there’s no need to bother his pretty little head with such ridiculous thoughts. He is aghast, but admittedly, he likes that you’re protective of their child, even against him.

Eventually, the child moves to their room, and Tengen has you all back to himself during the night! And, oh, has he missed it.

Obanai Iguro

Obanai really wishes he could get his bed back and is grumpy at first as despite his small stature, he takes up a LOT of space when sleeping. 

But his heart melts as your child always curls up against him, seeking his father’s warmth and comfort. He’ll stare down at them, still unable to believe he contributed to something so beautiful and perfect. 

He’ll plant a kiss on his child’s small tuft of black hair and then on the crown of your head, his arm snaking around his child, and holding your hand while you sleep quietly. So yeah, he’ll start off annoyed, but he wouldn’t have it any other way.

When you suggest moving the child out of your shared room, Obanai is taken aback.

“Let’s not be too hasty! They sleep so well with us.”

Sanemi Shinazugawa

Sanemi grew up sleeping in the same room as his family, so he isn’t surprised or put out that the baby sleeps between you both. 

He’d never admit it, but he feels a lot less anxiety at the thought of something happening to you and your child when you’re all sleeping together. 

Sure, sometimes he’ll wake up with a baby foot in his mouth or get woken up by a sleepy yet firm baby smack to his face, but he’ll grumble lovingly and drift back off to sleep, finding comfort in the fact that his family is safe and sound. 

Sometimes, Sanemi has to pull the baby off you at night when it spreads its limbs over your face. 

“Hey, get back here!”

Giyu Tomioka

Giyu is not a fan of a baby sleeping in his bed and will likely never be. He misses cuddling with you, holding your hand as you sleep, and waking up as the little or big spoon to your duo.

It’s hard to be a spoon in a trio—he feels more like a fork.

He’s an amazing father, though, and leads the nighttime routine of bath time, bedtime stories, and gently rocking the small baby in his arms. 

Eventually, he’ll rearrange the futons so that you’re between the baby and himself, which is his way of getting to spoon you again. Clever!

[thechurchoftheradiodemon]

Salutations to all of you, gentlepeople!

I love making lists, so I'm gonna update my Radioapple fic recs. All of these feature great aspec representation (non-sex repulsed Alastor for the nsfw ones), great writing, great characterization and amazing storytelling. I've fallen down a rabbit hole called Hellaverse and Radioapple and I can't get out, so I'm hoping to bring all of you with me.

I'd love to read more good fanfics, so feel free to recommend your favs in the comments, please!

Lucid dreams of New Orleans by @radiaurapple . Heartbreaking, fluffy, beautiful, and amazing setting, writting and characterization. It might be becoming my favourite. Human AU (kinda), and deserving of so much love.

Of Saints and Sinners by @morningstarwrites . No list in the Radioapple fandom is complete without this. I don't think I need to write why it's great, everyone knows. The fun, the fluff, the lightheartedness, and fantastic writing skills.

Strange Apetites by GotllPhi. Human Alastor AU, gorey, sexy (nsfw), surprisingly fluffy and intense. The characterizations are on point and the storytelling is *cheff's kiss*. It's on hiatus while the author is getting married, but still a must read.

Lucifer and his Terrible, Horrible, No Good, Very Bad Relationship series by @keelywolfe . Another nsfw one (much more so), but amazingly done and with great aspec representation. Beautifully written, intense and the story is just hooking. Also, the RadioApple Standalones are a very fun read, the sfw and the nsfw alike.

I shine only with the light you gave me by @soot-and-salt . This one is just a one-shot, but it shot through my heart. Gorgeous short story, great rythm and development, I fell in love. They have a series called We should've been enemies which is also fantastic (and nsfw), very sexy and intriguing, and still developing!

Lolm by @radioapple-heathen . It's only one chapter so far (and marked Explicit for the future of the fic), but it got to me. Fun shenanigans, a pet snake and a shared hatred for technology. It's very well characterized and nicely written.

Eat your Heart out by @seducipher . Modern human AU, nsfw and very addictive. It's still going, but it was a fic a binged in one night. Good characterization and nicely written.

Bedtime Rituals to try out before the next Angelic War by @miribalis . A very cute, fluffy and domestic fanfic that I can't recommend enough. Very well written with amazing characterization, and it's completed!

@notherpuppet 's Human AU series. Another fandom classic, but, again, no list is complete without it. In love with their artstyle, their story and their characterizations. Fluff, fun and shenanigans galore!

I still have too many saved for later that I'm thisting to read, so this list might expand in the future.

Also, if you'll allow me, this is for the spanish speakers: I wrote a short fic (2 chapters), Primavera en Nueva Orleans, that takes place during Alastor's last year alive and after Extermination Day. I'm selfpromoting here, but check it out 👀

Thanks for reading, don't forget to like and comment on your favourite creators' works 📻🍎

Stay tuned!

[dorothylarouge]

Dorothy's Big List of Comic Book Recs - DC Comics Edition

I often get asks about getting into comic books, and how daunting it seems, given the huge back catalog of titles and issues available. I'm here to tell you it doesn't have to be scary! From miniseries that act as good introductions to characters to runs on ongoing titles by individual creators that serve on jumping-on points, there's lots of ways to get into comics without having to have a lot of background knowledge, and I'm going to give you a lot of potential places to start. Please note that this post only covers DC Comics; Marvel and indie lists will follow! Also note that I haven't read everything, and I won't recommend something I haven't read, so a few runs or books some consider must-reads may not be on here. This is based purely on books I have read and enjoy, and that I think are suitable for new readers. I'm also not including books from the Milestone and Wildstorm imprints as they're kind of a separate sphere to me, although some Vertigo books may be included.

SUPERMAN

All-Star Superman by Grant Morrison and Frank Quitely: This is the book that made me a Superman fan. It is an out-of-continuity celebration of Superman and his world, and an exploration of why Superman as a character has endured for nearly a century.

Superman For All Seasons by Jeph Loeb and Tim Sale: A gorgeously-illustrated and Americana-flavored recounting of Superman's early years in Metropolis, anchored narratively by the changing of the seasons.

Superman: Birthright by Mark Waid and Lenil Francis Yu: For my money, the definitive origin story for Superman. Great characterization of the entire supporting cast, including Lex Luthor, make this a perfect entry point into the character and his world.

Action Comics (1939) and Superman (1939) by Jerry Siegel and Joe Shuster: The earliest Superman stories are still really great, and have a populist edge that many later stories sanded down. They're pulpy and fun and I recommend them!

Action Comics (2011) by Grant Morrison: This run spans issues 1-18, plus a special issue 0, of the series launched as part of DC's mostly-failed 2011 reboot, and covers Superman's early years in this continuity. The early issues bring back some of the edge that was present in the Golden Age comics, and the rest of the run is solid stuff as well. Morrison always comes highly recommended.

Superman: Red and Blue: An athology series that focuses on a broad sampling of Superman's world and supporting cast, written and drawn by various creators.

Action Comics (1939) by Geoff Johns: Specifically, I would say that issues 855 to 870 are a good span to be checking out for Geoff Johns' run on the book. These include some great stories focusing on classic Superman villains such as Bizarro, Toyman, and Brainiac.

Superman Smashes the Klan by Gene Luen Yang and Guruhiru: An adaptation of a classic Superman radio story set in the 1940s and focusing on Superman's place as an immigration narrative. And Superman gets to rough up some Klansmen!

Man and Superman by Marv Wolfman and Claudio Castellini: Another story of Superman's early years, this one focusing on his struggles to adapt to life in the big city after moving from Smallville, as well as his first encounters with Lois Lane and Lex Luthor.

Superman: Up in the Sky by Tom King and Andy Kubert: A lovely self-contained story which demonstrates just how far Superman will go to save a single life.

Superman (1939) by Elliot S! Maggin: This mammoth run spans issues 247 to 400 of the classic title, and includes some fantastic stories such as "Must There Be a Superman?" (issue 247), "The Greatest Green Lantern of All" (issue 257), and "The Living Legends of Superman" (issue 400)

Superman (1939), Adventure Comics (1938) and Action Comics (1939) by Mort Weisinger: This run spans a lot of the Silver Age era of Superman, including Action Comics #241-392, Superman #120-231, and Adventure Comics #247-396. It's a lot of issues, but in those days you can mostly read them in any order since they're pretty self-contained. This run includes a lot of classic villains and stories, as well as the earliest adventures of the Legion of Super-Heroes.

Supergirl: Woman of Tomorrow by Tom King and Bliquis Evely: A spacefaring take on a True Grit-style western with gorgeous art, and a definitive story for the Girl of Steel.

Superman’s Pal, Jimmy Olsen (2019) by Matt Fraction and Steve Liber: a madcap romp and a delightful sendup of Silver Age weirdness.

BATMAN

Batman: The Long Halloween and Batman: Dark Victory by Jeph Loeb and Tim Sale: Another Loeb/Sale joint, focusing on Batman's earlier years and the transition of Gotham's underworld from the mob to a coterie of costumed kooks.

Arkham Asylum: A Serious House on Serious Earth by Grant Morrison and Dave McKean: An examination of the facility housing Batman's rogues, and what those rogues symbolize in his world.

Batman (1940) by Dennis O'Neil: This is a classic run which re-established a dark tone for the Dark Knight which has endured to this day. The run spans Batman #224-268, along with a handful of issues of Detective Comics. Among the major developments of this run are the introduction of Ra's al Ghul and his daughter Talia.

Batman: A Lonely Place of Dying by Marv Wolfman, George Perez, and Jim Aparo: The definitive story about why Batman needs Robin. Read it in trade since the story spans both the Batman and New Titans titles.

Batman by Grant Morrison: I'm hesitant to include this because it delves so deep into Batman lore, but it really is essential reading, introducing Damian Wayne along with other concepts. Please do disregard Morrison's frankly appalling characterization of Talia. Read in omnibus format as the run spans multiple titles.

Batman: The Killing Joke by Alan Moore and Brian Bolland: It's cliche at this point but the story still is fantastic and one of the best Joker stories ever written.

Batman: No Man's Land: An epic storyline across many titles dealing with Gotham being cut off from the US after a massive earthquake and Batman's efforts to keep the peace in an abandoned city. Read in trade format.

Batman (2011) by Scott Snyder: This run spans issues 1 through 51 of the New 52 relaunch, and introduces concepts such as the Court of Owls. It's a fun run, including a brief period where Jim Gordon acts as Batman.

Batwoman (2011) by J.H. Williams III and W. Hayden Blackman: A gorgeously-illustrated book about Batman's cousin and her adventures as the Batwoman. Worth reading for the art alone.

Nightwing (1996) by Chuck Dixon: Dixon's a tool but this is still the definitive Nightwing run. This run includes volume 1 of Nightwing, a 4-issue mini, as well as issues 1-70 of volume 2, which establishes Dick's home base of Bludhaven as well as his rogues' gallery.

Detective Comics (1937) by Paul Dini: This run spans issues 821 to 852, and features some great stories by one of the great Batman writers and a co-creator of the classic animated series.

Robin (2021) by Joshua Williamson: A great run that helps to flesh out Damian Wayne's place in the DC Universe.

The Boy Wonder by Juni Ba: A great story with gorgeous art that focuses on Damian Wayne and his relationships with the other members of the Batman Family.

Batgirl (2000): The first series to focus on a Batgirl, specifically Cassandra Cain, the best Batgirl, as she struggles to adapt to life after an abusive childhood being raised as an assassin.

WONDER WOMAN

Wonder Woman (2006) by Gail Simone: Simone's run is the longest that a woman has ever written comics' premiere female superhero, and it's just good comic book fun. The run spans issues 14 to 44.

Wonder Woman (1987) by Phil Jimenez: Jimenez's childhood love of Wonder Woman shines through in his run, which placed a renewed focus on Diana's supporting cast and especially her family. The run spans issues 164 to 188.

Wonder Woman (1942) and Sensation Comics (1942) by William Moulton Marston: Wonder Woman's creator laid down the basics of the character and her world, and those early Golden Age stories are still a great read. They're fun, engaging - and more than a little kinky with hindsight.

Wonder Woman (1987) by Greg Rucka: In the early 21st century, Greg Rucka was The Guy for writing female superheroes, and his run on Wonder Woman is great. It features Diana becoming an ambassador, writing a book, fighting Medusa, and matching wits with Veronica Cale, her own Lex Luthor. The run spans 196-226. I must also mention Wonder Woman: The Hiketeia, also by Rucka, which is a Greek tragedy where Diana finds herself torn between duty and justice.

Wonder Woman Historia: The Amazons by Kelly Sue DeConnick: A beautifully-illustrated story of the Amazons and the Greek goddesses, which lays the foundations for Wonder Woman's world.

Wonder Woman (1987) by George Perez: This run reintroduced Diana after Crisis on Infinite Earths, and the first 25 issues feature Perez's simply-unmatched artwork. The whole run spans the first 62 issues of the book, and serves as a blueprint for most subsequent takes on the character.

THE FLASH

Flash Comics (1940) and All-Flash (1941): The Golden Age Flash and his early stories by his creator Gardner Fox. Must-read if you're interested in Jay Garrick, the first Flash.

Showcase #4, 8, and 13, and The Flash (1959): The Silver Age Flash, Barry Allen, made his debut and early adventures here. Much of the art is by the great Carmine Infantino, and Gardner Fox returned to write some stories. The whole concept of the multiverse debuted in this run.

The Flash (1987) by Mark Waid (as well as Grant Morrison and Mark Millar): This run starts in issue 62 and lasts until 162, with a brief run by Grant Morrison and Mark Millar towards the end. This run is the definitive Flash run, focusing on Barry Allen's protege Wally West maturing in the role of the Flash and establishing himself as the true fastest man alive.

The Flash (1987) by Geoff Johns: This run spans issues 164 to 225, and refocuses the Flash's traditional rogues' gallery, offering modern origins for many of them, while also introducing new foes like Girder, Blacksmith, and a new Reverse-Flash.

The Flash (2016) by Joshua Williamson: This run spans issues 1-88, as well as 750 to 762 of the relaunched volume 1 of the book. I hate the recentering of Barry Allen from 2009 to 2019, but Williamson's run is the most tolerable, and serves as a love letter to the Flash, while also setting the stage for Wally to return as the primary holder of the mantle.

The Flash (2023) by Simon Spurrier: The current run of the Flash, it focuses on Wally as the main Flash and the Flash Family as an ensemble. The extended first arc features a threat to time itself, and goes into some really surreal and experimental territory for a Flash book.

Impulse (1995) by Mark Waid, et al.: A more lighthearted and comedic companion book to Waid's run on Flash, this book focuses on Bart Allen, Barry's grandson, who was raised in the future and has the attention span of a goldfish, as well as his relationship with the zen guru of speed, Max Mercury.

GREEN LANTERN

The Green Lantern (2018) by Grant Morrison: A police procedural starring Hal Jordan that gets into some pretty freaky territory, with gorgeous interiors by Liam Sharp.

Green Lanterns (2016) by Sam Humphries: A buddy cop type title focusing on the team of Simon Baz and Jessica Cruz. Humphries' run spans the first 32 issues of the book.

Far Sector by N.K. Jemisin and Jamal Campbell: A murder mystery in space which establishes a new Green Lantern, Jo Mullein. Super easy to get ahold of since it was rereleased as part of DC's Compact Comics line of $9.99 trades.

Green Lantern/Green Arrow (1970) by Dennis O'Neil and Neal Adams: This run brought a social conscience to comics as Green Arrow was reinvented as a left-winger and a man of the 60s counterculture, joining Green Lantern on a quest across America. The run spans issues 76 to 89 of the book.

Green Lantern (1990) by Ron Marz. Marz's run starts in issue 48, and sees the Green Lantern paragon Hal Jordan descend into darkness before being replaced as defender of Earth by Kyle Rayner. The run lasts until issue 125, and as Kyle is my favorite Lantern I have a fondness for it.

Green Lantern (2005) 1-67 and (2011) 0-20 by Geoff Johns: Johns brought Hal Jordan back as the main GL, and his run expanded the world of Green Lantern by introducing the emotional spectrum. His run is the basis for most Green Lantern lore going forward, and is pretty essential reading.

Green Lantern: War Journal by Phillip Kennedy Johnson and Montos: A 12-issue series featuring John Stewart as he ventures into space to fight a dark force corrupting life in the galaxy. The new definitive John Stewart run.

TEAMS AND TEAM-UPS

JLA by Grant Morrison, Mark Waid, Joe Kelly, et al.: This was a back-to-basics approach to the Justice League with a core group of characters. Morrison's run on the book is probably the best, but Waid and Kelly also bring in some good stories.

Justice League of America (2007) by Brad Meltzer and Dwayne McDuffie: Another relaunch of the time, this time with a large roster inspired by the classic 1970s era of the League. Some great stories in this run, including a crossover with the Milestone characters.

JSA (1999) by Geoff Johns, Paul Levitz: The first team in comics was relaunched in the 90s by Geoff Johns, who established the Justice Society as a family first, later bringing in the Marvel Family for some great stories fleshing out Black Adam's character.

Justice Society of America (2007) by Geoff Johns: Johns' second run on the JSA is a continuation of the first, with a focus on legacy and new heroes reclaiming the mantles of Golden Age heroes. Introduces the delightful Maxine Hunkel as the wind-powered Cyclone.

New Teen Titans by Marv Wolfman and George Perez: Lightning in a bottle. This book likely saved DC after the disastrous DC Implosion. The best Titans run of all time, quality of art and writing that has never been recaptured with this team. If you loved the cartoon as a kid you will love this book.

Young Justice by Peter David and Todd Nauck: For all intents and purposes, the Teen Titans for the 90s generation. Funny, heartfelt, with great cartoony art by Nauck.

Doom Patrol (1987) by Grant Morrison, Rachel Pollack: A truly, wonderfully weird tale of the most off-beat superheroes of all, with themes of identity, life, and art woven throughout.

The Terrifics by Jeff Lemire, Gene Luen Yang: At a time when Marvel was treating the Fantastic Four like dirt, DC put out their own version, which captures the wonderous adventure of a Silver Age science fiction book with some great character work from a great core cast. A thoroughly underrated title.

Suicide Squad (1987) by John Ostrander: An often darkly-humorous book about a team of second-string supervillains coerced into doing the government's dirty work. The definitive Suicide Squad run.

Villains United (2005), Secret Six (2006), and Secret Six (2008) by Gail Simone: A group of supervillains forced together by circumstance and find themselves working together as mercenaries. A real found family of freaks type of situation.

Legion of Super-Heroes by Paul Levitz and Keith Giffen: This run spans issues 282 to 313 of the 1980 book, and 1 to 63 of the 1984 book. Includes some of the greatest Legion stories, including the Great Darkness Saga.

Birds of Prey (1999) by Gail Simone: This run covers issues 56 to 108, and focuses on female heroes kicking ass, basically Charlie's Angels with superheroes.

Batman/Superman: World's Finest by Mark Waid and Dan Mora: A team-up book between Batman, Superman, and the DC Universe, set earlier in their careers.

Justice League International (1987) by Keith Giffen, J.M. DeMatteis, and Kevin Maguire: As much a workplace comedy as a superhero book, this is a very different take on the Justice League, from the time when "bwa-ha-ha" ruled the DCU.

THE FOURTH WORLD

The Fourth World Epic by Jack Kirby: Read in omnibus or trade format. The first stories of the Fourth World from the King of Comics, Jack Kirby. The story spans Kirby's run on Superman's Pal Jimmy Olsen, The New Gods, The Forever People, and Mister Miracle, and ends in The Hunger Dogs.

Orion (2000) by Walt Simonson: A follow-up to Jack Kirby's epic, this book focuses on Orion, the son of Darkseid, and his quest to vanquish his father once and for all.

Bug! the Adventures of Forager by Lee Allred and Mike Allred: With Mike Allred's striking artwork, this book serves as a love letter to Kirby's time at DC Comics.

Mister Miracle (2017) by Tom King and Mitch Gerads: A slightly-psychedelic take on the Fourth World, focusing on Scott Free and his family with the backdrop of a bloody war unfolding between New Genesis and Apokolips

New Gods (1989) by Mark Evanier: This was a return to form for the New Gods, who hadn't had a lot of new stories to themselves since Kirby left DC, and it's a great read.

AND THE REST

Green Arrow: The Longbow Hunters (1987) and Green Arrow (1988) issues 1-80, by Mike Grell: Probably the definitive Green Arrow run. Political, edgy, and mature.

Animal Man (1988) by Grant Morrison: A fun and surreal series of adventures featuring one of the DCU's unsung heroes.

Booster Gold (1986) by Dan Jurgens: A Reagan-era story of a money-obsessed celebrity superhero rediscovering the altruistic spirit of a true hero buried deep within him.

Zatanna: Bring Down the House by Mariko Tamaki and Javier Rodriguez: A quest through the realms of magic as a reluctant witch gets caught in the crossfire of a mystical war.

Amethyst, Princess of Gemworld (1983, 1985, and 1987): For fans of magical girls and sword and sorcery, this is a must-read. A girl from Earth discovers she is the princess of a mystical realm and embarks on a quest to save it.

The Question (1987) by Dennis O'Neil: A grounded, philosophical story of a man trying his best to make things better in a city abandoned to corruption and decay.

Monkey Prince by Gene Luen Yang and Bernard Chang: Drawing on Chinese mythology, this book focuses on an unlikely superhero with connections to the monkey king, Sun Wukong.

Blue Beetle (2006) by John Rogers and Keith Giffen: Giffen leaves after issue 10, but Rogers continues until issue 25, and the rest of the volume is pretty decent as well. It establishes Jaime Reyes as the Blue Beetle, and if the cards had been better he could have easily become DC's answer to Spider-Man. Ah, well. It's always nice when he gets a book, and this is probably the best one.

Galaxy: The Prettiest Star by Jadzia Axelrod and Jess Taylor: a YA graphic novel featuring a transgender alien princess. What's not to like?

Hawkworld (1989 and 1990): A science fiction epic of Thanagar, world of the hawks. A great read on its own, but it unfortunately did a lot of damage to the continuity of the Hawkman family of characters.

Hawkgirl (2023) by Jadzia Axelrod and Amancay Nahuelpan: A fun little miniseries focusing on Kendra Saunders moving to Metropolis and having to deal with the trauma and hardship of her past. Guest starring Galaxy from that other book!

Starman (1994) by James Robinson: A grungy, Gen X book about legacy and what we leave behind, with plenty of hooks for the new reader to investigate regarding the Golden Age superheroes.

The Power of Shazam! by Jerry Ordway: The post-Crisis take on Captain Marvel and the Marvel family. A great read, and the last great run for the classic versions of these characters.

Sandman (1989) by Neil Gaiman. Obligatory Neil Gaiman is a piece of shit out of the way, his Sandman book is a beautiful and at times horrifying read, and its importance as a story manages to outweigh my disdain for its creator.

Swamp Thing (1982) by Alan Moore and Steve Bissette: Moore's run begins in issue 19 and ends in issue 64. This is the definitive Swamp Thing run, which set the standard for all to follow. It's a creepy and often touching story which remains some of Moore's best work in the medium.

[shootingstarwritings]

A Beta makes, an Alpha takes

TW: homophobic slurs

Eduardo Garcia was a content creator who, like many others in his field, lived in the SolCal area. He was a self-described ladies man and an amateur pick-up artist. Most of his videos and livestreams focused on giving life advice for men. That night was the same as it always was, with Ed saying his catchphrase, “A beta makes, an alpha takes,” to his impressionable audience.

Once the stream ended and he counted his donations, Ed made his way to the bar. It didn’t take long for him to find another girl to screw. His type was always the same: eager young women new to town and looking for something deep and steady.

After a long and sensual session, the girl whose name he forgot asked if what Ed wanted for breakfast that morning. She had wanted to cuddle, but Ed’s protests kept her at bay. Ed pretended to think for a while before saying, “I’ll treat ya. It’ll be a surprise,” before kissing her.

Around five the following morning, Ed snuck out of her apartment having lost zero winks of sleep that night. ‘Not my fault there’s so many suckers in this town,’ he thought to himself, grinning the whole way back to his apartment. ‘They wouldn’t fall for fellas like me if they had a lick of common sense. I just do what I do. If they don’t wise up then it’s on them.’

That morning should’ve been like all the other ones for Ed. He was in a fantastic mood to grab a quick bite and then spend some time in the gym after scoring as hard as he did the night before. However, just as he reached the floor his apartment was on, he caught sight of his neighbor standing unusually still.

Carlos was exactly everything that Ed hated about the SolCal area. They were in the same field as influencers, but Carlos focused more on “Affirmations of the self,” and “Queer rights,” and other stuff Ed had long-since forgotten about. Carlos had gone to great detail to explain, but Ed had mostly tuned out whatever didn’t relate to Carlos’ follower count or the cash he was making. Knowing the two would never get along, Ed preferred to avoid Carlos altogether, even if he did secretly wish the two would collab so that Ed’s follower count would grow.

Yet, on that morning, Ed couldn’t take his eyes off of Carlos. He stood in front of his apartment door, staring blankly ahead. A few moments passed, but the man didn’t even blink. Ed knew he should just leave him along and mind his own business, but a nosy part of him urged him forward.

“Hey man,” Ed called out, “You okay? You’ve been standing there for like an hour or something.”

Carlos’ head immediately snapped towards the direction of Ed’s voice, causing the latter to nearly jump out of his skin. “I was unable to court another female,” said Carlos in a stilted, unnatural tone. “I was reviewing what I did wrong. Forgive the intrusion.”

‘Court another female. So the fag’s trying to get with chicks, now?’ thought Ed before being struck by a genius business idea. “Good on ya, man!” Any prior concerns about Carlos’ odd behavior were discarded to the wind as Ed wrapped an arm around his shoulders and squeezed. “Good to see ya swinging for the right team. ‘bout time you dropped all that fag shit,” he said, pointing a thumb to the pride flag hanging on Carlos’ door.

“Fag shit…?” echoed Carlos, but he didn’t offer any resistance as he was guided to Ed’s apartment.

“You came to the right place, my friend. Nobody knows how to pick up the ladies quite like this lady-killer.”

“You kill them?”

“Ha-ha! Aw, ya crack me up, big guy. C’mon, I’ll give ya a few pointers.” For Ed, giving Carlos several of his lessons and even showing him the streaming setup was an investment. He was gaining much money from doing this, but all he needed was to win Carlos’ trust over and he’d be swimming in new subs and a brand new market to sell. There just had to be guys who played for both teams on Carlos’ faggy audience, he assured himself.

After about half an hour of coaching, Carlos repeated Ed’s lessons like a college student cramming for a final. “A beta makes, an alpha takes.” For whatever reason Carlos seemed particularly fond of that phrase.

“We’re the men. The providers! That’s why we gotta remind this pussified society who’s really in charge. The alphas,” said Ed, flexing his bicep to punctuate his point. His body was one of the few things he had worked honestly for. Steroids and diets were a frequent topics in his online rants. To Ed, if one couldn’t get a body like his naturally, then they couldn’t call themselves a real man.

“And this has worked to acquire mates?”

“Mates? Bro, I’m swimming in pussy. And soon you will too,” said Ed. He lightly tapped Carlos’ chest. “With a bod like this? It’ll be even easier. Stick with me and I’ll get you laid. Just, uh, don’t forget ‘bout that collab I mentioned.”

Carlos, after what seemed like an eternity of stone-cold stoicism, finally cracked a smile. “Yes, I would love to collaborate with you.”

“Awesome! Lemme get something to celebrate.” It was still early in the morning, but it was always five o’clock somewhere, right? Ed made hi way over to his fridge and pulled some of the quality beer. The cheap stuff was reserved for those rare moments he had a girl over. “We gotta celebrate this new friendship of ours, my man. I got--!”

Carlos tackled Ed as he walked back to the living room. The two crashed onto one of his couches in a mess of struggling limbs. “Yo, what the fuck, man?!” cried Ed. He tried to push Carlos off, but froze as he saw Carlos’ body convulsing and his eyes rolling up, showing the whites. Seizure? Stroke?

Before Ed could reach for his phone in his pocket, Carlos leaned forward and locked lips with him. As soon as the two made contact, a slimy creature flowed from Carlos’ mouth into Ed. Once the substance made contact with Ed, his body began unresponsive. He tried to struggle and push Carlos off of him, but his arms remained heavy and limp. More and more of the slime pumped into Ed until Carlos’ body, unconscious yet still convulsing rolled off of the couch.

Ed couldn’t move but he could still feel a chilling sensation spread throughout his body, filling him up. The slime crawled down his throat and began to expand inside of him. Most of it traveled down his esophagus and began to assimilate his core, arms, legs, and toes. Each limb seized and shook as it became corrupted by the invader.

Ed tried to scream as it fell the creature fill his head and coating his brain, yet he could do nothing but endure the sickening yet pleasurable feeling. It was filling him up, and for whatever reason, Ed couldn’t help but enjoy the way the creature dominated him. His body, still unresponsive to his pleas for help, merely humped the air and sensually moan as it was taken over.

Eventually, Ed blacked out. The last thing he perceived was his hands touching his face and his own laughter.

~~~

‘Please, give me my body back,’ whined Ed.

“Give it a rest, Ed,” the creature possessing Ed said, grinning to himself. “Thank you for providing this impressive specimen, by the way. I quite enjoyed the takeover.” He tilted his head as he read the magazine. “Hmm, you are well-endowed, indeed. Perfect for my mission.”

A few days had passed since the creature slithered into Ed’s body. Ed had woken up to see his body piloted by some kind of foreign invader. Despite Ed’s pleads, it refused to give up control, saying, “I’ve been needing a strong and virile specimen to breed and spread.”

‘You can’t fucking do this to me! It’s not right,’ Ed begged from the recesses of his own mind. ‘I’m a human being. I don’t deserve this!’

“Your mind is intact, is that not enough for you?” the creature said as he jerked Ed’s cock in the couch. “You could have ended up like my previous experiment. Right, Carlos?”

“Right you are, my alpha,” said the thing inside of Carlos. Ed tried to look away from Carlos’ naked and puppeted body, but the creature didn’t have the decency to give him that.

Carlos was not the creature’s first victim, but it was the first that didn’t suffer massive brain damage from the creature’s invasive efforts. However, the creature still hadn’t quite managed to access Carlos’ memories and personality. It had managed to figure out the basics and just needed one more attempt to do a proper possession. Ed was the creature’s first success, and it wouldn’t be the last.

“What else do you wish, my master?” said Carlos as he eagerly marched over to Ed, swaying his hips and sticking his ass out as he spoke. “Do you want to breed me once more? Fill me up with more of your spawn so I may go and spread?”

While Carlos hadn’t suffered brain damage, but the trauma of the invasion caused him to become catatonic. To remedy this, Carlos was the first one to received the creature’s spawn. The creature, riding high thanks to Ed’s disgust at the homosexual act, fucked Carlos’ body and let one of its children pilot the still-living husk.

“Please, act a bit more like your host would. Keep reviewing the videos.” Ed mentally screamed to himself as his invader forced him to say that. Even if the creatures had little idea as to how to blend in society, the sheer amount of content that Carlos and he made would guarantee that they had plenty of references for impersonating them. “Later, I’ll pump you full. I just… need to explore this body of mine a bit more.”

Carlos cleared his throat before giving a sweet, nonchalant smile. “No prob, my man. Later we should go out, though. Get familiar with the area.” He winked and said, “Later,” just as Carlos always did.

‘Please, let me go,’ Ed tried once more. The idea of the creature doing this to his friends and family, acting like him the whole time, was a hell he couldn’t bear. ‘I-I’ll even hook you up with another better. Better bodies, just please let me go…’ Ed internally sobbed.

“You’re quite pathetic,” the creature sneered as it violated Ed’s body once more. “Where’s your bravado, Eddie~? You were swimming in pussy just a few days ago. Now you’re pounding men and craving cock.” Ed’s body let out a malicious laugh as ropes of cum erupted from his stolen dick. “It’s like you always said. A beta makes, an alpha takes.”

[aziraphales-library]

Hi! Thank you so much for all the work you put into this archive. I've spent so many hours reading fics lately and enjoying every second thanks to you all!

I wonder if you have any recs for human!au fics where Crowley and Azi meet either online, as penpals or some other way that's anonymous, but maybe they don't know each other in real life or they don't know the other is their online friend/penpal. I really like the build-up towards meeting each other and things like that! I hope it's not too confusing. Any suggestions with those themes would be wonderful ❤️

We have loads of fics along these lines on our #social media tag, a specific pen pals post here, and you'll find similar kinds of fics our our #mistaken identity tag. I've got a bunch now, but I'm sure these'll all be on the tags mentioned, because there are only so many (unfortunately; I too love this trope!)...

Texts from an Unknown Number by GaryOldman (T)

The human wrong number AU I have been craving. Trapped at a boring Halloween party, Aziraphale tries to get in touch with Gabriel but his text ends up in the wrong place.

Press L in the Chat (for Love) by Phoenix_Soar (E)

Bickering fan-content creators Aziraphale and Crowley only have three things in common — they are both avid fans of a new revolutionary TV series about pirates, they are popular for their fantastic fanfiction and fanart… and they are members of the same discord server. Neither of them likes the other, but across the chaotic virtual world of a discord chatroom, who knows what can happen when these two unlikely fans are paired up for an exciting collaboration? Us. We know ;) Discord Server AU — a collaboration between Phoenix_Soar (fic) and Djapchan (multivoice podfic organization & editing) for Pod-Together 2022

A Tricky Situation (Entirely of his own making) by sixbynine (E)

"Crowley stood up and went to leave, he turned back just as he opened the door and took a deep breath. “You know I was quite excited to come here and work with you. I enjoyed reading your work. I disagree with a lot of it, but your writing style is lovely and every so often you’d let that privileged rich white boy mask drop and it was fantastic. I was hoping to meet that Professor Fell, but I’m beginning to think maybe he doesn’t exist and I’m going to be stuck with a rude stuck up arsehole for the next five years.” He slammed the door behind him before Aziraphale could respond. Aziraphale gaped, open mouthed, at the shut door." -- Aziraphale is teaching at Kings College London. He's been teaching at King College London for a long time now thank you very much and he does not take kindly to new Professors being sprung on him suddenly. Especially when this one has quite publically made his opinon of Aziraphale's work known. Luckily Aziraphale has an understanding penpal...

Readings From the Books of Ashtoreth by Quefish (E)

Vicar Aziraphale Bookman has a comfortable life. He lives in and serves the small village community of Tadfield. He enjoys contributing to local businesses, taking walks, and of course reading. His 'guilty pleasure', which gives him no guilt and all pleasure, is a series of novels by one AJ Ashtoreth. But what happens when he reaches out with an innocent bit of fanmail?

The Anon Before Christmas by foolishlovers (E)

When Crowley’s friend, blogging buddy and business partner Anathema announces her annual Secret Santa Exchange on Tumblr, she is very adamant Crowley should join this year. The old-fashioned (but admittedly compassionate) man he gets assigned to send anonymous messages to every day until Christmas sounds awfully similar to the fussy bookseller that his friends adore, yet Crowley tries to avoid at all costs. But surely his friends would have mentioned if Aziraphale had taken an interest in the Bad Omens fandom as well… right? Or: An Enemies to Lovers Secret Santa Tumblr AU.

I Knew I Loved You by AppleSeeds (E)

In September 1999, when his family gets connected to the internet, prospective Marine Biology student Crowley discovers an online forum where he can actually talk to people who share his passion for saving the whales. He begins corresponding with a kind stranger he knows only as Ocean_Angel, and is incredibly excited when the opportunity arises to meet this mysterious person in real life. As their friendship develops, Crowley shares things with Angel that he can't talk about with anyone else, and Angel's insights help him to explore and embrace his own identity. As Crowley works towards finding a place in this world where he feels like he really belongs, he realises that a big part of the answer to that question might actually be right in front of him. What if where he belongs is with Angel?

Big Name Feelings by ghostrat (E)

FANDOM AU! • Crowley is a BNF fic writer, and Aziraphale is a lurking artist who might be just a little parasocially in love with him. How they ever became friends is beyond him, but here they are: One month out from Prophet Con, and Crowley is asking him to be his boyfriend. Just for the weekend, of course.

- Mod D

[hyacinthoideshispanica]

A modern Feysand au where Rhys just took over his father's company and is trying to make it his own. So, he's creating new job titles, firing people who only work there because of nepotism, and in his free time, he likes buying paintings from CursebreakerArt.com to decorate and liven the building up.

Feyre is a struggling artist who is only able to afford rent because some random guy keeps ordering from her shop and she's not complaining, but he's bought so many, and who needs that many paintings?

One day, after mailing the latest orders out, Feyre decides to walk around the city and eventually notices the help wanted flyers for Velaris Co. everywhere she looks. She's curious. She's heard of this company before, and apparently, the ceo is an absolute prick, but the pay and benefits are supposed to be fantastic. So, she takes a flyer, and after a few days of no new orders, schedules an interview.

Rhys goes through the list of the days scheduled interviews. Normally, a ceo would be too busy to conduct interviews on their own, but he wants to show he's different from his father, and he wants to know every employee as a friend, not just someone who works for him. He scans through the list, and one name suddenly catches his attention. Feyre Archeron. He knows that name. He's seen that name elegantly signed on almost every painting on this floor and has seen it scribbled on a little thank you note that comes with each order. Feyre Archeron, creator of CursebreakerArt.com, is interviewing at his company that afternoon.

Feyre walks into the interview room slowly, suddenly self-conscious about her paint stained sweater and leggings. This place was really nice and really professional. She was way in over her head to even think of trying this! She should have washed the paint out from under her nails! She should have worn a pencil skirt and blouse!

Feyre's thoughts are cut short when Rhys enters the room and then suddenly stops. Then, their just staring at each other in silence. Feyre thinks Rhys is not only the handsomest man she's ever seen but that he must also be appalled by her appearance and it was definitely a mistake to come here.

Rhys, on the other hand, was 100% prepared to gush about how much he loves her work, that is, until the moment he actually saw her. She was the most beautiful woman he had ever seen, and he had not been ready for that at all.

Feyre gets up, starting to apologize for wasting his time, saying she'll see herself out, but Rhys stops her with only two words. "You're perfect."

Feyre blushes fiercely, then Rhys clears his throat and begins talking to cover up what he just said.

"For the job. You're perfect for the job. You see, a lot of my employees have young children who spend the day in our care center or go there after school. I was hoping to hire some new employees, people who are passionate about something like art, cooking, or music to come in to spend time with the children during the day and teach them."

"I see... and you think I'm perfect for that job from just one look at me? Without even looking at my portfolio?"

"Ms. Archeron, off all the interviews I've conducted today, you have been the only one to dress appropriately for children and not an office. You're covered in paint, so you're clearly passionate, and I already have most of your portfolio hanging in my office or in the hallways."

[lemondaydream]

013 . CLEMENTINE — [ 𝚕𝚎𝚖𝚘𝚗 𝚍𝚊𝚢𝚍𝚛𝚎𝚊𝚖 ] ...... DOWNLOAD NOW

Just in time for spring, CLEMENTINE is that sort of melancholic, soft, scrapbook feel. Took forever to place each one of those florals but I know so many of you have wanted something like this for a long time. Edit it in any way, shape, or form just please don’t remove my credit and link to lemondaydream.

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[marveltrumpshate]

As we said in our closing message at the end of this year’s auction, we've become something bigger and better than we ever imagined we could be when our journey began in 2018. As we mark half a decade of Marvel Trumps Hate, we want to share a few milestones with you starting with this year's auction results, so if you're used to our auction results posts…well, this one will look a little different. 😉

This year, 152 "Marvel"-ous creators came forward to offer 264 auctions.

And this year, we raised…

Back in 2018, our first auction total of $19,262.52 blew our minds—and this is over $16,700 more than that! 😮💖🎉

This was a quieter year than most (surely we're not the only ones suffering burnout because this has been A Year), so we're extremely grateful and proud of what we accomplished together. We broke records, some of which we were aiming for and some which we weren't. Of the ones we didn't expect, the record for the highest amount donated to a charity, which we smashed in 2021 ($6,349.98 to Planned Parenthood), was shattered with a whopping $8,039.99 going to Médecins Sans Frontières (Doctors Without Borders). We also had the biggest amount raised by a single auction this year: an unbelievable $2,101.67. All hail the power of pods!

And the biggest record of all that we set in 2023…

Drum roll, please…

With the help of 923 unique creators offering 2,217 auctions over the past five years, we raised a grand total of…

WE RAISED OVER $200,000, EVERYONE! No, we can't believe our eyes either. We're floored to say the least although maybe we shouldn't have been surprised. Every year, you manage to surprise us and set records, and this year was no different. You came out of the gate running and somehow you blazed right past our expectations, continued to make us adjust our stretch goals as bids and donations came in, and hit a number we weren't sure we'd reach even as we began to hope for it.

It’s been an incredible journey, with the mod chat pinging at all hours with excited gifs, effusive heart emojis, and inarticulate keyboard smashes as we expressed our love for the wonderful people in our fandom. It’s been very hard not blurting out the milestones as we reached them when we desperately wanted to share these amazing results with you all.

Creators, we couldn't have started this auction without you. We loved seeing so many veteran creators sign up again and were pleasantly surprised by how many new faces showed up to the party.

Bidders, as crazy as it sounds, most donations were small ones including a lot of those crazily high winning bids—so many of them were the result of people pooling their five dollars together! This has been consistently the case since MTH began. It just goes to show how much of an impact you can have when you’re part of something bigger than yourself. Each donation has a ripple effect, and enough ripples can cause a wave. You matter, and you can make a difference.

We also owe our success to our amazing signal boosters. There can’t be an auction without any participants, so to every fandom community Tumblr that agreed to reblog our posts, every Discord server mod who let us post announcements, and every person who shared our posts and encouraged their fandom friends to sign up and/or bid, thank you so much! Together, we reached hundreds of fantastic creators and bidders from all corners of the Marvel fandom, many of whom we didn't know and some who were hearing about us for the first time.

We’re so touched by the massive number of people who donated above and beyond their pledged amount, creators who took on multiple auctions and offered multiple winner slots, and bidders who accepted their second-place wins with such eagerness! We also had people make donations in the spirit of MTH even though they didn’t win an auction, which was beyond generous.

In addition to the astounding amount of money we were able to raise for charity, MTH was successful in other ways. We strove to be as inclusive as possible, determined to make this event a fandom-wide effort. Considering that the auctions covered over 381 unique platonic and romantic relationships and character-centric options (if we include "all ships/gen"-inclusive relationships, this number is even higher) across 36 universes within the Marvel multiverse, we can safely say that we accomplished our goal.

This spirit of inclusion also applies to our auctions and charities. Every one of 264 auctions was bid on, and every one of our 30 supported charities received donations. We’re in awe of your commitment to supporting all our creators and charities and thrilled that you spread all the love around, bidders!

Here’s our breakdown of the donations (to enlarge the image, click here and hover to see the donation amount per charity).

We’ve also listed the amount raised per charity on our 2023 auction results page.

From the bottom of our hearts, we thank you for helping us turn our sixth Marvel Trumps Hate auction and the celebration of half a decade of MTH into such a fantastic experience. We cherish every single message of love and support that we received and continue to receive on our Discord server and through DMs, Tumblr messages, emails, tweets, etc. THANK YOU ALL SO MUCH! We wouldn't be half as good at this—we couldn't have done any of this—if we weren't doing it with you. And that's the truth. ❤️

To remember or learn why we created this auction in the first place, please check out our 2018 "thank you" post to all of our creators, bidders, signal boosters, and supporters.

If you'd like to stay updated on all of the 2023 Marvel Trumps Hate fills, follow us and/or check out the "mth 2023" tag on our Tumblr. You’ll also be able to find works posted on AO3 in our Marvel Trumps Hate 2023 collection and links to fills in our Discord server, which you can join to brainstorm prompts, chat about fills, and find out about other fandom events.

Thank you once again to everyone who volunteered their services, time, money, and platforms to spread the word. These are tough times we live in, and it's easy to believe that there's only so much you can do as an individual. But as Tony and Natasha realized throughout their years as Avengers, we become something more than ourselves when we're part of a team.

We may come from different walks of life and hail from different parts of the world. We may be part of different fandoms within the Marvel multiverse. Many of us don't cross paths except this one time of the year. But despite our differences, we share a common goal and because of our differences, we're capable of making the impossible possible. And the only way to do that is, as Steve and Tony learned over their years of knowing each other, together.

And with that, MTH 2023 has officially come to a close. We're so beyond grateful to you all and can’t wait to see all of your fanworks over the coming year! But first, we’re going to follow baby Groot and take a moment to relax.

Lots of love and gratitude, Your 2023 MTH mods

[spacedustpan]

Hey Tennessee fandom people: the ELVIS Act getting ready to go through. It prevents you from using likenesses of Public Figures and their voices. It's Supposed to target AI of musicians and actors but it's written So Broadly that it can effect things like Political News Reporting, Political Parody, AMVs, Fan Edits, and of course Fan Art. It's not limited to Tennessee households either so a Hollywood company can relocate a headquarters or branch to Tennessee and use Tennessee law to sue people outside the state.

If you care about any of that, then look up your county's/district's representatives in the Tennessee Senate and House and start calling. It's headed to General Assembly.

Specifically the bill says - no one can use a famous person's likeness or voice without that actor's permission for the actors life plus 10 years - .

You can see how likeness and voice can be broadly applied and of course fans would never be able to get permission for fan content.

Surely you can see how this would affect amvs and fan edits on places like Instagram.

It would also affect things like Fan Art for Live Action Series.

This would limit free use for things like parody which would effect comedy too.

It's named after Elvis and claims to be for the entertainment industry but it's written so broadly so that it can be used by public figures in general. So Politicians would be covered under it.

Honestly politicians are trying to get this passed in Tennessee to limit the use of their own likenesses for things like memes because it's a fairly easy state to get ultra conservative bullshit passed.

Here's some more info from Real Clear Policy writer Hannah Cox:

"

Right of publicity laws typically include stringent, clear exceptions and only apply to advertising, merchandise, and fundraising purposes. Those exceptions are for “newsworthy” images in content that provides a “public interest,” which encompasses everything from hard news to documentaries, to satire, to celebrity gossip.

This is a fantastic structure that ensures an individual has a right to their own personhood while also upholding the First Amendment, its protections for free expression and freedom of the press, and ensuring the public has easy, fast access to information.

The ELVIS Act doesn’t include these provisions. As currently written, filmmakers would have to obtain permission from nefarious actors like Jeffrey Epstein’s estate in order to make a documentary about him. The producers of Forrest Gump wouldn’t be able to include all those scenes with historic figures. 

That’s a really good way to protect powerful people from scrutiny. And it would severely stagnate the flow of information online as even obtaining such permissions could take weeks. Additionally, out of fear, many content creators would simply play it safe out of fear of litigation.

The ELVIS Act also does not limit its reach to those living or dead, nor does it restrict its parameters to those with a Tennessee domicile. This seems like an open plea for people to infiltrate the state with ridiculous lawsuits that wouldn’t make it past the first gate elsewhere. It’s almost like the trial lawyers associations wrote this bill instead of Hollywood unions.

But to be clear, this was brought to the Republican legislature by the music industry associations and Hollywood unions - a peculiar entity for conservative lawmakers to be carrying water for to say the least. What these entities really want is an end to Fair Use practices because they’re bleeding money, and instead of making better products or creating new revenue sources, they’re simply being lazy and attempting to restrict the market.

"

--

When you call: You're a concerned republican worried about how limiting AI can hurt small business and how the law should be written more specifically and Exceptions Should be included To Protect Fair Use for Non-Commercial, News, and Parody use, because all are integral to Free Speech.

The Law is Simply Too Broad the way that it's written now and it limits Facebook campaign support for Republicans if they have to get permission from Liberals to use their likenesses. It limits free speech which is integral to preaching God's good word against his disbelievers in a political setting and you won't stand by a politician that limits your freedoms like that. This is America Land of the Free and you'll be damned if you let someone step on you like that. That its Big Government infringing on your rights as an American instead of sensible small government.

--

If you dont live in Tennesse this will still affect you with the ways it's written. It doesn't take much for companies to set up "official" shop in a new state.

It will also ABSOLUTELY be used as the model for a much worse NATIONAL bill if it gets passed in Tennessee. Because Politicians will see that it already succeeded once and HollyWood and the Music Industry are two lobbies FLUSH with cash for bribes and campaign donations.

Mark my words this will absolutely bleed over into national politics which will be devastating for News Reporting and informing the populace which is ALREADY in awful shape.

[stinglesswasp]

Hi! First of all, I think your art is gorgeous and honestly whatever words I put here, they will never be able to do your art justice. I love your visual storytelling! Now for the actual ask part. How could one start learning how to draw? I have a STEM background and I have wrestled many times before with the idea of trying to pick up drawing and every time I see content creators, such as you, posting their works, it makes me even more motivated to get some scenarios out of my head and place them on paper. Right now I do it in writing but I would love to do something graphic about it too. Problem is, it can feel overwhelming to start as there are so many resources and stuff and it can feel like a daunting task. So, how did you start drawing?

Thank you so much and I hope you will always keep your passion for this craft alive and well. Be it CoD or anything else.

Hi, thank you for your kind words! I've been drawing since I was a wee baby wasp, but anyone can start at anytime. You're absolutely right that it can feel overwhelming, but I love that you're motivated! That's honestly half the battle. I can give some general advice:

Start small, like really small… I know it's tempting to immediately jump into drawing your favourite blorbos smooching (yes, this is the entire point of being an artist) but it's like exercise, you need to build muscle bit by bit before you can attempt any ambitious goals. Draw very basic shapes like circles, squares, triangles, followed by spheres, cylinders, prisms. Try to rotate/stretch/skew/slice them in your mind's eye and draw the result. Draw some simple objects around you. You'll find that all objects, including complex organic forms, can be broken down into basic shapes. Here's an example of the types of exercises you can try: https://www.youtube.com/watch?v=-6F5q_5HC3o

There are beginner's tutorials on every aspect of drawing, I'd recommend spending a chunk of time in each area, learning fundamentals like perspective, proportions, and lighting. There are easy rules that you can follow that will make your art look 'correct' and not 'wonky' which might happen if you try to wing it without really understanding what you're doing. This video (though more advanced) has tons of useful advice and a fantastic guideline to follow: https://www.youtube.com/watch?v=6T_-DiAzYBc (in fact I think this is one of the best art 'tutorials' ever 🤯)

Be patient with yourself!! Your brain literally needs time to grow new neurons because you're learning a new skill. It can be frustrating to be unable to draw what you're imagining, but go easy and build up a strong foundation first. The more solid this is, the more satisfied you'll be when you finally tackle the stuff you actually want to make.

I hope this was helpful! Just practice a lot, have fun, and be proud of your progress 🧡 (also, sit with good posture, stay hydrated and take regular breaks <3)

[fandomtrumpshate]

An easy way to track your bids

With so many amazing fanworks on offer this year, you might be struggling a little to keep up with all of them: spending a lot of time refreshing bidding spreadsheets, or maybe even scrambling to keep track of all of the auctions you're interested in.

Now, thanks to a fantastic tool built by @cathalinaheart, it's easy to track a bunch of auctions all in one place!

You can find the watchlist template here. It's currently filled in with a couple of the mods' own offers just to demonstrate what it looks like when it's filled out, but here's how to set it up for yourself:

Make a copy for yourself

Delete the auctions you don't care about

Open up the auctions you do care about, and put in links to the bidding sheets, bidding forms, and auction posts in the appropriate columns

label each row with the name of the creator, and fill in the "what?" and "notes" columns in ways that will help you remember why you're interested

Once you've done that, the sheet will then populate the colored columns with the current high bid amount, and the name of the high bidder.

Now you have a tool that keeps track of the current high bid on all of your auctions, and also makes it easy to jump over and place another bid whenever you want to.

While we your mods do a lot of work behind the scenes, a lot of what makes the auction amazing comes from you all. We're so grateful to @cathalinaheart for building and sharing this tool!

[ixiot-ghostrebel]

wjieiouwujjj that dragon creator ask was so cute, I love you for doing such a fantastic job writing that. Could I maybe ask for acolytes finding out that their creator with dragon features is absolutely living for any affection gestures like touching their tail, or the base of horns if they have ones, and is literally melting down into whoever who will do it. Maybe with Zhongli and any of Kamisato sibling? If the ask arent open, please just ignore it. Have a good day

Dragon!Reader Want Affection—Gib Now! >:(

Hello Anon! Don't worry—as I am currently writing this, my mailbox is open! I'm so glad you enjoyed the post with Dragon!Reader in it! I wish you too a good day/night :)

Alright, so how did it all begin? Well, Dragon!Reader, upon getting compliment thrown after compliment, started to feel a little...touched starve, to say the least. Sure, the compliments are cool and all—but it felt pretty empty, you know?

So! In solution to this, the Almighty Creator decided the next 3 acolytes to give them some affection would be the ones they would visit the most in the span of a few weeks (at most? A few months) in a straight row.

Of course, you didn't announce this to the world, wanting to see if your people would take initiative first to satisfy your needs and wants. That is, after all, what they had promised to do once you re-descended back down to Teyvat, yes?

Click Me For Part 1!

(Disclaimer: Might be OOC!)

Zhongli

Of course, out of everyone, he would be the first to notice this sudden change! He is a dragon himself, you know!

But, instead of deciding to give head pats out of the blue on the street, he decides to be a little more sly about it. So, naturally, he's going to invite you over to have some tea in the mountains. More specifically, his adeptal abode he still has.

"Please, wait a moment, Your Grace. I shall prepare the finest tea I have for you."

Once you get there, the first thing you get is a hug and a soft rustling of your hair. Zhongli is mindful to not hurt your dragon horns, of course. Man would never want to hurt you.

Sitting down at a table, enjoying some tea and talking about stuff, and the dude decides to pat you on the head for even the simplest of knowledge you share with him.

This guy understands what it's like to be a touched starved dragon, so he knows all the signs.

Man would be so ecstatic to realize the Almighty Creator is deciding to visit him as a "thank you" for the small amount of affection.

Prepare for a lot of hugs and head pats, this guy will make each of your visits worthy of your time.

Kamisato Ayato

This guy, this sly guy...He would honestly pull a gentleman move and give you a kiss on the back of hand when you decide to see him in the Kamisato Estate.

He probably figures out quickly that you want some physical affection, and, upon realizing that he figured it out, he decides to do it fast—something is telling him that the Almighty Creator is giving out some sort of trial.

Plus, he just wanted to make other people jealous that he gets your attention much longer than most others.

"Is something of the matter, Your Grace? Your face is red, if I dare to be blunt." Gives you that small smile of his that tells you he planned this all along. You sigh—this guy was as cheeky as ever.

Imagine how happy he was that he gets to give you more of these gentleman-like behavior since you're visiting for a few weeks straight in a row.

Would make sure no one gets close to you—Ayato wants to be selfish and greedy of your attention alone for a little longer.

Kamisato Ayaka

Tying this with the previous one, since Ayato and Ayaka basically live in the same estate and all that—Ayaka would be happy that the Almighty Creator is visiting them several weeks in a row.

She may or may not have just increased how many times you were going to spend in every Kamisato-owned place, for she had unintentionally hugged you once out of pure joy to seeing you at the front door.

"Your Grace, you're back! Please—allow me to see you in. Would you like some treats? I can have Thoma prepare you something." Genuinely acts like the best host you can ever ask for. She would make sure all of your needs are met.

You can just see the pure joy Ayaka is having of having you here in the estate. Ayato is also happy about it too, so it's a win-win situation for both of the Kamisato siblings. Besides, they don't like to actually fight each other (unless it's sparring), but they do tease one another often.

Enjoy your stay :) It's probably very worth it with Ayato's gentleman-ness and Ayaka's Good Hostess-ness.

And done! This is a whole lot shorter than I thought it would be, but I hope you all enjoyed it! See you around! :D

Ghost Rebel Side Notes: I feel like I made Ayato too OOC SOBBING—It probably is :') I'm so sorry Ayato Lovers—I have failed you—

Ahem, anyways—this post was certainly more of a challenge for myself! I'll be honest, I thought I was going to fail very miserably when I realized I had to do Zhongli and Ayato—and I'm still kind of feeling that as of right now tbh. I hope you like how it's written, Anon!

Check Out The Ghost Rebel's Blog Description to See if Their Mailbox is Open!

[nolan-sims]

Small Simblr Saturday 🌱

It's Small Simblr Saturday! Thanks to @tau1tvec for creating this event. It was started as a day to highlight wonderful people & their creations, especially those who share them for free. Here's a small selection of people I love to see on my dash. Let's start!

@surely-sims 🦐

Anne is a brilliant creator who has a flair for the fantastical & vintage! Her CC selection is an eclectic mix that has a bit of something special for everyone to enjoy. Her Fallout inspired items have my ENTIRE heart. Be sure to follow her legacy over on @theplottdump!

@myshunosun 🧡

If you want to pad out your Build & Buy catalog with an amazing selection of timeless and modern pieces, look no further than Myshunosun. Everything she makes is of the highest quality. I'm especially in love with her textures; so clean and crisp! Don't miss their stuff!

@oatberrytea 🌿

I just adore everything Oatberry posts. The atmosphere they're able to create with their builds & Sims is unlike anything I've seen! Everything + everyone feels so cozy. I can never get enough!

@gilded-ghosts 👻

Gilded-Ghosts shares the most lovely historical CC & story posts! Not only does she create beautiful CC, her builds are just as wonderful. Every idea she brings to life is packed with so many details and oozes elegance.

@treefish 🌳

If you love bright colors & thoughtful design, Treefish's blog is the place to be. Everything they share is such a lovely mix of quirky, color, and concept... eye candy! Not only are their builds fun, but the Sims they share are equally as colorful & creative.

@xldkx / @xldkx-cc 💙

Xldkx's blog is such a great mix of reblogs of other simblr's content, hobby posts, world news, and more. Their blog is a constant go-to for me whenever I want to know what's been happening in the community & world. Truly a must-follow account. Not to mention, they share some of the coolest CC I've ever seen!

I encourage everyone to check out and follow the folks I mentioned. They're all wonderful and deserve their flowers! And if you see this post, consider giving your faves a shout-out! Whether it be in the form of a post, donating towards their ko-fi, or being their patron. No matter how you show support, it's a great chance to reach out and inspire one another 💗

[andreabandrea]

The AndreaBandrea UTY post

I need some place to put my Undertale Yellow (UTY for short) thoughts & criticism, and this is my blog, so I might as well put them here. If you don't want to see constructive criticism about Undertale Yellow, don't click below the readmore!

Pretty much everyone I talk to really likes this game, and honestly, I'm really sad that I don't like it more. I like some parts of it quite a bit! But I have mixed feelings about other parts-- I think the writing and characterization could have been a little more impactful than they were, and I’ll be discussing that here. I don’t want to just rag on this game without expressing suggestions and parts that I do like in more detail, so those will be covered as well. 

I also want to add a disclaimer that I don't have negative feelings towards the development team or fans of this game in the slightest. I have nothing but respect for the creators of Undertale Yellow. This project was obviously a massive undertaking with a lot of love behind it, and I'm glad to see that it's found success and a community of people who do enjoy it. 

The reason I’m writing this post is that, again, I liked parts of this game and wish I enjoyed it more. If I didn’t like it at all, I just wouldn’t engage with it at all anymore. I also haven’t really seen any other people expressing constructive criticism on the game’s writing, so it’s felt more important for me to express these thoughts, be heard, and see if others feel the same way. 

The Good

I'll start off with the things I like. The art, the animation, and the music are all fantastic. I was very impressed by the battle backgrounds and the little touches, like the way Clover runs. Clover doing things like reaching for other’s hands, giving fistbumps, drawing their weapon, changing their expression at times-- they feel very dynamic and fun to play as.

The music is really catchy and fun. I love the iterations on the battle theme-- Snowdin’s battle theme having bells, for example. 

I also had fun with most of the fights in the game! I liked the unique mechanics that came into play (e.g. the lasso in North Star's battle). I think that changing the way Clover attacks compared to Frisk feels organic and fun. 

I also love the mail system. Ever since you could deliver and receive letters in Paper Mario 64, I’ve been hooked on mail as a storytelling system in video games. I think the letters you receive are interesting and clever, and it’s a great way to keep past characters relevant in lieu of a cell phone. 

I’m going to be discussing criticism of the characters later, so I’m going to take a moment to talk a little about things I liked about them. I really like Martlet’s optimism and belief in humans. Starlo made me laugh quite a few times and the Feisty Five have a great dynamic with each other. A lot of the background characters in the game are fun-- I like the one who serves you at the Honeydew Resort. The fact that you can go back to these vendors later on and get four new topics to talk about is fantastic and makes the world feel a lot more alive. 

The Slightly Less-Good (and more disclaimers)

The writing is where the game falls short for me-- and it’s sad for me, because the writing is the heart of Undertale. I don’t think that the writing is bad by any means! I like the characters and story well enough, but- again- I just wish that I liked them more. I’ll try to incorporate suggestions so this isn’t just a total downer post without anything backing it up. 

I want to express something about the ‘suggestions’ that I’ll be offering after the criticism. I know that Undertale Yellow  is now out, and the team isn’t going to go back and change it now, and that’s totally fine. I don’t want to make it sound as if the team should change Undertale Yellow just because I have some reservations about it. I’m just one fan out of many. In the very off chance that a member of the Undertale Yellow development team is reading this--

First of all, hi! 

Second of all, I know that changing major parts of Undertale Yellow at this point is very unrealistic, and I wouldn’t want you to. If anything, I’m honored you’re reading my ramblings at all. I’d be touched if you’d be willing to take some of my words to heart as you move onto your next creative projects.

The reason I’m including suggestions, therefore, isn’t because I think that the team should or must make these changes, but because I don’t want to just sound excessively negative about this game without offering a little feedback. 

I don’t presume that my criticism and suggestions are objectively correct or better than what the Undertale Yellow team created. This is my personal blog, and these are my personal rambly thoughts about Undertale Yellow. The reason I’m including so many disclaimers is because I’ve gotten into discourse before due to poorly thought-out posts about Undertale, and I hope to avoid that this time. I don’t want to just not post something on my own blog, though, because I’m afraid it could be misconstrued or possibly upset somebody. So, I’m trying to discuss this as carefully as I can. 

As one final disclaimer, I'll say that I know that it was more likely than not that I'd be at least a little disappointed by Undertale Yellow. The original Undertale was a very important game for me, and very little could reach that standard. (I think this is one reason why Toby decided to do Deltarune, a sort of AU/spinoff rather than a full-on "Undertale 2", and I respect that decision.) 

I also think that quite a bit of my criticism is subjective-- several of the characters didn't fully click with me and several of the jokes just didn't land for me, personally. More people than you might think just didn’t connect with the regular Undertale, either. I’ll be talking a little about my subjective opinion on characters, but I’ll try to explain why I feel the way I do rather than just say, “XYZ character sucks because they’re lame, moving on.” 

With that said, the post. I’ll be addressing my criticisms from smallest to largest. To begin, I’ll recap the plot of UTY to better analyze aspects that I do and don’t quite like. Spoilers abound.

Undertale Yellow Plot Recap!!!!

The central story of UTY, to my memory and understanding, is as follows:

In the past, a fallen human being went on a rampage in Snowdin and hurt Kanako, the daughter of Chujin, a former royal scientist and monster who happens to be a boss monster. Dalv, an unrelated monster, was also hurt in this incident and sealed himself away in the Ruins in a self-imposed isolation. Chujin’s family (presumably him or Kanako, but not Ceroba, as she doesn’t recognize Dalv) felt bad about this and left him corn from Starlo’s farm as a gift. But, when Chujin died, the corn gifts stopped coming. 

Stepping back a bit, after the incident, Chujin developed a deep hatred for humanity. He invented a security robot called Axis and told it to go kill the human. Axis did this (and we will return to this later). Chujin kept the soul (at least, for a time) to experiment on.

At some point in this, Axis failed to impress Asgore and Chujin was fired as the royal scientist. At some point as well, he began to teach Martlet how to build puzzles. Martlet got a job in the royal guard and Chujin disapproved because humans are very dangerous.  

Due to experimenting on his own boss monster soul in an attempt to find a way to turn regular monsters into boss monsters so that monsterkind could potentially stand up to the threat of humanity, Chujin wound up very ill and then passed away. He left video tapes to his wife, Ceroba, asking her to finish his research. However, he asked her to leave Kanako out of this so she could live a normal life. 

Ceroba agreed to finish this research, but Kanako found out about it and asked to be experimented on because she, like her father, has the power of a boss monster. Ceroba agreed to experiment on her, which injured Kanako and caused her to ‘fall down’. Ceroba sent the near-death Kanako to Dr. Alphys, the new royal scientist, who was collecting ‘fallen down’ monsters for her own experiments with determination. 

Plot summary over. I’ll take a closer look at some of these aspects going forward.

UTY Plot Criticism

I don’t feel like this is a bad story, necessarily. With that said, it doesn’t feel quite as tied together as Undertale’s story does, and I think certain aspects don’t land. 

First, I feel that the majority of the plot elements about Chujin & Kanako get dumped on you at the last minute. You might be thinking that the story about Chara & Asriel is also dumped on you at the last minute-- and to an extent, this is true. You do get a massive amount of information regarding their story near the end of the game, in the True Lab.

However, Chara & Asriel's story is a massive part of the narrative from the very beginning. You meet 'Asriel' (Flowey) in the very beginning of the game. Toriel is in the Ruins due to the fallout of Chara & Asriel's deaths. Asgore and the monsters are trying to kill Frisk and steal their soul because of this, and the royal guard has taken it up as their mission. Sans is aware of an anomaly that will end everything (implied to be the player), and he would have 'killed Frisk where they stand' had he not made a promise to Toriel. And so on.

I’ll be reviewing criticism of the game’s plot in sections themed around each major character. I will be discussing suggestions about each character in their respective section here, as I discuss things I didn’t quite like about each character, my suggestions are intrinsically tied to why I didn’t quite like them. 

Dalv

The connections between characters and the Chujin & Kanako plot feel a bit tenuous to me. Similarly to Toriel, Dalv is in a self-imposed isolation in the Ruins due to a major incident in his past. He fears humans due to the attack he suffered in Snowdin, and he suffers loneliness  after losing his friend (who left him corn). When he sees Clover, he wonders if this is “some sort of haunting” (implying he knows that the human who attacked him was killed). 

In the pacifist route, Clover can prove to Dalv that not all humans are evil and Dalv can move out and learn how to trust people again. This becomes a recurring theme-- Clover, pure of heart, proving to monsters that humanity isn’t that bad after all. 

However, Dalv then disappears from the story. His motivation is to basically be left alone, but once you prove to him that humanity isn’t so bad, his role in the story is essentially complete.

I feel that, by comparison, Toriel’s motivation is more active-- to protect humans who fall down from Asgore. It’s this motivation that drives her to return at the end of the true pacifist route and ultimately make the true ending of Undertale possible.

Dalv’s passiveness makes him a weaker character to me. Now that you’ve proven that you’re his friend and humanity isn’t so bad, I would have liked to have seen him take an active motivation to protect his friend or help them in some way. We don’t have to copy Undertale beat for beat and have him dramatically save Clover from Asgore or anything, but it would have been nice to see him vouch for Clover in some way at some point. 

Now, for the final time, I know that UTY is released and major changes aren’t likely. Some of my suggestions are “I would have liked to see this, but this change would require redoing the entire game,” which I don’t think should or could be done at this stage. This is just daydreaming and- if I’m praising myself highly- potential considerations for the devs’ future works (and the works of any other creatives who are reading this). 

With this proposed major change to Dalv’s character out of the way, I’ll suggest instead the most minimal possible change that I would like to see, so my suggestions don’t feel entirely like just daydreaming. 

I really like how Dalv sends Clover a letter about his moving out to Snowdin. This is active of him in terms of motivation-- Clover is his friend and he wants to keep in touch with his friend. I’d be absolutely thrilled to see a little bit of extra dialogue for him in an update. After you go back to Snowdin and see him, I think the dialogue he already has is totally fine! But, I’d be really happy if he’d take initiative and tell Clover a little more about his experience with the past human, or invite them to rely on him, too. 

Martlet

Martlet felt… a bit restrained in terms of her writing, to me. I think that one aspect of Undertale’s writing is that it’s not afraid to go over the top. Papyrus isn’t just silly, he wears a costume every day and cartoon eyes pop out of his head when he’s surprised. Undyne isn’t just determined, she aspires to be a badass anime heroine. I like Martlet just fine, but she never had a moment where she really stood out to me in this way. 

Martlet’s defining traits are that she likes puzzles, she loves reading and abiding by the rules of the royal guard, and she believes in humanity and wants to help Clover. As I said before, I really like this optimism and belief. I’d like to see more of it. 

Near the end of the true pacifist route, Martlet says that she was taught in the royal guard that humans are scary, but Clover proved to her that humans are kind. This felt very abrupt to me at the time-- we know that Chujin disapproved of her joining the royal guard due to his own trauma, but Martlet had no personal involvement in the last human’s violent actions. 

Martlet doesn’t seem to have any reason to dislike humans more than any other monster. We learn in her diary that she essentially joined the royal guard out of a desire to help people and build puzzles, and also because she needed a job. 

If she’s just supposed to be a representative of the average monster and their feelings toward humanity, and her growing to like Clover is meant to represent how all of monsterkind could grow to like humankind, that would be one thing-- but I think that she specifically is meant to represent a person who wholeheartedly believes that humans can be good and that humans and monsters can live in harmony. In the no mercy route, she repeatedly pleads to Clover to do better, that they don’t have to act this way, that she wants to help them. That’s not the response of the average monster, who fights Clover or tries to flee from them. 

I believe the intention is that Chujin & Martlet represent either end of an ideology axis (no pun intended). Chujin believes all humans are evil no matter what, but Martlet believes that humans can choose to be good. But why does she choose to believe in humans other than a sense of personal optimism? 

I would have liked to have seen some defining event that made Martlet choose to believe in the goodness of humanity. I would have liked to have her being kind and optimistic to a fault be more of a defining trait-- to have that go over the top in an Undertale-style way. A lot of her interactions with other characters just personally weren’t very memorable to me. 

Martlet spends a lot of the game sidelined. She loses you in the Mines. She gets thrown in jail in the Wild East. She has to go back to Snowdin once you're freed. Yes, she's there for you in the true pacifist route, but she's otherwise pretty absent through the neutral/true pacifist routes.

I recognize that the main characters in Undertale can be absent after you leave their respective sections of the game. However, you're able to call Papyrus & Undyne as much as you want, and you get a major hang-out (or “date”) with each of them and Alphys which gives time to expand on their backstory and character arc. Martlet doesn't get that. We even get a little bit of time to hang out with Dalv after we become his friend, but Martlet shoves us on a boat and hurries us to the next area as soon as we beat her. And sure, we get to talk to her on the boat, but it’s just a bit of silly dialogue-- it doesn’t really expand on her character. It feels like a missed opportunity. 

So, yes, my major suggestion on her would be to zoom in more on her belief in you and let her be a liiiiitle sillier and more over the top, and give more opportunity for Clover to hang out with her. 

At this stage, however? In this proposed minor ‘dialogue update’, I’d be really excited to see a little something more from her. Maybe a letter? She does send you one, but only in the neutral route to tell you to meet her on top of the apartments. It would be a good opportunity to either let her be silly or explain a bit about when she came to want to believe in humans-- or both, ideally. 

Starlo

I honestly have very little to say on Starlo. He seems to be the fan favorite, and I did find his section fun! Ultimately, though, he's just kind of… there? I mean, he's on the periphery of Ceroba's (and Chujin and Kanako’s) story because he's her childhood friend (and his family grew the corn that Chujin gives to Dalv), and yes, he later on reminds her that she can still choose to be a better person because he also almost killed Clover! However, every monster in the game almost killed Clover.

There’s nothing wrong with having a silly character who wears a costume and isn’t a major player in the plot. I feel like Starlo is similar to Papyrus in this way. But Papyrus isn’t just a goofball, he’s the monster in Undertale who believes unerringly in Frisk & the player’s ability to do better because he firmly believes that you can make anything happen if you just try. This belief helps elevate Papyrus from comic relief to an actual rounded character. 

I don’t feel like Starlo has any sort of strong conviction like that. We do learn that he wants to bring hope to the Underground by roleplaying as a sheriff in the Wild East town, giving them a slice of (supposed) surface life. I think this is fine, but I’d like to see a bit more of it. In the no mercy route, he does bravely stand against you because he’s a sheriff and it’s his job to bring justice to murderers like Clover. 

My expectation when I first met him, a fellow cowboy (gender-neutral), was that he’d have his own ideas about justice. I expected that he would clash with Clover about these ideals, and neither of them would be quite right or wrong-- and this would prove that justice can’t be measured mathematically, and one outcome can’t be applied to all situations. 

But, he’s not at all bad the way he is. He has a lot of fans, after all. The minor change I’d suggest now that the game is out is that I’d be interested in learning why the cowboy aesthetic specifically appealed to him. Maybe a diary in his room explaining that Westerns are the epitome of ‘justice’ to him? I’d like to see a peek into the motivation that transformed an ordinary farm boy into someone who could bravely stand against a murderous human. 

Ceroba

I’ll be honest. I want to like Ceroba, but I don’t.

I understand that there's an attempt to mirror Asgore in that the war against humanity, in general, has taken Ceroba's partner and her child from her-- and ultimately, Clover forgives her and helps her learn how to move on. It's about letting go, just like Undertale. I get that. But Ceroba’s story doesn't land for me, personally. In order to talk about Ceroba, I need to talk about her husband, Chujin, because Ceroba spends so much of the story acting out Chujin's will. 

Whereas monsters in Undertale do attempt to kill Frisk and steal their soul, and Asgore has killed other children before, it's framed in a very 'video game' violence sort of way (again, Undertale has these meta elements). Ultimately, in the True Pacifist route, none of Frisk's deaths have stuck, and Asgore's actions- while reprehensible- allowed for Asriel to break the barrier once and for all.

Chujin, in the video tapes he leaves for Ceroba, implies that Axis’s murder of the human- presumably a child, like Clover and Frisk- was very violent and bloody. It feels a tiny step beyond the 'video game violence' aspect, for me. While it’s shown that Chujin regrets this, it still doesn’t change the way that this violence is expressed in the game. 

Instead of giving the human’s soul right to Asgore to bring monsterkind closer to freedom, Chujin- who has already been fired by Asgore, I should add- chooses to keep the soul and experiment with it.

This is very selfish, even though he has good intentions. He’s told nobody else about his experiments with his soul at this point- not even his wife- and Asgore has told him to cease all activities as the royal scientist. 

While monsters do want Frisk's soul for their own selfish reasons, they notably do not butcher them violently, succeed in this, and still try to get painted with the same quirky and fun brush that the other characters get. 

After Chujin dies, he leaves detailed instructions for his wife to continue his work-- and although he says "don't involve Kanako", he leaves her all the tools she would need to experiment on Kanako, and notably, no other way to finish his work except to experiment on Kanako.

As I said, Kanako finds out about this and asks to be experimented on. And while she does give consent, she is a child. I cannot stress this enough-- she is a child who just lost her father and is still wracked by grief. Kanako is a child who cannot possibly know what she is consenting to. 

Ceroba chooses to experiment on Kanako and more or less kills her. And then she chooses to send her 'fallen down' daughter to Alphys's experiment, despite the fact that Kanako presumably has some sort of trace of human soul/determination left in her-- which could have compromised Alphys's work as well.

Let's return to how I said that Ceroba is a mirror for Asgore. She's made so many mistakes and it's cost her her family and she can't stop now or it will all be for nothing. She's done horrible things, just like Asgore.

But the difference is that Asgore is the king of monsterkind. Asgore has no desire to kill human beings. He declared war on humanity in a fit of anger and grief, but the Underground had lost hope due to the loss of Chara & Asriel. Believing that Asgore could gather seven human souls and free them all brought hope back to the Underground.

His actions, while wrong, are selfless-- and much less explicitly violent and more 'cartoon violence'-like. Chujin & Ceroba have the well-being of monsterkind as their own pure intentions, but their actions are far more selfish and violent. Axis, Chujin’s creation, massacred a human being. Yet we're still expected to find them silly and fun and relatable-- it just feels unusual.

I’m not someone who hates nuance or morally gray characters. One reason I’m so sad that I don’t quite like Ceroba is that I love morally gray women. It’s just that we’re not allowed to really dislike Chujin or Ceroba for what they’ve done, and instead we’re supposed to see Ceroba- and Axis- as silly and relatable like the rest of the characters. 

Immediately after Ceroba’s boss battle, instead of processing what just happened to a greater extent, Clover chooses to sacrifice their soul for monsterkind. 

I understand that the intention is that Ceroba's grief and Chujin's desperation to protect monsters from humanity contributed to Clover's decision to sacrifice their soul. However, the idea is- to me- abrupt. Ultimately, too, Clover's decision is just as much about how much they love their friends (and how it's impossible for them to hide out in the Underground forever) as it is about Ceroba and her family.

Chara & Asriel’s deaths, Asgore’s war on humanity, the war of humans and monsters-- these elements impact every part of Frisk’s journey. But Chujin and Ceroba’s actions, while impactful on Martlet and Dalv to varying extents, are only part of Clover’s journey. And Chujin and Ceroba did awful things for this comparatively minor impact on the plot. 

EDIT: Further analysis about how Ceroba doesn't have a lot of agency and spends a lot of the plot just acting out Chujin's will, as well as the inconsistency in her characterization (and feelings about sacrificing Clover and the well-being of Kanako), with input from @carlyraejepsans. Thank you!

I would have liked to have seen a bit more from Ceroba without any influence from Chujin- maybe an interaction explaining her relationship with Martlet and an additional conversation about Martlet’s nearly unwavering belief in humans vs Ceroba’s inherited grudge against humanity- but I don’t know where this would fit in. Adding more time for Clover to process Ceroba’s boss fight before sacrificing their soul might throw off the pacing. 

In general, though, Ceroba's boss fight- while flashy and fun- ultimately feels pointless with how little she learns from it and how quickly she changes her stance on using Clover's soul for the benefit of monsterkind, and what will happen to monsters after they break the barrier. To quote @carlyraejepsans in the ask linked above:

In addition, it's like the writing didn't want to commit to her delusions and little character development. She feels that her daughter is alive and thinks she can save her—wait no that was a lie—wait it wasn't. The moment she's defeated she goes "Agh, what was I thinking!" out loud (which is already a questionable writing choice imo but i digress), and recognizes that sacrificing Clover for her plans is horrible... and then 5 seconds later Clover chooses to sacrifice themself to break the barrier and whoops nevermind she's suddenly the one getting the others onboard with the idea... wait. didn't she say she was making the serum because the humans would've only slaughtered them again if they broke the barrier? oh wait wasn't that also chujin again? whoops.

I would have felt better if there were more room to view Chujin and Ceroba in a critical light (and time to view Ceroba outside of just being a mom and wife). I can’t think of any ‘minor’ suggestion that wouldn’t require a lot of editing. 

Axis…

And... okay. Let's talk about Axis real quick.

I want to give the dev team the benefit of the doubt, but I need to point out that this security robot's name is "Axis 014." If you don't know what I mean by pointing this out, I'll just say that both of these terms are nazi dog whistles and allow you to look up the specifics.

I recognize that, by this point, it’s too late to change his name. I’d at least be grateful if the team would acknowledge this and confirm that they aren’t nazis. 

Axis’s name makes his actions far worse in retrospect. He, as a security robot wants to kill a child, but he isn't able to anymore because his programming has changed. So, as a legal loophole, he forces them to hold 'a weapon' (a trash can lid) so he can justifiably kill them. This is the same robot that brutalized and murdered a human being in the past at Chujin's behest.

It feels tone deaf and ultimately the one thing I’d just outright call bad about UTY. I don’t think it was intentionally done this way, but I don't like that we're supposed to find this nazi-aesthetic police brutality robot "quirky and relatable" like the Undertale cast. In the true pacifist ending, he falls in love with a robot made out of a trash can and his eyes turn into cartoon hearts and etc. It’s even more jarring than viewing Chujin & Ceroba in a fun/relatable way. 

In the no mercy route, Axis will defend himself and claim that his programming forced him to kill the human and he didn't want to. This "just following orders" defense feels weak to me as well, personally. Axis clearly delights in harming humans, going out of his way to try to kill Clover. But also, Axis spends a significant amount of the game displaying a very similar amount of free will to the other characters. He’s not just a janitor robot that sweeps back and forth. 

He’s a nearly sentient being-- and the fact that there are these nearly sentient robots makes Alphys’s accomplishment of creating “a robot with a soul” (at least, so she claims-- Mettaton is only the ghost in a machine) much less impactful to me, personally. Yes, Asgore thinks that Chujin failed in creating a sentient robot, and so it’s impressive that Alphys supposedly did it. But I don’t know why Asgore wouldn’t be more skeptical of Alphys’s accomplishment after Chujin failed more than eight times and set fire to his flowers. 

I think that Axis is ultimately a missed opportunity to make a really villainous character. This concept that he disobeys his programming- used as sort of a parallel for law, as a security robot- to attack Clover could have been explored to further the ‘justice’ theme. He doesn’t write his programming (the laws), he just carries it out (violently enforces the laws). 

The ‘minor’ suggestion I’d make, though, is to just acknowledge the name. 

Undertale & Meta Elements

Now, we’ll be addressing my largest criticisms-- the omission of meta elements and the way Flowey is written.

Undertale Yellow never quite stopped feeling like a fan game to me. And it is, of course-- but I think that it feels as if it tries so hard to be Undertale (in the writing style, the humor, etc) that it fails to forge an identity of its own, and that holds it back from being just a fangame to a fangame that succeeds in expanding on the original creative work. 

At the same time, although UTY tries to feel like Undertale, I don’t think it captures certain elements that make Undertale be Undertale. 

Whereas Undertale was ultimately about video games as a medium and the normalization of violence in them, UTY doesn’t have this level of metatextual commentary. UTY does have a running theme of 'justice'-- and I don’t think this is bad! After all, if Undertale already said all there was to say about video games and violence, why retread that path? I respect that UTY knows its limits and simply focuses on justice as a concept instead.

At the same time, Undertale isn’t just an RPG about mercy-- it’s an RPG about RPGs. The fact that you can talk to and spare enemies isn’t just a quirk of the game, it’s what the game is about. This is one thing that makes Undertale great that UTY doesn’t focus on.  

UTY doesn’t completely ignore these elements, of course. Flowey takes over resetting for you, and you do have three distinct paths based on whether or not you kill enemies-- the ‘true pacifist’ path, the ‘neutral’ path, and the ‘no mercy’ path (I will not be calling it the ‘genocide’ route, especially in light of recent world events). Through whether or not you choose to kill enemies, the theme of ‘justice’ is explored-- who is Clover seeking justice for? In the true pacifist route, Clover seeks justice for the monsters, while in the no mercy route, Clover seeks justice for the fallen humans before them. 

However, Flowey taking over the mechanics of saving and resetting for you makes concept of ‘the player’ obsolete. I recognize that not everyone in the Undertale/Deltarune fandom quite enjoys the concept of 'the player' and the meta elements of these games due to the fact that there can be implications that playing Deltarune (as an example, which ups the meta elements quite a bit) can actively hurt Kris and make their world a worse place. However, Deltarune isn’t a complete work and we don’t know this for certain. Additionally, I feel as if at least acknowledging Toby's intentions are important to analyzing the work, no matter what one's personal feelings are about them.

The Importance of the Player

The presence of you, the player, is important in Undertale. Frisk is a subversion of the 'blank slate protagonist' trope. You think that you're able to name them and control them, but in the True Pacifist route, Frisk begins to act on their own (they walk slowly in some parts of the True Lab because they're presumably afraid, etc). In the end, you realize that Frisk is their own person with their own name, and you as the player have to let go-- when Frisk & the monsters go to the surface, Flowey (a mirror of the player themselves) urges you to let them go. Don't treat this as a game anymore-- don't replay and wring out any last drops of content you can. You enjoyed it, now move on.

But many players want to see the No Mercy route because it’s the last thing they haven’t done in the game, and they don’t want to let go. And that's where the role of you, the player, becomes undeniable in the game's story. What is the No Mercy route except playing a 'typical' RPG in the way it's meant to be played? You grind to become stronger, killing every enemy that stands in your way. And when you've killed all the monsters and become as strong as you can be, you've won.

Many players didn't do this because they hate the characters in Undertale and want to hurt them-- if they hate them, they likely just wouldn't play the game. Many players did it because they like the characters in Undertale, and wanted to see what would happen. They couldn't stop playing. And this is exactly what Sans means in his dialogue during his boss battle-- to paraphrase, "you think that because you can, that means you have to."

This is one of the ways that Flowey is a mirror of the player. Flowey didn't start killing out of malicious intent, but because he had become so bored and isolated that he just "had to see what happens".

Chara's role at the very end of the No Mercy route is to call you out directly for this. They tell you that their power was yours. Their words were very misconstrued by fans for a long time, and they themselves wound up as a scapegoat for the No Mercy route-- but ultimately, there's no reason for Chara or Frisk to kill every monster in the Underground. The only reason is because of you, personally. You want to see what would happen. You want to grind and play it like a typical RPG.

They call you out for this if you don't want to delete the game world at the end. Why go back to that world that you've already destroyed? Why play nice with the monsters that you just massacred because you can?

Why am I talking about this at such length? Because I believe that ‘the player’ and how they interact with the world of Undertale is important. Characters lampshade the UI and battle mechanics often-- Flowey talking about the world as a game and ‘saving’ and ‘loading’, Papyrus telling you to “press C to open the dating HUD”, Sans explaining ‘LV’ and ‘EXP’, and so on.

This is my personal opinion, and I recognize this is very nitpicky, but I feel that not acknowledging this or adding to these meta elements in some way makes UTY weaker for me. 

Flowey’s Role in UTY

Flowey essentially saves and resets for you because he's bored, and he wants to use Clover as a tool to access Asgore’s five stored human souls. His role as a mirror for the player becomes him essentially just acting as a stand-in for the player. While this in itself can invite self-reflection, I think that the execution of his role is a little awkward. 

We learn at the end of the neutral route that Flowey has already reset the timeline hundreds of times by the time we first start playing the game. According to him, Clover always ends up at a dead end (they choose to stay in the Underground for the rest of their life) or they die (and they can’t reset of their own power). Thus, Flowey chose to set Clover on an alternate path by sabotaging a lever in the Ruins, which made them fall into the Dark Ruins and meet Dalv.

Flowey then tries to kill Clover and absorb their soul because they, again, hit a dead end. Yet he gives up on it after a while because Clover won’t stop fighting back, and he thinks he can just reset and try again anyway. 

At the end of the true pacifist route, Clover instead opts to sacrifice their soul willingly to Asgore & monsterkind. Flowey comments that he could just reset (and you still can, if you want to play again), but Clover “earned their rest” and he calls them a friend. 

This progression from “Clover is a tool that Flowey is using to access the 5 human souls” to “Clover is a friend and Flowey willingly lets them die and stay dead” feels undeserved and underdeveloped to me. 

"But, Andrea," you might say, "Flowey went from trying to kill Frisk as Omega/Photoshop Flowey to hugging Frisk as Asriel really quickly too!"

Yes, but in that short time, Frisk and Flowey/Asriel had a Whole Thing where Frisk 'saved' him like everyone else and he learned he needs to let go, too. It was a short time, but it was a poignant time. By contrast, Flowey is pretty much absent throughout most of UTY's true pacifist route. Sure, you could easily say that he just got bored of Clover and gave up-- but that, too, doesn’t feel quite right to me. 

I really hate to say this, but I feel that Flowey’s writing in UTY cheapens the original Undertale for me, which is why this is one of my major criticisms of the game. 

Flowey's entire character arc in Undertale is about how he was stuck with the same places and same people for an endless amount of resets. In my opinion, the limited amount of places and characters for him to interact with in Undertale only adds to how trapped he is (and the Underground being so small really strengthens the concept of "there's overpopulation and the monsters are running out of time to find a solution/earn their freedom" that we see in the game, but I digress).

So when something finally changes and he meets Frisk, it's deeply impactful to him. Finally, someone new to play with! Finally, potential for change! Even though Flowey admits that, even if Chara came back, there's a great chance that he couldn't really love them due to his lack of soul, just experiencing something new for the first time in ages is as close to love as he can possibly get. So Flowey:

Starts to believe that Frisk is Chara, this person he ‘loves’ or wants to love, or some manifestation of Chara. 

Refuses to let Frisk go, even if that means- when Asriel has the power of seven human souls- just resetting the Undertale timeline over and over instead of going to the surface or doing anything else.

For Flowey to have gone through everything that he does in UTY- all these new places, all these new people, Clover included- weakens this, in my opinion. And sure, there's very heavily implied to be lots of places that Frisk doesn't explore and people they don't meet-- 99% of New Home and its residents, for instance. But Clover themselves is the real problem for me.

No matter how many times Flowey reset with Clover, I really struggle to believe that he would get bored of a human being that easily. He even said that Clover's actions and choices would sometimes change from reset to reset, and he only recently learned how dramatically he could alter their path by sabotaging that lever in the Ruins. Clover isn't a static being-- and even if they were, they're at least a new static being.

And although we learn in the neutral route that Flowey can't really absorb Clover's soul because they fight back too much, I can't believe that would stop Flowey so easily. What about at the end of the pacifist route, where Clover has given it up willingly and it's being transported in a little jar? Clover’s body is separated from the soul, now-- could Clover still fight back?

Or, what about if Flowey tried to kill them as soon as they entered the Ruins? Or, what if Flowey played nice the entire route and then at the end tried to convince Clover that if they sacrificed their soul, he would take it to Asgore for them? With access to full control of the timeline, I don't think Flowey would give up on this. We learn in Undertale how painful it is for him to be soulless and how desperate he is to access power so that things will change.

For Flowey to acknowledge Clover as a 'friend'- maybe even a true person, not just a compilation of dialogue- suggests character growth. It suggests remorse for his resets that he isn't capable of having and doesn't have until the events of Undertale. I just don't feel like it’s earned. 

Flowey is, of course, an unreliable narrator. 

At the end of the no mercy route of UTY, Flowey expresses that he never saw Clover as a friend-- he only enjoyed watching them die over and over again. It should be noted that this was said while under extreme duress (Clover is LV 20 by this point and has killed everyone save for Asgore), and this route isn’t canon in the way that the neutral and pacifist routes are. 

With that said, if we agree that Flowey can’t feel love as a soulless being, then I could argue that this is about as much of a ‘friend’ as anyone could be. This is how he wanted to keep Frisk (“Chara”, in his mind) for eternity when he had the six human souls + the entirety of monsterkinds’ souls-- just watch them try over and over again, for eternity. 

Why am I contradicting myself? Because, let’s suppose that Flowey doesn’t mean Clover is a ‘friend’ in the traditional sense- that they earned his respect and he cares for them in some way- but Clover is a new toy that he got bored with and gave up on. I feel like this, too, makes Undertale a little weaker. 

If Flowey did have some type of positive regard for Clover, but was willing to let them go, then it feels- to me- like Frisk’s role in his story isn’t that significant. Frisk helped him learn how to let go and move on, but Flowey has already demonstrated being capable of this. The circumstances are different- if Flowey gives up at the end of Undertale’s true pacifist route, it’s over for real, whereas if he gives up at the end of UTY, he can just wait for another human to fall- but I feel like the core feeling is the same. Flowey, by the start of Undertale, doesn’t strike me as someone who’s capable of letting go. 

So, how would I have changed this?

I recognize that- again- Undertale already made these points about video games and violence, and Flowey has his entire character arc in that game. For Flowey to have more of an arc in this game would potentially make this game no longer line up with canon Undertale or weaken Undertale further. And why retread old ground that Undertale already talked about?

I respect the decision to tell a self-contained story, but the meta commentary about video games in Undertale is so significant for me that I personally would have liked to see a bit more of it in Undertale Yellow. I also recognize how much of my criticism of Flowey’s writing in UTY is subjective. It feels unrealistic for me, his arc feels abrupt for me, it makes Undertale less poignant for me. 

A lot of people love his inclusion in this game, and it’s very novel to see Flowey as a friend throughout most of UTY and hear his snarky commentary on demand rather than having him as an enemy who’s absent through most of the game, as he is in Undertale. 

The Flowey Suggestions

First, I’ll be honest. I know this is not and has never been possible, but my easiest solution to the dilemma of Flowey’s lack of a character arc- and the lack of an ability to give him a character arc- would have been to just remove him from UTY. 

I think that Flowey’s inclusion in the story of the yellow soul human and his role saving and loading could have been interesting. It goes against certain story elements implied in Undertale, and popular fan theories-- and I don’t mind that, if something meaningful is done with it. But, I feel as if Flowey’s relationship to Clover isn’t impactful enough to justify including him. 

To clarify on ‘implied story elements’ and ‘popular fan theories’: 

While I might be misremembering, I thought that it was implied in Undertale that Flowey came into being after Asgore had already collected six human souls, and that a significant amount of time had passed since the last human had fallen down. 

I won’t go into it at length because this post is long enough and I, again, am not an Undertale expert. With that said, it’s also implied that all human souls are capable of saving/loading/resetting in the Underground. If you make Frisk tell Asgore that he killed them before, he just nods as if he’s used to it-- and he’s the one character who we know has killed humans before.

Now, how did Asgore successfully kill beings that can just reset the game whenever they die? Well, Sans faces the same dilemma in Undertale’s no mercy route. There’s no way that he can permanently defeat you, the player, who is a real being. Therefore, the way he ‘wins’ is by infuriating you enough with his difficult boss fight until you give up and stop playing Undertale (or, at least, reset and make better choices). 

Think about all the times you’ve played a game, got stuck on a hard boss, and never played it again. While it’s not ‘canon’ to the story- giving up on your copy of Mario doesn’t mean Bowser really wins- functionally, giving up on a game means that the story ends for you. This is how I believe Asgore captured the six human souls, even if they were also capable of resetting like Frisk is-- he fought them until they gave up.

Humans all are said to have great amounts of ‘determination’, not just red soul bearers. We don’t even know what trait the red soul exemplifies. Whatever it is, I don’t think it’s determination itself. 

The bottom line is that I don’t think it would be unrealistic for Clover to be able to save/load/reset on their own, or for Flowey to not exist yet during the time they fell down. 

But, I get it, Flowey was in UTY’s demo that has been out for seven years. He’s in the trailers. He couldn’t be removed at any part of development, and he sure as hell can’t be removed now. 

My second suggestion would have been to zoom in on him, instead. While the prequel is about Clover, the yellow soul human, I would have liked to see it be about Flowey in a significant way. I kept hoping for Clover to have an opportunity to ask Flowey at some point, “why are you helping me, anyway?”.

This is my personal interpretation, but I’ve come to believe that Flowey thinks that the reason he’s stuck as a flower is that it’s a punishment. Because he, as Asriel, refused to fight back, he failed Chara, and now they’re dead. Now he’s stuck as a rinky-dink flower with no soul, he can’t love his former family, and he can’t stop playing this game. 

In the no mercy route of Undertale, Flowey feels very much like he’s trying to appeal to Frisk- the person he believes is Chara- in a way like a younger sibling trying to impress an older sibling. He says he’s impressed by how you killed everyone. He helps solves puzzles so you won’t have to slow down. He brags to you about how he’s also a heartless killer. 

Notably, he talks about his past. He tells ‘Chara’ that he was afraid to start killing, at first. He said he wouldn’t enjoy it, but he just had to know what would happen.

Then, Flowey laughs and says that you (Chara) know how liberating it is to be this way-- to kill people and shape their fates. He ‘recognizes’ Frisk as being actually Chara because of how they killed everyone in the Ruins. 

But we have no indication that Chara was a violent or evil person in their life. I believe that Flowey is partially projecting and partially recognizes Chara because, in the last moments of their life, they were telling him to kill. He always knew that Chara hated humanity and wanted power to better the position of monsterkind. This is why Flowey brags about how he has a plan to get the human souls, and once they do so, they can go to the surface and “finish what [they] started.” 

To Flowey, in my opinion, killing people isn’t just about seeing what happens. It’s about trying to understand and appease Chara and doing what he thinks he should have done all that time ago, as Asriel. 

I bring this up because I think that I would have liked to have seen this be explored in Undertale Yellow. Flowey is still a very misunderstood character today due to being an unreliable narrator. I believe that a lot of Flowey misinterpretations are due to taking him at face value-- hearing him say that he’s an unfeeling, manipulative, patient killer and agreeing with him.

But Flowey contradicts himself at several points. He gives up his “catch these friendliness pellets” trick after you dodging just a few times. These aren’t the makings of a perfect manipulative killer, but an impatient child. That’s who Flowey is at his core-- a child. 

I recognize that, again, if Flowey told all of his tragic backstory to Clover and they became true friends, this wouldn’t fit with canon Undertale and his actions in that game. Flowey and Asriel distance themselves from each other, and it wouldn’t make sense for Flowey to tell this to Clover-- especially if he just views them as a tool to use and play with. 

I think, however, it wouldn’t have been impossible for Clover to have learned this information about Flowey in a way that could still be canon compliant with Undertale itself. Hypothetically, maybe the “hopes and dreams” statue in the UG Apartments near the Core could have sparked intrigue in Flowey. 

Maybe analysis of Flowey could have come up during his neutral route boss fight-- after all, Clover appears to peek into the minds of Ceroba and Martlet during the true pacifist and no mercy run boss fights, respectively. We already get a little of this- Clover has to run through a hallway of flowers in Flowey’s boss fight, and we hear sad and scared dialogue that’s presumably from a past version of Flowey himself. However, it’s not necessarily new and doesn’t quite add to Flowey’s character in my personal opinion.

I feel that including Flowey’s story more in some way would justify having Flowey in the game, and knowing the history of Asriel & Chara could factor into Clover’s decision to give up their soul for the sake of monsterkind. Chara, too, sacrificed themselves willingly, after all. 

I don’t have a ‘realistic suggestion’ that could be implemented with a dialogue update because these suggestions are so vast-- and, ultimately, very personal and subjective. I have very strong feelings about Flowey.

Meta Elements of Undertale 

In Undertale, you’re asked when you should or shouldn’t fight. As a pacifist, you can get through the Ruins without killing anyone. Flowey will then ask you what you would do if you met a relentless killer. Would you betray your morals and fight? Or would you give up and let yourself die?

Undertale is the friendly RPG where nobody has to die. While you have to kill Asgore at least once to do the neutral route, and you do have to fight back against Omega/Photoshop Flowey to end his battle, the game ultimately posits that there never is a good time to fight. You don’t beat Omega Flowey by being stronger than him, you do it by appealing to the souls and allowing them to rebel. You don’t beat God of Hyperdeath Asriel Dreemurr by beating him up, you do it by saving your friends- him included. The game, again, is about an inversion of the necessity of violence in video games to me.

I would have been interested in seeing an exploration of when it is necessary to fight, and this could be done through the lens of ‘justice’. Would Clover fight if it brought them closer to justice (on a pacifist route)? Is it morally correct to kill one person if it saves thousands? 

Sparing someone is always the correct option in Undertale. In that way, the true route is quite linear-- there’s one solution that works for everyone. What if there were situations in UTY in which there is no single correct option that works for everyone? What if Clover were placed in situations in which they had to act as arbiter and decide between two outcomes and what is right? It could have been like how they get forced to solve the trolley problem in the Wild East, but with consequences. 

Adding to putting a ‘twist’ on the elements that Undertale introduces with its combat system-- what if sparing someone ultimately enabled them to keep hurting others? What if fighting to weaken someone was the correct solution for once? These inversions could have built on the meta elements of Undertale, and I think that it would make Clover’s decision to sacrifice themselves to bring justice to monsterkind more poignant to me.

Again, I have no ‘realistic’ suggestion for this in the full release of UTY. I think that the plot about justice alone isn’t bad, but I would have been happy to see it tie into the gameplay a little more. 

Conclusion

Ultimately, I think that UTY tries too hard to be Undertale without iterating on the aspects that made Undertale memorable. The characters feel like they fail to pop or relate to the game’s story in meaningful ways, and to me, the main story isn’t executed as well as it could have been (and far darker than the main Undertale in ways that don’t feel as if they’re handled sensitively). 

I will say, again, that this project is very impressive in scope, and I applaud the dev team for finishing it and releasing it. I recognize that a lot of my distaste is subjective, and creating another Undertale is a fool's errand considering the acclaim that Undertale got. I recognize one final time that my suggestions are just daydreaming, and this game has already found a lot of success-- which I think it deserves.

I tend to criticize a lot of media I like, which might sound contradictory to some, but it makes perfect sense to me. If I don’t like something, I won’t engage with it. I think that the original Undertale has its flaws, too. At the end of the day, I like UTY, but no media is perfect. This is how I think it could have been better, and I hope that I think other creatives who want to make Undertale fanworks (or any creative works, for that matter) will take these thoughts into consideration.

Thanks for reading.

[rei-ismyname]

X-FACTOR 2020 Highlights 1

The Krakoan X-Factor was a fantastic little book, though it unfortunately was cancelled at short notice due to factors outside creator control after only 10 issues. On the positive side, those 10 issues were excellent. This post will be all issue #1 because it's one of the best team building issues I've ever read and lays a very solid foundation for what comes next. It's also a very queer book.

Issue one is all about building the team and the premise. Wasting no time, the first page is a splash of Northstar sensing Aurora's death via twin telepathy. He immediately flies to Arbor Magna and demands the Five bring her back, pissing off everyone in the process.

He follows Hope's advice and learns the last place she was seen was the Green Lagoon, but hits a dead end. Fortunately Lorna overhears and throws in, neo-noir style. Daken happens to be lying on the floor and joins the team too, though they aren't very happy to have him. The three put the word out via flyer and the band assembles!

Rachel Summers, the recently resurrected Prodigy, and... EYE BOY round out the squad bringing the number up to 6 + Amazing Baby, Rachel's warwolf that Betsy gave her in the pages of Excalibur. Prodigy uses his superpowers of common sense and deduction and they're off to Bellingham, Washington.

Rachel uses her oft-forgotten Chronoskimming to see Aurora's most recent moments in a motel room she rented while Daken 'interviews' the guy at the front desk and the team start to explore how their powers interact/pick up clues.

By their powers combined they track down the barrier Aurora smashed through into the water. Eye Boy earns his keep by narrowing down which of the many underwater cars it could be and Polaris pulls them out of the water. Plates are matched with the motel rental receipt and voila! Interestingly it's Daken who pulls Northstar back from searching for his sister's corpse directly, signposting his arc will be one of emotional and social growth. He has the skills, he just hasn't been using them.

Northstar rushes off and *ahem* presents proof of death to the Five. Luckily the Five understand he's going through some shit and his team has his back. The best X-Men stories are about found family and soap opera, and this ad hoc team has plenty of both.

Daken and Northstar's clash of personalities starts to soften a little and the rest of the team get their CSI: Krakoa on in front of the Quiet Council. Despite Emma's scorn, their impressive display turns out to be a job interview.

Turns out there's a lot of missing and dead mutants or just people lacking proof of death. Resurrection protocols stress avoiding resurrecting 'dupes' and so far the labor involved handling it informally is disrupting The Five's workflow. They're swamped. The team's actions demonstrated a need for X-Factor and their suitability for the mission.

The Quiet Council approves and X-Factor is (re)born! Lorna, despite having lead X-Factor before, knows she's not in a space for leadership right now, nominating Northstar and unofficially becoming his XO. In a nod to Polaris' inconsistent characterisation over the decades, she renders Magneto speechless by asking him to describe her personality. Lorna's arc is established as one of self actualisation and coming to terms with the difficulty of being Lorna Dane AND Magneto's daughter - no dancing around the fact he's been a shitty parent. However, he is trying to be better. Krakoa is a fresh start for all.

Lorna calls back to Giant-Size X-Men, speaking directly to Krakoa about their long history (she yeeted it into space if you didn't know.) Together, they build The Boneyard, X-Factor's headquarters and living space. The Five drop by with a gift and Forge shares his invention of fleet seeds, allowing anyone to submit a case to X-Factor. The Boneyard immediately fills with pink bubbles/cases and they realise they have a lot of work ahead of them - validating their commitment and giving them all purpose.

As I said in the intro, X-Factor #1 is one of the best team building issues I've ever read. Aurora's death is the inciting incident on page one and the team is formed by page three. Instead of stretching the investigation out into the first arc/five issues, it's resolved in 1 and we get to explore the team dynamic and workflow in real time. They don't need to grow into individual competence because they're already there. It's a strong statement that the investigations are a backdrop for character work and growing into an unlikely team/family unit.

Two of the issues are part of X of Swords. An event crossover usually threatens to knock a limited series off course but the connectivity inherent to The First Krakoan Age (plus X-Factor's links to the Five and Quiet Council) instead provide opportunity to explore existing themes and put the characters through the wringer. But I'm getting ahead of myself - that is a subject for part 2.

Next time - war, murder, and ACAB. Plus, Aurora's back!