#So absolutely devastating

[appropriatelystupid]

(spongebob narrator voice) a few hours later...

[pidgydraws]

💛 Love Can Change You... 💛

[ihathbenobiwankenobied]

great day for the reminder that fandoms are ruined by those who comment hateful things on fanfic

writers don’t owe you anything

writers make fics for free

there is a back button for a reason

[stillgotscars]

who’s ready to talk about the progression from “there was nowhere for me to stay, but i stayed anyway” -> “every breath feels like rarest air when you’re not sure if he wants to be there”

[whenthewallfell]

Some of the supporting cast of the thg/rdr mashup! I was gonna wait until the proper portraits were done but got too impatient haha

(deets below the cut)

Haymitch Abernathy

Not much is known about who he was before coming to New Hanover - his youth, his family, and his name are all things he refuses to talk about. What is known is that he spent some time as a migrant worker, travelling the states until he eventually came into the employ of government official Coriolanus Snow as a gun-for-hire. Snow later granted him a homestead in Cumberland Forest, in what would become a precursor to the General Allotment Act.

Despite the close proximity and occasional trades with the Wapiti tribe, Haymitch rebuffs all offers of community, preferring to spend his days in solitude. Recently, however, Katniss has strongarmed her way into his life, using his house as a base of operations whether he wants her to or not.

Johanna Yau

Yau Qiuyue was born and raised in West Elizabeth to a railroad worker and his wife, until the Chinatown they lived in was burned down by locals. Qiuyue was one of the few survivors, taken to be sold to a brothel; the men were found dead a few days later with a hatchet buried so deep in one man's skull they couldn't pull it out. She reappeared travelling under the name Johanna Yau with a bounty hunter, Haymitch Abernathy, who took her under his wing and taught her how to handle firearms.

These days she's something of a local legend - a vigilante who wipes out gangs and deals brutal justice to those who target immigrant workers. Known as The Dragoness of West Elizabeth, she is sometimes accompanied by the woman journalist Cressida Mason, who chronicles (and embellishes) her deeds. They make for an odd couple, preferring each other's company to that of any hopeful suitors.

Euphemia Trinket

A somewhat naïve secretary of Snow's who was tasked with monitoring his investment in the new allotment project, Euphemia is required to make fortnightly checkups and send reports on Haymitch's progress with the homestead. The position, while offering more freedom and independence than she might find otherwise, is not without its downsides - the fashion and culture of New Hanover is severely lacking in her eyes, and she misses the hustle and bustle of Blackwater.

Originally, Effie believed that what they were doing was essential to the betterment of their native neighbours and their introduction into Civilised Society, but she is beginning to have doubts after seeing the true extent of Haymitch's depression and the living conditions on the nearby reservation.

Primrose

Sister and polar opposite to Katniss, Primrose is a sweet girl with a sunny disposition, growing into a fine healer under the tutelage of her mother. She's also an accomplished sewist who is fascinated by 'modern' fashion, and enjoys blending outside and Wapiti influences into her own clothing whenever she can. She sometimes offers to work on Effie's as well in exchange for fashion plates and fabrics from the city.

Despite her gentle manner, however, Prim is deeply stubborn and fiercely devoted to her tribe and family. She thinks Katniss' idea of shipping her off to some random faraway city is the stupidest thing she's ever heard, and isn't afraid to fight her sister every step of the way.

[ofteacupsandclocks]

Will wasn’t meant to die when Hannibal gutted him in Mizkmono

I wanna talk about Mizumono cause I have some thoughts.

First of all the most obvious: if Will wanted Hannibal dead Hannibal would’ve been dead. Will could’ve not warned Hannibal that Jack was coming if he wanted Hannibal dead. Will also had a gun, even after Hannibal had stabbed him he still could’ve just shot him. He didn’t. Will couldn’t bring himself to kill Hannibal. Will did t want Hannibal dead.

That out of the way: If Hannibal wanted Will dead, Will would’ve been dead. Hannibal is a surgeon, he knows where vital organs are; he could’ve sliced Will’s neck, he could’ve stabbed deeper but instead he gutted Will in just the right way to hurt him, to scar him but not enough to kill him. Hannibal wanted Will alive but hurting.

This brings me to the most important point: Abigail. Will hurt Hannibal a lot. Hannibal let him close. Let him near his soft underbelly and Will betrayed him. Hannibal killed Abigail because he wanted to hurt Will in a way Will wouldn’t be able to recover from. Just how Will had hurt him.

But also I think because he wanted to force Will to go after him. If Hannibal left Abigail to Will, Will might have decided to let Hannibal leave, to not follow him. If Hannibal took Abigail with him when he ran away to Italy, Will would’ve gone searching for Abigail, not for Hannibal. Neither of these options were acceptable for Hannibal. He wanted to provoke Will to go after him, and only him.

And the final reason is that Hannibal saw that Abigail didn’t really have a place in the world. That she hadn’t had a place in the world since he faked her death or maybe even since her father attempted to kill her. She was living in borrowed time because she was useful to those around her. Useful to Hannibal in trying to connect to Will. Useful to Will in trying to have a family. But she was no longer useful. Hannibal saw that the teacup has shattered and that no matter how badly he wanted to, he couldn’t force it to put itself back together. So he let it stay broken, leg Abigail stay dead as she should have been.

[starkspi]

Trying to bribe @morningstarwrites with these sketches so I can read the new chapter earlier ha! Thank you for the inspiration, the challenge and the absolute joy this fic brings me. I’d kiss your brain folds if I could.

[fairyhaos]

sobbing what do you MEAN they video called jeonghan and junhui for their celebratory ot13 meal together

[aliquidether]

the adventure of the unbreakable speckled band

[ghostvibesonly]

my mental stability lies in the hands of a cockroach

[sword-wielding-sapphic]

thinking about "it's unreasonable to assume that a character knows what genre they're in" and how in series 1-3, Merlin (and the audience) thinks that he's in a fantasy adventure comedy. no one realises that he's in a tragedy until it's too late.

[waitineedaname]

thinking about six balls again (when he was born he weighed six balls)

[melefim]

Hey @netflix honestly how do you expect people to watch your shows and invest their time and money into you when EVERY SINGLE TIME you have something people love you just throw it away?

What’s the fucking point if a show with a 92/90 on Rotten Tomatoes and that’s made MULTIPLE Best Of lists isn’t even given a chance to grow?

Let’s look at some comparisons of a few other recent Netflix shows that got a second (or more) season, shall we? How are they stacking up on RT?

Stranger Things: 91/90

The Sandman: 88/80

Bridgerton: 84/74

Shadow & Bone: 83/84

Wednesday: 73/85

Locke & Key: 68/56

Avatar: The Last Airbender: 61/72

Fate: The Winx Saga: 45/82

So good reviews and critical acclaim won’t do it. Multiple weeks on your top 10 won’t do it, making the Nielsen top 10 won’t do it. Engagement from a devoted fan base won’t do it. I’m curious, what’s the metric here? Just because it wasn’t an instant runaway sensation, it’s not worth it to you? Is that what it takes?

Here’s a hot tip: if you want people to continue to pay for a subscription to your service, maybe give stuff a chance to grow. Maybe invest a bit of time into actually advertising a show before it premiers.

One of the most popular tweets about Dead Boy Detectives when it came out was someone saying they didn’t want to watch it because they didn’t trust you not to cancel it and break their hearts. There were THOUSANDS of people agreeing with it. Thousands of viewers, thousands of accounts you missed out on because people didn’t trust you. So how is this move going to help that?

How are you planning to get people to stick around when one of the best shows on your platform isn’t given a chance? How are you expecting them to ever give your shows a chance when you’re proving again and again that you can’t be trusted to follow through?

Dead Boy Detectives is a great show. It’s a quality product. The cinematography, the lighting, the sound design, the sets, the props, the COSTUMES. The scripts are good, the acting is great, the effects are believable. the cast and crew poured their hearts into it and you can see it on the screen. The characters are relatable and real. This is a show that is rewatchable. A show that is fun. A show that is entertaining. That has a good message, that deals with heavy topics with care and sensitivity. That’s got comedy and drama and horror and mystery. That’s got representation and diversity. That means something to people. Means A LOT to people. But that’s not important to you.

Dead Boy Detectives was THE reason I renewed my account. I watched it multiple times. (See how many magnifying glasses there are after my name up there? Fun fact: I added one every time I watched the full season.) I was even making a list of other shows and movies I was planning to check out. But that’s not happening any more, because I’m canceling my account as soon as this post is up. And I know I’m not the only one.

[madbard]

There’s something to be said about how Stanley Pines was treated his entire life as a lesser echo of his brother.

Stan was the failure. He had no value. He was never told he could thrive on his own, so he never tried. He balanced the weight of his dreams on remaining at Ford’s side, and when Ford revealed he had other plans, he spiraled. He lost his home, tried desperately to make a name for himself while spinning from identity to identity, losing more and more of himself as time went on. After years of running, his brother finally reached out to him again and Stan grabbed onto that lifeline, only to realize Ford didn’t want him to stay. Ford wanted Stan to do something for him. That was all.

Stan would never be anything without Ford. He would never be anything more than Ford. He took his brother’s identity while sacrificing decades of his life, but it wasn’t much of a life anyway, so what was there to lose?

Ford returned, and didn’t even thank him.

Stan had done all of that for nothing. His brother looked him in the eye and (from Stan’s perspective) decided he deserved nothing.

Stanley Pines deserved nothing because Stanley Pines was nothing.

And yet, at the end of everything, when everything else was lost, the world was saved.

Not because Stan pretended to be Ford, fulfilling his role as echo and shadow and double.

No.

Because, in that moment, Bill made a deal with Stanley Pines. The conman, the grunkle, the failure. The defender.

Stanley Pines, who would always protect his family, even if it meant sacrificing himself.

Stanley Pines, who was so very valuable, after all.

[saudrag]

jim, when he finally understood spock’s reasoning in menagerie, part 2: spock! you could’ve just told me! (and i would’ve broke the rules for you)

spock, as noble and kind as he is: and make you face the death penalty too? no… one of us is enough

[janumun]

God, you guys have no idea what this hug has done for me. It has watered my crops, cleared my acne, jumped me in my bed while I slumbered unaware, took me by the throat, body slammed me against the wall and fucked up my insides like Sylus’ big, thick, un-lubed cock. But that’s alright because I love the pain.

Sylus fuc/kers, you can bet good money I am working on another Sylus fic, smut ofcourse, based on this card for the good of my heart, soul and 🐱 ✍🏽✍🏽

The fic is now out and it can be found here ♥️